• 3 months ago

Category

📺
TV
Transcript
00:00What did you tell them?
00:01Tell them that you didn't go to prison.
00:03Open your eyes, see that you're not lying.
00:05You can see from here.
00:07I'm not lying, it is a lie.
00:09I am.
00:10I am telling the truth.
00:12I am telling the truth.
00:14My mother died in 2003.
00:16I was 15 when we went to prison.
00:20I would never lie.
00:21I am a mature adult.
00:23I didn't do it for my organisation.
00:24I can't lie to you.
00:26I am not joking, I didn't do it for the organisation.
00:28How did you study by leaving the books and writing them here in the kitchen?
00:32I'll explain it to you another time, Marifran, because I'm in a hurry.
00:35Ah, I'm telling you, this girl is covering up her pain.
00:39Hey, with a sexual activity out of the ordinary.
00:41But we're back again, huh?
00:42It can't be, huh? It can't be. No, no, no, no.
00:45Are you doing therapy?
00:48You were in the lawyers' office that...
00:51that argued in Madrid against Ibáñez.
00:54I prefer that...
00:57we leave him here. I mean, we're going to look for other lawyers.
01:02It's your son.
01:03El Seireta! Welcome, how are you?
01:06Hi.
01:08What's up? Don't you like the bar or what?
01:10I always imagined the place in a bigger city.
01:14Madrid, Barcelona...
01:15Yeah, but the guy you see has his charm, right?
01:20To the bathroom!
01:24Shut up, shut up, shut up, shut up.
01:27What the fuck do you have to do with Javier Romagna?
01:29No, no, no.
01:30And give me a fucking reason, a fucking reason
01:32why I have to leave you the chicken with a heart!
01:57I'm sorry, I'm sorry, I'm sorry. I'm really sorry, okay?
02:00I'm sorry.
02:28Hello.
02:29How are you? Good?
02:32Good?
02:33Yes.
02:35I'm going to the bathroom for a moment, okay?
02:38Come here, machine.
02:39I'm sorry, bro!
02:41Chill, chill, chill.
02:42Don't mess with the kid, man.
02:45What's wrong, man? You seem to be a little sleepy, don't you?
02:48Yeah, it's just that I haven't...
02:50I haven't slept very well today.
02:52Not because of the mattress, which is more comfortable than the bed.
02:56It seems to me that the humorist has come out, the son of the picoleto.
02:59The son of the picoleto?
03:01No, my father is not picoleto, huh?
03:03No, no, no, I swear I'm not. He's an electrician.
03:06Yes, yes, yes, I swear.
03:07What a spark you have.
03:09Just like your father's.
03:11Very good.
03:13I'm not lying to you.
03:14I know, I know.
03:16You know what happens?
03:17This place, this place confuses our heads.
03:21Okay.
03:22We're going to give you a little message for your father.
03:25But I'm telling you, really.
03:28Look how pretty.
03:30I already have one in the cell, huh?
03:32Yes, but it seems that you don't get this, right?
03:35No, I don't know.
03:36Don't worry, because I'm going to explain it to you.
03:38This blanket is so that you don't hear the shit we're about to give you.
03:43Wow, wow, wow, I'm very sorry, huh?
03:46Okay, okay, forgive me.
03:48I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry.
03:51Forgive me.
04:18I've brought croissants.
04:44But I thought your mother was coming.
04:47Well, now with the taxi thing, I get drunk a lot.
04:50Yeah, well, croissants for three.
04:54Because no one else will come, right?
04:58No, I'm not going to see anyone if that's what worries you.
05:01Okay.
05:02And I'm sorry if I got a little ...
05:06dry, but I was in shock.
05:08I understand.
05:10But I was doing everything to help John.
05:12Yes, I know you were doing it with good intentions,
05:14but you can't risk being a psychologist.
05:16Do you know it's dangerous to give advice on certain topics
05:18without proper training? Do you know that?
05:20Well, I looked for proper information, huh?
05:24Where?
05:26First, I read a lot, a lot, on the internet.
05:29And then, well, if I offered to help you with the videos,
05:34it was a bit to learn your advice without you noticing.
05:40Okay, okay, okay, okay.
05:42So instead of helping me get patients,
05:44you were taking them away from me, right?
05:45That's not it either, Bea.
05:47Well, I think you're exaggerating a bit, aren't you?
05:49Good morning.
05:50Hello, aunt.
05:51What are you talking about?
05:52Desi's office, right?
05:53She has an ear, the aunt has an ear.
05:56Well, you should know that in my time there was a program called
05:59Let's talk about sex, which was led by a woman named Elena Ochoa.
06:02I have no idea.
06:04It was in the last century.
06:05But from that program we learned a lot about women.
06:08Although it has nothing to do with your office, but ...
06:11Well, I think those videos you were making
06:14could help you.
06:15Well, I'm not going to continue.
06:16No.
06:17Why?
06:18Why not?
06:19Because I've seen what my colleagues do.
06:20I don't think it really helps.
06:22Well, not to mention the non-professional accounts
06:25that are dedicated to giving advice without any kind of rigor.
06:28I mean, I think ...
06:29You can't give the same value to a generic advice
06:32that you get from the internet,
06:34than to one that a professional gives you
06:36in a private consultation on a very specific topic.
06:39Answer now, Desi.
06:40Yes, yes, Bea.
06:44I can't believe it.
06:45What?
06:4636 messages for the Desi office.
06:49I'm giving you the badge and you're still with this, Desi?
06:51Seriously?
06:52Shall we continue with this?
06:53Okay.
06:54Come on.
06:55I'm going, I'm going.
06:58That's it.
06:59Closed group.
07:00Okay, well, now you tell your clients or whatever
07:02that the consultation is already closed.
07:04Okay, Bea, yes.
07:05Okay.
07:06Okay.
07:07That's it?
07:08Uh-huh.
07:09Go have breakfast.
07:10Mmm.
07:11Very good, Bea.
07:15Uh ...
07:16Well, that's it, that's it.
07:19Very good.
07:20Well, nothing.
07:21Very good.
07:22Okay.
07:23Uh, nothing.
07:24Thank you, huh.
07:26Nothing.
07:27What?
07:28Another one that neither.
07:29Neither?
07:30Fuck, I don't understand it.
07:31But are all the lawyers full?
07:32I don't understand.
07:33I'm starting to see Ibañez's shadow everywhere,
07:35I swear to you.
07:36I mean ...
07:37Yes?
07:38Okay.
07:39Have we already called the lawyer?
07:42I mean, yes, but in this case,
07:45with Ibañez in the way, everything ...
07:48No.
07:49We wait, right?
07:50Look, we haven't called these three yet.
07:51Do you think?
07:52Yes.
07:53There is still hope.
07:54Come on, let's go get them.
07:55Uh ...
07:56Yes, we are going to call them,
07:57because what is clear is that they are not going to call us.
08:00Okay.
08:03Look at the movie.
08:05Can you imagine that he is a lawyer?
08:07The best in Spain.
08:09And he comes here to look for us, to save us.
08:13With a suitcase.
08:14How about reading it just in case?
08:15I love you so much.
08:16I love you.
08:21Hello, Pichurri!
08:22And what a little bird of prey, my poor thing.
08:25Well, and you?
08:26I can imagine how you are, huh?
08:28But the important thing is that the mood does not decay.
08:30This is the most important thing.
08:32Very good, Chari.
08:33But what are you doing here, honey?
08:34What do I do here?
08:35Have you put Iona in jail
08:36and you think I'm going to stay at home so calm?
08:38Not at all, not at all.
08:40Well, to the point.
08:42When can I go see Iona?
08:44Okay, let's see, Chari.
08:46Until the trial is held, there are no visits.
08:50Are you telling me you haven't been able to go see her?
08:53No.
08:55But what lawyer do you have?
08:57Have you hired the fool of the town or what?
08:59Let's see, we've had some problems, okay?
09:01What problems?
09:02Many problems.
09:03Especially that right now we don't even have a defense lawyer.
09:08Are you telling me you don't have a lawyer?
09:10That's just what I just said.
09:12Oh my God, my poor thing.
09:14Let's see, Chari, please, wait a second.
09:16We talked to the boy yesterday, he's fine.
09:18Yes, but yesterday is yesterday and today is today.
09:21Mom, please.
09:22No, no, no, no, no, little boy.
09:24This is not going to stay that way.
09:26And I'm not going to stop until we can see Iona.
09:30And what are you going to do?
09:33Ah...
09:36I have my resources.
09:45Lessie.
09:46Hey, what's up, Jacobo?
09:47How are you?
09:48Fine.
09:49Hey, yesterday I tried the herbs you recommended to me.
09:51Ah, this is like to raise the libido.
09:53Yes, yes, yes, they have been great.
09:55Thank you very much.
09:56Well, I'm glad that at least someone listens to my advice.
09:59Why do you say that?
10:00No, because there are people who think I'm not doing well.
10:02Girl, well, I've had a fucking great time.
10:04In fact, I was going to ask you for a second consultation,
10:06but you closed the chat and I don't know.
10:08Yeah, I closed the chat and the consultation.
10:10Don't fuck with me.
10:11Yes.
10:12Seriously?
10:13Can't you raise your hand with me, whatever?
10:15No, I can't.
10:16Come on, it's me.
10:17Come on.
10:18Yeah.
10:19It's just that if I raise it with you, I have to raise it with everyone.
10:22Yeah.
10:23Well, nothing, thank you anyway.
10:25Nothing.
10:26Well, come on.
10:27Bye.
10:28Bye.
10:29Hey.
10:30Isn't this the guy from yesterday?
10:32Yes, it's Jacobo.
10:33In fact, he came to ask me for another consultation,
10:35but don't worry, I told him no.
10:36Well, I'm sure he'll be fine without you.
10:38Yes, he will, but what about John?
10:40Because in the end, the money was for him.
10:42Yeah.
10:43What happens is that I don't think you'll make as much money
10:46as to be able to hire the best buffet in Spain.
10:48No, I was making a lot of money, but at least I was doing something,
10:51Marifran, and I felt useful, you know?
10:53Yeah, I understand.
10:54But you know what Bea said.
10:56That the office, no.
10:58Yes, she told me that 30 times.
11:00Yeah, what happens is that you can stay at home
11:02and receive your friends at home,
11:04and so you talk about your things,
11:06they can tell you their problems, right?
11:09Of course.
11:10And then if they are very grateful,
11:12they can come with a gift, a bag, a cake, right?
11:1630 euros, so to speak.
11:18So to speak, 30 euros.
11:19And of course, you have to take it,
11:21because if you don't, it's like bad manners, right?
11:23Very bad manners.
11:24Of course, of course.
11:25Well, nothing, I'm going to see if Jacobo catches me.
11:27Okay.
11:31Freedom for John.
11:32There is an innocent in prison.
11:34National shame, comrades.
11:35Thank you, thank you.
11:36Solidarize.
11:37Please, there is an innocent in prison.
11:39Justice, justice, please, justice.
11:42Gentleman, gentleman.
11:44They have imprisoned my grandson unjustly.
11:46And only if we unite,
11:48if the people rise up with a single voice,
11:50we will be able to end this.
11:52Will it be?
11:54Will it be?
11:55No shame, the guy.
11:57Now I know how it feels
11:58those of the folders of the NGOs.
12:00Freedom for John.
12:01There is an innocent in prison, comrades.
12:04There is an innocent in prison.
12:06Take it, take it, take it.
12:08National shame.
12:09There is an innocent in prison who is my grandson.
12:12Please, solidarize with the cause.
12:14Chari, Chari, Chari, let's see what's going on.
12:17There is an innocent in prison.
12:20Yeah, yeah, yeah, I know.
12:22But it's just that several of the neighbors
12:24have already called for the voices, understand me.
12:26Look, I'll throw him out of the house now.
12:28Gómez, Gómez, okay?
12:29We are going to have a little left hand here
12:31because she is the mother of the sergeant,
12:33well, of the ex-sergeant Romagna,
12:34I don't know if ...
12:35Yes, yes, I know.
12:36But with these people you have a hard hand.
12:38If we don't get our beards up
12:39and they don't do a fucking thing.
12:40Well, we are going to have a little less hard hand
12:42and a little more left hand, okay?
12:44We are going to have a little tact,
12:45we are going to keep calm, okay?
12:47Yes, yes, yes, yes, yes, yes, yes, yes.
12:52Chari, eh, sorry, eh, with all due respect,
12:55but can you tell me what you are doing?
12:57Well, I think the sign speaks for itself, right?
13:00Yeah, yeah, but understand us,
13:02we can't allow you to put all this fuss
13:04here in the middle of the square.
13:05But I can't allow the mess
13:07you got my grandson in either.
13:09A poor 18-year-old boy is innocent.
13:12Yeah, yeah, if I don't know ...
13:13Chari, are you aware
13:15that my grandson is not allowed to be visited?
13:18I'm aware, yes, I'm aware.
13:20Well, that's why,
13:21I have no choice but to go on a hunger strike
13:23until they let us see him.
13:25But what do you mean, a hunger strike?
13:27Let us know, Chari.
13:28Be careful, and if it doesn't work,
13:30we'll have to move on to action, eh?
13:31Because here where you see me,
13:32I've gone to a lot of manis in the 80s,
13:34that I'm a friend of the cojo manteca,
13:36that I've put the mote to the woodworkers.
13:38Chari, Chari, let's see, please,
13:40don't make it harder for us, okay?
13:43Okay, let's see, where do you have the key?
13:45Come on, we'll unchain you,
13:46we'll take you home in a moment,
13:47and that's it, and nothing has happened here, eh?
13:49Well, it's not going to be,
13:50that I don't move from here,
13:52not even God,
13:53until they let us see him.
13:54Chari, really,
13:55but if it were up to us,
13:56it's just that ...
13:57Well, of course ...
13:58But it's not up to us, do you understand?
14:00Well, it's not my problem, Majo,
14:02but until I get what I want,
14:04no one moves from here.
14:06Fuck.
14:08Shall I call the lieutenant?
14:09No, no, no, no,
14:10let me give him a ...
14:12I'm going to call Javier, okay?
14:13Let's see if he can think of something ...
14:19Javier?
14:20What's up, Martínez?
14:21Let's see, how do I explain this to him?
14:23Try to tell me right away,
14:24you'll see how well.
14:25Well, let's see,
14:26it turns out that his mother
14:28has decided to go on a hunger strike
14:31and has chained herself to the palace fence.
14:33What?
14:34Yes, because since they don't let them visit John,
14:38how do we proceed, what do we do?
14:42Javier?
14:43Yes, yes, I'm here.
14:45Answer this question, Martínez,
14:47and tell me the truth, please.
14:51Is she dressed?
14:53Ah, uh ...
14:54Yes, yes, yes, for now, yes.
14:56I'm going there.
14:57Okay.
15:01Come here.
15:03Justice for John!
15:05Justice for John!
15:07Justice for John!
15:09Justice for ...
15:11Justice for ...
15:13Paco's brother?
15:15I've heard a lot about him.
15:18And I know that here, in Londria,
15:20he's very famous.
15:22I don't understand why Angela
15:25has prepared so much
15:27not to talk about Paco's friend,
15:31that colleague in Bavaria.
15:35Which one would you like to hear?
15:38There you have it, your wife, talking to a friend.
15:41And you putting it in your ear or what?
15:43No, the thing is that I couldn't help but listen to the conversation.
15:46But if you don't understand my Swedish dad ...
15:48Okay, okay, but you don't need to understand the words, man.
15:51The language of love is universal.
15:52The language of love.
15:53Yes, man, I have perfectly captured
15:55the affection he has for you.
15:56And also the illusion that makes him be here.
15:58Really?
15:59Yes, man, really.
16:01Paco here, Paco there.
16:03It's amazing, man, the amount of years you've been together
16:06and it's stuck in your bones.
16:08But you're clear about it, aren't you?
16:10No, of course not, clarinet.
16:11You're talking to an expert in non-verbal communication.
16:14And that in politics is fundamental
16:16to study the adversary, you know?
16:18Look, talking about love,
16:20here's Casanova, look at him.
16:24I need a coffee urgently,
16:25and if that one is better ...
16:26Come on, we'll put it on right now.
16:29I was here talking to Paco
16:31about the luck he has with Elsa, really.
16:33But hey, what am I going to tell you about love?
16:35You've always been in another league, man.
16:38Me?
16:39I don't know, don't exaggerate either.
16:41Exaggerated, you say?
16:42What, my nephew?
16:43Are you a figure?
16:44There came a time when I lost count
16:46of the girlfriends I had.
16:47What?
16:48What's wrong with you?
16:49What?
16:50Well, he's telling you to stop, to stop.
16:52That?
16:53What's the matter, are you jealous?
16:54Yes, how strange that we have already noticed
16:56some girls from the village.
16:58No, no, the truth is no.
17:00And in fact, I'm not looking for any of that either.
17:03Of course not.
17:04There will be time, right?
17:06Besides, in love you have to go slowly.
17:09Paco.
17:10Seriously?
17:11Slowly?
17:12Come on, please.
17:14Look, you know what?
17:15I think I'm going to have better coffee at home.
17:17You don't need to prepare anything, okay?
17:19Come on.
17:20But what's going on?
17:22You're an expert in non-verbal communication, right?
17:25What?
17:26But what?
17:27What did I say now?
17:28What did I do?
17:30You don't know how to get it right, damn it.
17:34Fuck.
17:37So, Borja, your problem is that you don't feel sexually attracted to anyone.
17:43So your boyfriend is not able to get you to orgasm.
17:46Let's see, Lucas, if you tell me that you haven't had sex in this last month
17:51and you can do it alone,
17:53what I can recommend is that you go to the doctor.
17:56Because this thing with the pills is a very important thing.
17:59Okay?
18:00Look, if I'm not going to recommend you some sex toys,
18:03I'm not sure this is a problem.
18:05What could be is that you become asexual.
18:08Well, and above all, that you talk to your girlfriend,
18:10because if it wasn't you, it was her who hit you,
18:12who is cheating on you, Lucas.
18:15Because, girl, nowadays, who needs a boyfriend, right?
18:19No, man, no, but neither.
18:22No, don't cry, Lucas.
18:24This is not a problem, nor is it that you are a weirdo,
18:27because it is an option like any other, right?
18:30If I'm going to make you a discount on the horns,
18:33I'm going to take ten euros from you.
18:38He's cute, he eats you.
18:40Bring it to me for a while, some children.
18:42What's going on here? What are you doing?
18:44What's going on?
18:45I want to see my great-grandson.
18:47Ah, your great-grandson?
18:48Yes.
18:49Well, look how easy you have it.
18:50You unchain yourself right now and you go with light,
18:52that the child is delicious, really.
18:54Don't even dream about it.
18:56Don't you want to see John?
18:57Yes, I want to see John, how can I not want to see him?
18:59But what can't be is that I'm going to visit John
19:01on odd days and you on odd days.
19:03Calm down, calm down,
19:04that the grandmother is doing this for John.
19:06Don't bother me.
19:07Which side are you on?
19:08Well, which side am I on?
19:09John, because we don't have a lawyer, dad,
19:11and we have to protest.
19:12We can't do this.
19:13Nor can they do what they are doing to John,
19:15and they are doing it.
19:16That's how you talk.
19:17The situation is calm.
19:18No, you, please, don't add more firewood to my fire.
19:20Please, Martín.
19:21I remind you that you are not allowed to talk on the phone with your son.
19:24And if something has happened to him, what?
19:25Don't tell me that, because that doesn't leave me alone.
19:27Well, it's the reality, Pichurrín.
19:29Because you know perfectly and better than anyone
19:31what kind of criminals John is with.
19:33And you know how John is, dad,
19:35how sensitive,
19:36that he doesn't have to be having a good time there,
19:38locked up alone.
19:39Enough already, please.
19:40No, no, we can't stay with our arms crossed.
19:42That's why we're here.
19:44No, no, they won't move us.
19:47No, no, they won't move us.
19:49That's it, it's over.
19:50Silence.
19:51Silence, mom, please.
19:52Silence now.
19:53It's over, mom.
19:54What?
19:55Come with me for a moment.
19:56What?
19:57Well, let's keep calm.
19:58What calm, Martín?
19:59Let's keep calm.
20:00What do you always tell me in this kind of situation?
20:02Let's keep calm, a cool mind.
20:03Besides, this is not good for you, you know.
20:06Okay.
20:07Well, breathe a little.
20:09Okay, okay, okay.
20:10In the end, it's your mother and we already know how it is.
20:12And this, well, okay?
20:14Okay.
20:17I don't...
20:20Gómez.
20:21Gómez.
20:22Well, I'm sorry, I got lost today.
20:24And, and, and...
20:25Fuck, you got lost.
20:27You also, fuck.
20:31No, no, they won't move us.
20:34No, no, they won't move us.
20:37Just like the river next to the sea.
20:39But what river, mom?
20:41Please, stop it.
20:43Be careful.
20:44Hey, be careful.
20:46Ouch.
20:47What's wrong?
20:48Aren't you comfortable?
20:49Damn, I'm sorry.
20:50Don't worry.
20:51Did I do something?
20:52No, no, you won't do anything.
20:53Well...
20:54Are you sure you're okay?
20:55Yes, but I wouldn't know either.
20:56If I had broken something, I wouldn't have found out either.
20:59The question is, why are you taking pictures of these houses in this town?
21:03Well, because of the architecture.
21:06The architecture.
21:07The architecture.
21:08The architecture.
21:09The architecture.
21:11Well, because of the architecture.
21:14I don't know.
21:15It's different.
21:16It seems curious to me.
21:17Yes, curious.
21:18I'm really sorry.
21:19I haven't seen you.
21:20I swear.
21:21No, no, I know you haven't seen me.
21:22Well, I thought you were pretending to be Swedish.
21:24You know?
21:25Swedish?
21:26Of course, Swedish.
21:27I mean, Swedish as an expression.
21:30Like...
21:31Well, I'm not listening...
21:34Yes, I know what you're saying.
21:35Okay, I know.
21:36You Spaniards are so funny.
21:38Ah, the Spaniards.
21:39I'm not Spanish.
21:40No, I'm actually Swedish.
21:42It's not true.
21:43I swear.
21:44No, seriously, come on.
21:45Yes, I am.
21:46How can you be Swedish?
21:47I promise you, I'm Swedish.
21:48Totally Swedish.
21:49Yes, yes, totally.
21:50I can't believe it.
21:51Fuck, what a aim I have, really.
21:52I'm really sorry.
21:53No, no, no.
21:54Yes, but the aim is also mine.
21:55And what does a Swedish woman do in front of the king?
21:58Well, that's a long story.
22:01But I'll tell you another day, okay?
22:02I have to go.
22:03Yes, yes, of course.
22:04As you wish.
22:05See you.
22:06See you.
22:13Hey, bird.
22:14So that you're not a couple,
22:15you almost broke your neck
22:16getting Paco's daughter's license.
22:19What are you saying, really?
22:20Stop saying bullshit.
22:21Bullshit, yes, yes.
22:24Paco's daughter.
22:26Swedish.
22:29From Sweden.
22:32Not from Sweden, Valencia, from Sweden.
22:36From Sweden.
22:43You too?
22:44Let's see, we're talking about my son.
22:46My nephew.
22:47And my son too.
22:48But you're not going to get anything that way.
22:49Yes, draw attention.
22:50What I don't understand
22:51is how you don't get involved here with us.
22:53A dad, an E.T.?
22:54What for?
22:55To make things worse, Silvia, please.
22:57It can't get any worse, honey.
22:58That's it.
22:59My son is too prudent.
23:00Well, let's see,
23:01what were we talking about, girls?
23:02What's that, grandma?
23:03Hunger strikes,
23:04you can drink water.
23:05Yes, you can drink water to survive.
23:07Sorry, I'm hungry.
23:08You didn't tell me,
23:09you only told me here in Catalunya.
23:10I didn't say anything concrete.
23:11But it's that...
23:12But come on,
23:13if you don't have to eat,
23:14you don't eat.
23:15Very good.
23:16Look, Luz,
23:17look at all the people who have come there.
23:18Look.
23:19No, mom, they're tourists.
23:20Well, better,
23:21international coverage.
23:22Justice for John!
23:23Justice for John!
23:24Justice for John!
23:25Justice for John!
23:26Justice for John!
23:27Justice for John!
23:28Justice for John!
23:29Justice for John!
23:30Justice for John!
23:31Justice for John!
23:32Justice for John!
23:33Justice for John!
23:34If you happen to watch TV,
23:35tell us.
23:36Very good, very good.
23:37What are you doing?
23:38What are you doing?
23:39Seriously?
23:40Are you going home?
23:41I think you've seen
23:42too many movies.
23:43I wish it was you
23:44in the movie,
23:45Ibañez,
23:46because the good ones
23:47win the good ones.
23:48Blessed are the eyes,
23:49El Cito.
23:50You too, Chari,
23:51but what are you doing here?
23:52You see,
23:53life turns around,
23:54huh?
23:55Who was going to tell us
23:56that we were going to meet
23:57and in this situation?
23:58Well, yes, yes.
23:59And all because
24:00you didn't tell us
24:01that you were going to meet
24:02and in this situation?
24:03And all because of you?
24:04No, no, sorry,
24:05I didn't make a mistake.
24:06It's not my fault.
24:07Do you remember, Sergito,
24:08when I found you
24:09in the park crying
24:10because you had fallen
24:11and your knee was bleeding?
24:15Vaguely.
24:16Well, I remember perfectly.
24:19I took you to my house
24:20to heal you
24:21and give you a snack
24:22until your mother
24:23came for you.
24:26You remember, right?
24:30Martínez!
24:31Martínez!
24:33Martínez, call the firemen.
24:35Yes, yes, I've been calling,
24:36the thing is
24:37they don't pick up the phone.
24:39No, the firemen
24:40don't pick up the phone.
24:42I don't know why,
24:43Martínez,
24:44it's a bit of an excuse.
24:45No.
24:48Here you go, Dad.
24:49Very good.
24:50Olé!
24:52We were not going
24:53to get you involved.
24:54Come on.
24:56Don't look at us!
24:58Join us!
24:59Don't look at us!
25:00Join us!
25:02Martínez, call the firemen.
25:04Yes, yes.
25:05Justice for John!
25:06What?
25:07Justice for John!
25:08What?
25:09Justice for John!
25:10Justice for John!
25:11Justice for John!
25:12Justice for John!
25:13Justice for John!
25:14Justice for John!
25:15Justice for John!
25:17Justice for John!
25:19Do you think the protest
25:20in the square will be useful?
25:22Who knows?
25:23But hey,
25:24everyone does what they can
25:25to help John, right?
25:27Yes,
25:28even if it's with the worst idea possible.
25:29Yes,
25:30don't get frustrated now.
25:32That's it.
25:34In fact,
25:36I have to congratulate you.
25:38Me? Why?
25:39Yes,
25:40because you did very well
25:41in closing the consultation.
25:42I am very proud of you.
25:44Yes,
25:45well,
25:46it's just that
25:47it was not a good idea.
25:48That's it.
25:49Yes,
25:50but I don't know,
25:51maybe there is another person
25:52who goes through everything,
25:53who keeps going,
25:54and you, however,
25:55look, how good.
25:56Yes,
25:57yes,
25:59I also tell you,
26:01I know you do it
26:02with a very good intention.
26:03Let's find another way
26:04in which you can help...
26:06What's wrong?
26:07Is something wrong?
26:09No,
26:10no,
26:11nothing, everything is fine.
26:12Okay, okay.
26:13I was telling you
26:14that we can find a way
26:15in which you can help the cause,
26:16you know?
26:17Yes,
26:18of course.
26:19You,
26:20fucking psychologist,
26:21that I have cheated
26:22and I have hit my boyfriend's knees?
26:23What do you want me to tell you?
26:24Ah,
26:25on top of that,
26:26cool,
26:27is that the knees hit like this.
26:28And I have to tell you
26:29that I have hit my boyfriend's knees,
26:30but the idiot
26:31who was in a camp
26:32slept there with another girl,
26:33didn't he?
26:34And how do you want me
26:35to know?
26:36If you don't know,
26:37why do you get involved?
26:38Well, girl,
26:39I also tell you something,
26:40if your boyfriend has cheated on you,
26:41you're doing a favor, aren't you?
26:42But don't tell him to leave me,
26:43I'll leave him anyway.
26:44Okay,
26:45it's okay,
26:46I'm sorry
26:47to interrupt,
26:48first,
26:49if your boyfriend leaves you
26:50because he did it to someone,
26:51he doesn't have many lights.
26:52That's also true.
26:53Yes.
26:54Then,
26:55second,
26:56the knees,
26:57He's been in contact with bedclothes, towels...
27:00Did you say he was in a camp?
27:01Uh-huh.
27:02Well, maybe he's been infected somewhere, hasn't he?
27:07Are you sure?
27:08I'm not sure, but he's your boyfriend. Ask him if you have any doubts.
27:12Okay. Okay?
27:22Phenomenal.
27:25Let's go upstairs.
27:28You just saw the consequences of your actions.
27:35Let's see. Urgent, urgent...
27:37What's said to be urgent, well, I don't know either.
27:39I mean, well, when you can come, and don't worry, okay?
27:45Okay, well, here we are.
27:47Perfect, thank you very much.
27:50I'm starting to get hungry.
27:52But we just started, Luz.
27:53I don't know how Gandhi was 21 days without eating.
27:56Well, that's how he stayed hungry, with a sigh.
27:59I don't know about this, I don't know about this.
28:02I really should have stayed off the hook.
28:04No. Yes.
28:06You trust me, really, trust me.
28:08You'll see how the authorities give in
28:10as soon as the press is echoed.
28:12What press, Charly?
28:13It's just that man recording with his cell phone.
28:15Oh, my God, we just need to go viral.
28:18What's up?
28:19The firemen?
28:20I've managed to talk to them.
28:21They told me they were in a lot of trouble, but they're on their way.
28:24A lot of trouble? Yes.
28:25A lot of trouble.
28:27You and I will talk about this, Martínez.
28:29We'll talk about it.
28:32Nothing.
28:34No, no, no, no, no, no, no, no, no.
28:37But, Menchu, what are you doing here?
28:39Well, to show solidarity, can't you see?
28:41Yeah, but you can't go on a hunger strike in your state.
28:45Get it?
28:46Well, that's why I brought my tupperware, my bread,
28:48and besides, I eat for three, I bring it all.
28:50In the end, you're getting me in trouble, huh?
28:52Oh, really, Martínez?
28:53Well, if there's a problem, have your lieutenant come and talk to me.
28:55I'll tell him four things.
28:56Say yes, Mesu.
28:57Don't look me in the mouth, don't look me in the mouth.
29:00Well, well.
29:01Well.
29:04You can do whatever you want for me,
29:06but you'll get tired.
29:08I'm going home to have dinner.
29:12And don't worry about me, okay?
29:15They also give dinner in jail.
29:20What a disgusting person, what a disgrace.
29:22I don't even know how he can stand it.
29:23Hey, hey, hey, calm down, calm down, okay?
29:25With how cute he was when he was little, huh?
29:27Yeah, well, he's become a Darth Vader again.
29:42Sergio.
29:45What?
29:47You look bad.
29:49Yeah, I can imagine.
29:51What face do you want me to have?
29:54With the one the Romans have made for me
29:56and the company on the street.
29:58Yeah, I've heard.
30:00Oh, yeah? You've heard?
30:02Damn.
30:03The news is flying in town, huh?
30:05The news and the videos.
30:08Damn.
30:11Brother, listen to me.
30:13And do what you have to do
30:15so that family can visit their son.
30:17Oh, it's not that easy.
30:20Use your contacts.
30:23It's enough to be in jail.
30:25Don't you think?
30:27What do you think I am?
30:29I'm a monster, I don't have feelings,
30:31I don't care about anything.
30:33Fuck, not a minute goes by
30:35without me remembering how bad it must be
30:37for that kid to be in jail.
30:39But what's the other option?
30:41That Nuria is in his place.
30:44I know, I know.
30:45But you can also make things easier for that kid,
30:47so that he can at least receive visits.
30:50We can't slack off now, Diana.
30:52Fuck, no.
30:53It would also be a little suspicious.
30:55Sergio.
30:56What?
30:57How long do you think it will take
30:59for the press to be interested in the case?
31:01Fuck, I don't know.
31:04Do you really think the Romanians
31:06will give in without getting anything?
31:10Well, I don't know, but...
31:12I'm afraid not.
31:14Then maybe you regret
31:16not stopping this show earlier.
31:18We have to allow visits to John.
31:21For his sake and ours.
31:32You look great, Greta.
31:34Don't say no.
31:35You're so annoying.
31:36I'm not.
31:37What do you mean, you're not?
31:39You're so pretty, so smart, so hot.
31:41Yes, and she has a lot of time
31:43to have a relationship with a great player like me.
31:46What nonsense is that?
31:48Why wouldn't she look at someone like you?
31:50Why wouldn't she look at someone like me?
31:52Look, she can look you in the eyes,
31:54in the hair, in the wheels.
31:57Let's see, why are you so angry with yourself now?
32:00I really appreciate
32:02that you're trying to cheer me up with all this,
32:05but it's not a topic that makes me feel comfortable.
32:08That's it.
32:09But I've always given you a good time
32:11when it comes to flirting, fuck.
32:13Didn't you have a girl who resisted you?
32:15Look, even you, saying girl,
32:17you have more possibilities than me.
32:19What do you mean, calling me old?
32:21It's true.
32:22I was going to tell you something.
32:25Rejecting a date with a Swede, a Spaniard,
32:27that's against the laws of nature, kid.
32:29A super modern way of thinking, man.
32:31It was a joke, fuck.
32:33No, man, I'm serious.
32:35Look me in the eyes. Don't you like me?
32:37Huh?
32:41It's true that I've always had a good time
32:45in relationships with girls.
32:48But that was before.
32:50Now, for whatever reason,
32:55I feel insecure, fuck.
32:57Very well, you have to work on that insecurity.
32:59No. That's it, no.
33:00No.
33:02What do I have to offer the girls right now?
33:04No, no, seriously, tell me one thing.
33:06I used to be able to take them anywhere by motorcycle.
33:09We could go dancing at a club.
33:11Now what?
33:12Well, you can do a lot of things, fuck.
33:14Go for a walk, go to the movies.
33:17Who likes to go to the first row of the cinema?
33:20The first row? Oh, the stairs.
33:22I don't care, fuck.
33:25I'm sure you're a great player.
33:27And you know why I'm telling you? Because you're my nephew.
33:30We share genes.
33:32And we've always had a special gift for women.
33:35And that's the same special gift that has helped you
33:38with Mabela's relationship.
33:40Look, if you don't want to talk, then nothing, kid.
33:44It's time for you to realize.
33:46I don't know if this is going to work,
33:48so they don't let us see John.
33:50You'll see how it works.
33:52Oh, please, what a beautiful thing.
33:54Come closer, come closer.
33:57Oh, what a thing.
33:59Please, let's go home, let's go home.
34:02I don't want to go home, I'm chained up.
34:04Don't your legs hurt?
34:06My legs are going to hurt if I stay here.
34:08I don't want to go home.
34:10I don't want to go home.
34:12I don't want to go home.
34:14Don't your legs hurt?
34:16My legs are going to hurt if I stay here.
34:18Can I ask you a question?
34:20Don't worry about me, I want to be here.
34:22I'm not talking to you.
34:24This can be drunk, because it's water.
34:27It's water.
34:29The phone, the phone.
34:31Take it, take it.
34:33Martínez, help him, take it.
34:35Take it, you're more official.
34:37This one? Yes.
34:39I put it on speaker, it's Estrella.
34:41Who's Estrella?
34:43Tell me, Estrella.
34:45I just got a call from a penitentiary.
34:47I guess I still have to pretend to be John's lawyer.
34:51Is John okay?
34:53Yes, yes, yes, he's fine, he's fine, don't worry.
34:55But, well, they told me that they've authorized the visits.
34:58But we can't go, we can only go two.
35:01Two at most, but yes.
35:03But how many people are there?
35:05I'll tell you later.
35:07The door is closed.
35:09It will never be opened.
35:11It will never be opened.
35:13It will never be opened.
35:21Are we really going through this?
35:33But they've hit him here.
35:35I know.
35:37But don't worry, nothing's going to happen to John.
35:39I'm sure he won't go.
35:42I'm sure, but...
35:44Take care of him, okay?
35:46Don't worry.
35:48Oh!
35:50I'm fine, I'm fine.
35:52Okay, okay.
35:54Don't worry, don't worry.
35:56Sit down.
35:58Okay, I'm fine, I'm fine.
36:03What's wrong? Nothing, how are you?
36:05I'm fine. Yes?
36:07Yes, yes, I'm fine, I'm fine.
36:10Don't worry, okay?
36:12Tell us everything, okay?
36:14Really, tell us everything, okay?
36:16Don't hide anything from us.
36:18Okay, well...
36:20I've had some problems.
36:33Sorry, sorry, sorry.
36:35Sorry, sorry, sorry.
36:37Sorry, sorry, sorry.
36:40Hey!
36:45I'll kill the first one who touches the kid.
36:47Okay?
36:54Damn, Poppea, I didn't know you had a thing for kids.
36:58Ever since I got my ass kicked.
37:00Is there a problem?
37:03You know, to lighten the mood.
37:05From now on,
37:07Elvis is mine.
37:09Do you understand?
37:11Deal.
37:13Let's go!
37:22Thank you, thank you, Poppea, really.
37:24Do you want to hit me yourself or...?
37:27What the hell?
37:29You're a genius, Tronco, you're a genius.
37:31He came to see me today.
37:33You know Elvis? Yes.
37:35I'm so sorry.
37:37No, it's the other way around.
37:40I read the letter you wrote to me,
37:42and he gave me a hug.
37:44You can imagine how happy we were when we saw Elvis.
37:47We were so happy.
37:49January samba, we were.
37:51January? Really?
37:53Of course, of course, of course.
37:55I'm full of love, let's go.
37:57I'm so happy, Poppea, you don't know.
37:59Let's go.
38:02Listen, while I'm here,
38:04nothing good is going to happen to you.
38:06Romeo, come on.
38:09Listen, I haven't told you yet,
38:11but I could play...
38:13What the hell? I played in the Rana.
38:15I played with Sigma Tobis, with...
38:17I don't know.
38:23Poppea?
38:25That's it. And that's all?
38:29Okay.
38:32And you've become friends with this Poppea?
38:34Yes.
38:36And you know him? Poppea?
38:38Everyone knows him.
38:40What's he like?
38:42Well...
38:44Be careful with Poppea.
38:47I know, but I'm lucky, because now I'm under his protection.
38:50What? Yes, yes, yes.
38:52Now I'm... He says I'm his.
38:54His? What's his?
38:56That I'm his Elvis. His Elvis? What's that?
38:58Yes, because he calls me Elvis.
39:00He says I look like Elvis.
39:02I look like Elvis, yes.
39:04Be careful, okay?
39:06Be careful with that.
39:08It can be good, but it can also be very bad.
39:10Don't worry, I've got it.
39:13I've got it under control.
39:15Yes.
39:17We're very proud of you, my love.
39:19Very much.
39:21I'll do it, okay?
39:23With strength, okay?
39:25With spirit, the whole family, okay?
39:27We have to be strong, okay?
39:29Until the day of the trial, okay?
39:31What do you mean, until the day of the trial?
39:33Until the day of the...
39:35Are you telling me I have to stay here until the day of the trial?
39:38Wait, Dad, please.
39:40How many days is this? This isn't what you told me, Dad.
39:44Listen to me.
39:46Estrella is no longer a lawyer.
39:50Okay?
39:53Well, it's okay, because that woman was a show.
39:56That's what she was. Definitely.
39:58The thing is, we still don't have the ideal lawyer for you.
40:02We're in the middle of it.
40:04John, come on, okay? Come on.
40:07Show me the video.
40:09Show me the video.
40:11Well, look at...
40:15...the one your grandma Chayo has messed up.
40:17Okay?
40:23What is it?
40:26Don't shoot us!
40:28Don't shoot us!
40:30Don't shoot us!
40:32What are you doing?
40:34We're crazy. It's so cool.
40:36But I can't do it.
40:38Don't shoot us!
40:41You're all chained up.
40:43You're all chained up.
40:45Some more than others, but it's natural.
40:47Don't shoot us!
40:51Look at that.
40:53Look at that.
40:55Here.
40:57Anti-system.
40:59I'll do anything for you, son.
41:01You take the mustache off.
41:03It would look good on the same mustache.
41:06The same mustache.
41:08Cut it and copy it.
41:10And put it here.
41:12Very funny.
41:14I've been a rebel, you know?
41:16I'm going to be your rebel.
41:18A piece of bread.
41:20Look, this never works.
41:22And a earring.
41:24Tell your mother how she made me the earring hole.
41:27You didn't tell us.
41:29I wanted him to be a bit rebellious, like Julio.
41:32I wanted him to have his earring, but he didn't.
41:35Julio.
41:37So I took an earring he had without a tip.
41:39Without a tip.
41:41I put it on him before going to a party.
41:43It still smells.
41:45And I put the earring on him.
41:47And I put the earring on him.
41:49Four days later, the ear was like an elephant.
41:51He had an ear.
41:53There were things in his ear.
41:55It's the smell of the earring.
41:57It's the smell of being infected.
42:00Hey, listen to me now.
42:02You're not a police officer.
42:04You could also get a tattoo here.
42:06There's a man here who gets tattoos for free.
42:08Don't you dare get a tattoo.
42:10We can put a little tricorne on him.
42:12How funny.
42:14Yes, yes, in the Tristeps.
42:16In the Tristeps.
42:18Tricorne.
42:20Ah.
42:35I just got the conditional.
42:37Are you leaving?
42:39Right now. I have to go pack my things.
42:42SUNDAY
42:49Hi, I'm Beatriz Vega.
42:51I wanted to tell you that today I'm doing a live broadcast
42:53to talk about how to overcome a break-up
42:57and the tools that can help us in these cases.
42:59I invite you to leave any questions you have in the comments.
43:05It's interesting seeing two aunts from different generations
43:07talking about a bit of a taboo.
43:10But what's going on? Are you still looking for a lawyer?
43:13There's no one. There's no one. The trial is over.
43:16There's no one.
43:17Now that, well, I can see that you can already receive visits,
43:20could you arrange for Desi to go see him?
43:23Uh, yes. Do you think they're going to be comfortable?
43:28I have to go.
43:29No, man, now that we're here, no.
43:37I'll be waiting for you, Desi.
43:39You didn't have to put your nose here, in the middle of the bar.
43:41In the middle of the bar, no. In the middle of your husband's bar.
43:45It's Armando's trial sentence.
43:47And you're not going to open it?
43:48I just don't dare, Mary.
43:52What's going on?
43:55Oh, please, what's going on?
43:58Why am I in jail? Huh?
44:01What did you think? That I wasn't going to find out?
44:04The pharmacist's lawyer received a plea.
44:06And it's clear that John is threatening you to confess.
44:10Where does that video come from? Huh?
44:12Where does it come from?
44:14Forget about the rest.
44:15The only thing that matters is to think about your future, okay?
44:17Future, dad?
44:18When has my future mattered to you, damn it?
44:21Oh, I'm thinking of something that might be a little crazy, but...
44:25But it doesn't matter, I'm desperate.
44:27Say it.
44:28I know a lawyer.
44:29Who?

Recommended