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00:00:00I'm just a dolly, he fell in love with her, oh there she is, how lovely, the dolly fell
00:00:24in love with him.
00:00:27The dolly fell in love with him.
00:00:57The dolly fell in love with him.
00:01:27The dolly fell in love with him.
00:01:57The dolly fell in love with him.
00:02:27The dolly fell in love with him.
00:02:30The dolly fell in love with him.
00:02:33The dolly fell in love with him.
00:02:36The dolly fell in love with him.
00:02:39The dolly fell in love with him.
00:02:42The dolly fell in love with him.
00:02:45The dolly fell in love with him.
00:02:48The dolly fell in love with him.
00:02:51The dolly fell in love with him.
00:02:55Do you want to go to jail?
00:03:16I was turning on the GPS.
00:03:20Okay, fine.
00:03:25Okay, what's the address of your friend's house?
00:03:27Why?
00:03:30Let's go to your friend's house first.
00:03:32I'll call a driver there, that's why I asked.
00:03:35Okay, fine.
00:03:40To write the address?
00:03:41Sit comfortably, I know what to do.
00:03:46Why does she always get angry?
00:03:54By the way...
00:03:58You say it first.
00:04:00No, no.
00:04:02You say it first.
00:04:04Ladies first, please.
00:04:06What?
00:04:07No, no, no. Sorry, sorry.
00:04:08Ladies of...
00:04:11Ladies first, please. First.
00:04:14I can't speak properly when I'm drunk.
00:04:21Actually, your lips...
00:04:23My lips?
00:04:25What happened to my lips?
00:04:28Clean it, there's lipstick on it.
00:04:54Ahem.
00:05:07We're here, you can get off.
00:05:09Yes, thank you.
00:05:13What?
00:05:23What?
00:05:31Wait a minute.
00:05:35How do you know I live here?
00:05:38You said you live with Montag.
00:05:42But you said you don't know where he lives.
00:05:45Well...
00:05:46Ah!
00:05:51Hi, Montag!
00:05:53Hi!
00:05:56Did you come out to throw garbage?
00:05:58What's going on here?
00:06:00Mr. Jin had a drink, so I came to drop him.
00:06:03What?
00:06:06It's not like that.
00:06:08I was going to drop him.
00:06:09It's so late.
00:06:10The thing is...
00:06:11Can you drop me home, please?
00:06:13I'm staying at my friend's house these days.
00:06:18At my friend's house.
00:06:20Forget about your friend.
00:06:21Go to Montag's house.
00:06:23Get some rest there.
00:06:24I'll come with you, I'll drop you.
00:06:26No, Mr. Jin.
00:06:27You had a drink, so you should go home and rest.
00:06:30Montag will drop me home.
00:06:32Right?
00:06:35Yes.
00:06:39Bye.
00:06:44Let's go.
00:06:48This guy...
00:06:54This guy...
00:06:57They're so close.
00:07:00Montag will drop me home.
00:07:02Marry Montag.
00:07:03Yes, buddy.
00:07:07He kissed me a while ago.
00:07:09He kissed me a while ago.
00:07:11How can he kiss someone else right after that?
00:07:25I didn't want to brush my teeth.
00:07:39Why did I do that?
00:07:42Why did I do that?
00:07:49Hormones?
00:07:51Time for ovulation?
00:07:59Did his tears...
00:08:01make you emotional?
00:08:05No, I didn't mean that.
00:08:09No, I didn't mean that.
00:08:15Then did I...
00:08:22Can I come in?
00:08:25Yes, you can.
00:08:36Are you going somewhere?
00:08:38It's an emergency, so I have to go.
00:08:40Oh, I see.
00:08:44Are you sure everything is fine?
00:08:48Yes, everything is fine.
00:08:50If there's a problem, please let me know.
00:08:54I was at the police station, and a while ago...
00:08:57I don't know, but I'm suspicious of you two.
00:09:00What do you mean?
00:09:03Are you...
00:09:04Are you...
00:09:06Me?
00:09:12Are you afraid of him?
00:09:15What?
00:09:17You don't have to be afraid of him.
00:09:20Whether it's physical or emotional.
00:09:22If you're scared, then he's a threat.
00:09:25He owes you money, so he has every right to take it.
00:09:28But he can't force you like this.
00:09:31Why did you drive for him?
00:09:32Yes, I owe him money.
00:09:34I have to pay him.
00:09:36What?
00:09:38You're right.
00:09:40Hey, are you listening to me?
00:09:43Yes.
00:09:45Yes, I'm listening.
00:09:48Anyway, forget it.
00:09:50You still owe him money.
00:09:52Just know one thing.
00:09:54Don't let him overpower you again.
00:09:56If you need help, let me know. I'll come with you.
00:09:59No, I'll manage.
00:10:00I'll manage.
00:10:04I'll let you know if I need anything.
00:10:22Please take care of yourself, darling.
00:10:30Okay.
00:10:37I can't believe it.
00:10:39Such a long queue for our exhibition.
00:10:42Are they our creditors?
00:10:44I slapped myself.
00:10:46Am I dreaming?
00:10:53What are you doing?
00:10:55This is not a dream.
00:10:57Hi, how are you?
00:11:00I'm fine.
00:11:10Miss Kim.
00:11:15Congratulations.
00:11:24What do you think?
00:11:26Who invited all these celebrities and influencers?
00:11:30You must have found out.
00:11:32Yes, I think so.
00:11:34She's become quite famous after the press conference.
00:11:37Yes.
00:11:39Everyone was looking at her clothes and jewelry.
00:11:41I can't believe it.
00:11:43I've never seen a celebrity.
00:11:45There must be a reason for her coming here.
00:11:47If she carries a special dress or bag,
00:11:49the brand's sales will skyrocket.
00:11:51It's all about money.
00:11:53Money.
00:11:55Did Tarzan invite them?
00:11:57Look,
00:11:58artists shouldn't be greedy for money.
00:12:01I know money is important,
00:12:04but you can't buy everything with money.
00:12:07Do you understand what I'm saying?
00:12:11Whatever the reason,
00:12:13the press conference has forced them to come to our exhibition.
00:12:18She should be weighed in gold.
00:12:22You're the real lucky charm for our gallery.
00:12:26No, no, no.
00:12:28Kim Dali.
00:12:30Kim Dali.
00:12:32Kim Dali.
00:12:34That's enough.
00:12:36You all worked the hardest that day.
00:12:39If you talk so humbly,
00:12:41we have no choice but to cheer you on.
00:12:44Kim Dali.
00:12:46Kim Dali.
00:12:48Kim Dali.
00:12:50Kim Dali.
00:12:52Kim Dali.
00:12:54Kim Dali.
00:12:56Kim Dali.
00:12:58Kim Dali.
00:13:00Hello.
00:13:02Let's start the meeting.
00:13:04We have a meeting today.
00:13:06Let's go.
00:13:08Let's go.
00:13:10What are you doing?
00:13:23Why are you pushing me?
00:13:25Have you gone mad?
00:13:28After that, we will plan a Chong Seng art camp with Don Don F&B.
00:13:33As soon as I finish my work, I will send them the materials.
00:13:37I have decided to visit the orphanage myself.
00:13:39After that?
00:13:41After that, I want to provide a service to the visitors.
00:13:44We will help the parents appreciate the pieces without worrying about their children.
00:13:47How will it be if we make a kiss cafe for him?
00:13:50This is not possible.
00:13:51No matter how liberal our society has become,
00:13:54but what are you saying?
00:13:56Kiss cafe?
00:13:58What is the need for him to come here and kiss?
00:14:03He means kids cafe.
00:14:06Is my pronunciation so bad?
00:14:10I said D.
00:14:12Not kids cafe.
00:14:14Kids cafe.
00:14:16Kids cafe.
00:14:18We have to make the next contact.
00:14:21Keith Haring.
00:14:25How can you make a kiss without making a contact?
00:14:30Will you make a flying kiss?
00:14:34This artist's name is Keith Haring.
00:14:38Okay, it's Keith, not kiss.
00:14:43What kind of a strange name is this?
00:14:45What kind of a strange name is this?
00:14:47What kind of a strange name is this?
00:14:50So, the Chong Song workshop which will start next week
00:14:53will be for poems and paintings.
00:14:55Romantic poets like Wordsworth, Byron and Keats.
00:15:04K-E-A-T-S
00:15:08Keats.
00:15:10Not kiss, Keats.
00:15:12I mean, kids.
00:15:13Keats.
00:15:15Keats.
00:15:17His name is Keats.
00:15:19Okay, I'm sorry.
00:15:21Keats.
00:15:23I understood.
00:15:25Don't teach me.
00:15:43Did you reach home safely last night?
00:15:49What happened?
00:15:51I don't understand. Is everything okay?
00:15:54Tell me one thing.
00:15:56Yes, tell me.
00:15:59Why are you doing this, Mr. Chin?
00:16:03What am I doing?
00:16:05If you are uncomfortable with what happened last night...
00:16:09What's uncomfortable about it?
00:16:10It's just that
00:16:12we are school kids.
00:16:14We are adults. We have grown up.
00:16:17Actually,
00:16:19I was tired after the exhibition.
00:16:22And I don't know what happened to me.
00:16:24I made a mistake.
00:16:26Mistake?
00:16:28I did something wrong.
00:16:30Discourtesy?
00:16:32Incident?
00:16:34Incident?
00:16:36You can say whatever you want, but I want to apologize to you.
00:16:38Let's say this never happened.
00:16:41Can we be lenient and lenient like before?
00:16:44Like you said, we are adults.
00:16:46Let's behave maturely.
00:16:49There are a lot of workers here.
00:16:52And we have a lot of work.
00:16:54Kim darling, do you accidentally kiss any boy?
00:16:56I don't make any mistakes that involve my lips.
00:16:59Eating, talking,
00:17:02and what we did last night.
00:17:05And what kind of mistake is this that has become so intense?
00:17:08It was nothing like that.
00:17:23I can't blame her.
00:17:26So I want you to think again.
00:17:31That what we did in those moments yesterday,
00:17:35was it a mistake or not?
00:18:00I don't know.
00:18:23Oh no!
00:18:25I'm sorry sir.
00:18:27There is a narrow road ahead.
00:18:30I
00:18:41Thank you, sir
00:18:48This trip sir
00:18:54Yeah, you'll get a sir
00:19:00Yeah, you got it
00:19:02It's building a roof top guy G
00:19:06What's tough Joe one duck with a
00:19:12Or Dalia be with you kiss at very you know G
00:19:17Or will go your body
00:19:20Or it's building a Malik Gene Mohawk be here at a
00:19:24Gum, Chetan, Walla boy, yeah, it's new to know sir a rarity to catch up there. It's got all key got no sick. Oh, yeah. No, no, no, no
00:19:31You must a coincidence
00:19:39Coincidence
00:19:43How's the boss major Paris on can make a catering
00:19:54I
00:19:59Can't do this. Our society has become so liberal. But what are you saying? Kiss cafe?
00:20:05They don't need to kiss here
00:20:10How can you kiss without a contact?
00:20:23Oh
00:20:28They move to say
00:20:33Come on
00:20:46No, it's a good thing I'm on something
00:20:48Oh
00:21:18Oh my God!
00:21:40Tarzan?
00:21:49What are you doing here?
00:21:52I think I have more questions than you do.
00:21:56Hey!
00:21:57When your dog poops, what do you expect me to do?
00:22:00Come on, get in.
00:22:01Get in the car.
00:22:02Come on.
00:22:03What are you doing?
00:22:04You're making a mess.
00:22:05What happened?
00:22:07Drive the car.
00:22:08Please.
00:22:09You drive.
00:22:19Oh my God!
00:22:29Sit properly.
00:22:31We've turned around.
00:22:43How do you know I'm here?
00:22:45How do you know I'm here?
00:22:47What would be more difficult for me?
00:22:49Understanding this situation?
00:22:51Or finding One Tech's house?
00:22:59Sponsorship Association?
00:23:01When a young entrepreneur has spare time,
00:23:03they all get together.
00:23:04We all go to the yard and play golf.
00:23:06You know, they look for a reason to get together.
00:23:09They liked the idea of a sponsorship party for Cheung Song.
00:23:13Whenever there's a good occasion,
00:23:15they're ready to open their checkbooks.
00:23:17Just come with a good program.
00:23:19It was difficult for me.
00:23:22To prepare for this exhibition,
00:23:24I went to a lot of people for sponsorship.
00:23:26They knew my dad.
00:23:29But everyone said the economy was bad
00:23:31and they didn't have time.
00:23:33It was also very difficult to get a meeting with them.
00:23:35By the way, there was no reason for them to support the artist.
00:23:39In fact, your father was the reason.
00:23:42And after he passed away,
00:23:44there was no reason to open the checkbooks.
00:23:49When you weren't here,
00:23:51a lot of new players came.
00:23:53I'll introduce you to them.
00:23:56You have time this weekend, right?
00:23:59This weekend?
00:24:00Yes, come to our meeting this weekend.
00:24:02It's a good opportunity to meet them.
00:24:07What?
00:24:08You don't have time?
00:24:11Sometimes I feel bad.
00:24:15If I'm always so incompetent
00:24:17and I can't do anything on my own,
00:24:20if I just keep asking you for help,
00:24:23then I'll hate myself.
00:24:26Your father's death
00:24:28must have been the hardest thing for you
00:24:30and you had to take responsibility for everything.
00:24:32You left your studies, which you loved the most.
00:24:34You sold your assets.
00:24:36You left a lot to save the gallery.
00:24:40Not everyone can do what you did.
00:24:43You're doing a good job.
00:24:54But...
00:24:55where are we going now?
00:25:11What's all this?
00:25:14The same passport.
00:25:16I don't know if you remember.
00:25:22Let's go inside and talk.
00:25:40Let's go.
00:25:56I couldn't leave her because we chose her.
00:26:00But I couldn't stay in this house either.
00:26:04No one knows about this place
00:26:06except me and my secretary.
00:26:08That means we can keep it a secret.
00:26:11What are you saying?
00:26:13Don't think too much about it.
00:26:15It's just an empty house.
00:26:17You can come here whenever you want
00:26:19and you can leave it whenever you want.
00:26:22Or better yet, don't go.
00:26:31Darling.
00:26:34Tell me, what can I do for you?
00:26:38After seeing where you live,
00:26:40I can't even call it a house.
00:26:42I'm not buying a house for you,
00:26:44but I can at least do this much.
00:26:46Someone else can.
00:26:48But you can't.
00:26:51What?
00:26:52You left me alone in the rain that day.
00:26:54As if I had a disease of freedom
00:26:56a few days before the wedding.
00:26:58And now that I don't have a place,
00:27:00you took pity on me and brought me here.
00:27:02To the house where we were going to stay.
00:27:04What do you think of yourself?
00:27:06If you don't change your password,
00:27:08I'll forget everything.
00:27:10You're behaving as if nothing happened.
00:27:14What do you mean?
00:27:15If I didn't mean anything,
00:27:18I wouldn't have let you stay in this position.
00:27:22When I saw you at your father's funeral,
00:27:24I wanted to stay with you.
00:27:26You don't understand, I was scared.
00:27:28And to make sure, I was careful
00:27:30that you don't get hurt or run away.
00:27:33Not because I didn't have feelings for you.
00:27:37In fact, I didn't want to take advantage of the situation.
00:27:48Let's start again.
00:27:50What?
00:27:52In the past five years,
00:27:54I have never been able to forget you.
00:27:58The option I chose,
00:28:02I live in pain because of that.
00:28:07You didn't even try to get me, right?
00:28:13You're right.
00:28:15I didn't even try.
00:28:20How could I even try after hearing all that?
00:28:24What do you think?
00:28:27What you didn't do in the past five years,
00:28:29you can do it now.
00:28:59After sleeping for a whole night,
00:29:01these pictures become brighter.
00:29:04You mean, after our marriage,
00:29:06we're going to date here every day?
00:29:08Every day?
00:29:10You'll come here with me every day?
00:29:13Yes, of course.
00:29:15Whenever you go,
00:29:17I'll stick to you like glue.
00:29:20No matter what happens,
00:29:22I'll stick to you like glue.
00:29:25I'll stick to you like glue.
00:29:27No matter what happens,
00:29:29I don't care.
00:29:31I'll follow you till the end of the earth.
00:29:57I'll follow you till the end of the earth.
00:30:21Go.
00:30:27Go.
00:30:57Go.
00:30:59Go.
00:31:01Go.
00:31:03Go.
00:31:05Go.
00:31:07Go.
00:31:09Go.
00:31:11Go.
00:31:13Go.
00:31:15Go.
00:31:17Go.
00:31:19Go.
00:31:21Go.
00:31:23Go.
00:31:25Go.
00:31:27Go.
00:31:29Go.
00:31:31Go.
00:31:33Go.
00:31:35Go.
00:31:37Go.
00:31:39Go.
00:31:41Go.
00:31:43Go.
00:31:45Go.
00:31:47Go.
00:31:49Go.
00:31:51Go.
00:31:53Go.
00:31:55Go.
00:31:57Go.
00:31:59Go.
00:32:01Go.
00:32:03Go.
00:32:05Go.
00:32:07Go.
00:32:09Go.
00:32:11Go.
00:32:13Go.
00:32:15Go.
00:32:17Go.
00:32:19Go.
00:32:21Go.
00:32:23Go.
00:32:25Go.
00:32:27Go.
00:32:29Go.
00:32:31Go.
00:32:33Go.
00:32:35Go.
00:32:37Go.
00:32:39Go.
00:32:41Go.
00:32:43Go.
00:32:45Go.
00:32:47Go.
00:32:49The view from here is also very nice.
00:32:52Other places are not like this.
00:32:56Then come home and sleep.
00:33:00What's the point of working till late, you sleep at your work place, just because of me.
00:33:07If you keep doing this, I won't stay here at all.
00:33:12Who said I work for you? This is a detective's job.
00:33:20Did something happen today?
00:33:23Nothing.
00:33:28You know, after a long time, a boy asked me to go out.
00:33:35It felt good to hear that.
00:33:38Kim Dally is out.
00:33:41Along with that, another boy proposed me.
00:33:47He wants me to live in his big house.
00:33:52What a day! I can't believe this is happening to me.
00:33:58Did you meet Jang Tehjin?
00:34:01Is that scoundrel calling you back?
00:34:04Is he calling you to stay in his house?
00:34:06What a shameless person! What did you say to him?
00:34:11You didn't say yes to him, did you?
00:34:14If he thinks he can do anything to you after the director leaves, I won't stay quiet.
00:34:23Do you still have feelings for him?
00:34:31Some people can never change. He is just like that.
00:34:34My relationship with Tajan is over.
00:34:36Now he is just my past.
00:34:39When things get tough, people say everything will be fine.
00:34:46Pain and sadness will pass with time.
00:34:52But if you think about it in a different way, there is only one saying.
00:34:57It means, happiness and love will pass away together.
00:35:09Mom, Dad, even Tajan.
00:35:22Nothing lasts forever.
00:35:24Nothing lasts forever, right?
00:35:39Will you promise me that you will stay with me as long as you can?
00:35:45Otherwise, I will be all alone.
00:36:15I love you.
00:36:27Wait a minute.
00:36:33You know, whenever I see you, you look like a friend to me.
00:36:38Maybe because you are a policeman.
00:36:41I wanted to ask you about Kim Dali.
00:36:47When you dropped her home, did she say anything to you?
00:36:53What will she say?
00:36:55What do you mean?
00:36:57Did she say anything about me?
00:36:58No.
00:36:59Don't answer me so suddenly.
00:37:00Try to remember.
00:37:01She didn't say anything.
00:37:03Tell me something, Vontak.
00:37:06Do you always give such small answers or is today a different day?
00:37:08You use water and electricity a lot but you don't like to talk.
00:37:13I am just saying because you look like a friend to me.
00:37:18If you make Dali a driver again, you will die.
00:37:31I left her because she is a policeman.
00:37:34I know you know Kung Fu and Karate.
00:37:35If you weren't Dali's friend, I would have...
00:37:43It's too cold at night, isn't it?
00:37:45Let's go.
00:38:04We meet each other in the office for the whole week.
00:38:06Now you are calling me on the weekend.
00:38:08You know that labour law is against it.
00:38:11I think you should go back then.
00:38:16You are right.
00:38:18At least have food at home once in a week.
00:38:22Listen, ma'am.
00:38:23The food is ready.
00:38:24Okay.
00:38:25Let's have food.
00:38:26Let's go.
00:38:28We should have food at home.
00:38:29That's right.
00:38:30But for that we should have food prepared at home.
00:38:32That's right.
00:38:33Do we have to check the taste of the food prepared at home?
00:38:36Who said that we have to check the taste?
00:38:38I am eating because it is good to eat.
00:38:41We don't have to test for such taste.
00:38:44We can go ahead and open its branches.
00:38:48What a delicious taste!
00:38:50It's delicious food.
00:38:51About the party.
00:38:53When I heard that this party is being hosted by Choon Song,
00:38:56I thought it would be amazing.
00:38:58But I made it better than what he made.
00:39:01Isn't it?
00:39:02Actually, I have never seen so many crazy people gathering together.
00:39:07A fool was screaming and he had put a living person in a coffin.
00:39:13People applauded and drank alcohol.
00:39:16Everything looked like a drama.
00:39:18Was it a circus?
00:39:19It happens.
00:39:20When people don't have anything better to do,
00:39:23they show off their money.
00:39:24Why do they show off their money?
00:39:26It's too much.
00:39:31Didn't you feel anything when you saw those masterpieces?
00:39:35What did you say?
00:39:36Masterpiece?
00:39:38Here.
00:39:39Didn't you feel like something was burning inside?
00:39:44Something that we can't express in words.
00:39:46As if emotions burst inside.
00:39:49I will throw this and kill you.
00:39:51Have you gone insane?
00:39:52Should I stick something in my finger?
00:39:53I have medicine for insanity.
00:39:54Tell me if you want it.
00:39:58You guys eat.
00:39:59Eat.
00:40:03I eat alone at home and I am eating alone here.
00:40:06I will be alone for the rest of my life.
00:40:08It's better that I don't come here.
00:40:12If you are lonely, get married.
00:40:14To whom?
00:40:15To an insane person's daughter?
00:40:16Assemblyman is not a big man.
00:40:18The one who has money has a heavy burden.
00:40:22This is great.
00:40:25Take this.
00:40:26Thank you so much.
00:40:34What is this?
00:40:35It's like this.
00:40:39It's very hot.
00:40:40It's the season of heat.
00:40:43What is this?
00:40:44Something is stuck.
00:40:45Really?
00:40:46Where?
00:40:47Wait a minute.
00:40:48Okay.
00:40:49I will clean it.
00:40:50I will clean it.
00:40:51Leave it.
00:40:52Okay.
00:40:53I will clean it.
00:40:57As far as marriage is concerned,
00:40:59get married to the one
00:41:01whom you like.
00:41:03Not the one who likes you.
00:41:05Not at all.
00:41:08What are you saying?
00:41:10Do you think we are talking nonsense?
00:41:21Take this.
00:41:24We have bought another one.
00:41:25You can keep it at home.
00:41:27Take this too.
00:41:31Two engines?
00:41:32This is a 100-year-old engine of a big family.
00:41:35Take it home and make soup with it.
00:41:37You should have wrapped it in cloth and given it properly.
00:41:39You are spoiling my style.
00:41:40Hey.
00:41:43How long will you leave the gallery like this?
00:41:45What do you mean?
00:41:46If you keep hesitating like this,
00:41:48then someone else will come and say
00:41:50that he will pay two million.
00:41:52Then what will you do?
00:41:56Kim Dali will not be able to sell the gallery.
00:41:58Understood?
00:41:59Don't be disappointed by giving false hope to that poor girl.
00:42:03Just tell her that Don Don will take over.
00:42:05What are you trying to say?
00:42:08You are not planning to back out from two million.
00:42:15If you want the gallery,
00:42:16then take it from him right now.
00:42:18Before someone else buys it.
00:42:20Understood?
00:42:26Put something on the jacket.
00:42:29Bye.
00:43:00Yes, listen.
00:43:01I wanted some information.
00:43:05My brother?
00:43:07He bought this land?
00:43:08But why?
00:43:09Didn't you know, sir?
00:43:11This land is very, very big.
00:43:15Are you planning to develop this area?
00:43:18This is a limited development district.
00:43:21You can say that it can never be sold.
00:43:24I thought so, but I was wrong.
00:43:27About five or six years ago,
00:43:29people started selling and buying secretly.
00:43:31But recently, it has become more active.
00:43:33And do you know when it started?
00:43:36After the death of director Kim Nakchon.
00:43:41Papa, tell me one thing.
00:43:43You once said that many people have their eyes on Chong Song Gallery.
00:43:47So, where did you hear this from?
00:43:49I think that director Kim was a hurdle for those
00:43:52who wanted to develop that area.
00:43:55The land of that museum was located
00:43:57in the most important part of the district.
00:44:01And he had a strong social influence.
00:44:03He had made it clear with the NGO
00:44:06that he would not let the area be developed.
00:44:08It is obvious that he was very stubborn.
00:44:12Kim Dali could not sell the gallery.
00:44:14But he was very stubborn.
00:44:17Kim Dali will not be able to sell the gallery.
00:44:19Understood?
00:44:20If you want the gallery,
00:44:22take it from him right now.
00:44:24Before someone else buys it.
00:44:25Understood?
00:44:26But...
00:44:28I did some more research
00:44:30and checked the land registers.
00:44:32Do you remember the VIP of the opening party?
00:44:37His name was on the list in many places.
00:44:47Okay.
00:44:48You have worked very hard.
00:44:50This is very good.
00:44:55Student residence?
00:44:56Yes.
00:44:57Why would you be interested in that?
00:44:59I just want to know about the cost.
00:45:02That depends on the condition of the room.
00:45:05But even if you sell your scarf,
00:45:07you can stay there for three months.
00:45:10Ms. Na.
00:45:11Ms. Na.
00:45:15Have I ever offended you?
00:45:18I feel that you do not like me.
00:45:22Have you ever thought that
00:45:24maybe the people around you
00:45:27are becoming over-friendly?
00:45:29What?
00:45:31Think about it.
00:45:32Everyone is dying to help you.
00:45:35They suffocate you,
00:45:37but they look kind.
00:45:39Take the exhibition for example.
00:45:41We worked very hard for it.
00:45:44But only you were appreciated.
00:45:49I feel bad.
00:45:50You got everything easily
00:45:52because of your family's name.
00:45:54If you feel that way,
00:45:56I apologize from the bottom of my heart.
00:45:58But Ms. Na.
00:46:00There is a lot more than what you see.
00:46:05You are right.
00:46:06There is a lot more.
00:46:09Hello.
00:46:10You are here.
00:46:12Mr. Jin and his secretary are getting late.
00:46:15They will join later.
00:46:16Do you have any problem with this?
00:46:18Okay.
00:46:19Come this way.
00:46:24Three Frogs of Sandro and Leonardo.
00:46:26It's not just a program to feed them.
00:46:29We will help them understand Leonardo's work
00:46:31by experiencing it.
00:46:33This is our aim.
00:46:37We will make it more realistic.
00:46:42Hello, Ms. Song.
00:46:43What's the matter?
00:46:45I think there is a misunderstanding.
00:46:47They said that we didn't pay for Ham Yonji's appearance.
00:46:51I have found out that
00:46:52this is a PR company
00:46:54that invites celebrities to launch parties
00:46:56or opening events
00:46:57and uploads photos on social media.
00:46:59Obviously.
00:47:00Dondon hired them.
00:47:02Obviously.
00:47:03Dondon hired them.
00:47:06What should I do now?
00:47:08This area is green belt.
00:47:10Come.
00:47:11This place is the most important.
00:47:14And this place...
00:47:15Excuse me, sir.
00:47:23Is the meeting over?
00:47:25I was about to join.
00:47:27Shall I order tea for you?
00:47:29No need.
00:47:30You can go.
00:47:32Yes, sir.
00:47:39Please sit, Shah.
00:47:52What's the matter?
00:47:54You look worried.
00:47:56What's the matter?
00:47:57Tell me something.
00:47:59Yes, tell me.
00:48:00You hired a PR company
00:48:03for the openings.
00:48:06Did you invite
00:48:07idol members,
00:48:08YouTubers,
00:48:09and influencers?
00:48:11You are right.
00:48:12Yes.
00:48:13I invited them.
00:48:14What?
00:48:19It's such a small matter.
00:48:20I don't know what new trouble has come.
00:48:24Strange.
00:48:26The impact of the opening event
00:48:27is more than we think.
00:48:29If you want to launch a new product
00:48:31or start a new business,
00:48:33you should have more people
00:48:34than the event itself.
00:48:35You should feel
00:48:36that many big people have come there.
00:48:38Although it was not cheap at all,
00:48:40I still hired them.
00:48:42Do you know why?
00:48:43So that we get a good start.
00:48:45And we got its benefit too.
00:48:46Look,
00:48:47people are standing in line
00:48:48for the exhibition.
00:48:50Did you hire
00:48:51the visitors that day?
00:48:52Yes.
00:48:53Yes.
00:48:54But it was not expensive.
00:48:55What will happen
00:48:56if you listen to the news?
00:48:57For that,
00:48:58solid proof
00:48:59is needed.
00:49:00Get some people in line
00:49:02and get some photos taken.
00:49:03It will look like
00:49:04a crowd has gathered for it.
00:49:06Why are you doing all this?
00:49:09Do I have to tell you this too?
00:49:11Obviously,
00:49:12to earn money.
00:49:13Why else?
00:49:15Do you think
00:49:16I have money to waste?
00:49:18And then
00:49:19this is a business tactic
00:49:20that vendors use
00:49:21to lure children.
00:49:22This is the number one principle
00:49:23of business.
00:49:24You are talking
00:49:25as if I run a rental shop.
00:49:26Art Gallery
00:49:27is not a business,
00:49:28Mr. Jinn.
00:49:29Why not?
00:49:30Don't visitors buy tickets?
00:49:33What happened?
00:49:34Do you think
00:49:35business is a bad name?
00:49:36What do you think?
00:49:37Are we crazy
00:49:38to do business
00:49:39for so many years?
00:49:40I don't mean that.
00:49:41You are deceiving the visitors.
00:49:43What nonsense are you talking?
00:49:44Mr. Jinn, please.
00:49:45I thought
00:49:46you have learnt your lesson
00:49:47but I was wrong.
00:49:49Okay then.
00:49:50Let's forget about the profit
00:49:52because you always
00:49:53have more money than you need.
00:49:54But
00:49:55tell me
00:49:56what about the art pieces
00:49:57that you take care of?
00:49:59If someone appreciates you
00:50:00while partying
00:50:01or drinking wine
00:50:02won't you feel good?
00:50:05What do you want?
00:50:06Don't you want visitors?
00:50:07If someone doesn't see
00:50:08the art pieces
00:50:09won't you feel good?
00:50:10You said
00:50:11artists have worked hard
00:50:12on these art pieces
00:50:13for years.
00:50:14Didn't you work hard
00:50:15day and night
00:50:16for this exhibition?
00:50:17Tell me
00:50:18why we shouldn't
00:50:19gather more people there?
00:50:26This artwork
00:50:27is by Mrs. Choy Chongwa.
00:50:28If you see here
00:50:29she has used
00:50:30rose garbage
00:50:31to create art.
00:50:33She has shown
00:50:34a lot of creativity
00:50:35by using household items.
00:50:47An art gallery
00:50:48where no one comes
00:50:49is no less than
00:50:50a graveyard.
00:50:52I understand
00:50:53what you are saying
00:50:54is right.
00:50:56Do you know
00:50:57why I don't want
00:50:58to do all this?
00:50:59You are right.
00:51:01We should try
00:51:02to show this artwork
00:51:03to everyone.
00:51:04You are right.
00:51:06Money is very important.
00:51:07Still
00:51:09I can't give
00:51:10so much importance
00:51:11to money.
00:51:13Not because
00:51:14I am arrogant
00:51:15or I am
00:51:16sophisticated
00:51:19but I hate
00:51:20that my workers'
00:51:21hard work is ignored
00:51:22because of money.
00:51:25This is shameful
00:51:26for the gallery.
00:51:29If you think
00:51:32you did the right thing
00:51:33then why didn't you
00:51:34tell me earlier?
00:51:35Tell me, Mr. Jin.
00:51:40If there is no reason
00:51:41for this
00:51:44if I am doing all this
00:51:45just to see you happy
00:51:46then
00:51:47then
00:51:53just to see you smile
00:51:55like I saw you
00:51:56in Netherlands
00:51:57smiling.
00:52:04Then you should
00:52:05have found
00:52:06some other way.
00:52:18Let's go.
00:52:44Where do you run off to?
00:52:45You scoundrel.
00:52:46Hey!
00:52:47Hey!
00:52:48Hey!
00:52:49Hey!
00:52:50Hey!
00:52:51Hey!
00:52:52Hey!
00:52:53Hey!
00:52:54Hey!
00:52:55Hey!
00:52:56Hey!
00:52:57Hey!
00:52:58Hey!
00:52:59Hey!
00:53:00Hey!
00:53:01Hey!
00:53:02Hey!
00:53:03Hey!
00:53:04Hey!
00:53:05Hey!
00:53:06Hey!
00:53:07Hey!
00:53:08Hey!
00:53:09Hey!
00:53:10Hey!
00:53:11Hey!
00:53:12Hey!
00:53:13Hey!
00:53:14Hey!
00:53:15Hey!
00:53:16Hey!
00:53:17Hey!
00:53:18Hey!
00:53:19Hey!
00:53:20Hey!
00:53:21Hey!
00:53:22Hey!
00:53:23Hey!
00:53:24Hey!
00:53:25Hey!
00:53:26Hey!
00:53:27Hey!
00:53:28Hey!
00:53:29Hey!
00:53:30Hey!
00:53:31Hey!
00:53:32Hey!
00:53:33Hey!
00:53:34Hey!
00:53:35Hey!
00:53:36Hey!
00:53:37Hey!
00:53:38Hey!
00:53:39Hey!
00:53:40Hey!
00:53:41Hey!
00:53:42Hey!
00:53:43Hey!
00:53:45Let's go.
00:53:47Hey!
00:53:48Move.
00:53:51What is it?
00:53:55Is it all that you have?
00:53:57Hey!
00:53:58Hey!
00:53:59He hasn't paid yet?
00:54:00Wont we order anything else from now on?
00:54:01The gallery is going to in charge of sales and ordering.
00:54:05He has accepted ledger and card statement.
00:54:08Who?
00:54:09employer's new Director.
00:54:12Are you out of your mind?
00:54:14And about that...
00:54:17Where is it? Where is it?
00:54:20Where is it?
00:54:23Where have you hidden it?
00:54:27Where is it?
00:54:30Which world have you hidden it in?
00:54:33Hey, who are you to bring leisure?
00:54:37How dare you run a cafe? Answer me!
00:54:40Mr. Kim, please calm down.
00:54:42You stay out of this. You have nothing to do with this.
00:54:45Watch your tongue.
00:54:46What?
00:54:50I think you should leave, Ms. Song.
00:54:55Okay.
00:55:03Legally speaking, this cafe is a part of the gallery.
00:55:08Don't worry. I'll take care of your cafe.
00:55:10This cafe?
00:55:12Your father gave it to me.
00:55:14So that I could learn to run this gallery.
00:55:18And you ran away from your father and the gallery.
00:55:20Because a boy dumped you.
00:55:23Maybe you don't know the whole story.
00:55:26But this gallery was supposed to be mine.
00:55:29But dad told me something else.
00:55:32Your dad expelled you from school because of drugs.
00:55:36You didn't even have money to buy food.
00:55:37So my dad let you run the cafe.
00:55:40That's what he told me.
00:55:43What?
00:55:44You get paid to run the cafe.
00:55:45But I don't know what you do with that money.
00:55:48You didn't maintain leisure.
00:55:49There's no report.
00:55:51My dad ignored you because you're his nephew.
00:55:55This won't do anymore. Get out of here.
00:55:58How dare you!
00:55:59Yang!
00:56:05The gallery is in a bad shape.
00:56:07And it's not just my problem.
00:56:08It's your problem.
00:56:09It's our family's problem.
00:56:12You have to help me.
00:56:15If I don't trust my family, who will?
00:56:20You're right.
00:56:22So hand over the gallery to me and get out of here.
00:56:26I'll sell it and give you your money.
00:56:29What?
00:56:30Yes.
00:56:31Tell me something.
00:56:32Do you think it's okay for a girl to inherit the property?
00:56:35What have you done for her other than calling her your father?
00:56:39Look, I'm warning you.
00:56:41Don't make me angry.
00:56:44If I'm angry, I don't know what I can do.
00:56:47Even I don't know.
00:57:05Yang!
00:57:31Are you okay?
00:57:33Yes, I'm fine.
00:57:36Before your father passed away, he used to pretend to work.
00:57:41Now look, he doesn't even pretend.
00:57:45Some people just want to show their anger and ease their pain.
00:57:49Xiong is one of them.
00:57:53I wish he was a little decent.
00:57:56Anyway, it's possible.
00:57:59Ah.
00:58:02Leave it.
00:58:03I'll do it myself.
00:58:05You can go.
00:58:07Okay.
00:58:28Okay.
00:58:50Isn't he on duty today?
00:58:58Yes.
00:59:17Vanta, didn't you go to work today?
00:59:28He must have gone to buy something.
00:59:58Hello.
00:59:59Are you at home?
01:00:01Yes.
01:00:03I won't come home today.
01:00:04Do lock the door.
01:00:29Ah!
01:00:31Ah!
01:00:58Ah!
01:01:29Ah!
01:01:42Ah!
01:01:44Ah!
01:01:51Darling, you?
01:01:58Someone
01:02:02Can't love this ugly me
01:02:13Oh oh
01:02:16My sad gesture
01:02:23Even my poor soul
01:02:30Oh oh
01:02:32My dear heart
01:02:37You're letting me stay here?
01:02:40I should do some work too.
01:02:41Ah!
01:02:42I can't stop myself from worrying about you.
01:02:44Ah!
01:02:48Thanks for today's service.
01:02:49No, look, you're misunderstanding.
01:02:51I'm with the gallery
01:02:52and you're the sponsor.
01:02:54Don Don F&B
01:02:55is buying a lot of land
01:02:56around the gallery.
01:02:58Don't you think it's weird?
01:03:00You shouldn't make any excuses.
01:03:02Think of it as a warning.
01:03:03It'll be good for you
01:03:04if you stay away from Dali.
01:03:06Oh oh
01:03:07My sad gesture