• 2 months ago
A mystery novel-loving American tourist witnesses a murder in Rome, and soon finds herself and her suitor caught up in a series of killings
Transcript
00:00:00You
00:00:30Get out
00:00:41In the car
00:01:00Ah
00:01:30Is
00:01:44Westella story of a vacancy
00:01:47No vacancy room la meta sognata da tutti gli americani dei sedici ai settant'anni e nora davis ne aveva venti
00:01:54Giovane piena di vita romantica sfogava il suo desiderio di evadere dalla realtà con la lettura dei libri gialli
00:02:01Ma questo sarebbe stato l'ultimo
00:02:03Lo aveva giurato a sua madre e la signora edel la vecchia amica di famiglia che doveva ospitarla avrebbe controllato
00:02:11Permette
00:02:13Gradisce una sigaretta grazie
00:02:21La prego prenda una delle mie
00:02:25Vabbè grazie molto e grazie può prenderle pure tutte io ne ho un altro pacchetto se c'è complimenti
00:02:33Grazie
00:02:45Signorina
00:02:54Oh
00:03:25Oh
00:03:32Se vuole un consiglio disinteressato
00:03:36A roma è sempre meglio farsi accompagnare venga pacini stavolta l'accompagna ma come si permette a fermo io mi chiamo de vico
00:03:43Bassi oggi ti chiami de vico un momento ci sono soltanto effetti personali roba la toaletta
00:03:48Roba da toaletta la cocaina la usi come borotargo tu con questa roba c'è da intossicare mezza dolce vita tutto altro che
00:03:54Queste sono sigarette la marijuana avanti ragazzi portiamo ma no
00:03:59Presto
00:04:01Vieni con me
00:04:10Pronti pagagli a mano per la visita
00:04:17Ma
00:04:34Signorina le sono cadute queste
00:04:47Per
00:04:55Favore la signora etel wignall bardoci miss davis si prego si accomodi
00:05:03Mi scusi le ho fatto male no non è niente
00:05:13Sono molto contento che sia arrivata
00:05:17Permetta che mi presenti signorina marcello bassi
00:05:24Sono il dottore
00:05:26Dottore si la signora wignall sta piuttosto male no non faccia quel viso altrimenti si preoccuperà
00:05:39C'è una sorpresa per lei
00:05:41Ora finalmente sei arrivata cominciamo a stare in pena vieni cara era così impaziente di rivederti
00:05:49Ma sei diventata una signorina hai fatto un buon viaggio
00:05:52No, no, non mi baciare cara oltretutto anche un po d'influenza scusa mi posa questo tra qualche giorno sarò di nuovo in piedi e andremo
00:05:58A sparsi insieme vedrai rome bellissima è il signorino che mi vorrebbe far stare sempre a letto questi dottori
00:06:05Lo fa apposta perché spera di essere lui ad accompagnarti
00:06:09Sapeva del tuo arrivo ed era impaziente quanto lo ero io
00:06:12Beati voi che siete giovani purtroppo io mi faccio forza ma sai alla mia età
00:06:18Ora che sei venuta tu starò meglio vedrai
00:06:23Non voglio spaventar la signorina ma sono molto preoccupato la prego di tenere calma la signora vede il pulso molto frequente purtroppo
00:06:32Asenta
00:06:34C'è un cardiotonico sul comodino se mai glielo dia e se si presentassero sintomi di apnea
00:06:38Se respirasse male voglio dire o se accusasse dolori mi chiami subito. Io sono all'ospedale
00:06:44Eccole il numero non è lontano di qui basta scendere la scalinata di trinità dei monti e girare a destra ma
00:06:52Ma non sarà necessario vero
00:06:54Beh speriamo di no andrà tutto bene
00:06:58In ogni caso mi telefone anche se non occorre se se fosse solo preoccupata
00:07:06Buonasera signorina
00:07:08Buonasera
00:07:38Oh
00:08:08Oh
00:08:22Pronto pronto
00:08:26Ospedale
00:08:29Pronto
00:08:32Non sento niente ma pronto
00:08:38Pronto
00:09:08Pronto
00:09:38Oh
00:10:08Oh
00:10:38Oh
00:11:08Oh
00:11:38Oh
00:12:08Oh
00:12:38Oh
00:13:08Oh
00:13:38Oh
00:14:08Oh
00:14:38Oh
00:14:51Signorina signorina
00:14:54Parli che le è successo
00:14:58Mi sa che questa qui è ubriaca ma guarda pure nuda sotto il tre
00:15:06No no
00:15:09No
00:15:11No mi ammazzi
00:15:13Io non ho visto niente
00:15:15Non dirò niente
00:15:17Non mi lasci mi lasci
00:15:19Oh
00:15:21Mi aiuti
00:15:23Mi salvi
00:15:25Su si calmi e mi dica che è successo
00:15:27Mi aiuti
00:15:29Non vede
00:15:31Sangue sangue dappertutto
00:15:33Ma che sangue
00:15:35Quella è acqua
00:15:37No
00:15:39Lo sopplico mi aiuti
00:15:41Su
00:15:43Oh
00:16:05Sono in paradiso
00:16:07No si è svegliata
00:16:09Non si muova non deve fare sport
00:16:11Lei in ospedale signorina
00:16:13E va tutto bene
00:16:15In ospedale
00:16:17Ma allora sono stata ferita anch'io
00:16:19Chiamate la polizia hanno ucciso una donna
00:16:21Lei non ha neanche un graffio mia cara
00:16:23E sappiamo della donna coltellata
00:16:25L'ha detto nel delirio
00:16:27Stia calma
00:16:29Buongiorno signorina
00:16:31Si sente meglio?
00:16:33Le presento il dottor Facchetti
00:16:35Dottore mi dica mi ha già visitata
00:16:37Potrò uscire presto
00:16:39Io non sono medico
00:16:41Mi occupo di omicidi
00:16:43Commissario di polizia
00:16:45Le posso dare tutte le informazioni che vuole
00:16:47E' arrivato un uomo con un grande coltello
00:16:49E l'ha pugnalata
00:16:51Si certo ma non le sorge il dubbio che il delitto
00:16:53Lei possa averlo sognato o quantomeno immaginato
00:16:57Senta non capisco perché lei non voglia credermi
00:16:59Io le ho detto la verità
00:17:01Va bene va bene cambiamo argomento
00:17:03Lei è per caso una lettrice di libri gialli
00:17:05Libri gialli
00:17:07Ma allora lei...
00:17:09Rispondali legge si o no
00:17:11Si ma...
00:17:13Glielo dico per il suo bene signorina
00:17:15Non ne lega più mi dia retta
00:17:17Sono letture molto pericolose
00:17:19Buonasera signorina
00:17:21E buona permanenza a Roma
00:17:31Ecco un caso affascinante di nevrosi
00:17:33Di mitomania
00:17:35L'affascinata io ritengo da una forma di alcolismo precoce
00:17:39La paziente ha smarrito la misura del tempo e della realtà
00:17:41Come?
00:17:43Ma che cosa sta dicendo lei?
00:17:45Alcolismo?
00:17:47Io le giuro dottore che non ho mai bevuto in vita mia
00:17:49E non se ne rende conto
00:17:51Così giovane e già preda di vaneggiamenti e di allucinazioni
00:17:53Proprie degli stati acuti di etilismo
00:17:59Scusi professore sono desolato ho fatto tardi
00:18:01Dottor Bassi
00:18:03Non sono ne pazza ne alcolizzate
00:18:05Mi faccio uscire subito di qui o farò uno scandalo
00:18:07Ma si guardi intorno un momento
00:18:09Le sembra un posto dove si pugnalano le donne questo?
00:18:11Venga, venga
00:18:13Questa è Roma
00:18:15Con questo sole, con quest'aria limpida
00:18:17Un sogno forse, mai o nienco
00:18:29E la polizia non ha trovato niente
00:18:31Il processo è facile da spiegare
00:18:33Lei era stanca del viaggio e ha subito il trauma
00:18:35Per la morte della povera signora Ethel
00:18:37Ci aggiunga lo spavento dell'aggressione e della rapina
00:18:39E' più che naturale che abbia avuto un collasso nervoso
00:18:41Ma...
00:18:43Ma ora deve dimenticare tutto
00:18:45Sente dottore
00:18:47Non dico di no
00:18:49Forse sarà stato un maledetto collasso
00:18:51Ma certo non ero ubriaca, non bevo mai gliela sicuro
00:18:53Sì, emozioni ne ho provate, non lo nego
00:18:55La morte della signora Wigda
00:18:57Lo scippo
00:18:59Ha avuto un colpo in testa cadendo
00:19:01Perché tutto questo è successo, non è vero?
00:19:03
00:19:05Allora mi spieghi perché poi avrei dovuto cominciare a vedere
00:19:07Degli omicidi inesistenti
00:19:09Appunto una conseguenza del trauma ha subito la testa
00:19:11Vuol dire che sono diventata scema
00:19:13No, non mi permetterei mai
00:19:15Senta, io non sogno mai
00:19:17E sono famosa perché ho la testa dura
00:19:19Se vuole le ricostruisco la scena secondo per secondo
00:19:21Venga con me
00:19:23La testa
00:19:25Fermi
00:19:29Sì, ecco, era qui
00:19:31Proprio qui
00:19:33E là, là è dove mi ha colpita
00:19:35L'assassino?
00:19:37Ma no, l'uomo che mi ha preso la borsa
00:19:39Poi quando sono rinvenuta ho sentito urlare
00:19:41E ho visto quella donna
00:19:43Col coltello
00:19:45Ma non era l'uomo?
00:19:47Ma no, la vittima
00:19:49Rantolava e gridava
00:19:51E mi fissava con quegli occhi sparrati
00:19:53E il coltello?
00:19:55Era qui, non lì
00:19:57Colava, il sangue colava
00:19:59Dappertutto, qui per terra
00:20:01Ce l'era come una pozza, un mare
00:20:05Poi, poi
00:20:07E' apparso un uomo
00:20:09Era alto, altissimo
00:20:11L'assassino?
00:20:13Sì, si è avvicinato
00:20:15E poi ha preso il coltello
00:20:21Su vai
00:20:23Basta, si buono
00:20:25Aspettami, aspettatemi
00:20:29Ecco i delitti che si commetono a Roma
00:20:47Desidera qualcosa?
00:20:49No, mi era sembrato
00:20:51Ma poi ho capito che
00:20:53Mi scusi
00:21:23Aspetta
00:21:53Aspetta
00:22:23Scusi ma dopo quella terribile notte sulla scarinata di Piazza di Spagna non riesco più a controllarmi
00:22:33Certo signorina, capisco
00:22:35Immagino cosa avrà provato
00:22:37Vendere venendo
00:22:39E' stata tutta una fila di spaventi
00:22:41Veri o falsi, chi lo sa
00:22:43L'uomo che mi ha rapinato
00:22:45Poi la donna
00:22:47Con il coltello nella schiena
00:22:49Cerchi di non pensarci più
00:22:53Sì, tutti dicono che è stato
00:22:55Frutto della mia immaginazione
00:22:59E chissà forse
00:23:01Forse fra qualche giorno potrò passare per
00:23:03Per Trinità dei Monti
00:23:05Senza provare la minima emozione
00:23:07E della donna accoltellata
00:23:09Neanche mi ricorderò più
00:23:15Povera Etta
00:23:17Chi poteva immaginarlo
00:23:19Dio mio
00:23:23Così potrei dirle due parole signorina
00:23:29Ecco, l'ho sentita parlare della povera Etta
00:23:31Era una cara persona
00:23:33Una vera amica per me, sa
00:23:35Sono sicura che ci avrebbe presentata
00:23:37Lei stessa se non fosse
00:23:39Mancata così ad un tratto
00:23:41Io mi chiamo
00:23:43Laura Creventorani
00:23:45Sono indiscreta forse ma
00:23:47Lei è sola a Roma
00:23:49Se posso esserle utile
00:23:51In qualcosa
00:23:53Se ricordi di me
00:23:55Grazie
00:23:57Ma
00:23:59Noi non ci siamo già visti
00:24:01Mia cara signora
00:24:03Sono contento che vi siate incontrate
00:24:05La signorina ha bisogno di amicizie adatta alla sua età
00:24:07Con lei vicino sarò più tranquillo
00:24:21Sono le chiavi, non le trovo mai
00:24:23Ecco, vede signora
00:24:25E' successo proprio qui davanti
00:24:27Ma com'è possibile? Noi eravamo in casa e non abbiamo sentito niente
00:24:29Il mio nipotino era malato
00:24:31E non siamo usciti per una settimana
00:24:33S'accomodi
00:24:35
00:24:49Quello che mi ha raccontato è incredibile
00:24:51Non deve pensarci più
00:24:53Ecco, vede, questa è la mia casa
00:24:55Mio marito è italiano ma lavora in Svizzera
00:24:57E non c'è quasi mai qui
00:24:59Confesso che mi sento molto sola certe volte
00:25:01Sì, ogni tanto vado a Berna a trovarlo
00:25:03Ma è così noiosa la vita là
00:25:05Non è una casa molto grande come vede
00:25:07Era uno studio da scultore una volta
00:25:09A noi piace tanto ma
00:25:11Purtroppo
00:25:13Ce la godiamo così poco
00:25:15E' veramente splendida
00:25:17Beata lei che possiede una casa così bella
00:25:19Deve essere un sogno abitare qui
00:25:23Un momento
00:25:25Domani io vado a Berna
00:25:27E qui non ci rimane nessuno
00:25:29Perché non ci viene ad abitare lei?
00:25:33Ma cosa dice? No
00:25:35Ma sì invece, perché no?
00:25:39Ecco qua, vede? Lasciano tutto in giro
00:25:41E quando non ce ne sono poi è ancora peggio
00:25:43Mi fa una tale rabbia
00:25:45Anzi, sarebbe lei a fare un piacere a me
00:25:49Ma mia madre
00:25:51Oh, adesso le telefoniamo subito
00:25:53Su, venga
00:25:55Senti mamma, voglio dimostrare a tutti
00:25:57Che non sono una visionaria
00:26:03Sì, d'accordo
00:26:05Sì, vedrai che riuscirò a scoprire la verità
00:26:09Va bene mamma
00:26:11Starò attenta
00:26:13D'accordo
00:26:15Salutami l'America
00:26:17Sì, certo, ti scriverò
00:26:19Tanti baci a papà
00:26:27La mamma dà per permesso? Sì
00:26:29Ora prendiamo una buona tazza di tè
00:26:31Poi organizzeremo la sua sistemazione
00:26:33Prima che tornino i miei nipotini
00:26:35Oh, stia tranquilla
00:26:37Verranno anche loro in Svizzera con me
00:26:39Sieda
00:26:41Ah, piuttosto
00:26:43Quando mio marito non c'è
00:26:45Io dormo sempre in questo letto
00:26:47Lo trovo delizioso, non è vero?
00:26:51Sembra di essere in un quadro
00:26:53Le pulizie le viene a fare la portiera
00:26:55Quindi non deve preoccuparsi di niente
00:26:57Bene
00:26:59Un'altra cosa, venga
00:27:03Ecco, vede, questo è lo studio di mio marito
00:27:05Soltanto lui ha le chiave
00:27:07In fondo è una responsabilità di meno per lei, no?
00:27:09È tutto
00:27:29
00:27:55Permesso, non c'è nessuno?
00:27:57Signora!
00:27:59Chi è? Che cosa vuole?
00:28:01Oh, scusi, ho suonato ma non veniva nessuno
00:28:03Così ho aperto con la chiave
00:28:05Sono la portiera
00:28:07Mi spiace di averla spaventata
00:28:09Si immagini, non fa niente
00:28:11La colpa è mia che non ho sentito il campanello
00:28:13Volevo dirle, signorina
00:28:15Che è venuto un tale con questo modulo
00:28:17E ha detto che deve scriverci nome e cognomi
00:28:19Diceva di essere della questura
00:28:21E siccome io di quelli non mi fido
00:28:23Sono venuta subito
00:28:25Non c'è fretta, però
00:28:27Può farlo anche domani
00:28:29È solo questione di un attimo
00:28:31Poi ci metteremo d'accordo per il servizio
00:28:33E l'orario delle pulizie
00:28:35Conti pure su di me, signorina
00:28:37Sono proprio tanto contenta che lei sia venuta
00:28:39A stare un po' in questa casa
00:28:41È sempre chiusa, se no
00:28:43Il signor Torrani sono tanti anni ormai
00:28:45Che non si fa più vedere
00:28:47E anche la signora Laura non ha più il coraggio
00:28:49Di starci dopo la disgrazia
00:28:51Che disgrazia?
00:28:53Se ci penso mi vengono ancora i brividi
00:28:55Cos'è successo, mi dici?
00:28:57Ma come, non lo sa?
00:28:59Era su tutti i giornali
00:29:01Ah, ma certo, lei non era in Italia a quel tempo
00:29:03Sono passati almeno dieci anni da allora
00:29:05Eppure ricordo ancora quella notte
00:29:07Come se fosse ieri
00:29:09La sorella della signora Laura
00:29:11È stata ammazzata a coltellate, poveretta
00:29:13Pensi, signorina, proprio di fronte a questa casa
00:29:23Già, già
00:29:47Dunque, un delitto era avvenuto davvero
00:29:49Davanti a quella casa
00:29:51It was absurd. Nora had seen it, she was sure of it, but what?
00:29:56Is it possible that the crime was repeated in the same circumstances?
00:30:00Maybe Portinaia was wrong, or she had lied.
00:30:04Or...
00:30:15In Piazza di Spagna, a third murder.
00:30:18Emily Craven, the American rich landowner, was murdered, stabbed in the back like the others.
00:30:27The murderer chooses the victims among the young women, following the letters of the alphabet.
00:30:31Our chronicler, Andrea Landini, is at the scene of the crime.
00:30:40The first victim's surname began with A, Gina Albert.
00:30:44The second one with B, Maria Beccati.
00:30:47We are in C, Emily Craven.
00:30:53No one has ever taken seriously the anonymous calls that have foretold every crime.
00:31:12Hello?
00:31:13Who is this?
00:31:14Nora Davis.
00:31:16Davis with a D.
00:31:17D as in crime.
00:31:27I understand, miss, that in the light of these new elements you are worried.
00:31:31But believe me, there is no reason to be alarmed.
00:31:34As a neurosurgeon, I have examined several cases of telepathic visions.
00:31:38It is a phenomenon that medicine studies, and that the statistics contemplate in their graphs.
00:31:43But what does medicine say about ectoplasms?
00:31:47No, no, there is no need to laugh.
00:31:49It is a pertinent question in your case.
00:31:52A very significant case that I will relate to science and life.
00:31:57Already at the hospital I was very interested,
00:32:00and I did not yet know that the crime had really happened as you have explained to me now.
00:32:06The lady has relived a fact verified ten years earlier.
00:32:10The Kreven crime is certainly an unusual experience, but not impossible.
00:32:15Although it must be said that it is a phenomenon that is closer to psychics than to rational medicine.
00:32:21The case in question is inappropriate to speak of ectoplasm or hallucination.
00:32:27Hallucination does not matter.
00:32:29For me, the phenomenon must be framed in the field of medial transpositions.
00:32:36Hey, even the mediums eat, it cools everything.
00:32:40So you mean, Professor,
00:32:43that Nora was really a witness to a crime that happened ten years ago?
00:32:49No, no, I beg you, do not misunderstand me.
00:32:51I can not really assert this.
00:32:53However, I argue that our dear and beautiful...
00:32:56Nora had not said anything about the phone call.
00:32:59It was useless for them to try to reassure her.
00:33:02Now only the truth could have restored her sleep,
00:33:05and she had to look for that truth alone,
00:33:08even at the cost of risking herself.
00:33:38She was alone.
00:33:48It was a good opportunity for the killer.
00:33:51She felt that everything was conspiring against her.
00:33:54Everyone had abandoned her.
00:35:38No!
00:36:02An idea, only one to defend herself.
00:36:05She asked for help from her old friends, the Yellow Books.
00:36:08She asked for help from Wallace, Mike Spillane, Agatha Christie.
00:36:12The Borotalco!
00:36:13Yes, the Borotalco!
00:36:35Ah!
00:37:02She slides on the white inside of the Borotalco,
00:37:05especially if the legs are trapped by a tenacious labyrinth of spades.
00:37:11Yes, maybe it's a little naive,
00:37:13but who knows, just for this less predictable.
00:37:16The killers never read the Yellow Books, luckily.
00:37:18And then the horrible book of Arianna,
00:37:20the novel that was inspiring her, had just come out in Philadelphia.
00:37:23In Italy, they couldn't have translated it yet.
00:40:23Ah!
00:40:45Who is screaming?
00:40:48Who is she?
00:40:49But what is a trap?
00:40:50But what does it say?
00:40:51What trap?
00:40:52Let me through!
00:40:53Let me through!
00:40:54Nora!
00:40:55Nora!
00:41:05That clenched finger, Nora felt it on her conscience.
00:41:09Not even the beauties of Rome that Dr. Bassi was eager to illustrate
00:41:13could escape Nora's doubts.
00:41:16Even though she appeared to be behaving like a perfect American tourist,
00:41:21the subconscious was working.
00:41:43Ah!
00:42:11What a day!
00:42:13I swear I have such a confusion in my head
00:42:15that I wouldn't be able to tell the difference
00:42:17between the Colosseum and Via Veneto, maybe.
00:42:20Since you're busy tomorrow, I'll go to the museum.
00:42:25I'll go visit the Capitoline Museum.
00:42:28It's very beautiful.
00:42:29And then maybe I'll go to the museum and...
00:42:31Yes, interesting, but...
00:42:33Is it the case that you go around like this alone?
00:42:37Oh, I'm afraid.
00:42:38But what do you want to happen to me?
00:42:40Well, I assure you,
00:42:41now I'm closed forever with crime and murder.
00:42:44Now I just want to be a tourist who admires monuments.
00:42:48So, don't worry.
00:42:50If you happen to see me,
00:42:51you won't run the risk of getting caught in my traps.
00:42:54But I really don't...
00:42:55I promise you, it won't happen.
00:42:57You see, you have such a defenseless air,
00:42:59and it's so lonely that I feel the duty to keep you...
00:43:03As you can see, I'm not that abandoned.
00:43:06Excuse me, but now I have to answer.
00:43:09Buonanotte.
00:43:13Buonanotte.
00:43:14Buonanotte.
00:43:20Ciao.
00:43:25Buonanotte.
00:43:39Buonanotte.
00:44:09Buonanotte.
00:44:10Buonanotte.
00:44:28How much?
00:44:29500 lire.
00:44:40Buonanotte.
00:44:41Buonanotte.
00:44:42Buonanotte.
00:44:43Buonanotte.
00:44:44Buonanotte.
00:44:45Buonanotte.
00:44:46Buonanotte.
00:44:47Buonanotte.
00:44:48Buonanotte.
00:44:49Buonanotte.
00:44:50Buonanotte.
00:44:51Buonanotte.
00:44:52Buonanotte.
00:44:53Buonanotte.
00:44:54Buonanotte.
00:44:55Buonanotte.
00:44:56Buonanotte.
00:44:57Buonanotte.
00:44:58Buonanotte.
00:44:59Buonanotte.
00:45:00Buonanotte.
00:45:01Buonanotte.
00:45:02Buonanotte.
00:45:03Buonanotte.
00:45:04Buonanotte.
00:45:05Buonanotte.
00:45:06Buonanotte.
00:45:07Buonanotte.
00:45:08Buonanotte.
00:45:09Buonanotte.
00:45:10Buonanotte.
00:45:11Buonanotte.
00:45:12Buonanotte.
00:45:13Buonanotte.
00:45:14Buonanotte.
00:45:15Buonanotte.
00:45:16Buonanotte.
00:45:17Buonanotte.
00:45:18Buonanotte.
00:45:19Buonanotte.
00:45:20Buonanotte.
00:45:21Buonanotte.
00:45:22Buonanotte.
00:45:23Buonanotte.
00:45:24Buonanotte.
00:45:25Buonanotte.
00:45:26Buonanotte.
00:45:27Buonanotte.
00:45:28Buonanotte.
00:45:29Buonanotte.
00:45:30Buonanotte.
00:45:31Buonanotte.
00:45:32Buonanotte.
00:45:33Buonanotte.
00:45:34Buonanotte.
00:45:35Buonanotte.
00:45:36Buonanotte.
00:45:37Buonanotte.
00:45:38Buonanotte.
00:45:39Buonanotte.
00:45:40Buonanotte.
00:45:41Buonanotte.
00:45:42Buonanotte.
00:45:43Buonanotte.
00:45:44Buonanotte.
00:45:45Buonanotte.
00:45:46Buonanotte.
00:45:47Buonanotte.
00:45:48Buonanotte.
00:45:49Buonanotte.
00:45:50Buonanotte.
00:45:51Buonanotte.
00:45:52Buonanotte.
00:45:53Buonanotte.
00:45:54Buonanotte.
00:45:55Buonanotte.
00:45:56Buonanotte.
00:45:57Buonanotte.
00:45:58Buonanotte.
00:45:59Buonanotte.
00:46:00Buonanotte.
00:46:01Buonanotte.
00:46:02Buonanotte.
00:46:03Buonanotte.
00:46:04Buonanotte.
00:46:05Buonanotte.
00:46:06Buonanotte.
00:46:07Buonanotte.
00:46:08Buonanotte.
00:46:09Buonanotte.
00:46:10Buonanotte.
00:46:11Buonanotte.
00:46:12Buonanotte.
00:46:13Buonanotte.
00:46:14Buonanotte.
00:46:15Buonanotte.
00:46:16Buonanotte.
00:46:17Buonanotte.
00:46:18Buonanotte.
00:46:19Buonanotte.
00:46:20Buonanotte.
00:46:21Buonanotte.
00:46:22Buonanotte.
00:46:23Buonanotte.
00:46:24Buonanotte.
00:46:25Buonanotte.
00:46:26Buonanotte.
00:46:27Buonanotte.
00:46:28Buonanotte.
00:46:29Buonanotte.
00:46:30Buonanotte.
00:46:31Buonanotte.
00:46:32Buonanotte.
00:46:33Buonanotte.
00:46:34Buonanotte.
00:46:35Buonanotte.
00:46:36Buonanotte.
00:46:37Buonanotte.
00:46:38Buonanotte.
00:46:39Buonanotte.
00:46:40Buonanotte.
00:46:41Buonanotte.
00:46:42Buonanotte.
00:46:43Buonanotte.
00:46:44Buonanotte.
00:46:45Buonanotte.
00:46:46Buonanotte.
00:46:47Buonanotte.
00:46:48Buonanotte.
00:46:49Buonanotte.
00:46:50Buonanotte.
00:46:51Buonanotte.
00:46:52Buonanotte.
00:46:53Buonanotte.
00:46:54Buonanotte.
00:46:55Buonanotte.
00:46:56Buonanotte.
00:46:57Buonanotte.
00:46:58Buonanotte.
00:46:59Buonanotte.
00:47:00Buonanotte.
00:47:01Buonanotte.
00:47:02Buonanotte.
00:47:03Buonanotte.
00:47:04Buonanotte.
00:47:07Buonanotte.
00:47:10Buonanotte.
00:47:13Buonanotte.
00:47:16Buonanotte.
00:47:20Maggio!
00:47:26But unfortunately, I can't walk.
00:47:30Keep going.
00:47:32I hope no one followed you, as I told you.
00:47:36You have to be careful.
00:47:38Very careful.
00:47:40Especially when you've seen too much,
00:47:42and your name starts with D.
00:47:56No, no, no, no, no, no, no, no, no.
00:48:26She's gone mad!
00:48:28Marcello, come on!
00:48:29There's someone in there, come on!
00:48:31What are you doing here?
00:48:33Someone called me and told me
00:48:35you didn't have a vision.
00:48:36Come on, I'll tell you the truth.
00:48:39We'll meet again.
00:48:40No, I don't want to!
00:48:44Careful.
00:48:48There was a man here, wasn't there?
00:48:52Where is he?
00:48:54But...
00:48:55He was here, I'm telling you, and he was talking to me.
00:48:57You don't believe me, do you?
00:48:58I didn't say anything.
00:49:01Marcello.
00:49:03What is it?
00:49:05Look.
00:49:10This could explain everything.
00:49:23I don't believe you!
00:49:27Go on.
00:49:28I hope no one followed her, as I told you.
00:49:33You have to be careful.
00:49:35Very careful.
00:49:38Especially when you've seen too much,
00:49:40and your name starts with D.
00:49:43Finally, this time we have something.
00:49:46It's convincing.
00:49:47But if she had run away,
00:49:49everyone would have said I'd made it up.
00:49:51From the sign on the door, we know whose apartment it is.
00:49:54It belongs to a man who lives in the hotel,
00:49:56and his name is Landini.
00:49:58What? Landini?
00:50:01Landini.
00:50:03I've heard that name before, I've read it somewhere.
00:50:09Maybe in the papers.
00:50:11Yes, yes!
00:50:13I've read it in one of those crimes magazines, I'm sure of it.
00:50:16Come on, I'll show you.
00:50:20Come on.
00:50:29They've taken them away.
00:50:32Someone must have come in here.
00:50:34Let's call the police.
00:50:35No, wait, Nora, calm down. Think about it for a moment.
00:50:38Do you have a maid?
00:50:40Yes, the doorman.
00:50:41And she doesn't have the house keys?
00:50:43Yes.
00:50:44She could have thrown them away.
00:50:45She can't call the police for nothing.
00:50:48Maybe she's right.
00:50:50What time is it now?
00:50:525.20.
00:50:57Listen, let's wait for the day to come.
00:51:00Then we'll go to this Landini's hotel and talk to him.
00:51:10Let's go and reveal the mystery.
00:51:21Mr. Landini, please.
00:51:28The room is 2,000 lire in advance.
00:51:30And please, leave everything in order.
00:51:32But how? Ouch!
00:51:35But how is it possible?
00:51:38Marcello, excuse me, there was a misunderstanding.
00:51:40We only came to talk to Mr. Landini.
00:51:44I thought it was the same.
00:51:45I'm sorry, I didn't mean to offend you.
00:51:48We came to talk to Mr. Landini.
00:51:50I was curious. It's 7 in the morning.
00:51:52It's not strange at all.
00:51:54Go on, talk. Is this Landini here or not?
00:51:58Mr. Landini is almost never here.
00:52:02And when he comes, he doesn't come during the day, but at night.
00:52:06Wait, maybe you can find him at the printing house at Via Enner.
00:52:11Listen, we're looking for Mr. Landini.
00:52:14Could you tell us...
00:52:17Could you tell us where he is?
00:52:19He doesn't come here anymore.
00:52:20But if you have any evidence...
00:52:22No, we don't have any evidence.
00:52:24We need him.
00:52:26We want to talk to him.
00:52:30Oh, what's going on here?
00:52:36Try at the Gallo printing house.
00:52:38He just turned the corner.
00:52:39Maybe they'll find him there, if they still believe him.
00:52:42He left a few minutes ago. I'm sorry.
00:52:46If I understand correctly, he said he wanted to go to Ostia.
00:52:48There's a waitress there, who has to give him some money.
00:53:16I confess I feel a little guilty.
00:53:19We didn't find Landini.
00:53:22And I made him lose all day for no reason.
00:53:27Don't think about it.
00:53:30We'll find him.
00:53:34We'll find him.
00:53:37We'll find him.
00:53:40We'll find him.
00:53:43Leave it. Don't think about it.
00:53:48You must be tired.
00:53:51No, no.
00:53:54I'll sleep tonight.
00:53:57I have a shift with someone who suffers from insomnia.
00:54:14What's going on?
00:54:17Why is he making that face?
00:54:20He hasn't understood yet.
00:54:23No, no, Marcello, no.
00:54:26No.
00:54:30Help, Marcello, no.
00:54:33He's gone.
00:54:36He's gone.
00:54:39He's gone.
00:54:43Now it's time to go.
00:54:46Please, no.
00:54:55Let me breathe.
00:54:58Nora, let's go inside.
00:55:01Let me stay with you.
00:55:05No, it's late.
00:55:08And you have to go to the hospital.
00:55:12I'll see you tomorrow.
00:55:15Nora, don't send me away.
00:55:20Don't make that face.
00:55:23When the time comes,
00:55:26you'll understand my voice,
00:55:30how I'll pronounce your name.
00:55:33Now go.
00:55:36Please.
00:55:40Bye.
00:55:56Marcello, there's a man in the house.
00:56:03Stay where you are.
00:56:09Nora, call the police.
00:56:40I touched the door handle and it opened.
00:56:43I thought something had happened, so I came in.
00:56:46Then you came in.
00:56:49I don't have the keys to this house.
00:56:52The doors and windows weren't forced.
00:56:56He's right. There's someone in here.
00:56:59I'm sure of it. Who stole those notes?
00:57:02And this someone has to do with the crimes of the alphabet.
00:57:05The crimes of the alphabet. That's why I'm here.
00:57:09What do you know?
00:57:12Ten years ago,
00:57:15I was a well-known journalist.
00:57:18When the first crime happened,
00:57:21I was interested in it.
00:57:25It was about a foreigner.
00:57:28I didn't give much thought to it.
00:57:31The crime had been preannounced by an anonymous phone call.
00:57:34Two weeks later, the second crime was confirmed.
00:57:37It was identical to the first one.
00:57:41The killer would have killed again.
00:57:44It was necessary to identify him.
00:57:47The killer was invisible.
00:57:50There was no trace of him.
00:57:53I had to compete with the police to find out who he was.
00:57:58I understand.
00:58:01I was convinced he was a sexual maniac.
00:58:05I supported this theory in many articles.
00:58:08I always accused the police of incapacity.
00:58:11One night, it was Emily Craven's turn.
00:58:14They found her with a dagger in her back.
00:58:17She lived in this house with her sister Laura,
00:58:21the lady who hosted her.
00:58:24I was investigating this third crime
00:58:27when I met Professor Torrani, Laura's husband.
00:58:30He was a great psychiatrist.
00:58:34He agreed with my theory that it was a madman's crime.
00:58:37He pushed me to act.
00:58:40The police arrested the culprit.
00:58:43It was Torrani who reported me to a vagabond,
00:58:47a psychopath who seemed suspicious.
00:58:50They called him Snow Tracer.
00:58:53I traced him back to the police.
00:58:57I found no evidence against him,
00:59:00but there was a lot of evidence.
00:59:03He even confessed.
00:59:07In front of the court, however, he withdrew everything.
00:59:10They sentenced him.
00:59:13They locked him up in a criminal asylum.
00:59:16He was mentally ill.
00:59:19It was a great success for Professor Torrani and me.
00:59:23It wasn't me!
00:59:26I'm innocent!
00:59:29It wasn't me!
00:59:32That scream remained in my ears.
00:59:35The trial had a strange effect on me.
00:59:38I was less and less sure that Snow Tracer was guilty.
00:59:42I read the sentence again.
00:59:45I even studied my articles again.
00:59:48Finally, I was convinced that Snow Tracer was innocent.
00:59:51I tried to explain it to Professor Torrani.
00:59:54But he didn't listen to me.
00:59:57I started to write articles again.
01:00:01I tried to move the press.
01:00:04But it was an old story that didn't interest me anymore.
01:00:07I insisted too much.
01:00:10One day, I lost my job.
01:00:13After fighting so much, I was left alone.
01:00:17I couldn't do anything.
01:00:20But I couldn't forget.
01:00:23I kept looking for a clue.
01:00:26A trace.
01:00:29Until one morning, I found you.
01:00:32I was trying to make you come back.
01:00:36But I heard the footsteps of a guard.
01:00:39I didn't want to be next to you.
01:00:42I hid.
01:00:45When you don't have a job anymore, you get into trouble.
01:00:48You told me that you saw the murder of a woman
01:00:52right in front of the gate of this house.
01:00:55It seemed to be unrelated to the crimes of the alphabet.
01:00:59But it wasn't like that.
01:01:02I've been following you since then.
01:01:05I wanted to talk to you. I wanted to know.
01:01:08If you really witnessed the crime,
01:01:11maybe you're the only person who can help me.
01:01:15To identify the murderer?
01:01:18Yes, of course. That's what I want.
01:01:21You want Nora to help you, right?
01:01:24But she's already been threatened.
01:01:27She's in an apartment of her own.
01:01:30If you didn't do it, it was someone you know.
01:01:34Maybe you want me to risk my skin to solve your doubts?
01:01:37Marcello, we'd better tell him everything first.
01:01:40I'll make you hear something.
01:01:43There's no one here.
01:01:46The recorder's gone.
01:01:53I couldn't convince her last night.
01:01:56But you have to help me.
01:01:59Maybe my insistence was strange to you,
01:02:02but don't you know what it means to live for ten years
01:02:05blinded by doubt,
01:02:09with the remorse of having contributed to the conviction of an innocent?
01:02:12Here's Straccianevee.
01:02:15Do you recognize him?
01:02:18Tell me.
01:02:21You saw him, didn't you?
01:02:25Try to remember.
01:02:28Do you recognize him? Tell me.
01:02:33You saw him, didn't you?
01:02:37Try to remember.
01:02:42I can't! I can't!
01:02:45Stop it, please!
01:02:48Maybe if you saw him in person,
01:02:51if you met him,
01:02:55then it would be different.
01:02:59It's not that easy to get out of here.
01:03:02You know when to come in and when not to come out.
01:03:05You usually go to the house with Pecchino.
01:03:08Yes, I remember him very well. He was very quiet.
01:03:11He seemed normal.
01:03:15Let's see, he should be here.
01:03:18Here he is, deceased on May 23, 1959.
01:03:21Cause of death, thrombosis of the coronary.
01:03:24If he's dead, we can't do anything.
01:03:27I think he died too well.
01:03:30He had little to sleep at night.
01:03:34Don't you think so?
01:03:37Thank you very much.
01:03:40Nora, I'm sorry, but I have to go.
01:03:43Wait a minute.
01:03:46Could you tell us if he had relatives?
01:03:50Yes, he had a daughter, Maria.
01:03:53He must be here.
01:03:57Yes, here he is. He works in the laundry of the Foro Italico.
01:04:08Yes, he worked here, but it was such a plague.
01:04:11If he gave a lot of money, he would do the mopping.
01:04:14But he never had a penny.
01:04:17As soon as he opened his mouth, he asked for a loan.
01:04:21When? Do you remember the date?
01:04:24It must have been a couple of years ago.
01:04:27One day, he made a lot of money.
01:04:30He beat up everyone who had closed the laundry.
01:04:34But he never confided anything to you.
01:04:37What did he want you to say?
01:04:40How did he get rich?
01:04:43When I was 20, I could get rich too.
01:04:46Every night with the extraordinary.
01:04:50I don't know if I can explain myself.
01:04:53Sorry if we disturbed you.
01:04:56Where can I find a telephone?
01:04:59There's one at the entrance.
01:05:02I don't think there's anything else to do here.
01:05:06What should we do?
01:05:09I have an idea, but you'd better go alone.
01:05:12The bus stop is over there.
01:05:15Goodbye.
01:05:19Goodbye.
01:05:50No, no, nothing new.
01:05:54What did you know about that woman?
01:05:57When?
01:06:00When you came back and spoke to her alone.
01:06:03Did you see me?
01:06:06Yes, from far away.
01:06:10And when I got closer, you were gone.
01:06:13And that woman had become so strange, so hostile.
01:06:16Hello? Hello?
01:06:19Yes, I can hear you.
01:06:22It's all clear now.
01:06:26It was that woman who made me understand so many things.
01:06:29Come to me in an hour and you'll know everything.
01:06:32All right, I'll be right there.
01:06:40Mr. Landini, please.
01:06:43He told me to let you in.
01:06:46Second floor, room number 26.
01:06:50...to which the UN Command has guaranteed complete freedom.
01:06:53At Tehran, nine workers were killed and 18 injured...
01:07:15Landini?
01:07:19Landini?
01:07:49Landini?
01:08:19Landini?
01:08:49Landini?
01:09:19Landini?
01:09:23Landini?
01:09:50Why did you kill yourself?
01:09:54You read his confession, didn't you?
01:09:57You must have realized that sooner or later...
01:10:00...you would have been able to unmask him.
01:10:03I think it was a mistake.
01:10:06But let's change the subject.
01:10:10Nora must forget what happened.
01:10:13I brought you the papers you asked for.
01:10:16You can count on me.
01:10:19And on loving me.
01:10:22Don't get your hopes up.
01:10:25You'll never get rid of me.
01:10:29Your husband will be back tonight, won't he?
01:10:32Yes, at 10.30. I'll pick him up at the station.
01:10:35Before Nora leaves, we'll have breakfast together.
01:10:38All right.
01:10:41I'll walk you to the door.
01:11:02It was her!
01:11:05Nora recognized her.
01:11:08She was the girl who saw him killed in Piazza di Spagna.
01:11:15They identified her.
01:11:19She's Straccianeve's daughter.
01:11:22Do you recognize her?
01:11:25She's the woman who saw him killed in Trinità dei Monti.
01:11:28Are you sure it's her?
01:11:31Do you still think I'm going to kill you?
01:11:35No.
01:11:38No.
01:11:41No.
01:11:44Do you still think I'm a visionary?
01:11:47Or that I'm crazy?
01:11:50Come with me. I need your help.
01:11:57If this button could speak, it would be useful.
01:12:01We found it in the hands of the dead.
01:12:04As if someone had taken it.
01:12:07Have you ever seen it?
01:12:10I...
01:12:14No, I don't think so.
01:12:17Be patient.
01:12:20If you remember anything,
01:12:23please let us know.
01:12:26And...
01:12:30Please don't investigate again.
01:12:33This is our job, miss.
01:12:36De Maria!
01:12:44Welcome.
01:12:51Goodbye, miss.
01:12:54And thank you for coming.
01:13:00Goodbye.
01:13:09I knew it. She took the button.
01:13:14I knew it.
01:13:17She took the button.
01:13:44I felt the hands burning her.
01:13:47Her fingers clasped on it.
01:13:50She had already seen this button somewhere.
01:13:53She had to take it.
01:13:56To know the truth at any cost.
01:13:59to know the truth at any cost.
01:14:11Wait a minute.
01:14:13Of course.
01:14:15How stupid not to have thought of it before.
01:14:17The woolen jacket.
01:14:19The day she entered the house for the first time.
01:14:22It was as if a left light was turned on inside her.
01:14:30She had to hurry.
01:14:32She only had a few minutes left.
01:14:34But where?
01:14:35Where to look?
01:14:37Here.
01:14:38That door.
01:14:40That threatening door with its invisible curtains.
01:14:43Its closed lock.
01:14:45She had to open it.
01:14:47Now she felt that it was behind there that the mystery was hiding.
01:14:50The solution to her anxieties and all her fears.
01:14:54She had to be able to open it.
01:14:55She had to find the courage to overcome that threshold.
01:15:20Hello.
01:15:22Hello, I'm talking to the hospital.
01:15:23Yes, tell me.
01:15:25Excuse me, I'd like to see Dr. Bassi right away.
01:15:27I'm sorry, he's in the operating room.
01:15:29Do you want to leave a message?
01:15:30No, thank you, it's useless, I'll call him.
01:16:54Dr. Bassi.
01:16:56Fuck.
01:17:22Fuck.
01:17:25No!
01:17:29Open!
01:17:30Open!
01:17:32Help!
01:17:33Help!
01:17:56No!
01:17:58Laura!
01:18:02Yes.
01:18:05A button is missing, right?
01:18:12No.
01:18:15I can't believe it.
01:18:20You too.
01:18:22You're afraid of me too.
01:18:25But why?
01:18:27Don't you understand that I was forced to do it?
01:18:31You.
01:18:34No.
01:18:36It was you.
01:18:39It's not true.
01:18:41It's not true.
01:18:43But yes, it is.
01:18:45And no one has been able to discover anything so far.
01:18:48The newspapers have always written a lot of stories.
01:18:51A lot of fantasies, beautiful, ugly, interesting.
01:18:55I kept them, you know, the articles.
01:18:58And also the pictures of the girls.
01:19:00Would you like to see them?
01:19:01Come, come with me.
01:19:09You're not leaving, are you?
01:19:11I have everything, you know?
01:19:14Look, look.
01:19:16See?
01:19:17I tried to cut out every line that spoke of my victims.
01:19:20Look, here.
01:19:22This was the first one.
01:19:25She was pretty.
01:19:29Poor thing.
01:19:31She didn't do me any harm.
01:19:34But I had no choice.
01:19:36Her name started with A.
01:19:39You understand, don't you?
01:19:45Look, look here.
01:19:46Look.
01:19:48Look, look.
01:19:50It was a brilliant idea to think of the letters of the alphabet.
01:19:55A, B, C.
01:19:58I'm horrified at you, too.
01:20:01Look at how my sister did.
01:20:05Her way of looking.
01:20:08I made her sigh death, though.
01:20:13Here she is.
01:20:14Look at her portrait.
01:20:15You can tell right away that she was a monster.
01:20:17She has evil in her eyes.
01:20:18Look at her, look at her.
01:20:19She always had it with me.
01:20:20Always with me.
01:20:22She wanted me to go crazy.
01:20:24She would have inherited my father's money.
01:20:26All of it.
01:20:27She was starving.
01:20:30And I...
01:20:31I understood very well what she was up to.
01:20:33Do you understand?
01:20:36So I had to...
01:20:41Do you remember that night at Casalandini's?
01:20:43Look.
01:20:44Here.
01:20:45This is the voice that scared you so much.
01:20:50But...
01:20:52Unfortunately, it was of no use.
01:20:56You.
01:20:58You are like everyone else.
01:21:00Like Landini.
01:21:01I had to kill him.
01:21:03And the daughter of Straccianeve, too.
01:21:05She didn't want to shut up.
01:21:06She was trying to get me back.
01:21:08So...
01:21:13What you saw that night, Nora,
01:21:15it wasn't a dream.
01:21:17You really saw it, my husband,
01:21:19while he dragged her down the stairs.
01:21:23He was so scared.
01:21:25That coward.
01:21:27Come, Nora.
01:21:28Come.
01:21:31Look at him.
01:21:35I don't even want to see him, damn it.
01:21:40I had to put up with him for years.
01:21:43He was always afraid that someone would find out what...
01:21:46He wanted to lock me up in a clinic.
01:21:50An excuse.
01:21:52To take my money.
01:22:17Nora.
01:22:19Please, listen to me.
01:22:23You've always been so good to me.
01:22:26Maybe I can help you now.
01:22:29Listen.
01:22:31I know you've been forced.
01:22:34You're not evil.
01:22:36I understand you, you know.
01:22:38I have nothing against you.
01:22:43Please, you have to believe me.
01:22:45I didn't mean to hurt you, Laura.
01:22:49I...
01:22:51I was just looking for the truth.
01:22:54I swear, I won't tell anyone.
01:22:59I know you won't tell anyone.
01:23:03I'm sure of it.
01:23:05When they find you,
01:23:08you won't be able to speak.
01:23:11No, don't be afraid, Nora.
01:23:13You won't feel anything.
01:23:15Believe me, it's only a matter of a moment.
01:23:19I swear, I won't make you wait.
01:23:21You won't even notice.
01:23:23You won't even see.
01:23:43Hey, Nora.
01:23:45What are you looking at?
01:23:47Sorry, Carol.
01:23:49It's so beautiful up here.
01:23:51Look, St. Peter.
01:23:53You can see it better than the Trinity of the mountains.
01:23:58If I think of poor Rolandini, I feel sad.
01:24:01If I had arrived a little earlier, maybe it wouldn't have been so bad.
01:24:05Nora, please, you don't have to think about it anymore.
01:24:08Remember that we'll get married soon.
01:24:10That's all that matters.
01:24:12Look, darling.
01:24:13We're at the pinnacle, just at sunset.
01:24:15It's the most beautiful gift that Rome can offer.
01:24:20Wait, I'll get it.
01:24:29Excuse me.
01:24:30What do you have half American in that bag?
01:24:32What do you want?
01:24:33I still have my luggage at the airport.
01:24:35And I had to put a lot of stuff in here.
01:24:38It's a bag I only use when I travel.
01:24:46What is it?
01:24:48But...
01:24:50What are these manners?
01:24:52I had to do it.
01:24:55The cigarette, the marijuana.
01:24:58Who would remember it?
01:25:00But I...
01:25:02I had smoked one in the plane.
01:25:05What if it was all a dream?
01:25:07Nora.
01:25:08Nora, what's wrong? Don't you feel well?
01:25:10No, I'm fine.
01:25:12What's wrong? Why did you take the cigarette out of my mouth?
01:25:15Because smoking is very bad.
01:25:17Sometimes smoking is the cause of...
01:25:19of certain...
01:25:20of certain tragedies that you can't even imagine.
01:25:23I won't smoke anymore.
01:25:45You
01:25:47You
01:25:49You
01:25:51You
01:25:53You
01:25:55You
01:25:57You
01:25:59You
01:26:01You
01:26:03You
01:26:05You
01:26:07You
01:26:09You
01:26:11You
01:26:13You
01:26:15You
01:26:17You
01:26:19You
01:26:21You
01:26:23You
01:26:25You
01:26:27You
01:26:29You
01:26:31You
01:26:33You
01:26:35You
01:26:37You
01:26:39You
01:26:41You
01:26:43You
01:26:45You
01:26:47You
01:26:49You
01:26:51You
01:26:53You
01:26:55You
01:26:57You
01:26:59You
01:27:01You
01:27:03You
01:27:05You
01:27:07You
01:27:09You
01:27:11You
01:27:13You
01:27:15You
01:27:17You
01:27:19You
01:27:21You
01:27:23You
01:27:25You
01:27:27You
01:27:29You
01:27:31You
01:27:33You
01:27:35You
01:27:37You
01:27:39You
01:27:41You
01:27:43You
01:27:45You
01:27:47You
01:27:49You
01:27:51You
01:27:53You
01:27:55You
01:27:57You
01:27:59You
01:28:01You
01:28:03You
01:28:05You
01:28:07You
01:28:09You
01:28:11You
01:28:13You
01:28:15You
01:28:17You
01:28:19You
01:28:21You
01:28:23You
01:28:25You
01:28:27You
01:28:29You
01:28:31You
01:28:33You
01:28:35You
01:28:37You
01:28:39You
01:28:41You
01:28:43You
01:28:45You
01:28:47You
01:28:49You
01:28:51You
01:28:53You
01:28:55You
01:28:57You
01:28:59You