Relic Hunter S01e13 Afterlife And Death
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TVTranscript
01:00I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry
01:30I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I
02:01to the Dante Lee
02:05una data Dealey like a food alarm mean
02:10at all
02:30Rahava itra'e libeh be'matana tehey la'chadam.
03:00Get out!
03:22No one's allowed in here until I notify Cairo.
03:24Police!
03:25You stay where you are.
03:26Whoa, whoa, whoa.
03:27Whoa, whoa, whoa.
03:28Here, I have a permit.
03:29You stay where you are.
03:30Stay where you are.
03:31Stay where you are.
03:32Stay where you are.
03:33Stay where you are.
03:34Stay where you are.
03:35Stay where you are.
03:36Stay where you are.
03:37Stay where you are.
03:38Stay where you are.
03:39Stay where you are.
03:40Stay where you are.
03:41Stay where you are.
03:42Stay where you are.
03:43Stay where you are.
03:44Stay where you are.
03:45Stay where you are.
03:46Stay where you are.
03:47Stay where you are.
03:48Stay where you are.
03:49Stay where you are.
03:50Stay where you are.
03:51Stay where you are.
03:52Stay where you are.
03:53Stay where you are.
03:54Stay where you are.
03:55Stay where you are.
03:56Stay where you are.
03:57Stay where you are.
03:59One soul, many lives.
04:04It's about reincarnation.
04:05Yeah, I didn't think it was a cookbook, Claudia.
04:08Everyone's soul is eternal, Nigel.
04:09They're like recycled through different bodies, but they never change.
04:14You inhabiting different bodies is a frightening concept.
04:16Make fun all you want, but I met the author at a book signing.
04:19She said I was a very old soul.
04:21You hate old.
04:23Everything in your world is a shelf life of 15 minutes.
04:25Uh, this is different.
04:28wants to do a deep reading on me she's almost certain I was someone famous an
04:31actress maybe you know like Jane Fonda oh yeah Jane Fonda is still alive no way
04:39we're going somewhere Egypt prominent archaeologist Bruce Adler accused of
04:45stealing Pharaoh's diamond you know this guy he's an old friend he phoned last
04:49night after he was released on bail what do you think happened I don't know but
04:54Bruce has spent his life protecting Egypt's history and the thought of him
04:56stealing anything is ridiculous I have to go there and help him cute he's just
05:02a friend Claudia maybe he'd like to show his diamond to Cleopatria huh she also
05:07said I might be a famous historical fixture well just for the record it's
05:11Cleopatra whatever I love diamonds she loved diamonds I know I saw the movie
05:17with Liz Taylor Liz Taylor alive no I'll just go make reservations the
05:37diamond was known as the white light of Pharaoh Thutmose Egyptologists have
05:40speculated about its existence for centuries but no one really knew if it
05:43existed this is a huge find I haven't heard a thing about it
05:46well Bruce didn't want anyone to know about it until he found funding to
05:50excavate the site Sydney this is important okay
05:55Jane Fonda dead or alive alive of course no I never see her anymore
06:04she got married good as dead
06:21Bruce Sydney thanks for coming oh you must be nice
06:30sorry about the choice of cafes it's just that not even the police come here
06:36you made bail what are you worried about that they'll arrest me for something
06:39else are they involved whoever stole the diamond bought off the police arranged
06:45to have me framed so that Cairo would have no choice but to have them hold me
06:49I was lucky enough to get the story in the papers otherwise I wouldn't have
06:55made bail any idea who's stolen I can think of half a dozen people with
07:00enough clout to pull this off whoever it is I'm sure they're out of the country
07:04by now Sydney you don't know how much this means to me that he came all this
07:09way just to give me a hand Chris you know you've been there for me a few
07:13times before all right so we want to start I'd say the Pharaoh's tomb that's
07:23the last time you saw the diamond it'll be under heavy guard male guards of
07:27course of course no no it's the only way there has to be another way I don't
07:37know what you're making such a fuss about you have very nice legs
07:54how you doing fine how long do you think when I'm done oh are you all right
08:03nothing a tourniquet won't fix I'll just lay out your things
08:24you're slouching the basket is a little heavy women that slouch are very
08:34unattractive Nigel this isn't a beauty contest we have to be authentic an
08:39authentic woman would slouch with this basket on her head you win just what do
08:46you want woman we have food you've already eaten and the wares
09:06what wares
09:17Oh what about the little one
09:30another first one are you ready to receive what we have to offer yes very
09:37much ready remember you asked for this
09:46Oh
09:50according to these hieroglyphics the diamond was found inside a meteor that
09:54fell to earth now the Egyptians believe the gods sent it to the Pharaoh do you
09:59believe that about the meteor I mean oh I know it's true I found the diamond
10:03resting on a piece of it there now it was said that the diamonds white light
10:10would lead the foot most on his journey through the afterlife now that's
10:13standard stuff but this this isn't what are those rays I don't really know but
10:22Thutmose was an incredible warrior his armies were unstoppable maybe the
10:26diamond was more than just a flashlight well are you suggesting it was some sort
10:30of laser weapon from somewhere out there I don't know well oh how graphics are
10:39probably some work of an Egyptian spin doctor I mean it's it's clever mythology
10:43at best allegory
10:52Bruce is there anyone on your short list of thieves that walks with a limp
10:57favoring his left foot Omar Mustafa he was wounded in the Six-Day War against
11:02the Israelis while running away a real hero he's been down here take a look at
11:09the footprints he left a deep imprint with his right foot than with his left
11:12foot so what do we find him he runs an import-export office in Cairo basically
11:20a small-time fence for lower-priced artifacts stolen from dig sites well he
11:24hit the big time with your diamond
11:30what next time I definitely go with a size six
11:39yeah
12:05you think he left the country with the diamond yeah the question is where is
12:09Where did he go to sell it?
12:11Check the hardware.
12:12Got it.
12:18Nothing in his desk.
12:21Auto-dial numbers have been nuked.
12:25The hard drive's been wiped too.
12:32Auto-redial?
12:34That's too easy.
12:35That's why I might have forgotten about it.
12:40Royal Hotel, Mr. Boot speaking.
12:43Yes, good morning, Mr. Boot.
12:45I'm calling from Mr. Mustafa's office.
12:48Has he arrived yet?
12:50Oh, this afternoon, yes, of course.
12:53No, no, no message.
12:55As a matter of fact, if you wouldn't mind not mentioning, I rang.
12:58He's so cross when I get disorganized.
13:01You are so kind.
13:04Sydney.
13:07How long has it been?
13:08It's not something I keep track of.
13:10I miss our little adventures.
13:12What are you doing here, Cole?
13:14I've intercepted one of Mr. Mustafa's enthusiastic conversations about his latest find.
13:21It sounded very interesting.
13:26And you know where he's gone.
13:28Oh, let me get that information for you.
13:31Oh, clumsy girl. Did I just erase the last number?
13:35I could kill the three of you.
13:37That's one option.
13:38Or you could tell me where Mustafa is and I'll let you all go.
13:42Well, that's another.
13:43But then that's not half as much fun.
13:45No pain.
13:50I can certainly feel yours.
14:08Why did he let us go?
14:09He got me.
14:10Don't worry about it. Let's just get out of here.
14:13Drive!
14:37A good location for Mustafa.
14:39This area is the heart of one of the biggest diamond markets in the world.
14:43The guys with the briefcase?
14:44They carry fortunes in them.
14:48I'm so sorry. Are you all right?
14:54It's better for people to think that you're with someone in this part of town.
14:58If you don't mind.
14:59Ah, the red light district.
15:01Yeah, another reason for Mustafa to stay here.
15:04English. I love English.
15:08I would do anything for the Empire.
15:12Is that right?
15:14Let me tell you inside.
15:19Ko's gonna find us, you know. It's just a matter of time.
15:22Is he a relic hunter?
15:23More a terrorist for hire.
15:25He's not interested in stealing and selling diamonds.
15:27What's he wanted for, then?
15:29That's what I was wondering.
15:30Ah, here we are.
15:33The Royal Hotel.
15:34Yes.
15:35Where's Nigel?
15:38Mmm.
15:44You know, no one's gonna give us Mustafa's room number.
15:47No.
15:49Not unless we've got a very good reason.
15:57Sydney, thank God.
15:58I seem to be having trouble communicating with Carla.
16:01Carla? You're already on a first name basis.
16:04I can't make her understand that I'm not interested.
16:07Saying no is a good way to start.
16:09I tried that, of course.
16:11She just kept talking.
16:14Nice outfit. You mind if I talk to you for a second?
16:30Mr. Boot?
16:31Mr. Boot?
16:33Yes.
16:35I have an appointment to see Mr. Mustafa.
16:38Yes?
16:40Omar said you might show me to his room.
16:43Discreetly.
16:47Of course.
16:55Show this young lady to suite 303.
16:58Use the staff lift.
17:28Thanks.
17:31Read it.
17:45Let's go. I want to get this over with before anybody else arrives.
17:48Omar?
17:59Someone's inside.
18:00Mustafa.
18:01Who else?
18:02I'm not so sure.
18:04Who else would it be?
18:07Cole!
18:11I know it's not me, is it?
18:13Where's Mustafa?
18:15Gone. I want that diamond.
18:17I know.
18:18You want it bad, don't you?
18:24Five hundred million dollars.
18:26If you deliver the diamond.
18:30Who would pay a billion dollars for a diamond?
18:33Says Liz Taylor.
18:36I have buyers.
18:38What is this stuff?
18:48Well, I have never seen anything like it before.
18:51What have you brought me, Bruce?
18:53I was hoping you could tell us, Theo.
18:56I wish I could.
18:57Me neither.
18:59I'm not going to tell you.
19:00I'm not going to tell you.
19:01I'm not going to tell you.
19:02I'm not going to tell you.
19:03I'm not going to tell you.
19:04I'm not going to tell you.
19:05I wish I could.
19:06Meaning?
19:07The meteorite itself is comprised of carbon, nitrogen, hydrogen, copper, other trace elements.
19:13Exactly what we've seen in meteorites before.
19:15But the diamond isn't a diamond.
19:19There's no trace of carbon present.
19:21Then what's it made of?
19:23I don't know.
19:25The refractive index of the material is so high that it actually absorbs light and doesn't allow it to escape.
19:32It's what a diamond does.
19:34That's what makes a diamond sparkle.
19:35It's holding light?
19:37Exactly.
19:38Inside the crystalline structure.
19:40It's like a Belgian lace.
19:42Delicate and volatile.
19:44I want to take a closer look.
19:46The laser will illuminate the interior of the crystal structure better.
19:54Look out!
20:05Oh!
20:19Oh!
20:20Oh!
20:21Theo, are you okay?
20:23In one piece at least, yeah.
20:25What happened?
20:26I'm sure I don't know.
20:28Somehow, the laser altered the molecular structure of the crystal and allowed the light inside to be released.
20:34And you were only working with a sliver of it?
20:36Oh, my God.
20:37What would happen if a larger piece were tampered with?
20:39As in cut?
20:40Well, it mustn't be cut.
20:42The release of energy could be catastrophic.
20:45Is there any more of this material?
20:47Yes.
20:48May I see it?
20:50I'm afraid not.
20:51It's been stolen.
20:55Find it.
20:56Do whatever you have to do.
20:57The stone must not be disturbed.
21:08The hieroglyphics in Thutmose's tomb were right.
21:10They're wrong. I can't believe it.
21:12Sidney, the finest diamond cutters in the world are here in Amsterdam.
21:15As far as Mustafa knows, that stone's the world's biggest diamond.
21:18We'd better stop him before he blows a hole in the middle of Europe.
21:21Sidney!
21:27Hello, Ko.
21:29I suspected the stone had potential.
21:32But I didn't know.
21:34You've answered my questions.
21:38Leave it alone, Ko. It's too dangerous even for you.
21:41Really?
21:42My offer stands.
21:44Fifty-fifty when you deliver the stone.
21:47To me.
21:48You've really got to work on your people skills, Ko.
21:57We're big?
21:59Not big.
22:04We have mosquitoes?
22:06Oh!
22:27What is your destination?
22:29Let's go, guys. Off with it.
22:36I know this is highly unusual.
22:38Yeah, yeah.
22:40Why don't you wait outside? It'll only take a few minutes.
22:42Yeah.
22:43Well, actually, I have to stay in the cabs.
22:47It's the policy of the company.
22:49Is that right?
22:50Yeah.
22:51I'm sorry.
22:52It's okay.
22:53Policy of the company.
22:55Is that right?
22:56Yeah.
22:57What's your name?
22:58Volker.
22:59Volker. Nice name.
23:00Oh, thank you.
23:02Hold this.
23:04This is my policy, Volker.
23:06Now, why don't you step outside before I break your femur?
23:09You do know what a femur is, don't you?
23:11Yeah.
23:15Let's go!
23:23Let's go!
23:53Let's go.
24:02These guys, Volker, I gotta tell you.
24:05How do you feel about going to Vulcan Dam?
24:07Oh, yeah.
24:08Good. I'm glad you feel that way. You're going there alone.
24:11Alone?
24:12Yes.
24:13I don't understand.
24:14Probably never will.
24:15Vulcan Dam?
24:16500 guilders.
24:18Well, that's not enough.
24:21It's a lot of money.
24:22Yeah, but it's not enough.
24:25Have you ever heard of a tibia, Volker?
24:30Okay.
24:36So, this guy Mustafa, he's a ladies' man?
24:40That's right.
24:45No.
24:47No!
24:58Willkommen.
24:59Prima.
25:00Very well, thank you.
25:02Same to you.
25:06May I help you?
25:09Perhaps.
25:14I'm an old friend of Omar Mustafa.
25:22I'm in town on business and he told me I should come and see you.
25:30He assured me that you would be extremely helpful.
25:34Concerning?
25:35Concerning?
25:36Yes.
25:37Concerning?
25:39Well, concerning, that is, in finding an escort.
25:48An escort?
25:49Yes.
25:50I assure you, this will be no problem.
25:52No? Really?
25:56He also said you might suggest a place he enjoys.
26:11Plastic, plastic.
26:12Plastic, plastic. Sounds lovely.
26:16What is your preference?
26:18Perhaps I can suggest someone.
26:20My preference? A little of this, a little of that, you know.
26:25Of course. You're English.
26:29Constanza.
26:30Constanza?
26:31Yes.
26:33She will be able to help you with your problem.
26:48Do-do, ba-ba-ba-da-ba-ba.
26:53This girl wants a diamond ring.
26:57Better than most anything.
27:01There's nothing like a little rock.
27:05To make me love you round the clock.
27:09All the eyes will linger on that sparkle on your finger.
27:14This girl wants a diamond ring.
27:16Why do I suddenly feel like I'm in a Kubrick film?
27:18The star has got to be here.
27:20Yeah, let's start looking.
27:22There's nothing like a little rock.
27:26To make me love you round the clock.
27:32Uh, I don't think you want to do that.
27:35It's just a harmless smile.
27:37Nigel, you don't have to...
27:38Sydney, I appreciate what you're trying to do, but sometimes you protect me too much.
27:41I'm a grown man, after all, and I can handle things more than you realize.
27:44Suit yourself.
27:51Wow, I admire your singing.
27:53Wonderful voice, but I'm not interested.
27:56Don't flatter yourself, pal.
27:57I was just checking out the sweater.
28:00Calvin Klein?
28:01Um, I've been on in the Republic.
28:08You okay?
28:09Yes, good, fine.
28:10Thank you very much.
28:11That's him, over there.
28:16Huh.
28:17Well, while she's powdering whatever it is she powders, I think I'll go fill in.
28:30I haven't seen you here before.
28:32It's my first time.
28:34You know, for the right price, I can be quite amusing.
28:38And what would the right price be?
28:41I like diamonds.
28:43Big diamonds.
28:46You know what I'd really like?
28:49The Thutmose diamond.
28:58I don't know what you're talking about.
29:00Here are the facts, Moose.
29:01You stole it.
29:02You framed my friend Bruce for it and brought it to Amsterdam.
29:05We want it back.
29:07The ancient Egyptians had a most unusual method of dealing with their low lives.
29:12Before they mummified the dead, they ripped their brains out through their nose with a hook.
29:17For scum like you, they didn't have to wait for them to be dead.
29:23I don't have the stone.
29:25I sold it.
29:26You sold it?
29:27This afternoon.
29:29To whom?
29:30You don't know much about the diamond business, do you?
29:33Nicholas Van Halsen.
29:35Yes.
29:36Buys and sells diamonds from around the world.
29:39Doesn't care where he gets them from, nor to his clients.
29:44Where do we find him?
29:48He's going to have the diamond cut tomorrow.
29:50He's flown Eric Strombold in from Calcutta.
29:53Strombold's the world's finest diamond cutter.
29:57He's known as the...
29:58Don't even.
29:59The cutter from Calcutta?
30:01Yeah.
30:02Where is he now?
30:03In this building.
30:05He's invited an elite group of clients to celebrate the cut.
30:09You'll never get close to this stone.
30:13Unless we're invited to the party.
30:18No.
30:19Whatever you're thinking, no.
30:22Call this number.
30:24Ask for Constanza.
30:35Aristocrats, don't shake.
30:37I may be vomiting soon.
30:39Relax, would you?
30:40The letter of introduction the Earl sent to Van Halsen for me is the perfect cover.
30:43I'll handle the questions about the Earl.
30:45You just keep your ass peeled for coke.
30:46I'd feel a lot better if we had some sort of game plan.
30:49We do.
30:50That's why I asked you to get the layout of the building.
30:51You did get it, didn't you?
30:52Of course.
30:53Off the Internet.
30:54The building used to be a Dutch trading company.
30:55Found it in...
30:56Nigel.
30:57So what's the plan?
30:58We get in, we get the diamond, and run like hell.
30:59How?
31:00When?
31:01Where?
31:02Don't sweat the small stuff.
31:03Name, please.
31:04Roth.
31:05Roth.
31:23The diamond must be behind that curtain there.
31:25How are we going to get at it?
31:26I don't know yet.
31:27I'll have to take a look around.
31:30I really don't think it's a good idea to leave me...
31:34alone.
31:44You...
31:46You must be the...
31:48Earl's son.
31:49The Earl.
31:50The son I am.
31:51Yes, son.
31:53I just got a delightful fax from your father.
31:55He sounds well.
31:56Well, why shouldn't he be?
31:57You know, rugby, cricket, polo.
31:59Don't know how he does it, really.
32:01In a wheelchair?
32:03Neither do I.
32:08He said you'd be hard to fool.
32:15He also said you were engaged.
32:17Yes, yes.
32:19Where's the lovely lady?
32:23Well, she's actually, um...
32:25Well, she's, uh...
32:27Very grateful to be here, Mr. Van Halsen.
32:29My fiancée, Sydney.
32:31Bailey.
32:33Pleasure, Mrs. Bailey.
32:36I can't wait to see what the fuss is all about.
32:38We've been shopping forever for an engagement ring.
32:41Perhaps this will be your last stop.
32:44It might be.
32:45If you'll excuse me, I must get things started.
32:52Now what are we going to do?
32:53He's got to show off the diamond before it's cut.
32:55We'll just have to grab it and run.
32:58Grab it and run?
33:00That's your plan?
33:01I'm improvising here, okay?
33:02Okay.
33:03There's a light switch over there.
33:05When I give you the signal, you hit it.
33:07I'll make my move when it goes dark.
33:12Ladies and gentlemen, thank you.
33:15In the 27 years that I have been in the diamond business,
33:20I have never come across a stone such as this.
33:25It will become a very special stone
33:29for very special, discerning people.
33:34So that you can get the full appreciation of its magnificence,
33:39I have arranged to have it cut in front of your eyes.
33:43Eric Strombold is the only man in the world
33:48that I would entrust to cut this diamond.
33:53Ladies and gentlemen, the cutting of the Thutmose diamond.
34:14Ah!
34:21What now, honey?
34:23I don't have a clue, dear.
34:27Mr. Strombold will be cutting the diamond this evening
34:31for Mozart's Frigentes Quartet in G,
34:34an appropriate piece for an act of beauty and perfection.
34:39He could be anywhere in this building.
34:41You're going to have to be my eyes, Nigel.
34:43Right. Well, at least we know it's a room with leaded windows.
34:46You got your walking?
34:48Yes.
34:51Something wrong?
34:54We just promised the Earl we'd phone as soon as we saw the diamond.
34:58Don't be long.
35:00The initial cut is about to be made.
35:12Come on.
35:34Mr. Strombold will be executing a Bulgari cut.
35:38Some of you may be familiar with it.
35:41Cutter's putting the stone in place.
35:49Nigel, I think I've got it.
35:54I don't have it.
36:12For this we have nothing but the best.
36:14The most expensive laser cutter available.
36:29Nigel, I've got a problem.
36:30What's the matter?
36:31There's a leaded glass office on every floor.
36:33How many floors are in this building?
36:34Eleven.
36:35I don't have time to check all of them.
36:37No, you don't.
36:38Help!
36:40I'm sorry, Sydney, I can't think of anything.
36:42All right, keep trying.
36:48Ladies' room.
37:00Sydney, the cutter is going to make his cut any second now.
37:04Sydney, the cutter is going to make his cut any second now.
37:12Duck!
37:13What?
37:14Oh, there's a duck emblem in the wall when I was checking the building's history.
37:18I remember there was a company, Brown Duck Clothing.
37:21They used to have offices here.
37:22What floor?
37:24The eleventh, I think.
37:26You think?
37:27I'm pretty sure.
37:28Hurry, Sydney!
37:33Hurry, Sydney!
38:34Hurry, hurry, go, go, go!
38:39All right, pardon me.
38:41I'm excited!
38:43No!
38:55Security!
39:04Ah!
39:10Did you get it?
39:12Let's get out of here.
39:22You can't sell this to the highest bidder, Carl.
39:25I believe in free enterprise.
39:27This could kill millions of people.
39:29Yes, that is unfortunate.
39:34Ah!
39:39Nigel!
40:04Ah!
40:11Now we're even for Khartoum.
40:21You will never get a diamond out of Amsterdam.
40:25Tell that to the Egyptian embassy.
40:29And she cooks, too.
40:34Sydney, one day, you're going to make some man a very, very happy husband.
40:45Whoa, Kimo Sabe, slow down here.
40:49I didn't mean me.
40:51Why not?
40:55It was just...
40:57It was just an observation.
40:59I was teasing, teasing. Relax, relax.
41:02After what we've just been through, I don't want to have anything to do with diamonds for a long, long time.
41:14I can't believe you didn't bring the diamond back. That is so mean.
41:17Claudia didn't belong to us.
41:19Well, whatever happened to finders keepers?
41:21I mean, that would certainly make this whole relic hunting thing a lot more interesting.
41:24More interesting?
41:26Claudia, the Thutmose Stone is an incredibly important archaeological find.
41:31And maybe scientific, too.
41:33Bruce just called me from Cairo.
41:34He said they're hosting a symposium of scientists from around the world that are coming there to study it.
41:39That's fantastic.
41:40I am, like, hyperventilating.
41:47I'm sorry.
41:49It's just, you'd be cranky, too, if you had past lives like mine.
41:53Past lives?
41:54You, uh, you had your reading?
41:57Totally depressing.
41:59I mean, we went back a thousand years, and I wasn't anyone.
42:03What? No past lives at all?
42:05No, a ton of lives.
42:07Just nothing cool.
42:09I mean, no one famous or notorious or beautiful.
42:13Just normal people.
42:17God, I feel so common.
42:19God, I feel so common.
42:21I mean, the closest thing that I got to being an actress was cleaning Shakespeare's house.
42:28You're kidding.
42:29You knew the Bard?
42:32Who?
42:33Claudia, history is made by everyone.
42:36Rich and poor, common and famous.
42:38If this past lives thing is real, you've been a part of a thousand years of amazing stuff.
42:43Yeah, but didn't someone say that we all get 15 minutes of fame in our lives?
42:47Andy Warhol.
42:48Yeah, okay, well, in 27 lives, I didn't even get 15 seconds.
42:53That is not fair.
42:55You're famous around here, Claudia.
42:57Really?
42:58Yes.
42:59You've done things no one even would think about doing.
43:07Is that a compliment?
43:08Absolutely.
43:18I love you.
43:19I love you.
43:20I love you.
43:21I love you.
43:22I love you.
43:23I love you.
43:24I love you.
43:25I love you.
43:26I love you.
43:27I love you.
43:28I love you.
43:29I love you.
43:30I love you.
43:31I love you.
43:32I love you.
43:33I love you.
43:34I love you.
43:35I love you.
43:36I love you.
43:37I love you.
43:38I love you.
43:39I love you.
43:40I love you.
43:41I love you.
43:42I love you.
43:43I love you.
43:44I love you.
43:45I love you.
43:46I love you.
43:47I love you.
43:48I love you.
43:49I love you.
43:50I love you.
43:51I love you.
43:52I love you.
43:53I love you.
43:54I love you.
43:55I love you.
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44:00I love you.
44:01I love you.
44:02I love you.
44:03I love you.
44:04I love you.
44:05I love you.
44:06I love you.
44:07I love you.
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44:09I love you.
44:10I love you.
44:11I love you.
44:12I love you.
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44:14I love you.
44:15I love you.
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44:18I love you.
44:19I love you.
44:20I love you.
44:21I love you.
44:22I love you.
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44:24I love you.
44:25I love you.
44:26I love you.
44:27I love you.
44:28I love you.
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44:30I love you.
44:31I love you.
44:32I love you.
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44:34I love you.
44:35I love you.
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44:38I love you.
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44:40I love you.
44:41I love you.
44:42I love you.
44:43I love you.
44:44I love you.