Relic Hunter S01e16 A Vanishing Art
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TVTranscript
01:00♪♪
01:10♪♪
01:21♪♪
01:31-♪♪
01:42Happy anniversary, my dear.
01:44Delights me to see you enjoying this.
01:46He is vitally regarded.
01:48Deservedly.
01:50This entire evening, my mind has been magically free
01:53of our country's grievous woes.
01:55-♪♪
02:08And now, may it please your highnesses
02:13and members of the court,
02:15I shall endeavor to defy the laws of nature
02:19by levitating in this very room.
02:23First, I must enter the trance
02:27and render my body as light as air.
02:31-♪♪
02:41-♪♪
02:51-♪♪
02:59-♪♪
03:03Young man, are you all right?
03:05-♪♪
03:09Your highnesses, forgive me.
03:11Something so unexpected.
03:14Whilst I was in my trance,
03:16I was approached, visited,
03:19by a being from the spirit world.
03:22She called herself Sophie.
03:26Emperor Sophie, your dead mother?
03:28She had a message urgent for your highnesses.
03:32What sort of message?
03:34The royal scepter of Hungary is cursed.
03:37It has been the sole cause of Hungary's troubles.
03:41And so, in order to protect you and the country
03:44from further harm,
03:46she has removed it.
03:48-♪♪
03:55-♪♪
04:02-♪♪
04:07How do you do that?
04:11Where do they, I mean, how do they?
04:14There's so little space in there.
04:16It's magic.
04:18I mean, it would have to be, really, wouldn't it?
04:21Claudia, these need to be filed under last names,
04:23not first names.
04:25Rex?
04:36No matter how many times I see that trick,
04:38it's still amazing to me.
04:40Hello, Sydney.
04:42The dove.
04:43Just like the first time we met in Marrakesh.
04:45You come a long way from doing coin tricks
04:47for tourists outside my hotel.
04:52A Durham.
04:53Don't tell me that...
04:54The same one you tossed into my hat that day.
04:56I was ready to give up my dream,
04:58and you convinced me not to.
04:59Well, it was just lunch and a pep talk, as I recall.
05:02It changed my life, Sydney.
05:04I've never forgotten it.
05:10How strange, there's something moving around in here.
05:13What is this?
05:14Something valuable coming out of there?
05:16Now that's magic.
05:20What are you doing here, Rex?
05:22Well, I need your help again.
05:23An expert at making things disappear
05:25needs an expert at making things reappear.
05:34The Great Brodsky.
05:36Does that mean anything to you?
05:38A magician?
05:39Had something to do with Hungary's cursed scepter?
05:41That's right.
05:42The scepter vanished during a magic show hoax
05:45for the royal family.
05:46He fenced it somewhere in Europe.
05:48So the world has always assumed.
05:50But I have reason to believe differently.
05:56John Curtin's casebook.
05:58The famous Scotland Yard detective?
06:00I found that at an auction in San Francisco.
06:03What's in it?
06:04The usual.
06:05Interviews with palace guards,
06:07theories about the trick.
06:10There's something else.
06:12Something that no one has ever paid much attention to.
06:15Pick a page, any page.
06:19A dove.
06:20The dove was Brodsky's insignia.
06:23But look at the number.
06:2420446.
06:26Everyone's always thought it was a phone number.
06:28And it was, by some bizarre coincidence,
06:31the number of a pub in London.
06:33Which is why no one ever thought twice about it.
06:35But it stands for something else as well?
06:37After the hoax, Brodsky came back to Atlantic City.
06:41There he bought a small house, tore it down,
06:43and built a new one.
06:45The new house was so big,
06:46it spilled over onto the next street.
06:48That next became the new address.
06:50But the original address of that smaller house...
06:5320446.
06:55You think he brought the scepter back to America?
06:58Yes, and hid it somewhere in that house.
07:02If we find it.
07:04Network special for me,
07:05and you return the scepter to the people of Hungary.
07:16This magic mansion had to have been explored a million times.
07:19Yes, but never by an expert with a specific object in mind.
07:23But how do you know that he didn't just sell the scepter's gems?
07:26They must have been worth a fortune.
07:28Nigel, please.
07:35Because rich men don't default on their house payments
07:38and then flee the country.
07:39Is that when the International Brotherhood of Magicians
07:41took over and turned it into a private club?
07:43That's right.
07:44They rescued it from the bank 65 years ago.
07:48Amazing.
08:06The world's largest illusion.
08:08More hidden rooms and secret passageways than a rabbit warren.
08:12Well, let's make like bunnies.
08:14Uh, there is something I've been meaning to mention.
08:16Yes?
08:18I was afraid to tell you earlier in case you backed out.
08:20Yes?
08:21No one's actually allowed in the magic mansion unless they're...
08:25A magician?
08:26Or a magician's assistant, of course.
08:28Of course.
08:29Which you both are.
08:30Now.
08:31Your memberships to the magic mansion.
08:41I don't know about this, Rex.
08:42You don't have to do a thing.
08:43Just act like you know what you're doing.
08:45We don't know the first thing about magic.
08:47Just smile a lot.
08:48And look paranoid.
08:49Paranoid?
08:50Nowhere does a magician have to be more careful
08:52about guarding his secrets
08:53than when surrounded by other magicians.
08:55I don't know about this, Rex.
08:56You don't have to do a thing.
08:57Just act like you know what you're doing.
08:59You don't have to be more careful
09:00about guarding his secrets
09:01than when surrounded by other magicians.
09:03You'll be fine.
09:05I promise.
09:06Depends what he means by fine, I suppose.
09:09Okay.
09:26If you'd pulled them out of my pants,
09:27that'd have been special.
09:29Why don't we just...
09:33We'll get our keys from Malcolm.
09:35He manages the mansion.
09:36Where do we find this Malcolm?
09:39Rex!
09:41Hey.
09:42I thought that was you on my monitor.
09:44Welcome back.
09:45Malcolm.
09:48Oh, welcome to you.
09:51So, uh, you doing a show?
09:52No one told me.
09:53No, no, just rehearsing an illusion.
09:55My new assistants, Sydney and Nigel.
09:57I don't recognize them.
09:59Canadian.
10:00Oh.
10:01What part?
10:02Toronto.
10:03Toronto.
10:04Vancouver.
10:05I'm from Toronto.
10:06He's from Vancouver.
10:07Yeah.
10:08We met in the middle, Calgary.
10:10It's not much of a magic city, Calgary.
10:12It's too cold.
10:13Hands get stiff,
10:14the bunnies freeze up,
10:15and the wand, well...
10:17What are you, husband and wife team?
10:18No, we just bicker like one.
10:20It's part of the act.
10:21I'm very, very much single.
10:24Oh.
10:25Well, then maybe we could have a drink sometime.
10:27You know, pull something out of a hat.
10:32I'd like that.
10:33Yeah, good.
10:34Okay, then.
10:35Enjoy your stay.
10:44Erica the erotic.
10:45The house magician.
10:46Quite entertaining.
10:47The erotic?
10:48I don't understand.
10:49Why would she bill herself as Erica the erotic?
10:52I mean, I don't mean to be unkind,
10:54but there's nothing in particular that's very...
11:03How'd she do that?
11:04Do what?
11:05That.
11:09Oh.
11:19You've got the best two-bedroom suite in the club.
11:22Now you two get comfortable,
11:23and we'll meet in the bar in an hour.
11:25Right.
11:26And don't get caught off guard by this place, Sydney.
11:28Things aren't quite what they seem.
11:31They never are.
11:33Where are you going?
11:34I'm gonna poke around.
11:35See you in the bar.
11:36One hour.
11:38Okay.
12:01It's not a mirror.
12:08It's not a mirror.
12:39Oh.
12:56Whoa!
12:57Take it all. Go.
13:09It took me six visits to locate that passageway.
13:14Bravo!
13:24Erica, we passed in the hallway.
13:26Sydney, thanks for, uh...
13:28Oh, don't mention it.
13:29I remember what it's like to be new around here.
13:32Sometimes they take their club a little too seriously.
13:35Sometimes they take their club a little too seriously.
13:38So, you're Sistine Rex?
13:40That's right.
13:43Malcolm likes to try and wave his magic wand a lot.
13:47Gotta watch his sleight of hand.
13:48I get that feeling.
13:49Thanks for the warning.
13:51Well, I gotta show.
13:52Maybe we can get together sometime.
13:54I'd like that.
13:56You enjoy yourself.
13:57Let me know if you need anything.
14:03That was a close call.
14:04I thought the knife was just a mechanical malfunction.
14:06Yeah, maybe.
14:07Thankfully, Erica was in the members' dining room.
14:09Otherwise, I'd be getting the third degree from Malcolm right now.
14:11I warned you about this place.
14:13You know, Brodsky used to love to play tricks on his guests.
14:16But that was nothing compared to his final exit.
14:18During his last performance, he vanished from the stage, never to be seen again.
14:23Trap door?
14:24And a getaway car out back, no doubt.
14:26But nobody knows what happened to him.
14:28Some think it was the curse of the scepter that got him.
14:31Do you know where Brodsky's bedchamber was?
14:33Unfortunately, yes.
14:35It's now Malcolm's office.
14:56Check the knob, see if it's unlocked.
15:00It is unlocked.
15:02The door won't open.
15:03It must be dead-bolted from the inside.
15:08I can't see anything.
15:15Wait a minute.
15:17There's movement.
15:20There's someone coming.
15:21There's someone coming towards us.
15:23It looks like a...
15:27What are you doing?
15:28Silly.
15:59No.
16:17I'll catch you later.
16:22Hide it.
16:23Where?
16:24Anywhere.
16:29No.
16:34I'd almost given up on you.
16:40Given up?
16:41I've been waiting to see you so that I could apologize for my behavior earlier.
16:47The wall was unlocked.
16:49Look at me.
16:50I'm here to apologize and all I'm doing is rambling.
16:55Well.
16:57You're probably still, you know, suffering from your ordeal.
17:02I knew you'd be understanding.
17:06Would you like a drink?
17:08I'd love one.
17:10Excellent.
17:24Is that the time?
17:26That's not the time, is it?
17:27Tell me it's a trick.
17:28It's not a trick.
17:30No.
17:31Rollins is going to kill me.
17:32I've completely lost track of the time.
17:34Rain check?
17:57Oh.
18:08Thank God.
18:09Excuse me.
18:10I'm afraid I've been completely turned around.
18:27Bravo!
18:28Bravo!
18:38Sydney?
18:39I'm in the shower.
18:41There are definitely bad things going on here.
18:44I practically got killed.
18:46Someone's trying to scare us away.
18:48Well, it's working.
18:49I'm scared.
18:50I have to talk to Rex about the stage.
18:53Right.
18:54What?
18:55From Malcolm's window overlooking the stage,
18:57I could see a design painted on the floor.
19:00What kind of design?
19:02A dog in a hat.
19:03It matches the sketch in the detective's casebook.
19:08Great.
19:12Oh, my God.
19:13What did I do?
19:14What?
19:16Nothing.
19:25See the mirror in here?
19:29The design is really cool.
19:31Very cool.
19:32Very cool.
19:34It's a little foggy.
19:36No, no.
19:37What?
19:38Nothing, nothing.
19:40You know what?
19:41I can't hear a word you're saying.
19:42I'll be out in a sec.
19:43No.
19:44I mean, there's no rush.
19:52Are you okay?
19:53Sidney?
19:54This is not what it seems.
19:57Of course,
19:59nothing here is.
20:04Put yourself in my place,
20:06but not naked.
20:07I would be naked.
20:10I mean, why would I be taking a shower with my clothes on?
20:14What are you talking about?
20:17I babble sometimes.
20:21I don't know why.
20:24This place makes me nervous.
20:47Oh, my God.
20:54Great.
20:57How did it go with Malcolm?
20:58He's doing pretty good, I think.
21:00Don't encourage him, Sidney.
21:02How's Erica's act?
21:03Great.
21:04Erica.
21:09Your act is sensational.
21:11Do you really think so?
21:12Magnificent.
21:14I believe you ran into Sidney at dinner.
21:17Hello again.
21:18Hello.
21:19And this is?
21:20Nigel Bailey.
21:23Oh, right.
21:24I believe we ran into each other in the hallway.
21:26Yeah.
21:30Well, I really must be going.
21:37This is the room I was talking about.
21:38Let's get a closer look.
21:44Come on.
21:56Sorry.
21:58Remember we were talking about how Brodsky must have used a trapdoor on the stage?
22:01Yeah.
22:02Do you know for sure that there is one?
22:04Of course. It's used all the time in performances.
22:06Where does the passage that's connected to it lead?
22:08There is no passage.
22:11Are you sure?
22:12Yes. It's just a space.
22:14The only way in or out is through the stage floor.
22:16Why?
22:17Well, the picture of the dove that the detective had sketched in his book,
22:20the one you said was Brodsky's logo,
22:22I think it's more than that. I think it's another clue.
22:24How do you mean?
22:25Oh, from Malcolm's office.
22:27I could see the top of the stage.
22:29That same image is inlaid on the floor right where the trapdoor would be.
22:33I think that Detective Curtin thought that's where the scepter is hidden.
22:36I want to take a closer look.
22:38The stage is used practically around the clock for rehearsals and performances,
22:41and when it's not, it's well secured.
22:43Magician's paranoia again?
22:45That's right.
22:46There has to be another way.
22:48Well, there is one way.
22:52Malcolm!
22:53Ah, hello there.
22:55Did you enjoy the late show?
22:57Malcolm, I was wondering, I know I didn't book the stage,
23:00but I was hoping to do a test run for a live audience.
23:02Are there any slots available?
23:04It's a little tight, Rex.
23:09But, I might be able to find you an hour tomorrow.
23:17You're one of a kind, Malcolm. I appreciate it.
23:28I don't know exactly how you did that, Sydney, but thanks.
23:31What exactly did I do?
23:33Well, you've just cleared the way for you and Nigel to become my assistants.
23:36For real?
23:40No. I am not wearing this.
23:42It's the only way to get you on that stage, Sydney.
23:46The only way.
23:56What are you looking at?
23:57Nothing.
24:00Why do I have to wear the costume for rehearsal?
24:02Because I want you to get the feel for it.
24:04You have to look comfortable on that stage.
24:06You know, like you've worn it before.
24:08Okay, I guess. Where's his?
24:10The one the costume house sent over didn't fit.
24:12They're working on something else.
24:14Are we ready?
24:15Ready.
24:16Ready.
24:17Right.
24:18Now, the object is to get you two into the pit under the stage
24:21long enough to have a good look around.
24:24Now, this illusion here should do the trick.
24:28One more time. Just the finale.
24:35Ready?
24:43Ready?
24:52Yes. Excellent.
24:54Now you look like assistants.
24:56I thought they were assistants.
24:59Diamond's in the rough.
25:01They just needed a little polishing.
25:03Is that right?
25:06Well, I'm sure you wouldn't have hired them unless they were qualified.
25:10Thanks again for the stage time, Malcolm. I really appreciate it.
25:13You can thank Erica. It's her slot.
25:15Erica?
25:16Yes.
25:17Yeah, she seems to have taken a liking to you.
25:20And we all know how likable you can be.
25:23Right?
25:26Well, good luck.
25:30Thanks.
25:32I'll be watching.
25:40Nigel, where are you? Come on, we have to be downstairs soon.
25:53Not a word.
25:55It's all I had left in my size.
25:57Well, the important thing is you can pull it off.
26:01Elton John couldn't pull this off.
26:03The second we find that scepter, I'm taking it off.
26:06I know what you mean.
26:08Malcolm doesn't want us here, does he?
26:10I don't think so.
26:12He'd have intimate knowledge of the corridors and the secret spaces, wouldn't he?
26:16Yes.
26:17How to program that mechanical man and other assorted tricks.
26:21Yes.
26:23He'd also have access to the props, wouldn't he?
26:26The props that we're going to be going on stage with in just a few minutes.
26:30Well, that's a lot of yeses.
26:31Yes. Just be careful, Nigel.
26:34You know, that hat's kind of cute on you.
26:43I thought you'd changed your mind.
26:44I can't wait to get out there.
26:45We're having to go.
26:46Come on, then. Let's go.
26:51You're too kind. You're way too kind.
26:53And now, ladies and gentlemen,
26:55the Magic Mansion is proud to welcome back one of its most talented members.
26:59Now, give it up for the amazing Rex Rollins!
28:42You know, it's so hard to find good help these days.
28:47You give them everything and then you turn your back
28:50and they stick it to you.
28:56Backstabs!
28:58All of them!
29:26Still in there.
29:31You see what I mean?
29:33Grandstanding.
29:35What's the matter, honey?
29:36You got an itch you can't reach?
29:38No.
29:39No.
29:40No.
29:41No.
29:42No.
29:43No.
29:44No.
29:45No.
29:46No.
29:47No.
29:48No.
29:49No.
29:50No.
29:51No.
29:52No.
29:53No.
29:54I'm sorry.
30:24♪♪
30:34♪♪
30:44♪♪
30:54Who?
30:55Gotch?
30:56I dare you.
30:57You okay? What happened?
30:58The catch in the bottom of the box got stuck.
31:00It must have been tampered with since this afternoon.
31:02Someone is definitely onto us.
31:06You think now more than ever that the scepter is here?
31:08Absolutely.
31:11I don't want to be able to stand much trouble to stop us.
31:14You catch on quick, Nige.
31:16Thanks.
31:17There's got to be another passageway out of here.
31:20We better move quickly.
31:21We haven't got that much time until the end of the act.
31:23Wait a minute.
31:25What?
31:28Bingo.
31:30I need a lift.
31:32♪♪
31:42Hidden in plain sight.
31:45Come on.
31:47♪♪
31:57♪♪
32:07♪♪
32:17♪♪
32:28Oh, we could jump it.
32:30Sydney, I'm not exactly in track shoes.
32:39Here, give me a hand.
32:42What are you doing?
32:43You'll see. Just give me a hand.
32:51You can't be serious.
32:55You can't be serious.
33:13Okay, come on.
33:16I can't.
33:17I know you're afraid.
33:18Of course I'm afraid.
33:20I'm afraid of having every bone in my body
33:22attacked by this unmeasurable fall.
33:24You won't fall.
33:25How do you know I won't fall?
33:27I fall a lot. I'm a chronic faller.
33:29Nigel, it's at least a half mile wide.
33:33♪♪
33:43Come on.
33:46Yeah, that's it.
33:48That's good.
33:50It's just a few short feet.
33:52Okay, keep coming.
33:54Just don't look down.
33:55Huh?
33:56Huh?
33:57I said don't look down!
33:59Oh!
34:01Nigel!
34:02♪♪
34:09I think I just aged 50 years.
34:13Mirrors.
34:16♪♪
34:25♪♪
34:35Nigel.
34:38♪♪
34:46♪♪
34:52It's a recreation of the Hungarian throne
34:54when Brodsky took the scepter from him.
34:56Why would he do something like that?
34:59That's not Brodsky, is it?
35:02♪♪
35:09A dummy.
35:10Must be the one Brodsky used to fool everyone during the hoax.
35:14Sidney.
35:16The scepter.
35:18♪♪
35:25At last.
35:27The audience this place was always missing.
35:30Erica.
35:31That's right.
35:32Erica Brodsky.
35:34Brodsky's great-granddaughter?
35:37I don't like to advertise that.
35:39My great-grandfather's name doesn't exactly open doors in this business.
35:43It was you who rigged the mechanical man.
35:45I was hoping that you would go away, but you didn't.
35:48You've come to rob his grave.
35:50We're not robbing a grave, Erica.
35:53We're retrieving something your great-grandfather stole.
35:55My great-grandfather was a master illusionist,
35:58and he should have been celebrated.
36:00He took advantage of people.
36:01That's why he suffered.
36:03You can repair his memory.
36:06I will remember my great-grandfather
36:08the way he wanted to be remembered.
36:10And you.
36:11You will both be forgotten.
36:13♪♪
36:20Scream your lungs out.
36:22No one will hear.
36:23What are you gonna do when Rex comes looking?
36:26He's not gonna come looking.
36:28He's gonna go looking.
36:29Mexico, Bahamas, Spain,
36:31wherever he thinks the two double-crossing thieves have run off to.
36:35♪♪
36:45Ugh.
36:48It's no use.
36:49We're gonna need something sharp to pick the locks.
36:53Could you teeth find a bone in a bustier?
36:56♪♪
37:06♪♪
37:21You guys are good.
37:24Good.
37:26♪♪
37:30This should come in handy for the cage lock, too.
37:32All right.
37:33♪♪
37:43♪♪
37:55After all we've gone through, I'm not gonna leave this behind.
37:59♪♪
38:11Oh!
38:12Oh, wow.
38:28Bravo!
38:30Bravo!
38:32Bravo! Bravo!
38:34Bravo!
38:36Bravo!
38:38Bravo!
38:40Bravo!
38:42Bravo!
38:44Bravo!
38:46Bravo!
38:48Bravo!
38:50Bravo!
38:52Bravo!
38:54Bravo!
38:56Bravo!
38:58Bravo!
39:00Bravo!
39:30Bravo!
39:32Bravo!
39:34Bravo!
39:36Bravo!
39:38Bravo!
39:40Bravo!
39:42Bravo!
39:44Bravo!
39:46Bravo!
39:48Bravo!
39:50Bravo!
39:52Bravo!
39:54Bravo!
39:56Bravo!
39:58Bravo!
40:00Bravo!
40:02Bravo!
40:04Bravo!
40:06Bravo!
40:08Bravo!
40:10Bravo!
40:12Bravo!
40:14Bravo!
40:16Bravo!
40:18Bravo!
40:20Bravo!
40:22Bravo!
40:24Bravo!
40:26Bravo!
40:30Bravo!
40:50Bravo!
40:52Bravo!
40:54Oh!
40:54Oh!
40:55Oh!
40:56Oh!
40:57Oh!
40:58Oh!
40:59Oh!
41:00Oh!
41:01Oh!
41:02Oh!
41:03Oh!
41:04Oh!
41:12So Brodsky was buried with the scepter after all.
41:15In a way, only he could have conceived a memorial
41:18to his greatest feat.
41:19A memorial we almost became a part of.
41:21Well, it was all worth it, wasn't it?
41:23The real scepter now back in its rightful place?
41:27Not to mention your TV special.
41:30There is that.
41:32You know, you and Nigel weren't half bad on stage.
41:35I could use a couple of assistants for the special.
41:39Thanks, but I seem to have my hands full
41:42with my own assistant here.
41:53I still can't believe you haven't caught that thing.
41:59Well, I did, but then I lost it again, working on my act.
42:07Your act?
42:08Yeah, well, I was so amazed by those tricks
42:10that I decided I'd give it a shot.
42:12Here.
42:13Pick a card.
42:14Claudia, I really don't think...
42:16No, no.
42:17I can do this.
42:18Just pick one.
42:20Okay, now, look at it and don't show me.
42:30Put it back.
42:31Okay.
42:32It was a black card, right?
42:33Red.
42:34Face card?
42:35Numbered.
42:36Between five and ten.
42:37Between ace and four.
42:38Diamond?
42:39Heart.
42:40Four?
42:41Five.
42:42Six.
42:43Seven.
42:44Eight.
42:45Nine.
42:46Ten.
42:47Eleven.
42:48What?
42:49Four?
42:50Lower?
42:51Two.
42:52Higher?
42:53This isn't working.
42:54Well, that's okay.
42:55I'll just try the next trick.
42:56You like it?
42:57Very fitting.
42:58You certainly amaze me.
42:59Yeah?
43:00Well, wait until you see this.
43:02Oh, my God.
43:03Oh, my God.
43:04Oh, my God.
43:05Oh, my God.
43:06Oh, my God.
43:07Oh, my God.
43:08Oh, my God.
43:09Oh, my God.
43:10Oh, my God.
43:11Oh, my God.
43:12Oh, my God.
43:13Oh, my God.
43:14Oh, my God.
43:15Oh, my God.
43:16Oh, my God.
43:17Oh, my God.
43:18Oh, my God.
43:19Oh, my God.
43:20Oh, my God.
43:21Oh, my God.
43:22Oh, my God.
43:23Oh, my God.
43:24Oh, my God.
43:25Oh, my God.
43:26Oh, my God.
43:27Oh, my God.
43:28Oh, my God.
43:29Oh, my God.
43:30Oh, my God.
43:31Oh, my God.
43:32Oh, my God.
43:33Oh, my God.
43:34Oh, my God.
43:35Oh, my God.
43:36Oh, my God.
43:37Oh, my God.
43:38Oh, my God.
43:39Oh, my God.
43:40Oh, my God.
43:41Oh, my God.
43:42Oh, my God.
43:43Oh, my God.
43:44Oh, my God.
43:45Oh, my God.
43:46Oh, my God.
43:47Oh, my God.
43:48Oh, my God.
43:49Oh, my God.
43:50Oh, my God.
43:51Oh, my God.
43:52Oh, my God.
43:53Oh, my God.
43:54Oh, my God.
43:55Oh, my God.
43:56Oh, my God.
43:57Oh, my God.
43:58Oh, my God.
43:59Oh, my God.
44:00Oh, my God.
44:01Oh, my God.
44:02Oh, my God.
44:03Oh, my God.
44:04Oh, my God.
44:05Oh, my God.
44:06Oh, my God.
44:07Oh, my God.
44:08Oh, my God.
44:09Oh, my God.
44:10Oh, my God.
44:11Oh, my God.
44:12Oh, my God.
44:13Oh, my God.
44:14Oh, my God.
44:15Oh, my God.
44:16Oh, my God.
44:17Oh, my God.
44:18Oh, my God.
44:19Oh, my God.
44:20Oh, my God.
44:21Oh, my God.
44:22Oh, my God.
44:23Oh, my God.
44:24Oh, my God.
44:25Oh, my God.
44:26Oh, my God.
44:27Oh, my God.
44:28Oh, my God.
44:29Oh, my God.
44:30Oh, my God.
44:31Oh, my God.
44:32Oh, my God.
44:33Oh, my God.
44:34Oh, my God.
44:35Oh, my God.
44:36Oh, my God.
44:37Oh, my God.
44:38Oh, my God.
44:39Oh, my God.
44:40Oh, my God.
44:41Oh, my God.
44:42Oh, my God.
44:43Oh, my God.
44:44Oh, my God.
44:45Oh, my God.
44:46Oh, my God.
44:47Oh, my God.
44:48Oh, my God.
44:49Oh, my God.
44:50Oh, my God.
44:51Oh, my God.
44:52Oh, my God.
44:53Oh, my God.
44:54Oh, my God.
44:55Oh, my God.
44:56Oh, my God.