The Private Lesson: Directed by Vittorio De Sisti. With Carroll Baker, Rosalino Cellamare, Leonora Fani, Carlo Giuffrè. A sexy piano teacher is the object of desire of one of the young boys in her class. One of his classmates finds out where she lives and hides outside her place, taking pictures ...
Release date: Nov 03, 1975
Duration: 01:35:00
Director: Vittorio De Sisti
Actors: Carroll BakerLeonora FaniCarlo Giuffrè
Release date: Nov 03, 1975
Duration: 01:35:00
Director: Vittorio De Sisti
Actors: Carroll BakerLeonora FaniCarlo Giuffrè
Category
😹
FunTranscript
00:00:00Carol Baker.
00:00:14The main role in the film Private Lessons.
00:00:22Rosalina Chalamare.
00:00:27Leonora Fanni.
00:00:34Femi Benussi.
00:00:40Leopoldo Trieste.
00:00:46And also Renzo Montagnani as the uncle.
00:00:52And also Carlo Giuffre.
00:01:04I'm coming, senora.
00:01:05Where are you going, senora?
00:01:11To the cemetery.
00:01:12Hey, where are you going?
00:01:18I'm sorry, I'm in a hurry.
00:01:45I didn't mean it, really.
00:01:46Me neither.
00:01:47I didn't see you.
00:01:53My scarf.
00:01:54I'm so sorry.
00:01:55Oh, I'm sorry.
00:01:56I'm sorry.
00:01:57It's all right.
00:01:58I really am.
00:01:59Okay, okay.
00:02:00Bye.
00:02:01This virtual, more than any other, was more than the person
00:02:19I met at Sony, an inimitable example of dedication to her work.
00:02:26Above all, she loved and respected her mission of attracting young into the sublime arts
00:02:33of music.
00:02:34Composer Franco Michelizzi.
00:02:35Music is an art.
00:02:36Only when music is an art of life, it brings modesty, innocence, and modesty.
00:02:45Director Vittorio De Sisti.
00:02:48We mourn her not only because of these reasons, but also because of many other reasons for
00:02:53her dignity.
00:02:54Today, her connection with us is stronger than ever before.
00:02:57Her love for people, her love for life will always be in our memory.
00:03:00Who's that woman?
00:03:01Over there.
00:03:02Who's that woman over there?
00:03:05I don't know, but I think she's a new music teacher.
00:03:11And may God bless her soul.
00:03:16There you are, signora.
00:03:18I have 400 lire for you.
00:03:21Goodbye.
00:03:22Have a nice day.
00:03:24Well, the season's over.
00:03:25There's hardly anyone left.
00:03:26When I was a kid, there were a lot of people.
00:03:28It's hard to believe.
00:03:36Oh, holy Virgin!
00:03:39What is it?
00:03:40It's our lunatic.
00:03:43Get out of here!
00:03:44Take care of her.
00:03:45Help her.
00:03:46Hey, you, stop!
00:03:47Get up, signora.
00:03:48Get up.
00:03:49It's all right now.
00:03:55It's all right.
00:03:56Don't touch me.
00:03:57Oh, I'm sorry.
00:04:08It's all right.
00:04:38It's all right.
00:04:39It's all right.
00:04:40It's all right.
00:04:41It's all right.
00:04:42It's all right.
00:04:43It's all right.
00:04:44It's all right.
00:04:45It's all right.
00:04:46It's all right.
00:04:47It's all right.
00:04:48It's all right.
00:04:49It's all right.
00:04:50It's all right.
00:04:51It's all right.
00:04:52It's all right.
00:04:53It's all right.
00:04:54It's all right.
00:04:55It's all right.
00:04:56It's all right.
00:04:57It's all right.
00:04:58It's all right.
00:04:59It's all right.
00:05:00It's all right.
00:05:01It's all right.
00:05:02It's all right.
00:05:03It's all right.
00:05:04It's all right.
00:05:05It's all right.
00:05:06It's all right.
00:05:07It's all right.
00:05:08It's all right.
00:05:09It's all right.
00:05:10It's all right.
00:05:11It's all right.
00:05:12It's all right.
00:05:13It's all right.
00:05:14It's all right.
00:05:15It's all right.
00:05:16It's all right.
00:05:17It's all right.
00:05:18It's all right.
00:05:19It's all right.
00:05:20It's all right.
00:05:21It's all right.
00:05:22It's all right.
00:05:23It's all right.
00:05:24It's all right.
00:05:25It's all right.
00:05:26It's all right.
00:05:27It's all right.
00:05:28It's all right.
00:05:29It's all right.
00:05:30It's all right.
00:05:31It's all right.
00:05:32It's all right.
00:05:33It's all right.
00:05:34It's all right.
00:05:35It's all right.
00:05:36It's all right.
00:05:37It's all right.
00:05:38It's all right.
00:05:39It's all right.
00:05:40It's all right.
00:05:41It's all right.
00:05:42It's all right.
00:05:43It's all right.
00:05:44It's all right.
00:05:45It's all right.
00:05:46It's all right.
00:05:47It's all right.
00:05:48It's all right.
00:05:49It's all right.
00:05:50It's all right.
00:05:51It's all right.
00:05:52It's all right.
00:05:53It's all right.
00:05:54It's all right.
00:05:55It's all right.
00:05:56It's all right.
00:05:57It's all right.
00:05:58It's all right.
00:05:59It's all right.
00:06:00It's all right.
00:06:01It's all right.
00:06:02It's all right.
00:06:03It's all right.
00:06:04It's all right.
00:06:05It's all right.
00:06:06It's all right.
00:06:07It's all right.
00:06:10It's all right.
00:06:11It's all right.
00:06:13It's all right.
00:06:17Psst!
00:06:18Hey, good looking.
00:06:22You're so變ful and sexy.
00:06:23I'm injected.
00:06:25Baby!
00:06:26You have one hell of an appetite.
00:06:28The completion is yours.
00:06:29Over and out.
00:06:30♪
00:06:49♪
00:06:50♪
00:06:59Now, what was that all about?
00:07:04True, I was playing the Scarecrow,
00:07:07but I didn't know I'd feel that my interpretation would be so infective.
00:07:17I would like you to pay attention.
00:07:20Our passion for music will help us understand our own potential.
00:07:25We live in a remote, deserted little town,
00:07:28but with music, we can overcome any boundaries.
00:07:32Naturally, for this privilege,
00:07:34it requires a certain amount of sacrifice,
00:07:37an almost fanatical amount of faith.
00:07:40And frankly,
00:07:42our private lives will have to be put on the back burner.
00:07:46So, jokes or pranks
00:07:48that are not related to music in any way
00:07:50might be excluded.
00:07:53You, come up to the piano.
00:08:02Bye.
00:08:04I'll do the next same thing.
00:08:06It wouldn't be nice to be at home.
00:08:08I can't do this in Canada.
00:08:10What the hell was that all about?
00:08:12Bye.
00:08:24Dear Alessandra, we would feel much more useful
00:08:27if you would do us a favor and leave us alone.
00:08:30No, I appreciate your ridiculous jokes,
00:08:32but you're going to have to put that sticker on, Alice.
00:08:35Well, you know, that was fun.
00:08:37You guys can say whatever you like,
00:08:39but since you've introduced me to Mrs. Mackey,
00:08:42I've been thinking about you people like crazy.
00:08:44Yeah.
00:08:45I think it's love at first sight.
00:08:47Oh, you're out of your head.
00:08:49I think it's love at first sight.
00:08:51Oh, you're out of your head.
00:08:53She's old enough to be my mother.
00:08:55What does that have to do with it?
00:08:57Love is nothing you can command.
00:08:59You can't command it.
00:09:01Kiss me, you fool.
00:09:03Hey, are you mad or something?
00:09:05That's not how you kiss a sister.
00:09:07So what?
00:09:08I need a consolation.
00:09:09I've found you out to this point already.
00:09:11Well, then, I guess I should get a little consolation from you.
00:09:14No, you don't.
00:09:16I've got to go home.
00:09:17See ya.
00:09:18Bye.
00:09:19So long.
00:09:20So long.
00:09:33You should eat more, perhaps.
00:09:35Eat at least some fruit.
00:09:37Stop to yourself, Luigi.
00:09:46And what song are you preparing for the exam
00:09:48at the end of the week?
00:09:53I told you yesterday.
00:09:54I don't know for sure.
00:09:56What is it?
00:09:57What's the matter?
00:09:58If you're feeling bad, you've got to rest.
00:10:02Do you want me to talk to this new teacher of yours?
00:10:05It might be a very good idea to her.
00:10:07Does she know that you're the best student in the school?
00:10:10Mama, please.
00:10:12If you ask me, it's better she knows now.
00:10:14If you want to know my opinion,
00:10:15it might be wiser to try this hungry woman.
00:10:17Kind of that.
00:10:19Hey, come on.
00:10:22Luigi!
00:10:23Damn that woman.
00:10:25And she drowned in the river.
00:10:27What do you think about sending Alessandra for another rescue?
00:10:31I don't think they're one of the strangest in the world.
00:10:33You tell me, Luigi.
00:10:35Luigi!
00:10:36Are you listening?
00:10:37Yes, yes, whatever you say, Giselle.
00:10:42May I come in?
00:10:43Come in.
00:10:46I hope I'm not too late for coffee.
00:10:48Of course not, my friend.
00:10:49You're never too late.
00:10:53I brought you some cookies.
00:10:55I'll bring the coffee.
00:10:56Just a moment.
00:10:58Look after him, will you?
00:11:00The rest is your...
00:11:01Fine, dear.
00:11:04Close the window.
00:11:08Now, what are you doing for Christmas?
00:11:10I said that to my son.
00:11:11Good morning, good morning.
00:11:14Now, let's see what's the matter.
00:11:15How old are you?
00:11:16Eighteen.
00:11:17Yeah, eighteen.
00:11:20It's got to be a girl.
00:11:22Don't worry, Giselle.
00:11:23Your little son's all right.
00:11:25I'll find a cure for him.
00:11:28Good morning.
00:11:31It's for you.
00:11:32Some clown wants you on the telephone.
00:11:35Sounds like your friend Alessandra.
00:11:37Don't be all day.
00:11:40Hello?
00:11:41Is that you, Alessandra?
00:11:43That'd be nice.
00:11:45I don't know.
00:11:48All right.
00:11:50Stop it, will you?
00:11:52My idiot brother Gabriel is calling.
00:11:54He thinks he's Jack the Ripper.
00:11:56All right.
00:11:57Can you call me a bit later?
00:11:58See you.
00:11:59Hold on, here's my brother.
00:12:01Don't hang up.
00:12:02He's on the phone.
00:12:03He's on the phone.
00:12:04He's on the phone.
00:12:05He's on the phone.
00:12:06He's on the phone.
00:12:07He's on the phone.
00:12:08Hold on, here's my brother.
00:12:09Don't hang up.
00:12:10He's on the phone.
00:12:11Hey, how you doing, Don Juan?
00:12:13Yeah, well, listen, there's something I've got for you.
00:12:16So what is it you wanted to show us, huh?
00:12:18Yeah, what's that for?
00:12:19We've been working on the pedal for half an hour.
00:12:21What do you have?
00:12:23Well, I won't be the only one to offer something here, fellas.
00:12:27Have a look.
00:12:28Let's see.
00:12:29Helpful action.
00:12:30All right.
00:12:33And like a true friend, I brought one for each of you.
00:12:39Hold it, dummy!
00:12:41You have to get your head from time to time.
00:12:44Figure it out, will you?
00:12:45If you don't roll it all the way, how are you going to get it on?
00:12:48But I didn't roll it all the way.
00:12:49Just a little look at it.
00:12:50Do you do things like that?
00:12:52Yeah, sure.
00:12:53You know how to use them?
00:12:54Yeah.
00:12:55You know how to use them?
00:12:56Sure.
00:12:57Actually, men, I think it's best that you put on a little rubber band,
00:13:00but you can't ask a woman who lies down on the grass to wait
00:13:03until she's ready.
00:13:04Right?
00:13:06Nice to go.
00:13:07We all begin.
00:13:08Come on.
00:13:12First of all, you have to get a heart.
00:13:14Otherwise, you won't make it.
00:13:17Careful, Nicola.
00:13:18If you jerk off, you disqualify.
00:13:22First.
00:13:23I'm right on your ass.
00:13:24Second.
00:13:25I couldn't do it any longer, because mine's stuck.
00:13:27I couldn't get it to work.
00:13:28I didn't roll it all the way.
00:13:29I just had something to worry about.
00:13:31All right, I'll do it.
00:13:32I'll get it up.
00:13:33I really can't stand it.
00:13:34I almost burst.
00:13:36Three matches lit in the dark.
00:13:39The first, beautiful, because now we see your face.
00:13:46The second, this match illuminates your eyes.
00:13:52The last, to see your mouth.
00:13:58And the rest I leave to my own,
00:14:00and then my unwavering imagination begins to work.
00:14:05Meanwhile, I'll take you in my impatient embrace.
00:14:09Beautiful.
00:14:11Sure is.
00:14:13Yeah, but I have to go now.
00:14:16I'll see you tomorrow.
00:14:17All right?
00:14:18Bye.
00:14:19Tomorrow.
00:14:20See you tomorrow.
00:14:21Bye.
00:14:27Alessandro.
00:14:28Alessandro, now listen closely.
00:14:30When I count to three, you better open the door,
00:14:32or I'll break the door down.
00:14:35God damn it, let's go.
00:14:37Look, I only have ten minutes to get to the clinic.
00:14:44Yeah, that's fine with me.
00:14:45It was a half an hour this time, buddy.
00:14:48Your mother gets upset when you're stuck in the bathroom for too long.
00:14:51She thinks you're sick.
00:14:53She doesn't like that.
00:14:55I don't think you're sick at all.
00:14:57It's not about the injections, is it?
00:15:00I guess I'd better be going.
00:15:01Hey, wait a minute, kid.
00:15:02We have a little talk, man.
00:15:03All right?
00:15:04Easy.
00:15:05I gotta go then.
00:15:06Hey, listen to me for just a minute.
00:15:07You know, I was once your age.
00:15:09And I'm sure you were good.
00:15:10Just listen to me.
00:15:11Look, I know what's happening.
00:15:13I need you to understand.
00:15:15You know what I mean?
00:15:16You're girls, isn't it, right?
00:15:18You know, it's perfectly normal.
00:15:19I get it, I get it.
00:15:21Beautiful little things.
00:15:23Interesting creatures.
00:15:24I know, I know.
00:15:25Years ago in Africa, when I was very young,
00:15:28there were girls there who were 12 years old,
00:15:30and they were already women.
00:15:32You know, they really had it together.
00:15:34A 12-year-old, right?
00:15:36You can't have everybody here.
00:15:37I remember this one girl.
00:15:39She was only 10 years old, not more.
00:15:41She was already pregnant, Alessandra.
00:15:43They're demons.
00:15:44Be careful with the girls, Alessandra.
00:15:45You're under the control of demons right now.
00:15:47I've been through this myself.
00:15:48You wouldn't believe it.
00:15:49What's it to you?
00:15:50Are you ashamed of your father?
00:15:52This is life as it is.
00:15:53What the hell are you being taught in school?
00:15:55It's the 20th century.
00:15:56Why are you so nervous?
00:15:58You just have to hold yourself together.
00:16:00That's it.
00:16:01You're too tense, son.
00:16:02Watch yourself and your nerves.
00:16:04Good.
00:16:05That's great.
00:16:06I'm off.
00:16:07Good luck.
00:16:08By the way, how old are you now, Alessandra?
00:16:0917.
00:16:1017?
00:16:11Great, great.
00:16:12Damn it.
00:16:19Oh, I'm sorry.
00:16:20I'm late.
00:16:22It seems that we've met some way before.
00:16:24I'm sorry, Ms. Ferment.
00:16:26I'm just a walking disaster.
00:16:30Are you always so distracted?
00:16:32No, I don't know.
00:16:33Excuse me.
00:16:35Well, you didn't have to hurry so much.
00:16:38School doesn't start for an hour.
00:16:40I know.
00:16:41I was just going somewhere else.
00:16:43Oh, you have another appointment.
00:16:45You can go.
00:16:47No, no.
00:16:48It was just like that.
00:16:51I could accompany you if you don't mind.
00:16:54Oh, thank you, but I wouldn't like to break the rules.
00:16:56If the teacher sees me outside the school, you know...
00:16:59It's very strict here, you know.
00:17:01You know, I have to remember things like that.
00:17:03I'm older than you.
00:17:04But you're not very old.
00:17:08And you're very pretty.
00:17:12Listen.
00:17:13Let's make a bargain.
00:17:15I'll allow you to fall in love with me.
00:17:18If you promise to be serious about a girl your own age.
00:17:22We'll have to respect the rules.
00:17:24Be reasonable.
00:17:25What rules?
00:17:26Well, that every student falls in love with his teacher.
00:17:28It's inevitable.
00:17:29Alessandro!
00:17:30Oh, it's her that you did have an appointment with.
00:17:33She too should have a better memory.
00:17:35Yes, that's true.
00:17:37Goodbye, Corsini.
00:17:39Well, goodbye now.
00:17:41Don't forget your lessons.
00:17:44Don't forget your lessons!
00:17:49Hey, wait!
00:17:51Wait, will ya?
00:17:54Wait for what?
00:17:55Did you have an appointment with me or her?
00:17:57Hey, come on, for crying out loud, she's a teacher.
00:17:59What else can I do, huh?
00:18:02For me, she's a teacher.
00:18:03But for you, she's something else.
00:18:05Huh?
00:18:06What do you mean?
00:18:07She means something else.
00:18:08I don't know.
00:18:09A production of your sexual attraction.
00:18:11What are you talking about?
00:18:12Have you ever thought about these sexual games?
00:18:14I don't know what you think about them,
00:18:16but you definitely have a complex about sex.
00:18:19In the Italian music of the 16th century,
00:18:21there were two prevalent styles,
00:18:23folk or cantico,
00:18:25and church or grotto.
00:18:27You should have seen it, honestly,
00:18:29seven naked dancers like in the Arabian Nights.
00:18:32It was Palestrina who saved polyphonic music
00:18:34when she performed her famous work in front of her father.
00:18:38Thank you for your attention.
00:18:40Have a good day.
00:18:52The four-handed piano technique,
00:18:54which is the subject of today's lesson,
00:18:56was considered a fundamental element
00:18:58of pianists' preparation.
00:19:00Hey, she's not wearing any socks.
00:19:02No, she is.
00:19:05It was particularly invoked in the Romantic period,
00:19:08when this technique was used
00:19:10to create a wide range of effects,
00:19:12such as we'll see later.
00:19:14This technique was already used
00:19:16in the music of the early 1800s.
00:19:18Do you want to check?
00:19:19Well, why not?
00:19:20We have some examples of compensations
00:19:22for the four hands on the harpsichord.
00:19:31Some of the most interesting pieces
00:19:33are the Hungarian dances of Brahms,
00:19:35which he wrote for himself and his friends.
00:19:38They have a folklore motif,
00:19:40rich, lively, colorful.
00:19:47Corsini, you look up to the piano.
00:19:52Corsini!
00:20:05Gabriella, I beg you,
00:20:07he will regret that she called him.
00:20:09Look at him shaking.
00:20:11Won't you shut up, you fool?
00:20:13Shut up yourself, idiot.
00:20:35Corsini!
00:20:54Yeah!
00:21:06Yeah!
00:21:31Buongiorno.
00:21:33Buongiorno.
00:21:35How's it been getting along?
00:21:37Oh, we're working on it.
00:21:39We're very pleased with your work here.
00:21:41I have to admit,
00:21:43at first we were a little bit in doubt
00:21:45whether you could fit in
00:21:47in the special environment
00:21:49of our church-educational institution.
00:21:51We've never had such a young teacher.
00:21:53We've noticed the progress
00:21:55that you've made.
00:21:57You do it professionally,
00:21:59you do it morally.
00:22:01We're very pleased with you,
00:22:03and we can assure you
00:22:05that we'll support your search for your degree.
00:22:07Thank you, Father.
00:22:11We are certainly aware
00:22:13of all your aspirations.
00:22:15Don't worry about it.
00:22:17We don't see any problems.
00:22:21A little bit more.
00:22:23My mother puts the lipstick a lot lower
00:22:25because she has a large nose.
00:22:27When you have a large nose,
00:22:29it helps to put on the edges better.
00:22:33I think I read that somewhere.
00:22:35Come on, you try.
00:22:41I think they put something in it
00:22:43to make it bigger.
00:22:45Yeah, they'll put everything in it
00:22:47to make a sample.
00:22:49You know,
00:22:51most actresses have big lips
00:22:53and big breasts.
00:22:55I bet they use cotton.
00:22:59Some of them have that as a breed.
00:23:03Let me your bra.
00:23:05I think I'll try stuffing it.
00:23:07You know, if you want stuffing,
00:23:09you need a bigger size.
00:23:11Here. Thanks.
00:23:13What size do you wear?
00:23:1532-2A.
00:23:1732-2A.
00:23:25I wonder why we have to wear these bras.
00:23:27I read in Cosmopolitan
00:23:29to keep in shape.
00:23:31Another torture for the sake of beauty.
00:23:33Yeah, pretty soon they'll have to wear
00:23:35a steel corset.
00:23:37Wouldn't I look funny in one of those?
00:23:39Yeah.
00:23:41I think some of the boys
00:23:43put something in their pants, you know?
00:23:45In their pants?
00:23:47Sure.
00:23:49Haven't you noticed yourself?
00:23:51Sometimes it gets bigger
00:23:53and it goes down.
00:23:55Yeah, it's so funny.
00:23:57When I feel it getting bigger,
00:23:59I feel it.
00:24:01You know,
00:24:03even the girls who make the commercial
00:24:05for the magazine
00:24:07don't care.
00:24:09They're a bunch of weirdos too.
00:24:11Would you do it with a guy like James Dean?
00:24:13Go, Joe!
00:24:15I'm running!
00:24:17Go on, run!
00:24:21Hey, look out for the dog shit!
00:24:23Dog shit!
00:24:27Oh, boy.
00:24:29Okay, I'll see you tomorrow.
00:24:31Hey, Tom.
00:24:33I've got time for a little walk.
00:24:35I was sure I did some out of sight work today.
00:24:37You did, you mean.
00:24:39After a while,
00:24:41you really perfected your technique,
00:24:43Alessandro.
00:24:45I mean, I've been watching Miss Formenti.
00:24:47I mean, I've been watching how she plays,
00:24:49how she holds her hands.
00:24:51I don't know how she does it.
00:24:53It's so close.
00:24:55It's so easy.
00:24:57I mean, you're better.
00:24:59I mean, you're crazy.
00:25:01Man, have you seen how she uses her left hand?
00:25:03I don't want to come see you using your left hand.
00:25:05I don't want to come see you using your left hand.
00:25:07I don't want to come see you using your left hand.
00:25:09No one would ever tell you that.
00:25:11Thank you. Now I'm seeing you off.
00:25:13What's up with Miss Formenti?
00:25:15She only sees you when she plays.
00:25:17Is it because you like her play style or
00:25:19it's just that you like her play style?
00:25:21What are you laughing about?
00:25:23Why are you laughing?
00:25:25You like her, right?
00:25:27Well, get your nuts out of here.
00:25:29Hey, look, I'm not the one who's going to flirt
00:25:31with the music teacher.
00:25:33Okay, bye.
00:25:39♪♪
00:25:47♪♪
00:25:55♪♪
00:26:03♪♪
00:26:11♪♪
00:26:19♪♪
00:26:27♪♪
00:26:33Hey, Tamara, that's dancing.
00:26:36♪♪
00:26:45♪♪
00:26:55♪♪
00:27:05♪♪
00:27:13♪♪
00:27:21♪♪
00:27:30Good morning.
00:27:33Good morning.
00:27:35Good morning.
00:27:37Good morning.
00:27:41I'll see you later.
00:27:42I'm taking a bus.
00:27:43Give me a minute.
00:27:44All right.
00:27:45Bye for you.
00:27:47I got to pass.
00:27:48I have a train, but you have to pass
00:28:18I have a train, but you have to pass
00:28:48Hello Senora! Hello Francesco!
00:29:18Oh sorry, excuse me
00:29:48Easy fella, just warming up
00:30:18I have a train, but you have to pass
00:30:48I have a train, but you have to pass
00:31:14Hurry up in there!
00:31:24How long are you going to be in there?
00:31:40Ah, here comes a little present for you, baby
00:31:50Behave yourself now, mama knows what works for you
00:31:52I have a train, but you have to pass
00:32:12Good morning! It's good afternoon, but come in
00:32:22How about the two of my sons?
00:32:24All right, I brought the accounts for you to see
00:32:27One moment, please
00:32:30Oh, your father and I decided that you wouldn't mind if we took you over for piano lessons
00:32:35in private
00:32:36I spoke with the Senora Informante
00:32:38She'll give you an exception three times a week
00:32:40But if you're too sad, you'll do just fine
00:32:53Not very good, was it?
00:32:55Well, you played it correctly
00:32:57No, you just played it mechanically
00:33:00There was no feeling
00:33:02Also, you're sitting stiffly
00:33:04Be more stiffly
00:33:14Listen to the music
00:33:16It has to flow like a silver moon
00:33:27It has to flow like a silver moon
00:33:33It has to flow like a silver moon
00:33:39It has to flow like a silver moon
00:33:46It has to flow like a silver moon
00:33:53It has to flow like a silver moon
00:34:03It has to flow like a silver moon
00:34:13Oh, there's something wrong with the pedal
00:34:23Yeah, it sticks once in a while
00:34:27One gets the wrong impression of the instrument when it's playing
00:34:32That's right
00:34:41That's right
00:34:43I'll fix it in a second
00:34:45It won't take me more than a second
00:34:50How are you doing down there?
00:34:52I'm all right
00:34:55Look, Alessandro
00:34:58Oh, yes?
00:35:00I think we can manage to call it a day
00:35:04Whatever you say
00:35:06Excuse me
00:35:09I hope you won't refuse the tea
00:35:11This is our accountant. He'll join us
00:35:14I think we'll be right there
00:35:16Oh, dear, did you hurt yourself?
00:35:19No, no, no, it's nothing
00:35:21It's nothing
00:35:23I'd certainly like to know where you got the camera
00:35:26Do you know how to use it?
00:35:28You showed it to me a month ago, remember?
00:35:31You've forgotten
00:35:33You're already using all the film
00:35:35That stuff's too sensitive to light
00:35:38You should only use that in a shaded room
00:35:40Let me get it in a closed room
00:35:42Of course, I don't need your lousy camera
00:35:47Ah, you don't change
00:35:49I only wanted to show you one thing
00:35:51This is a new model
00:35:53Look at this
00:35:55Watch
00:35:56With this you can set the time, understand?
00:35:58And with this you can regulate the diaphragm
00:36:00Understand?
00:36:01Yeah
00:36:02All right, it's a nice setup
00:36:03I'll be all right
00:36:04Thanks
00:36:05Smile
00:36:08All right
00:36:38All right
00:37:08All right
00:37:38All right
00:38:08All right
00:38:24Gabriela told me that Signorina gives you private lessons
00:38:27How do you do it?
00:38:28Okay
00:38:30Then how come you're not practicing day and night?
00:38:32I don't believe in private lessons
00:38:34Maybe she's teaching you something else
00:38:36Maybe she's teaching you something else
00:38:38And you've probably already mastered it
00:38:49Did you hurt yourself?
00:38:51No, nothing, just a scratch
00:38:59Yeah, there's blood on the brake
00:39:01It's great to hurt
00:39:03Well, get better soon then
00:39:05It'll be all right
00:39:06Don't worry
00:39:10Ow, it hurts
00:39:36There
00:39:38Well, I guess I'd better go
00:39:42You sure you're okay now?
00:39:44Don't worry, it's nothing
00:39:52Try not to bend your knee here, I'll help you
00:39:55Come on
00:40:06What are you doing here? Is something wrong?
00:40:09Look, I'm sorry you can't come in my office
00:40:11Do you have something to tell me?
00:40:16How dare you?
00:40:17What do you think you're doing?
00:40:19Look, you can't break in on me, all right?
00:40:21It seems to be the best way to conduct our little session
00:40:28Oh, they're horrible
00:40:30Horrible?
00:40:31How could you dare to say you're going?
00:40:33Go on, everyone
00:40:35I have a negative, I'll print more
00:40:38What do you want from me?
00:40:40Nothing, I just want to help you
00:40:42Help me?
00:40:44What do you mean, help me?
00:40:47I don't need any help
00:40:49You do
00:40:50But that's what will happen when the president of the school sees this
00:40:53Do you want to know what he'll do to you?
00:40:55He'll throw you out of the school and fire you
00:40:58You can't do that, you'll ruin your career
00:41:00Exactly
00:41:01But don't worry, you're a pretty smart lady, I know that
00:41:06So then, you and I have to stick together and make sure no one sees these cards
00:41:22I'm sorry, you're on the wrong track, but I've got it
00:41:25Let's put this on hold for now, all right?
00:41:29And take this off
00:41:42Uh-uh, the bra has got to go too
00:41:58Oh, no
00:42:15Stay away from me
00:42:16I'm not
00:42:17I'm not
00:42:18No, you're killing my sister
00:42:21No
00:42:22No
00:42:23No
00:42:24No
00:42:29Let me play, huh?
00:42:39Fire!
00:42:49Savages!
00:42:50Sick!
00:42:51I'm sick!
00:42:55Dummies!
00:42:57Well, how's your passionate love affair with Formenti?
00:43:00Not bad, all things considered
00:43:02Must be one hell of a hard scale to take your little hand
00:43:05Will you quit joking around, all right?
00:43:07Alessandra, you're so much in love with her, you're overestimating her
00:43:11She's no better than you
00:43:13Maybe you're worse, but you better start taking a good look at her
00:43:16What do you mean, look at her? I've already seen her
00:43:18No, no, I don't mean in her eyes
00:43:20You've got to watch the way she broad moves
00:43:22The way she dresses, the way she flies
00:43:25Tomorrow will be a better time
00:43:30Good morning
00:43:32Today we'll begin with an exercise we didn't have time to finish yesterday
00:43:55Do you believe that plastic is too much to eat?
00:44:26It doesn't mean anything at all
00:44:30It seems that you're restless today
00:44:32My books fell, I'm really sorry about that
00:44:35I've been a little strange lately
00:44:38I've been having visions
00:44:42Well, as if the land still moves around
00:44:45Why don't you come up and play the piano?
00:44:56Begin whenever you're ready
00:44:59That was beautifully done
00:45:01And for tomorrow I have another idea
00:45:05Strange, what the hell is so strange?
00:45:07It's just normal, don't worry, will ya?
00:45:09When I was your age I used to do the same thing
00:45:11I used to sit in the bath for hours and read comics
00:45:13Now come on, dear, will you stop talking rubbish?
00:45:16Eat your food, it's going to get cold
00:45:18Alessandra!
00:45:19Oh my God, what in heaven will you do with her?
00:45:22Alessandra!
00:45:24Alessandra!
00:45:25What do you want?
00:45:26Is anything the matter?
00:45:27No, I'm all right
00:45:28You've been in there 20 minutes
00:45:30What are you doing in there?
00:45:34Nothing
00:45:35Are you sure you feel all right?
00:45:37Yes, I'm all right, Mama
00:45:39Come and take me cold
00:45:43Hey, come here
00:45:45What are you up to in there?
00:45:51You'll get warts
00:45:55Well?
00:45:56Did you bring the negatives?
00:45:58What?
00:45:59Look, Gabriella, I did what you wanted
00:46:01Now it's your turn to keep your word
00:46:03I only asked you one little stupid sentence
00:46:05And I'll leave you where you were
00:46:07That's not true
00:46:08It wasn't at all easy for me
00:46:10I'm telling you, I thought you were dying
00:46:12Come on
00:46:13Don't throw your mind to me at this point, okay?
00:46:15All you're doing is adding to this scandal
00:46:17Listen to me
00:46:18I'm telling you, I thought you were dying
00:46:21I'm telling you, I thought you were dying
00:46:23Listen
00:46:25I'll be sincere with you
00:46:27Great, but not for long
00:46:29Most of my girlfriends from the conservatory got married
00:46:31We were all great pianists, not housewives
00:46:34Any woman who wants to get ahead in her career
00:46:36Has to sacrifice her personal life
00:46:40I'm looked down with suspicion
00:46:42Because I don't want to be a teacher for the rest of my life
00:46:45No, your talk is as boring as you are
00:46:47You're already too damn boring
00:46:49Don't you understand
00:46:51It's so humiliating to be in this position
00:46:53My heart is breaking
00:46:55Oh dear, you poor thing
00:46:56You're not boring
00:46:57This is a martyr
00:46:58Offer yourself to God
00:47:00You really need a miracle
00:47:02I have nothing to do with your feelings
00:47:04With your heart, be a doctor
00:47:06I want more of you now
00:47:10It'll be easier this time
00:47:12Try to be reasonable
00:47:14Try, that's for you
00:47:16And I'll take care of everything else
00:47:18I'll tell you what to do
00:47:20I'll guide you
00:47:22I'll be your Pygmalion
00:47:27Pay attention to the regularity of the sounds
00:47:30Keep it even
00:47:32Even
00:47:34That's right
00:47:39Crescendo
00:47:41Heighten it
00:47:43Heighten it, but always evenly
00:47:47Good
00:47:49Excellent
00:47:53Now diminuendo
00:47:55Good
00:47:57Slowly
00:47:59Slowly, evenly
00:48:01Good
00:48:03Good
00:48:05Be careful
00:48:07Oh, sorry, did I burn you?
00:48:09No
00:48:20Come on, you're the host
00:48:22Do something with the blouse
00:48:24Wipe it
00:48:26Can't you see it's half-wet?
00:48:28Yeah, okay
00:48:33Maybe it's better if you do it
00:48:38Alessandra, I think it's better if you do it
00:48:40Am I right?
00:48:45Yes, if you'd be so kind
00:48:48Go on
00:48:58Does it hurt?
00:49:00No
00:49:01No
00:49:02Oh, you're hopeless
00:49:03You'll never get it done like that
00:49:04You have to lift the blouse
00:49:05You'll never drive
00:49:06You're a dead dummy
00:49:07It would be so great
00:49:08Why don't you do it then?
00:49:10Maybe you can do it yourself?
00:49:11You're such a baby
00:49:17I'm sorry
00:49:41That's enough
00:49:45We can't sit here and wait until tomorrow for everything to dry
00:49:51It'll dry itself anyway
00:49:53Well
00:49:55We can begin from here
00:50:10You're welcome
00:50:22Alessandra, do you care about me now, or about someone else?
00:50:26Sometimes I think you're lost
00:50:31Who do you have to be with anyway to get it on?
00:50:33I don't understand what you're talking about
00:50:35Of course, I don't understand
00:50:37You know, I've finally decided
00:50:39Of course, what's the matter?
00:50:41Or do you think I'm a nun?
00:50:42What, what?
00:50:43Okay, my tiger, now you'll show me what you're capable of
00:50:48It's quite easy
00:50:50To begin with, you...
00:50:52You just take off your panties, that's all
00:50:54I'm waiting
00:50:56For what?
00:50:58I'm waiting for you to take them off
00:51:00Oh, yeah, right now
00:51:10Uh...
00:51:12But you're not wearing any
00:51:14Bravo! You're just a step ahead!
00:51:16What now?
00:51:20Then I, uh...
00:51:22I take off your dress
00:51:32Don't you know how they work?
00:51:34What are you whispering on there? Come on!
00:51:36Ah, yeah, yeah
00:51:38Yeah, yeah, sure, I can do it
00:51:41Strange, though
00:51:43It feels... tight
00:51:45You mean it feels tight to you?
00:51:48A little bit
00:51:50I bet it's killing you, huh?
00:51:52A lot
00:52:07Alessandro
00:52:17Damn
00:52:19Kids, what are you doing here?
00:52:21We're going, we're going!
00:52:23You, get out!
00:52:25Oh, for what lies he lost?
00:52:28There's nothing
00:52:32Hey, do you see?
00:52:52You
00:52:54You
00:52:56You
00:52:58You
00:53:00You
00:53:02You
00:53:04You
00:53:06You
00:53:08You
00:53:10You
00:53:12You
00:53:14You
00:53:16You
00:53:19Is that right?
00:53:21Was I playing it right?
00:53:23Oh, yeah, that's much better
00:53:39Well, does she seem as beautiful as she is now?
00:53:42What are you saying?
00:53:44Hey, come on, kiddo
00:53:46You know what I mean?
00:53:48Don't you trust me?
00:53:50Hey, come on
00:53:52We're friends, all right?
00:53:54Well?
00:53:56Yeah, yeah, you're my friend
00:53:58All right, I'll leave it to you for another time
00:54:03Oh, I can't help it
00:54:05Allow me to speak
00:54:07My voice cuts my heart out
00:54:09I can't do anything
00:54:11Yes, I love you
00:54:13I can't hold myself
00:54:15Don't grab me like that
00:54:17No, no, don't break my heart
00:54:19I love you
00:54:21Unbelievable
00:54:23Let's run away, I have money in the bank
00:54:25Give it to me, give it to me, beautiful
00:54:27My love, how I want you
00:54:29I'm burning, you're mine, mine
00:54:31Run with me, I have money in the bank
00:54:33Please, my baby
00:54:35Give it to me
00:54:37Enough, I'm telling you, enough
00:54:41My name is Florinda
00:54:43Take her and we'll hide
00:54:45I'm going crazy from you
00:54:47Stop it, damn it
00:54:49I have my life
00:54:51Not the best, but it's all mine
00:54:53So you just stay back
00:54:55I don't know what I want
00:54:57I just need to be loved
00:54:59Enough, I don't want to hear you
00:55:01You never liked me
00:55:03I knew this would happen
00:55:05I just wanted to be happy
00:55:07Here, drink this
00:55:09Thank you
00:55:11Is that you, Alessandro?
00:55:13Yes, mom, I'm back
00:55:15How was your lesson?
00:55:17Okay
00:55:23Good morning
00:55:25Hi
00:55:29Listen, Alessandro
00:55:31I have a dilemma
00:55:35I always catch you in the act
00:55:37I have a dilemma you have to help me
00:55:39Here, I have a dilemma
00:55:41And you tell me how to solve it, okay?
00:55:43There are two possibilities
00:55:45First, I think
00:55:47First, you fuck too much
00:55:49That's why you look exhausted
00:55:51And the second is that you have no one
00:55:53So which one is right?
00:55:55Oh, come on, dad
00:55:57I don't have such a problem at all
00:55:59It's more about you
00:56:01It's not important to you?
00:56:03Yes, this is the most important question
00:56:05Listen, of course we are not in Africa now
00:56:07I mean, it's a shame we're not there
00:56:09Girls are the most important thing for you now
00:56:11Dad, I have to go
00:56:13What do you mean you have to go?
00:56:15I'm teaching you how to live
00:56:17I don't want my son to be a fool
00:56:19You know how a woman is made
00:56:21Wait a minute
00:56:23Well, do you know how a woman is made or don't you?
00:56:25I really have to go, dad
00:56:27Wait a minute, Alessandro
00:56:29Wait a minute
00:56:31Seriously
00:56:33Do you know the anatomy of a woman?
00:56:35I don't know
00:56:37Well, that's great
00:56:39Tell me about this little girl you're talking to
00:56:41What is she like?
00:56:43Alessandro, don't catch a cold, dear
00:56:45Yes, yes, woman, hide
00:56:47How are her tits big?
00:56:49You know, dad
00:56:51No, this time you won't do it
00:56:53I'm your father and you'll tell me everything
00:56:55Come on, tell me how a woman is made
00:56:57Well, how?
00:56:59Two tits in front and all that
00:57:01What's all that?
00:57:03I haven't seen tits
00:57:05Or have you?
00:57:07What are they like?
00:57:09Well, they're with pimples
00:57:11Nothing special
00:57:13Oh my God
00:57:15What else are pimples?
00:57:17It's called nipples
00:57:19They're all there
00:57:21Oh my God
00:57:23They're even shown in the movies every night
00:57:25Okay, that doesn't matter
00:57:27Better tell me everything you know
00:57:29Ah, good afternoon, sir
00:57:33Phew
00:57:35Well, it's getting pretty hot in here
00:57:37I think I'd better open up the window
00:57:39I told you already, no
00:57:41The neighbors always call the police
00:57:43when they hear your loud play
00:57:45and call the police marriage
00:57:47That's too bad, is it true?
00:57:49Sorry, but if you want to finish for today
00:57:51I got the least bit hot
00:57:53That's a little heat
00:57:59You know, I think you might take off that lamp
00:58:01if you're so hot
00:58:03No, I'm not hot at all
00:58:07You don't have to be that shy in front of us
00:58:09Or are you afraid Alexander will attack you?
00:58:31Man, it's incredible
00:58:33No, it doesn't seem like her
00:58:35What's the matter?
00:58:37Man, only wash women in the country
00:58:39shave their armpits, you know that?
00:58:41Look, Gabriella, it doesn't seem like your business
00:58:43Let's finish the lesson, okay?
00:58:45Look, I don't care one way or the other
00:58:47I don't care, Alexander
00:58:49We have a music teacher
00:58:51And in this form, our teacher
00:58:53can't do anything
00:58:55I don't care
00:58:57I don't care
00:58:59You know, I'm a music teacher
00:59:01And in this form, our show will fail
00:59:03Don't get upset, lady
00:59:05You don't shave under your arms
00:59:07because you don't know how to do it, right?
00:59:09Yes or no?
00:59:11Yes, it's true
00:59:19You see that? You really need to shave
00:59:29What are you doing there? Sleeping?
00:59:34What's going on with you? Did you turn off?
00:59:37No, no, I'm finishing.
00:59:40Well, are you happy now?
00:59:43This show is especially for you.
00:59:45Paris by night.
00:59:47Three matches.
00:59:48One after the other illuminates the night.
00:59:51The first grabs these beautiful breasts that drive you crazy.
00:59:58And turn you into a raving idiot of a class.
01:00:04The second match is for her back bumper, all right?
01:00:08Not bad, is it?
01:00:10I like the way it wiggles under her clothes,
01:00:12the magnetizing of all your attention.
01:00:16And the third match is to show you only what you've been thinking about all this time.
01:00:31It represents the essence of the reasoning of your desires.
01:00:35And the magic bush that you're already at the entrance of.
01:00:38You think it's love, platonic or whatever.
01:00:41A great passion that makes you tremble.
01:00:48And what do you think it is?
01:00:50Flesh, nothing more.
01:01:12Alessandro!
01:01:29Alessandro!
01:01:31Where are you going?
01:01:33Don't be like that.
01:01:35What's wrong?
01:01:37What's the matter?
01:01:39Come on, tell me what's wrong.
01:01:43Oh, friend, I think you're getting a bit too hot.
01:01:45I think it's about time you cooled down.
01:02:00Okay, dad.
01:02:07Oh, my God.
01:02:37Feel better now?
01:02:53Now you feel better?
01:02:55Go to hell.
01:03:10Alessandro!
01:03:13What's wrong now, mother?
01:03:15Do you know what time it is?
01:03:17What's wrong, Alessandro?
01:03:18What's the matter with you, Alessandro?
01:03:20Nothing. I took a bath in the fountain.
01:03:22You're all wet. You'll get sick.
01:03:27Oh, mother.
01:03:30Damn.
01:03:52Oh, my God.
01:04:22Hello?
01:04:28Signorina Formenti?
01:04:30Hello, this is Corsini.
01:04:32I have to talk with you. It's very urgent.
01:04:35I'm sorry I disappointed you.
01:04:37I suppose you want to stay here?
01:04:40That's right. I'm sorry, but I can't take you longer, Alessandro.
01:04:45I understand, Alessandro.
01:04:49I'm sorry for your mother. She really wanted you to take classes.
01:04:53Don't worry about my mother. She'll get over it.
01:04:57And you?
01:04:58I don't know what's going to happen. I can't judge that.
01:05:01I don't understand what's going on.
01:05:03Do you think you're the only one?
01:05:05I don't know.
01:05:07I'm sorry. I didn't find it very funny.
01:05:11Do you really believe that it's a funny game?
01:05:14What else did you come up with?
01:05:16Finally, a moral thing.
01:05:18You know, Alessandro, in these environments of strict morals,
01:05:23especially in this little office,
01:05:25we're all tempted to break out of our way.
01:05:28We're suppressed.
01:05:30And frail.
01:05:32And our desires are so strong
01:05:34that any kind of a caress can seem good to us.
01:05:38But sometimes we read more into ourselves than we say to others.
01:05:43And on the other hand, thanks for the easy thing.
01:05:47Strict upbringing always comes back in kind.
01:05:51We realize that it's time we had to pay.
01:05:55So what can we do?
01:05:57Let's return to the fold.
01:06:02I have to, because I'm a woman,
01:06:05and it's much more difficult for me.
01:06:08It's nearly the end of the year.
01:06:10Let's wait.
01:06:12Be patient.
01:06:13Don't do anything rash.
01:06:15And when it's over, well,
01:06:17this story will fade away like smoke.
01:06:23Well, now I'm moralizing.
01:06:26I'm the teacher.
01:06:28I don't really want to finish the lesson with you.
01:06:31Honestly.
01:06:33All I want is to understand.
01:06:35Don't be in a hurry to understand.
01:06:38I'll always remain with you,
01:06:40but what does it mean to have a dream?
01:06:45Don't question it anymore.
01:06:47Because above all,
01:06:49it's your judgment.
01:06:52Wait a minute, don't go.
01:06:54Wait!
01:06:55What's the matter, darling?
01:06:57Luigi!
01:06:59Any other time I'd understand,
01:07:01but now, before your exams.
01:07:03Luigi!
01:07:04What are you doing?
01:07:05Come on!
01:07:06What are you going to do?
01:07:07What?
01:07:08What's going on?
01:07:09He's going somewhere.
01:07:10He's going?
01:07:11Go, go.
01:07:12I'll handle it.
01:07:13Where are you going, son?
01:07:14Are you having an affair?
01:07:15Yes, it's my son.
01:07:16Finally, he's decided.
01:07:18By the way, how old are you?
01:07:19Eighteen.
01:07:20Eighteen?
01:07:21Oh, at that age I was already in Africa.
01:07:23Yes, there was a time.
01:07:24Listen, here's my advice.
01:07:25Always use the umbrella there, son.
01:07:27Listen to your father.
01:07:28I was there, I know what I'm saying.
01:07:30And be on guard in these damn hotels.
01:07:32They have a bed there,
01:07:33they can crawl in, who knows what.
01:07:34I remember there was a case.
01:07:35Oh, whatever.
01:07:36Listen, son.
01:07:37A little money, of course, won't hurt you.
01:07:38Here, take a couple of bucks.
01:07:39No, I don't need it.
01:07:40What?
01:07:41You don't need it?
01:07:42And how are you going to pay for it?
01:07:43I'm going to my uncle.
01:07:44Fine, but take it anyway.
01:07:45Hey, what do you mean you're going to your uncle?
01:07:47Are you crazy?
01:07:48You mean to my brother?
01:07:49Yes.
01:07:50All I want to do is go with him to a really quiet place.
01:07:53But he's mad.
01:07:54What are you going to do in the house of a mad man?
01:07:56And why are these girls in the house?
01:07:57That's the point.
01:07:58That's the point.
01:07:59That's the point.
01:08:00That's the point.
01:08:01That's the point.
01:08:02That's the point.
01:08:03That's the point.
01:08:04Here, take it.
01:08:05Didn't you expect it?
01:08:06Don't worry, the guy's fine.
01:08:07Sure he's calm.
01:08:08Now he's playing with the dog.
01:08:09He's playing with a little dog.
01:08:10He's happy as a dog.
01:08:11Well, there's the country, Luigi.
01:08:12He's a dog.
01:08:13Relax, relax, Wiggles.
01:08:14Stop worrying too much.
01:08:15Now it's the holidays, and the guy's all alone.
01:08:16He needs a friend.
01:08:17Look, Luigi.
01:08:18If your wife's gone, you're playing carding up at your fault.
01:08:19If your wife's gone, you're playing carding up at your fault.
01:08:20What kind of insinuation is this?
01:08:21Get her down!
01:08:22Get her down!
01:08:23Get her down!
01:08:24Get her down!
01:08:25Get her down!
01:08:26Get her down!
01:08:27Get her down!
01:08:29Come on, Luigi, go to hell with your cyanoreas.
01:08:36I'm busy.
01:08:39Bye.
01:08:41Here's the vegetable soup.
01:08:46Do you like soup, my sneaky?
01:08:52Give it to you.
01:08:54It's my sweet girl.
01:08:56She's Rosie.
01:08:57Do you like it too, huh?
01:08:59Yes, yes, it's very beautiful.
01:09:01What do you mean beautiful? You like it, right?
01:09:03Well, touch it, come on.
01:09:05Well, don't be afraid, it doesn't bite.
01:09:07Come on, touch it.
01:09:09What a ass, what a chest.
01:09:11Do you want more soup? No, I'll take it myself.
01:09:13Look at the body, what shapes.
01:09:15Tell me, nephew, do you know how I got here?
01:09:19No, what is it?
01:09:21Son, your family has two problems.
01:09:23My mother is a fool and my father is an asshole.
01:09:27My brother has always been an asshole.
01:09:29What does it mean?
01:09:31Isn't it true what he told me?
01:09:33Oh my God.
01:09:35About how he was a soldier in Africa, about girls?
01:09:37It's all bullshit.
01:09:39But I believed him.
01:09:41Ah, while he is not out of his mind, listen to me.
01:09:43It was me who hung his medals before the wedding.
01:09:48Hey, you shouldn't laugh, he's your father after all.
01:09:52I love him, but he's always been an asshole.
01:09:57I didn't offend you, did I?
01:09:59No, it's just funny that my father is much more of an asshole than you.
01:10:03Really?
01:10:04Yeah, and not so cool.
01:10:05Well, don't be offended, it's just to be honest.
01:10:07And here's the chicken.
01:10:09Do you like fried chicken?
01:10:11Hey, look at those.
01:10:13Let's see what you have here.
01:10:16Wings, legs and a breast, what do you want?
01:10:21She's always so funny.
01:10:23Lovely.
01:10:25Oh, my sweet.
01:10:27Hey, Rosina, we have a real musician here, by the way.
01:10:30What are you talking about? What a surprise.
01:10:34Do you dance?
01:10:36Oh, shit, Rosina, it doesn't mean that the guy dances, I beg you.
01:10:39He's a musician, he plays the piano, got it?
01:10:42I'm sorry, but I didn't learn how to dance.
01:10:44What a pity, I didn't know that.
01:10:47She'll teach you, do you want that?
01:10:49Here's what I'll tell you, son.
01:10:51Dance is an ancient ritual, a social and sexual ritual.
01:10:54Tango-shmango, and that's it, the girl is ready, right?
01:10:58The boy is about to learn.
01:10:59Bring the loser here.
01:11:00Come on, quick.
01:11:02Hey, look at that ass.
01:11:03Look at the thighs.
01:11:04What a power, what a bend.
01:11:05Oh, boy.
01:11:06You'll like it too.
01:11:12Hey, come on, what the hell is that?
01:11:14What kind of music is that?
01:11:15No, let's do something else.
01:11:16Let's change the record.
01:11:17Come on, I told you.
01:11:20Oh, it was nice.
01:11:21Well, I really like it.
01:11:22It's okay, it's okay, let's change it.
01:11:24You'll learn fast.
01:11:25Give me your hands here.
01:11:26One, two, three, one, two, three.
01:11:28Listen to the music and repeat after me.
01:11:30One, two, three, one, two, three.
01:11:32One, two, three, one, two, three.
01:11:34One, two, three, one, two, three.
01:11:36One, two, three, one, two, three.
01:11:38One, two, three, one, two, three.
01:11:40Listen to the music and repeat after me.
01:11:42One, two, three, one, two, three.
01:11:44One, two, three, one, two, three.
01:11:46You're a musician and you have a great sense of rhythm, son.
01:11:50Do like me.
01:11:51One, two, three, one, two, three.
01:11:53Wait a minute.
01:11:54You'll be the girl now.
01:11:56Okay, I'll be the girl.
01:11:57Give me your hands.
01:11:58Watch your feet.
01:11:59Don't trample on my feet.
01:12:00One, two, three.
01:12:03What the hell are you doing?
01:12:04Like an elephant.
01:12:05Hey, rubber, come here.
01:12:07Come on, come on, move.
01:12:09Watch how you move.
01:12:10Smooth and fast.
01:12:11One, two, three, one, two, three.
01:12:15Watch me carefully.
01:12:16Watch my hands.
01:12:19One, two, three, one, two, three.
01:12:21Now you try.
01:12:23Oh, my back, my back.
01:12:25Old age is a joy.
01:12:28That's it, you're doing pretty good.
01:12:29I was right.
01:12:30Just get your goal.
01:12:31Watch where you're going.
01:12:32One, two, three.
01:12:36Oh, sorry.
01:12:37Come on, come on, don't stop.
01:12:40Come on, come on, closer to her.
01:12:41It's a sexual dance.
01:12:42Hold her close to you.
01:12:43Don't be shy.
01:13:01Rubber, my bird, come to me.
01:13:04You asked me only to get you a cup of wine.
01:13:06You know what I really want, don't you?
01:13:08What?
01:13:09Hands, hands.
01:13:10What?
01:13:11Hands, hands.
01:13:12What, hands, hands?
01:13:13Like a mohawk.
01:13:14Hey, I'm going to make you walk up on me.
01:13:16Come on.
01:13:17You come here.
01:13:18Oh, man.
01:13:19Your nephew's coming in.
01:13:20Maybe the little shit'll learn something.
01:13:22Maybe the little shit'll learn something.
01:13:23Maybe the little shit'll learn something.
01:13:25I've got other dreams of African girls.
01:13:27You can do it, you can do it.
01:13:28Wait a minute.
01:13:29Wait for nothing.
01:13:30Wait for nothing.
01:13:31Hey, you little shit, you!
01:13:34I'll get you!
01:13:36Hold on, I'll just take off my boots.
01:14:02No!
01:14:04No!
01:14:07No!
01:14:09No!
01:14:11No!
01:14:13No!
01:14:15No!
01:14:17No!
01:14:19No!
01:14:21No!
01:14:23No!
01:14:25No!
01:14:27No!
01:14:29No!
01:14:31No!
01:14:49Do you like it?
01:14:52Oh, my God!
01:14:53Oh, dear!
01:15:00Oh, dear!
01:15:01Who's so late?
01:15:02What if your mother has a heart attack?
01:15:04And you don't care what happens to me?
01:15:06Tell me what's wrong with you, baby.
01:15:08Tell me, tell me.
01:15:09First of all, stop whining.
01:15:11Second of all, stop pushing me on my balls.
01:15:13And third of all, don't stick your nose in my business.
01:15:16Luigi!
01:15:18Have you lost your mind?
01:15:19Is that the way to talk to your mother?
01:15:21Oh, boy, you did great, son.
01:15:23Bravo, bravo.
01:15:24Ah, my son, the delinquent.
01:15:25That's my son.
01:15:26There, there, there, my son.
01:15:28You see?
01:15:29Yes.
01:15:30Oh, what are you doing?
01:15:31Well, I think the best thing to do in this case
01:15:34is to stop crying, you understand?
01:15:37And second, I guess you better stop terrorizing your partner.
01:15:41I'm sorry, but the boy's grown up.
01:15:44How old is he now?
01:15:4518.
01:15:46Yes, 18.
01:15:47When I was 18, I was in Africa.
01:15:50Oh, hell.
01:15:51How come you're here all alone?
01:15:53My mom took her down to the store.
01:15:55And Gabriel took off.
01:15:56He left an hour ago.
01:15:58Did you have a good time at your uncle's?
01:16:00Yeah, I was all right.
01:16:02I had a good time, I guess.
01:16:04He's a pretty funny guy.
01:16:08Uh, you know,
01:16:11I never have seen your room.
01:16:14Let's go.
01:16:20Here it is.
01:16:21There's nothing special.
01:16:24Uh, if I should ask you to lay with me in bed,
01:16:29what would you say?
01:16:32Well, uh, why don't you ask me?
01:16:35Well, I guess I'm asking you.
01:16:39Then I'd say, come on.
01:16:53All right, then.
01:16:56I might ask something else.
01:16:59Then ask me.
01:17:10Do you think it's going to hurt?
01:17:25I don't know.
01:17:27What do you mean, you don't know?
01:17:29You said you did.
01:17:31Well, to tell you the truth,
01:17:35not that often.
01:17:37Really?
01:17:55Exactly how often?
01:17:58Not even once.
01:18:00Never?
01:18:02Right.
01:18:07Mm-hmm.
01:18:37Oh, it's my uncle! Hurry up!
01:18:58Get him to get me out of this room!
01:19:00Shit!
01:19:02Come on, hurry!
01:19:04Oh, my jacket!
01:19:07Oh, my shoes!
01:19:10Keep quiet!
01:19:11Yeah.
01:19:12Yeah.
01:19:13Hey!
01:19:14Oh, I thought you were down to do some shopping.
01:19:16I came back for the money.
01:19:18And you? What do you do?
01:19:20I teach lessons.
01:19:34Oh, my God.
01:20:03I don't think there's going to be a show today.
01:20:10I hope you do.
01:20:11The most important thing is to open your ears and start listening to what I'm saying.
01:20:14We should get together and get ready.
01:20:16No.
01:20:17What did you say?
01:20:18No.
01:20:20She's becoming timid.
01:20:22We can't let that happen.
01:20:24What she needs is a little encouragement.
01:20:28We better help her undress.
01:20:34Are you crazy?
01:20:36What the hell are you up to?
01:20:38What are you doing?
01:20:40Why am I always the one to undress?
01:20:42Now it's your turn.
01:20:44I'll ruin you.
01:20:46I'll ruin you forever!
01:20:48You'll never be able to show your face again.
01:20:51Oh, that plan won't work.
01:20:53Your blackmail is over.
01:20:55I have the negatives.
01:20:56No, I have them.
01:20:57They're the most expensive gift I've ever had.
01:21:00You don't need to think that I'm buying them.
01:21:02It's easy.
01:21:03Well, what are you waiting for?
01:21:05Don't waste time.
01:21:07Damn it, what does she want?
01:21:09Tell her it was a joke.
01:21:10Then you'll understand.
01:21:11You're very brave now, aren't you?
01:21:13Say it.
01:21:15You wanted to make love.
01:21:16Admit it, you want love, but not with me, but with him.
01:21:35You wouldn't believe a thing like that, would you?
01:21:37She's crazy.
01:21:46Thank you, Alessandro.
01:21:57It was much harder than I thought.
01:22:03I didn't think it would be.
01:22:05What?
01:22:07Well, to realize what was really happening.
01:22:13Now I know you did it because you were blackmailed.
01:22:17And I'm sorry.
01:22:19You don't like the idea of blackmail?
01:22:22Yes.
01:22:25Well, it happens in every relationship.
01:22:29Husbands and wives, it goes on all the time.
01:22:32Between parents, children, even friends.
01:22:36Everyone uses blackmail one way or another.
01:22:39Anyway, it won't surprise you so much.
01:22:42It seems like blackmail is bad, but you can't get away from it.
01:22:46And my Alessandro.
01:22:48It's possible that one day you'll find yourself using emotional blackmail.
01:22:53If you think about it, Gabriella's only mistake was that he acted openly.
01:22:59Is there going to be a lot of this in your life?
01:23:02I'm afraid so.
01:23:04With everyone?
01:23:06Nearly.
01:23:07But not this evening.
01:23:09This evening will be special.
01:23:12Or I'm in love with you.
01:23:25Let's get undressed.
01:23:37Let's get undressed.
01:24:07Let's get undressed.
01:24:37Let's get undressed.
01:24:53I love you, Laura.
01:24:55Yes.
01:24:59Oh, baby, I love you.
01:25:07Don't be afraid.
01:25:14Oh, it's good.
01:25:20Gently.
01:25:22Yes.
01:25:24Good, Laura.
01:25:29Yes.
01:25:36You see, you're wonderful.
01:25:52All right, tomorrow.
01:25:54I'll help you with that.
01:26:26Come on, silly.
01:26:53Come on.
01:26:55Hurry up.
01:27:26It wasn't all that difficult.
01:27:30Nope.
01:27:32Everything has a beginning.
01:27:35Yeah, it's strange, but...
01:27:37Strange, what exactly?
01:27:39When you were in my room, when your uncle came in,
01:27:41I couldn't sleep that night, and I realized
01:27:43that even if it didn't bother us, you wouldn't dare to come in.
01:27:46Why?
01:27:47Because at the end of the day, you were old,
01:27:49like a little baby, so insecure,
01:27:51like you didn't know where to start.
01:27:54But today...
01:27:56Today it's a whole different story.
01:28:16The end of the film. Translated and voiced by SK Plus.
01:28:54Subs by www.zeoranger.co.uk