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00:00🎵Jingle Bells🎵
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09:28What's the matter, doctor?
09:38What's the matter, doctor?
09:46What's the matter, Dr. Natale? Is it serious?
09:49I'm sorry, my brother, Dr. Natale.
09:51It's not a collapse, nor an intoxication, nor a paralysis.
09:54So we have to wait until we have the test results.
09:57Can't we take him to the hospital in the big car? It's comfortable, isn't it?
10:00Ah, no, no. It's not the case to take him tonight.
10:03Doctor, I feel bad too. What can I give you?
10:06It's not that simple.
10:08But a couple of kicks in the ass is the best thing.
10:10Beautiful!
10:11Honey, I have the prescription!
10:28Oh, my God!
10:39Oh, my God!
10:48It's a strange kind of nervous contraction.
10:52I would exclude the paralysis.
10:54I would exclude the hand.
10:56But what's in the bag?
10:59What's in the bag?
11:02I don't know.
11:04I really don't know.
11:05Even if I knew, I wouldn't tell you.
11:07It's a secret.
11:08A professional secret.
11:10Poor Rosa. Now, if her father dies, what will she do?
11:13Well, there's always Dario, isn't there?
11:15Yes, Dario. He's a good boy, but he's always...
11:17Can you stop with your hands?
11:18Good?
11:19Is it expensive?
11:21Enough?
11:23How many times do I have to tell you not to touch your mother's breast?
11:26Dad, don't hit me.
11:28You're always so clumsy.
11:29Yes, it was a contraction, I understand.
11:31Yes, I understand.
11:32Yes, in the bag. What is it?
11:34It's my fault. It's my fault.
11:36The devil made me lose my mind.
11:38My poor father pays for me.
11:40The usual devil?
11:42No, it wasn't the devil. It was a man in flesh and blood.
11:45A man? And where?
11:47In my room.
11:48But after I fell asleep,
11:50he treated me like a slave.
11:52It's not true.
11:53It's not true.
11:54But he made me do so many things.
11:56I'm ashamed.
11:57But it's not true.
11:58It's not a sin, I told you.
12:00He touched me in front of the holy image of Santa Rosa.
12:03It's not true.
12:04Because Santa Rosa is no longer holy.
12:06And let's not start with this story.
12:08Santa Rosa.
12:09But I felt...
12:10A dark feeling of pleasure, I know.
12:12But it wasn't so dark.
12:14I really liked it.
12:16Oh.
12:17He wanted me to undress.
12:19And he did it right away.
12:21It's not true.
12:22It's a dream.
12:23It's not true.
12:24Don't worry.
12:25Let's pray for your father.
12:27For that poor man.
12:28It's my fault.
12:29Poor father.
12:30Come on, let's go.
12:31Don't do that, Rosa.
12:32Calm down.
12:33Don't cry.
12:34Come on, Rosa.
12:35Come on, let's go.
12:36Rosa, one of your friends wants to say hello.
12:38Two, your father is always drunk.
12:40Three, Fernando has arrived.
12:42Four, I kept him on the bed.
12:44The tongue.
12:45Four.
12:46Four.
12:48I don't want to contradict you, but friends always want to save you.
12:52Always asshole, yes.
12:53Go, go, go.
12:58Call me if you need anything.
13:00Courage.
13:06I am available at any time.
13:08If there are any developments in the contents of the envelope, call me immediately.
13:11Candy?
13:12No.
13:14She has to pass the exam.
13:16Millionaire's grandchildren.
13:17What are you saying?
13:18Natale Casocupiello.
13:19What are you saying?
13:20Filomena Marturano.
13:21Eh, these ghosts.
13:22You always say useless things.
13:26Not everyone comes to get married.
13:28Even dad always hits me.
13:30Luigi, I forbid you to put your hand on the child.
13:33Yes, dear.
13:34Well, you know where to find me.
14:05Go to rest, Rosa.
14:06I'll stay here.
14:07Don't worry.
14:08Come on.
14:22Don't be like this, dear.
14:23Let's go.
14:34Come on.
14:46But you're crazy.
14:47You're really crazy.
14:48And masochistic too.
14:50What would I be?
14:51Masochistic?
14:52That you like to suffer?
14:54But in what world do you live?
14:56Votes, flowers, oaths.
14:57But don't you understand that it destroys your life?
15:00That she is a selfish woman.
15:01And she doesn't care about you.
15:04Oh, Rosa.
15:06But how do you not understand it?
15:10No, Fernando.
15:11What do you want to do?
15:34No.
15:52Just a minute.
15:53I'll go to the bathroom.
15:54I'll be back.
16:05Wait.
16:09What have you done?
16:10What is this crap?
16:17You dirty old man.
16:18What are you doing?
16:19Right under my eyes?
16:20Dad, please.
16:21It hurts.
16:22Calm down, we're going.
16:23No.
16:24I'm not calm.
16:25Your heart eats you and this mess.
16:27Shameless.
16:28Right in front of the room where I'm dying.
16:30Dad, please.
16:31It hurts.
16:32And you?
16:33I didn't do anything to you, but to the stove, nothing is shit!
16:35Hey, what an exaggeration!
16:36Oh, listen to him!
16:38What an exaggeration!
16:42You don't even have to touch Rosa, eh?
16:44You would like it.
16:46The young lady is cold,
16:48and he lets her pass.
16:49Now you have dishonored my face!
16:51But I didn't do anything to Rosa.
16:52Oh, thank God!
16:53And then what did you come to do?
16:56You wanted to take a nice picture, even to me!
16:59But look, listen, I really love Rosa.
17:01I love her well!
17:03You don't even know where your love is!
17:07And Rosa doesn't touch until I camp.
17:10But you love her well.
17:11You ruined her existence, you reduced her to a moron.
17:15If Rosa is a moron,
17:17it's my business.
17:20What does it matter to you?
17:28You have to think about it well,
17:30think about it thoroughly.
17:31It's a difficult choice.
17:35I understand, my child, when you got hurt,
17:37but this is a serious decision.
17:39But I'm asking you,
17:40tell me something, you.
17:41But what can I tell you?
17:43For me, no, no, no, no,
17:45it's not a right solution.
17:46In fact, it's not even a solution,
17:48it's not really a solution.
17:50But what do you think of being Santa Rita?
17:52Santa Chiara?
17:53Santa Teresa?
17:54My child, be patient.
17:55Now go and think about it well.
17:57Come on, please, I have to go.
17:58No, I don't want to go home.
17:59Where are you going? You can't stay.
18:01I don't want to go home.
18:02But Rosa, you're not a perpetrator,
18:03you can't stay in church.
18:04No, I beg you.
18:05It's not forbidden, the bishop knows it.
18:07Who can see it?
18:08It's the sign of the cross.
18:09No, it's the sign of the cross.
18:10Go, go, get me this coffee, go.
18:12Because now I have to say Mass, go.
18:13Go, go, go.
18:14Listen to me, we'll find a good young man,
18:16we'll get him married,
18:17and with all the sacraments,
18:18and with respect, we'll put it in his bed
18:20and he won't talk about it anymore.
18:21Do you understand?
18:22About the dissolution of the vote,
18:23I'll talk to the bishop.
18:24He doesn't like me very much.
18:25Our Don Bottas is very good.
18:27He looks like you and the dress you wear.
18:29Nice dress.
18:31But why? What's in this dress, Don Antonio?
18:33I say it's to combine a very faithful call.
18:36Because that's what it's about.
18:37The Holy Roman Catholic Church
18:40is willing to dissolve a vote,
18:42a sacred oath made on the bed of the death of a mother.
18:45Eh, thank God,
18:47that to defend principles like these
18:49there are men like me.
18:51Eh, to defend my daughter's soul.
18:54From this indignity, I think of Don Bottas.
18:57Your daughter's soul is already in paradise.
18:59You sent it to us with twenty years of torture.
19:01But now, what we need to think about
19:03is saving the body of that wretch.
19:05I have the family heritage, eh?
19:07Which interests you much more, right?
19:10What do you mean?
19:11I say that Rosa wants to be a nun
19:13and wants to donate all her heritage.
19:15She wants to donate it to the nuns of Clausura.
19:16She says that these are cursed money,
19:18money of the devil.
19:20No, this is my 30-year-old fatigue
19:23and it will not allow anyone to destroy my work.
19:27Eh, your father is good.
19:28He succeeded.
19:29He wanted to steal the throne and he stole it.
19:31Ah, but I told you,
19:33let's stick to the will.
19:35And you, no, no, no, no.
19:37No, we can not lack respect for the Holy Memory.
19:40And so, now, here I am,
19:42with a nun's hand.
19:43Eh, no, I'll stop you.
19:45Ah.
19:46It's ready.
19:47And this would be the lunch you prepared?
19:49Eh, Rosa is still in bed.
19:51I cut her hands and she knows well,
19:53dad, that the kitchen is not my forte.
19:55Eh, yes.
19:56Eh, yes, you're in the kitchen.
19:59You got a good wife, Dario.
20:01Look, sliced ​​ham,
20:03sliced ​​salami,
20:05all sliced.
20:09Oh, Lisetta, love.
20:11Stop.
20:12Sit down.
20:18More than a religious vocation.
20:20I don't know what to do.
20:22I came back to life too soon.
20:24It was a matter of time,
20:26half an hour.
20:28Who would have thought that
20:30that great faithful would have respected her.
20:34But now you have to get down to business.
20:36Yes, Antonio, I never liked it.
20:38And neither do you, Fernando.
20:40But it's also in your interest.
20:42And if Rosa becomes nun,
20:43I can not marry you today or ever.
20:45And who guarantees me that after you,
20:47from here to Centanio,
20:48I'll be crazy.
20:49I can't get married.
20:50Well, no one guarantees you that.
20:53It's your business.
20:55To get you married or not.
20:57Stop.
21:08I guarantee you salvation.
21:10I'll pay you all your debts
21:11and I'll give you a bonus.
21:13How much?
21:14We'll see.
21:15But first,
21:16all black
21:18and white.
21:21A signature on each page, Fernando.
21:23What are you signing?
21:25What signature?
21:26What signature?
21:27What is it?
21:28What signature?
21:29This one, dad.
21:30This one.
21:31Maybe you don't remember.
21:32We talked about it yesterday.
21:33I don't remember.
21:34He doesn't remember.
21:39All right, all right.
21:4120 million.
21:42We said so, didn't we?
21:4430.
21:4525?
21:46Yes, Antonio,
21:4730 million.
21:48I can't solve anything.
21:49Let's go, gentlemen.
21:50Don't be stingy.
21:51What is this market?
21:52What is the market?
21:53What is the market?
21:54Dad, the act between them two.
21:56The act is not a market.
21:57It's a market or an act?
21:58The act.
21:59The act.
22:00The one before.
22:01The one before.
22:04And you want to ruin me?
22:06Uncle Antonio, please.
22:09Don't make me cry.
22:11Carletta, give it to the young lady here.
22:14The deed is with full satisfaction of all.
22:18To me, to me, to me.
22:20I'm the notary.
22:21Notary.
22:22What does it matter?
22:23Notary.
22:24I have to keep it.
22:25Until the full satisfaction of all.
22:27Here, here now.
22:28It doesn't matter.
22:30Enough!
22:36There is one last condition.
22:38What condition?
22:40Well, no one can know.
22:42Yes.
22:43They could have the fantasy of asking for a reparation,
22:47of asking for marriage.
22:49And then?
22:50And then, to avoid that Rosa has this temptation,
22:54that you don't have to do the service alone.
22:58You understand now, don't you?
23:03Are you kidding?
23:05No.
23:06You understand.
23:07If there is another,
23:10Rosa.
23:11Excuse me.
23:13The subject in question.
23:15And I say,
23:16no one can pretend to be married by everyone.
23:18No.
23:19A nice party.
23:20A nice party is made.
23:22Music, people and many children.
23:24And it's better if we put in some other woman.
23:26And so much the whores don't eat.
23:28There's the lady here.
23:29Let's take advantage of Santa Rosa's party to have a little fun.
23:32I'll be close to Rosa.
23:34So let's see what my taster does.
23:36You understand.
23:37It's one thing to say he was seduced by Fernando.
23:39It's one thing to say he took part in an orgy.
23:41How do you say it? A mix.
23:42A general encampment.
23:43Go away.
23:44Enough.
23:45It's a mess.
23:46But why?
23:48If you did it alone, it would seem like a clean thing to you.
23:51A gallantry.
23:55No.
23:56No.
23:57What does it matter?
23:58I don't think it's right.
24:00I don't feel it.
24:03I'm not in it.
24:07Carletto.
24:08Tomorrow, do me the favor of breaking the act and I'll sign it.
24:11Yes.
24:14Friends as always, Fernando.
24:16As always.
24:17Even if we've never been friends.
24:20You have to discard.
24:37You have to discard.
25:07You have to discard.
25:38Do you like it?
25:39Do you have fun?
25:40Yes.
25:48Come here.
25:49A taste for courtesy.
25:50And then I'm leaving.
25:51I can't stay.
25:52Why?
25:53It's fun.
25:54What fun?
25:55This is a pagan rite.
25:56It's a tradition.
25:57A beautiful tradition.
25:58The boy who meets the girl and then renews the sacrifices of Santa Rosa.
26:02Is that so?
26:03Yes.
26:04Santa Rosa doesn't exist.
26:05But it's beautiful anyway.
26:06Okay, listen.
26:07Give me two potatoes.
26:08No, I'm counting.
26:09And how many are there?
26:10Three hundred and twenty-five.
26:11Okay, three hundred and twenty-four.
26:12No, Mr. Tony told me.
26:13Mr. Tony said.
26:14Mr. Tony dresses as a king and then counts the potatoes.
26:15But what a disgrace.
26:16I don't know anything.
26:17But why aren't you dressed as a pope?
26:18It's fun.
26:19Me?
26:20I was just the pope.
26:21Yes.
26:22Give me a hard temptation.
26:23The other barbarians don't do anything.
26:24Look what an idea.
26:25I don't know.
26:26I don't know.
26:27I don't know.
26:28I don't know.
26:29I don't know.
26:30I don't know.
26:32Again he's threatening.
26:33Go on, darling.
26:34Oh, that right.
26:36They're green out there, black paintings, that's how it is,
26:37the place is so beautiful.
26:38Okay, my historical name is Eunice-Sand.
26:39You idiot.
26:41Who the two peppers are?
26:42What?
26:43All of them?
26:44Together they should be thoughtful.
26:45He doesn't believe me.
26:46Of course not.
26:47Here are some of your people.
26:48And a few of others barbarians not bad.
26:49Come on.
26:50Here you go.
26:56Here, my jewels.
26:57All right, let's have a try tonight,
26:58I want to see what happens.
26:59All right, let's have a try tonight,
27:00No
27:11That's over
27:30Oh
27:32Oh
27:34Oh
28:04Please