• 3 months ago
SENSITIVE MATTER • SENSITIVE MATTER
SECOND WIFE ♥ • Wife and mistress, who will win? ♥ SE...
DARLING • LOVE OR CAREER! WHAT'S MORE IMPORTANT...
Year 1962. Tatyana comes to conquer Moscow but fails to enter the textile institute: it’s not about the lack of talent (Tanya is a natural-born fashion designer) but the tragic life story of Tanya’s father. By chance, she gets a job in the closed “Hundredth Aisle” of Stolitsa department store serving the Soviet elite. It’s Tanya’s chance to make her dream come true and become a famous artist and conquer the fashion capital – Paris. An unexpected obstacle stands on her way to the professional Olympus – Volodya, a young man from a high-ranking establishment family. He and Tanya fall in love with each other, but the situation becomes complicated when Volodya’s bride becomes part of the story...

Category

😹
Fun
Transcript
00:00I'm sorry. I genuinely panicked.
00:03Hanya said her brother's a doctor.
00:05But by the time I got her up, we were...
00:07Open the door!
00:18Don't just stand there! Say something!
00:20Will she be alright?
00:25Get in the car!
01:00Don't jump too much. I'm on my way.
01:03Hello, happiness.
01:05In a simple white dress.
01:07Hello, happiness.
01:09I only ask for one thing.
01:11Hello, happiness.
01:13Forgive me, forgive me.
01:15Hello, happiness.
01:17Don't be sad anymore.
01:30Good morning.
01:46What time is it?
01:48Not visiting hours for sure.
01:50You should leave before the doctor comes.
01:53Go on.
02:00Excuse me, how is she?
02:10What's that?
02:13No, you misunderstood me.
02:14She's fine.
02:15You see, these are extremely tight on the temples.
02:18Nothing life-threatening.
02:19Thank you so much. Really.
02:22It's just that I...
02:23I don't even know how to thank you.
02:25So you want to thank me?
02:26If you want to thank me, then you better go home and rest
02:28because no one will let you see her right now.
02:30But maybe I need to...
02:31I said go home.
02:33You already saved her life.
02:34Not me, you.
02:48Get up.
02:49I know that you're not sleeping.
02:52Sorry, I guess I was talking quite loudly, huh?
02:54I didn't hear anything.
02:56You heard everything.
02:58It turns out he didn't even go anywhere.
03:00He's at home, eating.
03:05Get some sleep because you won't get any after you're married.
03:08You gotta feed him and dress him up.
03:10Wipe his tears, take him to school.
03:15Maybe I don't need a husband.
03:17I'll just stay single my whole life.
03:19Don't say such things to me.
03:21You want my two cents worth?
03:22You and Vladimir should see the movie, uh, It's Love?
03:25What if it's love?
03:26Oh, what if it's love?
03:27That's right. It's very popular.
03:29Miss Marina hates it. That means it's probably great.
03:32What's this thing here? What is it?
03:33Nothing. It's just a mosquito bite.
03:35Mom, Vladimir and I broke up.
03:38And that's why I don't want to discuss anything about love nor Vladimir.
03:42You will make up soon, my dear. Trust me.
03:45I spoke to Evgeny about it.
03:52I'm sorry.
04:22I don't recall you ever loving me like that.
04:48I'll kill you.
04:51With all due respect, I didn't fight for you for that long.
04:57Please, come on.
05:01The world is now our oyster.
05:07Not the whole world.
05:09But we're visiting the South for sure, with the newlyweds.
05:13Uh-huh. But while you were out planning the holidays, your son-in-law almost left without you.
05:22How?
05:23Pay attention. He came last night to say goodbye.
05:27She was crying the whole night and couldn't even sleep.
05:30But he didn't leave.
05:32He didn't leave, not yet.
05:35Listen, do you know what I think?
05:38Maybe we should give him a present already, before the wedding day.
05:44That's a good idea.
05:57A car, maybe?
05:59What? You'll give him our car?
06:01No, not our car.
06:04If I become a minister, I'll get a new car immediately.
06:08Maybe even two.
06:10The question is when.
06:12Because if you don't become one, then there will be no cars and no giveaways.
06:16Anyway, talk to Vladimir, man-to-man.
06:19I don't like these attempts to escape marital life.
06:2454051.
06:26Uh-huh.
06:31You started already?
06:33Relax, they're still not here.
06:36How's Natalia?
06:39Anya's brother was great. He saved her.
06:42Yes, he is.
06:45He didn't sleep the day before, and today he did it again.
06:497864.
06:51Uh-huh.
06:52And that one?
06:54Do you know about Gleb?
07:00No, he's not around. Most likely he's hiding somewhere.
07:03I don't even want to think about that pathetic artist.
07:07Which artist is that?
07:09Oh, hello, Mr. Gladkov.
07:12That isn't professional attire.
07:15I'm sorry.
07:16What's wrong with Natalia?
07:18She had surgery, but she's fine now.
07:25Oh, Miss Nina, cover for me at the meeting at four.
07:28I have a very important event at the Ministry.
07:31Sure, Mr. Gladkov.
07:39Well, hello there, my dearest female comrades.
07:42Good day, Doctor. Got a younger one?
07:44Right, you're all the same.
07:47Are you okay?
07:50Do you remember how you ended up here?
07:53The glasses suit you and your sister.
07:57Well, I guess you are.
07:59Don't worry, everything will be just fine.
08:02What about the baby?
08:05What baby?
08:10My baby.
08:12Did I lose my baby?
08:16You didn't lose anything at all. There was no baby.
08:19Wait a second. But for two months, I haven't had a...
08:23Delays like that have many causes.
08:25Too much walking, too much work, always standing on your feet, not eating enough.
08:30You need to rest, so do that.
08:33I'll be back soon.
08:35Oh yeah, one more thing.
08:39If this happens again, and I really hope it doesn't, you have to protect your stomach.
08:44Pull your knees up.
08:46Because this time, it was your spleen that was in danger of exploding.
08:52Sigh.
09:10Because the Treaty of Friendship, Cooperation, and Mutual Assistance
09:14has been implemented since the 14th of May in the year 1955.
09:19Any questions on the lecture? None?
09:22All right then, students, you are all free to go now.
09:28I have a question.
09:30Is it true that Soviet rockets are located in Cuba
09:33and are always ready to repel attacks from aggressors?
09:38Uh...
09:40There is no official data on that.
09:43You know, I understand Americans to a certain extent.
09:47They were close with Cuba.
09:49And even if they parted ways forever, they had to, you know, let their emotions settle down.
09:55So why did they ship rockets and suck up to them so soon?
09:58You know, I think that Cuba needed support.
10:03And if they had severed ties with America, they needed another country to help them.
10:08Just in case.
10:10And even if America doesn't like it, it shouldn't be the one who'll decide what's right.
10:14Every country gets to decide what's right for them.
10:18Especially Cuba.
10:20Okay, young man.
10:23I will just pretend that I didn't hear those anti-Soviet questions.
10:30Goodbye. See you in our next class.
10:34My gosh, Vladimir. You're lucky the party rep wasn't present.
10:38Okay, that's enough.
10:39I don't know what the deal is with Cuba, but I veto this whole geopolitical thing.
10:43It's my right. It's my day today.
10:45So let's all meet at the party later.
10:47And no rockets, please.
10:50That's much better.
10:52I'm back to looking human again.
10:58Hello, yes?
11:03One second. It's the general.
11:08This is Katya.
11:11Yes, good day to you, sir.
11:15Yes, from the crack of dawn.
11:21Today, unfortunately, I can't. I'm at the conservatory.
11:25Tomorrow?
11:27I don't know. Call me at six, maybe?
11:29Only if you have time, of course.
11:32I'm very happy to hear from you too, sir.
11:37Conservatory? What for?
11:39Are you crazy? I'm not going there.
11:42Take note. A man has to feel like he's competing for your time.
11:46So remember, before answering a call you've been waiting for, you've to count up to five.
11:52I wasn't waiting. I just thought that this one person would call.
11:59Why is Miss Nina taking so long? Katukova is on her way. What should we do?
12:03It'll be fine. You'll see. That Katukova of yours is an old horse already. She's out of fashion.
12:16Hello, Miss Katukova.
12:19Giddy up, horsey.
12:33What are you doing here?
12:53Vera let me in. Do you like it?
13:03The theater.
13:06The theater? Are you going to tempt the kids there?
13:11Is it tempting?
13:15No, not really.
13:18Vladimir, you're no longer a child. You've had too much champagne. It happens.
13:26I still love you a lot.
13:32What's that?
13:34Where?
13:39There, right on your chest.
13:44Wait a minute.
13:49You feel hot. And I don't mean the way you behave. Let me take you home, all right?
14:06Good day.
14:07Hello.
14:26So how are you feeling?
14:29Better now. I'll be back pretty soon.
14:38It's just that... the baby...
14:43No, there wasn't one. Right?
14:50What's with that look?
14:52Listen, I decided to talk to the doctor first, to find out what to expect, and to ask if the child can be saved.
15:03How silly of me.
15:07It's for the best.
15:11For the best? Internal bleeding is for the best?
15:16What about the beatings?
15:19All right, name me one positive thing about being with that creature. He's just an animal.
15:26It's my life. And I will fix it myself. And Gleb isn't at fault.
15:33Gleb, huh? That means it was him.
15:42Get better, Natalia. And take your time. And don't worry about work now.
15:59Here's some advice when talking about clients. Face the door next time. Trust me on this.
16:06Forgive her. She really meant no offense.
16:09Are you kidding? She can't offend me even if she tried.
16:12You know that during the war, I did the front lines with an orchestra.
16:16The things I was called back then, like a traveling battalion wife, even a call girl, and those were still tame, would you believe?
16:24So yeah, you gossip mongers don't know what unhappiness is.
16:29You're right. We don't know.
16:33But I'm certain that dark thoughts depend on the color that you wear as well.
16:38If we take, let's say, crimson. Huh? Or this shade of green.
16:46Oh no, not green. It reminds me of those hideous military uniforms, you know.
16:51Um, an ocean wave.
16:58A lot depends on the shape as well. But on you.
17:05No. You youngsters really do fall for any new trend.
17:10And I think it's a lie, a facade.
17:15It doesn't matter how you dress up our tree. It will never be a Christmas tree.
17:19So just do your job quietly.
17:25You know what? It looks so much better now. Green really matches your eyes.
17:39Are you kidding? What if I'm dying?
17:42Why are you spewing nonsense? Everyone gets sick. I hope it's not chickenpox.
17:47Do you want to go to Kira's birthday? Dress up, all pretty and stuff. Go out, clear your head.
17:52Now you're mocking me. Is it because of what I said about Anton? But I apologized.
17:58Forget it. I also feel bad. I mean, really. I made you worry, said I'm leaving, and then didn't.
18:09Listen to me. You get better first. Then we'll talk about it. Deal?
18:17Deal.
18:28Okay, come in. Come in. Please. Stand here.
18:35Wait a minute. What are they doing here?
18:38Mr. Glentkov, what a catastrophe. Would you just look at them?
18:43Look at the state of their hair. Did they use it to sweep the floor?
18:46Or was it the crime of the century, where all the brush is stolen?
18:50And you, can you hunch your back even more?
18:54You know how clients simply love hunchbacks.
18:56So that the fabric crease is right here. That's awesome. Good job.
19:00Oh goodness, no. Comrade Glentkov, we need Natalia here at once.
19:06Or else the upcoming show is going to be a complete failure. It's impossible without her.
19:14You. Yes, you. Turn around. Stop. Lift your skirt a bit.
19:33There's Natalia for you. They're identical. Any questions?
19:38Natalia is no longer working with us. And that's also why she's not participating.
19:44So go now and work without her. And whoever can't or won't are free to follow Natalia's lead.
19:51Okay, that's it for now. Get out.
19:56Follow me. Please leave. Let's go now.
20:09Our Vladimir is plain and simple.
20:12But he's not ours. He's not even mine right now.
20:15Stop being silly. Look, he brought you here and put ointment on you.
20:20He cares about you. So why did he leave?
20:23To drink with Kira, alone.
20:26Why did you sigh? I told him you should go. Where can he go looking like this?
20:30And he doesn't even know you.
20:33Why did you sigh? I told him you should go. Where can he go looking like this?
20:37And he doesn't care about me. He's a self-centered idiot and a liar.
20:43How can you say that about your future husband?
20:46It's true. It's true.
20:49So Dad will need to find another way to become a minister.
20:54What do you mean by that?
20:56What do I mean? He explained to me why he wanted us to get married.
21:02It will help Dad get into the ministry.
21:05They're all lies. Vladimir is a liar.
21:08Yeah.
21:09That's weird. I just said that a while ago.
21:19Is Katukova here?
21:21Tatiana's been with her for 30 minutes. I'm too afraid to go in there.
21:26Put on your suit.
21:32Tatiana, what are you doing in here?
21:37Nina, this girl you have here is a fighter. Very naughty.
21:42I mean, you should have been an actress.
21:45No, I'm not good at that.
21:47Oh yeah, sure. But look here.
21:50Paris, Milan, San Francisco.
21:56Well done. I figured that no saddle would fit the taste of that old horse.
22:03Oh, come on.
22:06You're right. Don't be shy, Tatiana. Come over here.
22:12Are you going to scold her?
22:14Don't you dare. Because I am getting everything that she recommended.
22:18How I wish I could do that.
22:21For a job well done, a bonus.
22:24And for not using the items I carefully suggested, a warning.
22:54What is this?
22:55This one? The general sent a car for you.
22:59To bring you to the conservatory and then to his house.
23:06Watch and learn.
23:08Tell your general that I won't be with him today, but with Tchaikovsky.
23:12Let's go, Tatiana.
23:18Should I break his heart then?
23:21I can do that. I don't mind.
23:24That was harsh.
23:26It's okay. Hold on.
23:29Damn it. I left my keys at work.
23:32Then let's go back.
23:34Why would you go?
23:35To go past the security again? I'll get them myself.
23:38Go ahead. You might miss your tram.
23:41I'll see you.
23:42See you.
23:51See you.
23:58Changed your mind? Shall we?
24:01Uh-huh.
24:15Tatiana, come over here.
24:18Hello.
24:19What a lovely dress.
24:21Thanks a lot.
24:22So what's up with our working girl, huh?
24:25Well, it's all good.
24:28It's about time.
24:29Well, what about you?
24:31Are you going to move out? All your permits are outdated.
24:34The school dormitories are closed to the police.
24:37But why did you mention the police?
24:39Did I steal something? Smash windows?
24:42Please give me one more week. I'll be invisible. You won't even notice me.
24:46Actually, I get paid to specifically notice things.
24:49Not noticing things?
24:51Doesn't get me paid a cent.
24:54No, I really don't mind. You can stay a week or even a year.
25:01So what should I do?
25:03Here's your clue. Service for service, an eye for an eye.
25:07Look, I have a speck in my eye here.
25:10And you need a place to live.
25:14Let me check the speck in your eye.
25:16Come on, you simply can't be that naive. You weren't born yesterday.
25:19Natalia said you're a big girl, you work, you'll pay, so pay up.
25:23Oh, you mean money.
25:25Yes, obviously, she finally gets it.
25:28I'm so tired of this discussion.
25:31So why are you here anyway?
25:33I need to pick up some stuff for Natalia.
25:37And while Ryza wanted to, well, I wanted Ryza to pop in.
25:42All right, you can go ahead.
25:48I'm going to give you until evening.
26:04Don't be so loud.
26:07Ladies.
26:10You're really pale.
26:12I'm just fine.
26:14Just fine? Just fine is when you're sitting at home, watching TV,
26:18and your man is so tired that he has no energy at all to even do anything stupid.
26:25You told her?
26:27I told her.
26:30Ryza.
26:33I just…
26:35Well, I'm so sorry.
26:38If you like, you can always move back in with me, with us.
26:42I'm not a stranger, you know.
26:44I won't let you get hurt. I'll look after you.
26:47I know how you do that.
26:49You keep a close watch and everyone knows where I was.
26:52As if you try to hide it.
26:54Besides, you're totally an open book.
26:56What are you, Ryza? The government?
26:58Did you come to interrogate me?
27:02I actually came to apologize.
27:04But did you?
27:06Girls, don't fight.
27:08Natalia, thank you for all of your help back then.
27:12And just know that if you ever need my help, I'm here for you.
27:16And Ryza too.
27:18Yes. I'm sorry.
27:25I don't need help.
27:27You can take your groceries with you.
27:29They're not allowed.
27:31You mean not even one?
27:35You can leave the jam.
27:47Natalia, I just wanted to ask.
27:50Did you promise to give Zina money for me to stay?
27:53I need to know how much.
27:55Just five.
27:56That's it?
27:57Per week.
28:00Can you please not bring her with you again?
28:04Don't try to fix this, alright?
28:07You should call Gleb instead.
28:10Ask him to come here.
28:11It's important that I talk to him.
28:13Gleb? Are you crazy?
28:15Tatyana, I'm asking you.
28:17Because you are my friend.
28:19Will you do it?
28:20Natalia, you're pretty, smart, and nice.
28:23You're worth a lot more.
28:24No man is worth that much.
28:26Tatyana, it's my life.
28:31Will you do it?
28:37Give me his number.
28:42I'm here for my girl.
28:43Where are you going?
28:44Young man, you were informed already.
28:45No, she knows I'm coming.
28:46It's restricted.
28:47Not for me.
28:48Just look at this.
28:49Hey, wait. Stop there.
28:51What are you doing?
28:52I need to see her.
28:54What are you doing?
28:55I told you you can't pass.
28:56Listen to me.
28:57But you won't listen.
28:58You don't understand.
28:59Check out.
29:00I need to see her.
29:01I said leave.
29:02Come on.
29:03Go.
29:04Get out of here.
29:26How is she?
29:27Very bad.
29:28She barely survived.
29:29Uh-huh.
29:30Some asshole beat her up.
29:31Hit her in the stomach and kicked her.
29:33You know how that feels?
29:34Well, let me show you then.
29:36He hit her like that.
29:37Hey.
29:38There.
29:39Like that.
29:40Calm down.
29:41Like this.
29:42Come on.
29:43Let's go.
29:44Pity about the jam.
29:45I would have smashed it over his head.
29:55Oh.
29:56Was it the wrong size?
29:57I'll check the warehouse.
29:58Maybe we can exchange it.
30:00Vladimir, I'm tired.
30:01Me too.
30:02Of pretending?
30:03Of your jokes.
30:04Take your inappropriate gift back and we're done.
30:08Well, I have a better suggestion.
30:10Let's go to Kira's birthday party.
30:12Check the guys out.
30:13Meet them.
30:14You'll realize that I'm actually normal by comparison.
30:16Whoa, hold it.
30:17You know what's there?
30:18They have a jazz orchestra.
30:20Have you ever heard live jazz?
30:22It's so much better than vinyl.
30:23The music will simply blow you away.
30:32Oh.
30:33Hello.
30:36Hi.
30:37This isn't Lydia.
30:38Well, aren't you perceptive?
30:39This is my friend Tatiana.
30:41Please welcome her warmly.
30:43With open arms, please.
30:46I'm Tatiana.
30:50Which one is Kira?
30:53Uh, well, you just met her.
30:56I'm Kira.
30:58I'm very sorry.
30:59Happy birthday.
31:01Yeah, thanks.
31:02Um, so, happy birthday.
31:04Oh, how fancy.
31:06Thanks a lot.
31:07Have a seat.
31:09Wait, who's Lydia?
31:11Oh, no idea.
31:12Just ignore her.
31:13She's the craziest of the bunch.
31:15Let's go for a smoke.
31:16Hello.
31:21I'll be a minute.
31:22Behave yourself.
31:23Of course, of course.
31:27Are you studying IR2?
31:29I've never seen you before.
31:30No, I'm a seamstress.
31:32And also in sales.
31:35Oh, how unusual.
31:37Maybe you're not even from Moscow.
31:41Is that important?
31:43Oh, no.
31:46Nowadays, it's not important.
31:48You better try the appetizers we have.
31:51Um...
31:56Why don't you grab a spoon, too?
31:59Leave her alone.
32:00Maybe it's in their culture to eat with a salad fork.
32:03Kira, stop.
32:05What?
32:06I can't.
32:19What?
32:20You didn't come out to smoke, did you?
32:23You wanted to talk and talk.
32:25Aren't you Sherlock Holmes?
32:33Spit it out.
32:34Before I start smoking out of boredom,
32:37you'll ruin my baritone, man.
32:39You'll ruin yourself.
32:42So is that girl.
32:44Your girl is sick at home, and you?
32:47Perhaps I should have waited for her to die first, right?
32:50Chickenpox doesn't guarantee death.
32:56Come on, buddy.
32:57You don't want to embarrass yourself?
32:59I smacked you around enough in the ring.
33:02You think I don't know that you're in love with Lydia?
33:04And you kissed her?
33:07And why do you want to hit me, huh?
33:10I'm not planning to hit you.
33:12I want to talk, man-to-man.
33:14Woman-to-woman would be tough. I agree, man.
33:17Give her to me.
33:19Is she an inanimate object to be given away?
33:26I really would.
33:27Except you can't take her.
33:29She said it herself.
33:32I don't know what came over me.
33:34Some kind of weakness.
33:36Liar.
33:38Hey, pick it up!
33:41This is a decent joint.
33:47Oh, here he comes.
33:48You left the girl to be devoured.
33:50Oh? By whom?
33:52By us.
33:53Right, I'd rather leave.
33:55Thanks, it was really pleasant.
33:57Very, very interesting.
33:58Wait, what about the jazz?
34:00Vladimir, does this polite young lady know about your wedding?
34:06You most likely told her about Paris.
34:08About how you'll suffocate since you're surrounded by snobs if she doesn't join you.
34:13So what do you say, Tatiana?
34:19I'd say that you taught me a valuable lesson.
34:26For the appetizers.
34:28Happy birthday again.
34:33Why are you hanging out with that peasant girl?
34:37Tatiana!
34:50So I'm sitting in my office drinking tea and suddenly she barges in and says,
34:55What's with all these drinks at work?
34:57What drinks? This is tea.
34:59Tea? Yes.
35:01Come on.
35:02Huh? It wasn't funny back then.
35:05What is it?
35:09Who's that? Is he a friend?
35:25Excuse me, ma'am. Your ticket.
35:34I forgot my bag. Do you want some snacks?
35:37I'm sorry, we don't accept those here.
35:39Let me pay for her.
35:41I forgot my bag. Do you want some snacks?
35:44I'm sorry, we don't accept those here.
35:46Let me pay for her.
35:55Here, take it.
35:56Thank you so much. I promise I'll pay you back.
35:58No, there's no need. Today's an amazing day.
36:00My article was published.
36:02To celebrate that, I'd like to offer a pretty girl a tram ride.
36:06You work for the paper? Do you want one?
36:10Oh, thanks.
36:13No, not the paper. Building the Metro.
36:17An article was published about me and my team.
36:20See, look at it.
36:21There, that's me.
36:23Although you can't see it too well here.
36:25Do you want to read it?
36:27Let's see.
36:28Why don't I do it?
36:31It's only through hard work and care for others,
36:34through tireless attempts to reach new heights,
36:36does a person grow.
36:37Our generation has the honor of not only protecting
36:39what our fathers had paid for with blood,
36:41but of building a new and better world for everyone.
36:44Your thoughts?
36:46Well, I think it's a bit extreme.
36:49Yeah? Everyone liked it.
36:51Take it home and read the whole thing,
36:53and maybe you'll like it.
36:55Oh, by the way,
36:58for our war hero,
37:01a phone was installed at our house.
37:03Was that today?
37:05No, why do you think that?
37:06Oh, it's an amazing day, remember?
37:09The article is more than enough.
37:11And you.
37:14Take this. I'll be expecting your call.
37:16Oh, in case I ever need to dig a Metro tunnel to my home.
37:22Oh, this is my stop.
37:24Anyway, you can have this.
37:25Oh, thanks.
37:26Not just the Metro, I'm actually quite handy.
37:28I can fix any machine.
37:29My name is Anatoly.
37:30I'm Tatyana. Goodbye.
37:32See you.
37:36Bye.
37:51Dad's here?
37:52No, he said he'll be late.
37:54Maybe even in the morning.
37:57How does he even manage to do that,
37:59especially at his age?
38:03So, what's up?
38:04Death, divorce, or prison maybe?
38:08That's stretching it.
38:10Solitaire is mathematics.
38:14It keeps me sharp at my age.
38:20Mom.
38:26I don't want to get married.
38:28I'm afraid.
38:33My dearest Vladimir.
38:37You know very well that it's not that simple.
38:39I know.
38:42And you know that such a decision
38:45will have major consequences.
38:49I know.
38:52Mom, it's just that the scariest consequence for me
38:55is dancing to someone else's tune.
38:57It's already happening before the wedding.
38:59I want freedom.
39:02To sail the seas.
39:04Not to live my life on a timetable.
39:08And do you think that free people
39:10don't live by a timetable?
39:15Do you know what, my boy?
39:17At the age of 23,
39:18it's a little late to be this naive.
39:21Let me explain.
39:23Those people living freely
39:25stand in line with food stamps for sausages,
39:28which are handed out on schedule.
39:31And you, the freedomless,
39:33can get that sausage anytime.
39:35Mom, I said see?
39:37And then you bring up sausages.
39:39You should know even those free people
39:41go to the restroom on schedule.
39:43The only thing that's not on schedule
39:45is when they get booze.
39:47Since they don't earn on schedule,
39:49they also don't get to drink on schedule.
39:51So answer me, what does that tell you?
39:55The scariest thing
39:57is that your very own freedom
39:59can be taken away at any second without schedule.
40:15You know what?
40:17This is interesting.
40:20A route that's farther.
40:26Ahem.
40:29Good evening, you two.
40:31Hello.
40:33Why do you look so tense?
40:36Had a tough day?
40:38Yeah.
40:40Just a little.
40:44Then maybe we can have tea together.
40:47A very good plan.
40:51Right, Vladimir?
40:52Quite an amazing plan.
40:57But count me out.
41:15Anyway, don't worry.
41:17It's psychosomatic.
41:19What do you mean?
41:20Nerves.
41:21It's not chicken pox.
41:24And when I say don't worry,
41:26I mean it in every possible way.
41:29You really eased our mind, Doctor.
41:31Would you like some tea?
41:33Or maybe something that's a bit stronger?
41:35I would love to,
41:36but I have two more house visits.
41:39Have a good and calm,
41:40and by that I mean the calmest night.
41:44Come on, I'll walk you out.
41:46Where are you going at this time?
41:48I can still make it to the party.
41:59That Anthony of yours is skulking behind the door.
42:02He refuses to come in,
42:04and insists that you go out.
42:06I don't know what he's up to.
42:08I don't know what he's up to.
42:10I don't know what he's up to.
42:12I don't know what he's up to.
42:14He insists that you go out.
42:15What is she, a dog?
42:17What's with the demands?
42:18Please let them talk inside.
42:23You better be back in five minutes.
42:29Is the party over?
42:32I was on my way.
42:34Then why are you still here?
42:38Emeralds really suit you.
42:42What do you want, Anton?
42:44By the way,
42:45my dad still can't remember your name.
42:48Today you're Anthony.
42:51Will you keep on visiting me until the wedding?
42:54If Vladimir keeps behaving like this after the wedding,
42:56it'll be my duty to interfere.
43:00What did he do this time?
43:02He came without you.
43:05Oh, that wasn't exactly a secret.
43:07I knew about that.
43:10So you also knew about Tatiana?
43:12Tatiana?
43:14The salesgirl.
43:16Tatiana Nazarov.
43:18Well, she's cute, but
43:20not when compared to you.
43:23A salesgirl.
43:26Can you make up something better?
43:28What?
43:29Are you that jealous?
43:31Does he annoy you that much?
43:33It's time to accept that he's better than you.
43:35Don't make things up to badmouth him.
43:38A salesgirl.
43:40Please don't be foolish.
43:41Anyway,
43:43good night,
43:45my dear.
43:47Sleep well.
43:49Good night to you too, ma'am.
43:54Lydia, are you okay?
43:57I need to call someone.
43:59Ring me the red phone from the living room.
44:12And turn on the TV
44:14so you can't eavesdrop.
44:41Kira?
44:43It's me, Lydia.
44:44No, I'm not late.
44:46Go on, tell me.
44:47Who is she?
45:11Why is the bed empty?
45:13Where's my stuff?
45:14Zina came here
45:16and said hello.
45:17She said she warned you, so you're aware.
45:20Go beg her for your place.
45:24There's no chance.
45:25Maybe tomorrow.
45:27I'm sorry.
45:29I'm sorry.
45:31I'm sorry.
45:33I'm sorry.
45:35I'm sorry.
45:37I'm sorry.
45:39I'm sorry.
45:42And I thought you were with a guy.
45:44You've been really happy lately.
45:47I know, what?
45:50I have a recommendation
45:52for the summer semester.
45:54I'll continue studying.
45:57But you're just lying there.
45:59I'm reviewing materials.
46:01Any problem?
46:11No.
46:24Who's there?
46:26Nazarov.
46:27Oh, thank goodness.
46:28Wait.
46:29So how did you get in?
46:31I locked everything up.
46:33It doesn't matter.
46:34I want to be honest with you.
46:36I have no money.
46:37And I don't know when I will.
46:38I had some today, but it's gone.
46:40If you want to throw me out,
46:42better do it now.
46:43I'll just grab my stuff and leave.
46:45Nazarov.
46:47Do you think I'll kick you out at night?
46:48What am I, some kind of monster?
46:53Where did you say you're working again?
46:56A boutique.
46:57A posh and fashionable one.
46:59For generals and stuff.
47:02And that is where you will make me a dress.
47:05A dress which will cost all the cars
47:07to stop and blow their horns on the high street.
47:10I can't do that.
47:12Only a dress that will make the fountain in the square overflow
47:15and jaunt everyone with its beauty.
47:16Oh, and you say you can't lie.
47:19You'll learn soon enough.
47:21Moscow changes people.
47:41Did something happen?
47:44Don't mind me, I'm fine.
48:00Lydia.
48:02If he dare hurts you again,
48:05tell me.
48:06If he dare hurts you again,
48:08tell me.
48:11I'll deal with him and I'll do it immediately.
48:15No one has the right to hurt my little girl.
48:21But what if...
48:24You're powerless to punish this certain someone, dad.
48:28You can't punish him for me.
48:29There's no such person.
48:32So tell me who that jerk is,
48:34and he will regret it.
48:35I can promise you that.
48:38Even Zotov?
48:45Lydia, you don't...
48:48quite understand what you're saying.
48:52My relationship with Zotov is purely ours.
48:55It doesn't concern you at all.
48:56You're scared of him.
49:01Right.
49:02So here's another name.
49:07Nazarov.
49:32Zotov.
49:34Zotov.

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