SENSITIVE MATTER • SENSITIVE MATTER
SECOND WIFE ♥ • Wife and mistress, who will win? ♥ SE...
DARLING • LOVE OR CAREER! WHAT'S MORE IMPORTANT...
Year 1962. Tatyana comes to conquer Moscow but fails to enter the textile institute: it’s not about the lack of talent (Tanya is a natural-born fashion designer) but the tragic life story of Tanya’s father. By chance, she gets a job in the closed “Hundredth Aisle” of Stolitsa department store serving the Soviet elite. It’s Tanya’s chance to make her dream come true and become a famous artist and conquer the fashion capital – Paris. An unexpected obstacle stands on her way to the professional Olympus – Volodya, a young man from a high-ranking establishment family. He and Tanya fall in love with each other, but the situation becomes complicated when Volodya’s bride becomes part of the story...
SECOND WIFE ♥ • Wife and mistress, who will win? ♥ SE...
DARLING • LOVE OR CAREER! WHAT'S MORE IMPORTANT...
Year 1962. Tatyana comes to conquer Moscow but fails to enter the textile institute: it’s not about the lack of talent (Tanya is a natural-born fashion designer) but the tragic life story of Tanya’s father. By chance, she gets a job in the closed “Hundredth Aisle” of Stolitsa department store serving the Soviet elite. It’s Tanya’s chance to make her dream come true and become a famous artist and conquer the fashion capital – Paris. An unexpected obstacle stands on her way to the professional Olympus – Volodya, a young man from a high-ranking establishment family. He and Tanya fall in love with each other, but the situation becomes complicated when Volodya’s bride becomes part of the story...
Category
😹
FunTranscript
00:01Was it actually issued to you?
00:04You... what are you doing here?
00:07Well, I kinda live here. What are you doing here?
00:10I'm delivering a suit for a client. I believe it's for his nephew.
00:14Wait, you... you're him?
00:17Yeah, it's probably for me. Or it may not be.
00:21The only thing that I'm sure of is you're you. Am I right?
00:25Are you Nagorni or not?
00:28I'm the nephew of Nagorni. We're not closely related, but I'm his favorite.
00:33Please, come inside. Don't be shy.
00:36Well, at best, you're somewhat related to a great person.
00:41This actually explains a lot.
00:43What do you mean?
00:45It explains why you didn't go to the fountain.
00:48Actually, I was around there at around seven.
00:51Really?
00:52Of course, yeah. I waited until the park closed until I was chased out of there.
00:57You're lying, I can tell. I was there at half past seven and you weren't there.
01:01Why were you there early when we agreed to meet at seven, hmm?
01:05So where do you live?
01:07At the school dormitory. Why do you ask?
01:10I ask because I want to restore world peace.
01:13I want to know where you live. So is that alright?
01:17Oh wait, should I try them on?
01:19I want to know if it'll fit my beautiful muscular figure because I have disproportionately long legs and so I can't wear slacks.
01:27Listen to me, Mr. Artemyev. I'm sick and tired of your jokes.
01:31I'll give you the money for the shoes. Please sharpen your wit on someone else.
01:35No, hey, wait up. I wasn't actually at the fountain yesterday.
01:40But seriously, I need to try on those slacks.
01:50🎵
02:07🎵The wind of birds has woven a golden autumn thread in the sky🎵
02:11🎵I've sent you a postcard, two words in it, don't be sad🎵
02:15🎵But it swam like a snail and swam across the sea like a fish🎵
02:19🎵Don't rush, don't jump too much, I'm already on my way🎵
02:23🎵Hello, happiness, in a simple white dress🎵
02:28🎵Hello, happiness, I only ask for one thing🎵
02:32🎵Hello, happiness, forgive me, forgive me🎵
02:36🎵Hello, happiness, don't be sad anymore🎵
02:42🎵
02:50No, no, we really don't mind setting them aside for you. Yes, ma'am.
02:54Are you Nazarov? Where shall I put this?
02:57Uh, yes, of course. Sure, sure. Go ahead, go ahead.
03:02Hey, not you! Come back!
03:04Uh, I'm terribly sorry about this. I was talking to someone else. Let me call you back.
03:12Who's it for?
03:14I don't know. He made a mistake. He said it's for Nazarov, the guy left in a rush.
03:18Hey, don't touch that! It's not for you. Put it down!
03:21It says to my Tatyana.
03:25But Nazarov, right?
03:30Is this your room?
03:31Why do you ask?
03:35Because there's a huge mirror.
03:38Do you honestly think that the first thing I do in the morning is stare at myself in the mirror?
03:49What's the matter?
03:50I have this book wherein the main character was wrongly perceived by the people.
03:55But then, he managed to prove that they were wrong about him.
03:59That's funny. Are you referencing a children's book to defend yourself?
04:03Well, maybe I am. Don't you find it cute?
04:08Do you know when a person starts maturing?
04:10No.
04:13You would know when he starts lying to your face.
04:17Well, I always thought it's when he starts sewing his own suits.
04:21Maybe I don't want any of these. I don't want any of these clothes. Or even this big mirror.
04:28Who knows? Maybe I want to be a seasoned sailor. I'll dive for pearls and give them to women.
04:34Is that what you really want in life?
04:37Oh, I think you misunderstood what I said.
04:40No one really understands me.
04:45I understand you.
04:48Actually, I often imagine this woman.
04:50She's stepping out on the stage in Paris, and she's wearing a red dress.
04:56And then when she walks, her dress flows freely like water.
04:59It accentuates every curve on her body.
05:02Except, except, except that such material doesn't exist yet.
05:10It's just too bad that no one has invented it yet. Maybe someday.
05:18So are you that woman?
05:21Oh, no, no. A model. Only the dress is mine.
05:27Come on, let's move to Paris then. Let's pack our bags so we can leave tomorrow.
05:31We're going to live in a lighthouse.
05:33I'd dive for pearls, and then you'd use them on your designs. What do you think?
05:36So there's a sea in Paris?
05:38Oh, that's irrelevant!
05:40If I continue to stay here, I'd be living someone else's life.
05:44I'd slack around or work at a job that I don't like.
05:47So shall we go?
05:51I'm just messing with you.
05:54Oh, I guess I am the biggest liar in the world.
05:58Yes, you keep lying to yourself.
06:29Hello?
06:31Hello.
06:32I thought you said you were busy today.
06:34Well, I left work early. I wanted to surprise you. I got this for you.
06:38Oh, wow. Thanks for this.
06:43So, yeah. I knew you wanted to celebrate with some important people.
06:52Why is your hair so messy?
06:55Why is your hair so messy?
06:57Listen, Natalia, today's not a good time. Let's do this another day.
07:03Is there someone in there?
07:06Is someone with you?
07:09You'd better leave now.
07:12Ah, you two are celebrating.
07:15Natalia, we had an agreement. You and I are…
07:19Yes, yes. Of course I get it.
07:22We have an open relationship.
07:24I'm… I'm not hurt.
07:27You can drink that on your own.
07:29Goodbye.
07:38Ow!
07:39Just stand still. Don't move.
07:41Please be careful. Stop messing with me!
07:43What's wrong?
07:44Give me that pen!
07:45Stop!
07:46No, no, no!
07:51Stop!
07:53Vladimir? Who is she?
07:56Um, she's a seamstress. She's getting my measurements.
08:00I guess we're done here. It fits you perfectly.
08:03I guess they're fine. Thanks. See you.
08:06Goodbye.
08:07Goodbye.
08:16Goodbye.
08:26Wait up. I want to have a word with you.
08:30You know, you look so innocent.
08:32I never thought of you as a… as a homewrecker.
08:36Homewrecker?
08:39Hold on. Did someone call me here?
08:41Even better. Someone sent you flowers.
08:44Nina took the flowers, but I wanted to talk to you first before she calls you in her office.
08:49Look, he was the one hitting on me.
08:51You know perfectly well that the guy is already married.
08:54You even dressed his girl.
08:57Wait, what do you mean?
08:59She doesn't get it. It's the general's girl. Do you understand it now?
09:05What's that got to do with him?
09:08Okay, wait.
09:10Who are you referring to?
09:12Who exactly was hitting on you?
09:15No one.
09:16You're really unpredictable, aren't you?
09:18Before we know it, she'll have all the men around here.
09:22Stop gossiping around.
09:26Nazarov, in my office, now.
09:38Go on.
09:43Okay.
09:55When you were hired here, I remember we did inform you that we have high-value clients
09:59and that you must all treat them accordingly.
10:02But it seems that you didn't understand our rules.
10:05Ms. Nina, please listen. It must be some mistake.
10:09Perhaps he's done the same thing to every girl working here.
10:15Do you really think so? Even this love letter?
10:20Now I'm finding it weird.
10:23Well, I do understand you.
10:25I know you were just trying to be polite and stupid.
10:28Miss took your politeness. He must have thought that you're interested in him.
10:32Isn't that right?
10:33You must learn how not to lead men on.
10:36Ms. Nina, I want you to know that I'm here for work and not to find love.
10:40Keep that in mind and make sure that everyone knows about it.
10:43Especially our male clients.
10:55Go and find your happiness, dear.
10:57But don't look for it in this place.
11:01Mom doesn't like Kiev and Dad doesn't like Prague.
11:07But they both insist that we should get a cake that's chocolate flavor.
11:10But then they said we shouldn't get one with chocolate filling.
11:13It's just brown bread.
11:15And it's not festive, so I guess, yeah, it's a disaster.
11:18Well, I got an idea.
11:20What?
11:21Just trust me on this.
11:22What?
11:24Hey, Vladimir, what are we doing here?
11:26Shut up!
11:27He's going to be back here and he's going to think that we left already.
11:30The first cake that he'll lay his hands on will be the best cake.
11:34It's a great idea, am I right?
11:36This is stupid.
11:38Let's just go.
11:40Oh, I'm sorry.
11:41Close your eyes now.
11:42If you're gonna smash a cake in my face, please not the Kiev.
11:45Silly boy, just trust me, okay?
11:53Alright then.
11:54I think Mom will love that.
11:56Are we able to mix these two together?
11:59Like, are we able to put them in layers?
12:01Let me check on it.
12:02Why don't you have some first?
12:04Well, I'm not the star of this wedding.
12:06Well, for me, you are.
12:07I want our family to enjoy this.
12:09In fact, I can't wait for this to be over.
12:12Really?
12:13Of course.
12:14I can't wait to get rid of all the guests,
12:16our extended family,
12:18and all those ceremonies.
12:21You want them gone?
12:22Not really.
12:24What I mean is I want to be able to live on my own terms.
12:27I want to have my own life.
12:29You know, free from any sort of constraints.
12:34I want to have my own kids.
12:36Well, two kids.
12:39I really want to have kids before I turn 25, you know?
12:43I think that's awesome.
12:44Really?
12:45Of course.
12:46I mean, the two-in-one cake.
12:47I'm not too sure about your plans in life, though.
12:54Okay.
13:10That's lovely.
13:11What is it?
13:13Curiosity killed Tatiana the cat.
13:15I heard that it was just a cat.
13:17Seriously, what is it?
13:19If you guess it right, I'll tell you.
13:21I've had enough of guessing games.
13:24The Ministry of Civil Aviation decided to change the attendants' uniforms.
13:28This is going to be presented tomorrow.
13:30Blood Goff doesn't want me to go there.
13:32But why?
13:34Because he wants the spotlight all to himself.
13:36I'm just a guy who fixes all his clothes.
13:40Hey, listen.
13:41Probably I can—
13:42Enough. Why don't you be more useful and go make us some tea?
13:47Ah.
13:48It's all useless anyway.
13:52Ah.
14:14Hmm?
14:16Do you honestly think they'd be able to wear a skirt that narrow, huh?
14:19They would look like a penguin while walking down the catwalk.
14:22I thought you were going to make tea.
14:24Why don't you do it?
14:26Fine, I'll do it.
14:41I have to go. I'll call you.
14:45How can I help you?
14:47I'd like to check if all the arrangements have been made for the upcoming show.
14:50Almost. Let me show you the designs.
14:53Here you go.
14:54That's really good to know. Here's another one. Please take a look.
14:57I think it fell out.
15:11In Great Britain?
15:13I suppose their whiskey must be really good.
15:15We thought you wanted to go there because of the tea.
15:18In America, they love wearing jeans.
15:21Diplomats don't wear jeans, so I'd reconsider that if I were you.
15:26Well, how about France?
15:27Well, over there they eat croissants and baguettes.
15:29You'll gain a lot of weight.
15:32All right then, I'd go to Italy.
15:34The climate there is just amazing.
15:36And you, Vladimir, where do you plan to work?
15:40In the USSR.
15:42Oh, relax. This isn't a meeting or something.
15:44Of course I'm relaxed.
15:47Have you seen the sea in Murmansk? It's one of a kind.
15:50It's an ice-cold port all year round.
15:53What more does a person need, right?
15:55Everybody needs something else.
15:58Why focus on material things? I think you'd be a great bourgeois.
16:02And what are you, a builder of a bright future, is that it?
16:05I'll take that as a compliment.
16:07All right then, I'm off to school.
16:09Don't miss me too much.
16:12All right, take care.
16:14Take care.
16:19Aren't you going to the restaurant with Stepun?
16:22No, I'm not.
16:25Damn.
16:26Why?
16:28No, it's just that I realize that it's not very nice
16:31to keep a very important person waiting.
16:34And for someone his age, it's not good to worry.
16:37So which restaurant? Maybe...
16:40Maybe you should at least call them.
16:42I don't remember. I threw out the note.
16:44Do you really think what I did was rude?
16:47Well, a little.
16:49You can say sorry to him.
16:51You can just make up stories.
16:53Tell him you wanted to go but you can't.
16:55Then after that, tell him you just want to be friends.
16:58If I meet up with him, he might get the wrong impression
17:02that I like him. He'll continue hitting on me.
17:04And I don't want that to happen.
17:06Just reject him then.
17:08It's an art, you know? You want me to teach you?
17:11However, the problem is
17:12the guy's already out there waiting for you.
17:15I haven't thought about this enough.
17:21I have an idea.
17:25What if we send someone there just to apologize?
17:28Say you can't go.
17:30But who? And where?
17:36Do you think you can do it?
17:40Me?
17:42Yes.
17:44No, that's a bad idea. It won't work.
17:47What will I tell him?
17:49Tell him what you just told me.
17:51Make up stories like Tatyana couldn't make it.
17:53Tell him as a valued customer that he's always welcome here.
17:56Think of it this way. He won't hit on you.
17:59Well, what if that guy hit on me too?
18:03Anyway, I won't allow it.
18:06Don't worry. I got this.
18:08But wait, we don't have the address.
18:10I know. Don't worry about it.
18:12Okay.
18:16Natalia!
18:18Natalia!
18:24Natalia, look what the cat dragged in!
18:33Yes, how can I help you?
18:35Are you still mad at me?
18:38Well, take a wild guess.
18:39I must say I admire your pride and conviction.
18:42Alright then, I admit, I made a mistake.
18:45But this, on the other hand...
18:57Why are you making a scene?
18:59Hello, how are you?
19:03And what is that thing?
19:05Who allowed you to do that? It's nonsense.
19:08As you can see, it's a painting.
19:10I'm calling the police. You can explain that to them.
19:13What is the matter with that guy?
19:17I'm coming down!
19:21What a stunning painting.
19:25If you want, I can draw you sometime.
19:29Oh, sure.
19:38Well, I suppose you've seen my work on canvases.
19:43So I figured, this time I'd put it on a wall.
19:49Are we okay now?
19:59I'm sorry.
20:01I'm sorry.
20:03I'm sorry.
20:05I'm sorry.
20:08I'm sorry.
20:20After you.
20:22So tell me, would you like to pass a message to my friend Tatiana?
20:26Is there anything you want to tell her?
20:28I just want to tell her that she has a very good and polite friend.
20:33She's so lucky to have you.
20:35You are so gorgeous.
20:37Very gorgeous.
20:39I enjoy your company so much.
20:41And I had a great time tonight.
20:43It's just too bad that it's over so soon.
20:45Right. It's just too bad.
20:48Perhaps you would like to come over to my place?
20:51Wait, Mr. Stepone. No.
20:53Oh, we already agreed that you can call me Vasily.
20:57Have I mentioned that I have this amazing cider at home?
21:01When I was in Pomerania for work, this Frenchman gave me his secret recipe.
21:05I'm telling you, you must try it.
21:07Vasily, are you sure it's a Frenchman in Pomerania?
21:11Do you mean Germany? Or am I mistaken?
21:14Oh, we can talk about geography if you want to.
21:18That would be interesting.
21:20As the French people say, degustation.
21:23Yes, it's him.
21:25You look different when your wife is not around.
21:29Do you want to know what I find interesting about eagles?
21:33It's how it can stray so far from its nest.
21:38We were just talking about work.
21:41It's all bureaucracy, and I can't hide from it.
21:45All right, now listen.
21:47I already handed in the paperwork, so you're free to go now.
21:52But there are some documents missing.
21:54I have the quotation, but I believe the folder's in the car.
21:57I can't leave without it.
21:59I have to go and retrieve it from your car.
22:01The ministry asked me to pick it up.
22:03I'm sorry, sir, but I really need that folder.
22:05I can't just leave yet.
22:08Excuse us.
22:11Please excuse us.
22:14So it's work.
22:17Well, you know what?
22:19I think you should be a war commander.
22:22That was pretty convincing.
22:24Commanding is my thing, but I'm not sure about being at war.
22:37Let's go.
23:08Are you happy now?
23:10Trying to play the fool, huh?
23:12You didn't think I would notice?
23:14I'm speaking to you, young man.
23:16Good morning.
23:18Hello.
23:20Hello, Mr. Gludkov.
23:22What seems to be the problem here?
23:24Go and ask him that.
23:26He played tricks on me.
23:28Do you even have an idea what I'm capable of?
23:30I can fire you any time.
23:32Mr. Gludkov, I don't understand what you're trying to say.
23:34Come with me now,
23:35and I'll explain.
23:39Don't you dare embarrass me here, young man.
23:42Everyone, please meet our young talent.
23:51This design is great for funerals.
23:54Well, don't we need to look good at funerals, too?
24:00What I mean is aesthetics don't matter at all
24:03when we're up in the air.
24:06We need two models.
24:08The terracotta one,
24:10and one of yours, right?
24:14Right.
24:16Looks progressive.
24:18The collar is so bright.
24:20I would wear them anytime.
24:23Isn't it too skimpy?
24:25Is it possible to walk in that skirt?
24:27Yes.
24:29Thanks to an additional slit we added to the skirt,
24:32it would be easy to move around the plane.
24:33We're ready to create a prototype for this design,
24:36so you don't have to worry.
24:38Our top soldiers in the war and fashion are here to help us.
24:40No prototype yet?
24:42We'll lose another day.
24:44How about we just take the terracotta one?
24:47Our head demanded that we provide them with options.
24:50Several options.
24:52The terracotta design is a no-go.
24:54We will have the prototype ready after lunch.
24:56Isn't that right?
24:58For now, please have a seat.
25:00We have some matters to discuss.
25:03Yes.
25:08Groom, I need you to smile more.
25:10This is a wedding photo shoot.
25:12It's not for a passport.
25:14Come on.
25:16Vladimir, will you relax a bit?
25:18Smile.
25:20I'm saving my smile for our future family.
25:22Looks like you're saving your shoes, too.
25:24Didn't I ask you to wear a decent pair?
25:26Well, it's not like you're in a gown.
25:28All right, lovebirds.
25:30This time around, let's do ching to chi.
25:31Say cheese.
25:33There you go.
25:35So beautiful.
25:37Vladimir, we need those trees.
25:39Send an invite.
25:41You're so silly.
25:43Come on.
25:45Okay, kids, get out of here.
25:47Get out of here.
25:49It's not a sandpit.
25:51Come on, come on.
25:53It's time to go.
25:55It's time to go now.
25:57Come on.
25:59Leave.
26:01At least we have someone real in the photos.
26:04I'm sorry, what?
26:06So you're not being real?
26:08Don't you want to marry me?
26:10You're crazy, Lydia.
26:12It's a dream.
26:14Very nice.
26:16Listen up, Artemiev.
26:18We're already here.
26:20Enough is enough.
26:22Now I need you to hold hands and smile.
26:24You go hold his hand.
26:31What is this?
26:33I thought I...
26:35You thought what?
26:37No, Nazarov, you weren't thinking.
26:39You're out of your mind.
26:41Hello, good morning.
26:43Now Gladkov is on a war path.
26:45Now he's blaming me.
26:47He said I made him look like an idiot.
26:49Look.
26:51He wants this done this very day after the wedding.
26:54I don't care.
26:56I don't care.
26:58I don't care.
26:59He wants this done this very day after lunch.
27:01Any suggestions?
27:03I just didn't want your efforts to be wasted.
27:05And so you decide to paint your own DIY crap on it.
27:07Wow, how amazing.
27:09Let me take care of everything else
27:11so that you can start on the rough draft.
27:13I promise, I'll help you with everything.
27:15What about the design?
27:17What about this?
27:19What the heck is that?
27:21It's an arrow bask.
27:23It's like a rocket flame.
27:25Did you just say like a rocket flame?
27:27So it's a rocket flame?
27:29Yeah.
27:31So are you gonna help me make this?
27:33Yes, I'm going to help you.
27:35You did enough.
27:37Okay, alright then.
27:39Let's sew your rocket skirt then.
27:41Let's hope and pray that it doesn't come apart
27:44in inappropriate places.
28:00Ah!
28:09That's not so bad.
28:11No, it's bad.
28:13It's very bad.
28:15It's horrible.
28:17Everyone will be able to tell that we rushed making it.
28:19And then?
28:21There must be something good about this dress.
28:24Like, don't you think that its style is ahead of its time?
28:26Besides, Gladkov would be chatting with them.
28:28They won't even notice.
28:30No!
28:32Sometimes you just simply need to admit defeat.
28:34And also,
28:36I'm bad at designing uniforms.
28:38It's not my thing.
28:40Same here.
28:42Well, we all knew that from the start.
28:44You know what's more constantin?
28:54Hello?
28:56Yes, hello.
28:58And how can we help you?
29:00I came here to talk to you.
29:02I know you're the best in the industry.
29:04Let me explain my situation.
29:06I met this girl.
29:08And I fell in love with her.
29:10This girl completely ignores me.
29:12She works in the fashion industry as well and I guess
29:14she's not impressed with my fashion sense.
29:16So I figured
29:18I should change my style.
29:20Please have a seat. We can help you.
29:22Oh, stop it.
29:24All I really need is
29:26this too.
29:28Are you sure about that?
29:30Thanks. I'll go there and change.
29:32Tatyana, do you know him?
29:34I don't think so.
29:42Oh, well.
29:44Can you give us a second?
29:46I don't think so.
29:48All right. Up to you if you want to be here.
29:53Tatyana,
29:54I'm...
29:56I'm sincerely ashamed of my stupid antics the other day.
29:59So please accept my peace offering.
30:01I brought this thing for you.
30:03It's just a small souvenir.
30:08And where did you get that banner from?
30:10On Kirov Street.
30:12They used this banner during Workers' Day.
30:14I figured it would be
30:16great for me to reuse it so it won't be wasted.
30:18Don't you agree?
30:21Hello.
30:22Good afternoon.
30:24Your trousers are fine.
30:26When you sit like that, does it feel a bit tight?
30:28Seriously.
30:30If it doesn't feel tight,
30:32then that means there's nothing wrong with the stitching.
30:34I'm sorry, this doesn't need any alterations.
30:36We won't make another one for you either.
30:38End of story.
30:40Yes, that's right.
30:42Please stand up.
30:44I don't understand why you're making a scene here.
30:46Will you help me get up?
30:51But I won't just let this slide.
30:54Your service needs a little improvement.
31:01Tatyana.
31:03Again?
31:05Of course not, Miss Nina.
31:07We just met that guy. We don't know him.
31:09He's Nogorny's nephew.
31:11Be careful with him.
31:16Crazy.
31:19Let's go.
31:25Let me repeat myself.
31:27They're very busy right now.
31:29Call it what you want.
31:31They have VIP guests from Civil Aviation.
31:33I'm telling you, we're working on something important.
31:35Just look at her.
31:37Okay.
31:39I didn't receive a memo about an upcoming circus.
31:41Alright.
31:43We're gonna wait right here.
31:45We're staying, you got it?
31:47Take a seat.
32:19Do you love this money?
32:21The only way.
32:23I'm just a man with a problem.
32:25I just opened up a lot of money around last week.
32:30I'm proud of myself.
32:37That's so funny.
32:39Let me tell you about something important, okay?
32:42Alright, let's listen to it.
32:44If you ask me, I'm certain that all of our workforce
32:47Yes.
32:50If they're gonna take so long inside,
32:53maybe I can step away for a while.
32:55No, not now.
32:57I need you to be here.
32:59Should I hold your hand too?
33:01Of course not, I'm fine.
33:03Now that's something.
33:05Well, maybe for you this isn't,
33:07but for people in there, this is big news.
33:09It's a reason to shove me aside.
33:11Because for them, sewing is a woman's job.
33:14Really?
33:16And Carden?
33:17I'd like to see how he would fare
33:19in this kind of setting.
33:21Believe me, you'd have to wear a skirt
33:23for them to take him seriously.
33:25I could use your help.
33:27You're very friendly,
33:29and you're very good at talking to people,
33:31so I think you'll be able to...
33:33Okay, you're up.
33:35Please, come in.
33:37Let's go.
33:53My dear, I think you've had enough.
33:56First of all, don't call me that.
33:58Only Vladimir is allowed to call me that.
34:00But after the wedding,
34:02I'll tell him that I hate it.
34:04Another thing,
34:06I think they're serving watered-down champagne in here.
34:08I'm still sober, and I already drank a lot.
34:18Okay, see you around.
34:21Bye.
34:30So what's wrong here?
34:32I'm not an expert on alcohol,
34:35but to properly make a wine,
34:37you'd need some liquid solution.
34:39You'd have to mix up young wine and aged wine,
34:41then add yeast and sugar.
34:43Oh my goodness.
34:45I'm asking about Vladimir.
34:47Get your life out of you.
34:49Vladimir's a clown.
34:51He's all smiles on the outside,
34:53but believe me, he's a devious bastard on the inside.
34:56I think you deserve someone way better.
34:58Just stop it.
35:02I didn't ask what you needed.
35:04I asked about Vladimir's needs.
35:11Take me home now.
35:13Please.
35:15Sure.
35:18Goodbye.
35:20Goodbye.
35:22Tatyana, walk them out, please.
35:33Have a seat.
35:45Listen.
35:52I wanted to apologize.
35:57I was wrong.
35:59Your design looked decent.
36:01They all liked it.
36:07Yes, of course.
36:09Can captivate anyone's attention.
36:11Did you see their faces when she said that?
36:13It's an absolutely useless piece of crap.
36:17Stop talking nonsense.
36:20If your design wasn't so avant-garde,
36:22I would have included it myself.
36:24That's not true.
36:26You'd be scared that I'll get noticed
36:28and that I'd leave this place.
36:30Actually,
36:32I'm afraid that you'll never go anywhere,
36:34and that you'll incessantly annoy the life out of me.
36:43Does it hurt?
36:45Compared to what?
36:47A broken heart?
36:49I never wanted to find that out.
36:54I'm sorry.
36:56It wasn't your fault.
36:59I was the one who asked you about him.
37:01Maybe I was just curious.
37:04I was curious
37:06because I know that you've
37:08known each other for ages.
37:09You know him so well.
37:12What's up with you, normal people?
37:14Vladimir's a normal guy.
37:17Did I ruin your party?
37:20I do this every time.
37:23It's just,
37:25I have no one to talk to about him.
37:27Not even Kira.
37:30I'm sorry if I keep talking about him.
37:34And I'm sorry for this too.
37:40What are you doing?
37:43You have feelings for me
37:45and I took advantage of it.
37:48That's not what I meant.
37:51I meant your life.
37:53I think you're so...
37:55you're special.
37:57The likes of you must be hidden away
37:59and not paraded around.
38:01But he...
38:05I'm not making any sense.
38:07I'm not making any sense.
38:10Actually,
38:13you did make perfect sense.
38:30I'll never give up on you.
38:32Well, I hope so.
38:34I don't want to lose you,
38:36but Vladimir is about to become a diplomat.
38:38He'll leave me soon.
38:40He won't become one.
38:42But why?
38:44Maybe he will.
38:46With the right woman on his side, anything's possible.
38:48Bye, lover boy.
38:50See you around.
39:03Hey there.
39:04Just relax.
39:07If you came to apologize,
39:09you should have brought flowers for me.
39:12I'm only here to say goodbye
39:14and to apologize as well.
39:16What's the matter?
39:18Have you gone completely insane?
39:20It's the opposite.
39:22I already bought a ticket to Murmansk.
39:24Lydia,
39:26I'm really sorry.
39:28You and I are just too different.
39:30I can tell that you're not happy as well.
39:31What's that?
39:35You take care of yourself.
39:37All right?
39:40You deserve the best in life.
39:43Or at least a man in a fancy pair of shoes.
39:49I have to go.
39:51The sea's waiting for me.
39:53Yeah, just go to your little Sahalin.
39:56It's Murmansk.
39:58Oh, who cares?
39:59By the way, I kiss Anton.
40:30Hey!
40:35How did you find me here?
40:38You know, you once told me
40:40that you live at a school dormitory.
40:42So please, next time
40:44be careful about telling strangers
40:46about where you live.
40:48I think you meant with stubborn strangers
40:50who give me a hard time
40:52but still keeps on following me around.
40:54By the way,
40:56what's with the bag?
40:57I want to experience
40:59how hard it is to carry something heavy.
41:01I shoved some bricks in there.
41:04You're a joker.
41:06It must be fun to live
41:08with an attitude like that.
41:10Anyway, I'm sorry,
41:12but I gotta go now.
41:14Hey!
41:16Give me a kiss, please.
41:18Are you serious?
41:20This may be the last time
41:22that you'll ever see me.
41:24Do you think I'm stupid?
41:25Have a good night.
41:50Young man,
41:52be quiet.
41:53Be quiet, people are sleeping.
41:55I doubt that I could wake them up.
41:57Trust me,
41:59everyone's different.
42:03Did something happen?
42:05Yeah, how do I put this?
42:08I'm marrying this girl,
42:10but I'm in love with another one.
42:14What are you planning to do?
42:17I'll run from both to Murmansk,
42:19to the sea.
42:21Yes.
42:23It's peaceful out there.
42:25That's what I heard.
42:27Have you been there before, old man?
42:29I haven't.
42:31Well, I've never left this place, you know.
42:33Although there was one time
42:35I had to leave for a while.
42:37Don't you want to see other places?
42:39I do,
42:41but I don't want to rush things.
42:43I'd suggest the same to you.
42:45You're running away from your problems.
42:47Problems are like shadows.
42:49They follow you around.
42:51They'll always be with you,
42:53no matter where you go.
42:55Have a good night.
42:57Good luck to you, young man.
42:58Good night.
43:21Hey, Tatiana.
43:23Where are your shoes?
43:25The one you had on yesterday?
43:28Why are you all dressed up?
43:30I'm just...
43:32I'm going for a stroll.
43:36Gled asked me to pose for a painting,
43:38after he and Natalia made up.
43:40He said it has to be at night.
43:42It has something to do with the moon
43:44and shadows.
43:47Didn't you know that the two of them are an item?
43:50I don't really care.
43:52He's gonna paint me, and that's it.
43:54Yes, he's gonna paint you.
43:56And no, you're not going alone.
43:58He's gonna buy that offer very weird,
44:00even if he didn't mean anything by it.
44:02Hold on, I'll change.
44:08He said I must go alone.
44:14I am so worried about my daughter's state of mind.
44:17She cried all throughout the night.
44:19So what happened was...
44:21He showed up last night
44:23and told her that she's leaving for
44:25Sakhalin, I think, or to Murmansk.
44:28I'm not trying to start a fire here.
44:30He came to say goodbye to her.
44:34No, he's right in front of me.
44:36In all his youthful bravado.
44:38Tell the bride to calm down
44:40because the groom is with me.
44:42Yes.
44:44Aren't you supposed to be at sea?
44:46Well, it was kind of stormy.
44:51What do you mean by sea?
44:53Vladimir, is there a problem?
44:55Let me handle this.
44:56Please go.
45:00What are your plans now?
45:03Oh, you're worried about the wedding.
45:06Are you that desperate to eat cake?
45:08Listen.
45:10What's the matter with you?
45:13Why don't we talk it over?
45:15You know, like father and son.
45:18Well, the thing is that you're not my father.
45:26What's that?
45:28What?
45:30Am I not allowed to have my dad's portrait in my room?
45:33This is my apartment.
45:35It's my mom's apartment if I'm not mistaken.
45:50It wasn't hung properly.
45:52So it fell.
45:54I guess I nailed it wrong.
46:09Just do it quickly.
46:11I don't get why anyone would call this early.
46:13Hello?
46:15Tatyana.
46:17Huh? Ryza, why are you panting?
46:19Something happened to Natalia.
46:21What?
46:23Come over here, please.
46:25Oh my goodness.
46:28Do I have to hang up the phone for you two?
46:53It wasn't me.
47:23It wasn't me.