King of the Wild (1931) - Part 1 of 2 - Full Movie - Boris Karloff

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Part 2 of 2:
Transcript
00:00:00This is a production of the U.S. Department of State.
00:01:00I'm going to be. I'm going to be.
00:01:06Just going to be. Your hand is.
00:01:12Where.
00:01:31Tell me. Am I looking into something big like the likeness of
00:01:37a man so you see it to the extraordinary resemblance between your highness
00:01:43father the poor machinery salesman and speaking of machinery. Let me show you.
00:01:50Never mind the machinery this is the most amazing thing I ever saw.
00:02:00It's.
00:02:09A lot of. The two men opposite ends of the earth should be so
00:02:15a light feature feature quite so your highness now this machine I was telling you
00:02:20about I buy the machine. But the grant will be my guess that refreshments
00:02:26be served upon. Come my friend I want you to meet Harris
00:02:31a famous animal.
00:02:41That's how I'm going to work back there with
00:02:42a roger. Why you know that these cousins went back.
00:02:51To the way I've been trying to get near you give all your time to the.
00:02:57Ground. The very wise man I am learning much that will benefit my people.
00:03:07I'm going to get out of it.
00:03:10I think.
00:03:26I.
00:03:56Want to know what this is. Least of all my
00:04:14cousin.
00:04:18When. You're not.
00:04:22Straight. Right.
00:04:28You must.
00:04:31Bring this to my.
00:04:33Brother.
00:04:38My friend. For the next forty eight hours. You must be the.
00:04:49Roger.
00:04:53There is no other way. Should any you. Might be before my brother.
00:05:01Right. My cousin.
00:05:12Got to go through with it now. You think you can get away with this. I'll try for
00:05:17his sake. No time to lose as
00:05:22a bull it was right outside the tent get me some of the very so I can say my face
00:05:25and have
00:05:25a chance to go to the right.
00:05:55And. My own.
00:06:18Quick it comes back.
00:06:25I don't just like to thank you. But. What is the matter.
00:06:34I.
00:06:34I.
00:06:53Well it certainly looks as though you can get away with it right. I've got to
00:06:58grab it right. Why should his brother arrive. All we've got to do
00:07:05is to tear this up and we're in for the rest of our life none of us are playing
00:07:10this game straight don't be
00:07:11a fool you can have an entire kingdom at your feet you heard what I said I'm
00:07:17playing this straight. I was only kidding.
00:07:23As soon as we reach the palace. I'll start with the ball.
00:07:39Back to school to bring the new Russia is not right.
00:07:43Yes. It's actually
00:07:49a lot of crap.
00:08:00You destroyed the right. That matter was far too valuable to be destroyed I knew
00:08:07where I could sell it for
00:08:08a good round of my right direction to be paid up there on the pro. And to make
00:08:14sure that there would be no slip up I had. Our little agreement on the back of
00:08:21the right.
00:08:26You think you can get away with this if you realize I'm going to call the guard
00:08:29from
00:08:30the room.
00:08:35You have much. To learn about. Try and call the guy.
00:08:43Fine.
00:08:49Your brother's arriving.
00:09:01I haven't told you all soldiers are ready but it's going to be nothing every
00:09:08approach to the palace so much the better they're going to prevent bloodshed and
00:09:12the throne will be saved through its rightful heir. Instead of
00:09:17a kingdom you will inherit
00:09:18a prison cell that will never enter the palace. My men will prevent.
00:09:30The.
00:09:38If you really want to.
00:09:43Out for you to try to kill the right to steal the throne you'll think that he gave
00:09:47you over the fire.
00:10:30The.
00:10:38Brother is. Struck down by this imposter trying to take the throne but
00:10:44himself and he would have succeeded and we discovered the fraud and sent word to
00:10:48you. You killed my brother all this is no time for private bank you take this up
00:10:55with
00:10:55a proper.
00:11:06I did not get the throne. We escaped the penalty rather me.
00:11:12You're not entirely out of this mess yet my friend. You still have to buy this.
00:11:20But I thought that our agreement was that I have
00:11:22not to pay. More valuable to you now than ever keep it out of the new roger.
00:11:31Back. All right what you like but the fact still remains you do my friend have
00:11:37much to learn about him. Take a look at the back of that.
00:11:41But.
00:11:48If you really need a way to bring this writing back and I'll find. When you do.
00:11:57Look me up.
00:12:12You are.
00:12:13One of.
00:12:36We keep you keep. An offender against the law. There is no one here except.
00:12:43You the soldiers if they don't desire our permission such.
00:12:50Men are all.
00:12:55That I was just.
00:13:02To give you. Just another escape. And if we do not get him.
00:13:08You know. He just have to wait.
00:13:17You don't have one kind of time. We are indebted to you we are.
00:13:23Trapped.
00:13:37You will need a friend but you are going.
00:13:43To this ring to the shop who keeps the end of the faith in the bank.
00:13:54They thought of taking the road to the north you'll take the trail to the east
00:13:58you'll be safe.
00:14:23It's.
00:14:27An excellent disguise. And you probably would have gotten away with it if you had
00:14:34been sure that we had gone before you talk so much.
00:14:54It's.
00:14:55You know.
00:14:55It's.
00:14:56It's.
00:14:56It's.
00:14:58Right.
00:15:21And I didn't say you were going to the bank. Well what is stopping you.
00:15:27I mean, I mean, when I think of how it would feel to be in the belly of the lion, why should
00:15:34I care what they want you for?
00:15:35But, uh, won't you get in trouble for this?
00:15:38Why, they probably will make me a colonel when they hear I killed the lion single-handed.
00:15:43Au revoir, et bonne chance.
00:15:44So long, pal.
00:15:45I'll be seeing you.
00:15:47Au revoir, et bonne chance.
00:15:53So long, pal.
00:15:55I'll be seeing you.
00:16:16Au revoir, et bonne chance.
00:16:43So long, pal.
00:16:51Au revoir, et bonne chance.
00:17:03In what way can I serve my brother?
00:17:21For the moment, a change of clothing, a little food, and later perhaps a real service.
00:17:31My house and all that I have is yours.
00:17:41Sorry, I must run a log house.
00:17:46Nasty, gay, civilistic, diamond mining.
00:17:49All that Coomans did.
00:17:51Been having a lot of trouble lately.
00:17:56You finish your drink, and I'll look you up at the hotel when I get back.
00:18:00Okay, Wainwright.
00:18:15Pardon me, but is this the place where you reported diamond discovery?
00:18:18Diamond?
00:18:19Oh, yes, yes.
00:18:20You find some?
00:18:22Acres of them.
00:18:25Take a look at these.
00:18:30Where did you get these?
00:18:32Most amazing thing you ever saw, the way I found them.
00:18:34Why, I was riding along, and...
00:18:36Oh, I say, Wainwright, there's a devil to pay.
00:18:40Oh, I beg your pardon.
00:18:42I thought you were the agent.
00:18:43I'm sorry.
00:18:46Aren't you the agent?
00:18:48You're a mistake, old chap.
00:18:49It never occurred to me that you thought I was the agent.
00:18:52However, I'll give him your information if you like.
00:18:54No, thanks.
00:18:55I'll see him myself.
00:18:56When will he be back?
00:18:58Tomorrow.
00:19:00You won't tell anybody about this?
00:19:02No.
00:19:04Sorry to have bothered you.
00:19:05I'll see the agent tomorrow.
00:19:17In what way can I help you seek your vengeance?
00:19:20Oh, surely it is vengeance that you seek.
00:19:23Let us call it justice.
00:19:26For my imprisonment was unjust.
00:19:30I have come a long way to find a certain man.
00:19:34Is he here in Lobenda?
00:19:36Yes.
00:19:37Ah, then I can help you.
00:19:39For I know every man here.
00:19:48You weren't saying?
00:19:50Later.
00:19:53Ah, Harry, my friend.
00:19:55Greetings.
00:19:57Oh, my young cousin from Tangier.
00:20:00We need one car if you need one.
00:20:02How do you do?
00:20:04I might be able to use you on one of my animal hunts.
00:20:07Look me up at the Continental Hotel sometime.
00:20:14Here it is, my friend.
00:20:16Why?
00:20:18I just got wind of something that's going to make us rich.
00:20:21Tremendously rich.
00:20:22But we've got to work fast with that money.
00:20:24Yes?
00:20:25Diamonds.
00:20:26The biggest you ever saw.
00:20:28Oh, no, my friend.
00:20:29The government is too watchful for me to risk my liberty for a few paltry diamonds.
00:20:34Who said a few paltry diamonds?
00:20:36I mean a field full of them.
00:20:39A field of diamonds?
00:20:40Where?
00:20:41That's what we have to find out.
00:20:44My husband, Mr. Harris, desires his key, please.
00:20:55It is clearly a case for a woman.
00:20:59Women?
00:21:00Ah, I don't trust them.
00:21:02They set you up.
00:21:03I know one who would.
00:21:04He's too deep.
00:21:05He'll get it to me.
00:21:07Come along.
00:21:08You see for yourself.
00:21:23Hello, Muriel.
00:21:24Hello.
00:21:25Mrs. LaSalle, I want you to know my brother, Tom Armitage.
00:21:28How do you do?
00:21:29Happy to meet you.
00:21:32Is Mrs. LaSalle in her room?
00:21:34I'll see.
00:21:38No, she isn't.
00:21:39She might be in the lobby.
00:21:40Have her.
00:21:42You see that young fellow standing over there beside that pretty woman?
00:21:45He's the one who has the secret.
00:21:48Oh, you see that pretty woman standing beside the young man?
00:21:53She's the one who can get the secret.
00:21:58Get her up to my room where we can talk.
00:22:00Come on, let's go and change.
00:22:02I'll be along pretty soon.
00:22:03All right.
00:22:04Goodbye.
00:22:07Are you staying here long?
00:22:08I'll be here the rest of the season.
00:22:10Your sister tells me that you have a plantation near here.
00:22:13Why, yes.
00:22:14We'd like to have you come and see it.
00:22:16I should love to.
00:22:19Do you mind?
00:22:20Oh, no.
00:22:21Go ahead.
00:22:24My tea, please.
00:22:26Why, I gave it to your manservant, Mr. Harris.
00:22:28My man?
00:22:29Yes.
00:22:30Oh, yes, yes, yes.
00:22:35Must be something up.
00:22:36I have no manservant.
00:22:38I'm sorry, but I'll have to run along now.
00:22:41Perhaps I can see you after dinner.
00:22:43Perhaps.
00:22:56Stop, you fool.
00:22:58Not so much as late.
00:23:13I beg your pardon.
00:23:14We were changing of feet.
00:23:15My pony ran in here.
00:23:17There's no one here.
00:23:18Will you please leave my room?
00:23:19I'm sorry.
00:23:20I apologize.
00:23:29Please.
00:23:30I am not a thief.
00:23:32Do not call them back.
00:23:34Why are you hiding in my bedroom?
00:23:35I can't explain.
00:23:37I can only trust to your woman's instinct not to believe what she accuses me of.
00:23:44Please.
00:23:45I'm not a thief.
00:23:46I don't believe you.
00:23:49I'm an American, playing a more dangerous game than I can possibly explain.
00:23:54To turn me over to the police now would ruin everything.
00:23:56The fate of too many people depend upon my remaining free and unknown.
00:24:02Muriel?
00:24:03May I come in?
00:24:05Go.
00:24:06Go.
00:24:07He must be coming here, I tell you.
00:24:08No.
00:24:09I think perhaps that way.
00:24:12Look out.
00:24:13Here I come.
00:24:14Just a moment till I put something on.
00:24:22Enter me, Lord.
00:24:27Sorry to disturb you, sis, but I don't like the idea of that fellow knowing I've got these diamonds.
00:24:31They'll be safer in your room than mine.
00:24:45Oh, look out.
00:24:46The oil on my face.
00:24:48Sorry.
00:24:55You seem to like Mrs. LaSalle pretty well.
00:24:58Yes, she is quite attractive.
00:25:09I feel quite a lot easier now.
00:25:11Just leave it to me.
00:25:13Before the night is over, the secret will be yours.
00:25:25She never pays.
00:25:27Soon we'll know where the diamonds come from.
00:25:43Come in.
00:25:47It's Dr. Baybrook to meet me down by the dock.
00:25:50Oh, hello, Peterson.
00:25:51Is the ship in?
00:25:52Why, do take a look.
00:25:53Yes, of course, sir.
00:25:55I just came by the compound and I see there's fancy lines of yours.
00:26:01Well, you needn't think you're going to get them any cheaper by calling them mangy.
00:26:04Don't forget you've been dealing with a Scotchman.
00:26:08You've been going to snake business, eh?
00:26:13You must have gorillas in there.
00:26:17They go crazy every time they hear a snake hiss.
00:26:20Look out.
00:26:23Look out.
00:26:26If you go down in there, you'll never come out.
00:26:28Down, Kinney.
00:26:29Down.
00:26:31What is it, a gorilla or a human being?
00:26:34Neither.
00:26:35What do you take for him, eh?
00:26:37He's not for sale.
00:26:39Name your own price.
00:26:40This time I don't bother to admit you.
00:26:43Just let me take that copper to New York, eh?
00:26:45He's not for sale.
00:26:47He would be a menace to civilization.
00:26:48I'm the only one that can control him.
00:26:50Come on.
00:26:51Let's get down to business about these other animals.
00:26:53And you better get them on board ship soon if you expect to sail tonight.
00:27:02Aren't you rather rushing, little Lucille?
00:27:06After all, we don't know her very well.
00:27:08Oh, don't be catty, Sue.
00:27:13Oh, there you are.
00:27:21Give me a kiss, brother.
00:27:23Oh, please.
00:27:26I know a delightful place where we could be alone.
00:27:30Do you?
00:27:31Let's go.
00:27:33I know a delightful place where we could be alone.
00:27:37Do you?
00:27:38Let's go.
00:28:02I thought you said we were coming to your room.
00:28:25This is my room.
00:28:30Oh, I see.
00:28:31My hunting bags and kit.
00:28:33They do look a bit masculine, don't they?
00:28:41Quite masculine.
00:28:43I think I made a mistake.
00:28:45Stop.
00:28:46You're not going to leave this room.
00:28:48Get away from that door.
00:28:52You haven't got the nerve to shoot.
00:29:02There was no use to run, lady.
00:29:07Why, you dare not accuse me.
00:29:10Nobody would take your word against mine.
00:29:13It is not I that will accuse you.
00:29:16It is the mark of your fingers on the gun.
00:29:29I didn't mean to shoot him.
00:29:33You have killed him.
00:29:35You have spoiled everything.
00:29:44Is he dead?
00:29:49Yes.
00:29:58It was an accident.
00:30:02I am afraid the law will not believe that.
00:30:09Your only safety lies in flight.
00:30:13But where can I go?
00:30:14You must leave the city at once.
00:30:17The further you go, the better.
00:30:20Now, there is a boat that leaves tonight.
00:30:23If you hurry, you can get on board before she's safe.
00:30:28Stop.
00:30:49Stop.
00:31:04Stop.
00:31:07Stop.
00:31:10Stop.
00:31:13Stop.
00:31:19A tiger which he was hunting slew the Rajah of Rambool.
00:31:23And the stroke of its paw has changed the destiny of Robert Grant, a young American.
00:31:29To save the Rajah's kingdom from a pretender,
00:31:32Grant assumed the dying ruler's identity and was accused of having murdered the Rajah.
00:31:37Proof of Grant's innocence exists in the form of a letter written by the Rajah before his death.
00:31:44A hunter named Harris has the letter in his possession.
00:31:47Grant has escaped from prison, and his trading Harris was disguised as an Arab.
00:31:53His real identity is known only to Muriel Armitage,
00:31:57a girl who has befriended him.
00:31:59Muriel's brother Tom has been accidentally wounded by a woman known as Mrs. LaSalle
00:32:04who then plotted with Harris and an Arab named Mustafa
00:32:08to make Tom reveal the location of a rich diamond deposit.
00:32:12Suddenly, Harris' ferocious eight-man beaming seizes Tom in his terrible flesh.
00:32:18Woof!
00:32:19Woof!
00:32:20Woof!
00:32:21Woof!
00:32:22Woof!
00:32:23Woof!
00:32:24Woof!
00:32:25Woof!
00:32:26Woof!
00:32:27Woof!
00:32:28Woof!
00:32:29Woof!
00:32:30Woof!
00:32:31Woof!
00:32:32Woof!
00:32:33Woof!
00:32:34Woof!
00:32:35Woof!
00:32:36Woof!
00:32:37Woof!
00:32:38Woof!
00:32:39Woof!
00:32:40Woof!
00:32:41Woof!
00:32:42Woof!
00:32:43Woof!
00:32:44Woof!
00:32:45Woof!
00:32:46Woof!
00:32:47Woof!
00:32:48Woof!
00:32:49Woof!
00:32:50Woof!
00:32:51I'm.
00:33:15Taking to our camp I will follow me.
00:33:21Are you leaving I thought my brother was with you I haven't seen him for half
00:33:25an hour.
00:33:26I. Know
00:33:49what the news you were right about with it and you are what do you mean this is
00:33:53not founded on the boat now running away with the ball. You better go across it
00:33:59like that you fool you don't know everything from now on I look after myself.
00:34:53Me.
00:35:03Come out of it.
00:35:04It's.
00:35:15It's.
00:35:34That's all right.
00:35:39I agree.
00:35:45I'm sorry. I'm going to.
00:36:15It. Was there.
00:36:25It's just. I didn't know you were saying you know what I'm here for where's my
00:36:31brother I told you I don't know anything about you what about this.
00:36:35It's. The right thing we found me after
00:36:42all these years who's right what do you mean. You're not going to put me off again
00:36:48don't stop it's a matter of life and death it will be
00:36:51a matter of life and death if you don't tell me where my brother is.
00:36:54It's.
00:37:00Oh I'm so sorry. I hope I haven't hurt you my goodness what is
00:37:06the world coming to young girls rushing around like mad fools I do hope you'll
00:37:10forgive me don't stand there yapping like
00:37:13a parrot talking to my feet when I don't think it's
00:37:15a great lady Oh I'm not a fan I'm going to. Show up I'll be
00:37:20away at sea. Oh you can't go short on it.
00:37:28I haven't any money for my. How about the friends who came aboard the sea can't
00:37:32they pay your passage I haven't any friends on board what makes you think you have
00:37:36no friends on board the idea of you pestering
00:37:39a poor innocent girl I think I'll take it to her as my companion.
00:37:43Not a word. You read to me every morning but go out and wake me up
00:37:49in the morning at nine o'clock.
00:37:57The number eighty four is vacant next door Miss seems like
00:38:00a testament to your honor. The captain giving
00:38:07a party for the passengers down the saloon if you care to come down. Thank you.
00:38:12Thank you.
00:38:24Over this man on God thank.
00:38:29You.
00:38:35Thank you. Thank you thank you thank you thank you thank you thank you thank you
00:38:40but that maybe it's not. Just
00:38:44a minute you can't go in there. Never mind she can't get off that boat.
00:39:11Oh you I thought you'd be expecting. Well where's the boy I don't know I swear
00:39:18I don't know you're lying stop it with me why.
00:39:29I didn't bring that boy on board and why did you fail because I'm in terror of my
00:39:33life you thought that guard out. The boy that guard won't save you.
00:39:41I. Was
00:39:44a man of that portal.
00:39:51She had her up running this way.
00:40:10It's.
00:40:33Oh it was you. Why you don't think I shop for you and why were you running down
00:40:37the passageway because I came around the corner you didn't come around the corner
00:40:41had
00:40:41a place for you running around the package for yourself oh yeah where were you to
00:40:46see so much. What's the matter here.
00:40:49I got it.
00:41:02Got my way.
00:41:02Hey.
00:41:15Take it easy you can't get off the ship.
00:41:26What are you doing in this room. What do you suppose I'm doing covering the
00:41:30evidence of the crime I don't you must realize we have found you engage in
00:41:34a highly suspicious act I hope you can explain your presence here. I can't explain
00:41:41I will have no alternative but to put you under arrest for the murder of Mrs
00:41:45Lassalle. Send him out now talk.
00:41:49To. The good service
00:42:00a day where you need to shout out loud enough for the whole ship to hear this is
00:42:05indeed
00:42:05a surprise Mrs. This is more and Mrs Colby is the name on the ship's
00:42:12registry if you please you must understand. That we need to hide our real identity
00:42:20this is no ordinary murder but one directly connected with
00:42:23a case I am working on a case of such importance that I must ask you to keep it
00:42:29as quiet as possible. By all means Mrs Colby.
00:42:49For.
00:43:00You getting into the forward hold.
00:43:19On.
00:43:49.
00:44:19Really.
00:44:49Hey! Come back here!
00:45:19Damn it!
00:45:40Oh, for Jimmy!
00:46:05I think other people's baggage seems to be a habit of yours.
00:46:09If I didn't know something about you, I would raise an alarm.
00:46:12That would be fatal to you.
00:46:14Fatal to me?
00:46:15Yes, to you.
00:46:17What do you mean?
00:46:19I might be forced to explain how I came into possession of this.
00:46:23My revolver?
00:46:25Where did you get it?
00:46:26On the deck outside the window where you threw it after you shot Mrs. Vassell.
00:46:30Why should I shoot Mrs. Vassell?
00:46:32Because you knew she shot your brother.
00:46:34My brother shot?
00:46:36When? Where?
00:46:37Tonight, in Harris' room at the hotel.
00:46:40Are you sure?
00:46:41I was there when it happened.
00:46:46Where are you going?
00:46:47To the captain. To have him question Mr. Harris.
00:46:50That wouldn't get you anything.
00:46:51Harris is cracky. I know him.
00:46:53He'll stop at nothing and always has a perfect alibi.
00:46:56Well, that's all the more reason why you should go with me and prove what you say.
00:46:59Proof? That's why I was in his room at the hotel.
00:47:02That's why I'm here, searching for proof.
00:47:05I understand now why you warned me about Mr. Harris.
00:47:08If my brother has made an enemy of such a man...
00:47:10Don't worry.
00:47:12Together we'll find a way to running to Earth.
00:47:21Look! There's a wreck dead ahead!
00:47:24Hard over!
00:47:34Hurry up!
00:47:40Hurry up!
00:47:54What was that?
00:47:59Get down!
00:48:05The door must be jammed!
00:48:15Hand the rifles!
00:48:17Hand the rifles!
00:48:18They're going to run away!
00:48:35Get down!
00:48:43Get down!
00:48:50Get down!
00:49:04Get down!
00:49:24Lions and tigers are loose on the decks of the steamer at sea,
00:49:27striking terror to the hearts of the passengers.
00:49:30But even more terrifying is the monstery,
00:49:33and Harris stops at nothing to gain his hands.
00:49:36At least, that is the reputation given him by Robert Grant,
00:49:40a young American who is on board the steamer disguised as an Arab.
00:49:44Grant escaped from prison and is trailing Harris
00:49:47to recover a letter which he believes will clear him of a murder charge.
00:49:52Grant has told his story to Muriel Armitage,
00:49:55whose brother Tom disappeared mysteriously from a hotel room.
00:49:59Grant further informs Muriel that a woman known as Mrs. LaSalle,
00:50:04who has just been murdered in her cabin on the steamer,
00:50:07shot Tom accidentally during a struggle over a gun.
00:50:11But even Grant does not suspect
00:50:13that the wounded man was spirited away by an Arab named Mustafa,
00:50:18who had plotted with Harris and Mrs. LaSalle
00:50:21to make Tom reveal the location of a rich diamond deposit.
00:50:25The steamer is wrecked and starts to sink.
00:50:28A mysterious hand locks the cabin door,
00:50:31imprisoning Grant and Muriel and leading them to drown.
00:50:35Help! Help!
00:50:49Give me! Hard! Push! Push hard!
00:50:53Help! Help!
00:51:18Captain, they're all off, sir.
00:51:20Aye.
00:51:23Hey, push! Push hard!
00:51:39Somebody locked us in!
00:51:41You're going to stand there dreaming while we sink?
00:51:44Open that door!
00:51:47So everybody's gone.
00:51:51So everybody's gone.
00:51:53No, we've been here.
00:51:54Hurry up this way!
00:52:06Where is everybody?
00:52:08They've been gone and left us to drown.
00:52:10Well, what in the world are we going to do?
00:52:12I'd better find out what happened to Harris.
00:52:16Oh, look. There's a made-up canoe.
00:52:19We can't be far from there.
00:52:22Ahoy, canoe!
00:52:32Take it easy now.
00:52:34I got you.
00:52:36Take care now.
00:52:37Take your time and get down there.
00:52:39That's very good.
00:52:41I'd better go down and help her.
00:52:44Hold on, Nanny.
00:52:46Did you find him?
00:52:48No, he must have gotten off the ship.
00:52:51Did you find him?
00:52:52No, he must have gotten off the ship.
00:53:22Hey, I wonder how much further we can get.
00:53:24The village is just a little ways ahead.
00:53:52Are you hurt?
00:53:55Oh, wait a minute.
00:53:56I just got scratched a little.
00:53:58Come.
00:54:00There goes $200 of my money.
00:54:03Of your money?
00:54:04Yes.
00:54:05Stay down.
00:54:12You stay here.
00:54:15It's the leopards from aboard the ship.
00:54:17Maybe some of the other cats got on shore, too.
00:54:20Oh, you got a shore safely, eh?
00:54:22Yeah, but I just got clawed by one of them cats you showed me.
00:54:27Well, you ain't going to write messages in case I don't get out of here.
00:54:44You stay here.
00:55:04In case maybe I don't get back to La Benga alive, you send that message.
00:55:09Oh, dear, just don't say that.
00:55:12I won't.
00:55:42Muriel!
00:55:44Muriel!
00:55:46Say it!
00:55:48Why don't you answer me?
00:55:50I want to know where the diamonds are.
00:55:53Muriel!
00:55:55Muriel!
00:55:57It was a mistake to stop here last night with these blacks.
00:56:01We should have gone back to La Benga.
00:56:04I don't know where the diamonds are.
00:56:08It was a mistake to stop here last night with these blacks.
00:56:12We should have pushed on to our own camp.
00:56:14Muriel!
00:56:25My people come.
00:56:27Horses! Horses!
00:56:29Horses! Horses!
00:56:33Horses! Horses!
00:56:36Water!
00:56:38Food!
00:56:40Food!
00:56:43These white people coming to the village make it bad for us.
00:56:47They must not see the boy.
00:56:49You make ready the litter and take him to our camp.
00:56:53Yes, sir.
00:56:55It's like some kind of war.
00:56:58White people who come to your village.
00:57:02Enemies of the sick boy.
00:57:05Sickness, no time. White man comes the enemy.
00:57:08I beg.
00:57:10Nothing be said to them about the presence of the sick boy here.
00:57:14Have no fear. I'll protect you.
00:57:17Still drooling about your animals?
00:57:21There have been plenty of animals.
00:57:25There have been plenty of animals.
00:57:27But now that the ship's sunk, I never find out who killed my Helen.
00:57:32Your Helen?
00:57:34Yes, my Helen.
00:57:36What? On the ship's register?
00:57:38I'm on the sail.
00:57:40She was the only woman in my life.
00:57:45But I ain't going to stop till I find out who murdered her.
00:57:49You poor boy.
00:57:52If you want to find out who killed her,
00:57:55maybe this will help you.
00:58:08Maybe the one who wrote this note did it.
00:58:12Or maybe it was the Arab we saw at the cabin window.
00:58:21Sorry, my friend.
00:58:24I am surprised to see you here.
00:58:27Thank our lucky stars we are here.
00:58:29The ship wrecked up the coast.
00:58:31Hey, Mustafa.
00:58:33By the will of Allah, I see you sooner than expected.
00:58:38I went to the ship as you directed.
00:58:41To find Mrs. Nassal and the boy.
00:58:44But he was not there.
00:58:46And the lady was mysteriously killed
00:58:50before the ship was wrecked.
00:58:55I didn't like the convenient way you got rid of me in Lobenga, Mustafa.
00:59:00Oh, my friend.
00:59:02Let us speak of that in private.
00:59:13Did he really send you to the ship to find my brother?
00:59:16No.
00:59:17I said that to cover tracks so Harris won't suspect my real motive.
00:59:23I must go.
00:59:25I can't let Harris get out of my sight.
00:59:35Mrs. Nassal and the boy had an argument.
00:59:38And during the struggle that followed, the boy is shot and wounded.
00:59:42It was not till after the steamer sailed
00:59:45that I discovered that Mrs. Nassal did not have the boy.
01:00:10I am only your game, Mustafa.
01:00:12What have you done with the boy?
01:00:14No matter what I say, you will not believe me.
01:00:17Remember, I've still got Bimmy.
01:00:19And I'll find him.
01:00:20You'd better not interfere.
01:00:36Sorry to keep you.
01:00:37Your brother has been here in this village.
01:00:40My brother here?
01:00:41How do you know?
01:00:42I found this watch in one of the huts.
01:00:47But how did he get here?
01:00:49Who brought him?
01:00:50The chief would know better than anyone.
01:00:52I can't stop to talk.
01:00:53I must trail Harris.
01:01:13I know he's been here.
01:01:15And you've got to tell me where he is now.
01:01:17Nancy, tell you, no more white people in this village.
01:01:21Then how do you account for his watch being here?
01:01:24Nancy, do not try to account.
01:01:27What he knows nothing of.
01:01:29I've lived in Africa a long time, and I'm not afraid of you.
01:01:32I'm going to find my brother if I have to bring the territorial police.
01:01:38Nancy, don't hope.
01:01:39White man, no brother.
01:01:42Nancy was told.
01:01:43You white man enemy.
01:01:45Who told you that?
01:01:46White man.
01:01:47Him no good.
01:01:48Him make fool out of Nancy.
01:01:50Who is this white man?
01:01:52Me know him by the name.
01:01:55Just in time.
01:01:57He's dead, and the natives will blame us.
01:02:00Why call him to die just when he was about to tell me of Tom?
01:02:03I don't know, but it means trouble.
01:02:05We better get out of here before they find us.
01:02:08I'm going to get my brother.
01:02:10I'm going to get my brother.
01:02:12I'm going to get my brother.
01:02:14I'm going to get my brother.
01:02:16I'm going to get my brother.
01:02:18I'm going to get my brother.
01:02:20I'm going to get my brother.
01:02:22I'm going to get my brother.
01:02:23We better get out of here before they find.
01:02:25I.
01:02:55You know. What what what what what what what what what what what what what.
01:03:13Oh.
01:03:19This is going to come to get read.
01:03:20It's. I'm sure they went this way with you.
01:03:27It's.
01:03:46The unconquerable.
01:03:49He who has no week.
01:03:51He's no more.
01:03:55The white people who visit him if you're there which is to be you believe by
01:04:01them he is.
01:04:06That they're not all of their which is.
01:04:11Go see.
01:04:21Oh.
01:04:26Oh.
01:04:35Oh.
01:04:41Oh.
01:04:45Oh.
01:04:48Oh.
01:04:50You're on the trail all right, let's hurry.
01:05:20What's the police's stand?
01:05:22Wardrobe.
01:05:23They've been trying to have King Death struck after us.
01:05:32Struck after us?
01:06:02I'd like to get to those rocks before they overtake us.
01:06:22Lions and other fierce jungle beasts surround a party of castaways shipwrecked for concoction.
01:06:44Leading the party is a hunter named Harris, whom each of the others is following for a special reason.
01:06:51The one whom Harris least suspects is Robert Grant, a young American disguised as an Arab.
01:06:57Grant escaped from prison to trail Harris and recover a letter which he believes will clear him murder charge.
01:07:04Muriel Armitage, the only person who knows Grant's secret, is interested in Harris because she suspects that he had a hand in the mysterious disappearance of her brother Tom.
01:07:16But he was really spirited away by a cunning Arab named Mustafa, who intends to make his prisoner reveal the location of a rich diamond deposit.
01:07:26Harris alts to the diamonds and is using his monster ape man, Bimini, to trail Mustafa's unnamed tribe against the fights, and a horde of warriors swoop down upon them.
01:07:41Oh look, there's a cave back here.
01:07:52A slugger! We're going to slay him!
01:08:18The murder of our king has been avenged.
01:08:22Come to the cave and I will show you their bodies, torn by hungry lions.
01:08:26Fool, you boast of victory when your task has not begun? But I tell you, the white witches are dead.
01:08:33Ah, but the devil is, and his master is alive.
01:08:38The spirit of your dead king will not rest until you have vanquished him.
01:08:44Alive?
01:08:45Yes.
01:08:46You tell me they're not there?
01:08:47No, they are not there.
01:08:49They pursue these sick white boys, whom Vera has carried to my castle.
01:08:55That Arab knows where your brother is. I'm going to follow him.
01:09:24I'm going with you.
01:09:25No, that might prove fatal to your brother. Mustafa believes that I'm an Arab, and won't suspect that I have any interest in Tom.
01:09:46Hit him! Come on, hit him! Come on!
01:10:15Hit him!
01:10:25Hit him!
01:10:48Hit him!
01:10:55We camp right here until hunger dies them out.
01:11:02Well, you'll find us, huh?
01:11:08I saw that you missed the trails of the beggars. I was on the way trying to find you when the natives jumped in.
01:11:18Those natives are going to camp out there, and if we don't want to starve to death, we better find another way out.
01:11:26Burning tools. Some fool has been in here prospecting for gold.
01:11:32Well, he didn't get very far.
01:11:40Oh, shipwrecks, enemies, volcanoes, cannibal skeletons, what on earth?
01:11:48You're straight. Maybe we'll find something else by the minute.
01:12:19It looks like we're inside the crater of an old volcano.
01:12:23It's liable to erupt at any minute. Get me out of here, quick!
01:12:27Right. Now, guess what we've been trying to do.
01:12:38How is he?
01:12:49No better, Master.
01:12:51Has he said anything about the diamonds?
01:12:53Nothing. All he does is call for his sister.
01:12:56The diamonds? Miriam!
01:12:59Oh, I won't tell.
01:13:03Miriam! Where are you, sis?
01:13:14I knew you'd come, sis.
01:13:24Where are the diamonds?
01:13:26Oh, the diamonds. I never told you. It's funny the way I found them.
01:13:36You're not my sister.
01:13:44When the fever had left him, we made him talk.
01:13:48Aye, aye, Master. But a strange Arab has arrived in camp and is asking for you.
01:13:53A strange Arab?
01:13:54Yes.
01:14:01It is the same Arab who come to the black village with Harry.
01:14:19Indeed you, my friend. I thought your mission take you back to Lofenga.
01:14:24As you know, my mission is a man. And what his trail leads, I follow.
01:14:32You expect to find Harry in my camp?
01:14:35I didn't even know you had a camp. I was trailing Harris, but I lost his trail.
01:14:42Where are you? Where are you?
01:14:48Oh, Miriam. They want to find the diamonds now. I won't tell.
01:14:58Enter, my brother, and be at rest. I go to order refreshment for you.
01:15:10May it please you, your excellency, a strange beast attacked our people at the waterhole, killing a camel.
01:15:16What beast? A lion?
01:15:18There's no lion we ever see. We dug a pit, and with the dead camel, we baited it, and the animal fell into it.
01:15:26Let me see this strange beast.
01:15:29Yes.
01:15:33Here, Master. That's the one right here.
01:15:37What is it?
01:15:39An Indian tiger. In Africa? Perhaps from the steamer that was wrecked.
01:15:46Would I slow him, Master?
01:15:53No. I have other plans. Pitch a tent over the grating, and let no man come near.
01:16:01A tent, Master?
01:16:02Yes. Perhaps before long, we catch something else besides tigers.
01:16:09Yes, Master.
01:16:28Oh, a thousand pardons, my friend.
01:16:31My brother, you have had a fatiguing day. I leave you to rest.
01:16:36Oh, please. No ceremony.
01:17:01Beautiful! Wait for me!
01:17:11Wait.
01:17:21Don't go up there. You can't tell what may be hiding behind those rocks, ready to jump out on you.
01:17:29I'm not afraid.
01:17:31Well, I guess I'll have to go along with you, then.
01:17:53Oh, look! That looks like blue clay over there.
01:17:57Well, what difference does it make whether it's blue or green?
01:18:01Well, blue clay in this part of the country means only one thing, and that's diamonds.
01:18:06Diamonds?
01:18:08Yes. Come on, let's go see. Wouldn't it be wonderful if we found a new field of diamonds?
01:18:13No, you don't find me breaking my neck up here. I'll go back to the big rock and wait there for you.
01:18:19All right.
01:18:38Day, day, day.
01:19:02Day, day, day.
01:19:32Day, day, day.
01:19:52Day, day, day.
01:20:02Day, day, day.
01:20:32Oh, Mrs. Colby!
01:21:00Your suspicions were justified, Master.
01:21:03The fool is walking to his fate.
01:21:22Well done, Eldre. A night in the pit will cure the sick boy's abomination, and by morning he'll be ready to talk.
01:21:52Mr. Bonifant, are you there?
01:22:06Mr. Bonifant, your sister's trapped!
01:22:27The King of the Wild is a monster half ape, half jungle man, which Harris the Hunter has captured in Africa and trained to do his bidding.
01:22:35Harris and the monster are followed by an Arab. The seeming Arab is Robert Grant, a young American.
01:22:41Accused of a crime he did not commit, Grant has escaped from prison to find and convict the guilty man.
01:22:48His real identity is known only to Muriel Armitage, who is also in the jungle.
01:22:54Muriel is following a trail led by her brother Tom, who, while unconscious from a bullet wound, has been spirited away by agents of an Arab named Mustafa.
01:23:05Mustafa is trying to make Tom reveal the location of a rich diamond deposit, a secret which Harris is also trying to obtain.
01:23:13Harris is trailing those captors with the aid of his monster ape man, Beeman, but has been forced to seek shelter in the crater of an extinct volcano to open an attack of African warriors.
01:23:25The natives besiege the entrance, imprisoning Harris along with Muriel and Mrs. Colby, a secret service agent whose real identity is unknown to any of the party.
01:23:35Meanwhile, in Mustafa's camp, Grant believes that he has located Tom Armitage in a pit covered by a tent, but in reality the occupant of this pit is a tiger.
01:23:47Grrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr
01:24:17Grrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr
01:24:47He's gone! He's gone!
01:24:59You have allowed the most valuable thing we have in camp to be spirited away.
01:25:09Master, we cannot be far. There is excitement over the tiger and it's delirium. We must escape from the tent.
01:25:16Oh, it's warm, isn't it?
01:25:31It's warm, isn't it?
01:25:53There is excitement over the tiger and it's delirium. We must escape from the tent.
01:26:18It's warm, isn't it?
01:26:25It's warm, isn't it?
01:26:38Oh, somebody help me!
01:26:49Oh, you happened to fall down there?
01:26:51I didn't fall. Somebody tripped me with a stick.
01:26:54Oh, Muriel, where are you? Help! Help! Muriel! Help me up!
01:27:01What you been doing there?
01:27:03What happened?
01:27:05How did you get here?
01:27:07Oh, when you didn't come back I became so frightened I followed along.
01:27:12I got as far as this when a man came running along and pulled me over.
01:27:16What kind of a man?
01:27:18Oh, he was a great big man. The only thing I noticed about him, he wore dark glasses.
01:27:24There must be somebody else here beside ourselves.
01:27:27Well, there's that prospective skeleton in there. You don't expect it to walk, do you?
01:27:32When I was looking for another way out of the crater this afternoon, I saw a man's footprint in the mud.
01:27:37There must be a maniac running loose and he's probably using this old volcano for a hideout.
01:27:42We've got to get out of here.
01:27:44How are we going to get out with those cannibals guarding the only exit?
01:28:04I've got an idea.
01:28:06You're safe.
01:28:15Let's go.
01:28:22They think it's gonna work!
01:28:26Fight! Fight! Fight!
01:28:34The lions which lived in the cave are dead.
01:28:37The white witches who stew our king are within.
01:28:40Who will be brave enough to go in with me and bring them out?
01:28:44Fight! Fight! Fight!
01:28:59Be not afraid. The Man of Thor is the master over everything in the jungle.
01:29:05Hold, my warriors. It is the soul of your dead king who speaks.
01:29:14I love these whites, for it was not they who shut me down.
01:29:20Name the one who did it. Name him.
01:29:23Oh, master, so we may avenge your death.
01:29:27Return to your village, knowing that a worse fate than you could devise awaits my murderer. Go.
01:29:43Go.
01:29:53I ain't gonna let your big cat die for it.
01:29:56Billy, come here.
01:30:08Don't be afraid. He won't hurt you, as long as I'm here.
01:30:11Don't trust him. He grabbed me when we were on board the ship the night Mrs. LaSalle was killed.
01:30:16You can't blame him for her death. Mrs. LaSalle was shot, and Billy knows nothing about guns.
01:30:22I don't know who it was, but they sure are going to find out who killed my Helen.
01:30:28Which way will it be? I'm going to get back to civilization.
01:30:32Well, I'm going to continue on the way taken by whoever it is that has my brother.
01:30:36Well, I guess I'll be enjoying this, you. It's better that we travel together in the jungle for our own protection.
01:30:42Well, first it was Helen, then Shipley, then me, and now you.
01:30:46I'm going to get back to civilization.
01:30:48I'm going to continue on the way taken by whoever it is that has my brother.
01:30:52Well, I guess I'll be enjoying this, you. It's better that we travel together in the jungle for our own protection.
01:30:54Well, first it was Helen, then Shipley, then me, and now you.
01:30:56I'm going to continue on the way taken by whoever it is that has my brother.
01:30:58Well, first it was Helen, then Shipley, then me, and now you.
01:31:00I'm going to continue on the way taken by whoever it is that has my brother.
01:31:18He disappeared! He's gone!
01:31:22Oh, Harris!
01:31:26Oh, Harris!
01:31:30This ain't bad. They don't trust that Harris.
01:31:33What do you suppose has happened to him?
01:31:36I think he fooled us. He's been after that fellow Mustapha. Maybe he followed him to his camp.
01:31:42For goodness sakes, do something! Let's get out of here!
01:31:46That animal may have murdered him, and he may come back after us.
01:31:50Where shall we go?
01:31:59Any sign of the boy?
01:32:01It is useless, Hildren. We have looked everywhere.
01:32:14It is an enemy of our master.
01:32:16Although we failed to find the sick boy,
01:32:19we were able to capture this man.
01:32:49It is useless, Hildren.
01:32:54We have found the boy.
01:32:56We have found the boy.
01:32:59It is useless, Hildren.
01:33:04It is useless, Hildren.
01:33:06It is useless, Hildren.
01:33:08It is useless, Hildren.
01:33:10It is useless, Hildren.
01:33:12It is useless, Hildren.
01:33:14It is useless, Hildren.
01:33:22It is useless, Hildren.
01:33:24It is useless, Hildren.
01:33:29It is useless!
01:33:31I. Think
01:33:41I see
01:33:41a chance to get some forces make a getaway you think you're going to come back to
01:33:45understand.
01:34:01A.
01:34:31Any news of the boy no much to get you know the horse bring him to my table.
01:34:41They
01:34:49have failed far into the young man in need of food and drink but I don't want to break
01:34:55the law. But I'm
01:35:02a figure she must stop. Yes lady.
01:35:09Didn't you say Harris my head for my staffers camp. I did only to be
01:35:15fairly proud to be to this friend. Well I want to go to this country as fast as I
01:35:20can. Something will happen pretty soon now I don't.
01:35:44Know if my day may. Be great about that bring those jobs being
01:35:50a lady to my. I'm not. And I've come to thank you for caring for my brother and
01:35:57to take him back to the bank. I do not understand. I am
01:36:03with stop. This is my car but there are no strangers here.
01:36:11I know positively that my brother has been.
01:36:13Here. They please the market hunting for years to return and hope that what they
01:36:21have brought will meet with your favor. Excuse please this interruption.
01:36:28You wait in the comfort of my tent and I return.
01:36:37You will see that the young lady does not leave my. Yes my.
01:36:43You.
01:36:49Sorry. You please come closer so that I can talk about being heard by the others.
01:36:59This man must stop up I've been holding your brother prisoner. Your brother knows
01:37:05the location of vast diamond fields and Mustafa doesn't intend to release him until
01:37:09he learns where they are. We're getting ready to escape when you came in
01:37:13the camp he's hiding in a pit now in that tent over there.
01:37:22If I see. I think you will be bored when you bring me the last time I want to see.
01:37:33These. We meet again. The last time we meet I look at you from
01:37:42the ground. We will make an enemy of.
01:37:52Bring the prisoner follow me.
01:38:02I don't know where. It would be dangerous for you if they found it out. I'll tell
01:38:08anything to get Tom out of the clutches of these people wouldn't do you any good
01:38:12they'd hold you both if they found you were telling the truth and then silence you
01:38:16forever. You'll stay here till I come back.
01:38:25Make sure that the white people who come to the camp do not leave.
01:38:31Even if the target. No one will know the strange.
01:38:38Thing.
01:39:00You have him in that pit and you're covering him up. You know he is indeed. Yes I do
01:39:06and I know you're trying to force him to tell where he discovered
01:39:09a field of diamonds. If I gave you that information would you stop talking.
01:39:16You don't do not know where the diamonds are. With the convention that I know.
01:39:26You will know and stop the men from filling in that bit. He would be dying one
01:39:32day. And he may be on the way.
01:39:39I don't hear. All of you all.
01:40:32Right. To protect my brother I'll tell you where the diamonds are.
01:40:38Go back along the trail towards the matter of the village there on the right of
01:40:41the trail partly.
01:40:56Terrific straight captured in the African jungle.
01:40:58If there was just a man of terrific strength captured in the African jungle and
01:41:02trained to obey an animal hunter named Harris has led its master to an Arab camp.
01:41:08Harris had set the monster on the trail of Tom Armitage who knows the location of
01:41:12a rich diamond deposit. Armitage weakened by a bullet wound has been held prisoner
01:41:18by Mustafa the Arab chief who thinks he has outwitted Harris in the race to get
01:41:24the diamonds. But Robert Grant a young American disguised as an Arab has rescued
01:41:30Tom and hidden him in a pit which the Arabs dug to capture a tiger. Meanwhile Tom's
01:41:36sister Muriel has reached the camp and is bargaining with Mustafa to free her brother
01:41:41offering to tell him the location of the diamonds. A mysterious man wearing black
01:41:46glasses who has already menaced Muriel when she discovered the diamond deposit steals
01:41:52up outside the tent to listen. And during Grant's absence Mustafa's men begin to
01:41:58fill in the pit where Tom lies hidden.
01:42:00.
01:42:21Jungle boy.
01:42:30.
01:42:44All right to protect my brother I'll tell you where the diamonds are go back along
01:42:49the trail towards the man of the village there on the right of the trail partly
01:42:52hidden behind some fine.
01:43:00.
01:43:21But I was trying to escape but I can't leave knowing that I'm here and I think I'm
01:43:26missing here he's wandering up the jungle Harrison I think you're trying to follow
01:43:30immediately if we are to help it. There's one horse here be ready when I come by
01:43:36with another but what about Peter said I'm going to tell you can't leave them behind
01:43:39they'll be safe Mustafa has no quarrel with them.
01:43:46You try to shoot me.
01:44:00Very.
01:44:12Good to see you.
01:44:16You are not.
01:44:30.
01:45:00You would take the other trail and meet us later all right.
01:45:24But in time my friend. You think you can say I was fortunate to meet you.
01:45:31Yes all right then give me your clothes and you take my.
01:45:48Point you're going to what brings you here you can explain to you what you're right
01:45:52you're going to go you'll be perfectly safe if you head straight for the bank but
01:45:56what's to become of you I've got business with Harris you know enough of my story to
01:46:00understand now please both of you hurry.
01:46:26Up.
01:46:37How many people know.
01:46:41How.
01:46:50I hope both of you.
01:46:53Will.
01:46:55Hand over my paper house. But you know I have to do with me to be me that would be
01:47:01your last one you don't look like anyone who would shoot a man down in cold blood
01:47:07don't I you'd better look close Harris and you'll see that I'm serious.
01:47:15After all the time I spent in prison for you you still think I wouldn't shoot.
01:47:20Come on hand over that wallet.
01:47:40Now I expect you to follow don't try any tricks because I'll be ready for you and I
01:47:45advise you not to show up again in the bank.
01:47:50You know.
01:48:14Would it be possible to have
01:48:15Is it possible to have an audience with the esteemed agent?
01:48:22Yes, it's important. I'm a busy man.
01:48:24Move.
01:48:29You perhaps recall an American's attempt some time ago to take the throne of the Raja of Rampur?
01:48:36What can you possibly know about that?
01:48:39Since you know the case, you must recall that the American protested his innocence
01:48:44and swore there was a letter that would prove his word.
01:48:47Yes, yes, I know.
01:48:48I have that letter.
01:48:53Recovered from the man who withheld it.
01:48:58It's in Hindustani. You know what it says?
01:49:02Yes. It was written on the Raja's deathbed
01:49:06and proves that the American was taking his place for a few days.
01:49:11How could an American expect to pass for a native Raja?
01:49:15Save for the color of their skin.
01:49:18They were alike.
01:49:20It was this likeness that brought them together and made them friends.
01:49:24How do you possibly know so much about this affair?
01:49:28I am that American.
01:49:31That's impossible. You expect me to believe that?
01:49:36After I escaped from prison, I assumed the disguise
01:49:39so that I might remain at liberty until I proved my innocence.
01:49:42Now I'm ready to go back and stand trial.
01:49:45You mean to say you didn't kill the Raja?
01:49:48His death was an accident which occurred while we were hunting tigers in the jungle.
01:49:55Who's that power-looking bird back there with the razor?
01:49:58Why, that's his cousin, Prince Zachary.
01:50:06How do you know I'm there?
01:50:08How do you know I'm there?
01:50:11How do you know I'm there?
01:50:35How do you know I'm there?
01:50:39How do you know I'm there?
01:50:41How do you know I'm there?
01:51:02No one must know that this is happening.
01:51:06Least of all, my cousin Zachary.
01:51:10You may have lived, but you're not going to have strength to write.
01:51:21You must lose no time in bearing this to my brother in Cremona.
01:51:30And you, my friend, from the next 48 hours,
01:51:38you must be the Raja of the Raja's board.
01:51:46You've got to go through with it now.
01:51:48Do you think you can get away with this, Raja, sir?
01:51:51I'll try, for his sake.
01:51:55No time to lose. There's a bullet bush right outside the tent.
01:51:58Get me some of the berries so I can stain my face and have me change clothes with the Raja.
01:52:02Harris proved false to his trust,
01:52:05sold the information to the pretender Decker,
01:52:08and was prevented from taking the throne only by the arrival of troops.
01:52:11And to cover themselves, they accused me.
01:52:15What proof have you that this fantastic story is true?
01:52:19My only proof is the Raja's letter.
01:52:21To get it, I escaped prison,
01:52:23and hunted by the police of three continents, and trailed Harris ever since.
01:52:26Now that I have it, I surrender myself to the Raja.
01:52:29Now that I have it, I surrender myself to you.
01:52:43It will be necessary to consider yourself under arrest.
01:52:47However, you will have the freedom of my quarters,
01:52:50until I've communicated with the authorities of Brantford.
01:53:00You would probably like a chance to clean up.
01:53:03Yes, I should say I would.
01:53:08Sir?
01:53:10Are you all right?
01:53:12I'm all right.
01:53:13Good morning.
01:53:14Good morning.
01:53:15How are you?
01:53:16I'm fine.
01:53:17I'm fine.
01:53:18I'm fine.
01:53:19I'm fine.
01:53:20I'm fine.
01:53:21I'm fine.
01:53:22I'm fine.
01:53:23I'm fine.
01:53:24I'm fine.
01:53:25I'm fine.
01:53:26I'm fine.
01:53:27I'm fine.
01:53:28I'm fine.
01:53:29I'm fine.
01:53:30I'm fine.
01:53:31Feeling all right?
01:53:32Good.
01:53:33Good?
01:53:36Mr. Wainwright.
01:53:37Hi.
01:53:38I'm Tom Armitaget.
01:53:39This is my sister Muriel.
01:53:41Won't you take a chair?
01:53:42Thank you.
01:53:44I stumbled on some diamonds in the old volcano crater near the Metabeli village.
01:53:48I wanted to turn the information over to you.
01:53:56That is interesting.
01:53:57There are people in this district who would not report a diamond find for the
01:54:02government, but would try and work it themselves. Illegally.
01:54:07You know, this is the first time I felt safe in several days.
01:54:11Somebody heard about my discovery and tried to get the information from me.
01:54:15I was carried through the jungle for days. I only managed to escape yesterday.
01:54:19Did they get the information from you?
01:54:21No, but a woman named LaSalle shot at me when she saw I was growing suspicious of her questioning.
01:54:27Are you sure the shot was fired by Mrs. LaSalle?
01:54:31We were struggling for possession of the gun at the time I was wounded.
01:54:34I thought as much.
01:54:36Mrs. LaSalle would not have shot an innocent man.
01:54:40She was a trusted agent of the police.
01:54:43An agent of the police?
01:54:45Yes, and you may be sure that this sparkler is leaving no stone unturned
01:54:51to solve the mystery of her murder.
01:54:57Wayright speaking.
01:54:59Number 62 talking.
01:55:01Information regarding the death of Mrs. LaSalle.
01:55:05Yes, yes.
01:55:09Oh, thank you. Check in again later.
01:55:19I guess we'd better not take any more of your time.
01:55:22Just a minute.
01:55:24That phone conversation had a strange bearing on the murder of Mrs. LaSalle.
01:55:30Did you find the guilty party?
01:55:32Possibly.
01:55:34You were on the boat the night of the murder, I believe.
01:55:37Yes, my bedroom was almost directly opposite hers.
01:55:42May I ask what took you on board, Miss Armitage?
01:55:46I received an anonymous note saying that Mrs. LaSalle could explain my brother's disappearance.
01:55:53Did you speak to her?
01:55:55Yes, I had rather an unsatisfactory interview with her.
01:55:59Rather stormy interview, wasn't it?
01:56:01And you were found in her stateroom shortly after she was killed, were you not?
01:56:06Are you hinting that my sister had something to do with the killing of Mrs. LaSalle?
01:56:10More than that. Under the circumstances, I must put her under arrest for murder.
01:56:15This is ridiculous. An outrage.
01:56:18Come on, Peary.
01:56:20Get out of my way.
01:56:22Take your hands off my sister's innocence.
01:56:25Where did you get your authority? You can't handle a lady like that.
01:56:28Just a minute, old man. This kind of a scene won't help you.
01:56:31Come here.
01:56:33We know that she's not guilty.
01:56:35But you can help her more by going about it peacefully instead of losing your head.
01:56:38I guess you're right.
01:56:40This is outrageous.
01:56:42Things like this just makes awful amends.
01:56:50Thank you.

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