Talent Managers talk about what makes the perfect talent! | SiS (Stream Together)
What are the traits in a talent that talent managers look for? Vera Isberto, Cornelia Lee, and Alfie Lorenzo go over these with Mystica, Sylvia Sanchez, and Alfie Lorenzo in this video!
Category
😹
FunTranscript
00:00We walk hand in hand, we dream together. We giggle and laugh like kids forever.
00:12We're two different people but we're having fun. We talk about anything under the sun.
00:19We are sisters, we are friends. We've got magic that never ends.
00:27I got you sis, you got me. The best of friends we'll always, always be.
00:39We always have fun being together. You know me the best, we're friends forever.
00:46Through good times and bad, I'm here for you sis, right by your side.
00:52Hit or miss, we are sisters, we are friends. We've got magic that never ends.
01:01I got you sis, you got me. The best of friends, the best of friends.
01:09The best of friends we'll always, always be. We are sisters, we are sisters.
01:18Good morning!
01:20Good morning mga sis!
01:22Jelly, do you know the latest?
01:24Alex Bovik.
01:26Alec.
01:27Alec? Oh okay, Alec Bovik.
01:29Then, his dad got mad at him because he made those kinds of movies.
01:36He became the manager.
01:38Yes, so he got in trouble.
01:40I don't know. There's more, let's talk about it.
01:43I hope he becomes the manager.
01:45I hope he becomes the manager.
01:47Let's say, he's the father's manager, right?
01:49I hope he becomes the manager.
01:50Like Daddy June and Jolina.
01:52He's Jolina's manager.
01:54Philip Salvador, his brother.
01:56Ramon.
01:57Ramon.
01:58Aunt Annabelle.
01:59Rufa.
02:00Rufa.
02:01Right?
02:02He doesn't have a father or a mother.
02:03He has a wife.
02:04He has a wife, like Gary and Anjelly.
02:06Bing and Jack.
02:08Right?
02:09Yes, and his manager friends.
02:12Aunt Lolit and Uncle Dog.
02:14Alfie.
02:15They're friends.
02:16Friendship.
02:17Why are we talking about managers?
02:20Because today, we'll know the role of managers in the life of an actress.
02:27Okay, we'll know that when Sis returns.
02:45Behind the stars, there are people who are taking care of their careers.
02:50We call them talent managers.
02:53And now, we'll talk to them.
02:55They're with the most famous stars.
02:57Please welcome on Sis.
03:01Ms. Ticat is her manager for two years.
03:04Vera Esbel.
03:06We're also with Sylvia Sanchez and her manager for 10 years.
03:10Aunt A, Aunt Angel.
03:12Hi, good morning.
03:15And we also have Jeffrey Santos and manager Alfie Lorenzo.
03:20I'd like to make a correction.
03:22We're not talent managers.
03:23Okay.
03:24We are professional artist managers.
03:27Okay, sorry.
03:28Bye.
03:29Professional artist managers.
03:31Because talent managers are only in cantos.
03:33Okay.
03:34Like sit-suits.
03:35Thank you, Alfie.
03:36Okay.
03:37Professional artist managers.
03:40Professional artist managers.
03:42That's correct.
03:44Okay.
03:45Okay.
03:46For the professional artist managers,
03:50what is your ideal talent, Uncle Alfie?
03:54For me, there are four Ds.
03:57I hope I don't forget the four Ds.
04:00Dedication, drive, what are the other two, Jeffrey?
04:05Determination.
04:06Just one.
04:08Yes, that's it.
04:09What's the other D?
04:10You really need to forget one D.
04:13Dashing, debonair.
04:14Yes, something like that, right?
04:16Miss D, something like that, right?
04:19As long as there's one D.
04:20Yes, as long as there's one D.
04:21That's why, Aunt Vera.
04:23My perfect talent is someone who is dedicated.
04:27That's it.
04:28D.
04:29Focused.
04:30She has an F.
04:31Focused.
04:33Aunt A.
04:34For me,
04:36first of all,
04:37she should be a professional.
04:40Because of the type of work I do,
04:41I shouldn't have a child who's late.
04:44That's your date.
04:45That's my date who's late.
04:47Even Tiffany,
04:48the artist,
04:49the singer of America.
04:51Aunt A.
04:52Okay.
04:54After that,
04:56when I treat my child,
04:58Like your child?
04:59Like my child.
05:01She should treat me like a mother.
05:03All the problems,
05:05the most important thing is
05:07she should just follow
05:09what I tell her when it comes to art.
05:12But when it comes to love,
05:13I don't care.
05:15No, right?
05:16No!
05:17That's what we call talent, Jelly.
05:20What's your ideal manager?
05:23Miss Nika.
05:25For me,
05:26someone who I can consider as my mother.
05:29No matter what problem,
05:31success,
05:32or whatever I share with her.
05:34And number one,
05:35honesty is the best policy.
05:38I'm honest with her
05:39and she knows that.
05:41And I'm also honest with you.
05:42Of course.
05:43Vice versa.
05:45Especially with money matters.
05:47That's right.
05:48It's very important.
05:49Because that's where you start.
05:50That's where the differences start.
05:53Differences.
05:54And the bad inside.
05:56Everything has to be
05:58Open.
06:00In the open.
06:01And you really don't hide anything
06:03with regards to money matters.
06:06For me,
06:07it's important that
06:08we both agree.
06:10Titangy,
06:11because she's my manager,
06:12but
06:13her pride is above me.
06:17Because every time I have a problem,
06:19she's like,
06:20Titangy, I have a problem.
06:21And sometimes,
06:22it always happens,
06:23I don't need to talk to her anymore.
06:25She already knows.
06:26She already knows.
06:27And then,
06:28she's already there.
06:29You know that?
06:30She won't let you go.
06:31She's always there.
06:33Oh,
06:34you're right.
06:35Okay, you said she's always there.
06:36No,
06:37I'll tell you.
06:38When I was hospitalized,
06:40the first time I was hospitalized,
06:41she was my manager.
06:43Do you go to the hospital often?
06:44No, just that.
06:46Just once a month.
06:49And then,
06:50I was lying down,
06:51and she asked me to leave.
06:52She was giving me something.
06:53I said,
06:54this is for your expenses.
06:55So,
06:56I was like,
06:57you know,
06:58I was crying.
06:59When she left,
07:01Unbelievable.
07:02Yes,
07:04I was speechless at that time.
07:06Because she's really different.
07:08No,
07:09because I'm sure,
07:10the first time you met Tito Alfie,
07:11you didn't know him yet.
07:13Even on the first sight?
07:14No,
07:15you didn't know him yet.
07:17As your talent.
07:18No.
07:19I'm sure the same way for all of you.
07:21So,
07:22did you become friends right away?
07:23Right off the bat?
07:24Did you become friends first?
07:25Or something?
07:27Did you interview Jeffrey first?
07:29No,
07:30I didn't interview Jeffrey.
07:32Because Jeffrey's manager,
07:33was beaten up by Lito Pimentel.
07:35He was also beaten up.
07:37I just made him.
07:38Who was your manager before?
07:39Tito Alfie.
07:40Oh my God.
07:42He was really beaten up.
07:43Right?
07:44Okay.
07:46You really have a comment like that.
07:47Yes, right?
07:48What is this?
07:49He was really beaten up.
07:50I hope they still use the name,
07:51Tito Alfie.
07:52Because there are so many now.
07:53Now, he's known as Patrick Magalona.
07:55He's not the son of Francis.
07:57Right?
07:59If you don't get beaten up,
08:00you won't be Elias.
08:01Tita Lite liked me.
08:03Right, Tita?
08:04You should've told me.
08:06I didn't know him.
08:08He's from nowhere.
08:10Then he said,
08:11I have a show.
08:12Watch me,
08:13so you'll see how I perform.
08:15When I got there,
08:16Oh my God.
08:17What is this girl doing?
08:19She split.
08:21She was all over the stage.
08:22She split.
08:23She was doing martial arts.
08:24She was jumping.
08:25She did so many things.
08:27Even her husband
08:28used her in the audience.
08:30She's beautiful.
08:32But in fairness,
08:34she was very kind.
08:35I said, Oh my God.
08:36I said, this is different.
08:37This is phenomenal.
08:39So, I thought
08:40he wasn't going to be there
08:42for lunch.
08:43I said, Tita, can we talk about this?
08:45Because by that time,
08:46I didn't have anyone close to me.
08:47Because the other managers
08:49were like, who are you?
08:50You look like Jepayuki.
08:51Then, Tita,
08:52you know,
08:53it's okay.
08:54People will accept you.
08:55It's just that
08:56you look like Jepayuki.
08:57It's too much.
09:00I said,
09:01I'll find a new manager.
09:03But after two weeks,
09:06she said,
09:07Okay, Miss Tika.
09:08Are you ready?
09:09We have a show.
09:10I said,
09:11So, Tita,
09:12I mean, accept me.
09:13What else?
09:14You make money there.
09:15It's okay.
09:16She said,
09:17Oh, okay.
09:19Yes.
09:20We don't have anyone to refuse.
09:21Right?
09:22I mean,
09:23when we first met,
09:24How did you become managers?
09:25No,
09:26when we first met,
09:27we were okay.
09:28You know,
09:29Titangit is kind.
09:30He's just a talker.
09:31But his heart,
09:32I won't change it.
09:33No, because
09:34Then,
09:35we had a meeting
09:36at,
09:37I was too early.
09:38I don't want to talk.
09:40We had a meeting
09:41at Regal.
09:42Yes,
09:43we had a meeting
09:44at Regal
09:45for him.
09:46Then?
09:47He was going to be launched.
09:48I called him on the phone.
09:49I went to his house too.
09:50I went to his house.
09:51Sylvia,
09:52you're going to be launched at Regal.
09:53Yes!
09:54He didn't answer.
09:55I left.
09:56He left.
09:57He's pregnant.
10:00He's pregnant.
10:01I left.
10:02Of course,
10:03he ran away.
10:04Because he did everything.
10:05You know,
10:06he did everything.
10:07I did everything.
10:08Then,
10:09here it is,
10:10Sylvia,
10:11we're going to shoot.
10:12Suddenly,
10:13I'm pregnant.
10:14Dead.
10:15And I didn't tell him.
10:16Out of fear,
10:17I left.
10:18Then,
10:19when I gave birth,
10:20I went back to him.
10:21Of course,
10:22I ran away.
10:23I ran away.
10:24Please forgive me.
10:25This time,
10:26it's true.
10:27It's true.
10:28So,
10:29I'm pregnant.
10:30You know what, Sylvia?
10:31Uncle Alfie.
10:32I think,
10:33it will take a long time
10:34for Anggie to join us.
10:35Why?
10:36Because opposite poles attract.
10:37Right?
10:38Opposite poles?
10:39Wait,
10:40how far
10:41will their limitations
10:42of being a manager
10:43and talent go?
10:44We'll talk about that
10:45when Sis returns.
10:48We are sisters.
10:49We are sisters.
10:53Always be.
10:54We are sisters.
10:56We are sisters.
11:00We are back.
11:01We're still with
11:02the professional
11:03artist
11:04manager.
11:05Beautiful.
11:06So,
11:07where do you draw the line
11:08in being a manager
11:10and second parent?
11:12Because,
11:13there are times,
11:14for example,
11:15when there's a little rebellion
11:16when it comes to
11:17love,
11:18forgetting work.
11:20So,
11:21how far will you say,
11:22wait,
11:23I'm just up to here,
11:24I can't be involved
11:25in those things.
11:26For me,
11:27when it comes to love,
11:28Really?
11:29I'm just studying,
11:30but I'm not ordering.
11:32For as long as
11:33you're not
11:34doing your job.
11:35Yes,
11:36as long as
11:37she's not
11:38wasting my work,
11:39fine.
11:40But,
11:41when it comes to men,
11:42when she's wasting my work,
11:43I'm not talking about Sylvia.
11:44I'm talking about men.
11:45Really?
11:46Yes.
11:47Has that happened?
11:48Of course.
11:49Ask her.
11:50Of course.
11:51It has happened.
11:52Even to my kids,
11:53to anyone.
11:54Especially,
11:55when my husband
11:56or boyfriend
11:57is close to me.
11:58I talk a lot
11:59to my boyfriend
12:00or my husband.
12:01But,
12:02if he's not close to me,
12:03I say,
12:04I'm sorry,
12:05but he's my husband,
12:06he's my husband.
12:07You're a playboy.
12:08I'm not a playboy.
12:09I'm just explaining.
12:10I'm not a playboy.
12:11For example,
12:12sometimes,
12:13husbands,
12:14sometimes,
12:15we understand
12:16as a manager.
12:17Let's say,
12:18some people complain.
12:19They'll say,
12:20what's that?
12:21My husband always comes home late.
12:22Next, next,
12:23next, next.
12:24If your husband is not an actor,
12:25sometimes,
12:26he doesn't understand that.
12:27The manager should
12:28explain to the husband
12:29that,
12:30you know,
12:31the movie,
12:32if there's a movie,
12:33now,
12:34then,
12:35six months,
12:36I don't have a job anymore.
12:37You need,
12:38as long as you have a job,
12:39you're really okay.
12:40Right?
12:41Yes.
12:42Then,
12:43I said,
12:44Sylvia,
12:45I think you're wrong.
12:46Sylvia is right.
12:47Sylvia,
12:48you're wrong.
12:49Then,
12:50the day came,
12:51Sylvia's husband called me.
12:52He complained to me
12:53about something.
12:54I fought with him.
12:55He fought with his husband.
12:56He said,
12:57I only have one partner.
12:58You're going to get more?
12:59Oh,
13:00you're already at that point.
13:01Oh,
13:02really?
13:03No,
13:04I'm balancing pros and cons.
13:05Okay,
13:06you already have a girlfriend.
13:07Uh-huh.
13:08I want to get married.
13:09Uh-huh.
13:10I said,
13:11PJ,
13:12I said,
13:13if you do that,
13:14you'll lose your fame.
13:17Yes.
13:18You'll also lose your income.
13:19Uh-huh.
13:20Your family will grow.
13:21Your income will shrink.
13:22You see?
13:23Uh-huh.
13:24I said,
13:25when that day comes,
13:26you'll all fight
13:27because you won't have anything to eat.
13:28You'll just be drooling.
13:30Goodbye.
13:31Right?
13:32I said,
13:33now,
13:34if you want that,
13:35go there.
13:36But if I'm right,
13:37don't come back to me
13:38and say,
13:39you're right.
13:40No.
13:41I said,
13:42I already balanced it here.
13:43Before you do it,
13:44you need prevention.
13:45An ounce of prevention.
13:46Right?
13:47Okay.
13:48Now,
13:49they did it.
13:50Like PJ,
13:51he insisted.
13:52I said,
13:53bye now.
13:54They also broke up
13:55with his wife.
13:56I said,
13:57I'm right.
13:58Edgar Manderen,
13:59he's like that.
14:00Patrick de la Rosa,
14:01I'm also right.
14:02Okay,
14:03bye.
14:04I said,
14:05you don't have a second chance.
14:06I don't have.
14:07This is Lee-sen.
14:08Ah,
14:09I'm Lee-sen.
14:10Then,
14:11he has a baby.
14:12Okay,
14:13bye now.
14:14I said,
14:15to the girl.
14:16Right?
14:17That's the baby.
14:18Okay,
14:19to the grandpa.
14:20Like that.
14:21There.
14:22His career is continuous.
14:23This is Mystica.
14:24There's no,
14:25you can limit it here.
14:26Because,
14:29she's like that.
14:30But,
14:31I'm advising her.
14:32Yes.
14:33Sometimes,
14:34I don't listen.
14:35But this is the only thing
14:36I can understand.
14:37One time,
14:38she was in the hospital.
14:39I said,
14:40what are you doing?
14:41I have high blood pressure.
14:42Please,
14:43stop it.
14:44I said,
14:45auntie,
14:46is that how it affects you?
14:47I said,
14:48stop it.
14:49I'll be kind.
14:50So,
14:51that's how it is.
14:52You can't do that.
14:53Ah,
14:54hold on to Aga.
14:55Stop it.
14:56Cheng,
14:57Cheng,
14:58if it's okay,
14:59copy it.
15:00Accept it.
15:01Then,
15:02call her.
15:03Tell her,
15:04I accepted the offer.
15:05Tell her,
15:06it's a yes.
15:07It's yours.
15:08It's your child's.
15:09In Fami,
15:10because,
15:11it's like,
15:12we don't want to be laughed at.
15:14It's like,
15:15we're looking at the goodness of,
15:17not just our talent,
15:18but the talent of almost the entire industry.
15:21We don't want to be laughed at.
15:23Because if an artist is laughed at,
15:25the others are included.
15:26Right?
15:27Auntie,
15:28call her.
15:29So,
15:30it really spread.
15:31So,
15:32she was,
15:33she was,
15:34she was given a memo that,
15:36this is the last time,
15:37if you can't display your artist,
15:39you have to display her,
15:41if not,
15:42in the panel.
15:43I saw Auntie Ange,
15:44she said,
15:45Auntie,
15:46please forgive me,
15:47Auntie,
15:48New Year,
15:49you looked at me nicely,
15:50like,
15:51I changed my appearance,
15:52Auntie,
15:53I said,
15:54Auntie,
15:55please forgive me.
15:56So,
15:57that was the first time,
15:58we really became friends.
15:59Not just me,
16:00not just me,
16:01all of us are like that.
16:02Let's say,
16:03there's a baby,
16:04maybe we're getting married,
16:05we don't have a baby,
16:06but,
16:07in a way,
16:08she said to me,
16:09I should drop her,
16:10I should drop her.
16:11She should really drop her.
16:12That's what Auntie advised me,
16:13I should drop her,
16:14because it's embarrassing,
16:15like that.
16:16This is the last chance.
16:17So, we gave her a warning.
16:18So, I told her,
16:19I had to advise her.
16:20What about you?
16:21How did you fight?
16:22Did you fight?
16:24I don't fight with them.
16:25When I fight with them,
16:26they behave,
16:27they're siblings.
16:28Ah, behave.
16:29We don't,
16:30we don't voice out.
16:31Yes.
16:32Yes,
16:33we don't.
16:34Really?
16:35That's it,
16:36that's it.
16:37It's wrong to fight.
16:38Why?
16:39It's wrong to hide.
16:40No, no.
16:41It's a challenge.
16:42Why?
16:43Why?
16:44Why are you fighting?
16:45No interaction.
16:46That's it,
16:47that's it.
16:48Cecilia,
16:49I haven't talked to you for a week.
16:50Why?
16:51Is it long
16:52that you haven't talked for a week?
16:53Of course,
16:54every day,
16:55we talk.
16:56But,
16:57we don't fight.
16:58We don't fight.
16:59We don't fight.
17:00I'm the only one,
17:01I avoid.
17:02She's the manager.
17:03For example,
17:04I'm not in love yet.
17:05True.
17:06You're crazy.
17:07No, not you.
17:08There's someone there.
17:09What's happening now,
17:10she's advising me.
17:11There's someone there.
17:12She's advising me.
17:13Then,
17:14of course,
17:15she's my manager,
17:16she's my mom.
17:17But,
17:18when it comes to love,
17:19I'm still the one who will follow.
17:20I won't advise her.
17:21Sometimes,
17:22she'll say,
17:23this is what you'll do,
17:24I won't follow.
17:25Because,
17:26I'm in love.
17:27She'll slap you.
17:28When she did,
17:29when she did what I said,
17:30she didn't slap me.
17:31Yes,
17:32that's it.
17:33I thought,
17:34you're not involved in love.
17:35No,
17:36I'm not involved in love.
17:37I'm just advising her.
17:38She's not advising me.
17:39I don't know what to say.
17:40She's not advising you.
17:41Yes,
17:42this is what you'll do.
17:43So, you're not involved in love.
17:44No,
17:45I'm just following.
17:46Involvement is the word.
17:47She's still the one who will follow.
17:48No,
17:49she's still the one who will follow.
17:50Wait,
17:51again,
17:52this is the challenge.
17:53This is the challenge.
17:54Yes.
17:55There's something there,
17:56between these two,
17:57you know,
17:58when they're in love,
17:59they're really crazy.
18:00Yes.
18:01Don't cut this part,
18:02I'll cut it later.
18:04I'll hold this.
18:05Okay,
18:06this is not it.
18:07I don't know why we're silent.
18:08In love,
18:09in love,
18:10in love,
18:11of course,
18:12even if I ruined the talent,
18:13the talent,
18:14in love with talent,
18:15even if I ruined it,
18:16I'll cut it later.
18:17I just told her,
18:18I just told her,
18:19I know the next episode,
18:20I know what will happen.
18:21I just told her,
18:22I just told her,
18:23I know the next episode,
18:24I know what will happen.
18:25So, whatever happens,
18:26I'll say,
18:27I'm with you.
18:28I'm your ally.
18:29Who's talent is this?
18:30Gabby or Aga?
18:31When you cry,
18:32when you come back,
18:33I'll tell you,
18:34you'll tell me.
18:35You'll tell me.
18:36Of course.
18:37That's why until now,
18:38she's my ally.
18:39Lolit,
18:40the one,
18:41Involved.
18:42Talent.
18:43No,
18:44it's Gabby.
18:45It's Gabby.
18:46It's Gabby.
18:47It's a puppy love.
18:48Of course.
18:49How can you stop that?
18:50Of course.
18:51It's a burger.
18:52Burger.
18:53Burger.
18:54But I mean,
18:55walk to the edge and go.
18:56It's really just a puppy,
18:57right?
18:58That's okay, but.
18:59Of course,
19:00conflict can't be avoided
19:01in a partnership.
19:02We will continue to talk about
19:03their conflict
19:04in returning the sis.
19:05It's time for our sis challenge.
19:06Okay,
19:07this one,
19:08about the conflict.
19:09We will ask the managers
19:10and they will answer.
19:11Then,
19:12we will ask them
19:13about the conflict.
19:14Okay,
19:15we will ask them
19:16about the conflict.
19:17Okay,
19:18we will ask them
19:19about the conflict.
19:20Okay,
19:21we will ask them
19:22about the conflict.
19:23Okay,
19:24we will ask them
19:25about the conflict.
19:26Okay,
19:27we will ask them
19:28about the conflict.
19:29Then,
19:30they will answer.
19:31Okay,
19:32here it is.
19:33Your talent's parents
19:34complained and demanded
19:35because of a sexy scene
19:36that was done
19:37in his launching movie.
19:38because of a sexy scene
19:39that was done
19:40in his launching movie.
19:41Is it okay with your talent?
19:42Okay, fine.
19:43Okay,
19:44no problem.
19:45How will you settle this?
19:46Because even if it's okay
19:47with your talent,
19:48your parents are the ones
19:49who are demanding.
19:50Like that?
19:51Yes.
19:52How many years?
19:53Before they did it,
19:54I took care of
19:55only one sex.
19:56I took care of
19:57only one sex.
19:58I took care of
19:59only Sunshine Cruz.
20:00I took care of
20:01only Sunshine Cruz.
20:02If there's an offer like that,
20:03the script will come
20:04to me first.
20:05Then,
20:06I will read it.
20:07I will highlight
20:08the delicate scenes.
20:09I will highlight
20:10the delicate scenes.
20:11Then,
20:12I will pass it to Sunshine
20:13Then,
20:14I will pass it to Sunshine
20:15so I can read it
20:16to her mother.
20:17If they agree,
20:18I won't be in front of her.
20:19I won't be in front of her.
20:20Okay,
20:21you two go to
20:22Boss Vic.
20:23Okay,
20:24you two go to
20:25Boss Vic.
20:26They...
20:27have nothing to do with that
20:28because
20:29there might be
20:30a time, right?
20:31Like,
20:32Sirius Sanchago
20:33has an offer.
20:34Sirius Sanchago
20:35has an offer.
20:36Sunshine has
20:37breast exposure.
20:38Sunshine has breast exposure.
20:39Then,
20:40he will even
20:41make the leading man
20:42he will even make the leading man
20:43supposedly
20:44black.
20:45supposedly black.
20:46The leading man
20:47is still black.
20:48The leading man
20:49is still black.
20:50I refused outright.
20:51I said,
20:52this is the only preposterous
20:53I said, this is the only preposterous
20:54I said, this is the only preposterous
20:55that shouldn't be
20:56black.
20:57Joy Simenez
20:58did that.
20:59But,
21:00who became the leading man?
21:01Not black, right?
21:02Not black.
21:03There's a saying,
21:04white.
21:05Right?
21:06Not black.
21:07No,
21:08on 21 Jump Street,
21:09Johnny Depp.
21:10Yes,
21:11that one.
21:12Johnny Depp.
21:13No,
21:14Richard Rico.
21:15Yes,
21:16Richard Rico
21:17replaced
21:1821 Jump Street.
21:19He replaced
21:20Johnny Depp.
21:21You have to
21:22walk in the street.
21:23Up to now,
21:24you're still reading
21:25the script?
21:26Yes,
21:27I'm still reading the script.
21:28How about you,
21:29are you still reading the script?
21:30Usually,
21:31I'm not.
21:32I'll give it to my talent.
21:33Then,
21:34he'll decide.
21:35He'll decide
21:36what he wants
21:37or what he doesn't want.
21:38He'll tell you first.
21:39He'll tell me,
21:40he'll say,
21:41I don't like this.
21:42I'll say,
21:43I don't like this.
21:44I can't do this,
21:45this,
21:46this,
21:47this,
21:48this.
21:49So,
21:50there.
21:51What would you do
21:52in a situation like that?
21:53I'm also
21:54the type
21:55I read the script also.
21:56Then,
21:57I go through it.
21:58Then,
21:59what I don't like,
22:00I'll tell the producer
22:01right away.
22:02Or,
22:03this,
22:04we don't like this.
22:05Like that.
22:06In the case of
22:07Jao before,
22:08with Mistika,
22:09there's no limitation.
22:10Bah!
22:11She's a gay!
22:12Don't make me laugh.
22:13Correct.
22:14Correct.
22:15I made her do it,
22:16but I said,
22:17I can do that,
22:18I can do that.
22:19It's okay,
22:20it's okay.
22:21You need to hold her.
22:22Yes,
22:23you need to hold her.
22:24You need to hold her.
22:25No,
22:26I don't
22:27go for that.
22:28Sylvia,
22:29that day,
22:30when I took care of her,
22:31she's sexy,
22:32bold star.
22:33When I held her,
22:34I took her away right away.
22:36I don't know,
22:37because I'm a man.
22:38You're a man!
22:39What happened was,
22:40before you took care of me,
22:41I was still sexy.
22:42Sexy, yes.
22:43When you didn't take care of me.
22:44Then,
22:45when I took care of her,
22:46she said,
22:47okay,
22:48we'll put up with it.
22:49You don't have a movie for a year,
22:50you don't have a TV guesting
22:51for 6-8 months,
22:52but
22:53I assure you,
22:54later on,
22:55your pressure will increase.
22:57Your image will increase.
23:00I'll put you in the drama.
23:01So,
23:02for me,
23:03it's been 8 months
23:04without a movie,
23:05without a TV show.
23:06I put up with it.
23:07I don't regret what she did.
23:09Because she took her image
23:10when she was
23:11this.
23:12Now,
23:13if I'm the only one
23:14who doesn't have a manager,
23:15she'll call me,
23:16you know,
23:17there's a kissing scene,
23:18there's this,
23:19there's that.
23:20Now,
23:21she'll be my manager.
23:22And,
23:23I followed what she wanted.
23:24Bianca,
23:25we need you.
23:26We need you here
23:27to cry,
23:28the drama.
23:29The feeling is good.
23:30It's like you're
23:31being respected.
23:32Yes,
23:33that's it.
23:34That's why I didn't
23:35regret
23:36the one year
23:37I didn't have a movie,
23:38the one year I didn't have a TV show.
23:39Because you had a big belly then.
23:40This alfie,
23:41I had a child then.
23:43Now,
23:44your build-up
23:45is getting bigger.
23:46It's getting bigger,
23:47it's getting better.
23:48Then,
23:49she decided to
23:50change her manager.
23:51What?
23:52She moved to someone else.
23:54Kill.
23:55Dead.
23:56Kill,
23:57dead.
23:58Once and for all.
23:59Fine,
24:00go.
24:01She said that.
24:02You'll hold her,
24:03you'll say,
24:04okay, fine,
24:05you want that,
24:06okay, go.
24:07I hope it reaches
24:08that point.
24:09Before it reaches
24:10that point,
24:11it's broken.
24:12If it's like that,
24:13you'll run away.
24:14You'll leave.
24:15Yes.
24:16It's like,
24:17she'll say,
24:18if you don't want me anymore,
24:19just leave,
24:20find someone else.
24:21It's like that.
24:22No,
24:23it's not like that.
24:24I don't know
24:25why Smokey
24:26always makes us jealous.
24:28When we have a party.
24:29That's why,
24:30that's why.
24:31He'll say,
24:32Silvia,
24:33Smokey,
24:34this is his dialogue,
24:35Silvia,
24:36Smokey,
24:37you already know each other.
24:38You already know how to act.
24:39The industry already knows
24:40how to act.
24:41You can stand up
24:42on your own.
24:43Just leave me,
24:44find another manager.
24:46So,
24:47Smokey and I,
24:48why?
24:49You want to leave,
24:50but we won't leave you.
24:51We'll stick to you.
24:53It's like that.
24:54So,
24:55you're the ones
24:56who will answer the talents,
24:57and you're the managers
24:58who will react
24:59to their answers.
25:00Okay,
25:01Jeffrey.
25:02Your manager
25:03has a lot of projects
25:04lined up for you.
25:06At the same time,
25:07you met a guy
25:08or a girl
25:09that you've been waiting for.
25:11But,
25:12your manager told you
25:13that you can't
25:14have a relationship
25:15with anyone
25:16while he's managing you.
25:17What will you do?
25:18I'll do my job.
25:20Oh,
25:21that's it.
25:25Of course,
25:26it's part of your career.
25:28Because it affects
25:29your career.
25:31It's like,
25:32auntie,
25:33you're a woman,
25:34right?
25:35You need
25:36a woman,
25:37right?
25:39No,
25:40it's just important
25:41that he's in love,
25:42but when it comes to work,
25:43I'll do my job.
25:44That's it.
25:46I'm not rejecting him.
25:47I'm not rejecting him.
25:48No problem.
25:49I'm just thankful
25:50that he's with Art,
25:51my husband.
25:52So,
25:53I don't have a problem.
25:54If he has a movie,
25:55or any project,
25:56or Sylvia,
25:57or something like that,
25:58so,
25:59you know,
26:00Art,
26:01if you have a new job,
26:02go ahead.
26:03That's how it is.
26:04Because I know
26:05everyone,
26:06the whole family.
26:08The whole family?
26:09Not just the father?
26:10Not just the father,
26:11not just the mother,
26:12not just the sister,
26:13the aunt,
26:14I know everyone.
26:15I know everyone.
26:16He loves everyone.
26:17Actually,
26:18the problem is,
26:19I'm not rejecting Art.
26:20Because Art,
26:21he's going to court you
26:22and reject you.
26:23Give me everything you have.
26:24Stop!
26:25I'm going to make you
26:26look like a fool.
26:28Oh,
26:29here it is.
26:30Talent,
26:31answer this again.
26:32Because of your debt,
26:33you promised your friend
26:34that you'll accompany him
26:35in his project.
26:37But,
26:38you asked your manager
26:39to commit you
26:40to a bigger project.
26:41What will you do?
26:44Me first?
26:45Yes.
26:46Ah,
26:47because of all the decisions.
26:48Save your answer.
26:49No,
26:50because of all the decisions
26:51of Uncle A.
26:52Ever since,
26:53I never went far enough
26:55to go over
26:57his decision.
26:58Even for a friend?
26:59Or even
27:00for a family member?
27:01Even for who?
27:02Even for Raul?
27:03Because I'm the one
27:04who decided
27:05to save him.
27:06He's considering it.
27:07But,
27:08when it comes to friendship,
27:09that's what he's giving,
27:10especially when it comes to
27:11bold role.
27:14He's already done
27:156 movies.
27:17He'll do a show.
27:18I'm a rapist.
27:19I'm a villain.
27:20I have nothing to do with that.
27:22That's him.
27:23Because,
27:24if he's the type to rape,
27:25okay.
27:28He's a consultant.
27:29Who will you rape?
27:30I don't know.
27:31Who will you save?
27:33Stop asking.
27:34Stop asking.
27:37For me,
27:38my manager is still there.
27:39Because,
27:40even if
27:41my relatives
27:42or my friends
27:43say,
27:44this is the price,
27:45this is the price,
27:46I'll say,
27:47well,
27:48if there's money,
27:49it means it's a business.
27:50Now,
27:51if it's an invitation
27:52to a birthday party,
27:53it's okay.
27:54I'll say,
27:55I'm okay.
27:56But,
27:57if there's money involved,
27:58my manager
27:59is the number one
28:00who will decide.
28:01That's why,
28:02every time,
28:03I consult Tita.
28:04Tita will reject everything.
28:05She needs to know.
28:06Because,
28:07my God,
28:08when she grows up,
28:09I don't know,
28:10she'll run away.
28:11She'll say,
28:12she knows everything.
28:13But,
28:14let's say,
28:15I have a friend
28:16who talks to me,
28:17this is just an honorarium.
28:18If I'm really close,
28:20I'll ask,
28:21Tita Anggie,
28:22there's something like this,
28:23I'm really close,
28:24like that.
28:25Then,
28:26I'll say,
28:27do I have a schedule for this?
28:28Is it okay for you?
28:29If she says,
28:30okay,
28:31okay.
28:32But,
28:33if she says,
28:34I don't want it,
28:35you'll listen.
28:36Right?
28:37Because,
28:38either I don't want it,
28:39accept it,
28:40or I'll let you go.
28:41Because,
28:42for me,
28:43you shouldn't be afraid
28:44of your talent.
28:45Because,
28:46you're looking for a job
28:47with your talent.
28:48I'm not the one
28:49you're looking for a job with.
28:50She's the one
28:51I'm looking for a job with.
28:53For me,
28:54maybe,
28:55the biggest mistake
28:56I can make,
28:57if my talent
28:58is famous,
28:59well-known,
29:00then,
29:01I'll let her,
29:03what do you call it,
29:04the,
29:05what do you call it,
29:06the gossip.
29:07I won't allow it.
29:09But,
29:10if my talent
29:11is not yet famous,
29:12then,
29:13I can forgive her.
29:14What do you mean?
29:15Let her be.
29:16Okay.
29:17Because,
29:18she needs it.
29:19She's so excited
29:20to go to those places.
29:21She doesn't know.
29:22She's destroying
29:23what I'm building
29:24for her.
29:25But,
29:26if you already know her,
29:27then,
29:28you'll listen to me,
29:29maybe,
29:30I won't hesitate.
29:31Even if you're already
29:32famous as an artist,
29:33I'll let you go.
29:34That's a great question.
29:35Who do you love more,
29:36Smokey or Bayani?
29:37Oh, my God.
29:39More.
29:40Put me on the spot.
29:41You answered already.
29:42Oh, my God.
29:44No, Oh, my God,
29:45she said.
29:46She loves God more.
29:47Okay.
29:50Let's do it again.
29:51Let's do it again.
29:52Let's do it again.
29:53Let's do it again.
29:54Let's do it again.
29:55Let's do it again.
29:56Let's do it again.
30:08We are sisters.
30:12For managers,
30:13if you're given a chance
30:14to manage
30:15the following artists,
30:18how will you repackage them?
30:20Artist, okay?
30:21Yes.
30:22Let's start with
30:23Sunshine Dizon.
30:26Will you make her sexy?
30:28What else?
30:29The egg.
30:33I'm scared.
30:34I'm scared.
30:36Sorry, sorry.
30:38Maybe,
30:40I'll change the way
30:41she wears clothes.
30:43She can still wear clothes.
30:44No, because.
30:48She'll just take off the clothes?
30:49No, no, no.
30:50Maybe,
30:51I'll just change
30:52the type of clothes.
30:54Because,
30:55it's like
30:5660's.
30:59No,
31:00it's not.
31:01It doesn't suit her.
31:02It doesn't suit her
31:03to be old.
31:04Maybe,
31:05she doesn't choose her clothes.
31:07Maybe,
31:08she doesn't follow the way
31:09she chooses her clothes.
31:10Because,
31:11she doesn't look teenager.
31:13For me.
31:14You want her to look younger.
31:15Yes, younger.
31:17Aunt Vera.
31:18Sunshine Dizon.
31:19Maybe,
31:22I'll change her hair
31:23and makeup.
31:25How?
31:27Because,
31:28her face is round.
31:30So, maybe,
31:32she has to be made over.
31:36Because,
31:37she can be
31:40a star.
31:41Star material.
31:43Given the chance.
31:44But, her looks.
31:47Follow the
31:49outfits.
31:50Makeover.
31:51Makeover.
31:52Physical makeover.
31:53And then, make her
31:54a dramatic star
31:55instead of
31:56Leslie Pucker.
31:57Enough, Vera.
31:58It's my turn.
31:59Go ahead.
32:00If I were her,
32:01I won't repackage her.
32:02As is.
32:04And, I'll make her
32:06a villain.
32:07Yes.
32:08More wicked than
32:09Gladys Reyes.
32:10Or,
32:11Sherry Hill.
32:14Or, Tita Mitz.
32:15Like that.
32:17For a change,
32:18we need a
32:20young,
32:21wicked villain.
32:22Yes.
32:24Excuse me.
32:26That's Matep.
32:28No, that's not her.
32:29She's not a villain.
32:30She's a witch.
32:32Who's next?
32:33April Boy Regino.
32:36Why did you call me first?
32:39April Boy.
32:41That's where she's seen
32:42when she's nervous.
32:45Isn't that true?
32:46No.
32:48That's where her aura is.
32:50That's where she's seen
32:51when she's big.
32:53Because, she's massive.
32:55Maybe, in person
32:56when she's not in the show.
32:57Maybe,
32:58her looks should be different.
33:01For me,
33:02I'll change the color
33:03of her hair.
33:06So that it's different.
33:07So that it's different.
33:08So that it's still cap.
33:09Because that's her signature.
33:10That's her trademark.
33:11But, maybe,
33:12we'll make it platinum blonde.
33:14Or, something like that.
33:17I wish
33:18we're not in the Philippines.
33:21Because, in the Philippines,
33:22because,
33:23wherever the public
33:24likes your image,
33:25you're stuck
33:26to that.
33:27Yes.
33:28So, it's not possible.
33:29If you're like that.
33:30You're really like that.
33:33Because,
33:34Boy Aboon,
33:35they made him
33:36a socialite.
33:38That's what made him fall.
33:40Oh, my God.
33:41That's what made him fall.
33:42Even the eyebrows,
33:43he wore
33:44the things
33:45that can't be carried.
33:47That's what made him fall.
33:49Okay.
33:50Okay.
33:51Okay.
33:52Okay.
33:53Okay.
33:54Aysa Sigera.
33:55Aysa Sigera.
33:56I'll replace them
33:57with the role
33:58of April Boy.
34:01Who's that girl?
34:03Aysa?
34:04Yes.
34:05Because, April Boy
34:06is her name.
34:07Yes.
34:09I want her
34:10to be a comedian.
34:11Right?
34:12Aysa.
34:13Or,
34:14the strictly
34:15comedy role.
34:16But, she's also good
34:17at acting.
34:18No.
34:19But, no.
34:20It's like,
34:21we can't
34:22repackage
34:23Aysa.
34:24Aysa.
34:25Because, Aysa
34:26was a successful
34:27child star.
34:28Yes.
34:29In the history
34:30of movies,
34:33the first
34:34clock of life,
34:36you'll be successful
34:37until you get old.
34:39Wow.
34:40There's Stacey Agana,
34:42Snooki,
34:43Nino.
34:45But, actually,
34:46if I were Aysa,
34:48the biggest mistake
34:49that Aysa made,
34:50because she could've
34:51become
34:53different.
34:54She shouldn't have
34:55admitted it in public.
34:56Because, if you admit it
34:57in public,
34:58it's like,
34:59you'll be degraded.
35:00No, no, no.
35:01She shouldn't have admitted it.
35:02No.
35:03She should've admitted it
35:04to Porsche.
35:05Porsche was adopted,
35:06not Aysa Sguerra.
35:07Porsche was adopted.
35:08I'm talking about
35:09another Porsche.
35:10No, no, no.
35:11I'm serious.
35:12My brother-in-law
35:13admitted it.
35:14No, no, no.
35:15I won't answer you.
35:16No, no, no.
35:17Aysa.
35:18No, because
35:19Aysa is kind.
35:20Mami Karing.
35:21I love Mami Karing
35:22very much.
35:23Of course,
35:24you're kind.
35:25You're kind, right?
35:26Of course.
35:27I hope she didn't
35:28go there
35:29because,
35:30easily,
35:31the thrust of
35:32her career
35:33could've been
35:34better.
35:35Because,
35:36it's hard for them.
35:37Why did you answer?
35:38You shouldn't have
35:39answered.
35:40Look at her now.
35:41Fight her.
35:42Fight her.
35:43Even if it's
35:44their show.
35:45That's
35:46their job.
35:47Of course,
35:48you know
35:49how it is.
35:50That's our job.
35:51Uncle Alfie,
35:52what if
35:53Mystica is the one
35:54who will repackage it?
35:55Oh my God.
35:56That's it.
35:57Uncle Alfie,
35:58what will you do?
35:59I'll make her a
36:00contravida too.
36:01Type, type, type.
36:02You know,
36:03I've promised
36:04Aye Aye
36:05for 5 years
36:06that if I have
36:07a project
36:08that I'm in
36:09full control,
36:10I'll give you
36:11the wickedest role,
36:12I said.
36:13It's like
36:14Cruella
36:15the Devil.
36:16Yes.
36:17She really wants
36:18a witch.
36:19Until now,
36:20she's like that.
36:21She's really good
36:22at contravida.
36:23She's only good
36:24at kilos.
36:25It's believable.
36:26Yes.
36:27Look at her nails.
36:28There's a fight
36:29in her nails.
36:30Yes,
36:31she really has nails.
36:32I have Sylvia
36:33who will
36:34repackage it.
36:36I don't think
36:37it needs to be repackaged.
36:38No,
36:39it needs to be repackaged.
36:40Yes, it needs to be repackaged.
36:41It needs to be repackaged.
36:44How will
36:45Sylvia repackage it?
36:46Maybe,
36:47she's
36:49a host.
36:51Host.
36:53The guest
36:54can't speak.
36:55That's it.
36:56I can't speak the truth.
36:57Because if not,
36:58I'll be embarrassed.
36:59That's the good thing.
37:00Because as a host,
37:01she's good.
37:02She's good.
37:04She's good at
37:05orierak.
37:11I think she needs
37:12a show
37:13where she can be.
37:14Will the show last long?
37:15It will.
37:16It won't last long.
37:19Jeffrey.
37:20Jeffrey.
37:23Maybe,
37:24I just want him
37:25to remove his chin.
37:27It's a bit big.
37:28But,
37:29that's Jeffrey.
37:30That's him.
37:31He's good at
37:32contrabida.
37:33He can do bida.
37:34That's the only thing
37:35he sometimes neglects.
37:37You know?
37:38Sometimes,
37:39he goes out.
37:40Because an artist,
37:41when you go out,
37:42you should look like an artist.
37:44But sometimes,
37:45he goes out like a janitor.
37:49He doesn't have a job.
37:52That's what they do
37:53in Hollywood.
37:55That's why we're not in Hollywood.
37:56We're not in Hollywood.
37:57We're in the Philippines.
37:59And Jeffrey,
38:00sometimes, he's big.
38:01He neglects.
38:02He's not consistent.
38:03He's not consistent.
38:04Sometimes, he's handsome.
38:05Maybe, he needs a role.
38:07He's handsome.
38:12So, talents,
38:13are you satisfied
38:14with the way your managers
38:15are taking care of you?
38:17It's like he's going to admit
38:18it on TV.
38:19Very much.
38:20I'm satisfied.
38:21I'm satisfied.
38:22There's no one else
38:23to look for.
38:24Okay.
38:25Last,
38:26we want you two
38:27to talk to each other.
38:28Tell each other
38:29what you want to say.
38:31That you haven't said
38:32to each other.
38:35It's a matter of death.
38:36They can leave us.
38:40It's plastic.
38:42It's plastic.
38:43There's no mood.
38:44It's gay.
38:45It's gay.
38:46It's gayness.
38:47It's gayness.
38:48It's gayness.
38:49It's gayness.
38:50She's the one
38:51who's being
38:52neglected.
38:53She's the one
38:54who's being neglected,
38:55because,
38:56every day,
38:57because,
38:58she's my manager.
38:59She's pushing me.
39:00But, if I have the chance,
39:02I'm pushing her,
39:03because,
39:05I'm going to say no.
39:06Because,
39:07I'm going to say,
39:08Because,
39:09she has a problem.
39:13Because,
39:14she's the one
39:15But he's letting himself go because he has high blood pressure and diabetes.
39:20He's just a kid.
39:22What happened was, someone called me and said,
39:24Sylvia, your manager went to the office and got dizzy.
39:28He got dizzy.
39:30I pushed him.
39:31I told him, you know, you always push me.
39:36But this time, I'll push you.
39:38You won't be happy.
39:40Because he should be getting blood every day.
39:44But he's not doing that.
39:46So that's what I can't accept.
39:48If you care about us as a mother,
39:51not just me, but everyone,
39:52do the same for yourself.
39:54Keep quiet!
39:55Because it doesn't make sense.
39:57That's enough.
39:58This is just a party, right?
39:59Quiet, quiet.
40:01You're not allowed to comment.
40:03You're not allowed.
40:04Be quiet.
40:05I think, I know that our personalities are really far apart.
40:11We have a lot in common.
40:12Yes.
40:13You're so gentle.
40:15I'm so old.
40:16I'm so scandalous.
40:19So I hope you'll add more patience to me.
40:22Because if something happens again,
40:24you'll go to the hospital,
40:25and if you're not dead,
40:27it's okay.
40:28I won't forgive myself for high blood pressure.
40:31Aunt Vera.
40:33Miss Tika,
40:37I admire your professionalism.
40:40This is number one.
40:41Number one in being professional.
40:44I'm not sad.
40:45So that's it.
40:46But be careful with your love affairs.
40:49Love affairs.
40:51Because...
40:52Jeff.
40:53Aunt Alfie.
40:55I hope you'll add more, Alfie Lorenzo.
40:59Because you're helping a lot of people.
41:01I mean, not everybody knows
41:02what my real personality is.
41:03Don't say anything.
41:04No, I won't.
41:05I won't say anything.
41:06I'll say everything.
41:07And maybe more people will come closer to you.
41:09Maybe more people will come closer to you.
41:11Scholarship foundation.
41:13I'm just wishing that...
41:15I hope you'll get wet in the rain,
41:17and you'll get more people.
41:18Okay.
41:19You're not Emily, right?
41:22I'm just wishing.
41:24This guy.
41:27He can't give his concern anymore.
41:32That's right.
41:33I'm embarrassed.
41:34We can get married.
41:37That's right.
41:38Okay.
41:39So that you'll really love each other.
41:40That's right.
41:41You'll really love each other.
41:42That's right.
41:45What else?
41:46What did you want to say?
41:47You want to say something to Jeff?
41:48He said something really nice.
41:50Oh, like that?
41:51I hope you're happy with what you're doing.
41:53Keep on doing.
41:56What you want to do.
41:57You don't want to be too emotional.
41:58That's right.
41:59I hope you'll do more.
42:01No, I hope my grandchildren will do more.
42:04Even if they're different mothers.
42:07Even if they're different mothers.
42:10I have a question.
42:11Do you give compliments to your kids?
42:13Because this is just an example.
42:15Of course, this is just for the audience.
42:16Dogs are already winning awards.
42:18Their kids are already being praised.
42:20He's not the one who's going to give comments.
42:22He's going to give a card.
42:24Who?
42:25Let's give an example.
42:26He's going to give a card.
42:27Who?
42:28Dogs.
42:29He doesn't really give compliments.
42:32Because I told my dogs,
42:33why don't you give compliments?
42:35You don't tell them,
42:36you're good at this.
42:37You tell them,
42:38all of your heads have grown.
42:39Exactly.
42:40It's just right for me
42:41to be the one who does things.
42:43It's not just Dog.
42:44It's not just Dog.
42:46It's Titange.
42:47You know,
42:48that night,
42:49I was already beautiful.
42:50That night,
42:51in the movie,
42:52I was already good.
42:53You gave the best.
42:55I'll give a reply.
42:56And to him,
42:57you know,
42:58you're not beautiful at night.
43:00Your sisters are not good.
43:02We're good.
43:04And to my friend,
43:05but to him,
43:06you're not beautiful at night.
43:07Why did he say that?
43:08You know,
43:09you're not beautiful at night.
43:10You're good at acting.
43:11Your heads have grown.
43:12Exactly.
43:13It's just right for me
43:14to be the one who does things.
43:15It's not just Dog.
43:16They're not beautiful at night.
43:17They're not good.
43:18It's their fault.
43:19Correct.
43:20So they won't do it again.
43:21Because everyone
43:22has something to say.
43:23Everybody knows that.
43:24Who will give them
43:25the compliment?
43:26That's great.
43:27That's great.
43:28That's great.
43:29That's great.
43:30That's great.
43:31That's great.
43:32That's great.
43:33You're not good at acting.
43:34You're just like us,
43:35Doglas and Lolit.
43:36You learned.
43:37You're smarter than us now.
43:39Thank you, Alfie.
43:41That's just a picture.
43:42That's in the contract of Pam.
43:46That's a compliment.
43:47Wow.
43:48Auntie Lala
43:49is always complimenting me.
43:50That's in the contract of Pam.
43:51Sometimes,
43:52she gives me a compliment
43:53that I don't like.
43:55She said,
43:56you know,
43:57your show is good.
43:58Why is your Belpino so big?
43:59I said,
44:00is it like that?
44:01I said,
44:02in front of the other people,
44:03she said,
44:04it's like that.
44:05My Belpino is so big.
44:06I said,
44:07my Belpino is so big.
44:08Please,
44:09you can say that later.
44:10Of course,
44:11that's how
44:12all managers
44:13always comment,
44:14right?
44:15You're full,
44:16but at the same time,
44:17you're complimenting me.
44:18I always say,
44:20I said,
44:21you did a good job,
44:22but I wish you could have done better.
44:23Better?
44:24Yes.
44:25No,
44:26that's not true.
44:27That's not true.
44:28She's not excited
44:29to do better.
44:30That's not true.
44:31That's not true.
44:32That's not true.
44:33That's not true.
44:34That's not true.
44:35That's not true.
44:36That's not true.
44:37That's not true.
44:38That's not true.
44:39That's not true.
44:40That's not true.
44:41That's not true.
44:42That's not true.
44:43That's not true.
44:44That's not true.
44:45That's not true.
44:46That's not true.
44:47That's not true.
44:48That's not true.
44:49That's not true.
44:50That's not true.
44:51That's not true.
44:52That's not true.
44:53That's not true.
44:54That's not true.
44:55That's not true.
44:56That's not true.
44:57That's not true.
44:58That's not true.
44:59That's not true.
45:00That's not true.
45:01That's not true.
45:02That's not true.
45:03That's not true.
45:04That's not true.
45:05That's not true.
45:06That's not true.
45:07That's not true.
45:08That's not true.
45:09That's not true.
45:10That's not true.
45:11That's not true.
45:12That's not true.
45:13That's not true.
45:14That's not true.
45:15That's not true.
45:16That's not true.
45:17That's not true.
45:18That's not true.
45:19That's not true.
45:20That's not true.
45:21That's not true.
45:22That's not true.
45:23That's not true.
45:24That's not true.
45:25That's not true.
45:26That's not true.
45:27That's not true.
45:28That's not true.
45:29That's not true.
45:30That's not true.
45:31That's not true.
45:32That's not true.
45:33That's not true.
45:34That's not true.
45:35That's not true.
45:36That's not true.
45:37That's not true.
45:38That's not true.
45:39That's not true.
45:40That's not true.
45:41That's not true.
45:42That's not true.
45:43That's not true.
45:44That's not true.
45:45That's not true.
45:46That's not true.
45:47That's not true.
45:48That's not true.
45:49That's not true.
45:50That's not true.
45:51That's not true.
45:52That's not true.
45:53That's not true.
45:54That's not true.
45:55That's not true.
45:56That's not true.
45:57That's not true.
45:58That's not true.
45:59That's not true.
46:00That's not true.
46:01That's not true.
46:02That's not true.
46:03That's not true.
46:04That's not true.
46:05That's not true.
46:06That's not true.
46:07That's not true.
46:08That's not true.
46:09That's not true.
46:10That's not true.
46:11That's not true.
46:12That's not true.
46:13That's not true.
46:14That's not true.
46:15That's not true.
46:16That's not true.
46:17That's not true.
46:18That's not true.
46:19That's not true.
46:20That's not true.
46:21That's not true.
46:22That's not true.
46:23That's not true.
46:24That's not true.
46:25That's not true.
46:26Sis would like to thank Bambi Fuentes, Mossimo, F&H, Chloe for our eyewear, Optical Works,
46:35Adidas, Janeline Shoes, Wade Shoes, Bayo, Under the Sea Pet Shop, Salon de Manila, La
46:45Germania, 680 Home Appliances, Jurastar, Mano Mano, Play and Display, JBL Home Furniture
46:54Enterprise, The Barnyard, Grand Flora, Our Home, Wayless Center and Spa, Balloon Creation,
47:03Color My Hair, and Union Square.
47:07If you die, you can be separated from us.
47:11That's a classic.
47:12That's a classic.
47:13That's a classic.
47:14That's a classic.
47:15That's a classic.
47:16That's a classic.
47:17That's a classic.
47:18That's a classic.
47:19That's a classic.
47:20That's a classic.
47:21That's a classic.
47:22That's a classic.
47:23That's a classic.
47:24That's a classic.
47:25That's a classic.
47:26That's a classic.
47:27That's a classic.
47:28That's a classic.
47:29That's a classic.
47:30That's a classic.
47:31That's a classic.
47:32That's a classic.
47:33That's a classic.
47:34That's a classic.
47:35That's a classic.
47:36That's a classic.
47:37That's a classic.
47:38That's a classic.
47:39That's a classic.
47:40That's a classic.
47:41That's a classic.
47:42That's a classic.
47:43That's a classic.
47:44That's a classic.
47:45That's a classic.
47:46That's a classic.
47:47That's a classic.
47:48That's a classic.
47:49That's a classic.
47:50That's a classic.
47:51That's a classic.
47:52That's a classic.
47:53That's a classic.
47:54That's a classic.
47:55That's a classic.
47:56That's a classic.
47:57That's a classic.
47:58That's a classic.
47:59That's a classic.
48:00That's a classic.
48:01That's a classic.
48:02That's a classic.
48:03That's a classic.
48:04That's a classic.
48:05That's a classic.
48:06That's a classic.
48:07That's a classic.
48:08That's a classic.
48:09That's a classic.
48:10That's a classic.
48:11That's a classic.
48:12That's a classic.
48:13That's a classic.
48:14That's a classic.
48:15That's a classic.
48:16That's a classic.
48:17That's a classic.
48:18That's a classic.
48:19That's a classic.
48:20That's a classic.
48:21That's a classic.
48:22That's a classic.
48:23That's a classic.
48:24That's a classic.
48:25That's a classic.
48:26That's a classic.
48:27That's a classic.
48:28That's a classic.
48:29That's a classic.
48:30That's a classic.
48:31That's a classic.
48:32That's a classic.