Paano nga ba niyakap ng mga former sexy stars na sina Mark Gil, Elizabeth Oropesa, at iba pa ang mga mature roles?
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00:00Always, always be
00:02We are sisters
00:04We are sisters
00:09Bold, Esty, and T.F.
00:11Where the Filipinos are always sensitive to the issue of gender,
00:14let's admit,
00:15there are a lot of artists who are famous for it.
00:18We'll find out from the artists we met
00:21in Pantasya ng Bayan in the 70s and 80s.
00:25Please welcome
00:27the super sexy original member of Dolphy's Angels,
00:30Liz Alindogad.
00:32Hello.
00:33Good afternoon.
00:35Good morning.
00:37It's still early.
00:38Correct.
00:39And the light.
00:40Yes, it's like
00:41the sun is shining.
00:42Correct.
00:43If you're looking for a man in Pantasya in the 80s,
00:47he's the one because he's the lead star of the movie
00:49Company of Women, Mark Hill.
00:52Good evening.
00:53Good evening.
00:56Good afternoon, good evening.
00:57Correct.
00:58The famous home-wrecker and hot-blood stealer,
01:02Janice Jurado.
01:04Why are you here?
01:06Enjoy.
01:07Enjoy?
01:09The one who made the record 40 bold films,
01:11Ernie Garcia.
01:13Wow.
01:14I didn't know that.
01:17We just did it.
01:20Reina was introduced by the bomba stars,
01:23Elizabeth Oropesa.
01:25Good night.
01:28It's midnight.
01:29Our interview is at midnight.
01:31Of course, you can find out the qualification
01:34of being a sexy star, right?
01:36Well, it depends.
01:37Qualification.
01:38That is number one.
01:39But it depends on the decade.
01:41Yes.
01:42No, but basically,
01:44what is the most...
01:45Because no matter what decade it is,
01:47the qualification that prevails
01:49when you say you're a sexy star.
01:50You should be sexy.
01:51Of course.
01:52I hope so, right?
01:53I hope so.
01:54Sex appeal.
01:55You need sex appeal.
01:56But sex appeal can't be developed.
01:58Sexiness is allowed, right?
02:00You can go to the gym.
02:02Do you think that sex appeal should be
02:04just innate?
02:06Can you develop that?
02:07Sex appeal is just within a person's aura.
02:10Being sexy, we're talking about
02:12physically sexy.
02:13Physically, a beautiful body.
02:15Visually, for movies, for screenings.
02:18Why not necessarily?
02:19There's a question.
02:20Is this necessary?
02:21No, it's true.
02:22If the director is good,
02:23I have a lot of experience like that.
02:25It's not that sexy.
02:26It's not that beautiful.
02:27But when you see it in person,
02:29oh my God, wow!
02:30When you see it in person,
02:31you'll remember.
02:32You'll remember.
02:33But when it's on screen,
02:34it's different.
02:35On screen, oozing with sex appeal.
02:37Sometimes it depends
02:38on the cinematographer
02:39and the director.
02:40So also the screen appearance.
02:41The appearance on screen is different
02:43as opposed to...
02:44Just like this?
02:45Yes.
02:46But I feel that
02:47no matter what he does,
02:49the sex appeal is there.
02:51It's not that beautiful.
02:53Yes.
02:54This is too much.
02:55How is that?
02:56It's too much.
02:57It's like you're
02:58in a movie.
02:59It's like you're in a movie.
03:00It's like you're in a movie.
03:01Melon, Kaimito, Pakuan.
03:03It's like that.
03:04It's like that.
03:05Why did you include it?
03:06Especially,
03:07in those times,
03:08it's a bit delicate, right?
03:10The 80s.
03:11Yes, right?
03:12So why did you think,
03:13okay, fine.
03:14I have a big heart.
03:15I'll include this.
03:16I didn't include it.
03:18I was included.
03:19Ah!
03:20No.
03:21I was included.
03:22Because before,
03:23I used to show off.
03:24I was really sexy.
03:25In clubs,
03:26in Tlaxcón,
03:27the place where Rico Puno
03:28showed off.
03:29First,
03:30I got a duplex.
03:31I was chosen
03:32what role I wanted.
03:34The sophisticated,
03:36snobbish,
03:37a bit arrogant,
03:38or the stupid,
03:39sexy.
03:40Here,
03:41I'm not me.
03:42The stupid, sexy.
03:43But those clothes,
03:44you really need to show it.
03:45Revealing.
03:46The short ones.
03:47Yes, you need to show off.
03:48What?
03:49Show off?
03:50Yes, that.
03:51This,
03:52when there's action,
03:53I won't move.
03:54You need to move.
03:55Even if you don't move,
03:56as long as he moves,
03:57that's okay.
03:58That's okay.
03:59Of course,
04:00I started off with
04:01musical films.
04:02Hike by Guy and Pips.
04:03Ah!
04:04So that's how you started back.
04:05That's how I started.
04:06Then,
04:07that's why,
04:08my kind of musicals,
04:09at that time,
04:10were a bit deep,
04:11not like theirs.
04:12So I said,
04:13this is the kind of movie
04:14that I want to do.
04:15And then,
04:16all of a sudden,
04:17Director Manning Gorlaza
04:18called me.
04:19He's looking for a partner
04:20in Cebu for design films.
04:21And then,
04:22we made a movie there
04:23that became a box office.
04:24They were surprised
04:25at our lab scenes.
04:26They said,
04:27it's too Western.
04:28So Douglas Kihano
04:29had an idea
04:30and bring the team
04:31back to Manila.
04:32That's when we did
04:33Ohonoblok Part 1.
04:34We were the youngest pair
04:35with Chilabut's
04:36Anson Roa,
04:37Marisa,
04:38and I.
04:39So we did
04:40Ohonoblok Part 1.
04:41We did
04:42Anson Roa,
04:43Marisa Delgado,
04:44Lisa Lorena,
04:45the matured ones.
04:46And then,
04:47that movie became a hit.
04:48And that's how it started.
04:49And then,
04:50that's how it started.
04:51It went on and on.
04:52Everything I did
04:53was bold.
04:54I wasn't really there.
04:55No, you weren't.
04:56Oh, I wasn't?
04:57As long as
04:58there's a head,
04:59I'll be there.
05:00That's different from you.
05:01They were jealous
05:02that I didn't experience
05:03hugging
05:04and kissing
05:05while I was down.
05:06It's hard to forget
05:07that I wasn't there.
05:08No, no, no.
05:09Why didn't you
05:10hug me?
05:12It's hard to forget
05:13that I wasn't there.
05:14Yes, it's all comedy.
05:15Sometimes,
05:16you should've
05:17hugged me.
05:18Fernando should've
05:19hugged me.
05:20I read it in the script.
05:21In the script?
05:22Yes.
05:23So I hugged him.
05:24I was about to finish.
05:25And then,
05:26the movie ended
05:27and I didn't get to hug him.
05:28What happened?
05:29I was laughing
05:30at my face.
05:31I was laughing.
05:34I was laughing
05:35because
05:36my face was supposed to be like that.
05:37Of course,
05:38it was funny.
05:39So you weren't jealous?
05:40Ramon Revilla,
05:41we were supposed to kiss
05:42under the water.
05:44But I drowned.
05:46It wasn't like that.
05:47I put water
05:48on my face.
05:49I wasn't able to hug him.
05:51How would you describe
05:52this?
05:53Was it a fad then?
05:54In the industry?
05:55Was it a fad?
05:56Like,
05:57it was all drama
05:58and then
05:59it was all comedy.
06:00In my case,
06:01it was 1985.
06:04I started it off
06:05as matinee.
06:06I was doing
06:07serious movies already then.
06:08The likes of
06:09Danny Shalcita
06:10and all.
06:11Bold movies
06:12became a fad.
06:14Experimental Cinema
06:15of the Philippines
06:16was still there.
06:18But we were then
06:19at the same time
06:20doing quality work.
06:21Scorpion Nights,
06:22all that.
06:23ECP.
06:24We did Company of Women
06:25under the direction
06:26of Merck Tsiong Lo,
06:27which was
06:28very good movies.
06:30It became a trend.
06:31There were also
06:32new movies coming out.
06:33At that time,
06:34I think
06:35there were
06:367 or 8 new movies
06:37and I became
06:38one of them.
06:41It was a fad
06:42when there was
06:43ECP.
06:44There were good films.
06:45But of course,
06:46if there are good films,
06:47there are movies
06:48that are not
06:49that good.
06:50Not that quality.
06:51Trash.
06:52A lot.
06:53Trash.
06:54What do we call that?
06:55In movies like that,
06:56there's nothing
06:57that stands out.
06:58As long as it's bold.
06:59As long as it's bold.
07:00What do you call that?
07:01Cheap.
07:02I don't know.
07:03Cheap.
07:04As long as it's for
07:05selling.
07:06Yes.
07:08Like a producer
07:09produced it.
07:10And they don't have
07:11a camera.
07:12Sometimes,
07:13it's just a cassette.
07:14That's too cheap.
07:15That's too cheap.
07:16I walk out.
07:19What's that?
07:20It's a production.
07:21An outfit.
07:23A camera.
07:243 lights.
07:25Sound.
07:26Cassette.
07:27I don't think I'll do it.
07:29Afraid?
07:30I'll go home.
07:31It wasn't going anywhere.
07:33If you compare
07:34sexy films
07:35back then
07:36to now,
07:37what's the difference?
07:38For me,
07:39it's just...
07:42Aside from other castings.
07:43Yes.
07:44It's just that
07:45it's almost the same
07:46now and back then.
07:47That's why
07:48for us,
07:49since it's a trend
07:50in the fad,
07:52it's like we have
07:54a chance
07:55to choose
07:56no matter what.
07:57Especially if,
07:58for example,
07:59you have a good manager
08:00like the one
08:01who handles you.
08:02Because there are a lot
08:03of films that are offered.
08:04Then suddenly,
08:05you'll see a script
08:06that's really like that.
08:07Like what I said earlier,
08:08that it's just like that.
08:09So for us,
08:10I don't know if it's now
08:11because I haven't experienced it yet,
08:12it's really like a family.
08:13That's why
08:14in my case,
08:15I was able to make
08:163 or 4
08:17bold
08:18or sexy movies
08:19that are beautiful.
08:20Right?
08:21And it's not just projects
08:22that you can choose.
08:23You can choose
08:24who you want to be the leading lady.
08:25If you don't like the leading lady,
08:26you don't like it.
08:27If you don't like the leading man,
08:28you don't like him.
08:29For me,
08:30what happened was
08:31I added
08:32the wet look
08:33of the...
08:34How old are you?
08:37That's a good transition.
08:39The wet look
08:40until
08:41what I did
08:42in Virgin People
08:43where there are
08:44all-out ladies
08:45who take off their clothes.
08:46For me,
08:47I laid my cards
08:48on the table.
08:49I said,
08:50there's no front nudity.
08:51It's important
08:52to coordinate.
08:53So you have each other.
08:54That's really the point.
08:55Because this is work.
08:57Let's make
08:58the scene beautiful.
08:59No vulgarity.
09:00Yes.
09:01It's the tower.
09:02Why were you called
09:03the queen of bold films?
09:05Was that really your title?
09:06No.
09:07I was born bold.
09:08Really.
09:09You started
09:10with that wet look.
09:11Of course.
09:12Yes.
09:14This is how it started for me.
09:15It was my stepping stone.
09:17I wanted to become famous.
09:19I wanted to be fast.
09:21So,
09:22I became bold.
09:25I knew it right away.
09:26Because at first,
09:27my boobs were bigger
09:28than Gloria Diaz's.
09:29I was noticed.
09:31That's a big thing.
09:35Anyway,
09:36before I started,
09:38the time of Guillermo de Vega,
09:40when he was still alive,
09:42before that,
09:43I was too bold.
09:45Then,
09:46I lowered it a bit.
09:48I changed it a bit.
09:49Then,
09:50we reached the trend
09:51of the wet look.
09:52Okay.
09:53And then after that,
09:54when I became really famous,
09:57I studied acting.
09:59I really tried to achieve
10:01to get an award
10:03for Best Actress
10:04before the end of the year.
10:06Sometimes,
10:07it also depends on
10:08what kind of artist you are,
10:09what the producers
10:10and directors treat you.
10:12It's also up to you.
10:13Yes.
10:14In my case,
10:15I'm hands-on.
10:16I know the past
10:17because I experienced it.
10:18I also know the present
10:19because I always get
10:20the motto of a bold star.
10:21During my time,
10:22I can demand
10:23that I don't want
10:24other people here.
10:25I don't want to be outside.
10:26It's a closed door.
10:27It's a closed door.
10:28There's only the director
10:29and the cameraman.
10:31Even if there's no clapper,
10:32the director himself
10:34does the clapping.
10:35I can demand that.
10:36And I get it.
10:37No steals.
10:38No steals.
10:39No steals.
10:40That's the most important thing.
10:41No steals.
10:42I can do that.
10:43But now,
10:44No.
10:45Oh my.
10:47Now, you can't do that?
10:48Even Tricycle Boy
10:49can be seen
10:50on TV.
10:51No,
10:52I don't care.
10:53You can't do that?
10:54Can they say
10:55that they don't want to do that?
10:56Probably,
10:57but you see,
10:58our girls are more
10:59gotsy now
11:00when it comes to
11:01being bold.
11:02No,
11:03even that time.
11:04Because those girls
11:05are more
11:06willing to
11:07show off.
11:08Me,
11:09I'm a bit
11:10even now.
11:12So it depends
11:13on the person.
11:14It depends on the woman.
11:15Who's the
11:16actor or actress.
11:17And the producers
11:18they always find
11:19an excuse for you
11:20to really go naked.
11:21To this role.
11:22So it depends
11:23on the person.
11:24So how are you
11:25going to do that?
11:26Let's say,
11:27I'm going to do it.
11:28Because you've already
11:29shown it in a movie.
11:30So they're expecting
11:31you to show it
11:32in the next one.
11:33You don't have an excuse.
11:34Or more.
11:35That's it.
11:36Or more.
11:37Well,
11:38up next,
11:39Sex and On
11:40is back with
11:41serious roles.
11:42We'll be back.
11:52We are sisters.
11:57It's hot to talk.
11:58Okay, before we go
11:59to their serious roles,
12:02let's go back to
12:03Tita Oro.
12:04What can you say, Tita Oro?
12:05You've been in a movie
12:06that's been on show
12:07for three months.
12:08Yes.
12:09Mr. Mo, my lover.
12:10What three months?
12:11That's straight?
12:12That's straight.
12:13Who are you here?
12:14Eddie Garcia.
12:15Me,
12:16Paraluman.
12:17I'm the mistress.
12:18Paraluman is the wife.
12:19And we don't have
12:20a scene there.
12:21It's a kissing scene
12:22that's 35 minutes
12:23straight on the yacht.
12:25Huh?
12:26Again?
12:2735 minutes?
12:28Yes.
12:29How is this a kissing scene?
12:30Yes.
12:32I know that.
12:33It was left to me.
12:34Really?
12:35On the boat?
12:36Yes, on the yacht.
12:37How is this a kissing scene?
12:39It starts with a kissing scene
12:40that's standing
12:41until we turn
12:42the whole yacht.
12:43There's no scene there.
12:44Rolling.
12:45Rolling.
12:46Standing.
12:47Squatting.
12:48Sitting.
12:49It's just a kissing scene.
12:50It's not even
12:51a kissing shoot.
12:53That's three months.
12:54Imagine that.
12:55That's a three-month kiss.
12:57Non-stop.
12:59Are you embarrassed?
13:01Are you embarrassed?
13:02How was the choreography?
13:03No.
13:04Because...
13:05It was long, right?
13:06For me,
13:07before I made
13:08the film,
13:09before we took
13:10the love scenes,
13:11I'm sure that
13:12we were really close.
13:13You really go out of your way?
13:14Yes.
13:15I really go out of my way.
13:16I brush my teeth
13:17and brush my hair.
13:18I brush my hair.
13:20And I take a bath.
13:21Why me?
13:22I brush my teeth.
13:23I brush my teeth.
13:24It's so annoying.
13:25I don't know why.
13:27You became serious
13:28in your film,
13:29Dimasalang.
13:30You really reared it.
13:31Well,
13:32Dimasalang,
13:33I'm still involved there.
13:35Because there's a scene there
13:36where I'm...
13:39I'm pregnant.
13:40I gave birth
13:42to our baby.
13:43I taught it to the military.
13:45It's like they punish me.
13:46They'll beat me up
13:47with no bra.
13:49The first time I rapped,
13:51there were 200 people
13:52without bra.
13:54They said they'll put
13:55the...
13:56Blaster, blaster.
13:57I don't know.
13:58Look-a-plaster.
13:59The circle.
14:00It hurts to take it off.
14:01I said,
14:02let's not do it.
14:03They even put a towel on me.
14:04They said,
14:05let's not do it.
14:06Oh, who's the towel?
14:07You're the one.
14:08No.
14:09That's all.
14:10The camera is here.
14:11That's all.
14:12I said, wait a minute.
14:13You know,
14:14that day,
14:15I don't know why.
14:16There's an scene
14:17where they remove the boobs.
14:18The boobs?
14:19Yes.
14:20That's the punishment for the baby.
14:21Oh, they remove it.
14:22Yes.
14:23They cut it.
14:24Ouch.
14:25While they were cutting it,
14:26I was dialoguing.
14:27I said,
14:28okay.
14:29I don't feel
14:30all the tingles.
14:31I was crying.
14:32I was crying.
14:33I was laughing.
14:38But that's really
14:39the scene
14:40that I like
14:41because I can show
14:42that I don't know how to cry.
14:43I don't know how to cry.
14:44What do you remember,
14:45Mark,
14:46or the scene
14:47where you had a hard time
14:48in the film,
14:49Eden?
14:50Eden.
14:51Okay.
14:52I was in the rock.
14:53Were you in the rock?
14:54Yes.
14:55Not really.
14:56It was a big rock.
14:57For me,
14:58yes.
14:59I have a big nose.
15:00For me, no.
15:01Do you remember
15:02the scene
15:03where
15:04it was long
15:05and it was covered
15:06with a mirror?
15:07Do you remember?
15:08Ah,
15:09in the company.
15:10Mirror?
15:11In the company of women.
15:12In the company of women.
15:13In the company of women
15:14because I was already in position.
15:16This was frontal
15:17with frontal nudity.
15:19Him.
15:20No.
15:21Me.
15:22The two of us.
15:23Me.
15:24My frontal.
15:25How big is the mirror?
15:26That's how it is
15:27with makeup artists.
15:28I was already in position.
15:29It's gone.
15:30What happens is
15:31the rock gets hit.
15:34That's why he's there.
15:35Ouch!
15:36In short,
15:37I did the rock.
15:40Okay.
15:41After this,
15:42let's talk about
15:43serious roles.
15:44Okay.
15:45After so many decades.
15:46Wait.
15:47Wait.
15:48You don't want to change?
15:49No.
15:50There's more.
15:51There's more.
15:52Later.
15:53Names.
15:54Okay.
15:55After so many decades,
15:56what do you feel
15:57when
15:58you talk about
15:59your movies before
16:00even if it was bold?
16:02Do you mind that people
16:03call it bold?
16:04Yes.
16:05Nothing.
16:06Nothing.
16:07They were just movies
16:08of the past.
16:09Nothing.
16:10What's important is
16:11to be able to
16:12overcome that
16:13and
16:14move on
16:15and emerge as
16:16a serious actor
16:17or a serious actress.
16:18That's why
16:19you gain respect
16:20from people.
16:21Most of our movies
16:22in the past,
16:24out of all the ones we made,
16:26not all of them
16:27are memorable.
16:29We made
16:30Mean There Not To Be That
16:31a spectacular film.
16:32So,
16:33you'll forget it.
16:35What they see now.
16:36Yes.
16:37I think now also,
16:38there are more
16:39people who make
16:40Stepping Stone.
16:41The ones who
16:42take off first
16:43and then eventually,
16:44you know,
16:45hope that they will
16:46move on to more serious roles.
16:47I don't think so.
16:48Up to now?
16:49Up to now.
16:50Because
16:51there was a time
16:52I was in Surigao City.
16:53We toured
16:54a stage play.
16:55And there was a new beach.
16:56So, I said,
16:57can I swim there?
16:58The cottages are still being built.
16:59There are also
17:00carpenters there.
17:01So, I said,
17:02sure.
17:03Then, we talked
17:04about it.
17:05I wasn't looking.
17:06Then, I took off.
17:07I said,
17:08he's the one.
17:15For me,
17:16that's why I can't answer
17:17what I'll feel
17:18if I'm in a serious role.
17:19Because,
17:20after those
17:21sexy movies,
17:22bold movies,
17:23I don't have a career.
17:24I'm already married.
17:25So,
17:26it didn't go to
17:27my plan
17:28to have
17:29good
17:30awards.
17:31Because,
17:32I produced
17:33The Diary of Vietnam Rose.
17:34That's the cut
17:35of my career.
17:36Because,
17:37I was also
17:38a director.
17:39That's it.
17:40That's it.
17:41Then, you went on
17:42and married
17:43and had children.
17:44That's it.
17:45I'm changing
17:46my roles now.
17:47Because,
17:48I was always in
17:49Duster.
17:50Then,
17:51Lumpon.
17:52I was walking.
17:53I fell down
17:54the stairs.
17:55I had a cold.
17:56I had a fever.
17:57I had to leave.
17:58I had to go to the province.
17:59But,
18:00in Duster,
18:01I really miss
18:02those roles
18:03that are sexy
18:04and bold.
18:05Until now,
18:06I just went to Duster.
18:08I just had an interview.
18:09Until now.
18:10We just had an interview.
18:11Cleavage.
18:12Going back to that,
18:13Tito Oro,
18:14according to you,
18:15at that time,
18:16there was no cheating.
18:17I mean,
18:18it was really you.
18:19Compared to now,
18:20you can change
18:21in any way.
18:22You can cheat.
18:23Yes,
18:24there was a big difference
18:25before and now.
18:26But,
18:27there was a time
18:28when I started again.
18:29When I came back here,
18:30I was okay.
18:31I was stable.
18:32I felt okay.
18:33But now,
18:34I'm really confused.
18:35It's really hard for me
18:36to adjust.
18:37Because,
18:38number one,
18:39here in the Philippines,
18:40there's a difference
18:41in age
18:42in your career.
18:43That's right.
18:44While you're getting older,
18:45you're not like
18:46in America.
18:47The more you mature,
18:48the more you mature.
18:49Especially,
18:50if you're a good actor.
18:51You know,
18:52it's really nice
18:53when they accept you
18:54and offer you
18:55a good job.
18:56Here,
18:57it's the opposite.
18:58Even if you're doing
18:59a grand slam,
19:00even if you're sexy,
19:01I can't understand
19:02what you're doing sometimes.
19:03Even if you're the best.
19:04Even if you're the best.
19:05Or,
19:06like this,
19:07if I'm skinny,
19:09like now,
19:10I always go to the gym.
19:11I want to be slim.
19:12I want to be physically fit.
19:14I'm doing this
19:15because this is my career.
19:16Because I want
19:17to look good
19:18and I can accept
19:19roles that
19:20are not that old.
19:22Because that's what they're after.
19:23They're not...
19:24Anyway,
19:27they're having a hard time.
19:28Like in this movie,
19:29they want me to gain weight.
19:31What are you going to do?
19:33What are you going to do?
19:34What are you going to do?
19:35What are you going to do?
19:36I'm so confused.
19:38I'm not ungrateful.
19:40I love this career of mine.
19:43I cannot live without it.
19:45But it hurts.
19:46Sometimes, yes.
19:47Sometimes, it hurts.
19:48But,
19:50no offence meant,
19:51to all the batches of Bette,
19:53Bette is the one
19:55who really...
19:56where you put it,
19:58she can do it.
20:00That's why until now,
20:01she's still there.
20:02She's still beautiful.
20:05And now,
20:06I'm flattered.
20:07Lately,
20:08I have a movie
20:09that I didn't do.
20:10It's two movies.
20:11I was being paired
20:12to the younger
20:13Sex Siren.
20:14He's a matured lover.
20:16But,
20:17still,
20:18you're the father
20:19of the new lady.
20:20I'm still not.
20:21I'm still a lover boy.
20:23You're the husband
20:24who was raped
20:25in front of you
20:26by your wife.
20:27At least,
20:28that's how it is.
20:29But the catch is,
20:30just to make him feel better,
20:31he's an EOM.
20:34It's bad, right?
20:35Easy!
20:36What's the catch?
20:37After making both films,
20:39they already have a family.
20:41That's what we'll talk about
20:42when we come back.
20:43When we come back.
21:01Anyone
21:02who sees a lot,
21:03of course,
21:04feels shy.
21:05But,
21:06even if you say
21:07this is your job,
21:08how is that?
21:09How is that?
21:10Of course,
21:11you already have kids.
21:12When they see you,
21:13how do you tell them?
21:15How do you tell them?
21:16I started
21:17when I already had a kid.
21:19I started as an actress
21:20when I already had a kid.
21:21Maybe,
21:23my kid was 10 years old.
21:24That was online.
21:25They know.
21:26They see me.
21:27And at home,
21:28I'm also sexy.
21:29And I didn't do anything
21:30that's really
21:32need to be explained.
21:33You don't have a kiss.
21:35You don't have a hug.
21:36For me,
21:37I'm not shy
21:39to ask my kid
21:40about movies like that.
21:41Because,
21:42they already see
21:43what I'm doing now.
21:45Like,
21:46in the past,
21:47it already happened
21:48because you're still young
21:49and you already have a career
21:50that you really put in.
21:51So, no regrets.
21:52Because,
21:53my life is okay now.
21:54Even if she asks me,
21:56I'll tell her again and again
21:57that my experiences
21:58in the movies
21:59are really good.
22:00She's really good
22:01at coming back.
22:02Mark Hill.
22:04That's why,
22:05I was a gold star that day.
22:06Beth and Liz.
22:07No matter where,
22:08you can give them
22:09a big role
22:10because they're respected
22:11and what they do
22:12is not ugly.
22:14No, really.
22:15Even if I didn't reach
22:16the level of hugging
22:17and hugging around
22:18the actresses.
22:19You really have a sense.
22:20You're angst.
22:21You're angst.
22:22You really see
22:23your movies.
22:24You really shouldn't be shy.
22:25Women have more problems
22:26than boys.
22:27Yes.
22:28Because,
22:29you know,
22:30the society
22:31is more accepting.
22:32My mother.
22:33Me,
22:34supposedly,
22:35there should,
22:36I have really nothing
22:37to be ashamed of
22:38because,
22:39my career was good.
22:40It was good.
22:41Especially,
22:42good films.
22:43Yes.
22:44But still,
22:45you know,
22:46I'm from the province.
22:47There was a time
22:48I couldn't go back
22:49to my hometown.
22:50Because,
22:51no matter what you say,
22:53it's so bold.
22:54It's still taboo.
22:55Yes, taboo.
22:56It's still taboo.
22:57What about your parents
22:58that time?
22:59It took me
23:00a while
23:01to be able
23:02to convince them
23:03to watch.
23:04You know?
23:05That only happened
23:06when I became
23:07the best actress.
23:08Almost a year,
23:09I couldn't go back
23:10to our hometown
23:11because,
23:12I was so shy.
23:13And,
23:14I know that
23:15even if it's not
23:16on my face,
23:17they're saying that.
23:18They're gossiping.
23:19They're gossiping.
23:20Especially,
23:21in the province,
23:22everyone knows
23:23each other.
23:24Yes.
23:25That's why,
23:26I won awards.
23:27I said,
23:28I promised
23:29that I'll do everything
23:30that I can
23:31to get absolved.
23:32No matter what.
23:33Because,
23:34in our province,
23:35Jesus,
23:36forgive you.
23:37Even if you're not
23:38going to church,
23:39even if you're wearing
23:40a turtleneck
23:41that's up to here,
23:42they might even
23:43take this off.
23:45Right?
23:46With the emergence
23:47of cable,
23:48they won't stop.
23:49At some time,
23:50your child will tell you,
23:51Mom,
23:52I saw you
23:53in a movie like this.
23:54Of course,
23:55I did that.
23:56So,
23:57how is that?
23:58Is it okay for you?
24:00For me,
24:01since my kids
24:02are all grown up,
24:03it's okay.
24:04For me,
24:05earlier,
24:06they're still young.
24:08I don't have
24:09big movies
24:10that are scary.
24:12Actually,
24:13for me,
24:14it's only in the province.
24:15But for my children,
24:16I don't have anything
24:17that's scary
24:18that they can watch
24:19that I should be ashamed of.
24:20Only,
24:21my directors have
24:22a bold man,
24:23Ishmael Bernal.
24:25He's handsome, right?
24:26Yes.
24:27He's not just a man.
24:28He's not just a man.
24:29He's a man.
24:30When I got older,
24:31I had a torrid
24:32kissing scene.
24:35With Joel Amangal,
24:37my director.
24:38I even ran a slam.
24:39That's why I wasn't ashamed.
24:40I didn't have to
24:42explain.
24:43You weren't bothered.
24:44Yes, I wasn't bothered.
24:45At the same time,
24:46I always remind them
24:47that that's where
24:48our food comes from.
24:52You have a voice.
24:53Yes.
24:54You have younger children.
24:55You still have a baby.
24:56Then, yeah.
24:57They were younger,
24:58so that wasn't much of a problem.
25:01Whatever I do,
25:02they say it makes
25:03a big difference.
25:04I'm the dad.
25:05But put that aside.
25:07The older they get,
25:08they'll eventually
25:09understand what I do.
25:10I'm an artist.
25:11And I have one son
25:12who's also in the business.
25:13So,
25:14it would be easy for them
25:15to understand.
25:17Well, like my little girl,
25:18my 6-year-old
25:19and my 11-year-old.
25:21I don't think
25:22that would be
25:23any problem.
25:24What if they wanted
25:25to get into films?
25:27That's their prerogative.
25:29And if they had to go
25:30through that process?
25:32No.
25:33Especially for the girls.
25:34No way.
25:35No.
25:36I answered no.
25:37I said no.
25:39You didn't think about it.
25:40You just said no.
25:42No.
25:43Of course,
25:44that's the hardest question.
25:45Don't make them
25:46an artist.
25:47Okay, fine.
25:48No more discussion.
25:49Not even go there.
25:50Yes.
25:51What about Gabby?
25:53She's not a girl.
25:54He's a boy.
25:55And he's a singer.
25:56Oh, okay.
25:57So, for you,
25:58it's okay.
25:59It's up to you, son.
26:00You're old enough.
26:01He's old enough.
26:02Of course,
26:03as parents,
26:04we always wish
26:05something different
26:06for them.
26:07Away from the intrigues.
26:08Although,
26:09there are many
26:10good things.
26:11Of course.
26:12For me,
26:13I enjoy being in the business.
26:14I enjoy being who I am.
26:15This is my life.
26:17But if possible,
26:18in a different field.
26:19It's different.
26:20I hope it's different.
26:22How did you
26:23get rid of
26:24the bold star?
26:26Or,
26:27are you bold?
26:28For me,
26:29in what I do now,
26:31I give life testimonies
26:32in churches.
26:33I remember
26:34when they called me
26:35a bold star.
26:36Before,
26:37they called me Janice.
26:39I was so beautiful.
26:40Now,
26:41I'm different.
26:42Good afternoon,
26:43Sister Janice.
26:44I don't understand
26:45what you're talking about.
26:47But you're still plunging.
26:48No,
26:49I'm just interviewing.
26:51In churches,
26:52it's not like that.
26:53I give life testimonies
26:54in churches,
26:55in towns,
26:56in barangays,
26:57in Puntinlupa,
26:58in CityGel.
26:59Everywhere.
27:00Wherever God sends me.
27:03For me,
27:05I shifted to stage.
27:07Stage.
27:08Stage acting.
27:11I felt that I wasn't
27:12being taken seriously
27:13at that time.
27:14I was serious
27:15in what I was doing.
27:16And I want to get noticed.
27:17The problem is,
27:19I had to compete
27:20with my love scenes
27:21all the time.
27:23Even the late Lino Broca,
27:24director Lino Broca,
27:25was telling me,
27:26Ernie,
27:27it's very hard for you
27:28to change the image
27:29because it's too controversial
27:30in your films.
27:32The cinemas were closed.
27:33I had a film
27:34that wasn't released
27:35because there were
27:36too many squeezing scenes.
27:38The board of censors
27:39revamped because of
27:41a movie that you made.
27:42Oh, the movies.
27:44Do you really get an impression?
27:45You're not taken seriously?
27:47No, in my case,
27:48it was never really
27:49branded on me
27:50because
27:52it was an era.
27:53It was a time
27:54when it was popular.
27:55I was already
27:56who I was.
27:58Established already.
27:59Established already
28:00as an actor.
28:01And to me,
28:02it wasn't really
28:03a stepping stone or anything
28:04because I was already
28:05established.
28:06It was just like
28:07another movie.
28:08It was more for the
28:09leading lady.
28:11It's more of their movie
28:12than the guys.
28:13And at that time,
28:14like I said earlier,
28:16I was the leading man
28:17for most of the girls.
28:19So, I would get paid
28:20higher.
28:21Much higher.
28:23That's okay.
28:25That's really okay.
28:27But for the girls,
28:28it's just cool.
28:30For us,
28:31especially me,
28:32I don't feel like
28:33I'm a bold star.
28:35Maybe the only way
28:36is to fix it right away.
28:37You're married,
28:38you have a family.
28:39Because my attitude
28:40was like,
28:41nothing.
28:42Even if you call me,
28:43you have a lot of
28:44sexy movies, right?
28:45Yes, it's beautiful, right?
28:46You watched it,
28:47it's beautiful.
28:48That's my attitude.
28:49I don't think about
28:50what people say
28:51or gossip about me.
28:52I don't notice it.
28:54I see the good things
28:55that I do
28:56and what I'm doing now.
28:58But would you say now,
28:59that's the reason
29:00why it's really hard
29:01when you start
29:02to be bold now.
29:03It's really hard
29:04for you to leave
29:06the branding
29:07like that
29:08because you're not
29:09taking it seriously.
29:10Well,
29:11if one would
29:12do bold
29:14as a stepping stone,
29:16everything comes,
29:17not just fame.
29:18You have to grow
29:19with the craft.
29:20I feel like
29:21you have to be able
29:22to act eventually.
29:23If you don't have talent
29:24or you can't grow
29:25in the craft,
29:26you'll just stay there.
29:27You'll stay there
29:28and there.
29:29Other than that,
29:30if it's a stepping stone,
29:31you have to move on
29:32from there.
29:33How do you maintain
29:34your respectability?
29:35Because, of course,
29:36let's admit,
29:37when you play
29:38the fantasies of many,
29:39of course,
29:40when you're on the street,
29:41on a regular day,
29:42how do you avoid
29:43those looks
29:44like,
29:45wow, what's this?
29:46Teacher.
29:47Ma'am,
29:48I don't have a problem
29:49with that.
29:50Ma'am.
29:51I don't have a problem
29:52with that because
29:53I'm the opposite.
29:54On screen,
29:55I'm really a fantasy
29:56of the country
29:57when I was young.
29:58I'm really a fantasy.
29:59But when they see me
30:00in person,
30:01they always say,
30:02hey,
30:03why does she look like a man?
30:04Yes,
30:05it's always like that.
30:06I don't like
30:07to be sexy
30:08but it's true.
30:09It depends on
30:10what you bring
30:11to yourself.
30:12Yes.
30:13It's always like that.
30:14For me,
30:15it's like,
30:16when there's a party,
30:17I'm invited.
30:18When they say
30:19Janice Jurado,
30:20they know
30:21how to dress.
30:22Even if there are
30:23life testimonies,
30:24I'm in sharing,
30:25let's say,
30:26guest speaker for today,
30:27Miss Janice Jurado,
30:28Sister Janice Jurado,
30:29they know
30:30when it's Janice Jurado,
30:31the clothes
30:32are really
30:33gone.
30:34Because,
30:35when did I
30:36wear sexy clothes?
30:37No.
30:38Before,
30:39you weren't sexy.
30:40This is already sexy.
30:41When did I wear
30:42sexy clothes?
30:43When I had
30:44roles with
30:45simple girls,
30:46I really
30:47didn't show
30:48my clothes.
30:49My clothes
30:50were really
30:51dirty.
30:52Really,
30:53there were no
30:54straps
30:55because I
30:56don't know
30:57how to
30:58wear
30:59the helmet.
31:00There,
31:01too.
31:02What kind of
31:03scenes
31:04where you
31:05had to say
31:06no to?
31:07I already
31:08had a scene
31:09where I was
31:10forced to do it.
31:11Once,
31:12I had a scene
31:13where I didn't
31:14want to do it.
31:15So,
31:16it turned out
31:17that the two
31:18female roles
31:19switched.
31:20I didn't want to
31:21do it.
31:22Later,
31:23we'll ask
31:24who did it.
31:25Kissing scene.
31:26Yes.
31:27The one
31:28in heaven
31:29is already dead.
31:30I didn't want
31:31him in the kissing scene
31:32because...
31:33I know.
31:34I brushed
31:35my teeth
31:36too much.
31:37Didn't you brush
31:38your teeth too much?
31:39Yes.
31:40You can't
31:41brush your teeth.
31:42I don't know.
31:43I didn't smell it
31:44because I saw
31:45that it was
31:46too thick.
31:47I can't do it.
31:48I really
31:49can't do it.
31:50Sorry.
31:51I'm sorry.
31:52I really said
31:53I'm sorry
31:54but it has
31:55nothing to do
31:56with,
31:57you know.
31:58It's already dead.
31:59He's so mean.
32:00He's so mean.
32:01I'm not joking.
32:02He's my friend
32:03and he's fine.
32:04I let him go
32:05because I have
32:06hepatitis.
32:07I'm not joking.
32:08He can't do it.
32:09I can't do it
32:10because he's so mean.
32:14I can't do it.
32:15He can't do it.
32:16I feel sorry for him.
32:17I just asked him.
32:19She's beautiful
32:20and very sensitive.
32:21Why are you hurting me?
32:22I don't have
32:23a big problem
32:24with that.
32:25Because,
32:26before we start,
32:27I say
32:28do's and don'ts
32:29until
32:30I'm done.
32:31Until you're done?
32:32Until I'm done.
32:33Just a little bit more.
32:34Even if we add
32:35the budget?
32:36Even if we add the budget?
32:37We'll talk again.
32:40When we come back,
32:41will be,
32:42Double Sis Challenge!
32:43Stay tuned.
32:44Always,
32:45always be,
32:46we are sisters,
32:47we are sisters.
32:52Always,
32:53always be,
32:54we are sisters,
32:56we are sisters.
32:57We will give them a serious line from a movie and they will dialogue it.
33:07Of course, they have to be sexy.
33:11So serious line or it could be a funny line but it has to be sexy.
33:17Our first movie is from Gaano Kadalasang Minsan by Hilda Coronel.
33:21Oh no, I'm the first one.
33:23And the dialogue is, Jenice you will say the dialogue.
33:25Yes, because I watched it.
33:27Once, twice, thrice, how often is Minsan?
33:31How often is Minsan?
33:33I don't know.
33:34Once, twice, three times more?
33:37But it has to be sexy because I'm angry.
33:39And also, there's no life in it.
33:42There's no sexiness in it, right?
33:48Once, twice, thrice, how often is Minsan?
33:53Oh, that's sweet.
33:55That's why it's called sweet but sexy.
33:58Alright, I can't take it anymore.
34:04Mr. Mark Hughes, I can't take it anymore.
34:06It's so sweet.
34:08Our next movie is Dapat Ka Bang Mahalin by Sharon Conetta.
34:12What's the line, Jenice?
34:14I will say it.
34:15Where, when, and how?
34:17Just say it, I won't interrupt you.
34:20Where, when, and how to fight?
34:22Just say it, I won't interrupt you.
34:26I'm so angry.
34:27She's right.
34:28Oh, she's not fighting.
34:31I thought that was it.
34:32Yes, that's it.
34:33Okay, Ms. Jenice.
34:36Where, when, and how?
34:41Just say it, I won't interrupt you.
34:45I won't interrupt you.
34:49Okay, waiting time.
34:51Wait.
34:52I'm scared.
34:55I'm the twin.
34:58Can you do it?
34:59I'm laughing.
35:01You're laughing, that's why no one thought you were going to say it.
35:05Okay, next movie, Greg.
35:07Macabungo by Rudy Fernandez.
35:09What's the line, Jenice?
35:11It's so long.
35:12It's just a job.
35:14No personality.
35:16No personality here.
35:18Sorry.
35:19It was a joke.
35:20I thought it was okay.
35:24It's just a job.
35:26No personality.
35:28It's so long.
35:30It's so long.
35:33Rachel is having a hard time.
35:36She can still do it.
35:37She can still do it.
35:38She can still do it.
35:41She can still do it.
35:42She's fine.
35:43Wow, thank you.
35:46She can still do it.
35:50Why don't you say the lines, Jenice?
35:53From the movie Madrasta by Sharon Coneta.
35:57I was never your partner.
35:58I'm just your wife.
36:02I was never your partner.
36:04I was your husband.
36:05I'm just your husband.
36:08Oh my God.
36:13They're still conscious.
36:15There's still a conscious factor.
36:18No.
36:20She can still do it.
36:21She can still do it.
36:24She can still do it.
36:25She can still do it.
36:27Jelly.
36:28Working Girls by Carmi Martin.
36:31What's the dialogue?
36:32Sabel, this must be love.
36:36Sabel, this must be love.
36:42Sabel, this must be love.
36:49It's so annoying.
36:51It's so annoying.
36:52Go ahead.
36:55Of course, you thought it was just one question.
36:57It's not over yet.
36:58Yes, it's not over yet.
37:00Okay, now.
37:01You have to answer the questions quickly.
37:04I'll ask you a question and you have to answer it within 10 seconds.
37:07The first thing that comes into your mind.
37:09Because if I don't think about it, I have to say it.
37:12When I say it, you have to answer it.
37:15Surprise.
37:16Let's surprise her.
37:17Game.
37:18Who is the most popular actress during your time?
37:21Nabiana.
37:26Sorry.
37:30Erap.
37:31Erap, why?
37:32For my projects back then.
37:34I have a teacher there.
37:40We got it.
37:41During your time, how much will you show as a bouncer?
37:45Me?
37:46A lot, a lot, a lot.
37:49What else?
37:50What else?
37:51What else?
37:52What else can you show?
37:53A lot, a lot, a lot.
37:54What's a lot?
37:55Everything.
37:56Why?
37:57Other than Brontal Unity, what else can I show?
38:00Everything.
38:01Everything.
38:02Okay.
38:03Everything.
38:07Are you willing to repeat what you went through?
38:10Yes.
38:11Why not?
38:13Why not?
38:14It's up to you.
38:16Janice.
38:17What's the biggest mistake you made as a sexy star?
38:20Falling in love.
38:23That's a mistake?
38:25That's a mistake?
38:26I make mistakes when it comes to love, right?
38:28I don't know.
38:29That's what I'm thinking.
38:33Jelly.
38:34What's good about being a bold star?
38:36Being naked.
38:38That's true.
38:40That's what I'm stressed about.
38:42In all your movies, how many do you think are in the same sex scene?
38:48How many are in the same scene?
38:49How many?
38:50How many?
38:51Maybe 15.
38:52Really?
38:53I think all of them are sexy.
38:55Yes, from Mature to Charito to Amalia.
38:59Really?
39:00He's thinking now.
39:01There's December Affair.
39:02There's about 30.
39:03In one of my movies, you have 10 leading ladies.
39:05Yes, three.
39:06I only chose three of my leading ladies.
39:08That's a lot.
39:10That's a lot.
39:11Playgirl.
39:12Wil, have you coached a new artist to be bold?
39:15No.
39:16Why?
39:17They have to be bold, right?
39:18Yes, that's right.
39:19They have to be bold.
39:22What's the most attractive part of your sexiness?
39:25Me?
39:26Legs.
39:27Legs.
39:28Legs.
39:29Yes, legs.
39:30That's fast.
39:31What part of your body is dead?
39:34Dib-dib.
39:35Dib-dib.
39:36Why?
39:37Let me see.
39:38I have hair.
39:39It's too early.
39:40Picnic.
39:41Picnic.
39:42Picnic.
39:43You're a boy, you're a man.
39:44It's okay.
39:46What's an extra in your sexy films that you'll never forget?
39:49In Tulisan sa Pasmo, where I jumped into a river of blood.
39:54I'll never forget that.
39:56If there's one thing in being a sexy star that you want to forget, what is it?
40:02I think it's nothing.
40:03You thought it was a problem.
40:04The tie.
40:05The tie.
40:06It's just a tie.
40:08I was just about to say that.
40:09Just don't.
40:11How do you practice a kissing scene?
40:14Just shoot.
40:16Practice.
40:17Just practice.
40:19Okay.
40:20Can you compare your films to the so-called Pito-Pito?
40:24No.
40:25Why?
40:26Our films are good.
40:28I told you.
40:29Shyam-Shyam.
40:30Shyam-Shyam.
40:31I don't have an accent.
40:32We're going to be sunbathing.
40:33Our props are real sun oils.
40:35It's true.
40:36Unlike the Pito-Pito, it's based on body lotion.
40:43Next.
40:44If you could go back in time, how much would you show?
40:47Everything.
40:49Everything.
40:51It's like he's carrying a bag.
40:54How would you thank your fans?
40:58Alin, how would you thank your fans?
41:01Until now, I'm still thanking them.
41:04How?
41:05By being sexy and trying not to disillusion them.
41:10And for them to imitate me.
41:11Fabulous.
41:12Yes.
41:13Thank you very much.
41:17I'm so happy.
41:18But let's talk about the Pito-Pito.
41:19That's better.
41:23Thank you very much for joining us.
41:26You warmed up our mornings.
41:28Our mornings are so warm.
41:31Is it exciting?
41:34We'll be back.
41:51For some, it can be a stepping stone and then you move on to more serious roles.
41:58But of course, the bottom line is you have to have the talent.
42:02That's the only thing.
42:05You can start with bold.
42:06You can start with comedy.
42:08But the most important factor for you to stay in this business is you also have to have talent.
42:14Maybe it's one of the things.
42:15You have to fix your packaging.
42:17You have to fix yourself.
42:18You have to be respectable.
42:20Because if you do things left and right, people will get tired of you.
42:25And also,
42:27they'll say, this is just a stepping stone or they don't respect me.
42:30I feel like it depends on how you bring yourself.
42:32If you want to be respected,
42:34you have to act respectable also.
42:36Of course.
42:37If you want to move on to greener pastures,
42:39you have to improve your job.
42:42So, in everything,
42:43it's exciting to talk about this.
42:44It's exciting because everyone we talked to,
42:46like Lauro,
42:47has moved on.
42:48She's a very, very good actress.
42:50Mark Hill.
42:51Yes.
42:52Ernie Garcia.
42:53Everybody.
42:54Aunt Janice, right?
42:55She also evolved.
42:56Although, Liz, she's like that already.
42:57She changed her life.
42:58She got married.
42:59She chose to settle down.
43:00It's also nice to talk to them.
43:02And also, these are the things that you can't just ask anyone, right?
43:07Exactly.
43:08And they're the only ones who can answer.
43:09And also,
43:10you can't ask them.
43:11Because they're okay.
43:12They're relaxed.
43:13It's embarrassing to ask them.
43:14And let's admit,
43:15those are the movies that make money.
43:17And that's what the boys really enjoy.
43:19I'm sure.
43:20And I hope you enjoyed our conversation this morning.
43:23We still have a lot to talk about next time.
43:25Of course, that's all for now.
43:26Sis!
43:29Sis would like to thank
43:30Bambi Fuentes,
43:32Mossimo,
43:33F&H,
43:34Chloe for our eyewear,
43:36Optical Works,
43:38Adidas,
43:39Janeline Shoes,
43:41Wade Shoes,
43:42Bayo,
43:43Under the Sea Pet Shop,
43:45Salon de Manila,
43:46La Germania,
43:48680 Home Appliances,
43:50Jurastar,
43:52Mano Mano,
43:53Play and Display,
43:55JBL Home Furniture Enterprise,
43:57The Barnyard,
43:59Grand Flora,
44:00Our Home,
44:01Wayless Center and Spa,
44:04Balloon Creations,
44:05Color My Hair,
44:06and Union Square.
44:08If one would do bold
44:12as a stepping stone,
44:14everything comes,
44:15not just fame.
44:16You have to grow with the craft.
44:17Exactly.
44:18I feel like you have to be able to act
44:19eventually.
44:20If you don't have talent
44:21or you can't grow
44:22in the craft,
44:23you'll just stay there.
44:24You'll stay there and there.
44:26Other than that,
44:27if it's a stepping stone,
44:28you have to move on from there.
44:30How bold can you be
44:31as a ballstar?
44:34Me?
44:35Bold, bold, bold.
44:38I can still show
44:40everything.
44:41Everything?
44:42Okay.
44:45What part of your body
44:46is dead?
44:47Dib-dib.
44:48Dib-dib?
44:49Why?
44:50It's dead.
44:51It has hair.
44:53Dib-dib.
44:54Dib-dib nipples.
44:56What's good about being a ballstar?
44:59It's good.
45:03If it's not good,
45:04it's fresh.