耳の穴かっぽじって聞け! 2024年8月27日 【令和お笑い論】とろサーモン久保田×ウエストランド井口が語り尽くす!トランスジェンダー芸人「風刺ネタどうすれば笑ってもらえる?」

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耳の穴かっぽじって聞け! 2024年8月27日 【令和お笑い論】とろサーモン久保田×ウエストランド井口が語り尽くす!トランスジェンダー芸人「風刺ネタどうすれば笑ってもらえる?」
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull

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Transcript
00:00Let's move on to today's topic.
00:04This is it.
00:05The truth that young people can't say.
00:07Here it is.
00:08Oh, we've come to the fourth topic.
00:11I'm a little curious about the fact that there are a lot of Otaku professionals.
00:16That's true.
00:17People who are watching the video will notice that there are a lot of Otaku professionals.
00:19I wonder what this is about.
00:20It means that Otaku professionals are giving back to us.
00:22I wonder if there is darkness in the Otaku world.
00:26Listen carefully to the holes in your ears!
00:29Now, let's listen to the contents of the questionnaire.
00:36The one who revealed the truth was a pin entertainer with three years of experience.
00:39A witch in a bad place.
00:40You're an Otaku professional again.
00:43Literature becomes a person.
00:45Literature reveals the truth.
00:49I was told that my gender was male when I was born.
00:53But I'm a transgender woman.
00:56The goal is to get a lot of people to laugh at me on TV.
01:05But when I'm on TV, I'm told by writers that I make a mistake if I don't give a precise explanation about gender and terminology.
01:14In the first place, even if I'm a person of the time, I'm told that it's hard to make fun of transgender people.
01:20I feel hopeless.
01:23So now I'm thinking about whether I should make a record on a video site or be recognized as a famous person and aim to be the first person.
01:31Or should I wait until someone makes a good example first?
01:37The audience who came to the concert said that the content was difficult and I couldn't laugh easily.
01:43I understand my lack of ability.
01:46But what do you think you can do to make fun of the part that is difficult to make fun of?
01:54The only thing I can say is that I have to think about how to make it funny.
02:02It's not because I'm transgender.
02:05It's just that I'm not sure if it's funny or not.
02:10Some people may think that it's because I'm transgender.
02:15But there is a possibility that it's just not funny.
02:17It's better to dig deeper.
02:20Some people say that it's because I'm transgender that I don't laugh.
02:22Some people say that it's because I'm transgender that I don't like it.
02:23Some people say that it's because I'm transgender that I can't be on TV.
02:25But it's not like that.
02:27Even if you are born as a man and live as a man,
02:30if it's boring, it's boring.
02:31If it's funny, it's funny.
02:33It changes from generation to generation.
02:37So I have to read it.
02:39I think you understand that there are many things in this country that you can't catch up with.
02:48So what do you do to make it funny?
02:51The first answer is whether there is a joke that can be laughed at.
02:57It's a job that leaves a place to laugh.
03:01When you go to a bar and laugh at dirty words, it feels good.
03:05I want to do that.
03:07Even if the camera is turned around.
03:08But the staff and the customers around me are laughing in their stomachs.
03:14That's good.
03:15I don't do anything that can't be laughed at from the beginning.
03:18That's right.
03:19So what do you do when you go to a bar and laugh at dirty words?
03:24That's right.
03:26I think it's important to think about that.
03:29It's a technique, isn't it?
03:30Yes, it's a technique.
03:31It's not limited to transgender people, but it's a physical feature.
03:36I think it's important to think about how to do it in a technical way.
03:41I think people who are doing well in small races are doing well.
03:46But if you really want to do this transgender thing,
03:50for example,
03:53I think it's a job that increases the number of people who understand each other.
04:03But if you really want to do this transgender thing,
04:07for example,
04:08I like baseball very much.
04:10I like baseball very much.
04:11There's nothing I like but baseball.
04:12I'm a manzai artist.
04:13Then I'd rather do it in front of people who play baseball.
04:16Do you understand?
04:17There are people who like baseball, so please understand.
04:19If you really want to do this transgender thing,
04:22I think it's a job that increases the number of people who understand each other.
04:30That's right.
04:31It's about what you want to do.
04:34You said you wanted to be the first person,
04:38but I want you to do your best.
04:41It's difficult to make a new laugh.
04:44It's difficult to make a new manzai.
04:46There are various manzai patterns.
04:48There are various manzai patterns.
04:49It's a pattern that comes out.
04:51It's a pattern that comes out.
04:53There is a pattern that is funny.
04:54There is a pattern that is funny.
04:57It's a pattern that makes people laugh and cry.
05:03This is a manzai pattern of TORO Salmon.
05:06Just brushing my teeth makes my blood come out.
05:09Really?
05:10Shut up.
05:11Really.
05:12I'm a manzai.
05:13I'm a manzai.
05:14I'm a manzai.
05:15I'm a manzai.
05:16I'm a manzai.
05:17I think the fans will understand.
05:18I think the fans will understand.
05:20What made you do that?
05:22The day before the semi-final of the M-1,
05:25there was a manzai about aliens.
05:28Tatechi Marudama was in the dressing room.
05:31I said,
05:32I said,
05:33I said,
05:34I said,
05:36I said,
05:37I said,
05:38I said,
05:39I said,
05:40I said,
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05:55I said,
05:56I said,
05:57I said,
05:58I said,
05:59I said,
06:00I said,
06:01I said,
06:02I said,
06:03I said,
06:04I said,
06:05I said,
06:06I said,
06:07I said,
06:08I said,
06:09I said,
06:10I said,
06:11I said,
06:12I said,
06:13I said,
06:14I said,
06:15I said,
06:16I said,
06:17I said,
06:18I said,
06:19I said,
06:20I said,
06:21I said,
06:22I said,
06:23I said,
06:24I said,
06:25I selected.
06:26Very good.
06:29When I used to be a very,
06:32not very serious adult,
06:36It was not a happy situation.
06:39But,
06:41Damn sad.
06:42Really?
06:43If you do it on TV, it's like you're in it and out of it.
06:46It's really like when you're about to get burned.
06:49I understand.
06:50I'm Sekiya, the woman who looks good in a MacBook.
06:53It's a Big Mac!
06:55The one who gave me the truth was Tomomi Sekiya, who is 18 years old.
07:00I'd like to do it today.
07:04The sentence becomes the person, and the sentence becomes the truth.
07:09Why do celebrities who are popular not communicate with each other outside of the show?
07:15Even if I can finally appear on TV after the audition,
07:18I'm disappointed in the face of the popular celebrity.
07:22Actually, I want to do something like this here, but what do you think?
07:27Even if I want to ask, what should I have done over there?
07:32I don't feel like I can ask at all, and I always go home in a daze.
07:38Moreover, even if I say hello in the dressing room,
07:41most people only say,
07:43so I don't know what to say.
07:47When I said hello to Mr. Kubota of Toro Salmon,
07:51he said,
07:53while pinching his nostrils.
07:55Even if I can do my best to sell,
07:58I'm sad that the world ahead of me is so distorted.
08:03Do you think I don't want to get involved with people who aren't popular?
08:08And what do celebrities think about the relationship between actors and actresses?
08:14Are they having fun every day?
08:17I know about the popularity of Mr. Kubota,
08:20but he's my senior.
08:24I've been working with him for 18 years.
08:27Why do you have such a pure worry?
08:29That's why I'm not popular.
08:32Also, when I pinch my nostrils and say hello,
08:36that's all I do.
08:39That's all I do.
08:42Don't make a mistake.
08:45Don't lie.
08:47Who did you talk about?
08:50I don't talk about it.
08:53I don't talk about it when I'm popular.
08:56You were asking questions,
08:59so I think it's annoying.
09:01What should I do in return?
09:03I don't know.
09:06It's easy to understand.
09:07Even if you don't communicate, it's already a business.
09:10That's why you don't communicate.
09:12When you're not popular, you don't get paid,
09:15so you don't have to negotiate.
09:17That's right.
09:18You don't have to negotiate.
09:20That's why you're popular.
09:21You can't do it, so you're trying to measure it now.
09:23Then measure more.
09:25It's very accurate.
09:28I want to ask you the other way around.
09:30By measuring communication outside of school,
09:33is there any absolute proof that the recording will go well from now on?
09:39It doesn't make it easier to communicate.
09:43You're not trying to force it, are you?
09:45If I'm at school, I'll talk.
09:47If you think like that, you won't be able to cut it.
09:50When you're busy and have a tight schedule,
09:53you have to go to that person at school and communicate.
09:57It's a mess.
09:59There's a book called Golgo Saati.
10:01If you have a request, you can sell it and go home quietly.
10:05That's right.
10:06It's Golgo style.
10:07It's Golgo style.
10:09For example, when you're trying to say something to this person,
10:13you can't talk to him at school.
10:16That's right.
10:17You can't say bad things like this.
10:20You can't say bad things like this.
10:22You can't say,
10:24You can't say,
10:26Because it's going to happen on the spot.
10:29There's a chemical reaction.
10:31I don't take it at all.
10:33I don't take it at all.
10:34I don't take it at all.
10:35God is angry.
10:37Let's go home.
10:38Let's stop.
10:40It's the biggest thunder in Tokyo.
10:43You can't hear it in the studio,
10:45but you can hear it here.
10:47It's raining.
10:48It's raining.
10:49Let's stop talking about Tekiga.
10:51Let's stop talking about Tekiga.
10:52I have a bad nose.
10:54I'm scared.
10:55It was amazing.
10:56It was amazing.
10:59The person who revealed his true nature is
11:01the 26th year of his career,
11:03actor, Mr. Tiger.
11:04Now, I'm going to call Mr. Yamada.
11:07Who are you?
11:09Let's go!
11:12Literature becomes a person.
11:13Literature becomes a person.
11:14Literature becomes a person.
11:15Literature becomes a person.
11:16Literature becomes a person.
11:17I hate the culture of acting so much that I die.
11:20He is a strange person.
11:22He is angry.
11:23It's too early to be on a comedy live that anyone can appear.
11:26It's meaningless for senior and junior to decide.
11:30The content of the Viking's training center
11:32at the king of conto final,
11:34I came to the driver's license center.
11:36The juniors seem to be fine.
11:38I often thought they were juniors.
11:41There is such a place,
11:43but it's the same as that.
11:44Because I got a license first,
11:46I went out to a small live first.
11:48is not a big deal at all.
11:50In the sports industry,
11:52in the music industry,
11:54the relationship between the top and the bottom
11:56is mostly based on age.
11:58The less popular an entertainer is,
12:00the more they are called
12:02by the name of their career.
12:04I can understand that
12:06the senior entertainers
12:08are more capable
12:10if they are more popular.
12:12That's why I think
12:14Iguchi Senpai from Westland
12:16hopes that this stupid culture
12:18will be abolished as soon as possible.
12:20Also,
12:22how can I become more popular?
12:26Well,
12:28I don't know what the young people
12:30are talking about.
12:32There are more and more
12:34senior entertainers coming out.
12:36But Yoshimoto is strict.
12:38Yes, he is strict.
12:40His career...
12:42Well, I think I have a chance
12:44if I become more popular.
12:46He has his own way of thinking.
12:48But when it comes to us,
12:50I don't think so.
12:52When I go to the dressing room,
12:54I go to the top entertainers,
12:56but I don't go to the top entertainers.
12:58I see.
13:00Even if I go to the top entertainers
13:02or the main entertainers
13:04in Kanmuri,
13:06if I don't go to the entertainers
13:08who stand in line,
13:10if I go to the entertainers
13:12who stand in line,
13:14I don't go to the top entertainers.
13:16If I go to the top entertainers,
13:18I don't go to the top entertainers.
13:20The other day,
13:22when I was in the factory committee,
13:24we all went to the dressing room
13:26and said hello.
13:28Arakawa, the elf,
13:30said hello to me.
13:32I said,
13:34I don't have to go to the top entertainers.
13:36I'm a senior entertainer,
13:38but I don't have to go to the top entertainers.
13:40I said,
13:42all of the staff said that.
13:44Everyone said it in front of me.
13:46I said it seriously.
13:48In front of the dressing room.
13:50I said,
13:52I don't have to go to the top entertainers.
13:54It's a serious problem.
13:56It's difficult to say
13:58that the girl who plays
14:00in the drama
14:02wants to call you.
14:04She wants you to call her
14:06and enjoy her live performance.
14:08That's a bad thing, but you can't do it.
14:10That's true.
14:11You have to have that kind of attitude.
14:15It's the most important thing.
14:17Why do you have to do a show with a guest who you've never met?
14:21Sometimes...
14:23I still can't believe it, but now...
14:27I still get DMs from comedians who I don't know.
14:29They ask me if I'd like to do a show with them.
14:31Still?
14:32Isn't that crazy?
14:34That's not how you work.
14:37You have to be polite to them.
14:41You have to be polite to them.
14:46You have to respect them.
14:49You have to respect them.
14:51You have to be polite to them.
14:53That's right.
14:55I think it's better to value what you've done than what you've done.
14:59That's right.
15:01You should be grateful to your seniors.
15:06That's how it is in the world of comedians.
15:10When I drank with Taiga and Komiya,
15:17Taiga was in a different group and drank at a different table.
15:20But Taiga paid for us.
15:23He's the kind of person who does it.
15:25That's right.
15:26He's doing it right.
15:28Then what happened to him?
15:30He wanted to be on the show.
15:32Taiga, I'll tell you this.
15:34The part where you drink the most is the most painful part.
15:35How can I sell more?
15:38He's a strong man who wants to appear on the show.
15:41You want to say that?
15:43They're doing it.
15:45You can appear on the show if you worry about it.
15:47Don't be ridiculous.
15:48That's right.
15:49Don't give me a strange look.
15:51Don't give me a strange look.
15:53Stop it.
15:55It's the first time I've seen it.
15:59Really.
16:00Next week
16:03You can listen to the behind-the-scenes stories of the show on MC Radio.
16:05The latest episodes will be broadcast on Thursday.
16:07For more information, search for Kikutere Asa.
16:12You're always watching like this, aren't you?
16:14If you have time, it's time to do something like this on the sofa.
16:17What was it?
16:18Liking people, liking them, sharing them.
16:21It's not like that.
16:22First, try to find a spot for yourself, you idiot!
16:25Think about why you're alive right now.
16:28You don't have time to lie down.
16:30If you die, it's 80, 90.
16:32Hurry up.
16:33Don't walk. Don't apologize.
16:34Hurry up and run.
16:36A message from Iguchi to Senpai Tiger.
16:40It's a survey for young people.
16:42It's not for people who are 48 years old.
16:44I don't know.
16:45I'm telling you for the first time.
16:46I don't know if I should apologize or not.
16:49Seriously.
16:50Please solve it yourself.
16:51It's a little...
16:52It's so easy today.
16:54It's so easy today.
16:55It's so easy today.
16:56It's so easy today.
16:57Next time, a mogul rider appears.
16:59His true intentions will be revealed.
17:01Don't talk about John.
17:03I don't know yet.

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