Pożegnanie z Marią 1966

Name: Pożegnanie z Marią 1966
Uploaded: 2024-08-27T20:50:07+00:00
Duration: 1 h 8 min 18 s
Channel: Miasto
Description: Watch Po&zdot;egnanie z Mari&aogon; 1966 - Miasto on Dailymotion

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00:05:30It's hard for me to imagine you on the camp porch with your hair cut off.

00:05:39It's you, Fusia.

00:05:43You were sitting on Szucha Avenue with your head bowed down

00:05:48and I only saw your black hair,

00:05:53which is now cut off.

00:06:00And this is the strongest thing I have left from there.

00:06:06From that world.

00:06:09Your image.

00:06:12Although it's so hard for me to remember you

00:06:18and that's why I'll be writing you such long letters

00:06:22because these are my evening conversations with you

00:06:29like back then

00:06:32on Skarszewska Street.

00:06:42Mario.

00:06:48Look.

00:06:51There is no boundary between light and shadow.

00:06:57Shadow is like an inflow.

00:07:00It crawls up to our feet.

00:07:03It surrounds us.

00:07:06And it only tightens the world around us.

00:07:10We are only you and me.

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00:09:02And he will speak my words.

00:09:05He will love my love.

00:09:08Poetry.

00:09:12For me, it's as incomprehensible as

00:09:16hearing a shape or

00:09:20touching a sound.

00:09:26But only poetry can faithfully show a man,

00:09:29I think, a full man.

00:09:35I don't know, Mario.

00:09:38I think that the measure of poetry,

00:09:43and maybe religion,

00:09:46is love.

00:09:52A man is a man,

00:09:55which they awaken.

00:09:57And this is the most objective,

00:09:59verified thing.

00:10:01Love.

00:10:04Of course, love.

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00:11:33If we could see everything at the same time,

00:11:37and ultimately,

00:11:39then love would be not only a measure,

00:11:46but the highest instance of all things.

00:11:54Unfortunately,

00:11:56we are too tired to try.

00:12:03Too tired to live alone.

00:12:05So it's not a full and false measure of life.

00:12:18What?

00:12:19You're trying too hard, Tadeusz.

00:12:21Why?

00:12:22Vucki nema.

00:12:24Ha, ha, ha!

00:12:26Ha, ha, ha!

00:12:29Ha, ha, ha!

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00:13:37You have an hour.

00:13:40Take the expire.

00:13:44I'm trying to make a hamlet for Tuesday.

00:13:50Would Christ

00:13:55be a good soldier?

00:14:05Rather a deserter, at least.

00:14:09The first Christians fled from the army.

00:14:13They didn't want to oppose evil.

00:14:20I oppose evil.

00:14:27Apollonius, take your feet off, or wash them.

00:14:32Apollonius, Apollonius, wash your feet.

00:14:37Take your feet off, please.

00:14:40Apollonius, wash your feet.

00:14:42Apollonius, Apollonius, wash your feet.

00:14:45Apollonius, Apollonius, wash your feet.

00:14:48Apollonius, Apollonius, wash your feet.

00:14:51Apollonius, Apollonius, wash your feet.

00:14:54Apollonius, Apollonius, wash your feet.

00:14:57Apollonius, Apollonius, wash your feet.

00:15:00Apollonius, Apollonius, wash your feet.

00:15:03Apollonius, Apollonius, wash your feet.

00:15:06Apollonius, Apollonius, wash your feet.

00:15:09Be careful.

00:15:31There was a guy like that.

00:15:34A vandal.

00:15:38He was a coward.

00:15:40Everyone pushed him away.

00:15:44From Denmark or Hungary,

00:15:47they drove him to Spain.

00:15:51There, the vandals

00:15:54went to the coast

00:15:56and sailed to Africa

00:15:59and came under the infantry

00:16:02from Carthage,

00:16:04St. Augustine was with them.

00:16:07And then St. Augustine went to the coast

00:16:10and convinced the vandals.

00:16:12I'm so sleepy, so tired, so drunk.

00:16:31So what?

00:16:33They lived together before the wedding.

00:16:36Who do you think they were?

00:16:39A pianist and a pianistess.

00:16:43He says they lived together for two years.

00:16:48He was a patriot

00:16:52and before that he was a coward.

00:17:00The young lady's parents

00:17:03didn't want to agree to the wedding

00:17:05but then they agreed.

00:17:07They just didn't want to invite their friends to the wedding.

00:17:10So we arranged the wedding ourselves.

00:17:14You can't, Mr. Piotr.

00:17:17You can't look at the lights.

00:17:19People are looking.

00:17:21You can't.

00:17:23You can't look at the lights.

00:17:37It's nice here.

00:17:39Very nice.

00:17:44It's strange.

00:17:46I haven't had a toothbrush

00:17:49or a toothbrush for teeth

00:17:51or a sandwich

00:17:54or a cup of tea

00:17:57or a book.

00:18:01You know,

00:18:03I still have this feeling

00:18:07that I have to leave.

00:18:09I'm so scared.

00:18:17But you were a singer.

00:18:22You had everything.

00:18:26I did, didn't I?

00:18:28No, I didn't.

00:18:32You see,

00:18:34even the Germans were different.

00:18:45I'm sorry.

00:18:49I just want you to know

00:18:51what I really went through.

00:19:01Augustine wrote 63 books

00:19:06when the vandals besieged Carthage.

00:19:11He made amends

00:19:15and died by her side.

00:19:20After the vandals,

00:19:22there was nothing left.

00:19:25And today, Augustine is read as an ergo.

00:19:30The war is over

00:19:32and poetry will remain.

00:19:43I think

00:19:45there will be a ghetto on the Aryan side, too.

00:19:49But there will be no way out.

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00:28:54Pocałuj mnie na dobranoc.

00:28:57Pocałuj mnie na dobranoc.

00:28:58Pocałuj mnie na dobranoc.

00:28:59Pocałuj mnie na dobranoc.

00:29:00Pocałuj mnie na dobranoc.

00:29:01Pocałuj mnie na dobranoc.

00:29:02Pocałuj mnie na dobranoc.

00:29:03Pocałuj mnie na dobranoc.

00:29:04Pocałuj mnie na dobranoc.

00:29:05Pocałuj mnie na dobranoc.

00:29:06Pocałuj mnie na dobranoc.

00:29:07Pocałuj mnie na dobranoc.

00:29:08Pocałuj mnie na dobranoc.

00:29:09Pocałuj mnie na dobranoc.

00:29:10Pocałuj mnie na dobranoc.

00:29:11Pocałuj mnie na dobranoc.

00:29:12Pocałuj mnie na dobranoc.

00:29:13Pocałuj mnie na dobranoc.

00:29:14Maybe love?

00:29:17Love is a sacrifice.

00:29:21I'm telling you this from my own experience,

00:29:23because I had many lovers.

00:29:31Love.

00:29:34Of course, love.

00:29:37What's up?

00:29:38Love.

00:29:39Of course, love.

00:30:07I'm telling you this from my own experience,

00:30:10because I had many lovers.

00:30:37Will they come?

00:30:39They should, right?

00:30:42We'll have to wait, doctor.

00:30:45The director promised to call.

00:30:50He'll come with his daughter, I'm sure.

00:30:54That's all I can say.

00:30:58What if they don't make it?

00:31:01I'm afraid.

00:31:04What are you saying, doctor?

00:31:06What are you thinking, doctor?

00:31:09Take the director in your arms.

00:31:12He can come whenever he wants.

00:31:14A wallet in his pocket.

00:31:16They've seen so much.

00:31:18The doctor is worried.

00:31:20What if they don't make it?

00:31:22I'm fine.

00:31:24I can handle it.

00:31:27A man who doesn't boast has hands and legs.

00:31:31He only looks where to grab.

00:31:34He'll make it.

00:31:43Mr. Tadziu.

00:31:45She said she'd boil 25 liters.

00:31:50And she'd burn half of the coal.

00:31:55She's a smart girl.

00:31:58She's a hard worker.

00:32:00She called.

00:32:02She went to the city to pick up Bimber.

00:32:06Is everything all right?

00:32:09She's the only property of my daughter.

00:32:14She's so helpless.

00:32:18She's used to her mother's care.

00:32:23What is it?

00:32:26I took the machine from the shed.

00:32:30I put it under the bed.

00:32:33Just in case.

00:32:35It must be like in a safe house.

00:32:41Why don't you know me?

00:32:44I've worked for you for years.

00:32:47I've seen a lot of people.

00:32:50I remember everything.

00:32:52I'm not one of those you forget.

00:32:58They'll find me here.

00:33:01There's a small street.

00:33:03On the outskirts.

00:33:06I'll make a phone call.

00:33:08What are you talking about?

00:33:11Do you want us to listen to the Germans?

00:33:16You can make a phone call.

00:33:19But not from us.

00:33:29Here.

00:33:56How did you get here?

00:34:01I was in a street blockade 27 times.

00:34:08Do you know what a blockade is?

00:34:13You probably don't know.

00:34:19We had a shelter behind the wardrobe.

00:34:24A special niche for 20 people.

00:34:32Little children were taught

00:34:35how to walk and drink from the wall like soldiers.

00:34:40Or how to shoot.

00:34:43The little children were silent

00:34:46and only looked.

00:34:50With such open eyes.

00:34:56Do you know?

00:35:01Yes.

00:35:04Will they be able to leave?

00:35:06Children?

00:35:07No.

00:35:08No children.

00:35:09Five.

00:35:10Daughters.

00:35:12Will they leave?

00:35:15Thanks to the great friendship with the boss.

00:35:19And with Heidelberg.

00:35:21So why didn't he leave with you?

00:35:25He has an interest there.

00:35:28Another day.

00:35:30Two more.

00:35:32Then it's all over.

00:35:40The house is empty.

00:35:41I go to the street.

00:35:43And the people are still driving.

00:35:48We set the price for the trees.

00:35:51I'm going to the store to make a transaction.

00:35:59I would like to have my own things.

00:36:30Hello.

00:36:32Hello.

00:36:59Hello.

00:37:21Ma'am.

00:37:22The boss saw this machine.

00:37:25Hide it.

00:37:26Hide it.

00:37:27You know it can be useful.

00:37:30You know what it is for.

00:37:33The last newspaper.

00:37:34The last newspaper?

00:37:35Yes.

00:37:36A lot of furniture?

00:37:37What?

00:37:39Everyone saves as much as possible.

00:37:41With the help of twins.

00:37:43Hide it.

00:37:56I'm going to the store.

00:38:12I wake up in the streets.

00:38:13What?

00:38:14I was in the headquarters.

00:38:18It's empty on the streets.

00:38:19I'm afraid to go.

00:38:20They say that if I go with the Jews,

00:38:22they will take us away.

00:38:27They will catch us too.

00:38:30In front of the headquarters.

00:38:31And at the church.

00:38:32Green from the gendarmes.

00:38:35That's nice.

00:38:36How am I going to get home?

00:38:37P.O.P.

00:38:42Mr. Manager.

00:38:45Mr. Tadziu.

00:38:47Close the gate.

00:38:50They will catch us here.

00:38:51Okay.

00:38:53I'm going to the store.

00:38:54I'm going to the store.

00:38:55Okay.

00:39:05Yes.

00:39:07Yes.

00:39:10I'm going.

00:39:14On the square, on the street, under the walls.

00:39:16Still full of traders.

00:39:19At the gates too.

00:39:20They say they have fresh meat today.

00:39:22Pork.

00:39:23And behind the school there is still fun.

00:39:25And the carousel is spinning.

00:39:26Music, right?

00:39:29Close the door.

00:39:30She called the fiancée on Monday.

00:39:32No.

00:39:33Yes.

00:39:34She is going willingly.

00:39:35But only in the evening.

00:39:36Because they catch her terribly.

00:39:37They'll probably start with us like with the Jews.

00:39:40You are worried about the fiancée.

00:39:42No.

00:39:45She should be able to handle it.

00:39:47Only ...

00:39:49I choked on a bone.

00:39:50Come on.

00:39:54Come on.

00:39:57I don't think we'll get wagons this month.

00:39:59I think they'll make a wagon barrier, right?

00:40:01Mr. Manager.

00:40:02And what do we get from letting the wagons go?

00:40:05The engineer is afraid to stick.

00:40:07Cement and plaster.

00:40:08And Vapno has only for the Germans.

00:40:09For work on the Bema force.

00:40:11So what do you want?

00:40:14For us to bloom?

00:40:15Mr. Tadziu.

00:40:19The Grochowskie factories got three wagons of cement.

00:40:22And the Srebrenica factories will have what the soul desires.

00:40:25And what do we have?

00:40:27Gojciory, felcówki, grysiki, lepiki.

00:40:30And maty trzcinowe.

00:40:31Don't exaggerate.

00:40:33If they were heating in the shops, it would be the same.

00:40:36Well, sure.

00:40:37The same.

00:40:38Because he's doing it himself.

00:40:39And if not, then what?

00:40:40Would he come to the warehouse?

00:40:41No.

00:40:42Shopkeeper.

00:40:43To borrow the brave men.

00:40:45Wait a minute.

00:40:50Hello.

00:40:51Me.

00:40:52In the car.

00:40:53What to say?

00:40:54Well, let it be 50.

00:40:56Hello.

00:40:58Fifty.

00:41:00Abenz.

00:41:01Me.

00:41:02Okay.

00:41:04Let it be in the evening.

00:41:05Me.

00:41:09Mr. Manager.

00:41:11I told him to come in the evening.

00:41:13Okay.

00:41:14Come and eat.

00:41:21Sir, if the engineer has less than us,

00:41:48he will first throw away this six.

00:41:50That's one. And two, do you remember what you thought about?

00:41:54What do I have against you?

00:41:56I put it all in the bin. You don't know how it is.

00:41:59I bought some books, and the paper cost me too.

00:42:03And will they buy at least those poems?

00:42:07I didn't say if they'll buy. I didn't write for sale.

00:42:10It's not a brick, a hole, or a dragon.

00:42:12But if it's good, they should buy it.

00:42:15You'll get a few thousand for the company.

00:42:18You have a good head, Mrs. Tarzim.

00:42:30Who was that?

00:42:32It wasn't you. She said it to me.

00:42:34And they're scaring me in town.

00:42:36What do you think Stara will do?

00:42:39The manager will find her an apartment.

00:42:41Stara has a lot of money.

00:42:43When the manager left, Stara called her daughter.

00:42:46They can't leave the ghetto. It's too late.

00:43:13Mrs. Tarzim.

00:43:32Mrs. Tarzim, I don't know.

00:43:34I was taught differently, but...

00:43:37I don't think it's right, Mrs. Tarzim.

00:43:40Where's your head? Where's your mind?

00:43:43And what was all that trouble for?

00:43:49Be careful, Mr. Kowalny.

00:43:56Let me apologize for the trouble.

00:44:00But, Mrs. Tarzim...

00:44:02You won't be able to save them anyway.

00:44:05Save them, Mrs. Tarzim.

00:44:07They'll rot anyway.

00:44:10They'll be destroyed, burned, lost.

00:44:13It's not a good life, Mrs. Tarzim.

00:44:16And I believe there will come a time...

00:44:19when they'll let us trade.

00:44:25Watch out.

00:44:28Hans.

00:44:30Hans.

00:44:32Transportation.

00:44:34Of course, transportation.

00:44:41You seem to be living a quiet life.

00:44:44And our people are fighting for you.

00:44:47And peace.

00:44:49Hans.

00:44:51I brought 50 sacks.

00:44:5450 sacks.

00:45:00Take it.

00:45:02What?

00:45:04Everything's sold.

00:45:07Big turnover, big profit.

00:45:10But now it'll be 10 zlotys more expensive per sack.

00:45:1535 zlotys each.

00:45:17No, that won't do. It'll go bankrupt.

00:45:20It will.

00:45:2232 zlotys.

00:45:24But it's 55 zlotys more expensive on the market.

00:45:27Mrs. Tarzim, will we be able to trade?

00:45:30Will they let us live?

00:45:33But we have to take it.

00:45:36Yes.

00:45:53Take it.

00:45:55She drank it.

00:45:57Take it.

00:46:01I'll come back in a week.

00:46:04Hans.

00:46:06Hans, it's good.

00:46:08It's good. It's very good.

00:46:13You see, Mrs. Tarzim.

00:46:16If we had our own stock, we wouldn't have any trouble with the goods.

00:46:20A man would last a few days and be sure.

00:46:24But let's go help the doctor, because she won't make it.

00:46:28Mr. Manager.

00:46:31Mrs. Tarzim, we have to give her the typewriter.

00:46:35It's under your bed.

00:46:37Mr. Manager.

00:46:39The typewriter will be useful to the company.

00:46:42And she won't need it.

00:46:44It will be useful to the company, Mr. Manager.

00:46:47Mr. Manager.

00:46:49Mr. Manager.

00:47:15You see, Mario.

00:47:17It's a deep evening again.

00:47:21After a day full of strange events.

00:47:28People from outside don't understand the mechanism of our life.

00:47:32There are incredible, mystical winds everywhere.

00:47:38Something beyond human power.

00:47:41And we are here every second, every minute,

00:47:44in this incredible and mystical world,

00:47:47having a crematorium every day.

00:47:51Mario.

00:47:54A crematorium.

00:47:58And thousands of phlegm,

00:48:01and thunders,

00:48:03knowing what rain is,

00:48:06and wind,

00:48:08and sun,

00:48:10and a soup made of poison,

00:48:14and not to fall,

00:48:16and slavery,

00:48:18and power.

00:48:20Being, so to speak, in the hands of a beast,

00:48:23I look at all this

00:48:25with a little indulgence.

00:48:28Drain

00:48:30from the events

00:48:32of everyday life

00:48:34all their everyday life.

00:48:37Reject terror.

00:48:39Regret.

00:48:41And contempt.

00:48:43And find this

00:48:47philosophical formula for everything.

00:48:51If I told you then,

00:48:53when we were dancing together

00:48:56in a small room on Skaryszewska Street.

00:48:59Listen.

00:49:01You have

00:49:03a million people,

00:49:05or two, or three million.

00:49:09Kill them

00:49:11so that no one

00:49:13would know about it,

00:49:15even them.

00:49:17Imprison

00:49:19several hundred thousand

00:49:21and break their solidarity.

00:49:23Humiliate man against man.

00:49:28Then we would have

00:49:30gone mad.

00:49:33And who knows

00:49:35if we wouldn't stop dancing.

00:49:39Oh, Maria.

00:49:42People are swimming to death

00:49:45like

00:49:47water from a tap

00:49:49after unscrewing the lid.

00:49:51And how is it that no one shouts,

00:49:54doesn't spit in the face,

00:49:56doesn't throw himself on the chest?

00:49:58We take off our hats in front of the SS men

00:50:00who come back from the woods.

00:50:02We follow them to death

00:50:04when they read out.

00:50:06And nothing. We starve.

00:50:08They take away our loved ones.

00:50:10Do you see this?

00:50:12Mysticism.

00:50:14This is the strange

00:50:17oppression of man

00:50:19by man.

00:50:21This is

00:50:23the savagery

00:50:25which nothing can break.

00:50:29And our weapon

00:50:32is our number

00:50:34which no chambers can fit.

00:50:39I'm only telling you about the camp.

00:50:42About its small events.

00:50:45And from these events

00:50:47I extract their meaning

00:50:49as if nothing else

00:50:51was waiting for us.

00:50:55Do you remember our little room?

00:50:59The litre thermos you bought me.

00:51:02It didn't fit into my pocket.

00:51:05And the story with the bat at Żoliborz

00:51:08from which you gave me reports over the phone.

00:51:13And what you said

00:51:18when I complained about barbarism,

00:51:22about war,

00:51:24about the generation

00:51:27of idiots

00:51:30which will grow out of us.

00:51:36There was a lot of naivety

00:51:39in what I said.

00:51:41Immaturity.

00:51:43But I think we didn't waste time.

00:51:46And contrary to the tenacity of war

00:51:49we lived in a different world.

00:51:52Or maybe we lived for the one who will come.

00:51:56Do you know that if there was no hope

00:51:58that this other world would come,

00:52:00that human rights would return,

00:52:02we would live in the camp at least one day?

00:52:33This is what hope is.

00:52:36It makes people go apathetically

00:52:39to the gas chamber.

00:52:42It is hope that tears the bonds of families.

00:52:48It makes mothers give birth to children.

00:52:51It makes wives sell themselves for bread.

00:52:54It makes husbands kill people.

00:52:57It is hope that makes you fight for every day of your life.

00:53:00Because maybe this day will bring liberation.

00:53:06In the history of mankind

00:53:08hope has never been stronger than man,

00:53:11but it has never done as much evil

00:53:14as in this war

00:53:16and in this camp.

00:53:20We were not taught to give up hope.

00:53:24That is why we die in the gas chamber.

00:53:31What?

00:53:33You stayed in the office to remember her?

00:53:37The fiancée is not coming, is she?

00:53:40Not good, not good.

00:53:42I'm worried about her.

00:53:44They've been catching her all day.

00:53:46They've caught a lot. I'm worried.

00:53:48They caught her under the church

00:53:50so that the earth would swallow her.

00:53:52No, but don't worry.

00:53:54The fiancée probably can't get to you.

00:53:57She can't get to you.

00:54:02And you see,

00:54:04the doctor has returned to the ghetto.

00:54:09She has a daughter there

00:54:11who can't get out.

00:54:15He's right.

00:54:17At least she'll die like a human being.

00:54:27A film by Jacek Makarewicz

00:54:45Someone called our camp

00:54:47a camp of frauds.

00:54:50The signs with the word bath

00:54:52are enough to mislead millions

00:54:54to the point of death.

00:54:56A fraud is a portion of bread

00:54:58you have to add to survive.

00:55:00A fraud is a time of work

00:55:02when you can't talk,

00:55:04sit down and rest.

00:55:06A fraud is any pile of dirt

00:55:08I throw on the floor.

00:55:12But you have to look at it all

00:55:15and not lose strength

00:55:17when it's bad for a person.

00:55:20Because maybe one day

00:55:22from this camp of frauds

00:55:24we'll have to hand over

00:55:26our lives to the people

00:55:30and stand up for the dead.

00:55:35Once we were standing

00:55:37in front of the gate of the camp.

00:55:3910,000 men.

00:55:42Suddenly there were trucks

00:55:44full of naked women.

00:55:46The women pulled out their arms

00:55:48and shouted,

00:55:50We're going to the gas station!

00:55:52Save us!

00:55:56And they drove past us

00:55:59in a deep silence

00:56:01of 10,000 men.

00:56:04Not a single man moved.

00:56:07Not a single hand raised.

00:56:11Because the living

00:56:14are always right

00:56:17against the dead.

00:56:21If the walls of the barracks

00:56:23suddenly fell,

00:56:25thousands of people

00:56:27beaten and crushed

00:56:29on their backs

00:56:31would hang in the air

00:56:33and it would be a more

00:56:35disgusting sight

00:56:37than the medieval images

00:56:39of the final courts.

00:56:43Because it's more shocking

00:56:45to a person

00:56:47the sight of another person

00:56:49sleeping on his own

00:56:51piece of box.

00:56:53A place he has to occupy

00:56:56because he has a body.

00:57:19The Age of Eternity

00:57:39Only now did I learn

00:57:41the value of antiquity

00:57:43how terrible was the treachery

00:57:45of the Egyptian pyramids

00:57:47the blood that had to flow on the Roman roads,

00:57:50on the border ramparts and the city's buildings.

00:57:53This antiquity, which was a huge concentration camp

00:57:58where the slaves were burned with a sign of their own on their foreheads

00:58:01and crucified for escape.

00:58:03This antiquity, which was a great conspiracy

00:58:09of free people against the slaves.

00:58:12Do you remember, Mario, how I liked Plato?

00:58:17Today I know that I am lying,

00:58:19because in earthly matters the ideal does not reflect,

00:58:22but the hard and bloody work of man lies.

00:58:28It was us who built the pyramids

00:58:30and tore marble on the temple and stones on the imperial roads.

00:58:34It was us who whistled in the galleys and pulled the axes.

00:58:37And they, they wrote dramas, dialogues

00:58:40and justified their intrigues with their fatherlands.

00:58:44They fought for borders, for democracy.

00:58:48And we were dirty and were dying for the truth.

00:58:51And they were aesthetic and were dying for nothing.

00:58:55Oh, there is no beauty if there is the harm of man in it.

00:59:01And there is no truth that avoids this harm.

00:59:06And there is no good that allows it.

Pożegnanie z Marią 1966

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