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Short filmTranscript
00:00:00Kudasai
00:00:30Kudasai
00:01:00Kudasai
00:01:31Who is it?
00:01:34Hello?
00:01:41Who is it?
00:01:42Who is it?
00:01:45Who is it?
00:01:50No!
00:01:53Who is it?
00:01:56Who is it?
00:01:59Who is it?
00:02:05Who is it?
00:02:07Who is it?
00:02:09Who is it?
00:02:15Who is it?
00:02:18Who is it?
00:02:23Mr. Kudasai!
00:02:26I think I was a little too harsh on your wife.
00:02:29I'm sorry.
00:02:32I was surprised, sir.
00:02:36When did you learn to draw?
00:02:39I'm not a good painter.
00:02:41I'm not a good painter.
00:02:44I'm not a good painter.
00:02:46I'm not a good painter.
00:02:48I'm not a good painter.
00:02:49I can't even play with a computer.
00:02:52I can't even play with a computer.
00:02:55But you're so realistic.
00:02:58I really wanted to draw a picture of a grass.
00:03:01But I didn't do it.
00:03:04What do you think?
00:03:06Do you think it's realistic?
00:03:09No.
00:03:11I've never seen anything so realistic.
00:03:15You're a fool.
00:03:17You're a fool.
00:03:19You're a fool.
00:03:20That's why I'm worried about an interior designer like you.
00:03:24Do you make her happy every time?
00:03:27Do you make her happy every time?
00:03:28No.
00:03:30I can't do it anymore.
00:03:32I can't do it anymore.
00:03:33You've got a lot of ideas.
00:03:36Do you want to try?
00:03:38Do you want to try?
00:03:39No, thank you.
00:03:41But Shizuko is a pretty girl.
00:03:46But Shizuko is a pretty girl.
00:03:49She doesn't know anything about the first SM.
00:03:54If you don't know, you'll be a fool.
00:03:58I think what you've hidden in this house is great.
00:04:03I think what you've hidden in this house is great.
00:04:04Shizuko is really...
00:04:07Shizuko is really...
00:04:10I asked her to be my model.
00:04:14I asked her to be my model.
00:04:15With pleasure.
00:04:16A smart girl like you is dangerous.
00:04:20And she's a girl.
00:04:23I don't know her.
00:04:26I'm afraid of her.
00:04:30But does Shizuko look like this?
00:04:34I don't know.
00:04:36I don't know.
00:04:39I don't know.
00:04:42I don't know.
00:04:43I don't know.
00:04:46I don't know.
00:04:50I don't know.
00:04:52I don't know.
00:04:57You're not going to announce this?
00:05:00If I do, you'll be in big trouble.
00:05:06If it's the black market in Paris, it's not worth a few hundred million.
00:05:12If it's the black market in Paris, it's not worth a few hundred million.
00:05:13Anyway, it's the only way to get rid of Oikawa.
00:05:18You mean the mafia is selling the stolen movie?
00:05:23No.
00:05:26I'm talking about a collector who sells the best erotic art.
00:05:32You're the collector, right?
00:05:37If he's a big Arab, then he's been waiting for your decision for years.
00:05:43If he's a big Arab, then he's been waiting for your decision for years.
00:05:44So I'll definitely know.
00:05:46I've heard that.
00:05:48What's the reason to enter the venue?
00:05:50I hear you have a lot to say about it.
00:05:53Well, if I die, that's where I'm going to sell it.
00:05:58It's a painting I made with a demon.
00:06:01It's been passed down for thousands of years in the history of the village.
00:06:05I want to become a ghost and...
00:06:09I want you to tell me what my true worth is.
00:06:12I don't know what you're talking about.
00:06:14You still have a long way to go.
00:06:17I've been thinking about what I've left behind lately.
00:06:21I can't die before I've done it all.
00:06:25No way...
00:06:28That's Shizuko's...
00:06:29You're about that age, too.
00:06:32An art critic and a poor manager.
00:06:35You're a grammar teacher, and you're twice as young as Shizuko.
00:06:40I'm jealous of your life, but...
00:06:43Have you ever left anything behind?
00:06:46You're like a mania rhythm.
00:06:47You've been researching erotic and devilish things.
00:06:51You're a really serious guy.
00:06:54I'm sure you've done something stupid.
00:06:58An intellectual like you...
00:07:01I'm going to do as much as I can to make sure I don't get in the way.
00:07:06It's only once in a lifetime.
00:07:08Stupid thing...
00:07:15I'm sorry.
00:07:27You were right.
00:07:30Thank you so much for coming home.
00:07:35I'm glad I did it.
00:07:38It was your fault that I was hated.
00:07:43Everyone who came to see you loved you.
00:07:46Yes.
00:07:49Oh, this.
00:07:51My wife said it was a gift from you.
00:08:13Even if it's a stupid thing in the world...
00:08:16For him, it may be the most beautiful thing in the world.
00:08:28Even if it's a stupid thing in the world...
00:08:31For him, it may be the most beautiful thing in the world.
00:08:36That's it, Toyama-kun.
00:08:39I've heard of you.
00:08:41What do you do when you enter the venue?
00:08:43You must have a great deal to say.
00:08:46Well, if I die, you'll sell it there.
00:08:54I don't know anything about the first SM.
00:08:59I've prepared a bath.
00:09:00Would you like to come in?
00:09:04What was Mr. Oikawa's item?
00:09:07Show me.
00:09:07It's a part-time job.
00:09:14Did you have any urgent work when you were tired?
00:09:17No, I'm just looking through the files.
00:09:22The files are too small.
00:09:23I'll take a look.
00:09:29Oh.
00:09:33Kitan Salon.
00:09:35It's a precious document from the 1930s.
00:09:38A famous writer and scholar posted it anonymously.
00:09:44What's the job?
00:09:45It's a picture book about the life of a middle-aged man.
00:09:51Is it an etching of Tula?
00:09:53It's a Japanese version.
00:10:05There's a picture of an etching.
00:10:07An etching?
00:10:16Is this a picture of the Edo period?
00:10:19Could you read the text on the page?
00:10:23Yes.
00:10:25When my master was alive,
00:10:28Yes.
00:10:30When my master was alive,
00:10:35most of the high-ranking members and the execution of the princess
00:10:42were public executions.
00:10:46Most of them were executions that took a long time
00:10:49and were used to kill people.
00:10:53Most of them were executions that took a long time and were used to kill people.
00:11:00In front of the building,
00:11:04the assistant was tied with a cross with both legs closed.
00:11:09It was hidden,
00:11:14but in reality,
00:11:17it was opened with both legs crossed.
00:11:24It was tied,
00:11:27and it was always made into a comb
00:11:31from the throat or the anus.
00:11:36Then,
00:11:38from the observer who stood right in front of the bamboo washing machine,
00:11:44the back of the assistant and the princess
00:11:47were exposed to the steam and smoke.
00:11:51The administrator,
00:11:53while shaking his own hand,
00:11:58let the steam
00:12:01fly many times.
00:12:04The execution of the high-ranking members and the princess
00:12:08was the best in the world.
00:12:11The beautiful back of the assistant and the princess
00:12:19were exposed to the steam
00:12:22and the executioners
00:12:25attacked me first.
00:12:28I was tied with a delicate tree.
00:12:32The cross of the tree was hit by the rain
00:12:36and I was lying on the ground.
00:12:42From the top of the armor to the back,
00:12:46the tied female assailant was brought
00:12:55and laid on the pillar.
00:12:58The female assailant
00:13:01spread her legs and raged,
00:13:06but the executioners
00:13:09untied the rope on her back
00:13:14and tied her hands
00:13:17to the cross.
00:13:25The executioners
00:13:28took off the armor
00:13:31of the high-ranking female assailant
00:13:34and cut off her kimono.
00:13:37They took off
00:13:40the armor of the high-ranking female assailant
00:13:43and cut off the kimono
00:13:46of the high-ranking female assailant
00:13:49and tied her hands
00:13:52to her back
00:13:55and tied her hands
00:13:58to the cross.
00:14:01The executioners
00:14:04spread the legs of the female assailant
00:14:07and tied them
00:14:10to the cross.
00:14:13They took off
00:14:16the armor of the high-ranking female assailant
00:14:19and tied her hands
00:14:22to the cross.
00:14:28The executioners
00:14:31took off
00:14:34the armor of the high-ranking female assailant
00:14:37and tied her hands
00:14:40to the cross.
00:14:43The executioners
00:14:46spread the legs of the female assailant
00:14:49and tied them
00:14:52to the cross.
00:14:55The executioners
00:14:58spread the legs of the female assailant
00:15:01and tied her hands
00:15:04to the cross.
00:15:07The executioners
00:15:10took off
00:15:13the armor of the high-ranking female assailant
00:15:16and tied her hands
00:15:19to the cross.
00:15:22The executioners
00:15:25spread the legs of the female assailant
00:15:27Does it hurt?
00:15:29No, it doesn't hurt.
00:15:32I was worried about you.
00:15:35I thought you were a genius.
00:15:39I wanted you to be famous.
00:15:42You changed your name to Shiokuri, didn't you?
00:15:48But he didn't like it.
00:15:50He didn't draw a picture of you.
00:15:55What do you mean?
00:15:57The doctor asked me to do it.
00:16:00No way.
00:16:03I can't accept Shiokuri Sara in your name.
00:16:09I see.
00:16:11You're right.
00:16:13Before I die,
00:16:17I want to send a genius to the world.
00:16:22I don't want to die again.
00:16:26I don't want to die.
00:16:36What do you think?
00:16:39I want you to go to him.
00:16:42I want you to see him with your fresh eyes.
00:16:48Should I raise him?
00:16:52Should I abandon him?
00:16:55I don't want to go to him.
00:16:59I need you to make a drastic decision.
00:17:03You want me to go to Paris alone?
00:17:10Have you ever been alone?
00:17:16Have you ever been alone?
00:17:18No, I haven't.
00:17:21No, you haven't.
00:17:23No, I haven't.
00:17:26Do it now.
00:17:29Do it now.
00:17:31What's wrong with you tonight?
00:17:35What's wrong with you tonight?
00:17:42Do you want me to give you a sedative?
00:17:45A sedative?
00:17:47No.
00:17:49I'm taking medicine for my heart.
00:17:54I got it from the doctor.
00:17:58I thought it would be hard for you to have a young wife.
00:18:00No way.
00:18:02The doctor told you to take a sedative, didn't he?
00:18:08The doctor told me to take a sedative when I meet a woman I really like.
00:18:15No.
00:18:23Don't push yourself.
00:18:28What's wrong?
00:18:31Did someone say something to you?
00:18:33For a young woman like you,
00:18:36an old woman like me is not enough.
00:18:40Again?
00:18:43I'm happy just to be with you.
00:18:51I love you.
00:18:53I love you, too.
00:19:01I love you, too.
00:19:31I love you, too.
00:19:51Hello.
00:20:01Hello.
00:20:27Stop it.
00:20:30Stop it.
00:20:37I'm writing a letter.
00:20:39Then, write it.
00:20:41No.
00:20:43I'm writing a letter.
00:20:45I'm writing a letter.
00:20:48Is that all you have?
00:20:52I'm writing a letter.
00:20:55Stop it.
00:20:57Stop it.
00:20:59Stop it.
00:21:01I said stop it.
00:21:13Get out.
00:21:18Brother, don't do that.
00:21:24Who are you?
00:21:28I'm Takayoshi Toyama's wife.
00:21:31Are you Mr. Ikegami?
00:21:33My husband called me.
00:21:39Toyama.
00:21:45I see.
00:21:48Please.
00:21:53Please.
00:22:02I'm going home.
00:22:04I'll never help you again.
00:22:23Would you like something to drink?
00:22:29I have wine.
00:22:31No.
00:22:34No?
00:22:37You're early.
00:22:39Don't you have work tomorrow?
00:22:41No.
00:22:42My husband is in Kyoto.
00:22:44No?
00:22:48Can I see your painting?
00:22:51Yes.
00:22:53I'm not against sponsors.
00:23:22Which one is it?
00:23:25That's all.
00:23:30Why are you here?
00:23:33Are you here to collect money from me?
00:23:39That's all.
00:23:41I don't have any money.
00:23:44Mr. Oikawa...
00:23:46He's dead.
00:23:48He was drunk.
00:23:51Who sent him there?
00:23:57Mr. Oikawa...
00:24:00He was worried about you.
00:24:04So he asked Toyama to...
00:24:06He's your husband.
00:24:08Why did he kill himself?
00:24:13Damn it.
00:24:17Do you know why I didn't paint?
00:24:22Do you know why I didn't paint in the last 10 years?
00:24:27I'm still here.
00:24:30I was rejected 10 years ago.
00:24:34No matter how much I paint,
00:24:37I'm laughing at myself.
00:24:40I don't have a brain.
00:24:43If you were a judge,
00:24:48you would know how to paint.
00:24:52You paint because you want to.
00:24:55You want to get something from me.
00:24:58That's right.
00:24:59I want to get something from you.
00:25:02Let me paint.
00:25:04Take it off.
00:25:06Take it off.
00:25:08Let me paint.
00:25:11I'll tell my husband.
00:25:13It's no use.
00:25:16I don't want to be a judge in a big mansion.
00:25:23Stop being so spoiled.
00:25:26That's right.
00:25:29That's right.
00:25:33Stop it.
00:25:36I'll paint.
00:25:39I can paint.
00:25:41I'll paint.
00:25:44I'll paint.
00:25:47Who is it?
00:25:49Who is it?
00:25:52You think you're Mogiliani?
00:25:56You think you're Mogiliani?
00:25:59You think you're Mogiliani?
00:26:04I didn't lie to you!
00:26:06I drew a picture of Hishinie for Mojiriya.
00:26:09I drew a picture of the future!
00:26:15Let go of me!
00:26:22Let go of me!
00:26:34Let go of me!
00:26:52I'll draw a picture of you until tomorrow.
00:26:56And then I'll make my decision.
00:26:59I want to see the future of your life!
00:27:04I need money.
00:27:06I need a digital camera and a printer.
00:27:10I can't remember how much I want to do it.
00:27:14I'll draw a picture.
00:27:18With this hand.
00:27:21Hey.
00:27:23Take a picture of something for a moment.
00:27:29Look at it.
00:27:32And draw a picture of something for a moment.
00:27:36I don't want to draw it upside down.
00:27:41I want to connect with something other than myself.
00:27:47God?
00:27:50No way.
00:27:53Maybe.
00:28:00Okay.
00:28:03I'll ask my husband.
00:28:16I'll ask my husband.
00:28:46I'll ask my husband.
00:29:16I'll ask my husband.
00:29:26I'll draw a picture.
00:29:28With this hand.
00:29:30I don't want to draw it upside down.
00:29:39I want to connect with something other than myself.
00:29:46I'm not slacking off.
00:29:49I can't draw.
00:29:51There's something I want to draw.
00:29:53Wait a minute. I'll close the window.
00:30:00I'm sorry.
00:30:02I'll buy it for you.
00:30:05I'll buy it for you.
00:30:07I'll buy it for you.
00:30:09I'll buy it for you.
00:30:12I'll buy it for you.
00:30:14You're a good wife.
00:30:16You're a good wife.
00:30:19I understand.
00:30:21I understand.
00:30:22Hello?
00:30:23Hello?
00:30:24Have you eaten?
00:30:26I don't care.
00:30:28I don't care.
00:30:30I'm sorry.
00:30:44I'm sorry.
00:31:06It's done.
00:31:07It's done.
00:31:10It's done.
00:31:13Call me when you're done.
00:31:16Call me when you're done.
00:31:18Hey.
00:31:20Hey.
00:31:23Stand over there.
00:31:25Stand over there.
00:31:36What is it?
00:31:38You don't need to draw.
00:31:40You want to bring it home, don't you?
00:31:43That's why you're drawing on your computer.
00:31:46I want you to draw it.
00:31:49Open it up a little more.
00:31:51What are you doing?
00:31:52Take it off yourself.
00:31:54Take it off yourself.
00:31:55Stop taking it.
00:31:57I think you can draw it.
00:32:03I think you can draw it.
00:32:05Don't say that.
00:32:06Hurry up.
00:32:08Wait!
00:32:10Don't make that angry face.
00:32:11Stop it!
00:32:13I can't do it.
00:32:14Don't make that angry face.
00:32:16Stop it!
00:32:18What are you going to do?
00:32:20Stop it!
00:32:22If you keep doing this, I'll really...
00:32:29Listen...
00:32:32This is actually...
00:32:34Toyama-san's request.
00:32:36My master?
00:32:37Yes.
00:32:38Two years ago,
00:32:40my master called me.
00:32:42He said,
00:32:44why don't you draw a demon-like picture?
00:32:47He said, why don't you try drawing porn or SM?
00:32:49He said, why don't you try drawing porn or SM?
00:32:51But I...
00:32:54I couldn't draw at all.
00:32:57Then...
00:32:59you appeared.
00:33:02I don't think you wanted to be a model
00:33:05and brought you to me.
00:33:07But when I saw you,
00:33:10I felt like I could draw.
00:33:13My master told me.
00:33:17Please.
00:33:19Let me draw.
00:33:26Take it off.
00:33:28Hurry.
00:33:39You can't?
00:33:45I understand.
00:33:48I'm sorry.
00:33:51You can go home.
00:33:58Wait a minute.
00:34:10I understand.
00:34:28I understand.
00:34:58Put your hands behind your back.
00:35:19Who are you?
00:35:22I can draw.
00:35:25Let me draw.
00:35:28Wait a minute.
00:35:44I can't.
00:35:55I can't.
00:36:20I really want to draw.
00:36:25If you tie me up,
00:36:28I can draw.
00:36:31It's been a while.
00:36:34Does this feel good?
00:36:55Yeah.
00:37:25Okay.
00:37:55It's your turn.
00:38:04Lie down.
00:38:18Okay.
00:38:21Come here.
00:38:25Come here.
00:38:31Get up.
00:38:38Get up.
00:38:41You'll get prettier.
00:38:44You'll get prettier.
00:38:47Okay.
00:38:55What's wrong?
00:38:59What's wrong?
00:39:03What are you going to do?
00:39:07Look at me.
00:39:20Does it feel good?
00:39:23It feels good.
00:39:26Look at me.
00:39:29I'll put a color on you.
00:39:32I'll do it.
00:39:35I'll do it all for you.
00:39:38I'll do it all for you.
00:39:41I'll do it all for you.
00:39:44I'll do it all for you.
00:39:47I'll do it all for you.
00:39:53Okay, you okay?
00:39:56Good.
00:40:03Write this down.
00:40:08It's just as I told you.
00:40:10More!
00:40:11More!
00:40:13More!
00:40:14More!
00:40:15More!
00:40:18I am sorry.
00:40:23Ohh.
00:40:25Ahh.
00:40:26Oh.
00:40:27Ahh.
00:40:28Ahh.
00:40:29Ohh.
00:40:30Oh.
00:40:31Ohh.
00:40:32Oh.
00:40:33Oh.
00:40:34Ohh.
00:40:35Ohh.
00:40:36Ohh.
00:40:37Ohh.
00:40:38Ohh.
00:40:39Ohh.
00:40:40Ohh.
00:40:41Ohh.
00:40:42Ohh.
00:40:43Oh.
00:40:44Ohh.
00:40:45Ohh.
00:40:46Ohh.
00:40:47Ohh.
00:40:48Ohh.
00:40:49Ohh.
00:40:50This time, it was a red powder.
00:40:51I'll roll it for you.
00:40:52Stand up.
00:40:53Come on.
00:41:02You look good.
00:41:09I'll show you.
00:41:11Open your legs.
00:41:13Don't move.
00:41:15Line up like this.
00:41:23Come on.
00:41:36This way.
00:41:38Come on.
00:41:43Can you do it?
00:41:45Come on.
00:41:49All in a circle.
00:41:51Yes.
00:41:54You don't move.
00:41:56It's embarrassing.
00:41:59It's embarrassing.
00:42:02Come on.
00:42:04Come on.
00:42:06Come on.
00:42:09Come on.
00:42:12Honey.
00:42:15It's just the two of us.
00:42:19We're being attacked.
00:42:21Do you understand?
00:42:23We're being attacked by two men.
00:42:26Forgive me.
00:42:28I won't forgive you.
00:42:30Why should I forgive you?
00:42:39One more.
00:42:42One more.
00:42:46One more.
00:42:50One more.
00:42:53You're being eaten.
00:42:55Talk.
00:42:57Talk.
00:42:59Spit it out.
00:43:01Talk.
00:43:03More.
00:43:05More.
00:43:07That's it.
00:43:09That's it.
00:43:11That's it.
00:43:13It's just the three of us.
00:43:17Talk.
00:43:20More.
00:43:22More.
00:43:24More.
00:43:26More.
00:43:28More.
00:43:33Don't go yet.
00:43:38I'll give you the real thing.
00:43:41I'll give you the real thing.
00:43:54What's wrong?
00:43:58Hey.
00:44:00Let me do it.
00:44:02Hey.
00:44:04Say something.
00:44:07Say something.
00:44:09Let's go.
00:44:11Let's go.
00:44:20What the hell are you doing?
00:44:25Hello?
00:44:31I know.
00:44:34Just do as I say.
00:44:41Shit.
00:44:51Take this off.
00:45:03Take this off.
00:45:13It's beautiful.
00:45:27It's cold.
00:45:33It's cold.
00:46:03That's enough.
00:46:05I've had enough.
00:46:07Are you sure?
00:46:15Shake it.
00:46:18Shake it?
00:46:21Shake it as you like.
00:46:23On the roof.
00:46:25Like the picture of Puzzati.
00:46:27Puzzati?
00:46:30Oh.
00:46:32The full moon.
00:46:37The end of the world.
00:46:59The end of the world.
00:47:29The end of the world.
00:47:31The end of the world.
00:47:59The end of the world.
00:48:01The end of the world.
00:48:03The end of the world.
00:48:05The end of the world.
00:48:07The end of the world.
00:48:09The end of the world.
00:48:11The end of the world.
00:48:13The end of the world.
00:48:15The end of the world.
00:48:17The end of the world.
00:48:19The end of the world.
00:48:21The end of the world.
00:48:23The end of the world.
00:48:25The end of the world.
00:48:27The end of the world.
00:48:29The end of the world.
00:48:31The end of the world.
00:48:33The end of the world.
00:48:35The end of the world.
00:48:37The end of the world.
00:48:39The end of the world.
00:48:41The end of the world.
00:48:43The end of the world.
00:48:45The end of the world.
00:48:47The end of the world.
00:48:49The end of the world.
00:48:51The end of the world.
00:48:53The end of the world.
00:48:55The end of the world.
00:49:25Japanese Dok Kelvin
00:49:35Japanese Dok Kelvin
00:49:38Japanese Dok Kelvin
00:49:40Japanese Dok Kelvin
00:49:48Kagaru.
00:49:49Yeah?
00:49:51How many days, a month?
00:49:53I'm sorry. I'll talk to my husband and wait.
00:49:58Three days. No, two days.
00:50:02Is that so?
00:50:04I'm not so confident.
00:50:23Hello?
00:50:30Where are you now?
00:50:35I'm in my room. I was doing my hair.
00:50:39I'm writing to you, but I'm stuck.
00:50:44Can you do me a favor?
00:50:46Can you put your cell phone on vibrate?
00:50:56What are you talking about?
00:50:59Concentrate and write.
00:51:02If I write to you, I'll always be connected to you.
00:51:08If I imagine your face, I can keep writing.
00:51:14No way.
00:51:16Hurry up.
00:51:46I'm sorry. I'll talk to my husband and wait.
00:51:49I'm sorry. I'll talk to my husband and wait.
00:51:52I'm sorry. I'll talk to my husband and wait.
00:51:55I'm sorry. I'll talk to my husband and wait.
00:51:58I'm sorry. I'll talk to my husband and wait.
00:52:01I'm sorry. I'll talk to my husband and wait.
00:52:04I'm sorry. I'll talk to my husband and wait.
00:52:16I'm sorry. I'll talk to my husband and wait.
00:52:46I'm sorry. I'll talk to my husband and wait.
00:52:49I'm sorry. I'll talk to my husband and wait.
00:52:52I'm sorry. I'll talk to my husband and wait.
00:52:55I'm sorry. I'll talk to my husband and wait.
00:52:58Are you okay?
00:53:00I was worried because you didn't come out.
00:53:03I'm sorry.
00:53:06I was waiting for a picture.
00:53:09I was at the end of the movie.
00:53:12I turned off my cell phone.
00:53:14I don't have anything to do.
00:53:17I went shopping.
00:53:20Clothes.
00:53:22Underwear.
00:53:24Yes.
00:53:27Yes.
00:53:30Yes.
00:53:32I can do it tomorrow.
00:53:36Yes.
00:53:44Yes.
00:54:14Yes.
00:54:44Yes.
00:55:00Welcome home.
00:55:02I'm sorry.
00:55:04Did I wake you up?
00:55:11Thank you.
00:55:13This is a picture drawn by someone.
00:55:18Yes.
00:55:20A god named Shizuko.
00:55:23But it's no good.
00:55:27It's too much of a porn.
00:55:29I don't think that's all.
00:55:33I think so.
00:55:37What should I do?
00:55:40What should I tell Toyama?
00:55:45You're going to be with him.
00:55:49You have talent.
00:55:52Toyama saw it.
00:55:54It's real.
00:55:57Even if I don't have talent,
00:56:00I can sell pictures of good guys around the world.
00:56:04Be confident.
00:56:09Yes.
00:56:12Yes.
00:56:14Yes.
00:56:16Yes.
00:56:18Yes.
00:56:20Yes.
00:56:22Yes.
00:56:24Yes.
00:56:26Yes.
00:56:28Yes.
00:56:30Yes.
00:56:32Yes.
00:56:34Yes.
00:56:36Yes.
00:56:37Yes.
00:56:46Look at me.
00:56:50Look at me.
00:57:07I'll help you.
00:57:15Open your eyes.
00:57:20Look at me.
00:57:24Look at me.
00:57:29Look at me.
00:57:38Open your eyes.
00:57:53Look at me.
00:58:02Look at me.
00:58:07Look at me.
00:58:09Look at me.
00:58:11Look at me.
00:58:13Look at me.
00:58:37Did you hear that voice?
00:58:41It's the Parisienne next door.
00:58:44The Parisienne?
00:58:46She's beautiful.
00:58:48There's no one there.
00:58:50You were in the hallway?
00:58:52Yes.
00:58:54It's the housekeeper.
00:58:58She's not here?
00:59:00She has a favor to ask.
00:59:03What is it?
00:59:07I want to auction that house.
00:59:11How much will it sell for?
00:59:13What are you talking about?
00:59:15Toyama will buy it.
00:59:17No.
00:59:19If it's a black market, I want to try it.
00:59:23A black market?
00:59:25I don't care if it's a stolen property or porn.
00:59:28I only care about the masterpieces.
00:59:31It's a black market.
00:59:33The price of the house depends on the price of the house.
00:59:39I've never heard of that.
00:59:41Why?
00:59:47I'm sure your master knows.
00:59:51Can you give me permission?
00:59:54Why?
00:59:56I have a condition.
01:00:02For the first auction...
01:00:21Hello?
01:00:24I know, but I can't do it.
01:00:28No.
01:00:30I can't do it.
01:00:34Who?
01:00:36My sister.
01:00:58When did you become a porn star?
01:01:13I've been through a lot to paint this picture.
01:01:22This is not your picture.
01:01:27This is my picture.
01:01:32Draw it.
01:01:36Draw the left side.
01:01:43You can tie it up if you want.
01:01:50Hey.
01:01:57Hey.
01:02:12I'm sorry. I'll call you later.
01:02:28She must be crazy.
01:02:35She must be a devil.
01:02:40A devil?
01:02:46She sold the house.
01:02:51I told you she would sell the house.
01:02:54I told you she would sell the house.
01:02:56I told you she would sell the house.
01:03:01We can live happily together.
01:03:05With that woman?
01:03:08She's my wife.
01:03:11She's my boss' wife.
01:03:13That woman is a service.
01:03:19I can't help it.
01:03:24I can't help it.
01:03:32She's my boss' wife.
01:03:34That woman is a service.
01:03:55Yes.
01:03:57It's a very detailed depiction.
01:04:02It's a mobile phone, but it's very detailed.
01:04:07Isn't it amazing?
01:04:10I drew that picture in just one day.
01:04:15That's because the model is good.
01:04:17It's a digital mask.
01:04:19Only the face is my icon.
01:04:21Even so...
01:04:22She's a genius.
01:04:26What do you think?
01:04:29Is that the city of porn?
01:04:32I think it depends on how you sell it.
01:04:35I don't know if it's good.
01:04:37It's okay.
01:04:39If you praise it,
01:04:41everyone will think it's a great picture.
01:04:46Japanese people are like that.
01:04:49That's right.
01:04:52I'll make you draw more and more.
01:05:23Tokyo
01:05:41Who is it?
01:05:43I'm Ryosuke Mikami's sister.
01:05:46Come in.
01:05:50Are you going back to Tokyo?
01:05:52Yes.
01:05:54I took a flight tonight.
01:05:57What about my brother's picture?
01:06:05Please.
01:06:10I asked you to draw it.
01:06:15I'm going to buy it.
01:06:19You said on the phone...
01:06:20Black market.
01:06:22The owner of the luxury Japanese club I work for
01:06:26is the owner of an old castle in Paris.
01:06:29If you talk to him,
01:06:31I'll sell it to you anytime, so bring it to me.
01:06:33I heard from my brother.
01:06:35Erotic pictures...
01:06:37It's tonight.
01:06:40Is it okay?
01:06:42My brother decides where to sell it.
01:06:46You two decide.
01:06:48It's up to you.
01:06:56I understand.
01:06:58I don't care about my brother.
01:07:01The only thing that can enter the auction is the picture brought in by the buyer.
01:07:05Even if my sister goes, she won't let me in the castle.
01:07:08Even if it's dangerous,
01:07:10I won't go even if I say it's for my brother.
01:07:14Dangerous?
01:07:18Dangerous.
01:07:35Yes.
01:07:37I have the invitation.
01:07:39It's Shizuko Toyama and Sayako Ikegami.
01:07:44Password?
01:07:45Monsieur...
01:07:47C-R-O...
01:07:52Go ahead.
01:07:59I'll take it.
01:08:08I want to see your invitation.
01:08:09Excuse me.
01:08:15Yes, it's me.
01:08:19Here.
01:08:22Go ahead.
01:08:40Shizuko Toyama
01:08:43Shizuko Toyama
01:08:46Shizuko Toyama
01:08:49Shizuko Toyama
01:08:52Shizuko Toyama
01:09:09Shizuko Toyama
01:09:12Shizuko Toyama
01:09:39Shizuko Toyama
01:09:42Shizuko Toyama
01:09:45Shizuko Toyama
01:10:06Shizuko Toyama
01:10:08Shizuko Toyama
01:10:11Shizuko Toyama
01:10:12Shizuko Toyama
01:10:14Shizuko Toyama
01:10:16Shizuko Toyama
01:10:18Shizuko Toyama
01:10:20Shizuko Toyama
01:10:22Shizuko Toyama
01:10:24Shizuko Toyama
01:10:26Shizuko Toyama
01:10:28Shizuko Toyama
01:10:30Shizuko Toyama
01:10:32Shizuko Toyama
01:10:34Shizuko Toyama
01:10:36Shizuko Toyama
01:10:38Shizuko Toyama
01:10:40Shizuko Toyama
01:10:42Shizuko Toyama
01:10:44Shizuko Toyama
01:11:0250 million
01:11:03How's that?
01:11:05Okay!
01:11:07Oh my god!
01:11:09Yeah!
01:11:11Yeah!
01:11:13Yeah!
01:11:15Yeah!
01:11:17Yeah!
01:11:19Yeah!
01:11:21♪
01:11:28Mesdames, monsieurs,
01:11:31merci d'être ici ce soir.
01:11:34Sate,
01:11:36Koyoi sekai kakuchi karo uatumari no Bayern no minasan,
01:11:40honjitsu no speciau auction ni okage shimasu mama
01:11:44go annai no shinsaku jyutten desu.
01:11:50What's your name?
01:11:52What should I do with you?
01:11:58For the sake of privacy,
01:12:00I dare to say your name.
01:12:04The artist who died the other day
01:12:06at the hands of the Japanese Artists Association.
01:12:08As a work of art,
01:12:10the only one in his life,
01:12:12Shunga Jutten.
01:12:16A piece of CG art printed out,
01:12:18with the signature of Shunga Jutten.
01:12:20Wow!
01:12:22Have you seen it too?
01:12:26Now then,
01:12:28the first place goes to
01:12:30Mukiebi-Korogashi.
01:12:32I still can't believe it.
01:12:34Mukiebi-Korogashi.
01:12:3610 million yen!
01:12:38No way!
01:12:40Now then, starting with 10 million yen.
01:12:42I'll give you 10 million yen.
01:12:4410 million yen!
01:12:46No way!
01:12:48I'll give you 30 million yen.
01:12:50I'll give you 40 million yen.
01:12:52I'll give you 60 million yen.
01:12:54Is there anything else?
01:12:56No!
01:12:58That's not it!
01:13:00That's a painting
01:13:02by Ryosuke Ikagami.
01:13:04He's dead.
01:13:06There are only 35 bodies left.
01:13:08Pardon?
01:13:10This is the real one.
01:13:12Is there any evidence
01:13:14that this painting
01:13:16is fake?
01:13:18That's a copy.
01:13:2050 million yen.
01:13:22No,
01:13:24there's a higher value
01:13:26in this painting.
01:13:28Ikagami?
01:13:30Unfortunately,
01:13:32I don't know him.
01:13:34He's a genius.
01:13:36He's a future person.
01:13:38Is there any value
01:13:40in having eyes
01:13:42that can see the future?
01:13:44If there is value,
01:13:46I'll destroy
01:13:48that painting.
01:13:50I have a problem.
01:13:52I don't have
01:13:54eyes that can see.
01:13:58Is that so?
01:14:02I understand.
01:14:06Assuming
01:14:08that this painting
01:14:10is real,
01:14:12we have a letter
01:14:14from the publisher.
01:14:16We have invited
01:14:18a model
01:14:20for this painting.
01:14:22Her name is
01:14:24Mrs. Shizuko.
01:14:26I'm the model,
01:14:28Mrs. Shizuko.
01:14:30We want you to
01:14:32recreate the structure
01:14:34of the painting
01:14:36from the beginning
01:14:38to the end.
01:14:40We want you to compare
01:14:42the painting and the real thing
01:14:44and judge
01:14:46the truth.
01:14:48Thank you.
01:14:52Well,
01:14:54Mrs. Shizuko,
01:14:56are you here?
01:14:58Mrs. Shizuko?
01:15:00Where are you?
01:15:02Shizuko?
01:15:04Where are you?
01:15:06Mrs. Shizuko?
01:15:08Where are you?
01:15:10Shizuko?
01:15:12Where are you?
01:15:20It's me.
01:15:22Good.
01:15:24Can you believe it?
01:15:26Perfect.
01:15:34I understand.
01:15:36Well,
01:15:38let's compare
01:15:40the painting
01:15:42with the real thing
01:15:44in the catalog.
01:15:46Here you are.
01:15:48Please take it off.
01:15:50I want to check
01:15:52the truth.
01:15:56Don't touch me!
01:15:58I understand.
01:16:00Don't touch me!
01:16:02I understand.
01:16:06If
01:16:08this painting
01:16:10is the real thing
01:16:12and that CG
01:16:14is fake,
01:16:16please promise me
01:16:18that you'll trade
01:16:20Ryosuke Ikegami's painting
01:16:22at a high price.
01:16:24All right.
01:16:26We'll pay
01:16:281,000 yen.
01:16:305,000 yen!
01:16:34But if
01:16:36your painting is fake,
01:16:38you'll pay
01:16:401,000 yen
01:16:42as compensation
01:16:44for damaging
01:16:46the auction.
01:16:48To prove
01:16:50that your painting
01:16:52is the real thing,
01:16:54you'll have to
01:16:56pay 1,000 yen.
01:16:58Is that all right?
01:17:00Is that all right?
01:17:12Is that all right?
01:17:16Well,
01:17:18I'll check it.
01:17:20Please leave.
01:17:26Is that all right?
01:17:34Is that all right?
01:17:46Is that all right?
01:17:48Please leave.
01:17:56Is that all right?
01:18:00Is that all right?
01:18:02Is that all right?
01:18:04Is that all right?
01:18:26I don't get it!
01:18:28Montalvo,
01:18:30turn your back.
01:18:32Show me
01:18:34the shape of the painting.
01:18:36The artist
01:18:38has left
01:18:40the shape,
01:18:42the color,
01:18:44the interior,
01:18:46the room,
01:18:48and everything
01:18:50in detail.
01:18:54I'll have to
01:18:56verify it.
01:18:58I'll have to
01:19:00verify it.
01:19:02I'll have to
01:19:04verify it.
01:19:06Is that all right?
01:19:14Is that all right?
01:19:28I don't want to be violent,
01:19:36I don't want to be violent,
01:19:38Is that all right?
01:19:40Is that all right?
01:19:42Is that all right?
01:20:08Montalvo!
01:20:10Montalvo!
01:20:14Montalvo!
01:20:26Stop it!
01:20:28Stop it!
01:20:40Stop it!
01:20:48Perfect.
01:20:50What's the result?
01:20:52What's the result?
01:20:54Your painting is the original.
01:20:56Your painting is the original.
01:20:58What's the proof?
01:21:00What's the proof?
01:21:02Look at the picture of the flag.
01:21:04Look at the picture of the flag.
01:21:06Look at the picture of the flag.
01:21:08There's a small mole on the back of the picture.
01:21:10There's a small mole on the back of the picture.
01:21:12But it's not on the picture
01:21:14But it's not on the picture
01:21:16But it's not on the picture
01:21:20Look at your mole.
01:21:22Look at your mole.
01:21:28Who are you?
01:21:30A spy?
01:21:32A spy?
01:21:34A spy?
01:21:36A spy?
01:21:38A spy?
01:21:40A spy?
01:21:42A spy?
01:21:44A spy?
01:21:46A spy?
01:21:48A spy?
01:21:50A spy?
01:22:00Well, witch
01:22:02What are you looking for?
01:22:04Oh
01:22:34♪♪
01:22:44♪♪
01:22:54♪♪
01:23:04-♪♪
01:23:14♪♪
01:23:24-♪♪
01:23:34-♪♪
01:23:44-♪♪
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01:24:04-♪♪
01:24:14-♪♪
01:24:24-♪♪
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01:25:04-♪♪
01:25:14♪♪
01:25:24-♪♪
01:25:34-♪♪
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