Charlots Connection (Comédie) Film Complet français
"Charlots Connection" is a French comedy film released in 1984, directed by Jean Couturier. The film features the comedic group Les Charlots, comprising Gérard Rinaldi, Jean Sarrus, and Gérard Filipelli, alongside Alexandra Stewart and Henri Garcin. The plot revolves around three unemployed friends who inadvertently become henchmen for a gangster, leading them into a chaotic gang war.
Film Details
Title: Charlots Connection
Year: 1984
Duration: 81 minutes
Genre: Comedy
Director: Jean Couturier
Cast:
Gérard Rinaldi
Jean Sarrus
Gérard Filipelli
Alexandra Stewart
Henri Garcin
The storyline follows the trio as they are hired to collect overdue rents from local businesses, not realizing they are involved in extortion. Their misadventures lead them to conflict between rival gangs, adding a layer of comedic chaos to the film.
Film Details
Title: Charlots Connection
Year: 1984
Duration: 81 minutes
Genre: Comedy
Director: Jean Couturier
Cast:
Gérard Rinaldi
Jean Sarrus
Gérard Filipelli
Alexandra Stewart
Henri Garcin
The storyline follows the trio as they are hired to collect overdue rents from local businesses, not realizing they are involved in extortion. Their misadventures lead them to conflict between rival gangs, adding a layer of comedic chaos to the film.
Category
🎥
Short filmTranscript
00:00:00♪
00:00:17♪
00:00:47♪
00:01:17It's true, it comes back to me now.
00:01:19As for you, I heard in the street.
00:01:21It's good what you do.
00:01:22Yeah, I like it a lot.
00:01:24Didn't you teach in Zavata?
00:01:28No, no, I didn't do anything.
00:01:29Precisely.
00:01:31Nervous, Jiminy, today?
00:01:33No, no, tonight is the time to stop.
00:01:37Calm down.
00:01:38Here they are.
00:01:41You'd better get dressed, no?
00:01:43Let's go.
00:01:48It's annoying, isn't it?
00:01:50Too many people.
00:01:52I can't go like this, guys, I can't.
00:01:54Why?
00:01:55Because I can't go like this.
00:01:56Yes, you can.
00:01:57Listen, until now there was a good atmosphere.
00:01:59But we said, not with the fangs.
00:02:01Janot, it's you?
00:02:02No, it's not me.
00:02:03Well, yes, okay.
00:02:04Okay, okay, it's never anyone.
00:02:06It's never anyone.
00:02:08And the stinking balls, and the lemon peck.
00:02:10And the peck.
00:02:11Yes, and the peck.
00:02:12And the peck.
00:02:13And the peck.
00:02:15Peck, nice peck.
00:02:18Peck, nice peck.
00:02:20Peck, nice peck.
00:02:23Peck, nice peck.
00:02:25Good, I like your sketch.
00:02:27Who is she with?
00:02:28Stop, stop, we didn't say with the things.
00:02:30Ouch!
00:02:31No, it's enough, where are my clothes?
00:02:33You're angry.
00:02:34I'm angry?
00:02:35Yes, you're angry.
00:02:36I'm angry, me.
00:02:37I'm angry, me.
00:02:38I'm angry, me.
00:02:44I'm angry.
00:02:45I'm angry.
00:02:46I'm angry.
00:02:47I'm angry.
00:02:48I'm angry.
00:02:49I'm angry.
00:02:50I'm angry.
00:02:51I'm angry.
00:02:52I'm angry.
00:02:53I'm angry.
00:02:54I'm angry.
00:02:55I'm angry.
00:02:56I'm angry.
00:02:57I'm angry.
00:02:58I'm angry.
00:02:59I'm angry.
00:03:00I'm angry.
00:03:01I'm angry.
00:03:02I'm angry.
00:03:03I'm angry.
00:03:04I'm angry.
00:03:05I'm angry.
00:03:06I'm angry.
00:03:07I'm angry.
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00:03:09I'm angry.
00:03:10I'm angry.
00:03:11I'm angry.
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00:03:14I'm angry.
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00:03:17I'm angry.
00:03:18I'm angry.
00:03:19I'm angry.
00:03:20I'm angry.
00:03:21I'm angry.
00:03:22I'm angry.
00:03:23I'm angry.
00:03:24I'm angry.
00:03:25I'm angry.
00:03:26I'm angry.
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00:03:42I'm angry.
00:03:43I'm angry.
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00:03:45I'm angry.
00:03:46I'm angry.
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00:03:53I'm angry.
00:03:54I'm angry.
00:03:55I'm angry.
00:03:56I'm angry.
00:03:57I'm angry.
00:03:58I'm angry.
00:03:59I'm angry.
00:04:00I'm angry.
00:04:01I'm angry.
00:04:02I'm angry.
00:04:03I'm angry.
00:04:04I'm angry.
00:04:05I'm angry.
00:04:06I'm angry.
00:04:07I'm angry.
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00:04:09I'm angry.
00:04:10I'm angry.
00:04:11I'm angry.
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00:04:14I'm angry.
00:04:15I'm angry.
00:04:16I'm angry.
00:04:17I'm angry.
00:04:18I'm angry.
00:04:19I'm angry.
00:04:20I'm angry.
00:04:21I'm angry.
00:04:22I'm angry.
00:04:23I'm angry.
00:04:24I'm angry.
00:04:25I'm angry.
00:04:26I'm angry.
00:04:27I'm angry.
00:04:28I'm angry.
00:04:29I'm angry.
00:04:30I'm angry.
00:04:31I'm angry.
00:04:32I'm angry.
00:04:33I'm angry.
00:04:34I'm angry.
00:04:35I'm angry.
00:04:36I'm angry.
00:04:37I'm angry.
00:04:38I'm angry.
00:04:39I'm angry.
00:04:40I'm angry.
00:04:41I'm angry.
00:04:42I'm angry.
00:04:43I'm angry.
00:04:44I'm angry.
00:04:45I'm angry.
00:04:46I'm...
00:04:47I'm angry.
00:04:48I'm angry.
00:04:49I'm angry.
00:04:50All right.
00:04:51Keep quiet.
00:04:52I'll sacar a protocol.
00:04:53Back, you.
00:04:54We said were quiet.
00:04:55Tenseman The door.
00:04:56No.
00:04:57fire-breather
00:04:58And no wine.
00:04:59He has this wonderful pair of eyes.
00:05:01What can happen ?
00:05:02What else ?
00:05:03They're all the same.
00:05:07Eh ?
00:05:08Oh, oh, oh, oh, oh.
00:05:11Hey, you know, it's good, this new liturgy, huh?
00:05:13You don't know?
00:05:14And from the time of my parents, I think it was less lively.
00:05:16Oh, oh, oh, oh, oh.
00:05:18It swings, it swings, huh?
00:05:20And there's only one missing.
00:05:21Wait, wait.
00:05:24Woo!
00:05:25Woo!
00:05:26Woo!
00:05:27Woo!
00:05:28Woo!
00:05:29Woo!
00:05:30Woo!
00:05:31Woo!
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00:07:12Woo!
00:07:13Woo!
00:07:14Woo!
00:07:15Woo!
00:07:16Woo!
00:07:17Woo!
00:07:18Woo!
00:07:19I want to.
00:07:23I want to.
00:07:28You don't have to get married. What do you do?
00:07:31It depends, sir.
00:07:34Come and see me one of these days.
00:07:37I might have something to offer you.
00:07:40With pleasure, sir.
00:07:43I want to.
00:07:45I want to.
00:07:48I want to.
00:07:50I want to.
00:07:52I want to.
00:07:54I want to.
00:07:56I want to.
00:07:58I want to.
00:08:00I want to.
00:08:02I want to.
00:08:04I want to.
00:08:06I want to.
00:08:08I want to.
00:08:10I want to.
00:08:12I want to.
00:08:14I want to.
00:08:18It smells of the horn.
00:08:20This door.
00:08:24I thought it was broken.
00:08:27I farted.
00:08:29I'm attached to these little animals, of course.
00:08:31It shouldn't be a nuisance.
00:08:33There's nothing in there.
00:08:34Oh, there's something in there.
00:08:37Oh, it makes music, do you hear it?
00:08:39We can do it here, you see.
00:08:41Well, me, because you're bad at music.
00:08:44Poor guy.
00:08:49Hello.
00:08:50Oh, but tell me, I'm fed up with history, but I can't.
00:08:53I just looked at my schedule.
00:08:54Ah, on the other hand, I have all my weekends available.
00:08:56You have an appointment?
00:08:57Well, it depends.
00:08:58What do you think of Friday night at 9 o'clock?
00:09:00I asked you if you had an appointment.
00:09:02I don't know, you have to ask my parents.
00:09:04With Mr. Marco, cruel.
00:09:05She's upside down.
00:09:06No, not like that, like that.
00:09:08You tore your skirt on the side, but it suits you.
00:09:11It's true, it suits him.
00:09:12Mr. Marco.
00:09:13Yes, the voice.
00:09:14Three gentlemen are here who claim to have an appointment with you.
00:09:16Ah, the famous musicians who were there at my daughter's wedding.
00:09:18Very well.
00:09:19Let them in.
00:09:20If you'd like to follow me.
00:09:21I'd love to.
00:09:22Say Jeannot in my ear.
00:09:23With the same voice as on the phone.
00:09:28Come in.
00:09:31Mr. Marco, the gentlemen you were expecting are here.
00:09:38Let them in.
00:09:41Come in, come in.
00:09:44Good morning, sir.
00:09:45Good morning, sir.
00:09:46Good morning.
00:09:47Good morning.
00:09:48I'm very happy that you came to see me.
00:09:50Would you like something to drink?
00:09:51Yes.
00:09:52Yes, a little whiskey maybe.
00:09:54Me too.
00:09:56And a consommé, please.
00:09:58A consommé.
00:09:59Hot?
00:10:00Yes, yes, hot.
00:10:02Or chicken.
00:10:04No, or beef, please.
00:10:07Yes, because with the heat, you understand, it's better to drink hot, so you feel fresh.
00:10:15Would you like to take care of that, Miss?
00:10:17Yes, sir.
00:10:20Sit down.
00:10:22Thank you, sir.
00:10:26I'm the CEO of a company.
00:10:29Is something wrong?
00:10:31Yes, yes, everything is fine.
00:10:34A company that manages a large number of shops and shops,
00:10:37that is to say that it ensures the maintenance and collects the rent of these companies.
00:10:41I need a few contractors.
00:10:45Would you like this job?
00:10:47If you think we are capable of it.
00:10:49Perfectly.
00:10:50And is it well paid?
00:10:52No.
00:10:53And is it well paid?
00:10:5510% of the rent.
00:10:56It's a simple job, but trustworthy.
00:10:58You present yourself on my behalf,
00:11:00and you say that you have not touched the rent.
00:11:02Come with me, I have something to show you.
00:11:05Excuse me.
00:11:06Yes, a question?
00:11:08Yes, why make a special call to us?
00:11:11Because I need people like you.
00:11:13Dynamic, enthusiastic, full of initiative.
00:11:15Do you also have a question?
00:11:17Can I have a little tabasco with my consommé?
00:11:21Yes.
00:11:22Miss, would you bring a small bottle of tabasco for our friend's consommé?
00:11:26Very well.
00:11:27Ah, and a finger of Xerès.
00:11:30Yes, of course.
00:11:33And a bottle of Xerès.
00:11:35That will be all.
00:11:36Yes, that will be all.
00:11:44Each small flag represents one of my clients.
00:11:47Every day I would give you the names of the companies to visit.
00:11:50Well, give us the first list and let's go.
00:11:53I prefer that you learn them by heart.
00:11:55There is no need to mess with useless papers.
00:11:57OK.
00:11:58I greatly appreciate efficiency and discretion.
00:12:01Ah, one important thing.
00:12:03You never return receipts in exchange for the money we give you.
00:12:07If, by chance, one of my tenants was not able to pay you,
00:12:11you simply say, we will inform Mr. Marco.
00:12:13That's all.
00:12:14Perfect.
00:12:15And today's clients, who are they?
00:12:19Here, Hypermarché Continent.
00:12:22Is it in the suburbs? Do you have a car?
00:12:24Yes, yes, we have an R16 in very, very good condition.
00:12:27Good.
00:12:28You will give me gas notes.
00:12:30Our company has, of course, a fleet of functional cars,
00:12:33but I prefer not to use them for this kind of work.
00:12:36You could, of course, take public transport, right?
00:12:39But...
00:12:40Don't worry.
00:12:41It's easy to decorate my staff.
00:12:44Then, the car store, Marcuse, rue Cardinet,
00:12:47La Blanchisserie Caprin, here, rue de Viedentel,
00:12:51and finally, the Asian restaurant Huitienne, rue de Tolbiac.
00:12:54And when you're done, you bring me the envelopes.
00:12:57It's extremely simple.
00:12:58Very well.
00:12:59Ah, it's a fine art, isn't it?
00:13:09Who got it?
00:13:11I got it.
00:13:13It's nothing, it doesn't matter.
00:13:14Take that away.
00:13:15Take that away.
00:13:16Well, gentlemen, good work.
00:13:18See you tonight.
00:13:20Good night.
00:13:22It's not new, is it?
00:13:23Absolutely not.
00:13:31No, no, I'll let you use it, because it's good for pumping.
00:13:37Completely rusted, that door.
00:13:39But it seemed brand new to me.
00:13:40It was strong, he just put it down.
00:13:41Ah, he can't use it anymore.
00:13:42But it's solid.
00:13:43Not a word.
00:13:44That's class.
00:13:45That's true.
00:13:46Hey, if you shout at your grandmother, you won't have a place to put your thumb.
00:13:49Hey, do you have any memory?
00:13:50Do you remember everything he said?
00:13:51Continent, Garage Marcus, Blanchisserie Caprin, six streets.
00:13:55Hey, not so fast, I shouted.
00:13:56Hey, hurry up.
00:13:57Go down a little faster.
00:13:58The old ladies.
00:13:59Then, what did he say?
00:14:00Pont Saint-Cloud, West Highway, first exit.
00:14:02It's there, its big surface.
00:14:03As if we were there, boss.
00:14:05Hey, guys, they're starting to get drunk.
00:14:07We'd better put them in the dry bread.
00:14:08No, no, we'll give them a drink.
00:14:09We'll give them a drink.
00:14:12Oh, she's beautiful.
00:14:13Hey, she's beautiful.
00:14:15Oh, I like her.
00:14:16Moses, we haven't seen her in a long time.
00:14:18That's true.
00:14:19We're getting drunk.
00:14:20We're losing our hands, guys.
00:14:21Yes, we're losing our hands.
00:14:22That's not good.
00:14:23It's not good?
00:14:24No, it's not good.
00:14:25What do we do?
00:14:26Let's go?
00:14:27Listen, I'm going to freeze.
00:14:28Come on, let's go.
00:14:40You're not going to get your hands dirty with that ugly machine, are you?
00:14:43No, but I wouldn't want to, but I'll do you a favor.
00:14:45Come on.
00:14:46Are you going to pay the bill, ma'am?
00:14:47Clearly, ma'am is a bit of an impromptu physicist.
00:14:49No, that's true, he's right.
00:14:50Tell me, it's terrible.
00:14:51I just checked my schedule, and I realized that tonight I couldn't have dinner with you.
00:14:55But what would you think of tomorrow?
00:14:56Oh, what a shame.
00:14:57Tomorrow night I'm not free.
00:14:58But this evening, yes.
00:14:59But this evening, yes.
00:15:00But what would you think of tomorrow?
00:15:01Oh, what a shame.
00:15:02Tomorrow night I'm not free.
00:15:03But this evening, yes.
00:15:04But what would you think of tomorrow?
00:15:05Oh, what a shame.
00:15:06Tomorrow night I'm not free.
00:15:07But this evening, yes.
00:15:08Don't tell me that in the trepidations of modern life, we won't find every two to five minutes
00:15:12that allow us to live in love.
00:15:15You're very exquisite.
00:15:16You're flattering me.
00:15:17I have a minimum of practice.
00:15:20You're rather over-trained, aren't you?
00:15:22Cruel.
00:15:23But it is necessary to know how to be crazy.
00:15:36You know, we've rented a car, we leave for Mont-Jerome and we spend a devilish weekend there.
00:15:40Ha, ha.
00:15:41Well tell me, if I run out of gas, you won't run out of gas.
00:15:43Ah!
00:15:44Well, there it is.
00:15:45But it was time, you know.
00:15:46They weren't drooling any more.
00:15:47Did you hit the windshield?
00:15:48Oh, no, I know that.
00:15:49Yes, pass me my bag, please.
00:15:51With pleasure.
00:15:52Oh, yes. Thank you.
00:15:54I don't think you'll have to pay. It's over there.
00:15:57Thank you, sir.
00:15:58You're welcome.
00:15:59Goodbye, beautiful stranger.
00:16:01We didn't lose our hands too much, did we?
00:16:03It can be worth it. Let's go.
00:16:10Do you have any problems, Miss? We'll help you.
00:16:13Oh, sorry. I'm sorry. It's the door.
00:16:16Ouch!
00:16:19The propeller seems to be working.
00:16:22Well, what's going on?
00:16:23I don't understand. It stopped on its own.
00:16:25It must be the engine.
00:16:26It doesn't matter. We'll take care of it. We're experts.
00:16:28Yes.
00:16:29May I?
00:16:30We have to check if it's not the Delco's belt that has punctured a shirt.
00:16:33Yes, yes.
00:16:34Anyway, there's compression.
00:16:35Yes.
00:16:36It's true that I'd like to have a Cambi tree in my head.
00:16:38No, no. I think I know what that is.
00:16:40Really?
00:16:41Yes. We'll do a little computer adjustment.
00:16:43Is it reasonable?
00:16:44Well, of course.
00:16:45Maybe it's the bolt.
00:16:46I don't know.
00:16:47She doesn't have a bolt. She doesn't have a bolt.
00:16:50Where's the bolt?
00:16:52Ah, you have the bolt.
00:16:57Okay.
00:16:58Hats.
00:17:06Sticks.
00:17:07I've got it.
00:17:08Frisbee.
00:17:09Oh, like a toy?
00:17:10Like a toy.
00:17:12Miner's stick.
00:17:13Okay.
00:17:14Amusement park.
00:17:16Yes.
00:17:21Come on.
00:17:23That's good.
00:17:26Hey, we can see more clearly like this.
00:17:28It's cleaner.
00:17:29Okay, so what's the problem?
00:17:31Hey, but...
00:17:32Hey.
00:17:34How long have you been flying like this?
00:17:37I don't know, sir.
00:17:39No, but...
00:17:40That's not serious.
00:17:41Huh?
00:17:43Ha, ha, ha.
00:17:44There really are only girls.
00:17:46I swear.
00:17:47Come on, get in the car. We're going to do a test.
00:17:49Come on.
00:17:50Oh, that's not serious.
00:17:51You know, you have to believe in dreaming.
00:17:56There you go.
00:17:57There you go.
00:17:58That's all.
00:18:05They don't all turn round, do they?
00:18:07No, not Icarus either.
00:18:08Yeah, Icarus' parents, he's fat, he's the way he is.
00:18:11Yeah.
00:18:12Come on.
00:18:13They turn well, but you'd still have to go and see your mechanic
00:18:16so that he can do a little adjustment.
00:18:17I would have done it, but now they'd have to take it all apart, so...
00:18:25Capo.
00:18:28There you go.
00:18:32Come on.
00:18:35Yes.
00:18:38There you go.
00:18:40You can go there.
00:18:43There you go.
00:18:55They're terrific, aren't they?
00:18:57Not a sound at all, and they panicked immediately.
00:18:59Unbelievable.
00:19:00Yeah, I wonder what they would do if we weren't there.
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00:38:04Good evening, gentlemen.
00:38:05Good evening.
00:38:06Good evening, good evening. Come in.
00:38:08So, how did it go?
00:38:09Very, very well.
00:38:10In the end, the director of the garage paid us everything we needed.
00:38:12It was his assistant who made a mistake.
00:38:14It was not their lucky day.
00:38:15A bulldozer crashed a car.
00:38:17Really?
00:38:18Yes.
00:38:19The poor people.
00:38:20But the rent, Capra, the laundry?
00:38:23Ah, the laundry, Capra.
00:38:25So, there, Mr. Marco, you saw that.
00:38:27It was Zola.
00:38:28The two little old ladies fainted.
00:38:30The young girl is crying.
00:38:33The laundry was burning.
00:38:34The suppliers were screaming after their bill.
00:38:36And the customers who leave without paying.
00:38:38Ah, yes, yes, yes, really.
00:38:39The three orphans.
00:38:40Well, what am I saying, the three orphans.
00:38:42It would be rather the miserable.
00:38:43You mix everything.
00:38:44But you confuse.
00:38:45You confuse Max Duvusier and Ponson Duteraille.
00:38:47Huysmans and Gaetan Picon.
00:38:49Oh, you do like the romantics who had led in doctrine,
00:38:52the mix of genres.
00:38:53Finally, let's see, Gérard.
00:38:55Well, absolutely.
00:38:56By the way, Nietzsche had deplored this confusion.
00:38:58Of course.
00:38:59Well, then, I ask this question.
00:39:02What is realism?
00:39:04Realism is defined above all by the concern to discover a reality
00:39:08that romanticism had avoided or transgressed.
00:39:11And in this sense, its motto is that of science.
00:39:15To see clearly.
00:39:16Besides, I have just received a few books
00:39:18that perfectly illustrate this theory.
00:39:21Here is first A Rebours by Huysmans,
00:39:25prefaced by Marc Fumaroli.
00:39:27A very nice edition.
00:39:29A very nice book.
00:39:30Have you read it?
00:39:31No, I haven't.
00:39:32It's a very nice book.
00:39:33Then, here, Germini by Aserteu.
00:39:35In 18.
00:39:36A nice edition as well.
00:39:38A very nice book too.
00:39:39Allow me to offer it to you.
00:39:41And the Blanchisserie.
00:39:42The Blanchisserie Capra.
00:39:43So, what has become of it?
00:39:45As we know that you are a man of heart,
00:39:48we thought it was good to give them a credit.
00:39:50But without interest.
00:39:51In your name.
00:39:52Never a credit.
00:39:53Never a credit.
00:39:54Especially in my name.
00:39:55Really? But why?
00:39:57Because of our image of Marc.
00:39:59Well, it's your first day.
00:40:00I'll pass the sponge.
00:40:01But I don't want any more sentimentalism.
00:40:04Besides, I see that you have already taken your share
00:40:06in this envelope.
00:40:07Yes.
00:40:08Yes?
00:40:09Yes.
00:40:10You don't start that again.
00:40:11No, no, no.
00:40:12No.
00:40:13I will now show you the names of the clients
00:40:14to visit tomorrow.
00:40:17One.
00:40:18Two.
00:40:19Three.
00:40:20Four.
00:40:21One.
00:40:22Two.
00:40:23Three.
00:40:24Four.
00:40:25Five.
00:40:26Six.
00:40:27Seven.
00:40:28Eight.
00:40:29One.
00:40:30Two.
00:40:31Three.
00:40:32Four.
00:40:33Five.
00:40:34Six.
00:40:35Seven.
00:40:36Eight.
00:40:37One.
00:40:38Two.
00:40:39Three.
00:40:40Four.
00:40:41Five.
00:40:42Six.
00:40:43Seven.
00:40:44Eight.
00:40:45One.
00:40:46Two.
00:40:47Three.
00:40:48Four.
00:40:49Five.
00:40:50Six.
00:40:51Seven.
00:40:52Eight.
00:40:53One.
00:40:54Two.
00:40:55Three.
00:40:56Four.
00:40:57Five.
00:40:58Six.
00:40:59Seven.
00:41:00Eight.
00:41:01One.
00:41:02Two.
00:41:03Three.
00:41:04Four.
00:41:05One.
00:41:06Two.
00:41:07Three.
00:41:08Four.
00:41:09One.
00:41:10As soon as the class is over, let's meet at the boss's office.
00:41:11Seven.
00:41:12Eight.
00:41:13What does she want?
00:41:14I don't know.
00:41:15Three.
00:41:16But in any case, she is in a bad mood.
00:41:17Five.
00:41:18I have the impression that she is in a bad mood.
00:41:19Six.
00:41:20Seven.
00:41:21Eight.
00:41:22Nine.
00:41:23I have the impression that she is going to throw up.
00:41:24One.
00:41:25Two.
00:41:26Three.
00:41:27Four.
00:41:28Five.
00:41:29Six.
00:41:30Seven.
00:41:31Eight.
00:41:32One.
00:41:33Two.
00:41:34Three.
00:41:35Four.
00:41:36Five.
00:41:37Six.
00:41:38I thought I explained to you clearly that if we want to exploit the network of Marco,
00:41:39we should not leave him a single living man.
00:41:40You should eliminate them all.
00:41:41However, there are three left in activity.
00:41:42Why?
00:41:43It's impossible.
00:41:44Don't say nonsense.
00:41:45Who was in charge of the team of the brewery?
00:41:46Me and Christine.
00:41:47And I'm sure none of them escaped.
00:41:48And team No. 2?
00:41:49It's us.
00:41:50But with the concrete shoes we sewed for them,
00:41:51they're not ready to get back up the canal.
00:41:52So Marco hired a new team.
00:41:53Unknown.
00:41:54I would never have thought they are capable of reacting so quickly.
00:41:55And they are efficient?
00:41:56Super pros.
00:41:57In a single game,
00:41:58they're in a different dimension.
00:41:59How many times do I have to tell you,
00:42:00I don't believe in you.
00:42:01I know.
00:42:02You're going to become the only person left in the game.
00:42:03You may be the only one who can leave the game.
00:42:04You can go.
00:42:05You can go.
00:42:06You can go.
00:42:07You can go.
00:42:08You can go, you can go, you can go.
00:42:09You can go.
00:42:10They are not capable of reacting so quickly.
00:42:13And they are efficient?
00:42:15Super pro.
00:42:17In the only day of yesterday, they blew up an office of a supermarket manager,
00:42:21pulverized a luxury car at a car wash in Calcitron,
00:42:25and pushed a Japanese restaurateur to suicide.
00:42:28If we let them do it,
00:42:30they are capable of turning the situation in favor of Marco.
00:42:34The problem is that we don't know them.
00:42:41What about our clients?
00:42:43Cancel the shopping if necessary.
00:42:45It will give vacations to your stupid clients.
00:42:48Have your informants play.
00:42:50You have to identify them as soon as possible.
00:42:53And as soon as you have put your hand on them, bring them here.
00:42:56We will eliminate them gently.
00:42:59What's up?
00:43:01There are three young people at the bar asking for you.
00:43:03And what do they want?
00:43:04They say they come from Mr. Marco.
00:43:07Marco?
00:43:08He wants the rent money.
00:43:10Where are they?
00:43:11Behind the pool, to the right of the bar.
00:43:33I've never seen a printer, but it's a good one.
00:43:36It's true, I thought it was good.
00:43:38But it's not possible, you had to skip a line.
00:43:41I may have skipped a line, but you don't really like it.
00:43:44I never said I didn't like it, Jeannot.
00:43:46What did you say?
00:43:47What?
00:43:48I didn't say anything.
00:43:49Is it you?
00:43:50No, we're not leaving now.
00:43:51But one of my lines is still a bit long.
00:43:56Are these Marco's new terrors?
00:43:58No doubt.
00:44:00Marie, Ingrid and Vanessa, go change.
00:44:04Then you'll try to figure out what they're up to.
00:44:07And you two, go back to class.
00:44:09For now.
00:44:14Hi, girls.
00:44:23It's hot, isn't it?
00:44:35Hello.
00:44:43If she's a typographer, she's got character.
00:44:45Well done, Guttenberg.
00:44:50Hello.
00:44:51Hi.
00:44:52Hello.
00:44:53It's nice of you to come and see us.
00:44:55We don't see many ordinary men.
00:44:57Before.
00:44:58She means real men.
00:45:01Is it the boss?
00:45:03Yes.
00:45:04He told us to keep you company for a few minutes.
00:45:07That's nice.
00:45:09You know what would make us very happy?
00:45:11No.
00:45:12It would be to have dinner with you tonight.
00:45:14Tonight?
00:45:15Oh, no.
00:45:16I can't tonight.
00:45:17I have an appointment.
00:45:18He has an appointment at the dentist.
00:45:19Yes, and he's going to the province.
00:45:21But you can tonight, Philou.
00:45:23Nothing.
00:45:24No, there's Dallas.
00:45:26I can't.
00:45:27You're wrong.
00:45:29We're very surprising girls.
00:45:31I don't doubt it.
00:45:33Especially since we have nothing against surprises.
00:45:36What would make you happy?
00:45:38What would make us happy?
00:45:39First of all, the envelope.
00:45:41Yes, that's right.
00:45:43And then...
00:45:45Well, we'll see how it goes in accounting.
00:45:51That's very nice.
00:45:53Coriath.
00:45:54Cold as an iceberg.
00:45:56The style of a polar killer.
00:45:58They must press the trigger like we do with our nails.
00:46:00I'm thinking of something else.
00:46:02What do we do?
00:46:03Do we take them on a promenade by the canal?
00:46:05Do we bring them here?
00:46:07No.
00:46:08Not before we've understood what they've come to do.
00:46:12So?
00:46:15Pay them.
00:46:16Oh!
00:46:17Yes, we pay like poker.
00:46:19To see.
00:46:21But from now on,
00:46:23you don't leave a single penny.
00:46:26Yes, madam.
00:46:31Are you sure?
00:46:32As I can see.
00:46:34Your three new collaborators were at Mrs. Liane's, like at their place.
00:46:37They chatted with three of her most beautiful daughters.
00:46:40They seem to be too good in the papers of the house.
00:46:43Thank you, my little one.
00:46:48Dominique, Bruno.
00:46:51You're going to take me by the throat the three idiots I hired yesterday.
00:46:55I want to know what they're up to.
00:46:57From now on, you won't leave a single penny.
00:47:00Those little eaters at every workshop.
00:47:02Yes, Mr. Marcoux.
00:47:04What time is it?
00:47:09Come.
00:47:21It's not tiring, this job, but I'm starting to find it a little monotonous.
00:47:24Not you?
00:47:25Yes, I find that we get more and more bored with it.
00:47:27Oh, yes.
00:47:28Where are we going now?
00:47:29Nowhere, because I have a train to take.
00:47:32Oh, yes, that's right.
00:47:33Where are you going already?
00:47:34Well, to Vierzon.
00:47:36Oh, to Vierzon.
00:47:37Do you want me to drop you off at the station?
00:47:39No, no, thank you, you're nice, it's okay.
00:47:40But it's on my way.
00:47:41No, no, I'm going to take a taxi.
00:47:42Come on.
00:47:43Bye, guys.
00:47:44Okay, bye.
00:47:45Have a good trip.
00:47:46Goodbye.
00:47:47You, do you take advantage?
00:47:48No, no, I'm a little tired, I'm going to walk a little.
00:47:50Okay, see you tomorrow.
00:47:51Bye.
00:47:52Ciao.
00:47:55Hey, what do I do with the envelopes?
00:47:57You put them in your fridge, we'll bring them to him tomorrow morning.
00:47:59Ciao.
00:48:00Hey, I don't have a fridge!
00:48:02Asshole.
00:48:17I'm expecting a young girl.
00:48:19You'll recognize her because she's very pretty.
00:48:21Certainly.
00:48:22Excuse me.
00:48:23You're welcome.
00:48:35I have an appointment with a young girl.
00:48:37You can't be mistaken, she's exceptional.
00:48:39Certainly.
00:48:43Excuse me, sir.
00:48:44I'm really sorry.
00:48:45What are you doing here?
00:48:46Aren't you at the dentist?
00:48:47No.
00:48:48No, well, you're going to laugh.
00:48:49I made a mistake.
00:48:50It wasn't today.
00:48:51And you?
00:48:52No, no.
00:48:53I went to buy flowers.
00:48:54It made me hungry.
00:48:55And then the store.
00:48:56Oh, yes, flowers.
00:48:57Well, yes.
00:48:58Obviously.
00:48:59Well, and him?
00:49:00I'm sorry.
00:49:01I'm sorry.
00:49:02I'm sorry.
00:49:03I'm sorry.
00:49:04I'm sorry.
00:49:05I'm sorry.
00:49:06I'm sorry.
00:49:07I'm sorry.
00:49:08I'm sorry.
00:49:09I'm sorry.
00:49:10I'm sorry.
00:49:11I'm sorry.
00:49:12I'm sorry.
00:49:13I'm sorry.
00:49:14I'm sorry.
00:49:15Excuse me.
00:49:16Pardon.
00:49:17He's going to say he missed his train.
00:49:18I have an appointment with a young girl.
00:49:19You can be mistaken, she's exceptional.
00:49:20Yeah, I know.
00:49:21That's incredible.
00:49:22I miss my train, I arrive here by chance and you're here.
00:49:25He missed his train.
00:49:26He missed his train.
00:49:27I'm sorry.
00:49:28I'm sorry.
00:49:29I'm sorry.
00:49:30What can I do for you?
00:49:31I have an appointment with a young girl.
00:49:32I went to buy flowers.
00:49:33I made a mistake.
00:49:34And you?
00:49:35Yes.
00:49:36I'm sorry.
00:49:37I'm sorry.
00:49:38I'm sorry.
00:49:39I'm sorry.
00:49:40Yes, of course, because I'm here.
00:49:42Well, of course.
00:49:44What are you doing here?
00:49:45What are we doing here?
00:49:46Yes, seriously.
00:49:47I have a little grudge.
00:49:48It's not possible.
00:49:49Yes.
00:49:50Come on.
00:49:51You also have a little grudge.
00:49:52No, I have a little grudge.
00:49:54You have a little grudge.
00:49:55Well, I also have a little grudge.
00:49:57Shut up.
00:49:58Take it.
00:49:59Yes.
00:50:00Here it is.
00:50:05Do you think it's the young girl these gentlemen were waiting for?
00:50:08Yes.
00:50:09This is what we have the most delightful tonight.
00:50:11Ah, good.
00:50:12It's Medjugorje.
00:50:13Yes, it's a good choice.
00:50:14Good evening.
00:50:15Good evening, Juliette.
00:50:16Good evening.
00:50:17Coquine.
00:50:18Oh, excuse me.
00:50:19Sorry.
00:50:20Sorry, gentlemen.
00:50:22Which one do you choose?
00:50:23Do you like it?
00:50:24Huh?
00:50:25Affirmative.
00:50:29Well, let's eat anyway.
00:50:30Let's eat anyway.
00:50:31Come on.
00:50:32Shall we sit there?
00:50:33There.
00:50:34Sorry, excuse me.
00:50:35Sorry.
00:50:36Juliette.
00:50:37Come on.
00:50:38Come on.
00:50:39Ah, you're here.
00:50:40No, it's nothing.
00:50:41Sorry.
00:50:42No, nothing.
00:50:43I'll go put it in front.
00:50:44That's it, put it in front.
00:50:45There's an excellent restaurant on the other side of the street.
00:50:56Ladies.
00:50:57We are three.
00:50:58We didn't rehearse.
00:50:59It doesn't matter.
00:51:00Follow me.
00:51:04There's something missing.
00:51:05Yes?
00:51:06What is it?
00:51:07I accepted your invitation because I would really like to understand.
00:51:15Gentlemen.
00:51:16How many are you?
00:51:19We are two, but we didn't rehearse.
00:51:21It doesn't matter.
00:51:22Follow me.
00:51:24You look so nice.
00:51:25Yet you should be ashamed.
00:51:28Ashamed of what?
00:51:29Of doing such a lowly job.
00:51:31Well, collecting rent is nothing lowly.
00:51:35And cynical too.
00:51:36No.
00:51:37But you...
00:51:38You know how my uncles died?
00:51:40No.
00:51:41Two heart attacks.
00:51:43Anxiety and fear because of your predecessors and their methods.
00:51:47The racket is not pretty.
00:51:51What?
00:51:52The racket?
00:51:53Did you see?
00:51:55They took their bodyguards.
00:51:57They must be screwed up like an armored division.
00:52:01Let's be careful.
00:52:03They're real little vicious.
00:52:05They took the three other helpers of the Meridian to protect them.
00:52:09They must have grenades in their bags.
00:52:11Grenades are their thing.
00:52:13Racketeur.
00:52:14We really did everything.
00:52:16That bastard Marco.
00:52:17Tomorrow I'll put a bomb on his clown.
00:52:19I'll make him eat his money, you'll see.
00:52:22Speaking of eating, it cut my appetite.
00:52:24Don't worry.
00:52:25We'll meet again.
00:52:26I'm so glad you're not bandits.
00:52:29Bandits?
00:52:30Well, I'll go with you.
00:52:32I'll go with you.
00:52:34No, no, I'll go with you.
00:52:35No, no, I'll go with you.
00:52:38Come on, we'll go with you.
00:52:43They're leaving.
00:52:46Oh shit, they're leaving.
00:52:48They're crazy, they didn't even eat.
00:52:51Let's go.
00:53:02Let's go.
00:53:10We planted the three helpers.
00:53:12Let's go.
00:53:31We planted the two helpers of Father Marco.
00:53:35Tomorrow morning we'll go see him, Mr. Marco.
00:53:37We'll take care of everything.
00:53:38We'll do a good cleaning.
00:53:40You'll see who's going to do it.
00:53:48The party.
00:53:50Goodbye.
00:54:06Good night.
00:54:07Good night.
00:54:08I'm going to drop it.
00:54:14Watch out for the thieves.
00:54:16Good night.
00:54:17Good night.
00:54:42Well, let's make a little observation.
00:54:45The two helpers.
00:54:47I'll take care of the repairs.
00:54:50Who is it?
00:54:51Mr. Marco.
00:54:54Mr. Renaudin is here.
00:54:55He wants to see you.
00:54:57Renaudin?
00:54:59Come in.
00:55:05Mr. Marco,
00:55:07I'm sorry to bother you,
00:55:09but I was waiting for your representatives yesterday.
00:55:12Why didn't they come?
00:55:13I didn't leave my printer all day.
00:55:15I didn't see anyone.
00:55:16Maybe they saw a little obstacle.
00:55:19So, as I had business in the neighborhood,
00:55:21I brought my little envelope myself.
00:55:24You did well, sir.
00:55:26You never know
00:55:27when a misunderstanding happens so quickly.
00:55:29Yes, yes.
00:55:32Goodbye, sir.
00:55:33Goodbye, sir.
00:55:34Goodbye.
00:55:35See you soon.
00:55:39What is this entrance?
00:55:40We only let people in and out.
00:55:41I waited for you last night.
00:55:42You had to bring me four envelopes.
00:55:44Well, you can wait for them for a long time now,
00:55:46because for us, the racket is over.
00:55:47What?
00:55:48The racket.
00:55:49The racket.
00:55:50Yes.
00:55:51We shouldn't be taken for more stupid than we are.
00:55:52Perfectly.
00:55:53You may be less stupid than you look,
00:55:55but you seem careless.
00:55:57Where is the money?
00:55:58It's in a car trunk.
00:56:01In Switzerland?
00:56:02Perfectly.
00:56:03And we're going to give it back to its owners.
00:56:04But first, we're going to see the cops.
00:56:12What are you doing in Mrs. Lianne's house?
00:56:14Who?
00:56:15Don't play innocent.
00:56:16Mrs. Lianne and her mermaids.
00:56:17She's in the same business as me, you know.
00:56:19And she'd like to absorb my network, if she knew it.
00:56:22So, if she wants war, she'll get it.
00:56:24But what war?
00:56:25But who's Mrs. Lianne?
00:56:26Mrs. Lianne?
00:56:27Mrs. Lianne, but I don't know Mrs. Lianne.
00:56:29But you were with Mrs. Lianne yesterday.
00:56:31Mrs. Lianne.
00:56:32Mrs. Lianne.
00:56:33Mrs. Lianne.
00:56:34Mrs. Lianne.
00:56:35Mrs. Lianne.
00:56:36Mrs. Lianne.
00:56:37Mrs. Lianne.
00:56:38Mrs. Lianne.
00:56:39Mrs. Lianne.
00:56:40Mrs. Lianne.
00:56:41Mrs. Lianne.
00:56:42Do you know Mrs. Lianne?
00:56:43Oh, Mrs. Lianne!
00:56:44Wait, let me guess.
00:56:45Animal or vegetable?
00:56:46Take that away from me.
00:56:47But why?
00:56:48Be careful!
00:56:49Don't push!
00:56:50Be careful!
00:56:51Ouch!
00:56:52You bring them back to me when they're ready.
00:56:53Do you still intend to leave me?
00:56:54No.
00:56:55No.
00:56:56No.
00:56:57No.
00:56:58No.
00:56:59No.
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01:04:54No.
01:04:55No.
01:04:56Oh?
01:04:57Oh.
01:04:58Oh.
01:04:59Rejected!
01:05:00Rejected!
01:05:01Rejected!
01:05:02Rejected!
01:05:03Rejected!
01:05:04He laid off the bitch too!
01:05:05That's right, madam!
01:05:06That's right, that's what she said.
01:05:07That's right!
01:05:08Thank you very much!
01:05:09Yes.
01:05:10Wait.
01:05:11Oh, not me!
01:05:12Not me.
01:05:13No.
01:05:14Oh, my.
01:05:15Oh.
01:05:18Not me!
01:05:19Oh, my.
01:05:20Oh, yes.
01:05:21Oh, oh, yes.
01:05:22Good morning, sir.
01:05:37I see you found it.
01:05:43We're going to tell you where this Julieta is held.
01:05:49We. We have all Mr. Marcot's recipe.
01:05:52Denon, denon.
01:05:53Denon, denon.
01:05:55Bon, alors où est-elle?
01:06:00L'avenir parait bien sombre pour cette jeune captive qui se débat vraiment dans ses liens.
01:06:05Qu'elle soit tuée, mangée, réduite en esclavage, rien ne pourra la sauver du sang affreux qui l'attend.
01:06:11Au secours, aidez-moi!
01:06:13Aidez-moi, je suis prisonnière, je vous en supplie!
01:06:15Aidez-moi!
01:06:22Le temps que nos ancêtres préhistoriques ne passaient pas à s'entretuer était occupé en priorité par la recherche de la nourriture.
01:06:51La pêche, la chasse, la cueillette fournissait l'essentiel des ressources.
01:06:56Le chivier abondait dans les forêts, les rivières regorgées de poissons.
01:07:00C'était l'aube du monde, le paradis terrestre.
01:07:03Enfin, presque.
01:07:06Au secours, aidez-moi!
01:07:08Aidez-moi!
01:07:10Aidez-moi, je vous en supplie!
01:07:12Non!
01:07:14Jouez bien.
01:07:16Entièrement dominés par des problèmes de survie, les hommes des temps reculés n'étaient pas très préoccupés par l'utilisation de leurs loisirs.
01:07:23Les jeux n'existaient pas et les rares distractions collectives avaient un caractère bien frustré rudimentaire.
01:07:38Nous allons laisser cette sympathique tribu à sa vie primitive.
01:07:42D'autres tableaux vivants dans notre merveilleux parc du Marco's World, le monde de Marco, vous attendent au long de ce sensier.
01:07:56Il veut dire que c'est nous.
01:08:00Par ici, messieurs-dames, par ici, la route est longue jusqu'à notre beau 20e siècle.
01:08:08Eh, pas trop à rajouter de nouvelles scènes ou quoi?
01:08:11Hein?
01:08:12Je ne sais rien, je ne suis pas au courant.
01:08:13Ah bon?
01:08:14Bon, ben écoute, je vais m'occuper de la petite, je vais la ramener dans la cabane.
01:08:21Qu'est-ce que vous faites là, vous?
01:08:22Heureusement qu'on était là, regarde!
01:08:24Qu'est-ce que c'est que ça?
01:08:25C'est toi le responsable?
01:08:26Oui.
01:08:27Bon, tu la mérites, hein, tu la mérites vraiment!
01:08:29Non, non, tu la mérites, mais je te la suivrai pas.
01:08:32On va trouver un téléphone!
01:08:34Non, non, ne le dites pas au patron, non.
01:08:36Mais je l'ai déjà vu, regarde ce que tu en fais, un enfant cacherait ça!
01:08:42Dites-toi quoi.
01:08:44Elle a raison, un enfant cacherait ça.
01:08:45Mais moi je n'y arriverais pas moi.
01:08:47Non.
01:08:48Il me dit qu'il n'y arriverait pas lui!
01:08:51Eh, ben on a qu'à essayer!
01:08:52On a qu'à essayer, tiens, tiens.
01:09:01Vous voyez bien je tire et je n'y arrive pas!
01:09:03Tire pas! Tu es un tricheur toi!
01:09:05Tu sais même pas ce qui me retient de te filer une barre!
01:09:07Mais plus rien, Gérard, plus rien du tout!
01:09:10I'm not cheating!
01:09:12I'm not cheating!
01:09:14You're a villain!
01:09:24What are you doing?
01:09:26Go and catch them!
01:09:32I won.
01:09:34Come, my children, sit down.
01:09:36Come.
01:09:38So, are the photos coming?
01:09:40Here they are, madam, they're almost ready.
01:09:42With Marco's addresses,
01:09:44we're going to steal all his market
01:09:46and sabotage his organization.
01:09:50But why does she want so much from Marco?
01:09:52Maybe they're not the same.
01:09:54Shh!
01:10:06Oh!
01:10:08Oh!
01:10:18Oh, no!
01:10:28Prepare the car.
01:10:30I'll pay a visit.
01:10:36Mr. Marco, your wife is here.
01:10:38She wants to talk to you.
01:10:44Miss?
01:11:06For my first visit in six years,
01:11:08I don't find you very warm.
01:11:10I'm careful.
01:11:12If I remember correctly,
01:11:14the last time you smiled at me like that,
01:11:16you shot me in the shoulder a minute later.
01:11:18It was a good time. We had a lot of fun.
01:11:20Always so snobbish.
01:11:26What did you do with your panthers?
01:11:28I left them at home.
01:11:30They had a bit of milk to knit.
01:11:32I don't think you're surrounded by many people.
01:11:34Yes, quite a few.
01:11:36You've had a lot of help lately.
01:11:38What you left me as staff
01:11:40is taking care of my campaign.
01:11:42I know.
01:11:44I know you know.
01:11:46I thought they'd had an interview
01:11:48with some of your young girls
01:11:50and that they'd been a little chatty.
01:11:52Let's not talk about that nonsense.
01:11:54Let's talk about those three hypocrites
01:11:56you sent me so nicely.
01:11:58You mean those three hypocrites?
01:12:00You?
01:12:02Me?
01:12:04When?
01:12:06The day of our daughter's wedding.
01:12:08Bastard.
01:12:10You let her get married without telling me.
01:12:12I told the girl
01:12:14that you were still in South America.
01:12:16She regretted it a lot.
01:12:18I'm glad to see
01:12:20that you haven't changed.
01:12:22You're still as repugnant.
01:12:24We'll settle that later.
01:12:26Let's go back to the beginning.
01:12:28Let's go back to our three sheep.
01:12:30I suspect
01:12:32it's a misunderstanding.
01:12:34You haven't changed either.
01:12:36You're still as beautiful.
01:12:38Yes.
01:12:40But not anymore for you.
01:12:44I didn't send them to you.
01:12:46I'm sorry.
01:12:48I didn't send them to you.
01:12:50I didn't even know them.
01:12:52Are you sure?
01:12:54Absolutely.
01:12:56Who sent them to us?
01:12:58And why?
01:13:02Do you see them?
01:13:06We should have let them go.
01:13:12Hurry up.
01:13:14Are you coming?
01:13:18Here they are.
01:13:26Let's go.
01:13:46We're safe.
01:13:48Really?
01:13:50Yes.
01:13:52We'll have fun.
01:13:54Be careful.
01:14:00They're six.
01:14:02Yes.
01:14:06Be careful.
01:14:08Let's go.
01:14:24Let's go.
01:14:44Gentlemen.
01:14:46There's a historical fight.
01:14:48It's a new attraction.
01:14:50Hurry up.
01:14:52Hurry up.
01:14:54Hurry up.
01:14:56Yes.
01:14:58Take pictures.
01:15:00Over there.
01:15:02Over there.
01:15:04Over there.
01:15:06Come on.
01:15:08Don't be afraid.
01:15:10Let's go.
01:15:12No pictures.
01:15:14Come on.
01:15:16Come on.
01:15:18Come on.
01:15:22Charge.
01:15:26Hello.
01:15:28Where's the car?
01:15:30It's in the parking lot.
01:15:32It's here.
01:15:34Okay.
01:15:36Let's go.
01:15:40Isn't this heaven?
01:15:42Yes, but there's no car.
01:15:44I feel more and more like Adam.
01:15:46Me too.
01:15:48How do you feel?
01:15:50There's no snake.
01:15:52No.
01:15:54Welcome to my home.
01:15:58Here we go again.
01:16:00Who's that?
01:16:02She's a colleague.
01:16:04We'll send you on a long walk.
01:16:06A very long walk.
01:16:08Do you hear?
01:16:10It's time for lunch.
01:16:12They're hungry.
01:16:14Stop talking, Paul.
01:16:16I want to know the name of the organization
01:16:18It's him.
01:16:20Yes, it's him.
01:16:22He's bluffing.
01:16:24I'm not bluffing.
01:16:26I've never won.
01:16:28All these mysteries are annoying me.
01:16:30Let's go.
01:16:32Let's go.
01:16:34We're going to clear this up.
01:16:38What about me?
01:16:40You can come if you want.
01:16:42I feel like our walk won't last long.
01:16:44Let's go.
01:16:48Let's go.
01:16:52Easy.
01:16:54Stop.
01:16:56You bastards.
01:16:58Excuse me.
01:17:00You're going to hurt yourself.
01:17:02You're wonderful.
01:17:04We came as soon as you told us
01:17:06to take these objects.
01:17:08Our neighbor, the jeweler, has them.
01:17:10What are we going to do with these two?
01:17:12I'm starting to get tired of this story.
01:17:14What's that noise?
01:17:16These people wanted to give Juliet
01:17:18breakfast.
01:17:20That's an interesting idea.
01:17:26You see?
01:17:28It's been a long time.
01:17:30Let's go.
01:17:32Wait for me.
01:17:34I'll be right back.
01:17:36Orange.
01:17:38You're right.
01:17:40Everything's going well.
01:17:42We just have to get married.
01:17:44Let's go.
01:17:46Shut up.
01:17:48She could have told us she had a guy
01:17:50who did her military service.
01:17:52They're all the same.
01:17:54I'd rather she was with him
01:17:56than with one of you.
01:17:58I don't care.
01:18:00It's good for him.
01:18:02What do you think of this girl?
01:18:04Do you want to marry Jean-Michel Rameau?
01:18:06Yes.
01:18:08Jean-Michel Rameau,
01:18:10do you want to marry
01:18:12Jean-Michel Rameau?
01:18:14Yes.
01:18:16What did he say?
01:18:18I think he said yes.
01:18:20What about him?
01:18:22He's tall, he's handsome,
01:18:24he's blond.
01:18:26What's left of him?
01:18:28What's left of him?
01:18:30Don't you think that's sad?
01:18:32You too.
01:18:34Three, four.
01:18:42It's starting again.
01:19:04It's special.
01:19:06It's modern.
01:19:12It's modern.
01:19:42It's modern.
01:20:12It's modern.
01:20:42It's modern.
01:21:12It's modern.
01:21:14It's modern.