Igra sudbine 1178 Epizoda - Igra sudbine 1178 Epizoda
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Transcript
00:00We should not worry about our problems.
00:15That's right. We should worry about this great lasagna and our beauties.
00:20You see, you're right. Thank you, people, for the invitation. It's really nice of you.
00:25We haven't gathered since we came back from Milan, so we had to.
00:29I agree, it's nice, but we have to go back to Milan as soon as possible.
00:33Where are you in a hurry? Where are you in a hurry?
00:36I told Paolo, we'll wait for him to arrange everything.
00:39I'm just saying we have to go back as soon as possible.
00:41I'm just saying you have to stop worrying.
00:43I can't stop worrying.
00:45How can you think he doesn't worry? He wouldn't be Aleksa if he didn't worry.
00:48He has to worry.
00:49Come on, Zezik, if this situation cools down, we'll lose the contract.
00:53If this lasagna cools down, I'll be a rock. Is that clear?
00:56You've become a robot again. What's wrong with you?
00:58I'm not a robot, I'm a professional.
00:59Well, then you've become a professional robot.
01:01I'm telling you, you're a professional robot, sir.
01:03Stop worrying, man, let us go.
01:05I'll stop worrying when we go to Milan, that's it.
01:08Man, this is so hard.
01:10What did he tell you? He told you he would do everything in his power.
01:13And that you have a little trust in him.
01:15I have more trust in us.
01:17Okay, I have trust in this wine that I cooled down for tonight.
01:21And I think that's the only trust I need to talk about.
01:24Only someone has to open it now.
01:26I'll open it. I also have a lot of trust in this wine.
01:29And you have to calm down.
01:32Where is it?
01:33Here.
01:35Thank God.
01:43What happened?
01:45Nothing in particular, but something is.
01:48What's your answer to God?
01:50Either something happened or it didn't happen.
01:53I don't know.
01:54You don't know either? Well, who would know if you don't know?
01:58You know what?
01:59Now I'm going to call Trivanović and he's going to explain to me what happened.
02:03Don't call him.
02:06Okay, I'm not going to call him.
02:09And then you're going to have to explain to me what happened.
02:13It was Gala.
02:15Who?
02:16Gala, that's her.
02:18Wait a minute, wait a minute. Gala?
02:20Is she the one with the blue hair?
02:22Yes.
02:23Well, girl, how are you related to her?
02:26She has it with me.
02:28Because it's all around me.
02:30Come on, please.
02:32There's nothing like that, believe me.
02:35There's nothing like that.
02:37Yes, there is.
02:38I feel like there is.
02:40Okay, girl, I'm telling you there isn't.
02:42You feel something like that.
02:44Yes, because it's a woman's intuition.
02:46I know I'd get over it right away.
02:48Come on, please, come on, please.
02:50It's a woman's intuition.
02:52I know what he's like.
02:54He's not bad.
02:56Congratulations.
02:58Did you talk to him, Gala?
03:00Yes.
03:02And what did he say?
03:04He's not crazy to say he likes me.
03:06And you know what?
03:08I'm not crazy either.
03:10I see that he really likes me.
03:12Ljubinka, he has nothing to say.
03:14Because he has nothing with her.
03:16She was with him in Kosmaj and in Belgrade.
03:19He broke his neck running to see you.
03:22Dad, you don't understand.
03:24I don't understand?
03:26No.
03:27Okay, I don't understand.
03:29I'm not a man.
03:31I don't know how men think.
03:33I'm going to see him anyway.
03:35We're going to sit face to face
03:37and talk nicely.
03:39Come on, don't worry.
03:41Don't worry.
03:43It's going to be all right.
03:50Let's go for a new life.
03:52Cheers.
03:54Just to push that new life to the end.
03:56That would be great.
03:58Okay, you can't force us.
04:00I feel like we're wasting time
04:02while fate is turning its back on us.
04:04Aleksa, you're doing the best you can.
04:06We just need to be patient
04:08and wait for the house to be renovated
04:10and for them to call us.
04:12Ljubinka is absolutely right.
04:14If we call them, we lose the negotiating position.
04:17Yes, and we look like some poor people
04:19who will come to work later.
04:21We don't need that.
04:23But we want to work with them.
04:25That's our only chance.
04:27They don't know that.
04:29They shouldn't know.
04:31I don't know, I'm just worried.
04:33You're even more worried.
04:35I have to go to work.
04:37Let's have a bite to eat.
04:39Yes.
04:41Come on, Luka, relax a little.
04:43Okay, come on.
04:45Here you go.
04:47I don't think I can.
04:49Enough, enough.
04:51Let's have a little more.
04:53Let's have a little more.
04:55Come on.
05:09It's not a problem.
05:11Then?
05:15What?
05:17I mean, I don't know what the point is
05:19to talk about Jovan.
05:21I'm generally interested in your attitude towards treason.
05:23What do you think my attitude is?
05:25I'm not asking you.
05:29I don't support treason.
05:31I mean, I used to.
05:33Why is that so important?
05:35It's important to me.
05:37I like it.
05:39I don't know.
05:41I don't know what to tell you.
05:43It's all black and white.
05:45What does that mean exactly?
05:47I thought we were going to talk
05:49in general.
05:51Well, not exactly.
05:53I think
05:55the past
05:57should be left aside.
05:59I'm not questioning you.
06:01You can go.
06:03That's not the point.
06:05Why is it such a problem?
06:07Are you talking about treason or not?
06:09What's the biggest problem?
06:11You women don't know what you're doing.
06:13We women?
06:15What does that mean to you?
06:17You always get
06:19what you want from men.
06:21I'm sorry?
06:23That's the truth.
06:25You know what?
06:29I'm going to bed.
06:41We're here.
06:43We've already had
06:45a bottle of wine.
06:47When you drank three bottles,
06:49that wasn't enough.
06:51No, no.
06:53I can't drink anything for a month.
06:55Okay, okay.
06:57What can we do?
06:59It's the first time
07:01with Lula, so it's not right
07:03to push it.
07:05Lula has been smoking for six months.
07:07What's he doing?
07:09Thank you for everything.
07:11Thank you, it was great.
07:13See you.
07:17Bye.
07:19See you.
07:27I'm glad we got together.
07:31It was great.
07:35What's wrong?
07:37Nothing.
07:39What do you mean?
07:41I don't know.
07:43It's just not real.
07:45It's not real that I clean the dishes?
07:47No, it's super real
07:49and super natural.
07:51What's not real and not natural to you?
07:55No, I mean...
07:57We...
07:59You never imagined
08:01that we would clean the dishes.
08:03No, we're together again.
08:05Yes.
08:07But it's not real.
08:09Yes, it's not real.
08:11I know.
08:35Vanja.
08:37Vanja.
08:39I need your help.
08:41Yes, tell me.
08:43The invoice for Radula Design was issued
08:45so I need you to find me the phone number.
08:47Yes, of course.
08:49I would like to ask you
08:51not to tell anyone about this.
08:53Oh God, Jovana, don't stress me out.
08:55Yes, I know.
08:57That's why I'm telling you.
08:59Here's the copy
09:01and the number.
09:03Yes.
09:05One more thing.
09:07Can you leave the office for a while?
09:11Yes, I can.
09:23Hello, is this Radula Design?
09:25Yes.
09:27Who is this?
09:29This is a market inspection.
09:31Excuse me?
09:33You have 15 minutes
09:35to go to the Cannes Capital business club.
09:37What is it about?
09:39We'll talk in person.
09:41I don't know if I can make it.
09:43Okay, I'll send you a message.
09:45What message?
09:47No, I'm on my way.
09:49Of course.
10:01Mido, tell me.
10:03How is Maldives?
10:05It's okay.
10:07Everything is under control.
10:09And you?
10:11How are you?
10:13I'm fine.
10:15But the people around me
10:17don't seem to be okay.
10:19Tell me,
10:21so I can think.
10:23It's better to listen to other people's problems
10:25than my own.
10:27Don't worry.
10:29I have a great job.
10:31I found someone I like.
10:33It's not someone,
10:35but Miki Tambur,
10:37so I'm going to punish him.
10:39You're really lucky.
10:41A thief and a criminal.
10:43I guess you're not shocked.
10:45Don't worry,
10:47I'm a big man.
10:49Don't worry,
10:51everything will be fine.
10:53It will,
10:55just come back.
10:57I wanted to ask you,
10:59how are you and Tito?
11:01Mido,
11:03he's a loser.
11:05What a shame,
11:07such a woman like you.
11:11I don't know what to say.
11:13I don't understand.
11:15You and I look like
11:17orphans with our marital friends.
11:23I'm sorry, I have to go.
11:25Let's talk.
11:29What was his job?
11:41Radula?
11:43Yes, it's me.
11:45Are you an inspector?
11:47I am.
11:49Is there a problem?
11:51Do you really think
11:53I spent time with you
11:55without a problem?
12:01I think everything is fine,
12:03my job is clean, trust me.
12:05I don't have to trust you,
12:07and I don't trust you.
12:09What's the matter then?
12:11Tell me.
12:13I'm interested in an invoice you issued.
12:15Which one?
12:17For Andrija Bošnik.
12:19Yes, I issued it.
12:23Can you cover the bill?
12:25Of course.
12:27Are you sure?
12:29Yes, yes.
12:31So you sold it to Andrija Bošnik?
12:33Well, you see,
12:35I sold it to Štof,
12:37but I also sewed it.
12:41Was it Štof or Andrija Bošnik?
12:43Both.
12:47Radula,
12:49do you think I'm a fool?
12:51It's all regular,
12:53I always work on PS.
12:55Okay.
12:57If you don't want to talk to me,
12:59you'll talk to my lawyer.
13:01Sit down, sit down, please.
13:11I like the way you dress,
13:13you look like a nightclub girl.
13:15Really?
13:17Me?
13:19What do you do, Ljeposava?
13:21Do you want to show off
13:23with that Mickey Mouse?
13:25Do you know what it looks like?
13:27It's a pit, it's a cave.
13:29No, it's not.
13:31What's it called, what you do?
13:33What do I do, Ljeposava?
13:35I just do my job.
13:37It's a tough job.
13:39You talk to each other
13:41like two gouges.
13:43Ljeposava, when you mention that
13:45pernatu divljač,
13:47this is a public space,
13:49and I don't want any fights here.
13:51Is that clear?
13:53It's a perfect place to talk about people.
13:55Ljeposava, give me a nose,
13:57a nose, don't snore,
13:59do you hear me?
14:01Resolve the apartment in Belgrade
14:03and the snore is over.
14:05Don't come here, Ljeposava,
14:07until we solve this with Ljubinka.
14:09Let Ljubinka buy us an apartment
14:11in Belgrade and you'll see
14:13how everything will be arranged
14:15Ljeposava, I don't want a nose,
14:17a nose, don't snore,
14:19do you hear me, Ljeposava?
14:21You'll make me lose all my energy.
14:23I won't, Ljeposava, don't worry.
14:25Even if I make you lose your energy,
14:27you'll still have the strength
14:29to argue with me.
14:31Oh, Mido, I'll come to you in a nightmare.
14:33In a nightmare,
14:35until I get what I asked for.
14:37Are you crazy, Ljeposava?
14:39Don't come to me in a nightmare.
14:41Ljeposava, don't come to me in a dream.
14:43I won't see you in a dream.
14:45I'll be pissed off.
14:47Is that so?
14:48Yes.
14:49Okay, I'll go where I want to go.
14:51Go where you broke your leg.
14:55Hey.
14:56What hey?
14:58Did you see that?
15:08Yes?
15:10What can I tell you?
15:12I sold off Andrija Bošnjak.
15:14That's what I thought.
15:18What's the problem?
15:20Well, it wouldn't be a problem
15:22if your company was registered
15:24for the sale of clothes.
15:26But it wasn't.
15:28It was registered for the sale of materials.
15:30You see, that happened only once.
15:32Yes, I'm sure that happened
15:34only once.
15:38Could you take a look
15:40this time?
15:42I could, if you don't tell anyone
15:44that we've met.
15:46Because if you do,
15:48you'll end up as a criminal
15:50and in debt.
15:52Don't worry,
15:54no one will know.
15:56And why are you chasing Mr. Bošnjak?
15:58Specifically, that's my business.
16:00Okay, I'm always a debtor.
16:02Just a moment,
16:04you've already said that.
16:06One moment.
16:08There you go.
16:10What?
16:11To take a selfie?
16:12That's right.
16:14For the memory and gratitude.
16:16There you go.
16:18You're free to go.
16:20Cheers.
16:36What's going on with you?
16:38Are you mad at me?
16:40No, I'm not.
16:42Mido told me that you refused
16:44the apartment he found for you.
16:46I have a strong reason.
16:48Why?
16:50I don't want
16:52to move in with Trivanović.
16:54Did you have a fight?
16:56A little.
16:58So what?
17:00Nothing.
17:02I just don't think
17:04I'd be happy with him.
17:06How did I raise you?
17:08To be selfish?
17:10What do you mean?
17:12You should think about your mother
17:14and not just yourself.
17:16What do you think you need?
17:18If I break up with him,
17:20he won't need me.
17:22We've worked on this.
17:24Do you want to travel every day
17:26by bus from Kosmaj to Belgrade
17:28and back?
17:30If you want,
17:32I won't let a kid fight
17:34between you and Trivanović ruin everything.
17:36It's not a kid fight.
17:38Then what is it?
17:40Tell your mother
17:42to give you some advice.
17:46I don't want to talk about it.
17:48I don't like it either,
17:50so I have to.
18:02Are you sure
18:04you're keeping everything under control?
18:06Yes.
18:16Come on, say something.
18:18Why are you mad at him?
18:20Okay,
18:22let him know who he's messing with.
18:24I knew it.
18:26What did you know?
18:28That you don't know
18:30how to choose a man
18:32and that Trivanović
18:34is so handsome.
18:36Come on,
18:38why were you flirting with that cop?
18:40You shouldn't have been flirting with him.
18:42He seems so manly and confident.
18:44It's not an experience.
18:46Besides so many handsome guys in Belgrade,
18:48you were the first one
18:50you met.
18:52When I liked him.
18:54Your mother has to teach you
18:56something about men.
18:58You should never fall in love with them.
19:00They always disappoint you.
19:02He really disappointed me.
19:04Okay, don't worry.
19:06Wait, she'll call you again.
19:24I met Radola.
19:32I'm coming.
19:46What's up?
19:48I'm afraid I have bad news.
19:52What do you mean?
19:54Based on what I've seen.
19:58I can see you like to mess around.
20:00You like to talk about private stuff.
20:02I don't like it,
20:04but I have to react when I see
20:06that private stuff is everywhere.
20:08I had a good fight.
20:10So what?
20:12I know Panchetta left you
20:14to run this place,
20:16but I think we should ask Luka.
20:18Me too.
20:20The woman I had a fight with
20:22is my wife.
20:24You're my ex-wife.
20:26I think private stuff
20:28is more important here.
20:32You're right,
20:34but it's hard to control
20:36private stuff.
20:38It can happen to anyone.
20:40You didn't do it on purpose.
20:42To anyone?
20:44It can happen to anyone,
20:46but it happens to me every day.
20:48Really?
20:50I'm going for a walk.
20:52See you later.
20:54Go ahead.
20:583 years later
21:06Why are you doing this?
21:08It's not important,
21:10but it just happened.
21:12It just happened?
21:14Yes,
21:16but it's not important anymore.
21:18What I found out is important.
21:20What did you find out?
21:24Everything you've been wondering
21:26You were doubting her for a reason.
21:29What is that?
21:32Radula told me that Andrija banned Zoran from buying the work.
21:36He didn't have cash, so he paid with an invoice.
21:41He paid with an invoice?
21:43Yes. Now it's all clear.
21:47What's clear, Jovana?
21:57Don't you think that this Mido is a bit...
22:00...picturesque for these Belgrade conditions?
22:03Picturesque, yes. And lively.
22:06And, to put it that way, a bit moody, you know?
22:10We'll have to keep him under control and his family,
22:14so he doesn't destroy the local, even if he doesn't pay back the deposit.
22:17I'm on the right track, I'll tell you that right away.
22:20As far as I can see, they've built a bakery right next to the road.
22:24You know, you just turn him around, and you say so.
22:28Come on, Alexey Konstantinov,
22:30what I'm sniffing here, the smell of pork sausages,
22:34without chocolate, that's nothing.
22:36You're right, I can feel it.
22:38What do you mean, you can feel it?
22:41People are used to coming home,
22:43and the smell of cigarettes, alcohol,
22:46and now they get this for free.
22:48I'm not sure if they'll be thrilled.
22:51They've been here, they've seen it.
22:53Do you like your job?
22:55Yes, but I'm working class,
22:57and no one asks me anything.
22:59Well, then find a way to neutralize this smell.
23:02Yes.
23:03You know, when it's hard,
23:05Milo, let's do an ad.
23:07You'll find a solution, come on.
23:09I'm at the end of my breath.
23:11Come on.
23:12I'm at the end of my breath.
23:22What's the bad news?
23:24The investors won't sign the contract.
23:27They won't?
23:28What can I tell you?
23:31Well, that's definitely...
23:33They told me we'll call them in a month,
23:36so maybe we have another chance.
23:38But honestly, I doubt they'll agree.
23:41It's very likely to be game over.
23:44I know that from experience.
23:46So, it's over.
23:47It's over, bro.
23:50Is it about Laura again?
23:52Very likely.
23:54You can imagine.
23:56I have a friend in that fashionable house.
23:59He told me he saw Laura there.
24:03What kind of bullshit is that?
24:05I don't know what she told them,
24:07but she convinced them not to work with us.
24:11Okay, bro. Thanks for calling.
24:13You're welcome.
24:14Talk to you later.
24:15Bye.
24:26Hey, bro.
24:27Hey, where are you?
24:28In the cafe.
24:29Okay, I'm on my way.
24:40I don't know.
24:46I don't know what evidence you need.
24:49I don't know.
24:52Andrija found himself in an unprotected grove,
24:55and he had to get out somehow.
24:57He left early in the morning at Radula Design
25:00and took a part of the invoice,
25:02because it's not clear.
25:03And how do you think I believe you?
25:05You wanted to destroy me.
25:07You don't have to believe me at all.
25:09Just think logically,
25:11and you'll see that I'm the only one who wants what's good for you here.
25:14Okay, I'm not that naive.
25:18Here's the evidence.
25:22See? I met Radula.
25:27I don't know.
25:29It seems that all women with Andrija experience the same fate.
25:34It seems.
25:36I don't know what to tell you.
25:38If you need anything, I'm here.
25:40I've been through this a lot of times.
25:46How strange.
25:48You and I are sitting, talking about Andrija,
25:52who cheated on me.
25:55Yes.
25:56Somehow misfortune brought us closer.
26:01Yes.
26:02Yes.
26:05I feel like I don't know him.
26:07What should I do?
26:08I know.
26:11He's always been wonderful.
26:13Suspicious.
26:16I've always been sure and calm next to him.
26:20I know everything.
26:22That's why I have to tell you something else.
26:32Hello?
26:34Hello?
26:36Luka?
26:38Where are you?
26:39Hey, Andrija.
26:40I know it's a surprise.
26:42Can I see you tonight?
26:44See me? You and me?
26:45Yes, you and me.
26:47Why?
26:50I can't answer the phone.
26:52Okay.
26:53Let's go to the business club tonight, okay?
26:57Great, great.
26:58Business club.
27:00See you.
27:02Bye.
27:07Bobo, please come to me.
27:20Tell me, Andrija.
27:21Tell me,
27:23did you mention anything to Uno about these things that are happening?
27:29What do you mean?
27:30We almost had a fight because of you.
27:34Really?
27:36How did that happen?
27:39She decided to go all the way.
27:42What does that mean?
27:43I don't know.
27:47You better tell me.
27:49I mean, I'll find out anyway.
27:52She called Radula Design.
27:55And?
27:56I don't know.
27:58Maybe she mentioned Luka?
28:01Luka?
28:02No, she didn't.
28:06Okay.
28:08Well, that's it.
28:10Thank you, you can go.
28:23Here you are.
28:24Where are you?
28:28Where's Milo?
28:29He's doing something in the magazine.
28:31What is he doing? Is he fishing?
28:32No, he's not fishing.
28:33What happened?
28:37There's nothing going on.
28:42What do you mean?
28:44Pavlo called me.
28:47He said he'd call me in a month, but there's nothing going on.
28:59Wait, is it possible that you're telling me this now?
29:03Well, I've already told you that it happened to me several times,
29:06so I know that now, after this, a nice phase is coming.
29:11You know what I should do?
29:12Sit down and wait for this crazy phase of his to pass.
29:16If you really like him, accept him the way he is.
29:21Do you want to see if I have a problem?
29:28I have a problem.
29:37Can I ask you something?
29:38Go ahead.
29:39Are you crazy?
29:41What?
29:42How can you call Andrija Bošnjak and we don't know if he can help us at all?
29:45Do you think I can?
29:48What's the problem when I have to call Andrija Bošnjak?
29:51There's nothing to lose.
29:52We have to react quickly, otherwise the whole effect of what we did on this fashion week will be ruined.
29:57Andrija Bošnjak has never been here.
30:13She's going to kill me.
30:18I'm sorry for bothering you.
30:21Believe me, I like this work.
30:25I came to see how you are.
30:39He's a bastard.
30:42Okay, that's how you are.
30:44I can't believe he stopped that thing with the apartment in Belgrade.
30:48He won't, man, he'll get angry.
30:50When will I get angry?
30:52Your husband is very careful, man.
30:54Ex-husband.
30:56Okay, ex-husband, that's just temporary.
31:00It's not temporary, it's permanent. Ex-husband.
31:16Are you coming out?
31:18Do you have something to tell me?
31:21No.
31:23About what you called Rado's design?
31:26I beg your pardon?
31:27Don't play dumb, please.
31:29I know everything.
31:31You're going around humiliating people.
31:44I changed my mind anyway.
31:47Why wouldn't I tell you?
31:49Listen.
31:51Mido has...
31:54350,000 euros.
32:12I have an idea.
32:13What?
32:14I have an idea.
32:15First, let's pour some brandy.
32:16Who do you want to hear it from?
32:18I want to hear it.
32:19I have a great idea.
32:20Don't talk.
32:23Do you know who we're going to hire
32:26for your aunt from Australia?
32:42Tell me.
32:45What's the subject of our conversation?
32:47Laura.