Stung by the childhood execution of her innocent father, Nikki Barrington (Isabella Hofmann) is an investigative reporter who crusades for innocent men on death row. That leads her to Tyler Nash (James Wilder), wrongly convicted of murdering a woman. Nikki falls for Tyler, to the point where she lies to get him out.
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Short filmTranscript
00:00:30I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:00:53I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:00:55Thou preparest a table before me in the presence of mine enemies, thou anointest my head with
00:01:07oil, my cup runneth over.
00:01:10Surely goodness and mercy shall follow me all the days of my life, and I will dwell
00:01:17in the house of the Lord forevermore.
00:01:20The Lord is my shepherd, I shall not want him.
00:01:24He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:01:28He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:01:31He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:01:33He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:01:34He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:01:35He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:01:36He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:01:37He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:01:38He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:01:40He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:01:41He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:01:42He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:01:43He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:01:44He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:01:45He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:01:46He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:01:47He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:01:48He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:01:49He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:01:51He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:01:52He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:01:53He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:01:54He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:01:55He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:01:56He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:01:57He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:01:58He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:01:59He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:00He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:02He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:03He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:04He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:05He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:06He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:07He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:08He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:09He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:10He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:11He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:13He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:14He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:15He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:16He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:17He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:18He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:19He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:20He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:21He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:22He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:24He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:25He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:26He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:27He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:28He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:29He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:30He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:31He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:32He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:33He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:35He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:36He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:37He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:38He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:39He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:40He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:41He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:42He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:43He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:44He maketh me to lie down, the Lord is my shepherd, I shall not want him.
00:02:45It
00:02:46Took
00:02:473
00:02:48Hours
00:02:49Just
00:02:50Enough
00:02:51So
00:02:52At
00:02:53least
00:02:54a
00:02:55hockey
00:02:56game
00:02:57let's
00:02:58It
00:02:59Took
00:03:003
00:03:01Hours
00:03:02Just
00:03:03Enough
00:03:04So
00:03:05It
00:03:06Took
00:03:073
00:03:08Hours
00:03:09Just
00:03:10Enough
00:03:11So
00:03:12At
00:03:13least
00:03:14Okay, am I in trouble?
00:03:16Well, Bernie's at the courthouse covering for you,
00:03:18but you'd better get down there.
00:03:20Yeah.
00:03:21Coming.
00:03:31And sentencing will take place on Tuesday the 16th.
00:03:34The state expects the maximum sentence.
00:03:37Excuse me, Mr. Clark.
00:03:39Yes.
00:03:40That could mean the death penalty.
00:03:41Do you not find that kind of punishment harsh?
00:03:44Well, of course it's harsh.
00:03:46But this is going to send a clear message
00:03:48to those who believe that they can disregard
00:03:50the laws of our community.
00:03:52Excuse me, sir.
00:03:53And when do you proceed with the trials
00:03:54of the other two defendants?
00:03:56Within the next two weeks.
00:03:58Now you'll have to excuse me.
00:04:00Assistant District Attorney Warren Penn here
00:04:02will be glad to answer any further questions.
00:04:04How do you feel about being called a mongoose?
00:04:08Fine by me.
00:04:10As long as I get the snakes.
00:04:12Hey, sorry I'm late. I overslept.
00:04:14We'll talk about it later.
00:04:15Let's catch him before he gets away.
00:04:19Bitch!
00:04:21Bernie, you old dog.
00:04:22What are you doing here?
00:04:23Well, you got a big case coming up.
00:04:25One down, two to go.
00:04:26And just in time for the election.
00:04:28It's got nothing to do with that.
00:04:29Well, that's not what your campaign manager told me.
00:04:33Just kidding me.
00:04:35This is my niece, Nikki Barrington.
00:04:36Nikki Barrington, this is Mitchell Clark,
00:04:39our District Attorney and local mongoose.
00:04:41How do you do?
00:04:42Nice to meet you.
00:04:43Nikki grew up around here.
00:04:44She'd just come home from New York City.
00:04:47Welcome back to Marshall Falls.
00:04:49You could use some new blood around here
00:04:50to liven up Bernie's stodgy old paper.
00:04:54So what do you think?
00:04:55Bernie's stodgy old paper doesn't endorse politicians.
00:04:59You know, Bernie, that's what I like about you.
00:05:01You are one of the few truly righteous people
00:05:04left in the world.
00:05:08He doesn't know how right he is.
00:05:11The problem is that people don't agree with him.
00:05:41Can I come in?
00:05:57Yeah, sure, come on.
00:06:02What is it?
00:06:03RJ sent me a package last night
00:06:05and wants me to cover story for him.
00:06:07How's he doing?
00:06:08Not good.
00:06:10Well, that's too bad.
00:06:11Yeah.
00:06:12What's the story?
00:06:14There's this guy over at Mid Valley
00:06:16who's scheduled to be executed next month.
00:06:18Tyler Nash?
00:06:19RJ doesn't want you to cover the execution, does he?
00:06:22He's convinced that the guy is innocent.
00:06:25Okay.
00:06:26You go ahead and just make sure
00:06:27it doesn't interfere with your work on this paper.
00:06:29Thank you.
00:06:41Vicki!
00:06:42Vicki!
00:06:45Hey, open the damn door!
00:06:47It's cold out here!
00:06:50Coming.
00:06:56What the hell are you doing out here?
00:06:57Well, I've been knocking at the front door forever.
00:07:01Sorry.
00:07:02Oh, this is totally unacceptable.
00:07:07I think I look stunning.
00:07:09Really?
00:07:11Oh, so what happened here last night, huh?
00:07:14Wild research party, very exciting.
00:07:16Yeah?
00:07:17Well, you forgot to sign off on the net
00:07:19and I've been trying to call you all morning.
00:07:21Oh, sorry.
00:07:22Did you forget our seminar this morning?
00:07:24I did, but I've got to go to Mid Valley Penitentiary today.
00:07:27Oh, Nicky, they finally busted you.
00:07:29You're very funny in the mornings.
00:07:33Oh, now this is worth working late for.
00:07:37That is my Mid Valley lunch date.
00:07:39What?
00:07:40R.J. asked me to interview him, do a story.
00:07:43Huh.
00:07:50Having trouble sleeping lately.
00:07:52The tri-glass of warm milk, anything but those.
00:07:55My doctor prescribed them.
00:07:57The dreams again.
00:07:58Yeah, since I moved back.
00:08:00So move, sell the place.
00:08:02I like the place.
00:08:03Yeah, but too many bad memories.
00:08:04Oh, come on, Liza, I'll get over it.
00:08:06Yeah, before or after you get addicted to those.
00:08:08Honey, how long have you known me?
00:08:10Oh, ever since second grade
00:08:12when Jimmy Lane stole your notebook
00:08:14and I had to beat him up to get it back.
00:08:16So?
00:08:17Still worried.
00:08:18As a matter of fact.
00:08:19God, you are so annoying.
00:08:20Please make me some coffee, I'm taking a shower.
00:08:22I love you too.
00:08:32So Wayne wants to ask you out.
00:08:35Oh, please.
00:08:37He's a nice guy.
00:08:39Oh, he's so nice, why don't you go out with him?
00:08:42Well, because I'm not the step-mom type
00:08:44and besides, he likes you.
00:08:46Liza, you know something, you're obsessed.
00:08:49I mean, why are you so compelled to set me up all the time?
00:08:52I just want my best friend happy.
00:08:55I don't need a man to be happy.
00:08:57I like my independence
00:08:59and I like having control of my life.
00:09:01Oh, I'd like to be out of control just one last time
00:09:04before I start getting hot flashes.
00:09:07Thanks for the coffee, by the way.
00:09:10You are a goddess.
00:09:18Debbie, you know who I am if you remember this poem.
00:09:22Passions drift amongst the silken flesh.
00:09:25Beads of sweat drip slowly down sunken and surrendered crevices
00:09:31giving breath to conscious rapture.
00:09:34Nicky.
00:09:36It's the mid-valley guy again.
00:09:38So what's he in for, bad poetry?
00:09:41No, it's murder.
00:09:43Oh.
00:09:45Well, for someone who likes to be in control
00:09:47I think you picked an interesting person to interview.
00:09:50I didn't pick him.
00:09:52R.J. did, okay?
00:09:54Mm-hmm.
00:10:01Mm-hmm.
00:10:32Thank you.
00:10:34Sit over there, please.
00:11:01DOOR BUZZES
00:11:32Where's Mr. Malone?
00:11:35He asked me to come in his place.
00:11:38Who are you?
00:11:40I'm Nicky Barrington.
00:11:43I'm also a journalist.
00:11:45He said he'd help me.
00:11:47He said he would write a story.
00:11:49What does that mean?
00:11:51It means I'm going to get to know you over the next few weeks.
00:11:54What do you get out of it?
00:11:57The chance to write a piece that might convince the state
00:12:00to change its views on capital punishment.
00:12:04So it doesn't matter whether I'm innocent or not?
00:12:07I'm not here to pass judgment.
00:12:09So what do I get out of it?
00:12:11I mean, you don't have a story unless I'm executed.
00:12:15Am I right?
00:12:17Okay.
00:12:21So who exactly are you?
00:12:25So who exactly is this Debbie?
00:12:28She's my missing witness.
00:12:30No, I don't know her last name,
00:12:33and if she comes forward, I would get an appeal.
00:12:37Well, this was front-page news.
00:12:39If she exists, why didn't she just come forward?
00:12:43Well, she exists.
00:12:45Maybe she's scared.
00:12:47Maybe she moved.
00:12:49Maybe she doesn't care.
00:12:51Did the D.A. convince the jury you lied about her?
00:13:00You're beautiful.
00:13:03Let's just stick to business, all right?
00:13:05Hey, I just meant it as a compliment.
00:13:09Tell me about your lawyer.
00:13:11Nothing to say.
00:13:13Look, I don't have time to go a hundred miles
00:13:16to get answers like that, all right?
00:13:18What, are you getting mad at all of us?
00:13:20I'm not getting mad. I just...
00:13:22I don't have time to play games.
00:13:24I'm not playing games.
00:13:26My attorney was court-appointed.
00:13:28He told me I should throw myself at the mercy of the court.
00:13:31I did.
00:13:33Here I am.
00:13:41A full moon kindled the white beach
00:13:43in front of the local bar in Marshall Falls
00:13:45the night Cecilia Flowers decided to take a peaceful midnight stroll.
00:13:50But she was not alone.
00:13:52Someone had followed her out of the blue moon,
00:13:55stalked her and waited for the perfect moment to attack.
00:13:59The moment she was most vulnerable.
00:14:02The moment she was totally alone.
00:14:06Her killer sprang upon his prey like a black cat.
00:14:10He took her young life with the slash of his blade
00:14:13against the soft flesh of her neck.
00:14:16Cruel, cold-blooded, no sympathy,
00:14:18the animal drank her fear like wine.
00:14:22What happened to Cecilia Flowers that night was inhuman.
00:14:26No one should have to submit to that kind of terror.
00:14:29Marshall Falls, beware.
00:14:31There's a boogeyman out there.
00:14:47Get a plea bargain.
00:14:48The only plea bargain they're going to give you is a mask, a loan or a mandatory aid.
00:14:51I don't think that's true.
00:14:52I think so.
00:14:54Well, we'll save it.
00:14:58So you raced cars?
00:14:59Stock cars.
00:15:00Win much?
00:15:01I won my share.
00:15:04Okay, I'm sure this is the last thing you want to do again,
00:15:07but you want to tell me what happened?
00:15:11I was passing through Marshall Falls.
00:15:13I had a couple of days before a race near Portland.
00:15:16It got cancelled, so I decided to stay on.
00:15:19Several people at the Blue Moon saw you there with Cecilia Flowers.
00:15:23That's right.
00:15:25She was sitting at the bar, so was I.
00:15:27We had a couple of drinks.
00:15:29That's all.
00:15:31We left at the same time, but we both went our separate ways.
00:15:35And then you went to this other bar where you picked up this Debbie?
00:15:39Yes.
00:15:41Deeks.
00:15:42Deeks.
00:15:44Okay, so how come no one at Deeks remembered seeing you there?
00:15:48I don't know.
00:15:50I guess we got out of there pretty quick.
00:15:52Then we drove to the beach.
00:15:54Did you sleep with her?
00:15:56No.
00:15:58We talked for about two or three hours.
00:16:01Then what happened?
00:16:02Then they took her back to Deeks where she picked up her car.
00:16:07That's the last I ever saw of her.
00:16:13Tyler, why did you run when you knew the police were after you?
00:16:19I honestly don't know.
00:16:25Today, Mitchell Clark, county prosecutor, makes his closing arguments in the Tyler Nash trial.
00:16:31He will most likely focus on the fact that Nash had no alibi
00:16:36and remind the jury that an eyewitness placed Nash at the scene...
00:16:43Flowers, a young Marshall Falls resident.
00:16:46Jury deliberations are expected to be short.
00:16:49We'll continue coverage of this story once the jury has reached its verdict.
00:16:54And now, back to our newsroom.
00:16:57Ted.
00:16:59Dr. Henry, please report to ICU.
00:17:01Dr. Henry, please report to ICU.
00:17:08Dr. Flowers.
00:17:09Yes.
00:17:10Hi, I'm Nikki Barrington from the Democrat and Sentinel.
00:17:13Ah, yes, there's an important ICU.
00:17:14Yes, yes, it is.
00:17:16Thank you so much for taking the time.
00:17:19Doctor, five years ago, you performed an autopsy on Cecilia Flowers, a murder victim.
00:17:24Flowers.
00:17:26Flowers, yes.
00:17:27You might recall that Tyler Nash was convicted of that crime.
00:17:30In your testimony, you concluded that Miss Flowers' throat was slashed from right to left.
00:17:34You asked me to recall a murder case that took place over five years ago?
00:17:37I read the court transcripts, Doctor.
00:17:39You stated that the killer slashed Miss Flowers from behind using a right to left motion,
00:17:45and because of that, he had to be left-handed.
00:17:47Yes, so?
00:17:48All right, well, isn't it possible that the killer could have slashed her from the front?
00:17:51I don't know. Possible.
00:17:53Well, if the murderer killed her from the front, using your logic, he'd be right-handed.
00:17:57Isn't that so?
00:17:58Now, why wasn't that mentioned in your testimony?
00:18:00What is your point, Miss Barrington?
00:18:02Tyler Nash is scheduled to be executed next month.
00:18:06He might be innocent.
00:18:07All I did was give my professional opinion and answer the questions asked of me.
00:18:10Now, you'll have to excuse me. I'm late and I've got a lot of work to do.
00:18:14Yes, of course. Thank you for your time.
00:18:17Now, why didn't your attorney challenge the Flowers' autopsy report?
00:18:23Tyler, you're left-handed.
00:18:25What if the murderer slashed the Flowers' throat from the front?
00:18:29My new attorney used that argument as part of an appeal for my retrial.
00:18:35All right.
00:18:37Okay, another witness for the prosecution.
00:18:39Roger Walker said that he saw you with the victim in your truck at the Blue Moon just before she was killed.
00:18:46He lied.
00:18:47Okay, why do you say that?
00:18:49Because it didn't happen, that's why.
00:18:51How could he see something that didn't happen?
00:18:55Sometimes witnesses have completely different accounts of the same event.
00:19:00Do you always do that?
00:19:01Do what?
00:19:03That little thing with your hair.
00:19:10How can you be so cavalier?
00:19:17I'm not.
00:19:20I just miss the simple things.
00:19:23Like that little thing with your hair.
00:19:26Like that little thing with your hair.
00:19:50Good afternoon, Tecla Corporation.
00:19:52Yes, Roger Walker, please.
00:19:54Mr. Walker is in Houston on business.
00:19:56When is he expected back?
00:19:58The end of next week. Is there someone else that can help you?
00:20:00Is there a number where I can reach him?
00:20:02I'm sorry, we're not permitted to give out that information, but if you leave your name and number, I'll relay the message.
00:20:07No thanks, I'll just call back.
00:20:11Nikki, you got a minute?
00:20:13Sure.
00:20:18What's up?
00:20:19I want you to go to Olympia and cover the state congressional runoff.
00:20:23What?
00:20:26Well, uh, can't Wayne or Liza do it?
00:20:28Why?
00:20:30I'm not up on my state politics.
00:20:32What's going on, Nikki?
00:20:37It's that thing I'm doing for RJ.
00:20:39Well, that thing wasn't supposed to interfere with your work on the paper.
00:20:41I know.
00:20:44Uh, you better sit down, Nikki.
00:20:46This came in on the wire this morning.
00:20:48I wasn't going to give it to you until after work, but, uh...
00:20:56Newsman RJ Malone died early this morning.
00:20:59Oh, my God.
00:21:02You okay?
00:21:05Yeah.
00:21:07Oh, heck, Wayne is probably tired of working on that fast food toy scandal anyway.
00:21:11I heard his kids are giving him hell about it.
00:21:13Thanks.
00:21:19You seem tense.
00:21:21Oh, well, um, I've just had a bad couple of days.
00:21:25You know, I haven't slept well.
00:21:27What's going on?
00:21:30Hey, come on.
00:21:32I've been honest with you from the beginning.
00:21:34You've got to be honest with me.
00:21:36I've been honest with you from the beginning.
00:21:38You've got to be honest with me.
00:21:43RJ Malone died.
00:21:46Oh, man.
00:21:52How?
00:21:53Cancer.
00:21:56You two were close.
00:22:01Hey, did this Debbie ever tell you where she lived?
00:22:07No.
00:22:08Did you ever ask her?
00:22:09No.
00:22:12Nikki?
00:22:14What's going on?
00:22:17Come on, you're in agony here. What's happening?
00:22:25I'd worked with RJ for ten years, you know?
00:22:30I mean, I knew it was coming, but...
00:22:34He was like a father to me.
00:22:39I'm sorry.
00:22:44What was your father like?
00:22:47My...
00:22:49My dad, uh...
00:22:52He spent most of his life beating the hell out of me and my mom.
00:22:58Is your mother living?
00:23:00No.
00:23:01Is your father living?
00:23:02No.
00:23:04Yours?
00:23:05No.
00:23:07You know, when my mom died, I truly knew that I was alone in the world.
00:23:16Things wouldn't come easy.
00:23:19Yeah, I guess I know what that feels like.
00:23:24I got something for you.
00:23:31Thank you.
00:23:48Drop a pebble in the lake and watch the waters part until the rings reach every shore
00:23:54and touch some other's heart.
00:23:57Standing near the water's edge, praying for a sign that somewhere across the mist of time
00:24:01there awaits a heart like mine.
00:24:06You wrote this for me?
00:24:09Uh-huh.
00:24:12I like it.
00:24:27In case I'm not here and you want somebody to talk to.
00:24:57Woo!
00:24:59Ah!
00:25:01Woo!
00:25:28There were no traces of blood, hair, or fiber from the victim found in his truck,
00:25:46on his clothes, or in his motel room.
00:25:48And there was only one eyewitness, Roger Walker, and his testimony was circumstantial.
00:25:52Why? Because Tyler Nash said so? Oh, please.
00:25:55How about this? You cannot condemn a man to death no matter what he did. It's barbaric.
00:26:00Are you falling for this guy?
00:26:02No.
00:26:03Good, because I wouldn't want to have to identify your body just because this guy turns you on.
00:26:07Liza!
00:26:08Well, why can't you admit that you have hormones just like the rest of us?
00:26:11Okay, you've hurt me enough. I'm going to go solo.
00:26:14And besides, I don't believe his story about the missing witness. I mean, anyone can be found.
00:26:19Only if they want to be.
00:26:21Yeah, but what if he killed this Debbie, too?
00:26:23Okay, and what if this Debbie was in on it? What if the whole thing was his set-up?
00:26:27It's starting to sound like a soap opera to me.
00:26:30Liza, be serious for one minute. What if he's innocent?
00:26:33Everyone on death row is innocent. Hasn't anyone ever told you?
00:26:37I am so sorry. I... I... Oh, please.
00:26:42Forgive me, Nikki.
00:26:44Liza...
00:26:45I'm sorry, honey.
00:26:47Sometimes I say the stupidest things.
00:26:54Hello?
00:26:57Hello?
00:26:58Hey, it's Tyler.
00:27:02Hi.
00:27:03Look, I... I hope you don't mind me calling.
00:27:06No. No, I... I... I told you to.
00:27:11Look, we got five minutes before they pull the plug here.
00:27:14Well, that doesn't seem fair.
00:27:16I don't know what you're talking about.
00:27:18Look, we got five minutes before they pull the plug here.
00:27:21Well, that doesn't seem fair.
00:27:25I hear music.
00:27:27Yes.
00:27:28Huh.
00:27:31That sounds nice.
00:27:33Tell me about your home.
00:27:35You have five minutes and you want to make small talk?
00:27:38You know what? Actually, that's exactly what I'd like.
00:27:43Okay. Um...
00:27:49I live just outside of Marshall Falls, about a hundred miles north of you.
00:27:55I'm surrounded by trees in the middle of nowhere.
00:27:59That's nice.
00:28:01Tell me, um, what's inside your home?
00:28:07A lot of knick-knacks, you know.
00:28:09It's woodsy, cozy.
00:28:12Big fireplace.
00:28:14Wow.
00:28:16So, tell me about you.
00:28:20Not much to say.
00:28:22Oh, sure there is.
00:28:24What do you want to know?
00:28:26I want to know everything.
00:28:28I want to know everything in five minutes.
00:28:30Yeah, that's a... it's a start.
00:28:34I used to live in New York.
00:28:37So, uh, why did you move back?
00:28:40At least, uh, in Marshall Falls.
00:28:44Everybody knows who you are.
00:28:46Oh, boy.
00:28:48That is not always a good thing.
00:28:51Anyway, R.J. used to say that...
00:28:58writing doesn't come from big cities, writing comes from the heart.
00:29:03Like love.
00:29:07Tyler...
00:29:14I can see you.
00:29:19What do you see?
00:29:23I see your loneliness.
00:29:29I want to see you.
00:29:32Tyler?
00:29:34Tyler?
00:29:43Tyler?
00:30:04Wow.
00:30:07You look beautiful.
00:30:14What's that?
00:30:16It's nice, Sarah.
00:30:19I drew this for you.
00:30:30You really did this?
00:30:32Yeah.
00:30:35Does it look like your place?
00:30:39Yeah.
00:30:42Yeah, that's amazing.
00:30:46Is there anything you can't do?
00:30:48Yeah.
00:30:50Touch you.
00:30:54Hold you close.
00:31:12I'm gonna die.
00:31:16I'm gonna die in two weeks.
00:31:41I love you.
00:32:01Nikki!
00:32:03Tyler!
00:32:11Tyler!
00:32:41I love you.
00:33:12You just happened to be in town on the night of the murder?
00:33:15I saw you on that trip, too, remember?
00:33:19Nick, you don't know anything about this guy.
00:33:22He is not a killer.
00:33:24Believe me, I know this trial inside and out.
00:33:26Clark... Clark went after Tyler like a...
00:33:29Like a mongoose after a snake?
00:33:31Nick, you're putting me, as well as yourself,
00:33:33in a very compromising legal position.
00:33:36I know you're about to commit perjury.
00:33:38That makes me an accessory.
00:33:40We could both face serious jail time.
00:33:43Liza, no one will ever know that you know.
00:33:47You have my word.
00:33:49Oh, that's great. Just great.
00:33:51I thought you were my friend.
00:33:53Don't do this. I am your friend.
00:33:55I am your best friend, which is why I'm trying to talk some sense into you.
00:33:58This makes perfect sense to me.
00:34:00I have never been so sure of myself.
00:34:03I don't know.
00:34:06Okay, Liza.
00:34:08This conversation never took place.
00:34:11Now, it's either that or you turn me in.
00:34:20Judge Robertson just ordered a stay of execution for Tyler Nash.
00:34:24For what reason?
00:34:26Seems his missing limbs were found.
00:34:29For Tyler Nash.
00:34:31For what reason?
00:34:33Seems his missing witness finally showed up.
00:34:35Motion for a new trial has been granted.
00:34:37Scheduled for the 11th.
00:34:39Nicky Barrington.
00:34:41Works at the Democrat and Sentinel.
00:34:43Bernie's niece.
00:34:45Give me everything you can find on her.
00:34:47School, friends, sex life, addictions.
00:34:51Gotcha.
00:34:53Tyler, I can do this. I can.
00:34:56I know every aspect of your trial.
00:34:58I was in town visiting my mother when the murder took place,
00:35:01and there is nothing about this temmie that couldn't apply to me.
00:35:04It's perfect.
00:35:05I don't buy it, okay?
00:35:06You don't know what you're getting yourself into.
00:35:08I can't let you in.
00:35:09No, no, no, look.
00:35:10All right, there is no law against my visiting you.
00:35:12All of our conversations have been private.
00:35:14And besides that, Tanaki already deposed me
00:35:18and filed another motion to retry,
00:35:20so I'm sorry, but there is no turning back.
00:35:24Miss Barrington.
00:35:26How did you come to meet Tyler Nash?
00:35:29I was living in New York.
00:35:31Every year during August,
00:35:33I came back home to Marshall Falls to see my mother.
00:35:37I heard about this place called Deeks.
00:35:40I was there that night.
00:35:41What happened at Deeks?
00:35:43Shortly after the band started,
00:35:45Tyler Nash offered to buy me a drink.
00:35:47Now, have you ever met the man before?
00:35:49No.
00:35:50He told you his name at this time?
00:35:52Yes.
00:35:54What did you tell him your name was?
00:35:57Debbie.
00:35:58Debbie?
00:36:00Why did you do that?
00:36:02I didn't want to give out my real name to a total stranger.
00:36:06I understand.
00:36:07Please, go on.
00:36:09It was pretty crowded there.
00:36:11Mr. Nash couldn't get a waitress.
00:36:14So then he suggested we leave and go back to his hotel room.
00:36:17And did you go?
00:36:18Of course not.
00:36:19Not with a man I just met.
00:36:21What did you do then?
00:36:22I went to the beach and talked.
00:36:24For how long?
00:36:25A couple of hours.
00:36:27Now, during the time that you were parked,
00:36:29did you see anyone?
00:36:31Just a few people coming and going from the bar across the way.
00:36:34The Blue Moon?
00:36:35Yeah.
00:36:36What happened when you finished talking?
00:36:38He drove me back to Deeks.
00:36:40I got in my car and I drove home.
00:36:42Miss Barrington, these events took place over five years ago.
00:36:46Why have you not come forward until now?
00:36:50As I said, I didn't live here at the time.
00:36:53I returned to New York never having heard about the murder case
00:36:57or Mr. Nash's indictment.
00:36:59And what made you come forward at this time?
00:37:01My mother recently passed away.
00:37:03I was packing some of her things for storage with old newspaper
00:37:08and I came across one of Mr. Nash's personal ads.
00:37:11And it was then that I realized he was looking for me.
00:37:15Now, the murder took place between 9 p.m. and 11 p.m.
00:37:19on the night of the 20th.
00:37:21Can you confirm to this court that you were in fact with Tyler Nash
00:37:25during that time?
00:37:27Yes.
00:37:28Yes, I can.
00:37:30I have no further questions, Your Honor.
00:37:33Mr. Clark.
00:37:35Thank you, Your Honor.
00:37:37You're a journalist, is that correct?
00:37:39Yes.
00:37:41Therefore, one can assume that you are street smart,
00:37:43that you understand the ways of the world?
00:37:45I suppose.
00:37:47So can you explain why it is that you refused to give your real name
00:37:52but you agreed to park on an isolated beach with, in your own words,
00:37:57a total stranger?
00:38:02I don't know.
00:38:04I suppose it's not the smartest thing I've ever done.
00:38:07When exactly were you parked, Ms. Barrington?
00:38:09Was it 9.30 to 11.30, 10.30 to 12.30?
00:38:13When was it?
00:38:14I believe it was 10 to midnight.
00:38:16Two hours.
00:38:17That's a long time.
00:38:19Did you have sex with him?
00:38:20No.
00:38:21Objection, Your Honor.
00:38:22Irrelevant.
00:38:23Sustained.
00:38:24The jury will disregard the question and the answer.
00:38:28What did you do all that time?
00:38:30We talked.
00:38:31About what?
00:38:33Poetry, art, music, life.
00:38:40Do you recognize this girl?
00:38:45The mutilated body of Cecilia Flowers.
00:38:49Pretty gruesome, I agree.
00:38:53Have you seen her before?
00:38:55No.
00:38:56She was 21 years old.
00:38:59Objection.
00:39:00There is no connection between the victim and Ms. Barrington.
00:39:03Your Honor, there most certainly is a connection.
00:39:05Ms. Barrington is trying to undo the conviction of a killer.
00:39:08Objection, Your Honor.
00:39:10Objection sustained.
00:39:12Mr. Clark, stick to straightforward and relevant questions.
00:39:16Ms. Barrington, I'm a little puzzled by something.
00:39:20We asked for a sample of your hair.
00:39:22We checked it against the trace hairs we found in Mr. Nash's truck
00:39:26and on his clothes, and it was conclusive.
00:39:29Your hair did not match.
00:39:31Objection.
00:39:32Victim's hair did not match.
00:39:34Objection sustained.
00:39:35The jury will disregard the prosecution's last statement.
00:39:39Then there's the matter of your father.
00:39:42Isn't it true that he, like Mr. Nash, was on death row?
00:39:47That he, in fact, was executed at Mid-Valley State Penitentiary
00:39:50in 1967 for the murder of one J. Hollis Meyer?
00:39:54Objection, Your Honor.
00:39:55This is completely irrelevant.
00:39:57Your Honor, it is directly relevant.
00:39:59It speaks to Ms. Barrington's motive.
00:40:01A very powerful motive for wanting to get back at the justice system
00:40:04for taking her father's life.
00:40:16Coming?
00:40:19Hang on.
00:40:23Uncle Bernie, hi.
00:40:25Can I come in?
00:40:26Yeah.
00:40:30Hey, I was just about to make myself an egg salad sandwich.
00:40:33You want one?
00:40:34Not unless you want to watch me sky write all over your ceiling.
00:40:37What?
00:40:38Gas.
00:40:41Oh.
00:40:43You haven't really changed this place very much, have you?
00:40:45No, it's still Mom's place.
00:40:47You ever get the feeling that she's still with us?
00:40:50Always.
00:40:52Then she must be feeling like I am right now.
00:40:55Confused.
00:40:59Confused?
00:41:01Why are you doing this, Nikki?
00:41:05You weren't in Marshall Falls when the Flowers murder happened.
00:41:09That's when you drove your mom to Portland to start her breast cancer treatments.
00:41:13You called me every day, remember?
00:41:17So why are you putting yourself in this position?
00:41:22What position?
00:41:23Perjury.
00:41:25I'm not.
00:41:28Don't insult my intelligence.
00:41:31This is not your concern.
00:41:33Yes, it is.
00:41:34One, I am your uncle.
00:41:35Two, it implicates the paper.
00:41:37There is nothing that ties you or the paper or the staff to this.
00:41:42I know what you're doing.
00:41:45How can I claim to have any integrity and not expose that?
00:41:48Can't you see what they're doing to him?
00:41:50It's just like what happened to my father.
00:41:52Your father was found guilty.
00:41:54And he was innocent.
00:41:55Dammit, Nikki, no he wasn't.
00:42:04How can you say that?
00:42:06Have you ever bothered to investigate the facts surrounding your father's case?
00:42:11Or are you afraid to find out something?
00:42:17You've got to grow up, Nikki.
00:42:19He was guilty.
00:42:21I knew it.
00:42:23I knew it.
00:42:24Your mother knew it.
00:42:26She just didn't have the heart to tell you about it.
00:42:30Your father had a temper.
00:42:32And one day he just snapped and he killed his boss in cold blood.
00:42:36No, he didn't.
00:42:43Please, don't throw your life away for this guy.
00:42:49We talked to Mitch.
00:42:51We'll tell him Miss Nash coerced you into lying for him.
00:42:59I can't.
00:43:06You mean you won't?
00:43:11I believe him.
00:43:13I believe him.
00:43:16Oh.
00:43:26Nikki.
00:43:28I've got a responsibility to the people in this community.
00:43:32To the people who work for me.
00:43:35If you proceed with this charade tomorrow...
00:43:40you can't come back to the paper.
00:43:57I promised your mother that I would take care of you.
00:44:09I'm sorry.
00:44:28Archer Walker, do you solemnly swear to tell the whole truth...
00:44:31and nothing but the truth before this court?
00:44:33I do.
00:44:36Mr. Walker, in the previous trial of Tyler Nash...
00:44:40you testified that you were at the Blue Moon...
00:44:42on the night of August the 20th.
00:44:44That is correct.
00:44:45And that at approximately 10.30 p.m. you left the bar...
00:44:48and you saw a man and a woman seated in a parked pickup truck.
00:44:52Is that correct?
00:44:53Yes, sir.
00:44:54You went on to identify the man in that truck...
00:44:56as the defendant, Tyler Nash.
00:44:58That is correct.
00:45:00Now, I'm going to show you a photograph, Mr. Walker...
00:45:04I want you to examine it very carefully.
00:45:11Was that the woman that you saw seated next to Tyler Nash...
00:45:14in that pickup truck on the night of August 20th?
00:45:17No, sir, it is not.
00:45:18Are you sure?
00:45:19Positive.
00:45:23I've just shown Mr. Walker a photo of Nicky Barrington.
00:45:27Mr. Walker, is this the woman that you saw...
00:45:31seated in the pickup next to Mr. Nash?
00:45:33Objection, Your Honor. Leading the witness.
00:45:35Sustained. Rephrase the question, Counselor.
00:45:38Do you recognize this woman?
00:45:40Yes, sir.
00:45:41This is the woman that was seated in the truck.
00:45:43Let the record show that Mr. Walker...
00:45:45has clearly identified Cecilia Flowers...
00:45:48as the woman who was sitting in Tyler Nash's truck...
00:45:51on the night of the murder.
00:45:53I have no further questions, Your Honor.
00:45:56Your witness.
00:46:00Mr. Walker, what do you do for a living, sir?
00:46:03I'm a computer programmer.
00:46:05I create networks, websites, things of that nature.
00:46:08Would you consider your powers of observation...
00:46:11to be above average?
00:46:13Yes, I would say above average.
00:46:15I'm a computer programmer.
00:46:17Would you consider your powers of observation...
00:46:19to be above average?
00:46:21Yes, I would say above average.
00:46:23Now, we're supposed to accept your testimony.
00:46:26Testimony that has to be based...
00:46:28not only on your powers of observation...
00:46:30but on your memory as well.
00:46:32I'm sure you'll agree it is very important to be certain.
00:46:35Yes, I understand.
00:46:37Good.
00:46:39Now, where was the pickup truck parked?
00:46:42It was in the parking lot next to the bar.
00:46:45Against a building, under a tree.
00:46:47Uh...
00:46:51It was just...
00:46:53parked in the lot.
00:46:55There were quite a few cars there.
00:46:57Mr. Walker, you don't sound terribly convincing.
00:47:00Does that mean you're not sure?
00:47:02I remember it was quite cloudy that night.
00:47:10Let the record show that the night of August 20th...
00:47:13was clear and with a full moon.
00:47:17Mr. Walker, did you stop...
00:47:20and look into the pickup truck as you passed by?
00:47:24I looked in and I...
00:47:26Did you stop, sir?
00:47:28I don't remember if I stopped.
00:47:30But I did get a good look.
00:47:32Your Honor, I ask permission...
00:47:34to bring Nicky Barrington before this witness.
00:47:37Objection, Your Honor.
00:47:39On what grounds, Counselor?
00:47:41The court has already clearly established...
00:47:43that Nicky Barrington was not in Tyler Nash's truck that night.
00:47:46Your Honor, is the prosecution now going to try my case as well?
00:47:50Your objection is overruled, Mr. Clark.
00:47:53You may continue, Mr. Tanaki...
00:47:55but this better be leading somewhere.
00:47:57Thank you, Your Honor. It will.
00:47:59The court calls Nicky Barrington.
00:48:07Miss Barrington, would you kindly step forward...
00:48:10and stand before the jury and witness?
00:48:17Auburn hair, shoulder length.
00:48:19Brown eyes.
00:48:21Five feet, seven inches tall.
00:48:23Approximately 125 pounds.
00:48:26Mr. Walker, was I just describing...
00:48:29Cecilia Flowers or Nicky Barrington?
00:48:35Um...
00:48:37Well?
00:48:40I don't know.
00:48:42Why?
00:48:45What happened to your...
00:48:48above-average powers of observation?
00:48:51Could it be, sir, that you don't know?
00:48:53Because I am describing both Cecilia Flowers and Nicky Barrington.
00:49:00Mr. Walker, your testimony convinced a jury...
00:49:03beyond a reasonable doubt to convict my client, Tyler Nash...
00:49:07to be sentenced to death at the hands of the state.
00:49:10Has the jury reached a verdict?
00:49:37Has the jury reached a verdict?
00:49:39We have, Your Honor.
00:49:40How do you find?
00:49:42In the matter of the people versus Tyler Nash,
00:49:45we find the defendant not guilty.
00:49:49The court is gratified that justice has ultimately
00:49:52been done in this case.
00:49:54Mr. Nash, you are released from custody.
00:49:58Ladies and gentlemen of the jury, thank you very much.
00:50:01This court is adjourned.
00:50:02Oh, thanks.
00:50:05Wait up.
00:50:06Wait up.
00:50:07I guess it's over.
00:50:08I think it's over.
00:50:09I think it's over.
00:50:10Congratulations.
00:50:11How was it?
00:50:12It was good.
00:50:15Free man.
00:50:16There's just some papers you have to sign before you leave,
00:50:18if you'd go with the bailiff.
00:50:20Yeah.
00:50:21OK.
00:50:25Thanks, Counselor.
00:50:27Thank you.
00:50:30Oh, come on, Steve.
00:50:31You were great.
00:50:32You freed an innocent man today.
00:50:36Well, I hope you're right.
00:50:39Excuse me.
00:51:06Thank you.
00:51:23This is it.
00:51:24This is great.
00:51:25Thank you.
00:51:34This is really nice.
00:51:56Oh.
00:52:04Look at that.
00:52:05Isn't that pretty?
00:52:07Yeah, it is.
00:52:25Oh.
00:52:56Hm.
00:53:16Hey.
00:53:17Oh.
00:53:21You OK?
00:53:24I forgot what it was like.
00:53:27What?
00:53:28To be free.
00:53:33You know something?
00:53:35You're safe now.
00:53:44Was the truth left behind?
00:53:49Was your heart really all in my mind?
00:53:54Turn around, please don't leave.
00:54:00I have found, found someone to believe.
00:54:05Is it love?
00:54:08Hard to know.
00:54:10Even fools can tell when to let go.
00:54:15I have drowned every year.
00:54:21But I've found, found someone to believe.
00:54:26With every setting sun, I had begun to wonder if there's
00:54:32anyone who feels the way you do.
00:54:36I lied, I alibied that I was only passing by.
00:54:42Deep inside, I always searched for you.
00:54:47You don't know who to trust, what will last,
00:54:53what is only stardust.
00:54:57Turn around, please don't leave.
00:55:02I have found, found someone to believe.
00:55:07You and I have found someone to believe.
00:55:17Guess what?
00:55:18Hm?
00:55:20There's a job opening for a mechanic down on 7th.
00:55:23Oh, yeah?
00:55:24It ain't driving, but it's a start.
00:55:28You're thinking about going back to racing, aren't you?
00:55:30It's the only thing I know how to do.
00:55:37It's pretty remote out here, you know.
00:55:52It's a good idea.
00:56:07What do you want?
00:56:12Five minutes of your time.
00:56:14Sorry.
00:56:15You're racing down a dark stretch of highway with no lights on.
00:56:19Nice metaphor.
00:56:20You're in my way.
00:56:22That's one hell of an act you and Tanaki put on.
00:56:27Isn't this called harassment?
00:56:29No, I'm just having a conversation.
00:56:32It's a free country last I checked.
00:56:34In fact, anyone can say anything you should know.
00:56:37I'm afraid I don't know what you're talking about.
00:56:40Oh, I think you do.
00:56:41May I go now?
00:56:43Nobody's stopping you.
00:57:05Now, don't tougher yourself out, darling.
00:57:07Save some energy for me.
00:57:14Gotcha!
00:57:15Oh, God, you scared me.
00:57:21Stand by me now as I walk down the fiery furnace.
00:57:44Stand by me now.
00:57:46Hey, I'm writing a tune.
00:57:51How do you like that guitar?
00:57:53Man, this is an absolute beauty.
00:57:58Where did you get it?
00:57:59It belonged to my father.
00:58:01Oh, my God, I'm so sorry.
00:58:03No, no, no, no.
00:58:04It's okay.
00:58:05Are you sure?
00:58:06Yeah, play.
00:58:07Oh, thanks.
00:58:09Okay.
00:58:13Talk to me now is a fine...
00:58:16What the hell?
00:58:20You're playing right-handed.
00:58:22Yeah, that's how I learned.
00:58:26Walk with me now is a fine...
00:58:30Walk with me now is a walk down the fiery furnace.
00:58:35You get Nash's racing itinerary for Florida?
00:58:39Right there.
00:58:40He was there approximately three months before he was arrested.
00:58:43Why are we looking into this?
00:58:45There's an unresolved murder down there similar to the Flowers case.
00:58:48Mitch, that case is over.
00:58:50No, it's not.
00:58:52At the time of the Florida murder,
00:58:54Nash just happened to be racing at Daytona Beach.
00:58:58Mitch, that's got to be a couple hundred miles from where the murder took place.
00:59:02I need to know if the race was before or after the murder.
00:59:15I agree.
00:59:17I just think we should crop it about here.
00:59:19Unless you run it vertically.
00:59:22Ah, you're right.
00:59:23It shows more of his character.
00:59:25That's a scratch on the negative.
00:59:26He's a slumlord.
00:59:27Remember, he doesn't have any character.
00:59:30It's an unresolved murder near Tallahassee, Florida.
00:59:33Happened before Nash came to Marshall Falls.
00:59:35So?
00:59:36So, he just happened to be there around the same time.
00:59:40Shouldn't you be out campaigning?
00:59:42I hear boats are scarce around here.
00:59:45Bernie, your niece is playing with fire.
00:59:48If that were true,
00:59:50what do you suppose that I could do about it?
00:59:52Convince her to come and see me.
00:59:54I've got some new information that I need.
00:59:56Convince her to come and see me.
00:59:58I've got some new information that might change her opinion about Mr. Nash.
01:00:04This one's on me.
01:00:09Our tax dollars at work.
01:00:27Are you okay?
01:00:29Yeah.
01:00:31I just didn't hear you sneak up on me.
01:00:34I didn't sneak up on you.
01:00:36I just came to ask if you wanted to go to town for lunch.
01:00:39Yeah.
01:00:41Sure, just give me a minute, okay?
01:00:44Okay.
01:00:46I'll be right back.
01:00:48I'll be right back.
01:00:50I'll be right back.
01:00:52I'll be right back.
01:00:54Okay.
01:01:02Ever been to Florida?
01:01:04Every winter.
01:01:06Why?
01:01:08Daytona Beach?
01:01:10Sure. Racing season.
01:01:14Mitchell Clark spoke to Liza and my uncle.
01:01:17He's trying to tie you to a murder there.
01:01:19God, why doesn't that surprise me?
01:01:24Is he getting to you?
01:01:26No.
01:01:28Are you sure?
01:01:32Hi. Do you guys know what you want?
01:01:34Yeah. I'll have the pasta special, please.
01:01:37I'm gonna have a cheeseburger and fries, please.
01:01:46They took five years of my life.
01:01:49What more do they want?
01:01:51I mean, I...
01:01:53I...
01:01:55You can't keep blaming the world for what happened to you.
01:01:58You're right.
01:02:00It's just...
01:02:02I wish it was that easy.
01:02:07I haven't held anything back.
01:02:09I've never done that before.
01:02:11Nikki...
01:02:14I would never, ever hurt you.
01:02:18You two got a lot of nerve showing up here.
01:02:21Cecilia Flowers was a friend of mine.
01:02:25You know what?
01:02:27Let's just get out of here.
01:02:41Stop it! Stop it!
01:02:43You're gonna kill him!
01:02:45Stop it! You're gonna kill him!
01:03:11We've been here for almost three hours.
01:03:13If you want to hold us any longer, I'd like to call my lawyer.
01:03:16Otherwise, let us go now.
01:03:23Your boyfriend put those guys in the hospital.
01:03:27Those guys started it,
01:03:29and there's a room full of witnesses who'll testify to that.
01:03:33Testify? You'd know all about that, wouldn't you?
01:03:37My phone call?
01:03:44Follow me.
01:03:56Three to go.
01:04:13Three to go.
01:04:44Three to go.
01:05:02Hello?
01:05:04Nikki? Mitchell Clark.
01:05:06I'm hanging up.
01:05:08Does the name Peg O'Neil mean anything to you?
01:05:10No.
01:05:12I told you this woman claims to have been Tyler's girlfriend
01:05:15at the same time as you were visiting him in prison.
01:05:18If you want more, meet me at Lago 3 o'clock this afternoon.
01:05:26Who's that on the phone?
01:05:28Um, the paper.
01:05:31They want me to clean up my desk.
01:05:35So, Nash was charming other women
01:05:39at the same time as he was charming you,
01:05:41as you can see by this.
01:05:44The guy's a regular Shakespeare.
01:05:47He worked on Peg O'Neil.
01:05:49Drop a pebble in the lake and watch the waters part
01:05:53until the rings reach every shore and touch some other's heart.
01:05:57I stand near the water's edge, praying for a sign
01:06:00that this is the end of the world.
01:06:02I stand near the water's edge, praying for a sign
01:06:05that somewhere across the mist of time
01:06:07there awaits a heart like mine.
01:06:13You wrote this for me?
01:06:20So you dig through other people's garbage.
01:06:23Nash used you, Nikki.
01:06:26He's still using you.
01:06:29Do you love anyone?
01:06:32Do you love anyone?
01:06:36Is there anything in your life
01:06:38that you care about more than your career?
01:06:42I care about justice.
01:06:45I care about truth.
01:06:48No, you don't.
01:06:50You care about winning. That's your truth.
01:07:01I love you.
01:07:16They called your work.
01:07:19They said you weren't there today.
01:07:22Yeah, I had some thinking to do.
01:07:26Thinking about what?
01:07:30Peg O'Neil?
01:07:33Peg O'Neil?
01:07:36Peg O'Neil responded to an ad a couple of months
01:07:40prior to you and I ever becoming involved.
01:07:43And we wrote to each other a few times.
01:07:47Nikki, you can't believe that you were the only one
01:07:51that I communicated with.
01:07:53What do you mean I can't believe that I was the only one?
01:07:56Peter Tyler, you know that Clark had a file
01:08:01full of that stuff that you sent to Peg O'Neil,
01:08:05including that sweet poem that you wrote to me?
01:08:09You led me to believe that that poem was written for me.
01:08:13And you even tried to get her to be your alibi,
01:08:16but she wouldn't do it. She refused.
01:08:19And what did I do? I believed you.
01:08:22I lied for you.
01:08:24I stood up in front of all those people in the courtroom
01:08:28and I risked everything for you.
01:08:54♪♪
01:09:04♪♪
01:09:14♪♪
01:09:26Come on, come on, Liza.
01:09:29Hey, it's Liza. You know the drill.
01:09:31Leave a message and I'll call you back.
01:09:33♪♪
01:09:41♪♪
01:09:51Hmm.
01:10:21♪♪
01:10:31♪♪
01:10:41♪♪
01:10:51♪♪
01:10:59Were you here all night?
01:11:03Hmm.
01:11:13I lied to you.
01:11:16With Peg O'Neil, I know you feel like I used you.
01:11:24I'm sorry for that.
01:11:28I've never had anyone in my life care for me the way you do,
01:11:34and I'm trying to learn how to deal with that.
01:11:40I love you, Nicky.
01:11:42I love you with all my heart,
01:11:44and I want to show you in a way that you know
01:11:47and that you can understand.
01:11:49It's just...
01:11:51It's just I need a little help.
01:11:54It's just I need a little help to learn how.
01:12:06Want some?
01:12:08No.
01:12:18I'm gonna take a bath.
01:12:24I'm gonna take a bath.
01:12:54♪♪
01:13:04-♪♪
01:13:14♪♪
01:13:24♪♪
01:13:33Don't leave me.
01:13:35♪♪
01:13:45♪♪
01:13:55Coming!
01:14:00Just a minute.
01:14:04Spread them. Spread them down here.
01:14:06What the hell is going on here? You have no right.
01:14:08This little piece of paper gives us every right.
01:14:11It's a search warrant.
01:14:17Why?
01:14:18A young girl was murdered last night
01:14:20on a beach near Canaan Point.
01:14:22Canaan Point is three hours away.
01:14:24I told them I was here last night.
01:14:26Oh, but of course you were.
01:14:28Look what I found.
01:14:31I have a permit for that.
01:14:33Check it out.
01:14:36How many more women are gonna die because of him, huh?
01:14:39Because of you?
01:14:41What is it, anyway? What's he got over you?
01:14:45Mitch.
01:14:46The minute, Sam.
01:14:47I really need to speak with you.
01:14:56Let him go.
01:15:01You should put this where your boyfriend can't find it.
01:15:05Only town, Nash.
01:15:30♪♪
01:16:01Tyler.
01:16:05What are you doing?
01:16:07Where were you last night?
01:16:09I was out driving.
01:16:11Clark thinks that I killed that girl.
01:16:13Apparently, you do, too.
01:16:15Running away isn't going to solve anything.
01:16:17It's just gonna make matters worse.
01:16:19I'm not going back to jail.
01:16:21This is exactly what they want you to do.
01:16:23Don't do this.
01:16:25Can't you see that I have no choice?
01:16:28Nikki, come with me.
01:16:29What?
01:16:30If we leave now, we can be in Canada in less than two hours.
01:16:33Come on.
01:16:34This is crazy.
01:16:35God, every time there's a crime within 100 miles of here,
01:16:38Clark is gonna be all over me.
01:16:40I have no intention of waiting for him to come back,
01:16:42and he will come back.
01:16:43But he's got nothing on you.
01:16:45That didn't stop him last time.
01:16:47If you run now, everyone's going to be convinced that you're guilty.
01:16:51Are you coming or not?
01:16:54No.
01:16:56No, not like this.
01:17:06Ty, I really wish you wouldn't do this.
01:17:09Come on. Pack your stuff.
01:17:11What?
01:17:12Pack!
01:17:16Who the hell do you think you're talking to?
01:17:20I said pack.
01:17:24Yeah, hey, it's Nikki for Liza.
01:17:28All right, then let me speak to my uncle.
01:17:31Yes, it's urgent.
01:17:33Come on, come on.
01:17:36All right, okay, would you just tell him that...
01:17:38What are you doing?
01:17:40I'm not going with you.
01:17:42Oh, I get it.
01:17:44The second I'm out of here, you're on the phone to Clark.
01:17:54Come on.
01:18:00Come on, stop it.
01:18:01Hey!
01:18:07Tyler, that's enough.
01:18:09Hey!
01:18:10Let me out!
01:18:23Come on.
01:18:28Shit.
01:18:49I still think you should call the cops.
01:18:51I can't.
01:18:53Yeah.
01:18:55Yeah.
01:18:57I know.
01:19:00Liza, what is wrong with me?
01:19:02Hey, you fell in love.
01:19:04I mean, I'm a reasonably intelligent woman.
01:19:06How could I be so stupid?
01:19:08No, no, naive is more like it.
01:19:13Will you ever forgive me for what I put you through?
01:19:18Are you kidding?
01:19:19You've always been there for me.
01:19:21Always.
01:19:24Just my turn, that's all.
01:19:28Thanks.
01:19:31You know, with our luck, maybe we should just give up on men.
01:19:36Okay, bad suggestion.
01:19:39I really appreciate you letting me stay at your place for a while.
01:19:42Are you kidding? It's gonna be like old times, you know?
01:19:45Sleepovers, summer camp, cheap white wine.
01:19:48Oh, no.
01:19:49What?
01:19:51I left my purse at the house.
01:19:52My credit cards, my driver's license, everything is in that purse.
01:19:55It's all right, we'll get it in the morning.
01:19:57I don't want to go back.
01:19:58Hey, don't worry, all right?
01:20:02No one's gonna mess with me.
01:20:19No, I don't feel good about this.
01:20:21Let's just make it quick, okay?
01:20:23Oh, don't worry about it.
01:20:34Oh, my God.
01:20:37You know, I don't know if this was such a good idea.
01:20:39Maybe we should just go.
01:20:40Oh, we'll be fine.
01:20:41We'll be fine.
01:20:42We'll be fine.
01:20:43We'll be fine.
01:20:44We'll be fine.
01:20:45We'll be fine.
01:20:46I don't know if this was such a good idea.
01:20:47Maybe we should just go.
01:20:48Oh, we'll be fine.
01:20:49All right, help me find my bag.
01:20:51Sure.
01:20:57Ah, here it is.
01:21:00Great, let's just go.
01:21:02Sure.
01:21:17And look, I know you think I'm paranoid, okay?
01:21:23What?
01:21:24Won't start.
01:21:29My cell phone is gone.
01:21:30Oh, you probably left it in the house.
01:21:32No, it was right here.
01:21:33I know it.
01:21:35Where are you going?
01:21:36We'll call from the house.
01:21:38Liza!
01:21:40Liza!
01:21:47I tell you what.
01:21:48You make the call, I gotta pee.
01:21:50Can't you just hold it?
01:21:52How long have you known me?
01:21:53Enough.
01:22:02Oh, great.
01:22:03Great, there's something wrong with the phone.
01:22:07Hey, Liza, listen.
01:22:08We're gonna have to go to my neighbor's house, okay?
01:22:10But it's only about a quarter of a mile down the road.
01:22:14We can use the phone there.
01:22:17Liza!
01:22:22Liza, come on.
01:22:23I really wanna get out of here, okay?
01:22:27Not funny.
01:22:39Liza?
01:22:47Oh!
01:22:52Oh!
01:23:17No!
01:23:18Don't come in!
01:23:21I swear to God!
01:23:22Stop it.
01:23:23Don't come any closer!
01:23:24I swear to God, I'll shoot you!
01:23:26Give me the gun!
01:23:27I'll shoot you!
01:23:28Don't take it!
01:23:29Give me the gun!
01:23:30Nikki, stop it!
01:23:33It's all right, Nikki!
01:23:34Give me the gun!
01:23:47Oh, why did you do that?
01:23:55Oh, what a tangled web we weave.
01:24:05I knew you weren't there that night.
01:24:08Oh, God.
01:24:12Oh, dear God.
01:24:17Oh, please.
01:24:19Because I took care of the real witness.
01:24:21Get out of here.
01:24:23Get out of the car.
01:24:25Get out of here.
01:24:27Don't do...
01:24:28Don't...
01:24:29Don't do this.
01:24:30Oh, but I want to.
01:24:32Ty, don't worry.
01:24:33I'm not gonna leave you.
01:24:34I said go.
01:24:43Besides, they already know who I am.
01:24:46You see, I kind of slipped up the other night.
01:24:49Cane and point.
01:24:57Don't.
01:25:00I'm gonna enjoy you.
01:25:11You like that?
01:25:13Tyler!
01:25:16Come on!
01:25:46Come on.
01:26:16Oh, shit.
01:26:47Tyler.
01:27:00Tyler.
01:27:10Don't die.
01:27:12Honey, please don't go.
01:27:16I'm so sorry.
01:27:20Come on, stay with me.
01:27:42Goodbye, Liza.
01:27:43I love you.
01:28:11I love you.
01:28:41I love you.
01:28:42I love you.
01:28:43I love you.
01:28:44I love you.
01:28:45I love you.
01:28:46I love you.
01:28:47I love you.
01:28:48I love you.
01:28:49I love you.
01:28:50I love you.
01:28:51I love you.
01:28:52I love you.
01:28:53I love you.
01:28:54I love you.
01:28:55I love you.
01:28:56I love you.
01:28:57I love you.
01:28:58I love you.
01:28:59I love you.
01:29:00I love you.
01:29:01I love you.
01:29:02I love you.
01:29:03I love you.
01:29:04I love you.
01:29:05I love you.
01:29:06I love you.
01:29:07I love you.
01:29:08I love you.
01:29:09I love you.
01:29:10I love you.
01:29:11I love you.
01:29:12I love you.
01:29:13I love you.
01:29:14I love you.
01:29:15I love you.
01:29:16I love you.
01:29:17I love you.
01:29:18I love you.
01:29:19I love you.
01:29:20I love you.
01:29:21I love you.
01:29:22I love you.
01:29:23I love you.
01:29:24I love you.
01:29:25I love you.
01:29:26I love you.
01:29:27I love you.
01:29:28I love you.
01:29:29I love you.
01:29:30I love you.
01:29:31I love you.
01:29:32I love you.
01:29:33I love you.
01:29:34I love you.
01:29:35I love you.
01:29:36I love you.
01:29:37I love you.
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01:29:40I love you.
01:29:41I love you.
01:29:42I love you.
01:29:43I love you.
01:29:44I love you.
01:29:45I love you.
01:29:46I love you.
01:29:47I love you.
01:29:48I love you.
01:29:49I love you.
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01:29:51I love you.
01:29:52I love you.
01:29:53I love you.
01:29:54I love you.
01:29:55I love you.
01:29:56I love you.
01:29:57I love you.
01:29:58I love you.
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01:30:00I love you.
01:30:01I love you.
01:30:02I love you.
01:30:03I love you.
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01:30:05I love you.
01:30:06I love you.
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01:30:11I love you.
01:30:12I love you.
01:30:13I love you.
01:30:14I love you.
01:30:15I love you.
01:30:16I love you.
01:30:17I love you.
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01:30:19I love you.
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01:30:25I love you.
01:30:26I love you.
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01:30:28I love you.
01:30:29I love you.
01:30:30I love you.
01:30:31I love you.
01:30:32I love you.
01:30:33I love you.
01:30:34I love you.
01:30:35I love you.
01:30:36I love you.
01:30:37I love you.
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01:30:40I love you.
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01:30:51I love you.
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01:31:00I love you.
01:31:01I love you.
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01:31:29I love you.
01:31:30I love you.
01:31:31I love you.
01:31:32I love you.
01:31:33I love you.
01:31:34I love you.