Il giorno della civetta

Tirona
Tirona
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Transcript
00:00:00You
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00:04:00You
00:04:30Oh
00:05:01What?
00:05:03I think he's going out
00:05:05Really?
00:05:13You, when you see a dead man, why don't you stop?
00:05:15I didn't see him
00:05:16It's not true, liar! You braked!
00:05:18No, I didn't
00:05:19Go, go!
00:05:20What are you doing?
00:05:21What's wrong with you?
00:05:31But that's blood
00:05:33Give me a blanket, a cloth
00:05:37Here, priest
00:05:39When you get to the station, call the marshal
00:05:42And tell him that they killed a man in the town of Fiore
00:05:44They shot him
00:05:45It's Salvatore with the Sberna
00:05:47Did you understand? I explained myself
00:05:49Get in, get in!
00:05:51Hurry up!
00:06:01You
00:06:06You
00:06:09You
00:06:12You
00:06:30You
00:06:39You
00:06:47You
00:06:51You
00:06:55You
00:06:57At what time did you find out?
00:06:58At 7.15.
00:07:00Here in Sicily, the Christians kill themselves in the sun, just to start well.
00:07:04Only one was killed at noon.
00:07:06The notary Vestilli.
00:07:07But he got up late in the morning.
00:07:09Hello, hello.
00:07:10Captain, here in the town of Fiorano, Salvador Colasberna was killed.
00:07:14Colasberna? The one of the construction company?
00:07:16Yes, yes, the owner.
00:07:18Do you have an idea of ​​the moment, Marshal?
00:07:19But, Captain, maybe it's the new way.
00:07:22It has created a lot of interest.
00:07:27Here works the company La Stella.
00:07:34La Stella is that big one there.
00:07:35How beautiful.
00:07:36And he built the colonial houses of the Bonifica.
00:07:39The house that was demolished by a cow had been built by his company.
00:07:43With him he gathered all the masterminds to say that ...
00:07:45I know, I know.
00:07:46To say that those who make houses with cement, instead of with sand and manure, is just a lump.
00:07:50Or a lump.
00:07:51No, no, a lump, a lump.
00:07:53It is much more important not to go from a lump.
00:07:56Now it is almost as serious as a lump.
00:07:58But a lump is more serious than anything else.
00:08:08They are like flies on a spider's web.
00:08:10They suck the water.
00:08:13That's Pezzucco.
00:08:15He has a deputy brother-in-law.
00:08:17A long penal line like the road he builds.
00:08:20It's a power here.
00:08:21A man of the belly, huh?
00:08:23A man of the belly, just like that, Captain.
00:08:25And where were you yesterday at six o'clock?
00:08:26At home.
00:08:27Everyone at home to sleep, the prejudiced.
00:08:29Pezzucco, La Stella, Lancia, Colosimo.
00:08:32And all the people who arrived.
00:08:34Respectable people.
00:08:35That today he does not kill anymore.
00:08:37Maybe he'll kill and pay.
00:08:39Bad, but he pays.
00:08:46Stop.
00:08:48Look who's walking around here.
00:08:50Rosa Nicolosi.
00:08:53It is the woman who lives near the place where the crime was committed.
00:09:04What are you doing here, Rosa Nicolosi?
00:09:06We're looking for Sicoria, Cavolicetti.
00:09:09And with so many countryside right here?
00:09:11Right here you come to look for Sicoria Cavolicetti?
00:09:14And for whom?
00:09:15Who is left here?
00:09:17Sicoria is not for anyone, if it is for Sicoria.
00:09:20If for this everything is for someone, even Sicoria.
00:09:24Come.
00:09:25Come on, get up.
00:09:26We were just right at his house.
00:09:28Well, you should not be afraid.
00:09:30We do not take it to the barracks.
00:09:32Well, he's talking to you.
00:09:34Move.
00:09:47Come on, start the engine.
00:09:51Come on.
00:09:56The shots must have started from there, behind the curve.
00:09:59From there, the truck of Colosberna, wounded,
00:10:01made a hundred meters down to where the jeep is.
00:10:04There the killer reached again Colosberna and finished him.
00:10:08From above someone should have seen or at least heard the shots.
00:10:16And your husband, where does he work?
00:10:18Where does it happen?
00:10:21Does he work every day?
00:10:22No, when he is lucky.
00:10:24What time does he leave the house in the morning?
00:10:26I do not know, it depends.
00:10:28And what time does he come back in the evening?
00:10:31He has no schedule.
00:10:33And this morning, what time did he go out?
00:10:39Look Rosa, you do not have to be alarmed.
00:10:42I'm not accusing your husband.
00:10:44I know that if he had wanted to take a look at someone,
00:10:46he would not have done it here in front of his house.
00:10:48It's obvious, I think.
00:10:50I'm just looking for information.
00:10:53Come on, give me a hand.
00:10:55Excuse me, but where are you from?
00:10:59From Parma.
00:11:01Near Milan?
00:11:04Yes, near Milan.
00:11:05And they never kill anyone from you?
00:11:10How not, but in another way.
00:11:11So maybe people from you, when something happens,
00:11:13they say everything they have to hear.
00:11:16Without fear.
00:11:19No, even from us usually no one opens his mouth.
00:11:21But it's not for fear.
00:11:23Because people do not want big things,
00:11:25they can not waste time with justice.
00:11:27If you ask us, we have a lot of time.
00:11:31Do you want Cicoria around here?
00:11:33Why did you go looking for her near the construction sites?
00:11:35Because there is better.
00:11:37Cicoria is Cicoria.
00:11:38Cicoria is Cicoria.
00:11:39The little ones are little ones.
00:11:40They grow everywhere.
00:11:43But last night, did your husband see her?
00:11:45Did he hear her come back?
00:11:47So he might not have come back at all.
00:11:51So tell him, he did not come back.
00:11:54Tell him, he went out yesterday morning and he did not come back.
00:11:59Sometimes he does not come back.
00:12:02So let's say he did not come back.
00:12:04Why did not he come back?
00:12:06I'll tell you.
00:12:07Because he does not want to be questioned.
00:12:09Because he does not want to speak.
00:12:10Because he does not want to be put in the middle.
00:12:14All right.
00:12:16Please, when he comes back, tell him to come to the barracks.
00:12:19Or at least to call.
00:12:20For pure formality.
00:12:24Dominici!
00:12:25Come on, let's go!
00:12:34This is the construction site of Colasperna.
00:12:38They suspended him for the funeral.
00:12:40Was Colasperna a friend of the others?
00:12:41Pizzucco, Lancia, La Stella?
00:12:43No, good morning and good evening.
00:12:44Colasperna was a tough guy, closed.
00:12:46He only understood each other with his brothers.
00:12:48That's why he worked honestly, without cheating.
00:12:50The thefts of the money of the state were done in company.
00:12:53And he did not subject himself.
00:12:54Do you understand?
00:12:56A previous criminal had it too, though.
00:12:58I questioned the truck drivers of the other construction sites
00:13:00who always do that road.
00:13:01No one has seen or heard anything.
00:13:03A population of blind people,
00:13:05but when they shoot, they see us.
00:13:06Damn if they see us!
00:13:08Hey!
00:13:09Why do you still use the bags?
00:13:11Isn't it better to use cement trucks like those?
00:13:14They don't rent us the trucks.
00:13:16And why?
00:13:18They don't rent us.
00:13:20Did you have any trouble?
00:13:22They threw an excavator down a hill,
00:13:24but they didn't report it, did they?
00:13:28What kind of precedents did Colasperna have?
00:13:31Six months of confinement for anti-fascism,
00:13:33twenty-five years.
00:13:35These are not criminal precedents.
00:13:37I'm sorry, but the law says so.
00:13:39So did the President of the Republic.
00:13:55So, write what I tell you.
00:13:57Salvatore Colasperna was killed
00:14:00because he allowed himself to win
00:14:03against a friend of a friend
00:14:06the race for the fourth lot
00:14:09of the new road.
00:14:12And he didn't want to be killed.
00:14:15He wanted to win.
00:14:18He wanted to win.
00:14:21He wanted to win.
00:14:24He wanted to win.
00:14:27He wanted to win.
00:14:29To live with no one.
00:14:33Signed,
00:14:35a friend.
00:14:54No, thank you. I don't smoke.
00:14:58So he was killed for this?
00:15:01What do we know, Newhouse?
00:15:04But how?
00:15:06If you told me with this anonymous letter.
00:15:08You wrote it yourself,
00:15:10a word in your head, alternatively.
00:15:12It's a bit of a primitive system,
00:15:14but anyway, thank you anyway.
00:15:16But we didn't write anything, Captain.
00:15:20Okay.
00:15:22Anyway, to go on,
00:15:24I need to know more.
00:15:25Let's hear it.
00:15:32Do you see this nice little piece of paper?
00:15:34There are many flags. Black, red and green.
00:15:37The black flags are the unpunished murders.
00:15:40The red ones indicate the murders whose investigations are still underway.
00:15:43And the green flags are the solved and punished cases.
00:15:47There are still a few.
00:15:50The murder of your brother
00:15:52is a red flag.
00:15:56It's up to you to make it green.
00:16:02So?
00:16:04Captain, the black flags are the assailants.
00:16:07You're telling me in your own way
00:16:09that you don't speak because the murderers are still free.
00:16:11But the murderers are free because you don't speak.
00:16:14And we're still in charge.
00:16:19Okay.
00:16:25Your letter of accusation is anonymous.
00:16:27I don't want you to live in terror.
00:16:29You can go.
00:16:32Kiss your hands, Captain.
00:16:34Good morning. My respects.
00:16:55Good morning.
00:17:14Captain, Rosa Nicolosi is here.
00:17:17Come in.
00:17:21Come in, Rosa.
00:17:25Come in.
00:17:30Sit down.
00:17:32Don't worry, no one sees you here.
00:17:41He doesn't ask me anything.
00:17:45I didn't call him.
00:17:47I have nothing to ask you.
00:17:50He didn't come back.
00:17:52You said he didn't come back.
00:17:54And you didn't seem worried.
00:17:57Why are you worried now?
00:18:02I've been here four days.
00:18:04Okay, Marshal.
00:18:06Let's put someone looking for this Nicolosi.
00:18:08Yes, sir.
00:18:11But where are we looking for him?
00:18:13Far away?
00:18:15Or close by?
00:18:21I don't know.
00:18:29Is someone threatening you?
00:18:31My husband is a good man.
00:18:33Uncensored.
00:18:35I know, I know.
00:18:37But looking for a needle in a haystack is very difficult.
00:18:39And your husband in Sicily is like a needle.
00:18:46You see, maybe right now
00:18:48your husband needs help.
00:18:49A lot.
00:18:51But what does your wife do?
00:18:53She's quiet.
00:18:55She doesn't want to help him.
00:18:57What kind of wife are you?
00:18:59I'd give my blood.
00:19:01The other morning, four shots were fired
00:19:03near your house.
00:19:06Where was your husband when they shot?
00:19:20So, Rosa.
00:19:22We're alone.
00:19:24No one sees us.
00:19:26We don't write anything.
00:19:28They can always deny it.
00:19:30So, that morning, your husband...
00:19:32He left early.
00:19:34At five o'clock.
00:19:36In the dark?
00:19:38Yes.
00:19:40Did you hear the shots?
00:19:42I did.
00:19:44Did he hit his head?
00:19:46No, I thought he was a hunter.
00:19:47I don't know.
00:19:51Where did your husband go?
00:19:53To look for work.
00:19:55At the construction site?
00:19:57Maybe.
00:19:59So, that morning, on the new road,
00:20:01you went to look for him?
00:20:03No, I went to look for...
00:20:05Cicoria Cavolicetti.
00:20:07So, maybe he disappeared for some other reason.
00:20:10And if so, Rosa,
00:20:12one day you'll tell me.
00:20:18It looks like he has a lover.
00:20:20Who says so?
00:20:22Don Ciccio, the barber,
00:20:24made Torres understand.
00:20:26As if it were a common voice.
00:20:28If you allow me, I have to go.
00:20:30The girl is alone.
00:20:32All right.
00:20:34Captain, do you promise to look for him?
00:20:36We'll look for him.
00:20:38Mr. Benerica.
00:20:42And who would this lover be?
00:20:44I don't know.
00:20:45They didn't tell me.
00:20:47But they made me understand who Rosa is.
00:20:49It wouldn't be the first time.
00:20:51So, she's a woman you talk about.
00:20:53What else do you know?
00:20:55They say she's crazy.
00:20:57Once she left her house to go to Palermo
00:20:59to do the trade.
00:21:01Well, I don't think it's a scandal.
00:21:03It's a job like any other.
00:21:05Sure, for a beautiful woman like that,
00:21:07it must be sad to be the wife of a busy man.
00:21:10And why did you marry her?
00:21:12She was pregnant, at 16.
00:21:13I understand.
00:21:15But where is she going?
00:21:17To Don Mariano Arena.
00:21:19A rich man.
00:21:21A daughter in a Swiss school.
00:21:23And a big accountant.
00:21:25An ambitious man who has made his way.
00:21:27There's a woman who wants to talk to you.
00:21:29Let's go.
00:21:37Kiss your hands.
00:21:43Who are you?
00:21:45Nicolosi Rosa.
00:21:47Tano Nicolosi's wife.
00:21:49And what do you want from me?
00:21:51I'm sorry.
00:21:53My husband hasn't been home for four days.
00:21:56And you came here to look for him?
00:21:59No, no.
00:22:01I just thought that if you wanted,
00:22:03you could help me find him.
00:22:05Why don't you go to the police station?
00:22:07It's up to them to look for people who can't be found anymore.
00:22:09I've already been to the police station.
00:22:11You did the right thing.
00:22:13It's your duty.
00:22:15My husband hasn't been back.
00:22:17That's all.
00:22:19I didn't say what I could say.
00:22:21I didn't say his name.
00:22:27And what can I do?
00:22:29If I see your husband,
00:22:31I warn you not to worry.
00:22:33We always voted as you wanted.
00:22:37Good.
00:22:39Antossa!
00:22:41Come, come Rosa.
00:22:43Let's give this good woman a little something.
00:22:45Let's give the old man a little something.
00:22:49Wait, Rosa.
00:22:52Give it to me.
00:23:03This is for you.
00:23:06Wait, I'll get it for you.
00:23:09Some jam.
00:23:12Here.
00:23:14Now go home
00:23:16and be quiet.
00:23:19Yes, Benedict.
00:23:34Beautiful woman.
00:23:36Beautiful and small.
00:23:38What a defect.
00:23:40Look how strange.
00:23:42Just today, Don Ciccio the barber
00:23:44feels the need to let our guest know
00:23:46that Nicolosi has a lover.
00:23:48You don't believe it?
00:23:50Look, I don't let myself be enchanted
00:23:52by Rosa Nicolosi's ways.
00:23:54It could be a lie or a great cunning.
00:23:56But what I would like to know
00:23:58is if the great maneuvers have begun
00:24:00to change the course of the crime.
00:24:02What do you mean?
00:24:04What can be found at Buomercato in Sicily?
00:24:06What can be found at the corner of the street,
00:24:08on the benches?
00:24:10I don't know.
00:24:12It's an honor, Marshal.
00:24:14It's your health of everything.
00:24:16So let's look for this Nicolosi
00:24:18and let's take the horns off his head.
00:24:20Good.
00:24:22Marshal, you have a son who studies engineering?
00:24:24Yes, why? What happened?
00:24:26But how? You're afraid of the Carabinieri too?
00:24:28No, it would be the last straw.
00:24:31Excuse me,
00:24:32did you pass the cement construction exam?
00:24:34Yes, and how?
00:24:36You got 30.
00:24:38I want to prove that everyone around here,
00:24:40except for Nicola Sberna, was stealing,
00:24:42that is, they were building badly,
00:24:44falsifying the technical data of the constructions.
00:24:46You need a civil engineer,
00:24:48an expert.
00:24:50I'm just a student.
00:24:52The fact is that if I expect the court
00:24:54to appoint an expert,
00:24:56the investigation will be stopped for a year.
00:24:58But if the state car doesn't work,
00:25:00it's not my fault or my generation's.
00:25:02He thinks only of the degree.
00:25:04Yes, indeed.
00:25:06And when he finishes his studies,
00:25:08his employers will be the ones
00:25:10who build the roads today.
00:25:12What if there was a murderer among them?
00:25:14Well, don't wait for the engineers
00:25:16to look for the murderers.
00:25:18Wait for everyone.
00:25:23If you don't need me anymore.
00:25:27Bye, Dad.
00:25:32Bye.
00:26:02I hope the dead are not finished.
00:26:04Who is capable of coming back here
00:26:06every day to break the dam?
00:26:08The demolition will be done.
00:26:10In any case, increase the cement a little.
00:26:12Without anonymous letters,
00:26:14without rumors,
00:26:16we often go around empty,
00:26:18Mr. Captain.
00:26:20You know it well.
00:26:22I'm sorry, Mr. Captain,
00:26:24but it's the experience that makes me
00:26:26a little controversial with you,
00:26:28who is still full of enthusiasm
00:26:30and without children at the university.
00:26:32I'm sorry.
00:26:46Farinedu, I'm here.
00:26:53At your service, Mr. Captain.
00:26:57You command me.
00:26:59Farinedu,
00:27:00was the man killed with the sledgehammer?
00:27:02Yes, he was found dead there.
00:27:04Killed.
00:27:06By whom?
00:27:08By whom?
00:27:10Wake up, I said by whom?
00:27:12Well, if I only knew.
00:27:14So what do you know?
00:27:16Captain, let's not talk here,
00:27:18let's get away from the room.
00:27:24Mr. Captain, I have to live
00:27:26in the interest of justice.
00:27:28Yes, sir.
00:27:30There are a lot of Carabinieri captains,
00:27:32but the confidants are rare.
00:27:34Can't they be sent to the slaughterhouse
00:27:36too quickly?
00:27:38Look, if you don't pull out what you know,
00:27:40I'll send you to the slaughterhouse right away,
00:27:42I swear.
00:27:44Look, I have no patience.
00:27:46Have you seen Rosa Nicolosi?
00:27:48She's looking at us.
00:27:50She turned off the light, but she continues to spy.
00:27:52She wants to know who these two are
00:27:54who talk where the dead man is.
00:27:56Forget Rosa Nicolosi,
00:27:58talk instead.
00:28:00Mr. Captain, the confidant suggests,
00:28:02does not reveal.
00:28:04The good news confuses her
00:28:06among a thousand lies,
00:28:08because the confidant does not trust
00:28:10even the Carabinieri.
00:28:12You, for your sake,
00:28:14you told me now.
00:28:16Tomorrow you can tell the murderers
00:28:18that I took them.
00:28:20Mr. Captain.
00:28:26So,
00:28:28or you can call me
00:28:30as a witness.
00:28:34Tonight, I guarantee it.
00:28:36And who knows?
00:28:38So the judgment ends up
00:28:40being a necessity
00:28:42and becomes an infamy.
00:28:44I, Mr. Captain,
00:28:46judge by vocation.
00:28:48Tonight I judge the Mafia,
00:28:50tomorrow the Carabinieri.
00:28:52The scale, one by one.
00:28:54Good, come on.
00:28:57The leaders come from the cement,
00:28:58but who has shot
00:29:00is out of the cards.
00:29:02And after the blows,
00:29:04a crook has met
00:29:06the king of money.
00:29:08It is not true that crooks
00:29:10are lucky.
00:29:12The crook would be Nicolò.
00:29:14Stop, Mr. Captain.
00:29:16Do not run.
00:29:18We are talking about an imaginary crook,
00:29:20nameless, a crook like that.
00:29:23But who killed with the sledgehammer,
00:29:25killed by cement,
00:29:26not by horns.
00:29:28Be careful, Mr. Captain,
00:29:30that the trick is there,
00:29:32but it is not seen.
00:29:35It is so, Parinedu.
00:29:37You also do it with them.
00:29:40Mr. Captain,
00:29:42if you are not happy with me,
00:29:44it means that you do not give me the money,
00:29:46and it means that you will give it to me another time,
00:29:48when you are happy.
00:29:57But how do you make the confidant?
00:29:59You,
00:30:01that you do it under the fear.
00:30:03But a little fear is always there, right?
00:30:06Why do not you have it?
00:30:10You see,
00:30:12on your information,
00:30:14before I got here,
00:30:16I ordered the arrest of two thugs and a smuggler.
00:30:18Said and done.
00:30:21Why so much talk this time, Parinedu?
00:30:26The stuff that burns.
00:30:34There are big pieces in the middle,
00:30:36pieces of 90.
00:30:39Mr. Captain,
00:30:41the name of the king of money,
00:30:44try to make that beautiful woman value,
00:30:47if you find the way.
00:30:57Rosa!
00:30:59Rosa Nicolosi!
00:31:01Who is it?
00:31:03I'm Captain Bellodi.
00:31:05What do you want?
00:31:07I have to talk to you.
00:31:23I'm sorry,
00:31:24I have bad news to give you.
00:31:26Her husband was killed.
00:31:28They shot him.
00:31:30We do not know who it was.
00:31:32We are investigating.
00:31:34It's Chinetta!
00:31:36It's Chinetta!
00:31:38It's Chinetta?
00:31:40It's the one who killed her with a gun?
00:31:42And her husband saw her?
00:31:44And he knew he had seen her, huh?
00:31:46I want to die.
00:31:48I want to die.
00:31:50Leave the house.
00:31:52Leave.
00:31:55Leave.
00:32:01No, no, no, Rosa, calm down.
00:32:04It's not true.
00:32:06It's not true.
00:32:08I made it up.
00:32:10We still do not know anything about her husband.
00:32:12I needed that name.
00:32:14I'm sorry.
00:32:18How dare you?
00:32:22Do what you want.
00:32:25I have to find a murderer.
00:32:28My husband, where is he?
00:32:30We are looking for him.
00:32:32So, that morning,
00:32:34after he saw Chinetta, what did he do?
00:32:42I know, I know.
00:32:44What would you like to tell me?
00:32:46Would you like to tell me, go to hell, dirty pig?
00:32:51You should not have said what you said.
00:32:54That he was dead.
00:32:56Do not joke.
00:33:05Who is this Chinetta?
00:33:07It's not his real name.
00:33:09It's one called that because he plays, right?
00:33:13The name, Rosa.
00:33:15I do not know.
00:33:18But your husband did not tell you?
00:33:20No.
00:33:21And you did not see him?
00:33:22No.
00:33:27And why did you go to Don Mariano?
00:33:30To try to sell us something.
00:33:33Some eggs.
00:33:38Good.
00:33:43The lot of 200 million, you take it.
00:33:47The 250 is for Stella.
00:33:49Stella had a daughter who had to marry.
00:33:52The lot of 50 million,
00:33:54we leave it to the brothers of the good soul
00:33:57of Salvatore Colasberna.
00:33:59The nephew of the bishop, Martino, he hoped.
00:34:03I do not want to ruin it,
00:34:05the nephew of the bishop.
00:34:07The lot of 50 million,
00:34:09is for the brothers Colasberna.
00:34:13If you die, there is nothing better.
00:34:16What were the economic difficulties?
00:34:19They will put back the bone of the neck,
00:34:21every day they will have an inspection,
00:34:23a control and then,
00:34:25every now and then,
00:34:27even some small incident.
00:34:29In Guatemalta,
00:34:31there was the assault of the garbage.
00:34:33The garbage makes a lot.
00:34:35Really, without offense,
00:34:37the honorable that assault,
00:34:39I had promised my cousin.
00:34:46The honorable does not have to promise anything,
00:34:49he is only available for his affairs.
00:34:52Here I am available,
00:34:54and he is available in Rome.
00:35:00For me it's okay.
00:35:03Okay.
00:35:05Maybe it's okay for me.
00:35:08Also for me.
00:35:15Let's go.
00:35:31There is movement.
00:35:40Look how this captain is dealing.
00:35:45There are three rooms.
00:35:49Geraci,
00:35:51Chinese,
00:35:53Passatempo.
00:35:56And Zecchinetta.
00:35:59And who is he?
00:36:01Barrenezzo.
00:36:03What was it?
00:36:05He says he was playing with Zecchinetta.
00:36:07Where?
00:36:09At Barrenezzo's house.
00:36:11You have to tell the honorable,
00:36:13that a fanatic captain like that,
00:36:15is not good.
00:36:18Naro,
00:36:20make ice cream.
00:36:23Ignatio,
00:36:25five ice cream.
00:36:38Look, look.
00:36:41They were about to say goodbye.
00:36:43Kiss your hands, kiss your hands.
00:36:45And here they are still,
00:36:47these fatherless, they do not move anymore.
00:36:55Maybe they are wondering
00:36:57if those guys have been arrested for the game or for something else.
00:36:59You have to let them know.
00:37:01Mr. Captain,
00:37:03those arrested denounce Piedelibero?
00:37:05Certainly.
00:37:07Also for Barrenezzo, right?
00:37:08Otherwise it's burned.
00:37:10Do we let them out?
00:37:12Not right away, later.
00:37:14All of them, except one.
00:37:19They played every day.
00:37:21And never the carabinieri came.
00:37:23But they never played at Barrenezzo's house.
00:37:29This is true,
00:37:31they never played.
00:37:33Then Zecchinetta,
00:37:35goes to play at Barrenezzo's house,
00:37:36and says,
00:37:38the captain is looking at us,
00:37:40with the binoculars.
00:37:43I do not like that binoculars.
00:37:47But what are you doing?
00:37:49What do you think?
00:37:51You have to understand me.
00:37:53And look at me,
00:37:55look at me in profile.
00:37:57You are nothing.
00:37:59Try to touch us if you are stupid.
00:38:01Do not think that the Sbirri are all idiots.
00:38:03There are those like you
00:38:05who can tear the language
00:38:07with all its secrets.
00:38:09Men born Sbirri,
00:38:11like others born priests.
00:38:13I hate one who was born Sbirro.
00:38:16Barrenezzo instead,
00:38:19was born a spy.
00:38:32Ramone, Ramone.
00:38:34Open Ramone.
00:38:36Open Ramone.
00:38:40Ramone, Ramone.
00:38:42Open Ramone.
00:38:45Open Ramone, open.
00:38:48Open Ramone.
00:38:50Ramone.
00:38:59And Zecchinetta did not come out?
00:39:03You did not expect it?
00:39:05Does that mean you want to squeeze him to make him talk?
00:39:08There are some crooks among us, are you sure?
00:39:18Don Mariano.
00:39:25Don Mariano.
00:39:26Don Mariano.
00:39:31Permettete una parola?
00:39:33Vedevo parlare.
00:39:35E parla.
00:39:37Acquacciocchi vedevo parlare.
00:39:39Acquacciocchi con te?
00:39:41E che sei?
00:39:42Nostro signore?
00:39:46Come volo possia.
00:39:57Facciamo quattro passi.
00:40:01Don Mariano, l'avete scritto quella lettera?
00:40:04Certo, stai tranquillo.
00:40:06Grazie.
00:40:14Don Mariano.
00:40:16Zecchinetta, avevamo andato a dire che se raccomanda a voi.
00:40:19Perchè lui la bocca cucita.
00:40:21Zecchinetta, e chi lo conosce?
00:40:23Per conto mio devo dirlo.
00:40:24E chi lo conosce?
00:40:26Per conto mio dentro pure tutta la vita.
00:40:28Acquacciocchi vedevo parlare.
00:40:29Acquacciocchi con te?
00:40:30Acquacciocchi vedevo parlare.
00:40:38Parlaneggio.
00:40:42Ben ando il gioco?
00:40:45Ben per vincere ho vinto.
00:40:47Ma ci denunziarono a tutti.
00:40:49Acquacciocchi tutti abbiamo perduto.
00:40:55Accademia.
00:41:08E no.
00:41:11Non te dovevi mettere contro la santa chiesa.
00:41:14Ora che te posso fare? Niente.
00:41:16Dico solo che sei morto nel cuore degli amici.
00:41:19Trenta quattro.
00:41:21Trenta cinque.
00:41:23Trenta sei.
00:41:25Un momento devo fare gli esercizi prima.
00:41:26Trenta sette.
00:41:28Trenta otto.
00:41:29Cammina.
00:41:30Un momento.
00:41:31Devo fare un bisognino.
00:41:32Baba.
00:41:34E che me presento con le pantalone in mano?
00:41:36Cammino.
00:41:38Faccio le mani signor capitano.
00:41:40Io ho conosciuto il capitano quello che c'era qui prima di lei.
00:41:43Persona per bene di cuore.
00:41:47Signor capitano.
00:41:49Se lei vuol farmi massacrare.
00:41:50Io glielo devo dire prima.
00:41:52Ho avuto le paurite.
00:41:53Mi hanno fatto cuorare l'altra.
00:41:54Lo sa?
00:41:56Allora come facciamo signor Marchica?
00:41:58Ha detto Cecchinetta.
00:42:00Io a lei dati precedenti non la posso rilasciare.
00:42:03Comunque quello che lei mi dirà non lo saprà mai nessuno.
00:42:07Che le debo dire io?
00:42:09Io voglio arrivare a quelli in alto.
00:42:11E se lei mi aiuta non se ne pentirà.
00:42:13Se potesse signor capitano.
00:42:16Va bene.
00:42:17Allora parliamo del gioco.
00:42:19Giocavamo tanto per passare il tempo.
00:42:21Qui in paese donne libere non ce ne sono.
00:42:23E la sola moglie non basta.
00:42:25Chi sa contenta dalla propria signora.
00:42:27Gli basta la fantasia.
00:42:29Io per esempio quando mi occupio con lei a letto.
00:42:31Penso sempre a Stalin.
00:42:33Perché ma è pure così.
00:42:35Quanto ha perso?
00:42:36Io?
00:42:37Lei?
00:42:38Poco.
00:42:39Poco quanto?
00:42:41Una ventina diciamo.
00:42:42Perde tutti i giorni?
00:42:43No.
00:42:44Se quando vinco eh.
00:42:46No.
00:42:47Non è un pezzo che non vince.
00:42:49Qui dai verbali degli interrogatori e dei tuoi amici.
00:42:52Risulta che negli ultimi 15 giorni hai perso circa 200.000 lire.
00:42:56Chi te le ha date?
00:42:58Se le avevo.
00:42:59Le avevo vinte prima.
00:43:00A chi?
00:43:02A gente di fuori.
00:43:03Diciamo.
00:43:04A me risulta che i soldi che lei ha perso al gioco li ha avuti da Pizzucco.
00:43:07Perché Pizzucco l'ha pagata?
00:43:09So capitano a me Pizzucco soldi nemmeno ha dato.
00:43:11E chi l'ha detto è un gran corno.
00:43:13Tu lo so.
00:43:14Ecco.
00:43:15Tu hai vinto 200.000 lire al gioco con i forestieri e poi questo denaro lo hai riperso giocando con gli amici.
00:43:22E cosi?
00:43:25Diciamo che cosi?
00:43:27E cosi.
00:43:28Scrivi.
00:43:29Scrivi tutto.
00:43:30No no aspetta.
00:43:31Marchica forse vuole precisare.
00:43:34Ci pensi bene?
00:43:35Non c'è niente da pensare signor capitano.
00:43:37Le bugie bisogna pensare.
00:43:39Quello che dico io è verità.
00:43:42Lei signor capitano.
00:43:43Signor capitano.
00:43:44Prima di parlare ci deve pensare.
00:43:46Perché dice bugie.
00:43:48Oh bugie per mestiera si capisce?
00:43:50Si si lei doveva fare l'attore.
00:43:52Ah si.
00:43:53Eh si si com'era.
00:43:55A talento.
00:43:56Ma che dice.
00:43:57Lei mi aspetta signor capitano.
00:43:59Dove hai messo il fucile?
00:44:01Come?
00:44:02Quale fucile?
00:44:03Il fucile con il quale hai sparato a Nicolosi.
00:44:05Io?
00:44:06Si tu.
00:44:08A Nicolosi?
00:44:09A Nicolosi.
00:44:10A questa parte signor capitano io?
00:44:11Io io io io.
00:44:12Non è altro che io.
00:44:13Ah non lo conosce a Nicolosi.
00:44:15Pensaci bene.
00:44:17Si lo conoscevo.
00:44:19Ma poi.
00:44:22Signor capitano.
00:44:24Un po' di birra è inutile che gliela cerco è vero?
00:44:27Grazie grazie.
00:44:29Uno che dice lo conoscevo.
00:44:32Vuol dire che sa che è morto.
00:44:34Il marsiale ha detto che l'ho ammazzato io.
00:44:37Ho detto che hai sparato e tu adesso hai precisato che l'hai ucciso.
00:44:40Signor capitano.
00:44:42Si.
00:44:44Perché lei marchica è accusato d'avere ucciso Nicolosi.
00:44:47Non l'aveva ancora capito.
00:44:49Le prove.
00:44:51Ci vogliono le prove.
00:44:52E poi perché l'avrei fatto?
00:44:53Ci vuole un momento.
00:44:54Dove è?
00:44:55Qual è questo momento?
00:44:56Il momento.
00:44:57Eccolo.
00:44:58Nicolosi è morto perché aveva visto uccidere con la sberna.
00:45:01Aveva visto l'assassino.
00:45:03E chi l'ha ucciso questo con la sberna?
00:45:04Tu.
00:45:06Dai confessa zecchinetta.
00:45:07Tu sei stato.
00:45:08Io?
00:45:09Io?
00:45:10Stappatemi le unghie, rompetemi le dita.
00:45:12Avrete una bella confessione.
00:45:14Lasciatemi stare.
00:45:15Lasciatemi stare.
00:45:16Lasciatemi stare.
00:45:17Dalla finestra mi butto.
00:45:19Non ho nessuno, ne approfittate.
00:45:20Lasciatemi.
00:45:21Lasciatemi.
00:45:22Lasciatemi.
00:45:23Non ne posso più.
00:45:24Lasciatemi.
00:45:25Vigliatevi.
00:45:26Lasciatemi.
00:45:27Voglio morire.
00:45:28Voglio morire.
00:45:29Voglio morire.
00:45:30Voglio morire.
00:45:38Io, signor Capitano, se lei mi promette di mettermi in libertà, ci faccio un bel regalo.
00:45:44Ci do nome dell'assassino di con la sberna ed anche il muovente, diciamo.
00:45:49Sentiamo.
00:45:51Nicolosi ho ucciso con la sberna.
00:45:54Perché l'ha sorpreso in una brutta posizione.
00:45:57Diciamo.
00:46:00Sopra sua moglie Rosa.
00:46:02Amanti erano.
00:46:03Tutti lo sanno che erano amanti.
00:46:05E allora dimmi che ha ucciso Nicolosi dopo che Nicolosi ha fatto fuori con la sberna per difendere il suo onore.
00:46:11Nicolosi?
00:46:12E come fate a dire che è morto?
00:46:13L'abitante dovrebbe dire.
00:46:14Per dire che è morto il cadavere ci vuole.
00:46:16Signor Capitano, cercate Nicolosi e lasciateli prendere gente come me.
00:46:20Scrivete che l'abbinere scrivete.
00:46:21Tutto firmo.
00:46:22Senza rimandarmi niente.
00:46:24Allora che faccio?
00:46:25Me ne posso andare?
00:46:26Dopo aver affermato il verbale, si capisce?
00:46:30Mi dispiace, signor Marchicca.
00:46:33Temo che dovrà restare a lungo lontano da casa sua e dai suoi amici.
00:46:37Finiamola con questo, signor Marchicca.
00:46:39Zicchinetta, mi chiamo.
00:46:40E non sono un signore.
00:46:41Prendete la cigna.
00:46:42Frustatemi.
00:46:43Rompetemi le ossa.
00:46:44Altro che signore e signore.
00:46:46E poi non mi piace quelle che mi date.
00:46:47Avanti, brigadiera.
00:46:48Non pensate alla mia plaurita.
00:46:49Frustatemi.
00:46:50Non ci speri.
00:46:53Legge e firma.
00:46:57Voi siete cattivo di cuore, signor Capitano.
00:47:01Perché ce l'ha condotta macchiata.
00:47:02Tutto quello che succede è stato Zicchinetta.
00:47:05Ma vi sbagliate.
00:47:06Io sono un galantuomo.
00:47:08Io sono ritornato sulla strada giusta.
00:47:13E i nomi di quelli che hanno visto con la Sberna e Rosa Nicolosi fare la porcheria in campagna,
00:47:18non li volete sapere?
00:47:20No.
00:47:22A noi interessa soltanto sapere per il momento
00:47:24perché Pizzucco le ha dato le duecentomila lire.
00:47:27Affari.
00:47:28Vergogna.
00:47:30Vergogna, Zicchinetta.
00:47:32Accettare soltanto duecentomila lire per due assassini.
00:47:35Io uscirò, signor Capitano.
00:47:37Ve lo dico io.
00:47:38Presuntuoso siepe.
00:47:40Presuntuoso.
00:47:42Ma ci creda a Dio sto Capitano?
00:47:43Ma vai.
00:47:44Ma adesso il bisogno io non lo posso fare.
00:47:46E cammina, muoviti.
00:47:55Cosa voleva dire con quel presuntuoso?
00:47:58Presuntuoso è uno che vuole sapere la verità.
00:48:25Don Mariano.
00:48:27Permettete la parola.
00:48:31Hanno messo una bomba nella macchina del Capitano.
00:48:34Pronta per scoppiare.
00:48:38Qual è l'auto?
00:48:42E Pizzucco? Dov'è?
00:48:44È entrato nel bar ad aspettare il fuoco artificiale.
00:48:55Salutiamo, Don Mariano.
00:49:00Ma cos'è, Don Pizzucco?
00:49:03Ora che fai, la testa tua?
00:49:05E permesso mio non conta?
00:49:06Se Zicchinetta canta, per prima mia me fotono.
00:49:09Che ufficio lavora?
00:49:10I Pecciotti.
00:49:12Si, Capitano.
00:49:25Toruzzo.
00:49:40Ma tu sei secondo te, se muore il Capitano, nessuno viene più a interrogare Zicchinetta, eh?
00:49:45Quel Capitano che non ci sta bene.
00:49:47E se nessuno ci pensa a mandarlo via, ci penso io.
00:49:50Tu sei uno che non ha onore.
00:49:52Don Mariano.
00:49:54Uno come te che mette in pericolo l'amice, i figli dell'amice, uomo che non ha onore.
00:50:07Signor Capitano, una gomma a terra avete, probabilmente un chiodo.
00:50:11Che peccato, una gomma nuova nuova.
00:50:14La mettiamo noi, la ruota di scorta?
00:50:16No, grazie, non mi incomodate, abbiamo il nostro meccanico.
00:50:18Oggi è domenica, fatelo riposare, signor Capitano.
00:50:20Due minuti ci vogliono, signor Capitano, due minuti solo.
00:50:22Vai, vai, vai, vai, mette il freno a mano.
00:50:25Bacio le mani, signor Capitano.
00:50:26Salute.
00:50:27Vi posso offrire un caffè?
00:50:28Grazie, sarà per un'altra volta.
00:50:29Con tutte le mani.
00:50:30Grazie, signor Capitano.
00:50:31Grazie, signor Capitano.
00:50:32Grazie, signor Capitano.
00:50:33Grazie, signor Capitano.
00:50:34Grazie, signor Capitano.
00:50:35Bacio le mani, signor Capitano.
00:50:36Salute.
00:50:37Vi posso offrire un caffè?
00:50:38Grazie, sarà per un'altra volta.
00:50:39Con tutto il cuore, eh?
00:50:46Ora cerca di fare quello che ti dico io.
00:50:48Oggi devi andare a trovare Rosa Nicolosi.
00:50:50E perché?
00:50:51Che c'entra Rosa negli affari rossi?
00:50:55Ho detto che devi andare a casa sua.
00:50:57E a che fare?
00:50:58Quello che ti pare, anche se ci vai a letto, non mi interessa.
00:51:01Ma vai da lei e stacci un poco di tempo.
00:51:04Niente altro, hai capito?
00:51:05Ah, sì.
00:51:11Grazie, grazie.
00:51:12No, no, perché dà?
00:51:13La chiave.
00:51:14Ma che scherziamo, signor Capitano?
00:51:16Ma che ne vabbè altro?
00:51:17Sembra a disposizione, signor Capitano, sembra a disposizione.
00:51:22Signor Capitano, quei due sono pregiudicati.
00:51:24Ah, maresciallo.
00:51:26Oggi è domenica.
00:51:35Oggi è domenica.
00:51:46Bisognerà dire al meccanico di togliere quel po' di dinamite che hanno messo nel motore.
00:51:51Carogne, io dentro li sbatto a quelli.
00:51:54Si calmi.
00:51:57Strano.
00:51:58Prima l'hanno messa, poi hanno cambiato idea.
00:52:00Perché?
00:52:05Forse lui potrebbe dircelo.
00:52:07Veramente lo credete?
00:52:08Certo.
00:52:09Lo guardi, si è fermata apposta davanti a noi.
00:52:11Come se volesse farci capire qualcosa.
00:52:13Volesse parlarci.
00:52:26Avanti, perché ti sei fermato?
00:52:28Ti sei pentito?
00:52:30Sta tranquillo, ti vedo, ti vedo benissimo.
00:52:33Però ricordati che qui il tutore della legge sono io.
00:52:43Tu mi sfili?
00:52:45E io accetto la sfida.
00:52:51Capito?
00:52:52Ci informa che ha amici molto in alto e che è meglio lasciarlo stare.
00:52:56È la verità.
00:52:58Che facciamo, signor Capitano?
00:53:01Ci vuole una risposta.
00:53:03Prepariamo un mandato di cattura.
00:53:05Per Don Mariano?
00:53:06No, non ancora.
00:53:09Ma che fa, signor Capitano, che mette in moto?
00:53:12Niente paura.
00:53:13Don Mariano ci concede ancora di campare.
00:53:26Lascio le mani.
00:53:28Vedi che fare bello oggi l'amico mio Pezzuco?
00:53:31E poi?
00:53:33Niente, poi ricordatelo.
00:53:36Buongiorno Don Mariano.
00:53:37C'è lo segretario?
00:53:38Si.
00:53:39Ci voglio parlare.
00:53:40Subito, sacco mutassi.
00:53:50Buongiorno Rosa, si può?
00:53:52Buongiorno.
00:53:53Buongiorno.
00:53:54Che bella piccirita tutta noda.
00:53:56Perché ti sei nascosta?
00:53:57Si vergogna.
00:53:59Aspetta che ti aiuto.
00:54:02Ecco, pare una regina in carrozza.
00:54:05Di là.
00:54:06Di là?
00:54:07Si.
00:54:08Si, parte.
00:54:09Tiene gli occhi bassi, eh?
00:54:12Ecco fatto, picciottetto.
00:54:14Asciugati i vestiti.
00:54:16Hai una bella figlia, la grande sarà bella come te.
00:54:19Ere tale quale, io me lo ricordo, ti ho visto crescere Rosa.
00:54:23Allora, che mi dite?
00:54:25Se permette, bevo un bicchiere di vino.
00:54:28Sono venuto qua a dirti che sei bella.
00:54:30Non ti fa piacere?
00:54:32Ma come sarebbe?
00:54:34Non mi portate notizie di mio marito?
00:54:36Don Mariano l'altro giorno me lo disse.
00:54:39Se so qualcosa ti avviso.
00:54:40Ah, Don Mariano.
00:54:41E che altro ti disse Don Mariano?
00:54:44Di stare tranquilla.
00:54:46E tu sta tranquilla.
00:54:49Allora, perché siete venuto?
00:54:54Così, per curiosità.
00:54:59Oh, vieni qua, bella.
00:55:02Questo l'ho portato per te, vieni.
00:55:06Tu, vieni.
00:55:08Vai fuori a giocare, eh?
00:55:10Ciao.
00:55:13Non ti allontanare.
00:55:19Eh, la vita m'hai rovinato, Rosa.
00:55:22Tutta la volta che passavi sotto casa mia o ti incontravo per la strada,
00:55:25mi guardavi con certi occhi.
00:55:28Lo sai, eh, Rosa?
00:55:30Ma non fate il buffone, non vi ho mai pensato a voi.
00:55:33Già, così si dice.
00:55:36Ora che avete bevuto, ve ne potete andare.
00:55:40Che ventito leggero che hai.
00:55:41La mano.
00:55:43La mano.
00:55:44Che ventito leggero che hai.
00:55:46La mano.
00:55:57No!
00:56:03Oh!
00:56:04Oh!
00:56:05Ma non mi vai, cuscecco!
00:56:07Ma che crede?
00:56:08Che crede che ci arrinesce si un voglio?
00:56:10Ah, Camino!
00:56:11Tu ti accontentare di una puttana di tua moglie!
00:56:13Rilevasi!
00:56:15Che me fanno schifo, me fanno!
00:56:16Ti abbonzonare di una femmina come mia!
00:56:18Via!
00:56:41Rosa!
00:56:42Ma che fai?
00:56:44Ti metti a piangere ora?
00:56:47Così tu sei venuto qua per fare il comodo tuo.
00:56:52E non hai paura.
00:56:58Non hai paura che lo viene a sapere mio marito.
00:57:01Eh?
00:57:03Perché non hai paura?
00:57:06Perché?
00:57:07Perché?
00:57:09Tu me lo devi dire perché.
00:57:12Eh, ste femmine siciliane che camorria!
00:57:15Sempre drammatiche!
00:57:16A Milano me voglio trasferire!
00:57:18Aria Nuova, a Milano!
00:57:19Ah, Rosa!
00:57:20Se ci vieni con me, mi zapparo la mia moglie, eh?
00:57:23Ci vieni?
00:57:24No?
00:57:25Ti saluto!
00:57:38Ma che fate là impalate?
00:57:40On le piete?
00:57:42Così guadagnate i soldi che vi pago?
00:57:44Eh?
00:57:48Oh, capitana!
00:57:50Vi posso offrire qualche cosa?
00:57:52Una birra?
00:57:53Una ranchata?
00:57:54Senza complesso?
00:57:55No, no, no, no, no, no.
00:57:57No, no, no, no, no, no, no.
00:57:59No, no, no, no, no, no, no.
00:58:01No, no, no, no, no, no.
00:58:03No, no, no, no, no, no, no.
00:58:05Una birra?
00:58:06Una ranchata?
00:58:07Senza complesso?
00:58:12Signor Pizzuco, deve venire con noi.
00:58:14Lei è in arresto.
00:58:17Eh?
00:58:19In arresto?
00:58:22Ti hanno ammazzato qualcuno fra le tre e le quattro?
00:58:25Vi avverto subito.
00:58:27Io mi trovavo a casa di una signora il cui nome non lo dirò.
00:58:32Se non per assoluta necessità.
00:58:35Sì.
00:58:42Dai, dammi i polsi.
00:58:43Sì, certo.
00:58:44Aspetta.
00:58:45Aspetta.
00:58:46Che puoi fare?
00:58:47Ti puoi ribellare?
00:58:48E che simulare?
00:58:49Ustè scappano.
00:58:50Tieni la testa a posto, Pizzuco.
00:58:52Bravo.
00:58:53Me compiace.
00:58:54Scommodare tante impiegate dello Stato pagate profumatamente per arrestare un galantomo come a me.
00:59:00Poveri concepulenti italiani!
00:59:03Ehi, guardatemi bene.
00:59:05La mia faccia non ha un graffio.
00:59:07E sono in perfetta salute.
00:59:09E così spero di essere quando mi rilasceranno.
00:59:12Nuovici!
00:59:13A chi non ci pagare un tempo chiustetto senza fare niente?
00:59:21Avvisami a madre.
00:59:22E dici che va subito nell'avvocato.
00:59:24E tu, lavami l'automobile.
00:59:27Disgraziata!
00:59:28A me figlio arrestaro.
00:59:31Arrestare a me figlio innocente.
00:59:33Abbiamo scommodato l'avvocato.
00:59:35I soldi che abbiamo speso l'arretare.
00:59:37Disgraziata!
00:59:44Allora, scrivi.
00:59:46Un fruttivendolo.
00:59:47Un fruttivendolo.
00:59:48Compro.
00:59:50Cinque.
00:59:52Chili.
00:59:54Nicolò!
00:59:59Rosa Nicolòsi?
01:00:00Sì.
01:00:01Siete voi la moglie di Tanno Nicolòsi?
01:00:03Sì.
01:00:05Mi manda vostro marito.
01:00:06E dov'è?
01:00:07A Palermo, là.
01:00:09A Palermo?
01:00:10E qua me lascia, senza notizie.
01:00:12Dove lavora?
01:00:13Dove non lo so.
01:00:15Lo conosco di lotteria.
01:00:16E dove?
01:00:17A Palermo.
01:00:18E dove?
01:00:19A Palermo.
01:00:20E dove?
01:00:21Lo conosco di lotteria.
01:00:22E quando ha saputo che passavo di qua, mi ha dato sta busta.
01:00:27Ma è sicuro che era lui?
01:00:28E chi è?
01:00:29Se non era lui, diceva che era lui.
01:00:30E perché?
01:00:43E nemmeno una parola.
01:00:44Non c'era tempo.
01:00:45Me i soldi ve li mandò.
01:00:47Aspettate.
01:00:55È lui?
01:00:58Sì.
01:01:00È lui.
01:01:03E dove sta?
01:01:04L'indirizzo!
01:01:05Non me l'ha dato.
01:01:06Ma non ve l'ha detto quando torna?
01:01:08Appena posso torno.
01:01:09Ma così mi dice.
01:01:10Ma con l'estrazione vedevo un po' come se fosse la detente.
01:01:13Ma che ha fatto?
01:01:14Ferma!
01:01:15Oh, ferma!
01:01:16Ma chi ti manda a te?
01:01:17Basta con lui, anche se è lontano.
01:01:19Se non ti comporti da moglie, lo sa.
01:01:21Scalziti!
01:01:25Caterina!
01:01:38Qui non ci voglio stare.
01:01:40Qui non ci voglio stare.
01:01:45Che succede, maresciallo?
01:01:46E Zecchinetta strepita che vuole uscire.
01:01:48Dice che i giorni per il fermo sono scaduti.
01:01:50Dice che è suo diritto e il mandato di cattura o la libertà.
01:01:53Signor Capitano, non aspettiamo sta legge.
01:01:55Brigadiere!
01:01:56Comandi!
01:01:57Consegna a Zecchinetta gli indumenti personali e la lascia andare via.
01:02:00Signor Capitano, ma veramente lo vuole lasciare libero?
01:02:04Certo.
01:02:05Il giudice non ha firmato il mandato di cattura.
01:02:07Ce l'ha in tasca per tutte e due.
01:02:09Ma Zecchinetta deve godere una boccata di libertà
01:02:11e voglio che la prenda in piazza.
01:02:13Il tempo di illudere lui e i suoi amici.
01:02:15Fuori.
01:02:19Capitano, mi dispiace ma grande dolore vi do.
01:02:22Barola di Zecchinetta.
01:02:24A chi avete preso ieri?
01:02:39Capitano!
01:02:40Capitano!
01:02:41Capitano!
01:02:42Capitano!
01:02:43Capitano!
01:02:44Capitano!
01:02:45Capitano!
01:02:46Capitano!
01:02:47Capitano!
01:02:48Capitano!
01:02:49Capitano!
01:02:50Capitano!
01:02:51Capitano!
01:02:52Capitano!
01:02:53Capitano!
01:02:54Capitano!
01:02:55Capitano!
01:02:56Capitano!
01:02:57Capitano!
01:02:58Capitano!
01:02:59Capitano!
01:03:00Capitano!
01:03:01Capitano!
01:03:02Capitano!
01:03:03Capitano!
01:03:04Capitano!
01:03:05Capitano!
01:03:06Capitano!
01:03:07Capitano!
01:03:08Capitano!
01:03:09Capitano!
01:03:10Capitano!
01:03:11Capitano!
01:03:12Capitano!
01:03:13Capitano!
01:03:14Capitano!
01:03:15Capitano!
01:03:16Capitano!
01:03:17Capitano!
01:03:18Capitano!
01:03:19Capitano!
01:03:20Capitano!
01:03:21Capitano!
01:03:22Capitano!
01:03:23Capitano!
01:03:24Capitano!
01:03:25Capitano!
01:03:26Capitano!
01:03:27Capitano!
01:03:28Capitano!
01:03:29Capitano!
01:03:30Capitano!
01:03:31Capitano!
01:03:32Capitano!
01:03:33Capitano!
01:03:34Capitano!
01:03:35Capitano!
01:03:36Capitano!
01:03:37Capitano!
01:03:38Capitano!
01:03:39Capitano!
01:03:40Capitano!
01:03:41Capitano!
01:03:42Capitano!
01:03:43Capitano!
01:03:44Capitano!
01:03:45Capitano!
01:03:46Capitano!
01:03:47Capitano!
01:03:48Capitano!
01:03:49Capitano!
01:03:50Capitano!
01:03:51Capitano!
01:03:52Capitano!
01:03:53Capitano!
01:03:54Capitano!
01:03:55Capitano!
01:03:56Capitano!
01:03:57Capitano!
01:03:58Capitano!
01:03:59Capitano!
01:04:00Capitano!
01:04:01Capitano!
01:04:02Capitano!
01:04:03Capitano!
01:04:04Capitano!
01:04:05Capitano!
01:04:06Capitano!
01:04:07Capitano!
01:04:08Capitano!
01:04:09Capitano!
01:04:10Capitano!
01:04:11Capitano!
01:04:12Capitano!
01:04:13Capitano!
01:04:14Capitano!
01:04:15Capitano!
01:04:16Capitano!
01:04:17Capitano!
01:04:18Capitano!
01:04:19Capitano!
01:04:20Capitano!
01:04:21Capitano!
01:04:22Capitano!
01:04:23Capitano!
01:04:24Capitano!
01:04:25Capitano!
01:04:26Capitano!
01:04:27Capitano!
01:04:28Capitano!
01:04:29Capitano!
01:04:30Capitano!
01:04:31Capitano!
01:04:32Capitano!
01:04:33Capitano!
01:04:34Capitano!
01:04:35Capitano!
01:04:36Capitano!
01:04:37Capitano!
01:04:38Capitano!
01:04:39Capitano!
01:04:40Capitano!
01:04:41Capitano!
01:04:42Capitano!
01:04:43Capitano!
01:04:44Capitano!
01:04:45Capitano!
01:04:46Capitano!
01:04:47Capitano!
01:04:48Capitano!
01:04:49Capitano!
01:04:50Capitano!
01:04:51Capitano!
01:04:52Capitano!
01:04:53Capitano!
01:04:54Capitano!
01:04:55Capitano!
01:04:56Capitano!
01:04:57Capitano!
01:04:58Capitano!
01:04:59Capitano!
01:05:00Capitano!
01:05:01Capitano!
01:05:02Capitano!
01:05:03Capitano!
01:05:04What?
01:05:05Who did this to you?
01:05:07Don Mariano!
01:05:14Great, great cuckold.
01:05:16Cuckold of mother, wife and sister.
01:05:19I would pay with tears of blood.
01:05:23Great cuckold.
01:05:34Cuckold of mother, wife and sister.
01:05:55They make the horns and they are satisfied.
01:06:04Cuckold of mother, wife and sister.
01:06:11Marshal.
01:06:12Command.
01:06:13Prepare a false confession of Pizzuco.
01:06:16It must say that it was Zecchinetta who killed him with the slingshot.
01:06:18A confession that must be a work of art.
01:06:20A treaty of mafioso code.
01:06:23A verbal that when Zecchinetta reads it must feel betrayed.
01:06:28What if I confess Pizzuco first?
01:06:30No, don't hope for it.
01:06:31Zecchinetta falls first.
01:06:32Prepare the verbal.
01:06:33And the signature.
01:06:34What?
01:06:35Do you want to put an authentic signature in a false verbal?
01:06:37You sign it, don't you?
01:06:38But if that's why I direct myself.
01:06:40I'm good at imitating calligraphy.
01:06:42You'll see, it will be a good job, Mr. Captain.
01:06:45Yes, but let's do it without enjoying it so much.
01:06:50With a little disgust at least.
01:07:00Rosa, let's take a picture.
01:07:04Let's do it, Rosa.
01:07:10Just one, come on.
01:07:17Hi, Anussa, how are you?
01:07:24Don Mariano.
01:07:25Don Mariano, how are you?
01:07:27I can wait.
01:07:29I'm not in a hurry.
01:07:31Salute, Don Mariano.
01:07:33Salute.
01:07:37Here.
01:07:39Let's read some bad news.
01:07:48My parents are looking for you.
01:07:50Who is it?
01:07:54Don Mariano, I'd like to talk to you if you don't mind.
01:07:57And who are you?
01:08:00I'm Nicolosi's wife.
01:08:01Don't you remember?
01:08:02Rosa, please, we have a lot to do.
01:08:10Excuse me, can I talk to you in private?
01:08:12In private?
01:08:14You can't do that here.
01:08:17Tonight, when you're alone, I'll pay you a visit.
01:08:22My daughter, don't provoke me, what can I tell you?
01:08:26Or if you're a builder, talk to me.
01:08:29We're friends.
01:08:32I heard my husband is in Palermo.
01:08:35This morning, someone told me.
01:08:37Someone who has a motorcycle.
01:08:40In Palermo?
01:08:41Good.
01:08:42Nice city.
01:08:43Good for him.
01:08:44But is he really in Palermo?
01:08:46And in Palermo, he's here, under the shoes.
01:08:50And where is your husband?
01:08:51You insist on asking me.
01:08:53I'm not your husband.
01:08:57No, you're not my husband.
01:08:59I don't have a husband.
01:09:01I'm not ashamed of anything.
01:09:07It seems that in Palermo, they discovered a house full of girls.
01:09:12From the cellar to the top floor.
01:09:14It's nice, isn't it?
01:09:15We should do it here too.
01:09:16But you have to find the material first.
01:09:18Yes, there is material, it's comfortable.
01:09:24What are you doing?
01:09:26What are you doing?
01:09:29Nobody asked you.
01:09:36The motorcycle was stolen.
01:09:44A man who comes from Palermo with a letter from his husband.
01:09:47It's not like he comes to his house on a stolen motorcycle.
01:09:50Do you understand?
01:09:51Don't bring money to the wife of a guy you know at the hostel.
01:09:54Keep it.
01:09:58But then, it wasn't true.
01:10:01Maybe it's not even true that a man brought you money at home.
01:10:04Yes, go ahead.
01:10:08Maybe you're lying to favor someone.
01:10:10But how someone? Who should I favor?
01:10:12And who assures you that Don Mariano didn't send it to me to cheat the cards?
01:10:16Ah, so you're talking to me, but I came here.
01:10:19Yes, but it also went to Don Mariano.
01:10:21And not to sell eggs.
01:10:23But you, for the woman's voice, you don't go around looking for anyone.
01:10:26And I do it for my husband.
01:10:29You resign.
01:10:30They killed him.
01:10:32Yes, the day they killed Colasberna.
01:10:34He was too dangerous alive.
01:10:36They want to make him live.
01:10:38And to save themselves, they dishonor her.
01:10:41For the moment, they are building false testimonies
01:10:43to make them believe that she was Colasberna's lover.
01:10:45Yes.
01:10:46Yes.
01:10:47And sooner or later they will make you have a judge.
01:10:50I am only of my husband.
01:10:52No one before and after him has seen me naked.
01:10:54All right, let's say I'm wrong and he comes home.
01:10:57And when he comes back, what does he find?
01:10:59One that women don't greet for good.
01:11:01One that men stop in the street.
01:11:02They make you proposals as if they could take you to bed whenever they want.
01:11:05Then it's better that he doesn't come back.
01:11:08Rosa, let the people get stuck.
01:11:10Captain, but where do I live?
01:11:11I live among the people.
01:11:12And when you walk among the people,
01:11:15I feel naked.
01:11:17Naked.
01:11:21When I tell you that Colasberna was seen by eyewitnesses
01:11:26together with that woman, yes, Rosa Nicolosi,
01:11:29I make a precise accusation.
01:11:32And there can be no doubt.
01:11:35Certainly the crook, that is, the husband, knew nothing.
01:11:39Or pretended not to know.
01:11:41You have to investigate this.
01:11:44And so when the husband discovered them, he killed Colasberna.
01:11:48Good.
01:11:49But he should have shot his wife before the lover,
01:11:53because he put the horn on Rosa.
01:11:55Do you agree?
01:11:57Maybe he will, if he is a man of honor, he will.
01:12:00But then he is a man of honor.
01:12:02Also investigate this point.
01:12:04So you mean that the dead will return from heaven or hell
01:12:08and kill his wife.
01:12:10What a fool you are.
01:12:12If he returns, he will return to Palermo.
01:12:14From heaven to the family, letters and money are not sent.
01:12:17Instead, I think that the money to Rosa was sent by someone else.
01:12:22And who?
01:12:23Someone who is alive.
01:12:25You, my dear.
01:12:26Me?
01:12:27Yes.
01:12:30Money can be generated.
01:12:32You see?
01:12:34But...
01:12:35But?
01:12:36I brought it to him personally,
01:12:38because I kept it in his house, if you don't mind.
01:12:41So if you are Rosa's lover,
01:12:43you killed Colasberna out of jealousy
01:12:46and the husband because he discovered you.
01:12:49And Pezzuco ends up in jail.
01:12:51That's right.
01:12:52It can't be, because I kept it after the crime and I have proof.
01:12:57She is a hot woman, you don't know her.
01:13:00Anxious about money, greedy for everything.
01:13:02But she has a skin like a velvet.
01:13:07If I could choose my death, I would like to die above her.
01:13:10Well done, Rosa.
01:13:12If you were Pezzuco's lover, you didn't tell us anything.
01:13:15Not a lover, an occasional meeting.
01:13:17But then they want to ruin me.
01:13:19In short, Rosa, did you have a relationship with him, yes or no?
01:13:22But no, with someone like Hiddu.
01:13:24But you were in love with Colasberna.
01:13:26No, no, no.
01:13:28But it's true.
01:13:30Do you think I admire them?
01:13:32Hiddu had powerful friends.
01:13:34And I dream alone.
01:13:35Rosa, don't say nonsense.
01:13:36No, no, I was waiting for it.
01:13:38Do the tears scene.
01:13:39Women can afford it.
01:13:41Hey, you.
01:13:43Lies, huh?
01:13:44No.
01:13:45Sit down.
01:13:51Why don't you tell us, Captain, who your husband worked for?
01:13:55For me?
01:13:57For the star?
01:13:58For Colosimo, maybe?
01:14:01I'll tell you who he worked for.
01:14:02No, I'll tell you.
01:14:03The other year he worked for 120 days in Colasberna's cooperative.
01:14:07Go on, Pizzucco.
01:14:08Yes, I'll go on.
01:14:09Why did he work for Colasberna?
01:14:11Why, Rosa, why?
01:14:12What do you mean?
01:14:13Then you're dealing with Domariano.
01:14:14Because your wife is his lover.
01:14:17Calm down.
01:14:20Damn it.
01:14:24All right.
01:14:25I don't want to react to provocation.
01:14:27Yes, you'll be cheated.
01:14:29It's useless that you deny us both, Rosa.
01:14:31I have witnesses.
01:14:33Call Passeneggio.
01:14:34He knows everything.
01:14:35He saw me at Rosa's house.
01:14:37No, it's not true.
01:14:38It's not true that I went to your house.
01:14:40With deceit.
01:14:42There, I knew it.
01:14:43Now she's crying.
01:14:46Go on, Rosa.
01:14:48With deceit I didn't go to my house.
01:14:50Yes, deceit.
01:14:51With force.
01:14:52I didn't want anything, Fici.
01:14:53I, I, the money.
01:14:55I only took it from a man in my life.
01:14:57From my husband.
01:14:58From my husband.
01:15:00His wife.
01:15:02And I didn't give it to anyone else.
01:15:03And to him, he gave the money to the whore
01:15:05because he closed one eye.
01:15:07Give me back my husband.
01:15:08What did I do to him?
01:15:09If he's dead, you kill him.
01:15:11If he's alive, you know where he is.
01:15:13Pizzuco.
01:15:15Lower your voice.
01:15:16All right.
01:15:20And Zecchinetta?
01:15:21What do you tell me about Zecchinetta?
01:15:23Mr. Captain.
01:15:24Listen.
01:15:26Bring me here the body of the Colossi
01:15:28and then we'll discuss it.
01:15:42Rosa, why didn't you tell me
01:15:43that your husband worked with Nicolas Berg?
01:15:46Do you understand that this is a circumstance
01:15:47that goes against you?
01:15:50Who are these men?
01:15:53Wait for the man to say and don't say.
01:15:55The woman must keep her mouth shut.
01:15:57Always.
01:15:59Be careful, Rosa.
01:16:00Because in a hurry to deny everything,
01:16:02to be silent,
01:16:03it will end up that they will fall on you,
01:16:05all the blame of the others.
01:16:07Come on.
01:16:08The morning they killed with the slingshot.
01:16:10Tell me, what happened?
01:16:11Captain.
01:16:12I swear it on the head of my daughter
01:16:14that with the slingshot I never touched.
01:16:16I know.
01:16:17I know this.
01:16:20What I want to know
01:16:21is what your husband did later.
01:16:23Where did he go?
01:16:33He didn't tell me.
01:16:35He didn't tell me.
01:16:38All right, Rosa.
01:16:39Let's do it this way.
01:16:40Now you go home
01:16:41and write me a beautiful anonymous letter.
01:16:45Me?
01:16:46Yes.
01:16:47Try to tell me the truth this way.
01:16:49Listen.
01:16:50I've never done certain things.
01:16:53And then the truth, I've already told you.
01:16:59Marshal.
01:17:00Omanzi.
01:17:03You can go.
01:17:05How are you?
01:17:06It's a hard bone.
01:17:07Put him in the torch and don't let him sleep.
01:17:09All right.
01:17:10And tell Parinetto that tomorrow I want to see him.
01:17:12In the city.
01:17:13All right.
01:17:14Ah.
01:17:15And Zechinetta immediately in my office.
01:17:17And after a while,
01:17:19Yes, sir.
01:17:20Yes, sir.
01:17:30No.
01:17:31I don't know him.
01:17:36What?
01:17:41Captain, I don't know him.
01:17:43I've never seen him.
01:17:44Captain.
01:17:48Pizzuco.
01:17:51Sit down.
01:17:52Confession.
01:17:53Signed.
01:17:59You cheated.
01:18:00Pizzuco accuses you of the murder of Colasberna.
01:18:03Me?
01:18:05And who would you have done it for?
01:18:07Your initiative.
01:18:08Mine?
01:18:09Pizzuco claims to have entrusted you
01:18:10by chance of a certain offense
01:18:11suffered by Colasberna.
01:18:12And you would have offered yourself for revenge.
01:18:14But Pizzuco, a man of principles
01:18:16against violence, refused.
01:18:18But you, Colasberna, killed him anyway.
01:18:21Me?
01:18:22Then I'm crazy.
01:18:24You killed him because Pizzuco
01:18:25offered you the 200,000 lire lost to the judge.
01:18:27To me?
01:18:28Pizzuco says so.
01:18:29And counting it later, you told him,
01:18:31I left to study in one,
01:18:33and I had to study in two.
01:18:35Which, as you know, means
01:18:36I left to kill one
01:18:37and I had to kill two.
01:18:39Two.
01:18:40Colasberna.
01:18:41And Nicolosi because he had seen you.
01:18:44Nicolosi.
01:18:45And where's the corpse?
01:18:46Did you eat it?
01:18:48Buried.
01:18:49There's a lot of dirt.
01:18:51And the rifle?
01:18:52Where did you hide it?
01:18:54In the...
01:18:55In the pink?
01:18:56Read it, read it if you don't believe me.
01:19:02Yes?
01:19:03Bastard.
01:19:04No, not now.
01:19:08Eat.
01:19:09Eat without haste.
01:19:11Your friend Pizzuco
01:19:12said so.
01:19:16Don Mariano and Pizzuco
01:19:17are sending you to the castle.
01:19:19And if you talk to the castle,
01:19:21they'll give you the gold.
01:19:33Write.
01:19:34I'll do it.
01:19:37So, what did Don Mariano order you?
01:19:39And stop defending him
01:19:40as if he were the father of the earth.
01:19:41Don Mariano doesn't exist.
01:19:43Pizzuco is guilty.
01:19:50Pizzuco called you to testify.
01:19:52To me?
01:19:53He says you saw him
01:19:54at Rosa Nicolosi's house
01:19:55and he wants you to confirm it.
01:19:58What happened at Rosa's house?
01:20:00He jumped on us.
01:20:02I saw him from outside.
01:20:04And you?
01:20:05And you were there.
01:20:06Are you sure?
01:20:08That's what it seemed to me.
01:20:09It seemed to you or was it?
01:20:11If you make me say
01:20:12that Rosa wasn't there,
01:20:13you want me dead.
01:20:14Instead, I want to save you.
01:20:22So,
01:20:23say in front of everyone
01:20:24about Rosa
01:20:25what they order you.
01:20:26But
01:20:27in exchange,
01:20:28between us, I want something.
01:20:29What?
01:20:31I have to arrest Don Mariano.
01:20:33No, Captain.
01:20:34I don't know anything about Don Mariano.
01:20:36At this point,
01:20:37I can't help you.
01:20:38If you testify against Rosa,
01:20:40I testify against you.
01:20:42I'll burn you.
01:20:43How much do you want?
01:20:45I don't know anything about Don Mariano.
01:20:47If I knew,
01:20:48I'd tell you.
01:20:50I don't believe you.
01:20:51I always thought
01:20:52you knew about Don Mariano,
01:20:53but you don't.
01:20:54Enough with the balance,
01:20:55Marinetto.
01:20:56We're the ones who pay you
01:20:57and we have to serve,
01:20:58not them.
01:20:59I don't want this.
01:21:00Don't say nonsense.
01:21:02Zecchinetta later
01:21:03brought the rifle
01:21:04to Don Mariano's house.
01:21:07Have you seen him?
01:21:09He lives nearby.
01:21:11And why Don Mariano?
01:21:12Because it's the safest place.
01:21:15You'll have to testify.
01:21:16Me?
01:21:17Captain,
01:21:18it's our deal.
01:21:22Never in Ciponale,
01:21:23it was said.
01:21:25It's no longer valid.
01:21:27Don Mariano
01:21:28wouldn't eat his word.
01:21:31I want him in front of the judges,
01:21:33and I don't even want to hear
01:21:34about insufficiency of evidence.
01:21:59Zecchinetta!
01:22:00You've fooled me
01:22:01until the third generation!
01:22:03At the end of the day,
01:22:04you have to do it!
01:22:05Worse!
01:22:06Pezzuco!
01:22:07The singer has to do it!
01:22:10I'll cut your tongue off,
01:22:11you scoundrel!
01:22:12Scoundrel!
01:22:14You're a police officer!
01:22:15You're a spy!
01:22:16You're the spy!
01:22:21Ah, good morning,
01:22:22Captain.
01:22:23So Pezzuco confessed,
01:22:25but to get him
01:22:26to sign the statement
01:22:27it took us all night.
01:22:28Of course,
01:22:29there's not a word
01:22:30on Don Mariano.
01:22:31The saints don't touch each other.
01:22:33If you'll excuse me,
01:22:34Captain, I'm going to sleep.
01:22:35There's something
01:22:36urgent to do.
01:22:37Then I'll let you sleep
01:22:38for 24 hours.
01:22:41Take some men,
01:22:42we're going to touch the saints.
01:22:45But we have evidence
01:22:46against him, Captain.
01:22:47Yes.
01:22:48We can't postpone it
01:22:49until tomorrow.
01:22:50His Excellency Passarella
01:22:51will arrive today,
01:22:52he'll appear,
01:22:53and he'll inaugurate
01:22:54the new road.
01:22:55No.
01:22:56His Excellency Passarella
01:22:57will inaugurate the new road
01:22:58without having that piece of 90
01:22:59by his side.
01:23:00The man who had it built
01:23:01with steam and blood.
01:23:02For the prestige of the State
01:23:03he must inaugurate the road
01:23:04knowing that Don Mariano
01:23:05is in prison.
01:23:06Accused of murder.
01:23:09Dad!
01:23:10Dad!
01:23:12Dad!
01:23:13The police officers are here.
01:23:14But why?
01:23:15What happened?
01:23:16No.
01:23:21I'll tell you right away.
01:23:22What happened?
01:23:23Tell me,
01:23:24I want to know.
01:23:25Please, I want to know.
01:23:26Tomorrow,
01:23:27tomorrow you're leaving
01:23:28for Switzerland.
01:23:29And whatever you write
01:23:30in the paper about me
01:23:31it's not true at all,
01:23:32do you understand?
01:23:33Go on.
01:23:35But what happened?
01:23:36Calm down, calm down.
01:23:37But sir,
01:23:38this is the house
01:23:39of Gianni Berberi.
01:23:40Go to the kitchen
01:23:41and stay there.
01:23:42And from the mirrors
01:23:43you're going to be a reason.
01:23:44No.
01:23:45Follow him,
01:23:46warn the friend,
01:23:47appear,
01:23:48wake him up
01:23:49and take him to Rome.
01:23:50Tell everyone.
01:23:51One moment.
01:23:52Please, please.
01:23:53To what do I owe
01:23:54the pleasure of this
01:23:55early visit?
01:23:56If you go with the memory
01:23:57of your youth,
01:23:58you will remember
01:23:59that this is the time
01:24:00when the carabinieri
01:24:01visit the houses,
01:24:02when they have to
01:24:03make a search
01:24:04and arrest someone.
01:24:05The search
01:24:06has already begun
01:24:07and as soon as
01:24:08I get my hands on it,
01:24:09don Mariano.
01:24:15Eh,
01:24:16they came to arrest me.
01:24:21Give it to me.
01:24:23These are my savings.
01:24:25The dates of your deposits
01:24:26match exactly
01:24:27with the dates of the
01:24:28public works.
01:24:29Public works?
01:24:31Ah,
01:24:32I'm a little sedentary,
01:24:33I lent money to friends
01:24:34and they gave it back to me.
01:24:36And you have no interest
01:24:37in construction business?
01:24:39No, no.
01:24:40Not even for the dream.
01:24:42Many companies
01:24:43have kept contracts
01:24:44irregularly,
01:24:45thanks to your recommendations.
01:24:46Recommendations?
01:24:47A thousand I do.
01:24:50Contracts,
01:24:51license,
01:24:52the place,
01:24:53the subsidy.
01:24:54And who do you turn to?
01:24:57Friends who can
01:24:58do something.
01:25:00To whom usually?
01:25:03To those who prove
01:25:04to be my best friends.
01:25:06And what do you get out of it?
01:25:09Friendship.
01:25:16Look.
01:25:22It seems you don't worry
01:25:23about the tax.
01:25:24I don't worry about anything.
01:25:26I'm an ignorant.
01:25:28I know a few things.
01:25:30For example,
01:25:31I know that under the nose
01:25:32we keep our mouths
01:25:33to eat,
01:25:34more than to speak.
01:25:38I also have my mouth
01:25:39under my nose,
01:25:40even if I only need it
01:25:41to eat the government bread.
01:25:43I know.
01:25:45But you are a man.
01:25:54They say you are religious.
01:25:56Well,
01:25:57I go to church
01:25:58every Sunday.
01:26:00I do the mass.
01:26:01And you think that's enough?
01:26:03Why not?
01:26:05The church is big
01:26:08because everyone
01:26:09is in it in their own way.
01:26:10Lauro, coffee.
01:26:12And the Gospel?
01:26:13What do you think of it?
01:26:15Beautiful words.
01:26:18The church is all
01:26:19a beauty.
01:26:20Do you think it's right
01:26:21to have a man killed?
01:26:24I
01:26:25have never done
01:26:26such a thing.
01:26:28But if you ask me
01:26:29so much to discuss,
01:26:32I tell you that you need
01:26:33to see what a man is.
01:26:34Ah,
01:26:35because according to you
01:26:36there is man and man.
01:26:38I divide humanity
01:26:39into five categories.
01:26:44There are the real men,
01:26:46the half-men,
01:26:47the hominids,
01:26:49then, excuse me,
01:26:50the ruffians.
01:26:52And finally,
01:26:53as if they were not there,
01:26:55the quackers.
01:26:58There are very few men.
01:27:00The half-men, few.
01:27:02Already many more
01:27:03the hominids.
01:27:04They are like children
01:27:05who think they are big.
01:27:08As for the
01:27:09ruffians,
01:27:11they are becoming
01:27:12a real army.
01:27:14And finally,
01:27:16the quackers.
01:27:18The
01:27:19brancodioches.
01:27:21But you,
01:27:22even if you stab me,
01:27:23you are a man.
01:27:24And why do you consider me
01:27:25a man?
01:27:29Because from the place
01:27:30where you are,
01:27:32it is easy to trample people.
01:27:34From people who were
01:27:35in your place,
01:27:37in other times I have received
01:27:38worse offenses than death.
01:27:41They slapped me.
01:27:44Another
01:27:46turned off the cigarette
01:27:47on my hand
01:27:49and laughed at me.
01:27:51I say,
01:27:52you can sleep
01:27:53when someone
01:27:54has been offended like that.
01:27:56So,
01:27:57I do not offend you?
01:27:59No.
01:28:00You are a man.
01:28:02You too,
01:28:03Don Mariano.
01:28:05But I will send you
01:28:06the same to hang you.
01:28:10So,
01:28:11you had to arrest me first.
01:28:12I had no evidence.
01:28:14Evidence.
01:28:15With or without evidence,
01:28:16it's the same.
01:28:17Captain.
01:28:20We found this gun
01:28:21in a junkyard.
01:28:24Evidence.
01:28:25You are a magician.
01:28:31This rifle
01:28:32killed at least two men.
01:28:33And more,
01:28:34and more,
01:28:35since he is 40 years old.
01:28:36But the last ones
01:28:37are with Sberna and Nicolosi.
01:28:40I bought it,
01:28:41from a kid.
01:28:43From whom?
01:28:44From Zecchinetta?
01:28:47Yes, I think so.
01:28:48I think that's his name.
01:28:49But you bought it
01:28:50the morning of the crime,
01:28:51when it was still hot.
01:28:52And you did not pay for it.
01:28:54Because Zecchinetta,
01:28:55who also talks a lot,
01:28:56had money for the sale
01:28:57of this gun.
01:28:58He did not say a word.
01:28:59So,
01:29:00you have to explain to me
01:29:01why,
01:29:02if I am so weak and powerful
01:29:03as you say,
01:29:04I would have kept
01:29:05the gun of the crime
01:29:06in my house.
01:29:07Because you felt
01:29:08so sure
01:29:09that you would never have thought
01:29:10that someone would have put
01:29:11his hands in your house.
01:29:13Mariano Arena,
01:29:14in the name of the law
01:29:15I declare you under arrest.
01:29:16You are accused
01:29:17of being the sender
01:29:18of the murders of Salvatore
01:29:19with Sberna and Galtano Nicolosi.
01:29:31Look, it's Mariano!
01:29:33It's Mariano!
01:29:42Don Mariano!
01:29:57Don Mariano,
01:29:58I swear,
01:29:59we did not do your name
01:30:00neither me nor Zecchinetta.
01:30:02We split up
01:30:03like two chickens.
01:30:04Did you stop?
01:30:07Yes.
01:30:09Idiots.
01:30:10And here
01:30:11you were going to finish me.
01:30:15Hit your head here
01:30:16until I tell you enough.
01:30:33Hit it, I told you.
01:30:34Hit it!
01:30:39Hit it!
01:30:51Again.
01:31:01What did you do?
01:31:02I fell.
01:31:04Don't you remember
01:31:05that we hit you?
01:31:06No,
01:31:07I fell.
01:31:22Take off the feathers.
01:31:36Take off the feathers.
01:31:54Rosa!
01:31:55This way!
01:31:56This way!
01:32:07Wait here.
01:32:09Here.
01:32:10And eat this bagnotetta.
01:32:25Wait, Rosa!
01:32:27Sit down.
01:32:29Don't be afraid.
01:32:36Sit down.
01:33:03Have you heard from your husband?
01:33:07Sometimes husbands are crazy.
01:33:10They leave their wives and children
01:33:12and run away.
01:33:13In Tunisia,
01:33:14in America,
01:33:15in Milan,
01:33:16in France,
01:33:17in Switzerland,
01:33:18and even in Germany.
01:33:19Do you need help, Rosa?
01:33:20And don't worry.
01:33:22There are those who think of you
01:33:23and of your little finger
01:33:25until your husband comes back.
01:33:28And if he doesn't come back,
01:33:29you won't be abandoned
01:33:31and no one will disrespect you.
01:33:33Do you agree?
01:33:34No one will disrespect you.
01:33:37Even if you have disrespected someone.
01:33:40Someone who didn't do anything to you.
01:33:44Don Mariano
01:33:45is a good man.
01:33:47He forgets and forgives
01:33:48in a moment of desperation.
01:33:50He knows you're a good woman.
01:33:52But what are you wrong about?
01:33:54It's not true.
01:33:55Rosa told me.
01:33:57Yes, she told you,
01:33:58but in good faith,
01:33:59without understanding the consequences.
01:34:01Rosa, when she told Zecchinetta,
01:34:03she meant that
01:34:04that night her husband
01:34:05came back late
01:34:06because Zecchinetta
01:34:07had gone to play.
01:34:08It was a misunderstanding
01:34:09about the word misunderstanding.
01:34:11She hadn't met Zecchinetta.
01:34:13She had gone to play
01:34:15to Zecchinetta.
01:34:17To play.
01:34:18But that captain
01:34:19understood how it suited him.
01:34:24That captain
01:34:25is from the north.
01:34:27He doesn't like us.
01:34:29He did everything by mistake.
01:34:32Do you agree, Rosa?
01:34:36How should I behave?
01:34:38I'll ask my husband
01:34:39when he comes back.
01:34:59Tomorrow I'll go
01:35:00and tell the truth to the judge
01:35:02that Zecchinetta
01:35:03when he was killed
01:35:04with a sledgehammer
01:35:05was drowning
01:35:06in my land.
01:35:08And if he worked
01:35:0970 kilometers from your house,
01:35:11Rosa,
01:35:12what's the point of him
01:35:13with crime?
01:35:15Of course, of course.
01:35:16Even my brother-in-law
01:35:17could have died.
01:35:18It's a shame
01:35:19that some gallant men
01:35:20are in jail.
01:35:22They'll come out, they'll come out.
01:35:24What about you?
01:35:25If you don't tell the truth,
01:35:26they'll say
01:35:27that you did it
01:35:28to hurt me,
01:35:29to hurt you.
01:35:31Do you think this is beautiful?
01:35:33It's not beautiful.
01:35:35It's not even fair.
01:35:38Do you agree, Rosa?
01:35:40This mercy
01:35:41is too salty.
01:35:46Rosa,
01:35:47what are you doing?
01:35:48Where are you going?
01:35:51Where I'm going
01:35:53is that I'm ashamed
01:35:54of this dress
01:35:56and these bare arms.
01:35:59I'm in mourning, aren't I?
01:36:01And you're going to put me in mourning.
01:36:14Who is it?
01:36:15Rosa Nicolosi.
01:36:19That morning...
01:36:21No, no, come Rosa, come in.
01:36:24Tell me.
01:36:35So, that morning...
01:36:38That morning, Pizzucco
01:36:39sent me to call my husband.
01:36:40For work, he said.
01:36:41My husband went and...
01:36:43I haven't seen him since.
01:36:47We never stopped looking for him.
01:36:50Look at these glasses.
01:36:51They were found yesterday
01:36:52at Pizzucco's quarry.
01:36:53None of the workers
01:36:54recognized them as their own.
01:36:55Are they your husband's?
01:36:57I don't know.
01:37:00You didn't dare to look at them alone?
01:37:02Yes,
01:37:03but I don't know if they're his.
01:37:05You have to believe me.
01:37:06I can tell you the truth in here.
01:37:07And I told you!
01:37:08What you say in here doesn't count
01:37:10if you don't repeat it outside!
01:37:12But no!
01:37:13I told you,
01:37:15but outside in a testimony.
01:37:16You don't speak in front of judges, do you?
01:37:19I have to think of my daughter.
01:37:21Do you know what they say here?
01:37:23That my inquiry would be a political setup
01:37:25to throw mud on some big parts of Rome.
01:37:27That the confessions would have been distorted.
01:37:30Don Mariano would be my victim!
01:37:32They say that Dodo is a gallant man
01:37:35and that instead I'm deliberately
01:37:37dragging the track of passion crime.
01:37:39Do you understand?
01:37:40I'm saving you from ruin.
01:37:42And what are you doing for me?
01:37:45You did what you could.
01:37:46No!
01:37:47You did like the others
01:37:48what I forced you to do.
01:37:50Alone, of your own free will.
01:37:51Nothing!
01:37:59But I did the same.
01:38:01Even if you all helped me,
01:38:02you only gave me your silences.
01:38:08Well, what is it, Rosa?
01:38:14Are you thinking that I'm,
01:38:16as you others say,
01:38:18presumptuous?
01:38:26Come on, tell me.
01:38:29What do I know?
01:38:32Who knows you?
01:39:18What do I know?
01:39:27Capitano Valodi!
01:39:45What are you doing?
01:39:46Piece by piece. We'll break it all.
01:39:48Who cares?
01:40:12Abundant.
01:40:17Hey! Stop here! Stop!
01:40:38Hurry up.
01:40:42Who is he?
01:40:43The one they were looking for. Rosa Nicolosi's husband.
01:40:46He was looking for him.
01:40:51Come on, throw it away.
01:40:58Talk to him. Talk to him.
01:41:00Talk to him! Talk to him!
01:41:02Talk to him.
01:41:08Take it out of his mouth.
01:41:14Nice letter, Captain.
01:41:16Do you understand?
01:41:17They sent it to us.
01:41:19They sent it to us.
01:41:32Walls! Axes!
01:41:35Handcuffs! Unemployed landowners!
01:41:39You're looking for a job?
01:41:41Introduce me to the mayor of the People's House!
01:41:45The mayor of Mariana!
01:41:50Let's shake hands, Mr. Mariana!
01:41:53Mr. Mariana is back!
01:41:57Mr. Mariana is back!
01:41:59He's a good Christian!
01:42:01He's back! He's back!
01:42:05Santuzza, get me the binoculars on the desk.
01:42:10The air in Palermo didn't do me any good.
01:42:12It gave me heaviness and general illness.
01:42:15Always a circle around the head.
01:42:18Have you read it?
01:42:19They arrested the director of the provincial bank.
01:42:21Who did they arrest? Galantone?
01:42:23That's why they arrested him.
01:42:25Because he's Galantone, natural.
01:42:27He'll get out.
01:42:29Soon he'll get out.
01:42:30We didn't get out.
01:42:33You have to talk when a hen pees.
01:42:49There's a new captain.
01:42:51Give it to me.
01:42:55He's got a nice face.
01:42:57Open.
01:42:59Here.
01:43:06He's got a nice face.
01:43:08Open.
01:43:10Here.
01:43:18You're right.
01:43:20He looks like a family man.
01:43:29A wife and children, I bet.
01:43:35It's better if you have a big family.
01:43:37That way you only have to do your own business.
01:43:40Always looking for trouble.
01:43:42Like Belloti.
01:43:45Belloti was a man.
01:43:48He was a man.
01:43:50He was a man.
01:43:52He was a man.