Tirona
Tirona
  • last month
Transcript
00:00:31Dear uncle, M thinks that his brother's disappearance,
00:00:35based on P's confidences,
00:00:37is something to be dealt with immediately.
00:00:39Dear uncle,
00:00:40as soon as you give him your blessing,
00:00:42tomorrow, he will shoot.
00:00:48Uncle, we always wanted to ask you, in a possible way,
00:00:52if we can get a speech from the notary.
00:00:56The lands of Marsala are of great value
00:00:58and are in a desirable area.
00:01:02Thank you, uncle.
00:01:03I have received the name of the politician
00:01:05who must be supported here by us
00:01:07and I have already moved with my friends.
00:01:10Dear uncle,
00:01:12this great cause of ours
00:01:16requires patience
00:01:20and all the mercy of our Lord.
00:01:25Many are the proofs
00:01:28for which we are subjected.
00:01:32And the best solution
00:01:34is not always the easiest.
00:01:38Let us know
00:01:40if you can close one eye
00:01:42before you close all two.
00:01:58What is he doing?
00:02:04Have you understood where Pizzini is hiding?
00:02:12We are there.
00:02:13And then?
00:02:15Giant wall.
00:02:16Wall.
00:02:28PIZZINI'S WALL
00:02:40What are you doing?
00:02:43Can I make a phone call?
00:02:44You have to do it at zero.
00:02:55I did everything he told me.
00:02:57I photographed him and put him back in his pants.
00:02:59A girl is coming out with a blue bag.
00:03:02Here she is.
00:03:03And Pizzini says
00:03:04that tonight they have to bring someone from the uncle.
00:03:09It seems that the uncle is waiting for the visits.
00:03:12Maybe it's the right time.
00:03:13We have to understand who is passing the information.
00:03:21Here.
00:03:22That's where they make the exchange.
00:03:28He doesn't have the bag anymore.
00:03:29Pizzini passed it to someone.
00:03:35Maybe it's her.
00:03:36What do you think?
00:03:37It could be.
00:03:39Let's follow her.
00:03:46Alfiere, Africa.
00:03:47The green dot. Take it.
00:03:48Roger that, boss.
00:03:49Roger that, boss.
00:03:56The one inside is getting nervous.
00:03:58He has a reason.
00:04:00The jailer is always there.
00:04:01No one touches him.
00:04:02He doesn't come to the trial.
00:04:04What do they think?
00:04:05That we are messing with them?
00:04:08We made them miss nothing.
00:04:10Neither them nor their families.
00:04:12It was promised to them
00:04:13that in ten years they would come out.
00:04:16But nothing happened.
00:04:17But everyone is messing with these ten years.
00:04:20Ten years haven't passed yet.
00:04:22What kind of reasoning is that?
00:04:23Excuse me.
00:04:24With your permission.
00:04:28I would like to say something.
00:04:33Occhiuzzo, you are right.
00:04:35I promised that in ten years
00:04:37I would fix everything.
00:04:40But instead
00:04:41the times have gotten longer.
00:04:43And what should I do?
00:04:44Start again with the bombs?
00:04:46Why?
00:04:47Did we get anything
00:04:48by giving the truce to the State?
00:04:50With the truce
00:04:51we got back on our feet.
00:04:52In silence
00:04:53we started to grow again
00:04:54without being noticed.
00:04:56If we start again
00:04:57fighting the State
00:04:58they will tear us apart.
00:05:01Again.
00:05:10One day
00:05:12our beautiful organization
00:05:14will become invisible
00:05:17and it won't be scary anymore.
00:05:20That day we will have
00:05:21the revision of the trials.
00:05:25It's the end
00:05:27of the hard prison.
00:05:29But the road is long
00:05:31and difficult
00:05:33like that of Moses.
00:05:37Our promised land
00:05:40is getting closer every day.
00:05:43And I dream
00:05:45that I will take you there.
00:05:51Look in your pockets
00:05:53and tell me
00:05:54do you have less time
00:05:56or do you want to leave?
00:05:58War
00:05:59costs
00:06:01and peace gives.
00:06:13Talk to us.
00:06:15To those who complain.
00:06:18To those who are in prison.
00:06:20To those who need us.
00:06:22And tell us,
00:06:24what you promise.
00:06:26Keep it.
00:06:29God bless you.
00:06:43Slow down, slow down.
00:06:45Don't get too close.
00:06:49We saw it right.
00:06:50This is a three-hour drive.
00:06:52Good.
00:06:53We won't lose them.
00:06:54Don't worry.
00:06:56Move, Digi-K.
00:06:58Let's get closer too.
00:07:13Please.
00:07:28Don't worry, uncle.
00:07:31It's just for tonight.
00:07:43No one must know.
00:07:46No one.
00:08:12Digi-K.
00:08:42He's coming.
00:08:56He's coming.
00:08:58He stopped.
00:09:00He's carrying a man.
00:09:01Distinct, well-dressed.
00:09:02He's got a bag in his hand.
00:09:13I took his glasses off.
00:09:15Now I'm going to put something on him.
00:09:17I'm getting a little closer to him.
00:09:18I can't see well.
00:09:20What is he doing?
00:09:21He's putting something on his face.
00:09:23He's bandaging him.
00:09:25He's bandaging him because he doesn't know where he's taking him.
00:09:28He's the man who has to meet uncle.
00:09:31I'll tell the others.
00:09:32Boys, to the bell.
00:09:34We're here.
00:09:35Stay away.
00:09:36We're here.
00:09:37Stay away.
00:10:03Come here, doctor.
00:10:07Come here.
00:10:13Are you all right?
00:10:14It's just a problem.
00:10:28Excuse me, doctor.
00:10:29Excuse me, doctor.
00:10:35Take a seat.
00:10:52Doctor, we're ready.
00:11:00What are we waiting for?
00:11:02He's over there, 150 meters away.
00:11:06Let's go get him.
00:11:24Who the fuck are you?
00:11:26Freeze!
00:11:27Who are you?
00:11:28Don't shoot, I'm a soldier.
00:11:29Who do you think you are?
00:11:30Don't you hear me?
00:11:31It's me.
00:11:33No, no, no.
00:11:34Don't shoot.
00:11:35Don't shoot.
00:11:36There's no one here.
00:11:37There's no one here.
00:11:44Alfiore!
00:11:45There's no one here.
00:11:49Come here.
00:11:50Alfiore!
00:11:51There's no one here.
00:11:52There's no one down here.
00:11:55Where is he?
00:11:56Tell me his name.
00:11:57Where the fuck is he?
00:11:59What are you talking about?
00:12:00Put your hands up!
00:12:12It's not possible.
00:12:13Too good.
00:12:14He had his right arm.
00:12:16And the doctor was here for the uncle.
00:12:17He had to be here.
00:12:22Maybe he's still in the buildings.
00:12:24Maybe he's still around here.
00:12:25Give me this torch.
00:12:26Send me everyone you can.
00:12:28Let's search the area.
00:12:50It's me.
00:12:52Yes, Sanna needs reinforcements.
00:12:55Do what you can.
00:12:56The helicopter is missing.
00:12:58Prosecutor.
00:12:59Alfiore.
00:13:00So?
00:13:25Go, go, go.
00:13:55It's me.
00:14:25It's me.
00:14:41They charged her at night.
00:14:42They hanged her.
00:14:43It's normal for her.
00:14:46Calm down, Roberto.
00:14:47Calm the fuck down.
00:14:50Take him away.
00:14:51He knew who he was supposed to meet.
00:14:54It's possible.
00:14:57It's possible.
00:15:00But they'll never talk about him.
00:15:02So, calm down.
00:15:05Listen, listen.
00:15:07Innocents!
00:15:08They're all innocents!
00:15:13The innocent
00:15:15had these pizzas with him.
00:15:18Addressed to the uncle.
00:15:24Go.
00:15:36These?
00:15:38This is a drug for the prostate.
00:15:41There are six boxes.
00:15:53Go.
00:16:06Go, go, go.
00:16:24Go, go, go.
00:16:37Hello, uncle.
00:16:39What happened?
00:16:41Something went wrong.
00:16:43Something?
00:16:44Or someone?
00:16:46Someone
00:16:47who wanted to take
00:16:49the place of Benedetto Faro.
00:16:51And maybe not just him.
00:16:54Do you have proof?
00:16:57Proof? No.
00:16:59Conviction.
00:17:00I know who the Schisano brothers are.
00:17:03I have this conviction.
00:17:05And if you want, with your permission,
00:17:07I'll take care of everything.
00:17:09Everything in due time.
00:17:15I have to
00:17:16I have to see a doctor.
00:17:18You don't have to worry, I'll take care of it.
00:17:20We can have the best doctors in Palermo.
00:17:23It's not that simple.
00:17:25It's more complicated.
00:17:27The Sbirri
00:17:28were there.
00:17:29And Mia.
00:17:33Now they know.
00:17:39These are all the doctors involved
00:17:41or even simply
00:17:42investigated by the mafia.
00:17:44There are a lot of illustrious names.
00:17:47And also some urologists
00:17:48like the one we caught with Faro.
00:17:50We have to pay attention to them all.
00:17:53Especially the urologists.
00:17:55We need reinforcements.
00:18:02Do you know why the man we're looking for
00:18:03has been detained for 40 years?
00:18:06Have you ever wondered
00:18:07why he's the only one in the old guard of Cosa Nostra
00:18:09to have survived the mafia wars?
00:18:12The arrests?
00:18:14Followed by the Falcone and Borsellino massacres?
00:18:17Or because he's the only one
00:18:19that no one has ever been able to tell anything about
00:18:21and left behind
00:18:22an endless trail of dead people
00:18:23with no trace?
00:18:30Because he's smarter.
00:18:33Smarter, more cautious.
00:18:35Because he's perhaps the only man in the world
00:18:36who has a single real image.
00:18:38Even half a century old.
00:18:39So much so that today
00:18:40we don't even know what he looks like.
00:18:43But if we treat him
00:18:44like any other detainee
00:18:45we'll never catch him.
00:18:46I don't get it.
00:18:47You're telling us
00:18:48that we shouldn't put
00:18:49the doctors of the area under control?
00:18:51Let's do it.
00:18:52Let's do it.
00:18:53We can't overlook anything.
00:18:54But in all these years
00:18:55I've learned to understand
00:18:56how Hidduk thinks.
00:18:57I know he won't turn to any medium
00:18:59even remotely
00:19:00in favor of the mafia.
00:19:03He'll look for clean people
00:19:04like that professor
00:19:05we've been looking for.
00:19:07Maybe he'll even give up
00:19:08showing himself to a specialist
00:19:09because he knows
00:19:10they're the ones we can control
00:19:11more easily.
00:19:13Maybe he'll go to a small one.
00:19:15So?
00:19:20He'll need one of these.
00:19:23So, in addition to the doctors
00:19:24we have to check the pharmacies
00:19:25and register the names
00:19:26of all the people
00:19:27who buy this stuff.
00:19:29Especially the big ones.
00:19:30And?
00:19:32Yes.
00:19:34We also have to check
00:19:35all the sales
00:19:36and the prescriptions
00:19:37made in the last few months.
00:19:39Here.
00:19:47Good job.
00:20:09So, doctor.
00:20:13Look, Mr.
00:20:15Caruana.
00:20:16Mr. Caruana.
00:20:21I don't feel like
00:20:22doing a diagnosis.
00:20:23The only thing I can tell you
00:20:24is that
00:20:25you need
00:20:26more detailed treatments.
00:20:29Even quite quickly.
00:20:31As I said before
00:20:32you need a specialist.
00:20:35And why?
00:20:37Why?
00:20:38Because this is not my field.
00:20:39Because...
00:20:41Because I deal with
00:20:42much more serious pathologies here.
00:20:47So serious?
00:20:53Look, Mr. Caruana.
00:20:56It's not very serious
00:20:57on my part.
00:20:59But you're a doctor.
00:21:01What do you know?
00:21:07He has a tumor.
00:21:11A tumor?
00:21:20A cancer.
00:21:28And how much
00:21:29is left?
00:21:33I don't know.
00:21:35I really don't know.
00:21:39I don't know the type of cancer.
00:21:41I don't know his aggressiveness.
00:21:43I don't know if he can be operated on.
00:21:45If he can be cured.
00:21:46If there are adequate therapies.
00:21:48I can't tell you.
00:21:50Look, the only thing I can do
00:21:53is to report
00:21:54specialized structures
00:21:56and the name of two specialists.
00:21:58Two very good surgeons.
00:21:59Very good.
00:22:04The next day
00:22:23It's as sweet as sugar.
00:22:24Really.
00:22:26I thank you from the bottom of my heart.
00:22:27You know it's a pleasure.
00:22:28We'll see each other on Sunday, at the fair.
00:22:30Yes, on Sunday.
00:22:31Bye.
00:22:32Bye.
00:22:34As usual, nothing comes out.
00:22:36Did you expect him to suddenly start talking on the phone?
00:22:39No, but...
00:22:40Tell me the tone, rather. What does it sound like?
00:22:44Normal. The usual.
00:22:46He doesn't know anything about his man's illness, he knows he's not serious.
00:22:52Keep listening.
00:22:53Sure, boss. I listen, I look, I touch.
00:22:56The life of others is my specialty.
00:22:58That is?
00:23:00Nothing.
00:23:01Nothing.
00:23:03What do we want to talk about? About his life?
00:23:05No, no. I don't understand much less about that.
00:23:09Roberto.
00:23:11Yes, yes.
00:23:23Can I talk about your life?
00:23:25I know you so well.
00:23:27And I know what you need to be happier.
00:23:30Look what you have under your arm.
00:23:32Forget it. Go to work.
00:23:35I have the list of pharmacies to investigate.
00:23:37Did something come out?
00:23:41In Ciminna.
00:23:43There are two pharmacies.
00:23:44I got it. It's a daily thing.
00:23:46And look, yesterday two different people went to buy three packages of this medicine.
00:23:55But Ciminna is not 30 km from where we pinched Faro.
00:23:57Good.
00:23:58And you know who they are?
00:23:59We do. We are doing it carefully.
00:24:03Good.
00:24:05Quick.
00:24:09Quick.
00:24:18These are useless.
00:24:22What did I tell you?
00:24:23Yes.
00:24:25The ultrasound that the doctor did.
00:24:27He is a specialist in Palermo.
00:24:31He told me that things are very serious.
00:24:35How serious?
00:24:37It's very serious.
00:24:38We have to do it soon.
00:24:39It has to be done immediately.
00:24:44Yes, but we have to go outside.
00:24:46Outside where?
00:24:47Outside, outside.
00:24:48Then the hospitals are controlled by the guards.
00:24:50In a safe place, far away.
00:24:52And you have to think about it.
00:24:53I need a little time to find the right people.
00:24:56Time?
00:24:57Do you know how much time I have left?
00:25:00I don't.
00:25:01Only our Lord knows.
00:25:05But I have faith, you know.
00:25:07A lot of faith.
00:25:10Ciccio.
00:25:11No one must know anything.
00:25:14No one.
00:25:16And no one will know.
00:25:18But in order to avoid suspicions,
00:25:22we have to do something.
00:25:25Now that the cops have arrested Faro,
00:25:27the wolves are dancing.
00:25:29What wolves?
00:25:31The Schisa brothers.
00:25:37They approached Occhiuzzo.
00:25:39And in two hours he was convinced that he could get away.
00:25:43And Possia knows it.
00:25:45In order to get away,
00:25:48someone is tempted to take everything.
00:25:54If Possia gives me the blessing.
00:26:06The blessing
00:26:08is given only by the Pope.
00:26:16I want to see my wife.
00:26:18She will be served.
00:26:26Give me your hand, uncle.
00:26:29Take care, Ciccio.
00:26:32Good boy.
00:26:45Good boy.
00:26:58Good morning.
00:27:09Good morning.
00:27:15Good morning.
00:27:20Good morning.
00:27:21Good morning, how are you?
00:27:23Good morning.
00:27:24Good morning.
00:27:30Let's pray, our God.
00:27:31Let's pray. Good morning.
00:27:33Good morning.
00:27:34Good morning.
00:27:36The Schisa brothers are coming!
00:27:46Get up! Get up!
00:27:50Get up! Get up!
00:28:15Get up!
00:28:46The sun will go down.
00:28:49The moon will no longer give its light.
00:28:52And the stars will fall from the sky.
00:29:15Thank you.
00:29:17Because you do not know
00:29:19which day your Lord will come.
00:29:29Excuse me.
00:29:33Excuse me.
00:29:3532, good morning.
00:29:40Good morning.
00:29:42Good morning.
00:29:43Good morning.
00:29:46We are walking on the bridge.
00:29:53Peppino Schisa, an entrepreneur.
00:29:56Linked to Doppio Filo, as I said before.
00:29:58And shortly after, on the road to Palermo,
00:30:00they also killed his brother, Salvatore.
00:30:08It seems to be a regulation of accounts
00:30:10to obtain the protection of the uncle.
00:30:13Do you understand?
00:30:14They are contending for Fara's place.
00:30:16And probably someone has already cheated us.
00:30:21Those who bought the medicine are in Cimina.
00:30:23Well?
00:30:24It seems that everything is fine.
00:30:26What does it mean, it seems?
00:30:27Two shepherds who actually suffer from prostate disorders.
00:30:30At least the recipes are regular.
00:30:32Yes, but who are they?
00:30:33Who are their friends? What previous years? Their relatives?
00:30:36We must know everything, even if they had the morbillo.
00:30:39But do you understand or not that whoever committed these crimes
00:30:41is probably now next to the uncle?
00:30:43And let's go.
00:30:48It seems.
00:30:53Killing is easy.
00:30:56A man, a beast.
00:30:58It doesn't matter.
00:31:00And after you've done it the first time,
00:31:03it gets easier and easier.
00:31:06The Schisa brothers were two Jews.
00:31:08It was a long time since they had a tragedy with Occhiuzzo.
00:31:10And Chiddu is closer to them.
00:31:14For now, with Occhiuzzo I want to reason.
00:31:17With all due respect,
00:31:19I believe that Occhiuzzo is taking advantage of your good heart.
00:31:23And I want to talk about this.
00:31:38Occhiuzzo
00:32:08Occhiuzzo
00:32:38Why are you doing this to me?
00:33:09Occhiuzzo
00:33:20The Schisa brothers were linked to Faro.
00:33:24And now that it's over,
00:33:27they wanted to attack another car.
00:33:30They were looking for a new reference point
00:33:33to continue their improper struggle.
00:33:39Damn it!
00:33:54To stay behind the sixes
00:33:57was a thing of the past with Occhiuzzo.
00:34:01Occhiuzzo
00:34:02Occhiuzzo
00:34:07Someone who is trying to climb up
00:34:10and then, I don't know, there is a tooth.
00:34:13If I ask you about an old man who seems to be sick.
00:34:17Very sick.
00:34:19He was fine, Mr. Sbirro.
00:34:28They identified us.
00:34:29They left a nice flower bouquet on the car.
00:34:34I'm going to the police station, boss.
00:34:36My uncle knows that he shouldn't kill policemen.
00:34:39Since when?
00:34:42A few years ago.
00:34:44The Schisa brothers are dead.
00:34:46Exactly, we are alive.
00:34:54Calm down.
00:34:56Calm down.
00:34:59We are not just any Sbirri.
00:35:02We are not just murderers.
00:35:22Damn it!
00:35:29Good morning.
00:35:31Where is she?
00:35:33Over there.
00:35:46Why are you crying?
00:35:48You haven't seen me for a long time and you're crying.
00:35:50You're soaked.
00:35:52Are you tired?
00:35:57Sit down.
00:35:59Sit down.
00:36:08How are you?
00:36:22What's wrong, love?
00:36:24I'm happy.
00:36:26I'm happy to see you again.
00:36:30I don't care about anything.
00:36:32I only care that you're fine.
00:36:35And I care that you let me know.
00:36:37I'm fine.
00:36:39I'm fine, I'm fine.
00:36:44And the kids?
00:36:47Fine.
00:36:49They're fine.
00:36:52Have you ever said that you were good at raising them?
00:36:59Even with me.
00:37:01You were good.
00:37:03And I, on the other hand, had a hard life.
00:37:08Why are you talking to me like that?
00:37:10Like what?
00:37:12As if you wanted to say goodbye.
00:37:15Goodbye now?
00:37:17And you want me to say goodbye?
00:37:30You're not well, my love.
00:37:33Tell me what's wrong.
00:37:35Nothing, nothing.
00:37:37You changed a lot.
00:37:39A lot.
00:37:41Tell me the truth.
00:37:43Tell me.
00:37:59I love you.
00:38:29I love you.
00:38:51Maybe you should have an immediate answer.
00:38:54What do we have to say?
00:38:56What do you want to say, kid?
00:38:57You can say no to your uncle.
00:39:01So, say yes.
00:39:04Let's go.
00:39:08Lino Morra.
00:39:10Known as Chiuso for a 30-year-old scar.
00:39:13He's been a detainee for seven years.
00:39:15Chief of Alcamo.
00:39:17Another farmer.
00:39:19Another of the old man's close circle.
00:39:21Is he behind the murders?
00:39:23No.
00:39:24He wanted to become his right-hand man.
00:39:26But someone's stopping him.
00:39:28How?
00:39:30By killing those two who were getting close to Chiuso to weaken him.
00:39:32To make him understand he was a loser.
00:39:34I confirm.
00:39:36I have the code of the Pizzini di Faro.
00:39:38They're numbers instead of letters.
00:39:40A corresponds to 4.
00:39:42B corresponds to 5 and so on.
00:39:44It's a rough method.
00:39:46May I?
00:39:48The real problem is the grammar.
00:39:50Which is optional for them.
00:39:52So?
00:39:54Chiuso didn't take it well.
00:39:56He went a bit too far.
00:39:58He had his friend read
00:40:00the head of agriculture.
00:40:02Saying he had nothing against Hiddu.
00:40:04And it wasn't true.
00:40:06So he's in trouble.
00:40:08I'd say so.
00:40:10If we find him, maybe he'll talk.
00:40:12If we find him.
00:40:14Alive.
00:40:16Let's start looking for him.
00:40:24Hello.
00:40:32I'm Nino Morra.
00:40:35Come and see.
00:40:37I'm at Tropical Bar.
00:40:51Hello.
00:40:52It's a bit dry.
00:40:54It's cold.
00:40:58There he is.
00:41:14Nino Morra.
00:41:16Carabinieri.
00:41:18Come with us.
00:41:23Carabinieri.
00:41:26They arrived first.
00:41:28An anonymous call gave the exact time and place.
00:41:30Someone tried to get rid of Chiuso.
00:41:32He knew everything.
00:41:34He got caught.
00:41:36You know what?
00:41:38I think he's lying.
00:41:40That's why he started.
00:41:42And you know that the night you arrested Faro
00:41:44the uncle was 100 meters away from the butcher shop.
00:41:46And the doctor was there for him.
00:41:48Now it's all in the hands of the Carabinieri.
00:41:50Nice, isn't it?
00:41:52Yes.
00:41:54Do you know where he's hiding?
00:41:56No.
00:41:58After the arrest, the uncle became more cautious.
00:42:00He changed his protective net.
00:42:02And when will they catch him?
00:42:04The only concrete clue we have is that the last contact
00:42:06Chiuso had with one of Ciminna's men.
00:42:12Ciminna?
00:42:14Yes, why?
00:42:16Yesterday we caught two of Ciminna
00:42:18following the medical trail.
00:42:20Here, eat two if you're sick.
00:42:22If it's them, the investigation is up to us.
00:42:26Chiuso's wife is missing.
00:42:30You know, she was coming to pick him up at night.
00:42:33Her brother and cousin were missing too.
00:42:36And they didn't even see or hear of him.
00:42:40Chiuso...
00:42:42He sold himself to the Sberri.
00:42:44That's why I found you in a new situation.
00:42:47But you said you didn't trust Chiuso.
00:42:51Now...
00:42:53Now we have to keep in mind
00:42:55those who are close to Chiuso.
00:42:57We have to be careful.
00:42:59And remind everyone not to talk,
00:43:01especially in closed places.
00:43:03Hotels, restaurants, cars, houses.
00:43:06It's better
00:43:08if they don't talk.
00:43:10And if they receive information,
00:43:12they have to know who's bringing it to them
00:43:14and to whom.
00:43:16Who's going to give it to them
00:43:18and to whom.
00:43:20And who's going to give it to them
00:43:22doesn't have to know.
00:43:24So if someone sings,
00:43:26he only sings for himself.
00:43:33Did you find Canale?
00:43:35Yes.
00:43:37He seems to be one of the best specialists
00:43:39in all of Europe.
00:43:41But I need some time
00:43:43to get him organized.
00:43:44Trust me.
00:43:46You mustn't make a mistake.
00:43:48Yes.
00:43:50Making a mistake is like betraying.
00:43:52And I don't betray.
00:43:56It's just that
00:43:58we have another problem.
00:44:01The fugitives have decided to come back.
00:44:06They're already waiting for you
00:44:08because they say that the decisions
00:44:10that the Commission made 20 years ago
00:44:12shouldn't be changed.
00:44:15To camp in America
00:44:17or die in Sicily.
00:44:20But those were different times.
00:44:22There was war and we won it.
00:44:24Now things have changed.
00:44:26We have to reason with those kids.
00:44:28And maybe you have to explain it to us well
00:44:31because in Palermo
00:44:33they don't talk about reasoning.
00:44:35Who doesn't want to reason?
00:44:37They're different.
00:44:39But above all they talk about it
00:44:41because they say that 20 years ago
00:44:42they didn't know how to deal with it
00:44:44and they didn't know how to change
00:44:46what was decided.
00:44:48And promises aren't enough.
00:44:50But I've always kept my promises.
00:44:52Now I need peace.
00:44:54I need...
00:44:56Another war would be the ruin for everyone.
00:44:59Organize a meeting with the Lopans.
00:45:02I want to talk to you.
00:45:06Mora, you told us about two shepherds from Ciminna
00:45:09and they gave you the little piece
00:45:10from your uncle.
00:45:12Is that right?
00:45:14Yes, that's right.
00:45:16I told you.
00:45:18I only know these two little boys
00:45:20who take care of my uncle.
00:45:23It's them.
00:45:25Yes, yes.
00:45:27But how did you do it?
00:45:29It's them.
00:45:33We want to know everything about him.
00:45:35Everything he knows.
00:45:37Everything?
00:45:38What do you mean?
00:45:40How he talks, how he moves,
00:45:42how he dresses, what he eats,
00:45:44how he holds your hand,
00:45:46how he looks you in the eyes, everything.
00:45:48I don't understand.
00:45:50If you know how he eats, how he holds your hand,
00:45:52what do you do? Do you take him?
00:45:54I want to know who I'm fighting against.
00:45:56What can I tell you, doctor?
00:45:58I just asked him everything he knows about him.
00:46:00Everything I know about him...
00:46:02The thing I remember the most
00:46:04are his hands.
00:46:06He had big, white hands.
00:46:09He likes honey,
00:46:11but it has to be of a certain kind.
00:46:13He likes music.
00:46:15He likes Claudio Villa, Mina,
00:46:17but he's crazy about Mina.
00:46:19And then he likes music for the movie Il Padrino.
00:46:22A few years ago,
00:46:24when the movie Il Padrino came out,
00:46:26he went to the movies five times
00:46:28to watch the same movie.
00:46:30And then, the thing that everyone knows about my uncle
00:46:33is that he is very religious,
00:46:35he has a faith.
00:46:36He always has the Bible open,
00:46:38he reads it, he writes things.
00:46:40And then he has three crucifixes,
00:46:42he puts them on his neck,
00:46:44he kisses them, he touches them,
00:46:46that's how he is.
00:46:48He's...
00:46:50He's like that.
00:46:52He says that everything he does
00:46:54is the will of our Lord.
00:46:56That's what he says.
00:47:03What are you, men of faith?
00:47:06He doesn't have many men.
00:47:08The ones I know, I've told you all about them.
00:47:10But...
00:47:12He uses them all,
00:47:14but he doesn't trust us.
00:47:16What is he afraid of?
00:47:18Of nothing.
00:47:20Actually, no.
00:47:22He's afraid of one thing.
00:47:24Of war.
00:47:26When it came to doing it, he did it.
00:47:28When it came to shooting politicians,
00:47:30he didn't back down.
00:47:32But he says that now,
00:47:33he wants to ruin his plan.
00:47:36What plan?
00:47:38To make our things invisible,
00:47:40like him, who sees nothing.
00:47:42He's very rich.
00:47:44He has so much money
00:47:46that he doesn't even know how much he has.
00:47:48He could go to South America,
00:47:50he could have a country at his feet.
00:47:52Instead, he wants to stay here.
00:47:54He lives in a room,
00:47:56he lives in a blue hat,
00:47:58he never takes off his shoes
00:48:00because he's ready to run away.
00:48:01But now, he has nothing.
00:48:03But why does he live like this?
00:48:06What does it mean?
00:48:08Because of you.
00:48:10Because you throw your soul at us to take him.
00:48:12You don't have a family.
00:48:14You live in Naples.
00:48:16Why don't you enjoy your family?
00:48:18What do you do?
00:48:20What keeps you?
00:48:22I have to take him.
00:48:24And I have to command him.
00:48:26Doctor, you know it.
00:48:28To command
00:48:29is better than to throw.
00:48:37But I'm on the right side.
00:48:40He says the same thing.
00:48:42I thank you for accepting this meeting.
00:48:45A sign that we have not yet lost the head of everything.
00:48:49And that this madness
00:48:52that took us and cost us blood and tears to all,
00:48:56to this madness we can put an end
00:48:59to think about business.
00:49:02What was the point of war?
00:49:05To make mothers cry?
00:49:07Wives?
00:49:08Children?
00:49:10Nothing else.
00:49:13Forgiveness
00:49:15is a rare thing in this world.
00:49:17I am ready to forgive.
00:49:20To forget, no.
00:49:22Because it's not possible.
00:49:24But to forgive, yes.
00:49:25To forgive, yes.
00:49:27And I'm ready to ask for forgiveness, if I'm wrong.
00:49:46Here they are, here they are.
00:49:49Where are they going?
00:49:52There are the fishing rods.
00:49:55They are going fishing.
00:49:57Damn.
00:49:59Come on, let's go.
00:50:04These bastards fish.
00:50:06They fish every day.
00:50:09But weren't these two shepherds?
00:50:11Shepherds and fishermen.
00:50:16What do we do?
00:50:18What do we do?
00:50:20We wait.
00:50:22And we wait.
00:50:23Listen, Gigante,
00:50:25are we sure that these guys will bring us some fish?
00:50:28Or is Mr. Occhiuzzo taking us for a ride?
00:50:32For a few days now, his voice has been like a veil.
00:50:36As if it were less natural.
00:50:39As if it was hard for him to talk about the most banal things.
00:50:44A few days ago, it even seemed to me that he was crying.
00:50:47Maybe he understood, he knew that his husband is sick.
00:50:50But he is so very sick.
00:50:52Or maybe he is just sad because he never sees him.
00:50:57Roberto.
00:50:58Yes.
00:50:59Gigante called.
00:51:00He says that the shepherds have moved and changed their plans.
00:51:02They are not fishing today.
00:51:05First they made Vinta fish even today.
00:51:08And then they aimed towards the countryside.
00:51:09But where is the countryside?
00:51:19I wouldn't go any further.
00:51:20There is no life.
00:51:25Did you take the target?
00:51:26I took it, I took it.
00:51:31From here we have to hurry.
00:51:33An appointment with the Lovani is for Thursday.
00:51:37We have to get ready.
00:51:39Have you ever seen him like this?
00:51:41I don't convince him with the good ones.
00:51:43And we have to offer ourselves some other topic.
00:51:47And since Lovani is a big liar.
00:51:50It may be that he has the idea of ​​surprising us.
00:51:55Do you understand?
00:51:56We'll think about it today.
00:51:58Francesco Manara, said Ciccio.
00:52:00We arrived following the two shepherds of Ciminna.
00:52:03Patricolo and Ciccio.
00:52:04It's another old acquaintance.
00:52:05He has a final sentence for traffic of mafioso associations.
00:52:09Mafia and peasant.
00:52:10The profile of those who like naive.
00:52:12But now we have to pay attention to it as it should be.
00:52:15Roberto, you know that Palermo is in the first place of the national expenditure
00:52:17as far as telephone and environmental interceptions are concerned.
00:52:20Still with this story?
00:52:21And from the ministry they continue to put pressure on me.
00:52:23Look, the last letter arrived the other day.
00:52:24Do you want to read it?
00:52:25No, thanks.
00:52:26Now, they want a cut.
00:52:27And you are asking me for new authorizations.
00:52:29But how do they think we take them, the mafiosi?
00:52:31With bread crumbs?
00:52:32Here, for example, this could be a good idea, no?
00:52:35If you want, I'll talk to this minister.
00:52:37First they took out the regretful vehicles.
00:52:38Now they cut us the micro-spies.
00:52:39Why don't they take out the real mafia?
00:52:41So we all go home.
00:52:43Look, I'm warning you of a problem and I'm asking you to take it into account.
00:52:45And I'm asking you to go to hell.
00:52:47And after I sent you to hell, what have I solved?
00:52:49Nothing, I give you the satisfaction.
00:52:51Let's go outside.
00:52:53Maybe if he stops smoking.
00:52:56Yes, ok.
00:52:57House and car of Manara under control.
00:53:00We are the only ones missing.
00:53:02All right.
00:53:03The dogs sleep like doves.
00:53:07Here?
00:53:08Here.
00:53:13Be careful, Alfie.
00:53:15That stuff costs a lot of money.
00:53:16Don't worry, don't worry.
00:53:19Hey, African.
00:53:20Don't waste time.
00:53:21We have all night.
00:53:23Go calmly.
00:53:24These guys will notice if one of them is out of place.
00:53:26They want to cut us the micro-spies.
00:53:28And we put the solar panel.
00:53:30Is it my fault if the electricity is missing here?
00:53:31Go, go, go.
00:54:02Go, go, go.
00:54:20Can you hear me?
00:54:22One, two, three, test.
00:54:24Can you hear me?
00:54:26Wait, wait.
00:54:28Can you hear me?
00:54:29I'm coming, doctor.
00:54:30Can you hear me?
00:54:31Listen to her.
00:54:32Listen to her as she says.
00:54:34Listen to me.
00:54:36I also like to hear her when she tests the chemicals.
00:54:39Do you think it's a problem?
00:54:40One, two, three, test.
00:54:42Can you hear me?
00:54:43Turn this off.
00:54:44Quietly, quietly.
00:54:51Can you hear me?
00:54:53Can you hear me?
00:54:55Hey!
00:55:01Can you hear me?
00:55:04I think there are problems with the micro-spies because they can't hear me.
00:55:09And that one?
00:55:11No, nothing.
00:55:13I have no idea.
00:55:16Damn, what a nice fish you caught, the little fish.
00:55:19But I didn't catch it in person.
00:55:21The fish is good.
00:55:22It's good.
00:55:24But tell me one thing.
00:55:26Do you think Bart will like the fish bread?
00:55:28Who knows?
00:55:30For sure.
00:55:32He has fish.
00:55:33He likes the bread.
00:55:49Manara has loaded Paticolo and Cicero.
00:55:51They're going to Bagheria.
00:55:53They're going to Bagheria.
00:55:57Guys, don't lose sight of them.
00:56:02Damn, Africa, the traffic light.
00:56:03Cross road, cross road.
00:56:04Come on, come on, come on.
00:56:07We're behind you.
00:56:08There's a car between us and them.
00:56:09Please, be careful.
00:56:14Be careful.
00:56:15Go away.
00:56:18What are you doing?
00:56:19Turn right.
00:56:20Turn right.
00:56:22I have to check something.
00:56:23What the hell are they doing?
00:56:24They're turning right.
00:56:25Slowly, slowly.
00:56:26Stay away from them.
00:56:32Of course.
00:56:33I was just missing the fish.
00:56:34Good, good.
00:56:35The fish covers us.
00:56:36Stay away from them.
00:56:37Look, that's how we lose them.
00:56:39Slow down, Africa.
00:56:48What are they doing?
00:56:49They're doing it again.
00:56:55We made a mistake.
00:56:57They turned on the radio to say something or I don't know.
00:57:01What are they doing?
00:57:02Two consecutive skidding, it seems they're going back to Villar.
00:57:05Is there some sort of an ambush?
00:57:07Maybe.
00:57:09Get rid of them.
00:57:11But how, boss?
00:57:12It's the first time that this asshole is doing something.
00:57:13We need to get rid of him now.
00:57:14I said get rid of them.
00:57:15Why are we so late?
00:57:17We're asking for it!
00:57:18Shut up!
00:57:34I'm starving.
00:57:37Why don't we send the two of us to get something to eat?
00:57:40Some bread and breadsticks?
00:57:47You don't believe me?
00:57:49I'll pay.
00:57:52For God's sake.
00:57:55It's just that...
00:57:56people you bring in, people you don't bring out...
00:57:59the less movement we make, the better.
00:58:01Do you understand?
00:58:04I understand that we've been waiting here for four hours.
00:58:08You still have to be a little patient.
00:58:11It's not like your uncle comes out of the house...
00:58:14he gets in the car and leaves quietly.
00:58:18Your uncle has to take his precautions.
00:58:25Why doesn't he leave first?
00:58:27Your uncle leaves when he has to leave...
00:58:31and comes when he has to come.
00:58:44Here he is.
00:58:59How are you, uncle?
00:59:00Fine, fine.
00:59:05I apologize if I'm late.
00:59:08It's a great pleasure to see you.
00:59:11I'm fine, thank you.
00:59:13Goodbye.
00:59:14Goodbye.
00:59:15Goodbye.
00:59:16Take care, uncle.
00:59:21Let's do one thing.
00:59:24We'll leave these kids here.
00:59:35It was decided that if the Cappelli wanted to camp...
00:59:38they had to stay in America.
00:59:40Now these bastards are coming back.
00:59:43Who's going to give us permission?
00:59:46I have to.
00:59:48More than 20 years have passed.
00:59:51With all due respect, uncle.
00:59:54The commission sentenced them to death...
00:59:56and the word of the commission...
01:00:00is not like the ricotta that falls.
01:00:02It's true.
01:00:10This thing of ours has had...
01:00:12too many deaths.
01:00:15We now...
01:00:18need arms.
01:00:22Arms to work...
01:00:25heads to think.
01:00:28The dead pull other dead...
01:00:31and maybe some hungry ones.
01:00:33Uncle...
01:00:34the most hungry ones are...
01:00:37the blood.
01:00:38The blood of Totò Cio Cappello.
01:00:40So?
01:00:42It doesn't change from father to son or grandson.
01:00:46And you, Ammia...
01:00:47Ammia...
01:00:49who was here 20 years ago...
01:00:52who was here, who was in charge...
01:00:54I was in charge.
01:00:55Me and Totò.
01:00:57And we fought the war...
01:00:58to the Cappelli, to all the others.
01:01:00With these hands!
01:01:02Do you understand?
01:01:03Or did you forget?
01:01:13In the past, we did good things.
01:01:18Good things, right things.
01:01:20But we also did...
01:01:22bad things.
01:01:25Very bad.
01:01:28There was a brothel...
01:01:31between us.
01:01:33Then the one with the State.
01:01:38And it cost us a lot.
01:01:41It cost us.
01:01:43To put the whole organization back on its feet.
01:01:46We had to hide...
01:01:48with our heads under the ground.
01:01:52But now, thank God...
01:01:54we can raise our heads again.
01:01:59And look at the world...
01:02:02which is no longer the world of yesterday...
01:02:04but a new world.
01:02:06And we...
01:02:08in this new world...
01:02:11we have to be...
01:02:13in a new way.
01:02:25But I...
01:02:28I have to do something first.
01:02:33And at the right time, I'll explain it to you.
01:02:38But our cause...
01:02:41no longer needs blood.
01:02:44And the escaped...
01:02:46you don't have to touch them.
01:02:54Let's go.
01:03:24Let's go.
01:03:30I'll get you.
01:03:32I know I'll get you.
01:03:38What is it?
01:03:39It's my uncle's birthday.
01:03:41What's wrong with him?
01:03:42He's leaving. Here's what's wrong with him.
01:03:47We managed to get into that house by miracle.
01:03:49Now, before they leave her out of it.
01:03:51At night, because it's daytime, Corleone.
01:03:53Well, we have to do something, don't we?
01:03:55We have to wait.
01:03:57Wait.
01:03:58Always wait.
01:04:00Wait for Manara to talk.
01:04:02Wait for his wife to leave the house with her son.
01:04:05And wait for him to take a few steps forward.
01:04:07Wait!
01:04:11It's Manara's house. Someone's come in.
01:04:14How many are there?
01:04:16Take two and we'll see.
01:04:19One is definitely Manara.
01:04:21They're here.
01:04:22I told you.
01:04:24What are they doing here?
01:04:26They're moving things.
01:04:28They came out.
01:04:30So they're screwing us.
01:04:32Maybe not.
01:04:33Maybe not.
01:04:48Mateo!
01:04:50My son!
01:04:52Hello, uncle.
01:04:54How are you?
01:04:56Hey, look at this beauty.
01:04:58What are you filming us for?
01:05:01If I were your age...
01:05:03Come, come.
01:05:04Beautiful, isn't it?
01:05:09Sit down.
01:05:13I'm a serious man.
01:05:18I'm sorry.
01:05:19Sorry, don't say that.
01:05:21So, how far along are we?
01:05:24We're almost there, don't worry.
01:05:27I have to worry.
01:05:29I have to worry.
01:05:30Because my uncle really cares about us.
01:05:32He can't wait.
01:05:34I understand.
01:05:35But we're practically ready.
01:05:37You can tell uncle to get ready.
01:05:40When?
01:05:42After tomorrow night, we have to see that person.
01:05:44And then, what he did.
01:05:46Well, well.
01:05:47My uncle will be very happy.
01:05:50And now, let's eat a nice quesadilla.
01:05:55We have to understand who Manara is talking to.
01:06:00We can't go this way.
01:06:01But there are only two ways to get there.
01:06:03To the right and to the left.
01:06:05If we place the African here, and the giant here,
01:06:07we can't get away.
01:06:08You have to film this Mateo's license plate.
01:06:10We'll never make it.
01:06:11We have to cross the whole of Palermo.
01:06:13Get up your asses, get a motorbike,
01:06:15go for a ride.
01:06:16As soon as you get this license plate, go for it.
01:06:18The motorbike, yes.
01:06:19I'll drive.
01:06:20Africa, you're good.
01:06:21Don't even touch the motorbike.
01:06:22Come on.
01:06:30Let me tell you something.
01:06:35The horn, the horn, the horn.
01:06:42The sound of the horn.
01:06:49How the hell did we get here?
01:06:56Let's cut some pieces and then eat them.
01:07:00Let's cut some pieces and then eat them.
01:07:02Let's cut some pieces and then eat them.
01:07:29Let's cut some pieces and then eat them.
01:07:34Are you crazy?
01:07:35It's my fault!
01:07:37Mateo, I'll tell you something.
01:07:40Muto.
01:07:43You don't have a car, a house, a phone.
01:07:47Muto.
01:07:49This thing simply doesn't exist.
01:07:52I'm Chichi, Mr. Muto.
01:07:53You can rest assured.
01:07:56Don't forget that I trust you.
01:07:59Don't give me that.
01:08:07Hey, he's coming, move!
01:08:23Who is he?
01:08:24Matteo Canistra.
01:08:25The son of the head of Villa Abbate's family.
01:08:27Aren't you surprised?
01:08:28Of course I'm surprised.
01:08:31Canistra has nothing to do with my uncle.
01:08:33He's a different kind of person.
01:08:34He likes to spend his money.
01:08:36And above all, he likes to show it to women, locals.
01:08:38Maybe even drugs.
01:08:40What does he have to do with my uncle?
01:08:41In the meantime, I'll give him a check on his cell phone.
01:08:44So we can make a nice map of all his friendships.
01:08:48Did he talk about the day after tomorrow?
01:08:50Does he have to meet someone?
01:08:52The day after tomorrow, the head of the family turns 70.
01:08:55And they throw a big party in the villa.
01:08:58Half of the guests are from Palermo.
01:09:03And we go to that party.
01:09:26Champagne, please.
01:09:48Canistra left with one.
01:09:50She gave me a bag.
01:09:56He's going out. You should see him soon.
01:10:00Describe him.
01:10:02Tall, thin, short hair.
01:10:04You should recognize him right away.
01:10:06He's the only one not dressed for the party.
01:10:12Individual.
01:10:14And Canistra?
01:10:15He left with his brother.
01:10:18Don't lose sight of him.
01:10:19In the meantime, let's try to figure out who this is.
01:10:22Look at this fucking head.
01:10:26Come here.
01:10:29Are you in or are you out?
01:10:31I told you to stay on the right, but you stayed on the left.
01:10:34Sorry, I didn't feel well.
01:10:36And if you didn't feel well, why did you come?
01:10:38I have family.
01:10:39Who are you? Where do you come from?
01:10:41How tall are you?
01:10:42I'm new, but it's the first time.
01:10:44And it's the last time.
01:10:45Finish this night and I won't let you see him again.
01:10:47Come on, move. Turn this table.
01:10:51Too high.
01:10:52Too high.
01:10:54Gigante.
01:10:55Congratulations for your Sicilian.
01:10:57It was really bad.
01:11:00Fuck you.
01:11:02Take it easy.
01:11:07Where the fuck are they?
01:11:09Who?
01:11:10Canistra. I lost them.
01:11:13What do you mean you lost them?
01:11:15They were all around the old man lighting candles,
01:11:17but the kids are not there.
01:11:20Holy shit.
01:11:33So, did you find them?
01:11:35When?
01:11:36Fuck, they must be somewhere.
01:11:40It's him.
01:11:41It's him?
01:11:42Do you know who he is?
01:11:43Sometimes I'm lucky.
01:11:45He's a civil servant from Villa Abate.
01:11:47We had a case for a robbery.
01:11:49His name is Calogero Lopresti.
01:11:52Everything's fine.
01:11:53The call from Canistra at 10.30 pm
01:11:56came from the town hall.
01:11:58Wait, this is important.
01:12:00Let me think.
01:12:03Our Calogero Lopresti stays in the office until 10.30 pm.
01:12:07Call Canistra.
01:12:09Tell him to come to the party.
01:12:11Okay?
01:12:12He'll be gone in a few minutes.
01:12:14It's time to deliver a package.
01:12:17What the fuck was in that package?
01:12:21Something to do with his job?
01:12:25Something he couldn't do in the office?
01:12:32Matteo.
01:12:33It's him.
01:12:34Have you ever seen him?
01:12:36No.
01:12:37My uncle.
01:12:39What was his name?
01:12:41Usatore.
01:12:42Usatore.
01:12:45When the tractor passes, the grass doesn't grow anymore.
01:12:48How many have you killed?
01:12:50Fifty?
01:12:51One hundred? Two hundred? How many are there?
01:12:53Maybe a legend.
01:12:55Or maybe more.
01:12:57Anyway, he's old.
01:13:00I understand, he's old.
01:13:03But, even today, if he's in charge,
01:13:05there must be a reason, right?
01:13:07Yes, but he uses this to keep everything in balance.
01:13:10He's the President of the Republic.
01:13:12A lot of honor.
01:13:13But the real power, in my opinion, today,
01:13:15is here.
01:13:17If that's the case, tell me why we're here.
01:13:19Because if you do a favor to your uncle,
01:13:21especially such an important favor,
01:13:23you earn it.
01:13:24Being in your uncle's heart means
01:13:26respect,
01:13:27and patience, kid.
01:13:30You didn't say anything.
01:13:32Excuse me.
01:13:33Who decides who has to camp and who has to creep?
01:13:35Who has to get the money
01:13:37and who instead has to keep his mouth shut?
01:13:39What is this?
01:13:42It's not power.
01:13:46Listen, Giuseppe, you're pissing me off,
01:13:48but I have to go to the restaurant,
01:13:49I'll ask for help.
01:13:58Uncle, Bastia must know that for us it's an honor.
01:14:03Yes, my respects.
01:14:05Are you Giuseppe?
01:14:06Yes.
01:14:09Matteo.
01:14:10What can I do for you?
01:14:12The cars.
01:14:13There must be three.
01:14:14Yes, yes.
01:14:15Two must go ahead.
01:14:16Whatever we do, they'll wait for us below.
01:14:20Come on in.
01:14:25Hey, come on in.
01:14:31Look what a talent, doctor.
01:14:34To get in like this,
01:14:35it's magic, you know?
01:14:38He knows we're not in Trento.
01:14:40What are you doing, uncle?
01:14:42It's not like we're in Sicily
01:14:43and we're all busy.
01:14:45One is enough.
01:14:46There's always one in the right place.
01:14:49And since he can ask for the keys
01:14:50and you can go and put up the posters...
01:14:52We need the holy hand of the African.
01:14:54No, we need you to move
01:14:55and not leave traces.
01:15:02He doesn't know anything.
01:15:03Apparently, he did his normal job.
01:15:07He must have done something.
01:15:08Otherwise, what was he doing at that party?
01:15:10And then he's a manager.
01:15:12He could have done it at any other terminal.
01:15:14Listen, boss,
01:15:15these seem like normal practices to me.
01:15:18But if you want to go deeper,
01:15:19I can do the photocopies.
01:15:21I'll do it if we ever do them.
01:15:23Here it is.
01:15:25At 9.08,
01:15:26Raggini Arleopresti
01:15:27entered the anagraphic system.
01:15:30And?
01:15:31And whatever he did,
01:15:32it wasn't official.
01:15:34He deleted everything.
01:15:37Calm down.
01:15:39Nothing can be completely deleted.
01:15:42There's always a solution.
01:15:43Here, pick it up.
01:15:47This is called a ghost.
01:15:49It's like ghosts
01:15:50entering the world beyond
01:15:52and deciphering the impossible.
01:15:55Give it to me.
01:15:56And wait.
01:15:59Here it is.
01:16:00It's a grid for identity cards.
01:16:02He printed an identity card
01:16:03in the name of a certain Pasquale sword
01:16:05that was born in Cines
01:16:06on February 26, 1933.
01:16:09Seventy years old.
01:16:10His uncle gave it to him.
01:16:12Is there really a check?
01:16:17And it's already the owner
01:16:18of an identity card.
01:16:20Ah, I get it now.
01:16:21This sword has two of them.
01:16:23One was for him.
01:16:24Yes.
01:16:26I need an identity card.
01:16:27An identity card.
01:16:33Sir, we're sorry
01:16:34if we put on some music.
01:16:36Go ahead.
01:16:38What kind of music do you like?
01:16:42Amine.
01:16:43Do you have it?
01:16:45We have it.
01:16:46We have it.
01:16:48Don Ciccio Manara,
01:16:49please.
01:16:51And we have proof.
01:16:58It's Vito from the first car.
01:17:00Tell me, Vito.
01:17:05All right, all right.
01:17:08What did he say?
01:17:10He says there's a cop's steering wheel
01:17:11that checks later on.
01:17:13What do we do?
01:17:14Let's get out of here, yeah?
01:17:17But these checkpoints are clean,
01:17:18as I told you.
01:17:19They're immaculate.
01:17:23Do one thing, go straight.
01:17:25Call the second checkpoint.
01:17:27And do as I tell you.
01:17:35I'm talking to you.
01:17:37All right, all right.
01:17:39You want it like this?
01:17:40Easy.
01:17:42Good boy.
01:17:51Did you see, uncle?
01:17:53The kids would get killed
01:17:54if they were me.
01:17:55There's no need
01:17:56to get killed for me.
01:17:59All right.
01:18:01I've reconstructed
01:18:02all of Matteo Canistra's
01:18:03phone calls
01:18:04made with his cell phone
01:18:05in the last three years.
01:18:07There's some contact
01:18:08with minor characters
01:18:09in the smell of mafia,
01:18:10but nothing in particular.
01:18:12Instead, there's a strange
01:18:13relationship with a French woman.
01:18:14A French woman?
01:18:15A French woman.
01:18:16Her name is Aude Dufay.
01:18:18There was a quick exchange
01:18:19of phone calls two years ago.
01:18:21And then nothing.
01:18:22Until...
01:18:24Last week.
01:18:27Now he's got
01:18:28his passion for the French woman
01:18:29back, and this guy...
01:18:32I don't know.
01:18:34The strange thing,
01:18:35the thing that doesn't come back
01:18:36is that Aude Dufay
01:18:37refers to people like that.
01:18:41It's obvious he couldn't do it to me.
01:18:49This is a drug for the prostate.
01:18:51There are six boxes.
01:18:52And yesterday,
01:18:53two different people
01:18:54went to buy
01:18:55three boxes of this medicine.
01:18:57These bastards
01:18:58actually suffer from
01:18:59prostate disorders.
01:19:00For a few days now,
01:19:01his voice is like a veil,
01:19:02as if it were less natural.
01:19:03He's afraid of something.
01:19:04Of war.
01:19:05He uses them all,
01:19:06but he doesn't trust us.
01:19:07He's an employee
01:19:08of the Villabate community.
01:19:09We gave him a card
01:19:10for a robbery in Begolato.
01:19:11I need an identity card.
01:19:23The old man is ill.
01:19:25Very ill.
01:19:26His wife knows.
01:19:27And that's why
01:19:28he's sad and crying.
01:19:29You got that right.
01:19:31That's why he needs surgery.
01:19:33Obviously,
01:19:34in Italy, for him,
01:19:35it's become too dangerous.
01:19:37And here,
01:19:38here comes their game.
01:19:40The canisters.
01:19:41They're the ones
01:19:42who provide him
01:19:43with an identity card
01:19:44for the robberies,
01:19:45and they're the ones
01:19:46who give him
01:19:47the identity card
01:19:48for the robberies.
01:19:49They're the ones
01:19:50who provide him
01:19:51with an identity card
01:19:52for the robberies,
01:19:53and they're the ones
01:19:54who have the right contact abroad.
01:19:55Aude Deffy.
01:19:56Deffy, Duffy,
01:19:57we got it.
01:19:58She's the bridge
01:19:59we're looking for.
01:20:01They'll have a base
01:20:02near her,
01:20:03and most likely
01:20:04she'll be the one
01:20:05who found the right hospital.
01:20:07In Paris?
01:20:08It's like looking
01:20:09for a needle in a haystack.
01:20:11And we don't even know
01:20:12if it's in Paris.
01:20:13The French woman
01:20:14has two other houses,
01:20:15because she works
01:20:16in Lyon and in Marseille.
01:20:17It's the opposite of Paris
01:20:18that the canister
01:20:19called her.
01:20:20Fiore,
01:20:21let's look for the first flight
01:20:22to Paris.
01:20:24So, with this,
01:20:26we can turn on the light.
01:20:27Yes.
01:20:29This is to call us.
01:20:31And here you can adjust the bed.
01:20:34Up.
01:20:36Down.
01:20:37Okay.
01:20:39Here is the light.
01:20:41This is to call
01:20:42the nurse
01:20:43if she needs anything.
01:20:45And this
01:20:46is to lift
01:20:48and lower the bed.
01:20:50Okay?
01:20:51Yes.
01:20:52Thank you.
01:20:53Well, that's all.
01:20:54The dinner will be served soon.
01:20:56They'll bring you
01:20:57to eat soon.
01:20:58Miss.
01:20:59Sir.
01:21:00Goodbye.
01:21:04Don't worry,
01:21:05Mr. Spada.
01:21:07This is one of the best
01:21:08clinics in southern France.
01:21:10It's in good hands.
01:21:12We're all in the hands
01:21:13of the Lord.
01:21:15Anyway, thank you, Miss.
01:21:17Wait for me outside.
01:21:30Are you sure you're okay?
01:21:32A hundred percent.
01:21:34Are you sure?
01:21:36Yes, you have to rest assured.
01:21:37It's all set.
01:21:41Do you need anything else?
01:21:44A little rest.
01:21:46Well, if you don't mind,
01:21:48we're going to eat something
01:21:49after the trip.
01:21:51Ah.
01:21:53Here are
01:21:54our numbers.
01:21:56Yes.
01:21:57These are political numbers
01:21:58and also those of Audi.
01:21:59If you don't understand
01:22:00something,
01:22:01you can...
01:22:11My respects.
01:22:14Thank you.
01:22:29Hey, stop it!
01:22:30Let me go!
01:22:32I'm going to kill you,
01:22:33you son of a bitch!
01:22:35What the fuck does it mean
01:22:36that you're going to kill me?
01:22:38It means that you've lost enough,
01:22:39Matteo.
01:22:40Is that what you're saying?
01:22:41I'm going to chase you
01:22:42like a dog!
01:22:43Why did you take her with that guy?
01:22:45With who?
01:22:46Take her with the guy
01:22:47who gave you the credit card.
01:22:49Fuck, I'm the manager.
01:22:51Now I'm going to show him
01:22:52who's the boss.
01:22:53Matteo, it's five in the morning.
01:22:55What the fuck are you talking about?
01:22:56It's not your fault.
01:22:58I was going to tell you
01:22:59who's the boss.
01:23:04Hello, Maria.
01:23:05Matteo.
01:23:06Matteo, it's five in the morning.
01:23:08What are you doing with Benasso?
01:23:09Listen, I'm calling
01:23:10the manager of the bank
01:23:11Luciano Lari.
01:23:12What's going on, Matteo?
01:23:13Oh, I'm in a hurry.
01:23:15Hurry up!
01:23:16All right, all right.
01:23:17I'm on my way.
01:23:24Hey.
01:23:26Where are you going?
01:23:27Okay.
01:23:30Matteo Canestra called his wife
01:23:31from the casino in Aix-en-Provence.
01:23:32It's near Marseille.
01:23:33The French woman
01:23:34has a house there too.
01:23:35Let's change the plan.
01:23:36They won't even pay us.
01:23:38Don't worry.
01:23:39We'll go to Paris anyway.
01:23:40From there we'll fly to Marseille.
01:23:41Obviously with us, right?
01:23:42Of course.
01:23:43I've never worked in Paris,
01:23:45but I've never paid to work in Rome.
01:24:11It'll be all right, uncle.
01:24:12You don't have to worry.
01:24:14Uncle, don't worry.
01:24:16We'll wait for you here.
01:24:41Count to ten.
01:24:44One.
01:24:46Two.
01:24:48One.
01:24:49Three.
01:24:51Four.
01:24:52Our Father, who art in heaven,
01:24:54hallowed be thy name.
01:24:57Thy kingdom come,
01:24:59thy will be done,
01:25:01on earth as it is in heaven.
01:25:03Give us this day our daily bread
01:25:06and forgive us our trespasses
01:25:08as we forgive those who trespass against us.
01:25:10Give us this day our daily bread
01:25:12and forgive us our trespasses
01:25:14as we forgive those who trespass against us.
01:25:16Give us this day our daily bread
01:25:18and forgive us our trespasses
01:25:20as we forgive those who trespass against us.
01:25:31Yes, yes, I'm waiting for you.
01:25:34Yes.
01:25:35Next time turn left.
01:25:36Always straight and we're under the house of Léon, OK?
01:25:38Léon! Léon, merci!
01:25:40Merci!
01:25:42Our French is good.
01:25:44They're waiting for us there.
01:25:54Uncle,
01:25:55everything went well.
01:25:57The doctor says you're a whore.
01:26:00And that you're a lucky man.
01:26:04Our Lord saved my life.
01:26:09Now...
01:26:11Now I have to go.
01:26:14I have to finish my mission.
01:26:18But you still have to be patient.
01:26:21You can't leave.
01:26:23You have to recover.
01:26:25The surgeon said a few more days.
01:26:31Thank you.
01:26:39Thank you.
01:26:47Thank you.
01:27:08Thank you.
01:27:14The kitchen is all set.
01:27:21Figaro.
01:27:24The suplement.
01:27:38Hey.
01:27:55Hey.
01:28:02Maybe we're there.
01:28:04This is the counter of a bar.
01:28:07Same day, same street.
01:28:09See? Almost the same time.
01:28:12Excuse me.
01:28:13But...
01:28:15Two hours to get a cappuccino seems too much to me.
01:28:23Here's another one, see?
01:28:26Same parking lot.
01:28:28Two days earlier.
01:28:37Excuse me.
01:28:38Excuse me.
01:28:39I'm telling you to wait for the French,
01:28:41or there's going to be a mess here.
01:28:43There are the French ahead.
01:28:44They're ahead of me.
01:28:45Speed up!
01:28:46Roberto, don't be stupid.
01:29:07Au revoir.
01:29:09Bonjour.
01:29:10Bonjour.
01:29:11La chambre de monsieur Spada.
01:29:13Spada.
01:29:14Police.
01:29:15Vite, vite.
01:29:16Spada.
01:29:20Chambre 512, cinquième étage.
01:29:23Merci.
01:30:37Police.
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