The Nandini Murder Case (2023) Web Series Season 1 Episode - 5,6,7,8 || দ্যা নান্দিনী মাডার ক্যাস বাংলা সিরিস পর্ব - ৫,৬,৭,৮
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00:00:00I
00:00:07Don't
00:00:12But oh
00:00:19But oh
00:00:30I
00:01:00I
00:01:02I
00:01:29But oh
00:01:32I
00:02:02I
00:02:32I
00:03:02She's taking me to be charmed
00:03:05You have it is what they burn on a joint a burnout
00:03:08I'll take it to me. I'm Arjun no more against her army. Don't march on no more agency
00:03:13I
00:03:43I
00:03:49Run in the moon or turn key update deal in a con
00:03:52Not on gonna clue Bellen
00:03:54She's not she's good at it. I tell the cast sample clue the lump
00:04:00Money
00:04:02Delam money
00:04:05It I don't think
00:04:09Hey
00:04:10Keep money to give me a mic. It was the last year. I said I don't problem door. Take it
00:04:15So he was separation. I thought her heart I'd money. Hold on. I'll get it soon. I got a clue
00:04:19He's ready to leave
00:04:20Copy both the computer booth theater Corby to Kobe upset bonus. I'm you cannot upset up. Thank you
00:04:25I've had to give all to a kitchen. I'll get a key
00:04:28Police yet to investigate Koresh. I don't need to put a devil and non-linear baggage at a page
00:04:32It has a clue you do you have me to investigate Corwin?
00:04:34I don't you're going to be no I'm you're going to do that. I'm gonna have to do either help
00:04:37She's in the hotel to Paris a do-over
00:04:40Misguide colonel now to hotel bar a misguide coach. Yeah, I'm a worker
00:04:43Do you know he'd get an ajar? I don't know how to make a mitchie
00:04:46Look, I have an expertise a barricade or get the door so much. I'd say what don't complicate court history. Mr. K
00:04:52I'm a key manager Janice Polly
00:04:55I'm a manager. No, I'm gonna get the roof over there. It's a big thing. I don't have it on each other
00:04:59I know it is I say don't know you
00:05:03Ball ball ball ball
00:05:05A
00:05:07Family cannot fix deposit LIC mutual fund
00:05:12Keep up boy
00:05:15Hello nominee to do it. I know
00:05:19A point will open to a little bully
00:05:24It up a little misguided
00:05:35I
00:06:05Know
00:06:18If I get me with the party, you know, I don't
00:06:23So collect a threat colonel
00:06:26landline
00:06:27Go to the gate
00:06:29No, I'm gonna say no
00:06:31I
00:07:01I
00:07:31They don't have any doubt about that, right?
00:07:35Then why are they so depressed?
00:07:38Are they really depressed?
00:07:43What do you think?
00:07:45The more successful people are, the more depressed they are.
00:07:49That's why.
00:07:50Isn't it?
00:07:52Drink?
00:07:53No, thanks.
00:07:55Okay.
00:07:57My first film flopped.
00:07:59Then I started looking for a producer.
00:08:02Somehow, I found a second producer.
00:08:05The film started.
00:08:07But still, I'm depressed.
00:08:11Nothing is easy in life.
00:08:15But where?
00:08:17I've never felt so depressed.
00:08:20Anyway, look.
00:08:21Sit down.
00:08:24Car, house, fame.
00:08:26Even after getting everything...
00:08:30What did I say?
00:08:32I had a fight with my boyfriend.
00:08:34I lost it.
00:08:37You're like me.
00:08:39Unsuccessful writer.
00:08:41Don't you ever worry about death?
00:08:46I've read your writing.
00:08:49I like it a lot.
00:08:50It's a miracle.
00:08:53Writing or poetry?
00:08:56I've read a poem.
00:08:59You probably proposed Nandini with that.
00:09:03It's good.
00:09:05Nandini heard about you?
00:09:10That's a very personal...
00:09:14Sorry, I shouldn't have said that.
00:09:16No, Nandini shouldn't have.
00:09:19She's a poet.
00:09:20She's been a poet for a long time.
00:09:28I'm afraid to say this.
00:09:31Nandini needed psychological treatment.
00:09:35Depression, mood swings.
00:09:39I tried.
00:09:42I tried a lot.
00:09:44But she wouldn't listen to me.
00:09:46She wouldn't do anything.
00:09:50Forget it.
00:09:53What I'm trying to say is...
00:09:58Did Nandini get a threat call from a producer recently?
00:10:07I don't know anything about that.
00:10:09I don't remember.
00:10:16Actually...
00:10:18After Kolkata, the death of the actresses.
00:10:21Nandini's murder.
00:10:24All these things are somehow connected.
00:10:27I doubt Nandini's final decision.
00:10:32I didn't think about it.
00:10:35But I don't think so.
00:10:43Anyways...
00:10:46Let's go.
00:10:48If you remember anything...
00:10:51If not me, at least tell Ranjan.
00:10:54Otherwise, I wouldn't have said no.
00:10:58Who done it?
00:11:00This puzzle is bothering me.
00:11:05Anyways, let's go. Good night.
00:11:07Good night.
00:11:17Here, take this medicine.
00:11:21Actually...
00:11:23I'm scared.
00:11:24But why am I scared?
00:11:28Nandini is connected to someone.
00:11:31She's targeting my family.
00:11:35I'll have to call DC.
00:11:37I'll have to take police protection.
00:11:41I can't live in peace.
00:11:43Don't do all this.
00:11:44It's my fault.
00:11:46I didn't close the door properly.
00:11:48No, it's not that.
00:11:50It's not a threat.
00:11:52It's a physical attack.
00:11:54We have to look at it differently.
00:12:07Hello, sir.
00:12:08I'm extremely sorry.
00:12:10You were right.
00:12:12I really need police protection.
00:12:15It's very serious.
00:12:17Okay, sir. Thank you.
00:12:19Thank you very much.
00:12:20Good night.
00:12:24Kanchan missed call.
00:12:28You rest. I'm coming.
00:12:37Kanchan, did you call?
00:12:41No, no.
00:12:42Rohit, Samarpalli, no one.
00:12:44I haven't interrogated anyone yet.
00:12:47Why?
00:12:53Can you drop me at the police station tomorrow?
00:12:57Thank you, Kanchan.
00:12:58Thank you.
00:12:59I really didn't think about it.
00:13:03Be careful.
00:13:04I'll arrange for police protection at your hotel tomorrow.
00:13:09Okay.
00:13:11Good night.
00:13:31You have to come to the police station tomorrow.
00:13:37When?
00:13:3812th or 12th Saturday.
00:13:41Okay.
00:13:46Okay.
00:13:47Thank you.
00:14:05Do you have any idea?
00:14:07Yes.
00:14:10The case is getting complicated.
00:14:14All the characters are accusing each other.
00:14:19No one is telling the truth.
00:14:22There is someone who is hiding something.
00:14:26Who?
00:14:28That's the question.
00:14:30Who?
00:14:32And what is he hiding?
00:14:38One.
00:14:41The knife in Abir's hand is a dummy.
00:14:44And the bloodstain on it is fake.
00:14:47So, who killed him at that time?
00:14:52Two.
00:14:54Day after day, Kanchan Babu has accepted Nandini Madam.
00:15:00His polygamy, humiliation.
00:15:04He has accepted everything.
00:15:08And why is he so eager to help me?
00:15:14Strange.
00:15:17Three.
00:15:19Rohit.
00:15:20He is either a hero or a villain.
00:15:24Or he went to the shooting spot the day after the murder.
00:15:28Why?
00:15:30To send thread slip to Nandini Madam.
00:15:34Rohit is not that stupid.
00:15:38Four.
00:15:40Samar.
00:15:42Rohit's friend doesn't know anything about the scene.
00:15:46So, how did he say that he will do the murder scene right now?
00:15:50And the incident happened right after that.
00:15:56The five boys of Haradhani.
00:16:03And Polly.
00:16:06Nandini's most favorite character.
00:16:10According to Kanchan Babu,
00:16:12Polly is the nominee of all her polices.
00:16:15But why?
00:16:17You are the most clever girl, Polly.
00:16:22Brother, take me to the jungle for the shooting.
00:16:25Yes, Madam.
00:16:33Four.
00:17:03Four.
00:17:34Madam.
00:17:43Do you have a boyfriend?
00:17:49No.
00:17:51Not even once?
00:17:52I mean, in school or college?
00:17:57No.
00:17:58Strange.
00:18:01Girlfriend?
00:18:03Girlfriend?
00:18:08Yes.
00:18:10You...
00:18:12I mean, what I had guessed...
00:18:18I can understand what you are guessing.
00:18:21Then why don't you accept it?
00:18:24You are intellectual, progressive.
00:18:26Nowadays, people don't care about gays and lesbians.
00:18:29Right?
00:18:33But, I don't know how much love you had with Nandini.
00:18:38Only your two friends, Kanchan Babu knows.
00:18:41Do you know that?
00:18:42We had a relationship of friendship between Nandini and me.
00:18:46Why are you lying?
00:18:50If you don't accept your relationship,
00:18:52it means you are insulting your love.
00:18:56Your respect, touch, life.
00:18:59Not only that.
00:19:00You are also insulting Nandini.
00:19:03Your deep love for her.
00:19:06Do you think...
00:19:07Do I think?
00:19:09Talking about deep love,
00:19:11you are having a sexual pleasure.
00:19:14That's why...
00:19:15These things are not related to this case.
00:19:17That's why you are saying this.
00:19:19Nandini was in love with me.
00:19:21So?
00:19:27You...
00:19:28You were in love?
00:19:32Did Sidhu act like that?
00:19:36I don't like it.
00:19:37Hey, hey, hey.
00:19:39I have seen how much you were in love.
00:19:42You were not in love.
00:19:45You were in love.
00:19:46Was there any need to make Kanchan?
00:19:49You are earning a lot.
00:19:50You are staying with me.
00:19:52What is this commitment-for-commitment?
00:19:54What is this commitment-for-commitment?
00:19:56Oh, dad.
00:19:57I had to do it.
00:19:58You won't understand.
00:19:59Sit down.
00:20:00Don't get up.
00:20:07Now Kanchan and her family
00:20:09will hold you for social management.
00:20:11So how will you cut it?
00:20:13Why will I cut it?
00:20:19You mean you will marry Kanchan?
00:20:21Yes.
00:20:25That means we are just past our time.
00:20:32This...
00:20:34You and your director, actor, producer
00:20:36you are sleeping with everyone,
00:20:38eating, sleeping, doing whatever you want
00:20:40to get work.
00:20:42I don't like it.
00:20:44But I...
00:20:46I won't say anything to you.
00:20:50This is your professional marriage.
00:20:53This is a professional matter.
00:20:54All professions are like this.
00:20:59I can't help it.
00:21:05You and I were supposed to get married.
00:21:08Yes, I will.
00:21:10I married Kanchan today.
00:21:11I will marry you after that.
00:21:13What?
00:21:14What nonsense are you talking about?
00:21:23This is not nonsense.
00:21:28Polly, I am...
00:21:29a heroine.
00:21:30Hmm?
00:21:32If a heroine is in a relationship with 10 men
00:21:35she can be disrespected.
00:21:36But my respect for her won't decrease.
00:21:39But if everyone knows
00:21:41that I am in a relationship with a woman
00:21:44I am a bisexual
00:21:46then my name, fame, food
00:21:49waste
00:21:50everything will be gone.
00:21:52I will lose my job.
00:21:53And I won't be able to afford it.
00:21:56Right?
00:22:05Marrying Kanchan socially
00:22:07means making our relationship official.
00:22:12Understood?
00:22:20Yes.
00:22:36What did you think?
00:22:38That I will leave you so easily?
00:22:42Hmm?
00:22:43I will burn you even if you die.
00:22:51Are you going to make it official
00:22:54or are you the nominee of all the policies?
00:22:57You should have asked Nandin.
00:23:00That's difficult.
00:23:03There is no other way.
00:23:06Do you think that's because of Kanchan's anger?
00:23:10Anger doesn't mean anything.
00:23:14Whatever it is.
00:23:15Okay.
00:23:16I will give it to Nandin.
00:23:18You will give it to Nandin?
00:23:20How much property do you have in Bakalam?
00:23:23Why didn't Kanchan tell you?
00:23:29How will Kanchan know?
00:23:31You have written a lot of poems.
00:23:34Is it possible for her to know about my husband?
00:23:37You are crossing all your limits.
00:23:40And you are talking about me?
00:23:43What kind of relationship did you have with Nandin?
00:23:46Who threatened Nandin?
00:23:48Who had an affair with Nandin?
00:23:49You are confusing everything.
00:23:51Because it is your responsibility to investigate.
00:23:53Not mine.
00:23:55I don't know all this.
00:23:58Okay.
00:24:00If that's the case,
00:24:03then after all my investigations,
00:24:05I have come to the conclusion that
00:24:08your motive for murdering Nandin was the biggest.
00:24:11And that's why after you have done all your dirty work,
00:24:14you threatened Nandin for a long time,
00:24:16blackmailed him to reveal your relationship,
00:24:19and took all your property.
00:24:23You wrote it in your name.
00:24:25And Abid Namin, a normal actor, saw it as a money theft.
00:24:28And by cheating in this shooting,
00:24:29you murdered your lover.
00:24:34And can't you prove this in court?
00:24:35Believe me.
00:24:36I don't have to be so stubborn.
00:24:44The law of this country still exists.
00:24:46And I will follow that path.
00:24:49Can you prove it?
00:24:51Nandin was murdered with a spring-loaded knife.
00:25:00This is a mistake.
00:25:03You are right.
00:25:06Thanks.
00:25:08By the way,
00:25:09is this a real knife?
00:25:39Yes.
00:25:53Do you want me to change the knife?
00:25:55Yes.
00:25:59If you keep the knife,
00:26:00there will be no harm to your fingerprints.
00:26:04What?
00:26:05If Sujata gets angry,
00:26:08I will be in trouble.
00:26:13So,
00:26:15will you open your mouth,
00:26:17or shall I start the trigger?
00:26:23What do you say?
00:26:36Two years later.
00:26:48Can I get some tea?
00:26:49Yes.
00:26:50Give me some tea.
00:26:51Sure.
00:27:05Two years later.
00:27:35Two years later.
00:28:05Two years later.
00:28:30Two years later.
00:28:33Sorry.
00:28:34After the last shooting,
00:28:36everyone insisted so much
00:28:38that I had to eat.
00:28:41That's why I was late.
00:28:44Anyway,
00:28:46good night.
00:29:04Two years later.
00:29:34Two years later.
00:29:47Happy birthday to you.
00:29:53Happy birthday to you.
00:29:59Happy birthday, dear...
00:30:05Happy birthday to you.
00:30:13Hey, stop!
00:30:15Hey!
00:30:18I said stop!
00:30:34Two years later.
00:30:45I know you didn't kill her.
00:30:48But the motive to kill Nandini is clear.
00:30:53It won't be difficult to prove it.
00:30:59If you keep quiet,
00:31:02it means you are digging your own grave.
00:31:07What do you want to hear?
00:31:09That I killed Nandini by hiring goons, right?
00:31:12No, no.
00:31:13I want to hear
00:31:16who Nandini was talking to from the toilet club.
00:31:20Who she was telling to leave her.
00:31:22Why did the film industry ban her?
00:31:24Who were they?
00:31:26Who was scaring everyone?
00:31:27And
00:31:29who was scaring my family?
00:31:32Wow!
00:31:33I'll answer one by one.
00:31:34You copy them and give them to your senior.
00:31:37Case solved.
00:31:38Then you can all chill.
00:31:41Why don't you tell me what you think?
00:31:44How did you get into the crime world?
00:31:49Okay, I'll tell you everything.
00:31:52You just transfer your opinion to me.
00:31:56Let's go.
00:31:59Please.
00:32:07Just a minute.
00:32:23What do you want to do?
00:32:29What's going on?
00:32:40Let me go!
00:32:41You can't hurt me!
00:32:58You can't hurt me!
00:33:05I've transferred Pooja's statement.
00:33:09I'll give you the money.
00:33:13Hmm?
00:33:17Hi.
00:33:20Hi.
00:33:24Hey, how are you?
00:33:26Yes.
00:33:31Mr. Agarwal.
00:33:33Madam!
00:33:35Greetings.
00:33:36Greetings.
00:33:37Please sit.
00:33:38Thank you.
00:33:41What would you like to have?
00:33:43Red wine?
00:33:44Yes, sure.
00:33:45Chandan.
00:33:46Yes, sir.
00:33:49Red wine for madam.
00:33:51Great.
00:33:52Okay, sir.
00:33:53Can we talk business?
00:33:54Yes, of course.
00:33:56Look.
00:33:57I want to sign three pictures with you.
00:34:00In a year.
00:34:03We want these three pictures to be shot abroad.
00:34:08Foreign.
00:34:10After that, we'll do a Hindi movie with you.
00:34:14Okay.
00:34:16In that, your remuneration will be three times more than now.
00:34:24Is that okay?
00:34:28That's fine.
00:34:30But I have a condition.
00:34:32Yes, tell me.
00:34:33Please.
00:34:35I want to hear the script first.
00:34:37And I also want to sit with the director.
00:34:39Yes, yes.
00:34:40Why not?
00:34:41That's absolutely normal.
00:34:44Chandan, come here.
00:34:48Your drink, ma'am.
00:34:49Thank you.
00:34:50Welcome.
00:34:51Sir.
00:34:54Take a look at this.
00:34:56Sorry.
00:34:58One second.
00:35:03When did you start working?
00:35:06Started?
00:35:07It's already started.
00:35:10Here.
00:35:13This is actually a signing amount.
00:35:17A small amount.
00:35:195-10 lakhs.
00:35:24So much cash?
00:35:28It's in black.
00:35:30We'll transfer you to a bank in sub-white.
00:35:33We don't do double-dealing.
00:35:37The contract is signed with you.
00:35:40Now, it's with the heroes.
00:35:42That's it.
00:35:43It's complete.
00:35:44Thank you.
00:35:51You'll have time to spend with us, won't you?
00:36:00I also have a condition.
00:36:04Yes, tell me.
00:36:06Don't interfere in my business.
00:36:10What business?
00:36:11Personal.
00:36:13Then, that's not my business.
00:36:16That's it.
00:36:22Thank you.
00:36:26Cheers.
00:36:27I understood that Agarwal is not a good person.
00:36:32I told him not to sign the contract.
00:36:35So much money?
00:36:37Can he handle it?
00:36:39Why didn't you tell me earlier?
00:36:42After the contract was signed,
00:36:44he used to take the money from the shop,
00:36:46from the bank,
00:36:47he used to take it every day.
00:36:50Every day?
00:36:51Yes.
00:36:53Recently, he wanted to take it to Singapore and Dubai.
00:36:57He cut it because of work.
00:37:01Then, all the problems started.
00:37:08That's it.
00:37:27You are angry with me, right?
00:37:34Nandini, I mean...
00:37:36You were Nandini's lover, friend, husband.
00:37:44But everyone introduced Nandini as my boss.
00:37:48You were not angry.
00:37:50I was very angry when I was in your place.
00:37:54But look at the irony.
00:37:57Even I get very angry when I see you.
00:38:01I was only Nandini's boss.
00:38:07I could not be her friend, lover or husband.
00:38:14Did you ever want to be one of them?
00:38:20Yes, I did.
00:38:23But Nandini didn't give me that opportunity.
00:38:26Radha gave me the opportunity.
00:38:28Did you love her?
00:38:35Yes, I loved her.
00:38:38I loved her.
00:38:40I was very angry with you then.
00:38:43Then why are you doing what you didn't do before?
00:38:46What do you mean?
00:38:50People are afraid of Nandini.
00:38:52Then why are you afraid of me?
00:38:54What are you saying?
00:38:59Who will do this except you, Rohit?
00:39:03And where will this scarf come from?
00:39:08And not just me.
00:39:10Why are you attacking that woman in Ranjan Babu's house?
00:39:15Have you gone mad?
00:39:17Have you gone crazy?
00:39:19Why will I send a threat message?
00:39:21Why will I scare people?
00:39:24Have I gone mad?
00:39:29So you are saying Nandini was crazy.
00:39:33Mad.
00:39:37That's what we say in Bengali.
00:39:40In doctor's language, it's bipolar.
00:39:42Mood swing.
00:39:43How did you know that?
00:39:45Did the doctor tell you?
00:39:47I was a psychology student, Ranjan Babu.
00:39:50Oh.
00:39:52But Nandini is a drug addict.
00:39:54Yes, but she is an addict.
00:39:56You can be sure of that by talking to Ranjan Babu.
00:40:00She used to misbehave with people in the unit.
00:40:03Whenever she was angry, she would leave the set.
00:40:09Then she used to misbehave with everyone.
00:40:15Why do you think Nandini is afraid of insecurity?
00:40:21Why do you think so?
00:40:25What does your psychology say?
00:40:29Look, in the Bengali industry, I mean, in any industry,
00:40:34there is no such thing as a drug addict.
00:40:38And apart from that, Nandini has never worked with directors.
00:40:44Maybe that's why, and...
00:40:48And?
00:40:51That's why, I mean, she started working as a detective for money.
00:40:56That's where the frustration comes from.
00:40:59Excessive drugs, drugs.
00:41:02But as far as I remember, you don't know anything other than Nandini's drugs.
00:41:07I mean, you said the same thing two days ago.
00:41:11Anyway, but why do you think she'll get a threat message for that?
00:41:21It's like a task, isn't it?
00:41:24With the writing of that message, the writing of your hand is strange...
00:41:34How will I write? That's Abir's...
00:41:37Abir's?
00:41:39How did you know that?
00:41:41As far as I remember, Kanchan Babu said that
00:41:43the writing of Rohit's hand matches that of Nandini's.
00:41:48The writing of your hand matches that of Nandini's.
00:42:00Yours is straight.
00:42:03Or is it Abir's?
00:42:06How is that in your hand?
00:42:10Some of it matches that of Rohit's.
00:42:14Some of it is Abir's.
00:42:17Some of it is Kanchan Babu's.
00:42:20We've tested it with a writing expert.
00:42:24The threat messages in Nandini's bag or in my house...
00:42:29With that writing, the writing of your hand will match.
00:42:32I mean, your writing.
00:42:35That's not all.
00:42:37You wanted to trap Abir and Rohit.
00:42:41Why do you say that openly?
00:42:47I didn't write this.
00:42:49Then?
00:42:53Where are you going?
00:42:55Come with me.
00:43:17Hold this.
00:43:23Let's go.
00:43:28Do you know that Nandini and Agarwal
00:43:30have signed a contract for three Bangla films?
00:43:34No.
00:43:37She took an advance of 10 lakhs.
00:43:39In cash.
00:43:41Since then, Nandini's life has become hell.
00:43:44In fact, before Samar's film started, it was about to end.
00:43:48Because of Nandini.
00:43:50What are you saying? I'm forgetting everything.
00:43:54You must know that I backed out of the film.
00:43:58For Nandini.
00:44:00Yes, I know.
00:44:02Nandini called Samar and said that
00:44:05if the film doesn't make it, the producer will back out.
00:44:09Exactly.
00:44:11I agreed to do the film on Samar's behalf.
00:44:16But a few days later, when I returned from Bombay to Kolkata...
00:44:21The producer is calling.
00:44:27Hello, sir.
00:44:29Yes, sir.
00:44:33Yes.
00:44:35But...
00:44:37But why?
00:44:41Okay, sir. I'll talk to him.
00:44:43Okay.
00:44:47What happened?
00:44:49The producer backed out.
00:44:51But he gave us an advance.
00:44:53Yes, he did.
00:44:55But now Agarwal says that he won't do it.
00:44:59Because Agarwal said that he won't finance the film.
00:45:03Because of that, Nandini has signed a bitch-off contract with them.
00:45:07That's great. Then Nandini will take someone else's place.
00:45:09No, that's not possible.
00:45:11Because of that, Nandini is involved in their business.
00:45:15Now, the film will be made if Nandini does as they say.
00:45:19That's great.
00:45:21But what about Sakhi?
00:45:28Do you think you can mess with those people?
00:45:32You are Agarwal's business double.
00:45:34You are Agarwal's business double.
00:45:36What will they get?
00:45:38A producer from India.
00:45:41You made a film with their money.
00:45:43What will we get?
00:45:45And when you signed the contract, you should have seen that.
00:45:50Now, when you didn't do that, it's better to keep your mouth shut.
00:45:55You should have said that in your film.
00:45:58Yes.
00:46:00I didn't mean that.
00:46:02Such a bastard.
00:46:04You are crossing your limit.
00:46:06Of course, I am crossing my limit, Samar.
00:46:09I don't know what you will do if you know what I know.
00:46:13But as a human being, as a woman, I can't let this go on.
00:46:18I don't need to know what you know.
00:46:21That's not my lookout.
00:46:23You will keep your mouth shut. That's it.
00:46:25Are you threatening me?
00:46:27No, I am warning you.
00:46:29Nandini.
00:46:31Please try to understand the situation.
00:46:35You won't go out with them.
00:46:38If you open your mouth against them, my film will stop.
00:46:42That's not a big deal.
00:46:44They will harm you.
00:46:46Let's end this here.
00:46:51Samar.
00:46:53Samar.
00:46:55I will do whatever I can to end your film.
00:47:01Let's go.
00:47:03Nandini, please.
00:47:10After 3-4 years, I have found a producer.
00:47:15Even after all this, if the film stops,
00:47:19Nandini, I might...
00:47:23You don't have to think about me. Think about yourself.
00:47:31Have you read Greek tragedy, King Oedipus?
00:47:36There is a saying.
00:47:38The one who can forget, can survive.
00:47:45You are a smart girl.
00:47:48I hope you remember this saying.
00:48:14Hello.
00:48:18Mr. Agarwal.
00:48:20Smuggling?
00:48:23I am telling the truth, sir.
00:48:25I don't know anything about Agarwal's business.
00:48:28All I know is that if Nandini goes after them...
00:48:32Then your film will stop, right?
00:48:35No. Nandini's death will be a problem.
00:48:38And we will all be in trouble.
00:48:41So, as per Agarwal's words...
00:48:44You copied the handwritings of different people...
00:48:46To scare Nandini.
00:48:48So that she would be scared and keep her mouth shut.
00:48:51And you copied the handwritings of Rohit and Abir.
00:48:55So that it would seem like Nandini was with Abir and Rohit.
00:49:00You did this to represent them.
00:49:06I don't know much about you as a director.
00:49:08But...
00:49:10I can understand that you were a good student of psychology.
00:49:15But what happened that Nandini was murdered?
00:49:19Sir, report.
00:49:22Thank you.
00:49:31Oh!
00:49:34The case has become more complicated, Mr. Somra.
00:49:38You were trapped in one murder case.
00:49:41Now you are trapped in two murder cases.
00:49:45An autopsy report said Nandini was pregnant...
00:49:49At the time of her death.
00:49:54Who is the child?
00:49:56Mr. Somra?
00:50:04After the shooting was over that day...
00:50:07Unknowingly, Nandini brought me to this place.
00:50:10I thought she would kidnap me again...
00:50:13And hang me.
00:50:17I know what you are thinking.
00:50:19What?
00:50:21I brought you here...
00:50:23To say sorry to you.
00:50:30You are still proud of it.
00:50:33You can't forget it.
00:50:34You can forget it?
00:50:38Say something.
00:50:42I know.
00:50:44I knew that you never loved me.
00:50:48But you know that I loved you.
00:50:51I made a mistake, Rohit.
00:50:53I made a mistake many times in my life.
00:50:58And I made that mistake again.
00:51:00And I made that mistake again.
00:51:05But I am very calm now.
00:51:09I won't make the same mistake again.
00:51:20Hold this.
00:51:22What is this?
00:51:24Take it. It's your reward.
00:51:26You don't make mistakes with me.
00:51:29Kanchan, Abish, Somra...
00:51:31How many people have you made mistakes with?
00:51:34I don't even remember them.
00:51:36Then why do you give me the reward?
00:51:39I know.
00:51:41But you are the only person who won't ask me anything.
00:51:45You won't ask for anything.
00:51:48That's why I gave you this.
00:51:49That's why I gave you this.
00:51:54Rohit, I know that I have no importance in your life.
00:51:58You have forgotten me.
00:52:03When the shooting ends tomorrow,
00:52:05you will go to Mumbai and I will go to Kolkata.
00:52:08I won't call you and neither will you.
00:52:11After that, we won't be able to work or see each other.
00:52:16You keep this with you.
00:52:19What's in it?
00:52:25You don't need to know that.
00:52:29Then why are you giving it to me?
00:52:31Like I said, it's a national treasure.
00:52:35Keep it with you. I will take it when I need it.
00:52:44You are very strange.
00:52:45I don't know you.
00:52:48I don't know you.
00:52:51I don't understand you.
00:53:05The king of bloodsuckers said,
00:53:11I want to see you broken, Nandin.
00:53:15And if I can't, I want to see you upside down.
00:53:23Do you have it or did you throw it away?
00:53:26I threw it away.
00:53:31But I have it.
00:53:41Mr. Agarwal, please have a seat.
00:53:45Thank you.
00:53:51Would you like to have something? Tea or coffee?
00:53:56What's the matter, madam?
00:53:59What's the matter?
00:54:01You have become very silent.
00:54:03You don't even receive my calls.
00:54:05You don't even reply to my WhatsApp messages.
00:54:08Is something wrong?
00:54:10I mean, is there a mistake on my part?
00:54:12No, no.
00:54:14Actually, I have some work to do.
00:54:17Oh.
00:54:19Okay, I will reduce your work.
00:54:23The film that you are shooting, I will stop it from tomorrow.
00:54:27And the film that you are doing before that...
00:54:29You are threatening me.
00:54:32You are threatening me, madam.
00:54:36Look, I have understood your situation.
00:54:39You took cash money from me.
00:54:42Now you don't listen to me.
00:54:45On top of that, you are telling everyone that I am a bad man.
00:54:49My business is bad.
00:54:52This is not right.
00:54:54Firstly, I didn't say anything about your business.
00:54:58Secondly, I am returning the money that I took from you.
00:55:04Mr. Agarwal, I had three contract with you.
00:55:09I didn't ask you to go to Dubai or Singapore.
00:55:12I didn't ask you to go to the shops and cut your hair.
00:55:15And I am not like the other actors in your serial.
00:55:18If you tell them, they will...
00:55:20That's right.
00:55:22You can dance wherever you want.
00:55:24You can sleep wherever you want.
00:55:27You can say whatever you want.
00:55:29But for me, this is the matter.
00:55:32It is my wish whom I will give the money to.
00:55:36You have a holiday from now.
00:55:40Hello, is anyone here?
00:55:43Hello, sir.
00:55:45Listen, call the director.
00:55:47Tell him that the shooting is off from now.
00:55:49Take up. Go.
00:55:51Okay, sir.
00:55:53Look, madam.
00:55:55You will get a lot as a producer.
00:55:57But you won't get the finance.
00:55:59I have invested money in all these movies.
00:56:02Not the producer.
00:56:04Okay.
00:56:06Okay, Ramji.
00:56:09Good bye.
00:56:19It is not that the problem will be solved if I talk to the cinema.
00:56:26All the producers will open their mouth against me.
00:56:29I will get a job and my career will be over.
00:56:33But the rest of the girls,
00:56:35who are more affected than me,
00:56:38they won't be able to survive, Polly.
00:56:46Tell me, what happened after Mr. Agarwal left?
00:56:52After he left, a girl called me by the name of Trina.
00:56:58Hello.
00:57:00Nandini, did you hear anything?
00:57:02About what?
00:57:04About Mr. Agarwal.
00:57:07What about Mr. Agarwal?
00:57:10He wanted to take you to Dubai.
00:57:15How did you know?
00:57:17He said, can you meet me once?
00:57:20Right now, in a cafe.
00:57:22I am sending you the location.
00:57:24I am coming.
00:57:32You know that Mr. Agarwal is not a good person.
00:57:38I am trapped, Nandini.
00:57:42What else can I say to you?
00:57:45You are trapped yourself.
00:57:50Do you know?
00:57:52Mr. Agarwal sends girls like us to escort services.
00:57:57Yes.
00:57:59Yes.
00:58:01I have been there a few times.
00:58:06But I can't do it anymore.
00:58:11I know that's why Mr. Agarwal wanted to take you.
00:58:15Isn't it?
00:58:17No.
00:58:19No.
00:58:20Why are you lying?
00:58:23Why are you lying?
00:58:25You didn't go to Dubai or Singapore.
00:58:28But you went to Mumbai.
00:58:30Seniors like you,
00:58:32do this day in and day out.
00:58:34That's why the girls in the industry
00:58:36have become cheap.
00:58:39And we,
00:58:41have made ourselves cheap.
00:58:45Those who had no right,
00:58:48are earning money.
00:58:51Buying expensive flats,
00:58:53cars, houses.
00:58:56What do you think?
00:58:58People don't understand anything?
00:59:00That only Bangladeshi cinema and serials
00:59:03can't make such expensive flats and cars.
00:59:06Can't they?
00:59:12Why are you telling me all this?
00:59:16Do you know why we wear sunglasses?
00:59:18Do you know why?
00:59:24Because crime works in our eyes.
00:59:28Those who had the right,
00:59:33lost today because they didn't compromise.
00:59:39Really?
00:59:41Will we ever be able to speak with their eyes?
00:59:45Trina, why are you telling me all this?
00:59:49Because I can't take it anymore.
00:59:55Calm down.
00:59:57Tell me,
00:59:59are we actresses?
01:00:01Or call girls?
01:00:03There are a lot of girls like me in this city.
01:00:06No one listens to us.
01:00:09That's why I came to you.
01:00:11You will be able to open Agarwal's mouth once.
01:00:15No, I won't.
01:00:18I don't have that mouth.
01:00:21All my work is getting stopped.
01:00:24Your work won't stop.
01:00:28You just have to do one thing.
01:00:32Me?
01:00:36Nandini,
01:00:38Nandini,
01:00:40we can't do this work, Nagu.
01:00:44Only you can do it.
01:00:47Just do what I say.
01:00:50Only you can do it.
01:01:07I'm sorry.
01:01:09I'm sorry.
01:01:11I'm sorry.
01:01:13I'm sorry.
01:01:15I'm sorry.
01:01:17I'm sorry.
01:01:19I'm sorry.
01:01:21I'm sorry.
01:01:23I'm sorry.
01:01:25I'm sorry.
01:01:27I'm sorry.
01:01:29I'm sorry.
01:01:31I'm sorry.
01:01:33I'm sorry.
01:01:35I'm sorry.
01:01:37I'm sorry.
01:01:39I'm sorry.
01:01:41I'm sorry.
01:01:43I'm sorry.
01:01:45I'm sorry.
01:01:47I'm sorry.
01:01:49I'm sorry.
01:01:51I'm sorry.
01:01:53I'm sorry.
01:01:55I'm sorry.
01:01:57I'm sorry.
01:01:59I'm sorry.
01:02:01I'm sorry.
01:02:03I'm sorry.
01:02:05I'm sorry.
01:02:07I'm sorry.
01:02:37I'm sorry.
01:02:39I'm sorry.
01:02:41I'm sorry.
01:02:43I'm sorry.
01:02:45I'm sorry.
01:02:47I'm sorry.
01:02:49I'm sorry.
01:02:51I'm sorry.
01:02:53I'm sorry.
01:02:55I'm sorry.
01:02:57I'm sorry.
01:02:59I'm sorry.
01:03:01I'm sorry.
01:03:03I'm sorry.
01:03:05I'm sorry.
01:03:07I'm sorry.
01:03:09I'm sorry.
01:03:11I'm sorry.
01:03:13I'm sorry.
01:03:15I'm sorry.
01:03:17I'm sorry.
01:03:19I'm sorry.
01:03:21I'm sorry.
01:03:23I'm sorry.
01:03:25I'm sorry.
01:03:27I'm sorry.
01:03:29I'm sorry.
01:03:31I'm sorry.
01:03:33I'm sorry.
01:03:35I'm sorry.
01:03:37I'm sorry.
01:03:39I'm sorry.
01:03:41I'm sorry.
01:03:43I'm sorry.
01:03:45I'm sorry.
01:03:47I'm sorry.
01:03:49I'm sorry.
01:03:51I'm sorry.
01:03:53I'm sorry.
01:03:55I'm sorry.
01:03:57I'm sorry.
01:03:59I'm sorry.
01:04:01I'm sorry.
01:04:03I'm sorry.
01:04:05I'm sorry.
01:04:07I'm sorry.
01:04:09I'm sorry.
01:04:11I'm sorry.
01:04:13I'm sorry.
01:04:15I'm sorry.
01:04:17I'm sorry.
01:04:19I'm sorry.
01:04:21I'm sorry.
01:04:23I'm sorry.
01:04:25I'm sorry.
01:04:27I'm sorry.
01:04:29I'm sorry.
01:04:31I'm sorry.
01:04:33I'm sorry.
01:04:35I'm sorry.
01:04:37I'm sorry.
01:04:39I'm sorry.
01:04:41Thank you, Trina, for taking your eyes off mine.
01:05:01She returned to the house the first two days.
01:05:04was fully shattered and all of a sudden, one after the other, all the cinemas were closed
01:05:14and everything started.
01:05:15He didn't say anything to me at that time, and I didn't ask him anything, but I warned
01:05:24him again.
01:05:25He didn't say anything to me at that time, and I didn't ask him anything, but I warned
01:05:32him again.
01:05:33He didn't say anything to me at that time, and I didn't ask him anything, but I warned
01:05:40him again.
01:05:41He didn't say anything to me at that time, and I didn't ask him anything, but I warned
01:05:48him again.
01:05:49He didn't say anything to me at that time, but I warned him again, and I warn him again,
01:06:12and I warned him again.
01:06:17I don't know, they were a little scared and hid for a few days.
01:06:25Before the fall,
01:06:29did you see how the nature stopped?
01:06:34Agarwal's only condition was to die.
01:06:39But after that, he committed suicide.
01:06:44No one knows why.
01:06:47He died.
01:07:00What do you want to do?
01:07:04I want to understand Nandini.
01:07:07I want to get to know her.
01:07:10Don't you want to?
01:07:13I couldn't talk to Nandini for a long time.
01:07:19We lived in the same house,
01:07:22slept on the same bed.
01:07:25But there was nothing between us.
01:07:29She didn't come home for a long time.
01:07:33She would go to someone's house.
01:07:37I didn't even want to know.
01:07:39But believe me,
01:07:42the day I saw Nandini,
01:07:45I felt she was the old Nandini.
01:07:48The pampered Nandini.
01:07:55Have you eaten?
01:08:09No.
01:08:40Why don't you love me anymore?
01:08:44Why did you leave me so far?
01:08:54You are the one who left me, Nandini.
01:09:02I love you.
01:09:10I am not old.
01:09:13I am young.
01:09:21You don't recite poems to me anymore.
01:09:26You still have time to listen.
01:09:31If I want to listen today,
01:09:33I will.
01:09:39Do you remember?
01:09:42I told you in college
01:09:45that you write a lot of poems.
01:09:48I will leave everything
01:09:51and listen to your poems.
01:09:54I am leaving everything, Ganjan.
01:10:00So soon?
01:10:03It's all over.
01:10:06When I left you for my father,
01:10:11when I reached there,
01:10:14there was nothing there.
01:10:17Everything is broken.
01:10:20It's all because of you.
01:10:23You hurt everyone.
01:10:27It's all broken.
01:10:32There is nothing there.
01:10:36Hey.
01:10:53I don't remember
01:10:56what happened at the end.
01:10:59Did something happen?
01:11:02Near my house,
01:11:05the neem leaves are getting washed away
01:11:08in the foggy air.
01:11:11Where did I go to hurt myself?
01:11:14I can't sleep thinking about it.
01:11:17Sometimes I just remember
01:11:20why I came to survive
01:11:23amidst all these expectations.
01:11:27And then,
01:11:29where did I go?
01:11:33What happened at the end?
01:11:36I don't remember.
01:11:38I don't remember.
01:11:58Come, Mr. Ganjan.
01:12:04Can I say something, Rohit?
01:12:07Are you on a guilt trip?
01:12:12Aren't you coming?
01:12:15Why are you here?
01:12:18Come with me.
01:12:21I don't want to go there.
01:12:36I don't want to go there.
01:13:06I don't want to go there.
01:13:16Nandini was very proud of you.
01:13:20She didn't give it to you, she gave it to me.
01:13:29What is this?
01:13:32The day Nandini was murdered,
01:13:34I thought if the police
01:13:37finds this house,
01:13:40I'll leave early the next day.
01:14:04I'll leave early the next day.
01:14:27May I know the reason?
01:14:30You are handling Nandini's murder case, right?
01:14:35I'll tell you when I'm free.
01:14:42I need to go to the bathroom.
01:14:44Sorry.
01:15:04But Nandini never wrote a diary.
01:15:34I'm going to the bathroom.
01:16:04Are you sure she's not a murderer?
01:16:10Did you get any news from Kolkata?
01:16:14I haven't been able to send any sub-materials yet.
01:16:18What does the post-mortem report say?
01:16:21Sandhya's family gave it to me.
01:16:24The report says Nandini was pregnant at the time of her death.
01:16:28I don't know if it's true or not.
01:16:31Maybe the baby wasn't Kanchor's.
01:16:35How can you say that?
01:16:38Maybe the main reason for bringing Kanchor here
01:16:42was to surprise him.
01:16:46Maybe that's why the post-mortem report said so.
01:16:52Then...
01:16:55Then why didn't you tell me earlier?
01:16:57What happened?
01:16:58You'll know that in two days.
01:17:00But how will Nandini know that she'll be murdered in two days?
01:17:04Besides, they don't have the same relationship as you and me.
01:17:08Let's see.
01:17:10The case isn't getting solved, ma'am.
01:17:18Kanchor gave me this diary
01:17:22and did me a huge favor.
01:17:28KANCHOR'S DIARY
01:17:40You left me here?
01:17:43Are you mad?
01:17:53I've told you so many times
01:17:55but you didn't listen to me.
01:17:58I recorded Rohit and Nandini's video
01:18:01because Samarda told me to.
01:18:25KANCHOR'S DIARY
01:18:31Poli's known a lot of big businessmen in Kolkata.
01:18:36He has a lot of political influence.
01:18:47Sir, can you take a picture?
01:18:55KANCHOR'S DIARY
01:19:03Well done, Nandini.
01:19:06Sir!
01:19:07Sir, what's this?
01:19:10You're an enemy.
01:19:12Didn't you recognize me?
01:19:14Agarwal's Agro Bar.
01:19:18Let's go.
01:19:26Let's go.
01:19:28Another murder in the city.
01:19:31No, not this time.
01:19:33Nandini Chatterjee's death
01:19:36was the reason for the shooting in Uttarbanga.
01:19:40Her family and friends were killed.
01:19:43Last night, Nandini's father was murdered in her own house.
01:19:47In the early morning,
01:19:49her husband, Sukollan Chatterjee was found dead.
01:19:51Police are still searching for the murderer.
01:19:55Nandini Chatterjee's father, Sukollan Chatterjee
01:19:59was found dead in the morning.
01:20:02He was taken to the hospital.
01:20:05Four days later,
01:20:07Nandini Chatterjee's death is still a mystery.
01:20:10Kolkata Police say that
01:20:13such an incident has made the mystery even more serious.
01:20:17We have to go back to Kolkata.
01:20:21We have to go back to Kolkata.
01:20:24Can you hear me?
01:20:26Keep quiet.
01:20:28I can't hear anyone else.
01:20:31Rohit, I'm booking a flight ticket.
01:20:34Why are you in such a hurry?
01:20:37If you go to Kolkata, Nandini's father won't be able to fly.
01:20:41He's a murderer.
01:20:43He won't be able to fly.
01:20:45Will you stop investigating?
01:20:47Mr. Ranjan,
01:20:49we are not safe here.
01:20:51If two or three more bodies are found,
01:20:54there won't be any danger.
01:20:57We followed Kanchan yesterday and gave her a threat note.
01:21:00What are you doing?
01:21:02You haven't solved a mystery in four days.
01:21:07Shall we sit outside and have coffee?
01:21:09Hmm?
01:21:11Abir, can you call Mr. Samar?
01:21:14Okay, sir.
01:21:16Let's go.
01:21:23Okay. No, no. I still don't know what's going on.
01:21:27Come in.
01:21:29I'll talk to you later.
01:21:31What's going on, Abir?
01:21:33You left me?
01:21:35Mr. Ranjan is waiting outside.
01:21:39I don't feel good.
01:21:41What can I say? It's all like water.
01:21:44You tell him I can't go now.
01:21:47We don't have water, Samar.
01:21:50You have it.
01:21:54You go. I'm coming.
01:21:56Hmm.
01:22:00Stupid boy.
01:22:04Look, Nandini's father's death is inevitable.
01:22:06Because he was an expert in this escort business.
01:22:10The Kolkata police are looking for Mr. Agarwal.
01:22:13What are you saying? Nandini's father?
01:22:16If you look at the diary upside down, there's no danger.
01:22:20And if you knew your friend a little...
01:22:27Look, we're all clear about one thing.
01:22:31Nandini's ambition, greed...
01:22:33has led her to this destination.
01:22:37If she could understand it to the end,
01:22:40she wanted to bury herself.
01:22:46Ms. Polly, you were a big part of Nandini's life.
01:22:55You could have saved her.
01:22:57Who told you I didn't try to help her?
01:23:00Nandini.
01:23:01Nandini?
01:23:02What do you mean?
01:23:03That's what's written in the diary.
01:23:05It's the first time I've heard Nandini write a diary.
01:23:08You don't know, do you?
01:23:10I didn't know either.
01:23:13I didn't know Nandini was pregnant.
01:23:16But you do.
01:23:20Actually, ever since the shooting started,
01:23:23she's been working with a kind of fear of death.
01:23:27That's why she started writing a diary to confess.
01:23:32What's wrong with fear?
01:23:35To be a handwriting expert like Samur Babu,
01:23:38to copy other people's handwriting,
01:23:40thread call, thread note...
01:23:42Except that, Abir Rohit has helped everyone.
01:23:45But you'll forget that I'm also a victim...
01:23:48No, no, I know.
01:23:50I know Nandini didn't do the right thing with you.
01:23:53But at least you can tell me,
01:23:56who was involved in the conspiracy to kill Nandini?
01:24:02I mean, did you know about Nandini's plan to kill her?
01:24:08Look, I mean...
01:24:12I don't know...
01:24:15I can't tell you.
01:24:21Who told you?
01:24:23Tell me.
01:24:29Look, I just wanted to say that...
01:24:32I had a hunch about something like this.
01:24:35And that's why I warned Nandini.
01:24:37Everyone warned her except Kanjan Babu.
01:24:41But that's not the point.
01:24:43The point is, why did you keep quiet after warning her?
01:24:47Who told you I kept quiet?
01:24:49I told Samar...
01:24:51Exactly, exactly.
01:24:53You told Samar Babu.
01:24:56Right.
01:24:59Right.
01:25:03Sir, I mean, Nandini is very scared.
01:25:08I mean, we did everything you asked us to do.
01:25:14Actually, we have to finish the shooting, right?
01:25:18To hell with your shooting!
01:25:20Look, Nandini has told everyone.
01:25:23She won't give us any service.
01:25:25And not just that, she has also told her father.
01:25:28If the business goes on like this, she will call the Home Minister.
01:25:32Listen, Samar.
01:25:34If Nandini's call comes here,
01:25:37I will hang you as well.
01:25:40I still have that photograph of Trina with you.
01:25:46Should I send the police?
01:25:48No, sir.
01:25:50No, sir.
01:25:51The shooting is over.
01:25:53Finish the work.
01:25:55Sir, I...
01:25:57Fuck!
01:25:59Who were you talking to?
01:26:02Kolkata.
01:26:06Why are you lying?
01:26:10I heard you, Samar.
01:26:12You can't do this.
01:26:15Believe me, I don't want to do anything.
01:26:18Nandini has hanged herself. What will I do?
01:26:22What do you mean?
01:26:24She hanged herself. You didn't.
01:26:26Listen, Samar.
01:26:28I have a lot of source.
01:26:30We will go to the police.
01:26:32Are you crazy?
01:26:34You are the one who is crazy.
01:26:36You are the one who is crazy.
01:26:38Do you want to see someone die?
01:26:40Nandini was a good person.
01:26:42Don't you remember?
01:26:44What did she do with you?
01:26:46What did she do with Abir?
01:26:48So you will kill a person?
01:26:50To make a film?
01:26:53Shame on you, Samar.
01:26:55Rohit, please.
01:26:57Please.
01:26:59After three years.
01:27:01After three years, I got a producer.
01:27:03If this film is stopped,
01:27:05I will be out of the industry.
01:27:07I will be finished.
01:27:09But you have everything.
01:27:11You have everything.
01:27:13Car, house, money, everything.
01:27:15What will happen to me?
01:27:16Aditya,
01:27:18I was a better student than you in college.
01:27:22I am a better filmmaker than many.
01:27:25I can make films.
01:27:27No one helped me.
01:27:29No one.
01:27:31What is my crime?
01:27:33What is my crime?
01:27:35I want to make a film.
01:27:37Is this my crime?
01:27:39Did Nandini make me weak?
01:27:41Did she make me weak?
01:27:43Five times.
01:27:44She made me weak.
01:27:46She made me weak.
01:27:48She made me weak.
01:27:50Are you justifying yourself?
01:27:55You are incorrigible, Samar.
01:27:57Give me the money.
01:27:59I will not let this happen.
01:28:01I swear.
01:28:03You will be trapped.
01:28:05Today or tomorrow.
01:28:08Here or in Bombay.
01:28:15Samar,
01:28:17you and Palli madam
01:28:19have no right to be angry with Nandini's death.
01:28:24What? What happened?
01:28:26When did I get involved?
01:28:29You were involved from the beginning.
01:28:33You were the only one who knew that Nandini was pregnant.
01:28:37You were the only one who knew that Nandini was pregnant.
01:28:43You knew that Nandini's child would be in her name.
01:28:48You knew that.
01:28:53Do you remember what you said to Samar last night?
01:28:59Yes.
01:29:06To be honest,
01:29:11I am very nervous.
01:29:18You are going to shoot.
01:29:21You are not going to kill.
01:29:24If this plan fails,
01:29:26both of us will be in a lot of trouble.
01:29:31But if it is successful,
01:29:34you will get some share of Nandini's property.
01:29:38That is for sure.
01:29:45We will be trapped.
01:29:48Who will prove it?
01:29:57When you are planning to trap someone,
01:30:02the first step is to get hold of that person.
01:30:09You told Abir
01:30:14to record Nandini and Rahit's conversation.
01:30:18Now Abir thinks that a director
01:30:21is talking to an ordinary actor like him.
01:30:26He started following you instead of Rahit and Nandini.
01:30:31That's it.
01:30:33You are trapped.
01:30:36I have a lot of footage.
01:30:40I can't take it anymore.
01:30:45Poli, you?
01:30:48You idiot.
01:30:51Then falls Caesar.
01:30:54Nandini's property is around 30 million.
01:30:59If it is your child,
01:31:01it will be in your name.
01:31:04That's not all.
01:31:06You didn't know that Poli is a lesbian.
01:31:09You accepted it.
01:31:11But you accepted Nandini's bisexuality.
01:31:14But Poli couldn't accept it.
01:31:17So before marriage,
01:31:19she rejected you again and again.
01:31:22But you didn't listen to her.
01:31:26Then Poli's anger started to grow.
01:31:31Kanchan, Poli is the reason
01:31:34why Nandini's married life was never successful.
01:31:37Poli was afraid that
01:31:39your relationship would get better.
01:31:43Then she would lose Nandini
01:31:47and her property.
01:31:48So Poli's only intention was
01:31:51to keep Nandini alive.
01:31:55What bullshit?
01:31:57What are you saying?
01:31:59You are making up a story.
01:32:02You can't get out of the conspiracy, madam.
01:32:06Staying quiet in Ahuja's party
01:32:09is your way of getting to know Agarwal.
01:32:12You can't get out of the conspiracy, madam.
01:32:15Staying quiet in Ahuja's party
01:32:18is your way of getting to know Agarwal.
01:32:20Okay, sir.
01:32:22Okay.
01:32:24Let me tell you one thing.
01:32:27Don't force her too much.
01:32:33She is too fragile.
01:32:37Thanks, Rohit.
01:32:40For keeping dad hidden.
01:32:41For keeping dad hidden.
01:32:44This answers all our questions.
01:32:48Thanks.
01:32:53Where are you going?
01:32:55There's no point in trying to run away.
01:32:58There are police postings all over the resort.
01:33:01Sit down.
01:33:04The director hasn't told us the climax of the movie yet.
01:33:08How did the murder happen with Abir's fake knife?
01:33:13Will you read the screenplay?
01:33:17Or do you remember?
01:33:33Samartha, shot ready.
01:33:34Samartha, shot ready.
01:33:36Okay.
01:33:38Bring the queen.
01:33:40Listen.
01:33:42You can't take the shot again and again.
01:33:45Rehearse it twice and then bring it.
01:33:48Okay.
01:34:05I'm sending two men from here.
01:34:08The shoot is over.
01:34:10Finish it.
01:34:23Sister, shot ready.
01:34:25Go, Asht.
01:34:28Abir's ready cut.
01:34:30A dummy knife finish.
01:34:32Richie, Abir.
01:34:34Samartha, shot ready.
01:34:37Anu, shoot it.
01:34:39Thanks.
01:35:01Cut it.
01:35:31I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry
01:36:01I'm sorry
01:36:31</send Balik pongalling truth後 said, there will be a flight back in Kolkata. You are leaving tomorrow right?
01:36:53Okay, I'm going
01:36:56Thanks for everything.
01:36:58Mr. Kanchan, we're taking Madam's body to the Kolkata Police.
01:37:03Let's go. We have some official work to do.
01:37:05Action!
01:37:06Sir!
01:37:10Sir!
01:37:13Sir, we can't find Pallavi.
01:37:15What?
01:37:16She's missing.
01:37:17What?
01:37:18She's missing.
01:37:19What?
01:37:20She's missing.
01:37:21What?
01:37:22She's missing.
01:37:23What?
01:37:24We can't find Pallavi.
01:37:25What?
01:37:26She's missing.
01:37:27Hurry up.
01:37:28Come on, come on.
01:37:55Pallavi
01:37:56Pallavi
01:37:57Pallavi
01:37:58Pallavi
01:37:59Pallavi
01:38:00Pallavi
01:38:01Pallavi
01:38:02Pallavi
01:38:03Pallavi
01:38:04Pallavi
01:38:05Pallavi
01:38:06Pallavi
01:38:07Pallavi
01:38:08Pallavi
01:38:09Pallavi
01:38:10Pallavi
01:38:11Pallavi
01:38:12Pallavi
01:38:13Pallavi
01:38:14Pallavi
01:38:15Pallavi
01:38:16Pallavi
01:38:17Pallavi
01:38:18Pallavi
01:38:19Pallavi
01:38:20Pallavi
01:38:21Pallavi
01:38:22Pallavi
01:38:23Pallavi
01:38:24Pallavi
01:38:25Pallavi
01:38:26Pallavi
01:38:27Pallavi
01:38:28Pallavi
01:38:29Pallavi
01:38:30Pallavi
01:38:31Pallavi
01:38:32Pallavi
01:38:33Pallavi
01:38:34Pallavi
01:38:35Pallavi
01:38:36Pallavi
01:38:37Pallavi
01:38:38Pallavi
01:38:39Pallavi
01:38:40Pallavi
01:38:41Pallavi
01:38:42Pallavi
01:38:43Pallavi
01:38:44Pallavi
01:38:45Pallavi
01:38:46Pallavi
01:38:47Pallavi
01:38:48Pallavi
01:38:49Pallavi
01:38:50Pallavi
01:38:51Pallavi
01:38:52Pallavi
01:38:53Pallavi
01:38:54Pallavi
01:38:55Pallavi
01:38:56Pallavi
01:38:57Pallavi
01:38:58Pallavi
01:38:59Pallavi
01:39:00Pallavi
01:39:01Pallavi
01:39:02Pallavi
01:39:03Pallavi
01:39:04Pallavi
01:39:05Pallavi
01:39:06Pallavi
01:39:07Pallavi
01:39:08Pallavi
01:39:09Pallavi
01:39:10Pallavi
01:39:11Pallavi
01:39:12Pallavi
01:39:13Pallavi
01:39:14Pallavi
01:39:15Pallavi
01:39:16Pallavi
01:39:17Pallavi
01:39:18Pallavi
01:39:19Pallavi
01:39:20Pallavi
01:39:21Pallavi
01:39:22Pallavi
01:39:23Pallavi
01:39:24Pallavi
01:39:25Pallavi
01:39:26Pallavi
01:39:27Pallavi
01:39:28Pallavi
01:39:29Pallavi
01:39:30Pallavi
01:39:31Pallavi
01:39:32Pallavi
01:39:33Pallavi
01:39:34Pallavi
01:39:35Pallavi
01:39:36Pallavi
01:39:37Pallavi
01:39:38Pallavi
01:39:39Pallavi
01:39:40Pallavi
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01:39:44Pallavi
01:39:45Pallavi
01:39:46Pallavi
01:39:47Pallavi
01:39:48Pallavi
01:39:49Pallavi
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