Cicatriz - Capitulo 4 ©RTVE
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00:00You
00:02You
00:24Wedding salt are los cangrejos no imposible como nuestro sueño
00:32El sueño de jumping crowd
00:35Un sueño que comenzó hace casi diez años en la biblioteca de la facultad de biología
00:41Yo preguntaréis que coño hacía un novato de derecho como yo en biología bueno pues honrar a san alberto magno
00:47el patrón de las ciencias con una borrachera épica
00:52Necesitaba un baño y acabé por errores la biblioteca y cuando entro allí
00:58Que me encuentro
01:00Un gigante con pinta informático porque ya la tenía rodeado de un montón de libros
01:08Y le dije hola
01:12Qué coño haces qué coño haces y él me contestó
01:16Estudiar el sistema neuronal de los cangrejos que me ayudan un proyecto de inteligencia artificial y después de semejante respuesta me dije tom
01:35tienes dos opciones
01:37una o te descojonas en su cara y le dices nerd
01:41Sí, sí
01:44No te interesas porque quizá es un genio
01:49Así que por primera vez en mi vida no me comporté como un gilipollas
01:53Cogí todos mis ahorros y dije
01:59Y dije qué demonios hagamos una locura
02:07Así que señores
02:09si nosotros cuatro
02:11Sin ayuda de nadie hemos conseguido el 67 por ciento
02:15ahora que tenemos los medios
02:18El mejor equipo de su generación ustedes
02:22La meta es llegar en tres meses al 90 por ciento de Lisa para que pueda salir al mercado
02:32Este cangrejo está listo para saltar
02:42Bueno creo que nuestro genio es el que tendría que hacer los honores
02:46Que yo me tengo que ir
02:48Que me ha surgido una cosa de Arturo y sigue tú
03:11Y
03:15Every bit of you
03:21Nothing
03:29No one no one no one
03:37You did
03:39Don't
03:47Me so insane
03:53And if mostly all I feel is
04:07If my
04:10I'm looking
04:22Can't you see
04:30Will you
04:39I
05:09Will it would you could live on go up at most to me on that it's
05:13Even the rabbit is pockets and I will never shrug
05:17Yeah
05:20Nasty key such a long as much evil for you to put on
05:31Bro
05:39Oh
06:09No, what's with you sold out
06:19Skyscrapers
06:23Three
06:27When you're what they'd know
06:29Alexandra and Natasha
06:33It is no
06:36I
06:38Could then you eat
06:43Yeah, I don't know
06:59Lose
07:05I
07:35I
07:37Oh
08:03All right
08:07I
08:37I
09:07I
09:30What's the rest of my stock
09:37I
09:50This video
10:07I
10:37I
11:07You
11:20You politics to live by his past I am now
11:28You don't wish to have no one is but that's enough so Kim's dealer still talk with me
11:33Repetitive as per see a watch is nice. Yeah, I wish that you'd be a
11:37District in
11:39Interesting, but don't want to use it to be a demo. I don't know. What's up? What's a hoach? It's passive me. I mean
11:45I
12:02Got me Padre
12:06To Tiana's Padre
12:10No
12:15I
12:45I
12:55Don't get simply here for lunch
13:07It's just too good
13:16Gracias
13:21La llave grande es la que abre la puerta esa de fuera
13:27Luego bueno el salón
13:31Luego hay una que es más pequeñita y y abre la otra
13:38La puerta de atrás
13:41La puerta de atrás ya la verás luego y te enseño la cocina
13:51Y luego hay una llave plateada que abrir la
13:56Bueno de probando
14:10Y
14:13Esta era la habitación de mis padres la más grande la más cómoda y tiene baño propio
14:40Y
15:00No, no yo duermo de lado o si necesitas algo
15:10Oh
15:22Talking okay, I suppose that has considered a viaje
15:41I'm very happy that you are here
15:50Good night
15:55What is nice
16:10You
16:40You
17:10You
17:29Sashko you will don't take a nice mama
17:35I
17:37Rush to know if Tila
17:40Kaka near a shiny little
17:43Papa
17:45Yeah, but unless you love I take blood you don't show Pagani's money at the smith
17:50Kaka to be lost a boy
17:58So go you were done can you say he knows mama
18:05Yes
18:15This is Anna to preach to the corrupted
18:35I
18:44Think I'm soft finish
19:05You
19:35You
19:43Mama
19:56Don't know don't know if mama
20:05So
20:28To pomodoro
20:35I
20:41Can plan a skin is para hoy
20:49No
20:52Arturo terminator this I you know tell you about a residencia que vienes andes a la oficina nueva y tío por favor no
20:57te escapes más
20:59Tranquila, yo puedo llevarlo
21:06I
21:07Must have a stocky on a moto in garage moto moto no
21:12No
21:14It's a moto you have seen us as a muchísimo tiempo y no no creo que funcione
21:21Que sabes conducir por supuesto
21:25Decido la dirección si la tengo que mando la ubicación pero no vas a poder mirarla mientras conduces
21:35I
22:05Hello.
22:14Welcome.
22:15The teams at Infinity are allowing us to process data at an incredible speed.
22:20This is the programmers' area.
22:23They're all typing at the same pace as Simon.
22:27And this is the psychologists' area, under the tutelage of Marcia.
22:31Marcia?
22:32Yes.
22:33Yes, Marcia. Nice to meet you.
22:35These are Elisa's emotional education positions.
22:39Ah.
22:41She's decided to sleep until late.
22:43Yes.
22:45Sorry, I didn't remember the visit.
22:49It's admirable that the pressure doesn't affect her.
22:52Well, Simon is like a night bird.
22:54He works better at night.
22:56Why don't you explain to her how we're educating Elisa, please?
23:00Well, as always, but in a big way.
23:03In a big way, yes.
23:04What a snitch, Simon.
23:06Basically, we show several examples of different emotions
23:10so that Elisa is able to distinguish
23:12which is her specific physiological manifestation.
23:15And the code?
23:17The programmers develop the variations that Elisa detects,
23:20such as the arching of an eyebrow,
23:22which is common to various emotions.
23:24The key is to measure the weight of each parameter.
23:27Uh-huh.
23:29But who knows the source code?
23:32Me.
23:33Him?
23:34Simon.
23:35Him?
23:36They put the ingredients, but the recipe is mine.
23:39And is everything in his head?
23:42Yes.
23:44Yes, well, everything is in his head.
23:47Right, Marcia?
23:48Yes.
23:49No, it's just that Simon has a privileged head, I would say.
23:51Uh-huh.
23:52Hey.
23:56What do you think?
24:03We're going to the police station.
24:04What do you say?
24:05I'll tell you later.
24:06Mr. Sanderson, we have to go. Marcia, will you take care of it?
24:08Yes, yes, yes.
24:09Marcia, don't worry.
24:12So I'm getting used to the sights.
24:18Did you ask for the code?
24:20Yes, of course I asked for the code. Obviously.
24:23Uh-huh.
24:42Irina, your turn.
24:50You have to come with us.
24:53At 130, a limited route, 50 without meat, and with a stolen motorcycle.
25:00It's not stolen.
25:01Yeah, well, it's going to be hard to explain how the owner lent it to you, pretty.
25:05Because he's been dead for 12 years.
25:11Yes, Arturo Gómez.
25:14He has to be somewhere, in his room, in an activity, in class or something.
25:18Really, it's very important. Find him, please.
25:21Yes.
25:41Hello, how are you?
25:42Look, they have my client, detained.
25:44Name?
25:45Yes, name, Simon.
25:46Topalova, Irina Topalova.
25:50Topalova?
26:04Are you okay?
26:05Let's go.
26:07Hey, hey.
26:08What?
26:10I'm dizzy.
26:12Come on, go ahead, go.
26:13Ramos, your heart rate is very low.
26:15What is it?
26:21I got a hard blow.
26:23No one gets a hard blow here.
26:25Your heart rate is low.
26:26Call an ambulance.
26:27Do as I say.
26:29Come with me.
26:31Get down.
26:33Let's go.
26:36Hey, hey, hey, hey.
26:37Come on.
26:38We're here.
26:39We're here.
26:44Miss.
26:45Hey, hey.
26:47Come on, open your eyes.
26:48There, very good.
26:49Are you with me?
26:51Sugar.
26:52Now, when my partner comes.
26:55Sugar.
26:56Hey, hey, hey.
26:58Fuck.
27:09Fuck.
27:39Fuck.
27:46I don't want to talk to you anymore.
27:47So call a superior.
27:48Or bring my client now.
27:49They are delaying intentionally their access to the defense.
27:52And you don't know if they arrive.
27:53I don't understand.
27:54How long have I been here?
27:55I don't care.
27:56No, no, no.
27:57I don't think it's that difficult, right?
27:59What?
28:00Let's see if Maria passes me.
28:03Víctor.
28:04Open the door for me.
28:07Please.
28:09Open the door.
28:39Open the door.
29:09Open the door.
29:40Look.
29:48Manuela, do you have dinner ready in the restaurant?
29:52But I'll take it to you later.
29:53I don't know.
29:54But I need it now.
29:55Well, now it's impossible.
29:57If you want to, you go to my area and pay for it.
29:59Manuela, please.
30:00But what do you want me to tell you?
30:09Come on, I've got the sugar.
30:11Come on.
30:12Come on.
30:13How do you feel?
30:15Better?
30:39Better.
30:40Hello, Simon.
30:41Diana.
30:42We've found Arturo.
30:43Yes?
30:44He was in the block, feeding Reina.
30:46Simon.
30:47How long?
30:54We've found Arturo. He was in the block feeding Reina.
31:01Solón.
31:12How long?
31:19The lady says she stole your father's motorcycle.
31:23Is that true?
31:25She's my girlfriend. Are you okay?
31:28Yes, she was hit by a small bullet, but nothing serious.
31:32She was driving at 130 kmph on a 30 kmph limit.
31:35And without a license.
31:37Can I pay the fine?
31:39But she's on the run. It can't be fixed with a fine.
31:41Well, let's see. So there are two issues, right?
31:44Because the health workers came for my client, right?
31:48And we all know the long history of police violence in this police station, Ramos.
31:53So we could forget about both issues.
31:59Right?
32:09Give me a hug, Arturo.
32:14Let's go.
32:17Let's go.
32:25Who the hell is this chick? Where did she come from?
32:28Simon, tell me the truth.
32:31Are you stupid or what?
32:33First you tell me you don't want to be loved for your money.
32:36And now you buy a Russian girl online.
32:38I haven't bought anyone. And she's Ukrainian.
32:41In that case, I'll shut up.
32:43Don't you see that I have a bright future ahead of me?
32:45I'm going to ruin your life, Simon.
32:47What's wrong? You don't want to see her, right?
32:49You don't know her.
32:50Neither do I.
33:13Irina.
33:21Irina.
33:29Why were you driving so fast?
33:37I don't recognize you.
33:41Aren't you the Irina I talked to on the app?
33:48Did something happen to you?
33:53Maybe it's me.
33:56Maybe I disappointed you or something like that.
34:00I'm very clumsy.
34:02With people, I mean.
34:05And it's hard for me.
34:10But I want to try.
34:13And I need you to try, too.
34:17I need you to talk to me.
34:20I need you to talk to me.
34:36I need you to talk to me.
34:50I need you to talk to me.
35:20I need you to talk to me.
35:23I need you to talk to me.
35:26I need you to talk to me.
35:29I need you to talk to me.
35:32I need you to talk to me.
35:35I need you to talk to me.
35:38I need you to talk to me.
35:41I need you to talk to me.
35:44I need you to talk to me.
35:47I need you to talk to me.
35:50I need you to talk to me.
35:53I need you to talk to me.
35:56I need you to talk to me.
35:59I need you to talk to me.
36:02I need you to talk to me.
36:05I need you to talk to me.
36:08I need you to talk to me.
36:11I need you to talk to me.
36:14I need you to talk to me.
36:20I need you to talk to me.
36:44I'll need this gun.
36:47I can trade it for a knife.
36:57Bitch!
36:59Take it.
37:01I'll kill you!
37:04Your jacket.
37:07Your jacket.
37:15I'll kill you!
37:18I'll kill you!
37:44I'll kill you!
37:47I'll kill you!
38:11Yes?
38:14You can't save your sister.
38:17But what can you save?
38:23No.
38:27I can't save anyone.
38:44I can't save anyone.
39:14I can't save anyone.
39:45Marías.
39:48You can be calm.
39:50Irina has left home.
40:07But it was the best thing that could happen to you.
40:10Yes, look.
40:13Look how you are.
40:15If it had been a week, you would have ruined your life forever.
40:20And if you think about it, 2,000 bucks for the ticket and this disgust,
40:23it's a reasonable bill for the lesson you've learned.
40:25Lesson?
40:26The lesson.
40:27What lesson have I learned, asshole?
40:28That you can't live next to me one day,
40:30and she paid for the ticket.
40:31See, you're a smartass.
40:43Look, I've been here for more than 10 years,
40:45by your side,
40:46and I'm not going to move.
40:49Besides, you never bought me a doll catalog, okay?
40:52Okay?
40:56You have to focus on this.
41:12You have to focus on this.
41:37And so I get used to the views, what?
41:42Is that what Sanders said yesterday?
41:44What was he referring to?
41:45I don't know.
41:46You don't know?
41:48Tomás.
41:50Tommy, I know you.
41:55I told you that if Lisa reached a success rate of 90% in three months,
41:59Sanders would buy us 49% for 100 million.
42:01Yes, yes.
42:02So what?
42:04If we don't pass the test,
42:06she'll keep the 100% for the money she's put in.
42:12No.
42:20Did you give that bastard Lisa?
42:22No.
42:23No.
42:25We can pass the test.
42:26You just have to focus on...
42:29Marcia.
42:36Tell me.
42:37Were you arguing?
42:38Yes.
42:39Your friend Tomás lied to me, okay?
42:41Just before doing it, he blinked.
42:43Okay, and?
42:44We have to enter the variable blink to know when they lie to us.
42:47Okay.
42:48Bring a volunteer, run.
42:49Now?
42:50Now, please.
42:51Okay, yes, yes, yes.
43:11Hello.
43:17Bye, thank you.
43:25Hello.
43:28Do you like the soup?
43:36Salanca.
43:38It's meat soup.
43:40How's work?
43:49Good.
44:01Do you know that people blink when they lie?
44:06Well, that nonsense helps us improve the application.
44:11It's called Lisa.
44:12And it's an algorithm that detects emotions, basically.
44:17But I don't want to bore you.
44:19No.
44:21No, no.
44:23I like to listen to you.
44:25Tell me everything about Lisa.
44:28Well, in three months we have a test.
44:31And if I'm honest right now,
44:33I don't think we're going to pass it.
44:35It seems impossible.
44:36Nothing is impossible.
44:42See?
44:48Hey, it smells good.
44:50Let's see how it tastes.
44:56Careful.
44:57Yes.
44:59But it's very good.
45:02How was your day?
45:04Well, nothing special.
45:07What have you done?
45:08I've done shopping, soup.
45:11Yes, I know that.
45:13Anything else?
45:32No.
45:36Hello.
45:59Why do you need this tattoo?
46:04It's a spider.
46:06Do you know him?
46:09Yes, I do.
46:12I know his story.
46:16He came out of these tunnels.
46:20Now he's the leader of the thieves in Spain.
46:27In Spain.
46:42Yes, yes.
46:45With a scar on his face.
46:48Apparently,
46:50he was beaten up by some bum.
46:55A bum.
46:57Hey.
46:59And the boss saw everything?
47:02Yes, yes.
47:04I want to talk to him.
47:08He won't be able to.
47:11I'm sorry, Boris, I didn't know.
47:16Well, what else is there to know?
47:22We were sent to Kirill's house.
47:27There.
47:34We're being oppressed.
47:37At home, here.
47:40We need to show who's in charge.
47:45Hey.
47:48Twenty years ago.
47:51We need to show who's in charge.
47:54Who, Vanya?
47:57Kirill, they're ambitious.
48:01We have nothing to lose.
48:06Let's get rid of them.
48:09Right now.
48:12No, Vanya.
48:15Whores and drugs.
48:17For puppies.
48:19For pennies, Vanya.
48:21Pennies.
48:22Yes, pennies.
48:24Let them do it.
48:28We need to think about the scale, Vanya.
48:33Do you understand?
48:36Yes, I understand.
48:40If whores and drugs are for puppies,
48:42then I'm leaving without you.
48:48See you later.
48:53I'm leaving.
49:14I'm leaving, Vanya.
49:17I'm not leaving.
49:20Mom.
49:25I'll split their bodies in half
49:30until they split yours.
49:34Dad.
49:36I will rape their bodies and souls
49:38until they prefer death
49:41than to do it with you.
49:43Sister.
49:49Sister.
49:54Sister.
50:19Sister.
50:39Scott Lisa.
50:43I think we can help you reach its full potential.
50:47It's a new experience for you to live with a girl.
50:49You've never done it before.
50:50I don't know if you like it.
50:51Yes, I like it.
50:53Hey, what about the damsel when you're not at home?
50:55How does she entertain herself?
50:58I have to go.
50:59Where?
51:06Who's that?
51:12Would you be able to hack my phone
51:14if I gave you the number?
51:15Yes, yes.
51:16Get on with it right now.
51:19What are you doing here alone?
51:21I'm going to my father in the south.
51:26I know you want to work, Terri.
51:33You can't be so confident
51:35and think that everyone is as good as you.
51:39Irina?
51:41Do you like the city?
51:43I like the sea.
51:44And do you like going out?
51:46What about you, Tomás?
51:47What do you like?
51:49Asking questions.
51:50Hey, Arturo, one thing.
51:52When you come to sleep,
51:54do these two let you sleep?
51:56Or are they with Elvira all the time?
51:57If not, don't you see me together?
52:00Irina uses the bed.
52:02She sleeps on the floor.
52:04Like the Fajirs.
52:05She's a bit weird.
52:06The Russian.
52:12The patient is completely sedated.
52:14Andrea!
52:15Open the door!
52:20Get out!