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00:30Why are you looking at me like that?
00:33How do you want me to look at you?
00:35I don't know. Normal.
00:40You're not from this world, Luz.
00:45What? I told you it's so funny.
00:48A huge wink.
00:51You don't like it?
00:53I love watching you.
01:01This is the part I like the most about you.
01:04Which one? The left clavicle?
01:13I put my head here,
01:16and I hear your heart beat.
01:23I feel that being here,
01:25nothing bad can happen to me.
01:31You're the one who's looking at me in a strange way.
01:35I was wondering why I've been so stupid.
01:40Making excuses not to be with you when you're what I've always dreamed of.
01:45Really?
01:47Because I'm your blue prince?
01:51Better. Because you're real.
01:53Because I'm your blue prince?
01:55Better. Because you're real.
02:02Stop.
02:11And this?
02:12The scar.
02:14Do you want to know how?
02:19In jail.
02:21Yes, in the showers.
02:23In the showers.
02:54Love.
02:59Good morning.
03:01Good morning.
03:03How did you sleep?
03:05Regular.
03:07I was very tired, but my head...
03:11I see. That's why I didn't know if I should wake you up or let you sleep more.
03:16I'm sorry.
03:18I'm sorry.
03:20I'm sorry.
03:21I'm sorry.
03:23I wanted to sleep for a while longer.
03:27Well, have this hot infusion and you can sleep again later, if you want.
03:43I think I'll take advantage of the fact that you've woken me up to do something.
03:47And what do you want to do?
03:49Well, something that isn't a nuisance for everyone.
03:52What nonsense is that? You're not a nuisance.
03:56You're just going through a time where you have to take care of yourself.
04:00And above all, let yourself be taken care of.
04:05Well, I'm sleeping in my room all day.
04:08I think I know what's wrong with you.
04:11You can't fool me.
04:14You're bored, aren't you?
04:20I can tell you know me well.
04:21Of course.
04:23Well, I'll tell Digna to go down to Toledo
04:25to share some of those travel magazines that you like so much.
04:29Yes, well...
04:30And if I also upload them to the radio?
04:33I was thinking of something else. Maybe...
04:35take a walk.
04:39It's too early for a walk, my love.
04:42You don't want to run, or you'll just trip again.
04:46Little by little, yes.
04:47Little by little, yes.
04:50If I could at least talk to someone...
04:53Do you have me, my love?
04:56Yes, you're very concerned about me.
04:58But you're at the factory all day.
05:00I don't blame you, on the contrary.
05:03Okay, well...
05:05I'll talk to Maria so she can come see you.
05:08Maybe that way you'll entertain yourself a bit.
05:11I know you don't have much of a relationship,
05:13but maybe it's time for you to get to know each other a bit better.
05:16I'm sure you have things in common.
05:18I was thinking about Luz.
05:22But the doctor must be very busy at the dispensary.
05:25I know, but the last time we saw each other,
05:28she was offended by something I said, and...
05:30And what was it?
05:32I don't remember, but...
05:35I don't know, it would help me to fix it with her,
05:37so I don't have it in my head.
05:41Well, if you don't see it, it's okay.
05:43It's just that...
05:44I don't want you to get visits that could upset you, darling.
05:47Of course, I understand.
05:52Okay, call her if you want.
05:55But I'll leave an express order
05:56that if you're asleep when she comes,
05:58she won't wake you up.
05:59Okay?
06:00Of course.
06:02I love you.
06:05Me too.
06:06Mmm.
06:12Drink your tea before it gets cold.
06:36I love you.
06:52I think it's very bad that you don't invite me to a coffee.
06:54I know.
06:55You're going to the canteen.
06:57Are you going to give me a goodbye kiss at least?
06:59Of course.
07:00See you later.
07:01But I'm sure it's ready.
07:02I know it's very early, but...
07:04Hello.
07:05Hello.
07:06Good morning.
07:08Mother, what...
07:10Son?
07:11What are you doing here so early?
07:12Are you not feeling well or something?
07:13No, I'm not.
07:15I've come for a prescription.
07:17But I've already given you the pills.
07:19Well, no.
07:20I have it ready.
07:21I'm sorry.
07:22Of course.
07:23If you don't mind, I'll bring it home later.
07:25Really?
07:26Would you do me that favor?
07:27Yes, of course.
07:28Well, then I'm going to work.
07:31See you later.
07:33Do I close the door?
07:34Yes, please.
07:43Well, I have to go too.
07:45I won't bother you anymore.
07:47Have a good day.
07:54I was on my way to the housewarming parties
07:56and I realized I forgot my phone, so...
07:58Give it to me.
07:59No, Luz.
08:01You don't have to give me any explanation.
08:03Your smile says it all.
08:05I would have liked you to have found out otherwise.
08:08I don't care about that.
08:10I'm happy to see you happy.
08:14Well, I'm leaving now.
08:31Dispensario Perfumerias de la Reina?
08:36Begoña?
08:38I think this is going to excite you as much as I do.
08:41Father, we're disgusted.
08:42Yes, he's giving us more preambles.
08:44And tell us what that great news is.
08:46The Circle of Businessmen of Spain
08:48grants us a prize.
08:50What?
08:51Wow, wow.
08:53And that?
08:55They have considered that women's longings
08:57are the product of the year.
09:00May I?
09:03We unanimously award the prize
09:05to the product of the year, women's longings,
09:08for its quality and innovation.
09:10It was time for them to take us into account
09:12for something more than to pay the share of partners.
09:14Maybe our time had not come.
09:16Regardless of whether this prize arrives late or not,
09:18it's great news.
09:19Of course.
09:20And a very good reputation for us.
09:22And a good base to negotiate,
09:24And a good reputation for us.
09:25And a good base to negotiate new contracts.
09:27We will receive the prize tomorrow
09:29at an event at the Casino de Madrid.
09:31What a luxury.
09:32You'll have to put on your best clothes
09:34so you don't get out of tune.
09:36What?
09:37Is Marta going to receive that prize?
09:39I thought you...
09:40They only allow one to attend.
09:43You'll have to prepare a speech of thanks.
09:45You know how these things go.
09:47Of course.
09:48What a responsibility.
09:50Marta, you'll be up to it.
09:52As always.
09:53Yes, but don't be too passionate about your sister's speech.
09:56We already know what each one of us picks up in this family.
09:58Your sister has shown with growth
10:00to be up to the task on multiple occasions.
10:05What's wrong? Aren't you happy, Jesus?
10:07Of course.
10:09It's just that I sincerely believe
10:11that she should be a father.
10:12Or, in her case...
10:14Her eldest son.
10:16Well, not so much for being the eldest,
10:19but also for being the director of this company.
10:21I think it would be the most logical thing,
10:23apart from the most fair thing.
10:25What is it that you don't think is fair?
10:27It's obvious.
10:28I was the one who had the idea to launch that product on the market.
10:31Actually, it was Floral
10:33who came up with it first.
10:35Yours was the idea of stealing the initiative from them.
10:38But it seems that part of the story
10:40has been forgotten.
10:42Well, I think you're the one who's losing his memory.
10:44And now he makes me believe what he praised at that moment.
10:47I don't like that you're like this to our father, Jesus.
10:50This isn't about you, Andrés.
10:54The end doesn't justify the means, Jesus.
10:56I think we've talked more than once about this.
10:58So you're going to accept whatever I say.
11:00A company consists of making decisions
11:02with the best criteria,
11:03not of obeying like an animal.
11:06If what you want is for me to accept without further ado,
11:08fire me.
11:09I already did it once.
11:12So don't tempt fate, Jesus.
11:13Leave him be.
11:16Father, if Jesus wants to pick up the prize,
11:18I think it's fine.
11:19Marta, you deserve it.
11:20But what I want is to live in peace.
11:24And it's true that Jesus had the idea,
11:26even if the ways weren't the most appropriate.
11:29The idea is as important as the execution.
11:31And it was you, Marta,
11:33who made sure that this wonderful product
11:35was on the market in time and in the best conditions.
11:40And now it's time for us to acknowledge you
11:42for everything you've done
11:43for this company to be what it is.
11:46I appreciate your words.
11:47You deserve it, dear.
11:49Congratulations, Marta.
12:07Hi, Begoña.
12:08You're early.
12:10As soon as you called me.
12:12I'm sorry about how we ended up the other day.
12:14It wasn't me the other day.
12:15It wasn't me the other day.
12:23Are you feeling better today?
12:28I'm not crazy.
12:30What is this?
12:31I want you to tell me.
12:33I think this is what's causing me hallucinations
12:36and what makes me so tired all day.
12:40It's Jesus.
12:41He's giving it to me.
12:42He's giving it to me.
12:44Begoña, you seem very upset.
12:45Do you want me to...?
12:46Luz, look at me.
12:47Look at me.
12:48I'm fine.
12:49It's me.
12:51I'm back.
12:53You have to believe me.
12:54I've been like this because of Jesus.
12:57Do you mean that your husband is poisoning you?
13:01Let's see.
13:03I've been insisting for a few days
13:05that I take some infusions
13:06and he brings me one in the morning
13:08and one at night.
13:09And he waits very attentively for me to finish them.
13:12Last night,
13:13I threw the contents of one of the cups
13:15and made him believe that I had drunk it.
13:17This morning, he did the same
13:19and it was me again.
13:22My God.
13:23It's the truth.
13:30This doesn't smell strange at all.
13:32Because Jesus isn't stupid.
13:33He knows how not to leave a trace.
13:38You don't believe me.
13:40Begoña, there's something wrong.
13:42What?
13:44Jaime did an analysis on you.
13:47Of course.
13:48Did he?
13:51No, Begoña.
13:53There's no trace of any toxic substance in the blood.
13:57It can't be.
13:59It can't be, Luz.
14:00There must be a mistake.
14:01I swear.
14:02I'm sorry, but the blood doesn't lie.
14:03Look, I don't know what happened.
14:05But I know how I was yesterday
14:06and I know how I am today.
14:07I'm sure that Jesus is doing something
14:08to keep me under control.
14:10You and I know that's what he's always wanted.
14:12I know.
14:13I know.
14:14Look, every time I've tried to get rid of his yoke,
14:16he's hurt me.
14:18He already did it with the shot, Luz,
14:19and he's done it more times.
14:20What a coincidence that I ask him to go to London
14:21and look,
14:23he's trying to keep you by his side at all costs.
14:26But the analysis...
14:27Please, Luz.
14:28Forget about the analysis.
14:29You have the infusion.
14:30Give it to me.
14:31Do you want me to send it to the lab?
14:32Yes.
14:33I want them to analyze what he's forcing me to drink.
14:36Okay.
14:37I'll get them in a hurry,
14:38but it will take a few days.
14:39What are you going to do until then?
14:41What I've been doing all this time.
14:43Survive.
14:49It wasn't necessary for you to humiliate me that way.
14:51I've just told you how things are.
14:53Yes?
14:54Remembering that you had to relegate me
14:55at a certain time?
14:56Look, son,
14:57what I'm not going to allow
14:58is that you question me
14:59every single one of my decisions
15:00with that uncontrollable temperament that you have.
15:03Especially after everything I've done for you.
15:06You know what I mean.
15:07Don't come to me with that now, please.
15:09I'm sorry, son,
15:10but for better or for worse,
15:11I have the same relationship with you
15:13as with your brothers.
15:16I've given you what's not in the scriptures.
15:18And no matter how much it hurts you...
15:20You'll always keep it that way.
15:22That will always be there.
15:25Well, I have nothing more to say.
15:28A good healing from a gift won't hurt you, Jesus.
15:31Well, that's enough.
15:32Why are you doing this to me, Father?
15:33What am I doing to you?
15:34Punishing me.
15:35Look, there's no punishment here.
15:37But you just said
15:38that you'll always keep
15:39the damn past of this family from me.
15:41If you take that into account,
15:42it doesn't mean that I didn't make my decisions
15:44with good criteria.
15:46Or are you going to question me again?
15:50If I want Marta to represent us,
15:52it's not to punish you,
15:53but because I have enough reasons
15:55to think it's the best option.
15:57But you can think whatever you want.
15:59I'm starting to get tired of your attitude
16:01and your constant complaints.
16:04Desire for a woman was my idea.
16:06I don't want to take credit for what I did.
16:08Nobody does, son.
16:09But your sister...
16:10My sister worked hard.
16:11I'm not saying she didn't.
16:12But I see that award
16:13as a recognition of a trajectory.
16:15What do you mean by that?
16:17Well, I've been working
16:18in this company every day for a long time.
16:20And I deserve much more than her
16:22to go to that act of the damn business circle.
16:24Don't be childish, Jesus.
16:26It reminds me of when you were a kid
16:28and you begged me to let you go out
16:30with your classmates from school.
16:32Don't make fun of my father, please.
16:34Is it that important for you to go to that event?
16:38Or...
16:40does it bother you
16:42that your sister eats you up?
16:45And that she does it in a dirty way,
16:47working hard?
16:51Is that it?
16:53Is that it?
16:55You can't stand that your brothers
16:57cast a shadow on you
16:59and that they can be just as good as you.
17:02Don't give me lessons at this point.
17:05Well, you're going to have to get used to it
17:07because your sister is gaining weight
17:08more and more in the factory.
17:10And do you know why?
17:12Because she has something left over
17:14that you lack.
17:18Honesty.
17:20Honesty.
17:23Father, you don't know what you're talking about.
17:25Marta is not like she thinks.
17:29What do you mean by that?
17:34Come in.
17:36Excuse me.
17:37What do you need, Isabel?
17:38I just wanted to remind you
17:39that today is the day
17:40you have to send the payroll to the manager.
17:42Very well, then.
17:43Collect them all and bring them to me.
17:45I have to review them.
17:46I will do so.
17:47And excuse me, I didn't want to interrupt.
17:49Don't worry, Isabel.
17:50I was leaving.
17:52Bye.
18:06Beautiful handkerchief.
18:10He told me to buy something nice from you
18:12and so I did.
18:15Do you want anything else?
18:17No, you can go.
18:23Bye.
18:31Claudia.
18:33Hello, Father.
18:34It hurts to hear what they're saying about you
18:36and Father Mateo.
18:38It's a lie.
18:39They've done a lot of harm
18:40and forced a poor man
18:41to leave here unnecessarily.
18:42When Mateo told me he was leaving,
18:44I was sad and angry
18:46because I don't think what they're saying is true.
18:48I can't believe it.
18:50No.
18:51Of course you don't believe it.
18:52You don't believe me and I understand you, dear.
18:54Of course I don't believe you, Mr. Agustín.
18:56Since Mateo left,
18:57he's taken advantage of the best opportunity
18:59to leave.
19:00The best opportunity?
19:02Is there really something they're saying?
19:04Don't play dumb with me.
19:05I'm not stupid.
19:06I know you're the one who organized all this.
19:09Are you sorry for him?
19:11Is it true, then?
19:12And if so,
19:13holy God,
19:14Mateo should never have been ordained a priest
19:16and somehow I feel responsible
19:18for encouraging him to go back to his secular life.
19:20Why did you lie to me a hundred times?
19:22Don't be so insolent, Claudia.
19:25What's the matter? Are you jealous?
19:27I have nothing to envy
19:28to someone who walks on paths of perdition.
19:30Your little friend will succumb to the temptations again
19:32and when that happens,
19:33I hope someone denounces him
19:34and he's banished from the Church forever.
19:36Stop slandering Father Mateo,
19:38because he's much more dear to you
19:40than the factory workers.
19:41I'm not going to play that game
19:43of who gets the most affection.
19:44I'm over that.
19:45I can tell by your voice.
19:47I know that my mission in this factory
19:49is to be a good shepherd
19:50and to guide all my sheep.
19:52And when I say all, I mean you.
19:54Don't worry,
19:55this sheep is going to find another flock.
19:57Pride is not good,
19:58you have it in excess
19:59when you should bow your head
20:00and behave like a good Christian.
20:02Again?
20:04Are you going to remind me again
20:05that I'm going to be a single mother?
20:07If that were your only sin,
20:11what do you tell me about that poor boy,
20:13from your village,
20:14whom you wanted to deceive?
20:15I didn't want to deceive Mr. Agustin,
20:17he was my mother,
20:18I had nothing to do with it.
20:19Thank God God wanted you to open your eyes
20:21and come to your senses.
20:22I'm starting to think that it wasn't God
20:24who wanted me to open my eyes.
20:25It was you.
20:26It was you who caused all this.
20:28Listen to me, little girl.
20:30I'm not going to let you
20:31accuse me of barbarity, do you hear me?
20:33You carry too many sins on your back
20:35to become enemies with your confessor.
20:46Come in.
20:49Mr. Jesus,
20:50I bring you the payrolls
20:51that the manager needs.
20:54As soon as I review them...
20:55I have already taken the liberty of doing so.
20:57And if you want,
20:58you don't have to go down to Toledo to take them.
21:00I can take care of getting them to you.
21:03If you would do me that favor.
21:05Of course.
21:07Isabel,
21:08have you found out
21:10anything else about
21:11what the sailors are up to?
21:13I've been keeping an eye on Gemma since yesterday.
21:15I'll call her later to see how she is.
21:17Very well.
21:18And think that
21:19if they are going to mortgage the house,
21:20my cousin Luis must also be aware.
21:22Maybe you can
21:23discover something through him.
21:25I'll try to get closer to him.
21:27Thank you, Isabel.
21:28You can go back to your table.
21:33Anything else?
21:36She's going to think I'm an intruder.
21:39But I couldn't help
21:41listening to her discontent
21:42before her father's decision
21:43that her sister
21:45is the representative
21:46in the circle of businessmen.
21:49I do intrude if you are and...
21:50Excuse me if I have offended you.
21:53But
21:54if I bring up the subject of collations
21:55it's because I want to help you.
21:58I don't see how.
21:59Reminding her that she has a card
22:00with which she can play
22:02and make her father
22:03change his mind about her sister.
22:06Isabel, I already told you
22:07that you would leave that subject to me.
22:08I know.
22:09But if her father
22:10was aware of her sister's tastes
22:13I'm sure he wouldn't be
22:14so generous with her.
22:16And you think I don't know?
22:18I've been
22:19to this before,
22:20to tell you.
22:22And why didn't you do it?
22:24Because knowing my father
22:25I would think it was only
22:26a strategy to discredit her.
22:29I see.
22:30And my sister would obviously
22:31deny everything
22:32and my father would believe her
22:33without questioning her.
22:34Because questioning her
22:35would be assuming
22:36that her vices could be true.
22:38And that's something
22:39that my father
22:40wouldn't be willing to do.
22:42It's a shame
22:43that I can't use that information.
22:46I wish I could give him
22:47something more than my word.
22:50Anyway, if you need me
22:52I'm in my office.
23:32Come in.
23:34What are you doing,
23:35knocking on the door?
23:36Do you work here too?
23:40Well, I didn't know
23:41if you'd be alone
23:42and I didn't want to bother you.
23:46Well, about...
23:48about this morning,
23:49it was a mess.
23:51The sheets have stuck
23:52and...
23:55I'm sorry.
23:57No, no, please.
23:58I've already told you.
23:59You don't have to apologize
24:00for anything.
24:01Seeing you happy
24:02makes me happy.
24:05Let me tell you
24:06that you don't...
24:07that you don't need
24:08to be in a hurry
24:09to enter the pantry.
24:11Much less
24:12at work hours.
24:14Okay.
24:15I'll keep that in mind.
24:19Have you arrived early?
24:22Yes.
24:23I also thought
24:24it would take longer.
24:25By the way,
24:26you owe me five euros.
24:27Oh,
24:28you're not the kind
24:29of person
24:30to give me money.
24:31Aren't you a charlatan?
24:33No.
24:34The boy only had
24:35one dermatitis.
24:36And the fever?
24:38He's had a common cold.
24:41With those symptoms,
24:42it's easy to make mistakes.
24:44Five hard-earned euros.
24:45Remember
24:46I'll tell you later.
24:49What are you looking for?
24:51Begoña's latest analysis.
24:54It's not in her file.
24:56They left it on the phone, didn't they?
24:57Yes.
24:58They haven't sent it yet?
25:01Well,
25:02the results were good.
25:03I didn't see the need to ask.
25:05Well,
25:06I'll call
25:07to send it.
25:16What's wrong?
25:17Don't you trust me?
25:18Do you think I'm so bad
25:19that I don't know what I'm saying?
25:20I didn't say that.
25:21Yes, but it's what it seems
25:22when you call
25:23to try to corroborate
25:24what I'm telling you.
25:26I want to call
25:27because I'm worried about my friend.
25:31And wouldn't it be right
25:32to have her analysis here?
25:34I already told you
25:35the results were good.
25:37But well,
25:39I'm asking for them.
25:40That's why I called.
25:42And could you call now
25:43to get them now?
25:47Please understand
25:49that
25:51it's hard for me to assume
25:52that my friend has lost her mind.
25:54I need something different.
25:55I need
25:56hope.
25:58Well, you won't find it there.
26:01I see.
26:03But if you prefer it,
26:04call me.
26:07No, no, no.
26:09It's not necessary.
26:10Don't worry.
26:14Jaime,
26:16forgive me.
26:17I don't want you to think
26:18that I don't trust you.
26:20But this situation
26:22is too much for me.
26:24Don't take it into account
26:25please.
26:26No, no, no.
26:27Don't worry.
26:39You seem a little agitated.
26:42Well,
26:43tomorrow
26:44I'm a little agitated.
26:45That's all.
26:47You know what?
26:49I'm going to make
26:50the house visits.
26:51That way you'll get less tired.
26:53Well, if you don't mind,
26:54can we talk later?
26:56I want to go down
26:57to have a coffee.
26:58I need it.
26:59Of course.
27:00Take the time you need.
27:02Do you want me to bring you something?
27:03No, no, it's not necessary.
27:05I'll be right back.
27:24Hello.
27:25I'm Dr. Borrell.
27:27Has Cosme already left
27:28with the packages for the shipment?
27:31Can you tell her
27:32to stop by the office for a moment?
27:34Yes, of course.
27:37Goodbye.
27:38Goodbye.
27:39Goodbye.
27:40Goodbye.
27:41Goodbye.
27:42Goodbye.
27:43Goodbye.
27:44Goodbye.
27:45Goodbye.
27:46Goodbye.
27:47Goodbye.
27:48Goodbye.
27:49Goodbye.
27:50Goodbye.
27:52Goodbye.
27:53Can you tell her
27:54to stop by the office for a moment?
27:55Please, I need to give her one.
28:54Good morning.
28:56Hi, Isabel.
28:58Do you need anything?
28:59I came to see him.
29:01Me?
29:02Yes.
29:03He has called a new supplier
29:04of essential oils
29:06offering his products.
29:08Ah, very good.
29:10And Mr. Jesus has asked me
29:11to ask him
29:12if he is satisfied
29:13with the usual
29:14or prefers
29:15that this option be valued.
29:17Well, the truth is
29:18that I am satisfied
29:19with Marquinez.
29:20But you can tell Jesus
29:21that I thank him
29:22that you asked me
29:23and that he took me into account.
29:25On his part.
29:30Good morning.
29:35Luis.
29:36Yes?
29:37What is she doing here?
29:38She has come to give me a message.
29:40I could have spent the morning
29:41looking for him.
29:42Well, who would have thought
29:43to leave him there
29:44so that everyone could see him?
29:46I don't know.
29:47Well, who would have thought
29:48to leave him there
29:49so that everyone could see him?
29:50Yes.
29:51Well, excuse me, Joaquín.
29:52It has been a moment
29:53that I have had to sit down
29:54in the lab.
29:55A moment that someone could have
29:56entered and realized
29:57what we are doing
29:58with those lands.
29:59It has been reckless.
30:00I know.
30:01I know.
30:02Excuse me.
30:03It's just that I have a little
30:04my head in the clouds.
30:08It's just that yesterday afternoon
30:11there was light
30:12in the lab
30:13and
30:15we finished.
30:18That's why you didn't sleep at home.
30:20It came up.
30:22Well,
30:23it was time.
30:24You have been waiting
30:25for a long time.
30:27Are you serious?
30:28So serious
30:30that I can't help
30:31but think
30:32about the future.
30:35Don't tell me
30:36you're thinking about a wedding.
30:37Madre is going
30:38to have a heart attack.
30:39It's going to look like
30:40I'm a little crazy,
30:41but I don't know, brother.
30:42For the first time
30:43I see myself
30:44getting old with someone.
30:46What I think
30:47is that you're in love.
30:49Not to the point.
30:50Very good.
30:51You'll see when
30:52Madre finds out.
30:53No, no, no.
30:54If you've already found out.
30:55Don't bother me.
30:56Yes, yes, yes.
30:57Well, it's just that...
30:58Well, I'm leaving.
30:59I'm going to receive
31:00two substitutes
31:01who are going to cover some expenses.
31:02I'll see you later.
31:04I'm going for you.
31:14Mr. Damián.
31:15Claudia, what a surprise.
31:17I'm sorry
31:18to interrupt you
31:19here in the middle of the courtyard.
31:20I know you prefer
31:21to have a meeting
31:22with your secretary.
31:23Yes, but something tells me
31:24that you couldn't wait
31:25for so much bureaucracy.
31:27Tell me.
31:29I suppose
31:30you've already heard
31:31the rumors
31:32about Father Mateo
31:33and a waitress.
31:34Yes, I've heard something.
31:36I don't know
31:37if it's true
31:38or not,
31:39but I'm sure
31:40it's true.
31:41Yes, I've heard something.
31:43I'm telling you
31:44it's all a lie.
31:45Mr. Damián,
31:46I've already talked to Mrs. Marta.
31:47You're not going to tell me
31:48that you're not pregnant.
31:50No.
31:51Of course I'm pregnant.
31:53And it's quite embarrassing
31:54for her to be a single mother.
31:57But I promise you
31:58that Mateo doesn't...
31:59He's not the father.
32:01No, no.
32:02Mateo and I
32:03had an enviable friendship
32:04in the eyes
32:05of anyone in the factory,
32:07but I swear
32:08he has nothing to do with it.
32:10Don't suffer,
32:11dear.
32:12I believe you.
32:14Really?
32:15Of course.
32:16Oh,
32:17Mr. Damián doesn't know
32:18how to comfort me
32:19with his words.
32:20But I'm not a priest
32:21or a confessor.
32:22You don't need me.
32:23I'm sorry.
32:25But I do need
32:26your help.
32:29For what?
32:31You can't let Mateo
32:32leave the factory.
32:35Well,
32:36what do you think?
32:37The best tortilla
32:38in Toledo, right?
32:39It's delicious.
32:40Wow,
32:41isn't it?
32:42Well, you have to try my cooking.
32:43I make it every last Friday.
32:44Oh,
32:45I don't think I've been working
32:46in the factory for so long.
32:47Unfortunately,
32:48it's just a short
32:49one-week substitution.
32:50Well,
32:51that's what the chef told me.
32:52Who did you talk to?
32:53Well, he had a mustache
32:54and he was a bit serious.
32:55Joaquín,
32:56let's see,
32:57it seems like
32:58you're a good guy.
32:59Listen to me.
33:00I don't know if I'll have
33:01much more dealings with him.
33:02He seemed very busy.
33:03Anyway,
33:04I hope to enjoy
33:05these days around here.
33:06Of course, woman.
33:07The important thing
33:08is the possibility
33:09of staying here, right?
33:10I hope so, son.
33:11Well,
33:12the usual.
33:13Do you know Pepa?
33:14Substitute for him, Charo.
33:15Tassio.
33:16Nice to meet you.
33:17A pleasure.
33:24Tell me what I owe you
33:25for the coffee, Gaspar.
33:26Six calas for you.
33:31If you don't have a bag,
33:32don't worry.
33:33You'll give it to me.
33:35Oh,
33:36here it is.
33:38I knew women
33:39had everything in their bags,
33:40but
33:41Tarot cards?
33:42I never imagined that.
33:43My thing is to read the future.
33:46Really?
33:48Really, Claudia.
33:49I'd like Mateo
33:50to stay with us.
33:51He's a guy
33:52I value a lot.
33:53His father
33:54is a good friend of mine.
33:55Well,
33:56for what reason?
33:57Don Damián can't
33:58let him go.
33:59Yes, but it's his wish.
34:00My daughter told me
34:01he did it
34:02so he wouldn't
34:03spread rumors
34:04and do the right thing.
34:05I know, Don Damián,
34:06but I'm so angry
34:07because it's very unfair
34:08to Father Mateo
34:09and in the end
34:10those rumors
34:11have been fed
34:12by someone else.
34:13Yes, I know
34:14that boy from your town
34:15went to see Bena.
34:16Yes,
34:17Joselito messed with her,
34:18but someone
34:19poisoned her ears.
34:21Who?
34:23Well,
34:24I'm almost sure
34:25it was Don Agustín.
34:29Almost sure?
34:31Well,
34:32I don't know
34:33Well,
34:34I don't think
34:35he'll ever
34:36admit it, but...
34:37Listen,
34:39that's a very serious accusation.
34:40Do you have any proof
34:41of what you're saying?
34:43No,
34:44no,
34:45but since Mateo
34:46became a priest,
34:47Don Agustín
34:48has done everything
34:49to make him leave.
34:50Yes, but you can't
34:51accuse someone
34:52like that
34:53just because of a whim.
34:55I know, Don Damián,
34:56but
34:57you get along
34:58with Don Agustín
34:59and maybe
35:00if you pressure him
35:01he'll tell you what happened.
35:02I don't know.
35:03You're putting me
35:04in a bind, Don Agustín.
35:05You're a man of God.
35:06Please, Damián,
35:07this is very unfair.
35:08Life isn't always fair,
35:10and things
35:11don't always turn out
35:12the way we want them to.
35:14I'm sorry.
35:24Look,
35:25the hermit.
35:26He has the same beard as you.
35:27I know what you're thinking,
35:28that reading the future
35:29with cards
35:30is just a stupid trick.
35:31Well,
35:32it's a bit strange
35:33that they charge you.
35:34I give myself up
35:35for satisfaction.
35:36To me,
35:37the truth is
35:38that it gives me
35:39a bit of respect.
35:40I'd almost prefer
35:41not to know
35:42what's going to happen
35:43because I think
35:44it would condition me.
35:45Well,
35:46I'd like to know
35:47what the future
35:48has in store for me
35:49with my wife
35:50because lately
35:51we've been
35:52like that,
35:53you know.
35:54What?
35:55Are you throwing me the cards?
35:56Thinking that the cards
35:57are going to solve
35:58your problems
35:59is a mistake.
36:00See you, Gaspar.
36:01Bye, Pepa.
36:04This girl
36:05is so nice, isn't she?
36:06Yeah, she might be nice,
36:07but she hasn't thrown me
36:08the cards.
36:10Well, how's it going with Carmen?
36:11She's still mad
36:12because of the
36:13appliances, right?
36:14Yeah,
36:15she's still mad, yeah.
36:16Has she asked for forgiveness
36:17on her knees,
36:18begging?
36:19Everything, Gaspar, everything.
36:20It's no use to me.
36:21You don't know
36:22what I miss about her
36:23as soon as I enter the room
36:24and I find Vicente in front of me.
36:26Yes, I understand you.
36:27Yes.
36:28When you're used to
36:29a person,
36:30it's hard to get used to
36:31not being close to her.
36:33That's what happened
36:34when we broke up,
36:35Pera, Sonsoles and me.
36:37I still remember her today,
36:38look.
36:40Gaspar, don't you dare
36:41compare my Carmen
36:42to that fresh one.
36:43What's wrong?
36:44Have you forgotten her?
36:45Was she hitting you
36:46with the bus driver?
36:47No, of course not,
36:48but now that the wound
36:49doesn't bleed,
36:50I think about
36:51the good times
36:52there were,
36:53Tassio and many others.
36:54Gaspar, don't you dare.
36:55Can you hear me?
36:56Don't you dare.
36:57There are a lot of women
36:58who are really nice.
36:59But I don't know
37:00anyone who's single.
37:01There are thousands,
37:02millions, I'd say.
37:03Look,
37:04without going any further,
37:05this girl you just introduced me to
37:06doesn't even have a ring on her hand
37:07and you say she's very nice,
37:08so you could invite her
37:09to have a drink some day, right?
37:10I don't know, I don't know.
37:11I need to feel the rush
37:13to go out with a woman, Tassio.
37:15Yes, the rush
37:16and the romanticism
37:17and all that
37:18is fine for movies,
37:19Gaspar,
37:20but the reality is
37:21you're getting older
37:22and you don't have anyone
37:23ironing your shirts,
37:24so relax a bit.
37:25No, I iron my shirts
37:26by myself.
37:29Will you invite me?
37:30Yes, come on.
37:55Josefa,
37:57I'm Gaspar.
37:59Gaspar Gasparín.
38:01Yes, yes, that's it.
38:03Yes, yes, a long time.
38:04Yes, yes.
38:05Yes, I'm so embarrassed
38:06and I said,
38:07no problem,
38:08I'm going to call Josefa
38:09to see how she's doing.
38:10Yes.
38:11Yes.
38:12How's the family?
38:13What?
38:14Good, right?
38:15Yes.
38:17And your cousin,
38:18Sonsole,
38:19is she okay too?
38:27THE LAST ANALYSIS
38:35What are you looking for?
38:37Begoña's last analysis.
38:40It's not so historical.
38:42They told you on the phone, right?
38:43Yes.
38:44They haven't sent it yet?
38:47Well, the results were good.
38:49I didn't see the need to ask.
38:56No.
39:02Is everything okay?
39:05You seem worried.
39:06What were you thinking?
39:07Nothing, nothing in particular.
39:10Well, I think you were thinking about something.
39:12And I'm not going to deny that
39:13I've had a rough morning
39:15because I've seen how upset you were
39:16when they found out about us.
39:18Man,
39:19the situation has been quite uncomfortable, right?
39:21Besides, your mother...
39:22Yes.
39:24But well,
39:25we shouldn't worry too much, Luz.
39:26We're all adults.
39:28That's also true.
39:30What are you wearing?
39:34The truth is,
39:35just as you've decided not to keep secrets from me,
39:39I don't want to keep them from you either.
39:41And...
39:43there's something in between
39:44that I'd like to show you
39:45because I'm very excited about it.
39:55Hi, Begoña.
39:58I'm sorry, I didn't mean to scare you.
40:01I was thinking about my things.
40:03I see you've come down to the living room.
40:04You feel better, don't you?
40:07Digna had to change the sheets.
40:10But are you not feeling well?
40:14Do you mind?
40:16Yes, why?
40:18I'd like to get your attention.
40:19May I?
40:20Of course.
40:24Have you noticed anything strange?
40:27Palpitations?
40:29Lack of sleep?
40:31I'm very tired all day.
40:36What?
40:38How's my wife?
40:40Well,
40:41she was going to get your attention,
40:43but I'm sure she's not well.
40:46And I'm glad about that.
40:50You shouldn't be here, honey.
40:51You should be upstairs, resting.
40:53I know.
40:54Digna had to change the sheets.
40:55But I'll be right up.
40:57No, she can go.
40:58Don't worry.
41:00Begoña.
41:01See?
41:02I'll excuse you from dinner with the Avellaneda.
41:05Yes, please.
41:07Oh, sorry.
41:09Have you seen a red book around here?
41:12No.
41:13But why don't you ask Digna?
41:14She's upstairs in my bedroom.
41:16And you can go with Begoña.
41:18I'm sorry, honey.
41:20I want you to go upstairs with someone.
41:22Of course.
41:34What did you tell her?
41:37Nothing.
41:39Nothing.
41:40I just wanted to know that everything was fine.
41:44Jesus, you have to stop giving her that crap
41:46before it's too late.
41:47Let's get back to the matter that concerns us.
41:49At least tell me how much she's taking.
41:50Or let me be the one to administer it.
41:52That way I can make sure that the dose isn't lethal.
41:54Shut up.
41:55You've made me an accomplice to this barbarity.
41:57But I'm not going to be responsible for her death.
42:00Shut up, Jaime. Shut up.
42:02I take care of my wife.
42:03And you take care of yours.
42:05We're...
42:10You're sick.
42:20This is something that very few people know about.
42:24And it must continue to be so.
42:26You're scaring me.
42:29Have I ever told you about my father?
42:31Yes, you told me he was a perfumer like you.
42:34And that he had died in the most tragic way.
42:36That's right.
42:38But before that happened,
42:40my father discovered some hot springs near here.
42:44And he told me that there was a place
42:46My father discovered some hot springs near here.
42:50And he told me that there was a place
42:53Wow.
42:55It was not long ago that we discovered the project without planning it.
42:59And my family and I are very excited about the idea of materializing it.
43:14But...
43:16What I see is not just anything.
43:19There is a store and a small hotel with a restaurant.
43:24This is a very ambitious project.
43:26My father had everything planned, as you can see.
43:31And there is even a simulation of benefits.
43:35Nothing negligible.
43:37It is our light heritage.
43:40The future that we deserve.
43:43Have you decided to launch it?
43:46So much so that we have already contacted the landowner.
43:49So soon?
43:50And why wait?
43:51This project has been stored in a drawer for too long.
43:53Yes, but it must cost a lot of money.
43:55And that's why we're going to mortgage our house.
43:58We are waiting for the bank to give us the green light.
44:01Really, Tim?
44:03Aren't you afraid to embark on something so big?
44:06Don't be offended.
44:08You've always boasted about being a humble perfumer.
44:12My father would have liked to see that project launched.
44:16And if we succeed,
44:19we will be honoring his memory in some way.
44:21Of course.
44:22This is the best way to do it.
44:25To keep him alive.
44:29Wherever your father is, he has to be very proud of you.
44:36Isabel has taken all the documentation to the manager.
44:38Don't worry about that, Father.
44:41Yes, but I can't help doing it for you.
44:44Worry about me?
44:47Yes, even if you don't believe it.
44:49I don't like to see you so hurt over something.
44:51And I've been thinking about it for a while.
44:53Maybe I've been too hard on you with the award.
44:57Well, as you said before, I'm not a kid.
45:00Are you going to leave me with the word in my mouth?
45:02And what else do you want me to say?
45:03I have other concerns.
45:05My wife, for example.
45:06I'm not having my best time and you don't help either.
45:09I know.
45:10That's why I'm apologizing to you.
45:12And I accept them.
45:13If you allow me, before apologizing, one should think about not hurting.
45:16That I am always the one who takes his blows.
45:18The one who fits his ex-abrupts.
45:20And the one who has to show twice so that he recognizes me half.
45:23Always.
45:25And don't you think it's you who has caused us to get to this situation?
45:29Is the trunk of memories going to open again, Father?
45:32You complain about my reprimands and my ex-abrupts.
45:35But you forget that if it weren't for me, you wouldn't be here with us now.
45:39So stop complaining and value what you have.
45:42Because I have given much more for you than for your brothers.
45:49Sorry.
45:50I don't know if I arrived at a bad time.
45:52No, don't worry.
45:53We were dealing with factory matters.
45:55Begoña, has she already laid down?
45:58Yes, yes, yes.
45:59As soon as she got to the room.
46:00Well, it's okay for her to rest.
46:02I didn't want to interfere, but I think Begoña would rest better if ...
46:08If what?
46:10Jesus, I don't think this house is the right place for Begoña.
46:15What do you mean?
46:16He knows perfectly well what he is referring to and it is not the first time that he has insinuated it to Father.
46:20She would be in a prepared place.
46:22Attended by professionals.
46:24Shut up, Maria.
46:25I only say it because it is dangerous for her to be in this house.
46:28Maria.
46:29Nobody has asked you for help or your opinion.
46:32Jesus, do me a favor.
46:33I'm tired of this woman and her insolence.
46:36Do you come here to tell me what I have to do with my wife when you are a newcomer?
46:40Hey, don't take it that way.
46:41I say it for her own good.
46:42For her own good.
46:43If you wanted her good, you wouldn't suggest that she go to a asylum.
46:47It's okay, Jesus.
46:48I haven't said anything about a asylum.
46:50Look at my mother involved.
46:52Begoña is not going to move out of this house.
46:54Do you hear me?
46:55She is my wife and she has to be by my side.
46:58Always.
46:59Is it clear to you?
47:00Always.
47:06That character of yours is our doom, son.