La promesa - Temporada 3 - Ep 408
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00:00And that's why we decided that the cave was the best place.
00:06As you will understand, keeping the secret where Mrs. Darre is hidden is vital.
00:11Be careful, Mr. Baeza. I won't tell anyone anything.
00:14And you can count on my help for whatever you need.
00:17The truth is that we wouldn't mind a helping hand, sir.
00:21Now we're having a hard time going to visit her and bringing her food without raising suspicions, so...
00:26It's getting more and more complicated.
00:28In fact, I thought we should get her out of there.
00:32With precautions, of course, but the time has come.
00:35No, I don't know what to say. I don't agree with that.
00:37That man knows that Mrs. Pia is alive. He threatened to kill her.
00:41And that man doesn't speak for himself. He would expose her.
00:44I know, but Mrs. Pia has less and less strength.
00:46And the only thing we're going to do by leaving her in that cave is to make her get sicker.
00:50Yes, but the alternative is worse. If we get her out of there, that man will discover her.
00:54From what I see, you don't agree.
00:56No, no. And we must do it.
00:58We must have a unique position.
01:00I think Mrs. Darre should stay hidden for a while longer.
01:05Besides, now we have the help of Mr. Manuel, who can bring her water and food.
01:09Yes, I've already told you. You can count on my help whenever you need it.
01:13Let's see...
01:14Miss Expósito.
01:16Now, with the help of Mr. Manuel, we can visit her more often.
01:20Everything is simpler. We don't have to make such a radical decision.
01:25Do you think it's the best?
01:28It's the best option. But it is the least bad.
01:31Getting Mrs. Pia out of that cave now could mean her death sentence.
01:50Am I bothering you, Mrs. Arcos?
01:51No, no. Come in.
01:55It's nothing important.
01:56I just wanted to tell you how my first day went, with the help of Mr. Manuel's camera.
02:00Well, take a chair, sit next to me, and tell me how the job is going.
02:11Good.
02:13Good.
02:14Hasn't she made you dizzy?
02:16No, she's been very correct. Too much, even.
02:21What do you mean?
02:23I was supposed to help her get ready for dinner, right?
02:27That's right. And tomorrow you'll have to help her get ready for breakfast.
02:31You'll have to have the clothes always ready and the shoes very shiny.
02:35I know. I know.
02:37The problem is that Mr. Manuel doesn't want to help at all.
02:41Does he want to get dressed alone?
02:43That's what he's done.
02:45He hasn't even let me help him comb his hair.
02:47The only thing he's let me do is tie the little bird's knot.
02:50That war.
02:52What do you mean?
02:53That Mr. Curro wasn't like that before he went to that ... to that damn war.
02:59But I suppose that after so many months of suffering, now having a camera help will seem too luxurious to you.
03:06Well, then I don't know what I can do.
03:08I can't be the camera help of someone who doesn't want to have it.
03:11Be patient, boy. He has just arrived from the front.
03:14But you will see how soon he will realize how comfortable it is to have someone who does everything for him.
03:20Do you think? I already told you that he hasn't even let me help him get dressed.
03:24I don't know. I've been serving for many years and I know that one gets used very quickly to good life and comfort.
03:32Well, I hope you're right.
03:35I am. And you should take advantage of the opportunity to learn the trade with Mr. Curro.
03:41I don't know if it will be possible.
03:43The point is that it's not just that he doesn't let me help him. It's that he asks me for things, please.
03:49Please? Who has seen him and who sees him?
03:53Mr. Curro used to be a spoiled despot.
03:57Really?
03:58Yes. He treated the service with screams. And it was strange that he didn't make any maid cry.
04:03Two years must have tempered his character.
04:07Yes, it must be so.
04:13Can you look over there for a moment?
04:17What?
04:18What are you looking at? I'd like to see your profile.
04:27Have you ever thought of growing a moustache? I think it would look good on you.
04:32Sure. A moustache. But a moustache like that of Count Dayala.
04:38No. That can't look good on anyone.
04:41No, I mean a smaller one, less thick. Something more elegant.
04:47Do you think so?
04:48Yes, I do. And I also think that a little longer hair would look better on you.
04:56I don't know. I've always worn it like this.
04:59Well, but there's always a time for change. And I think this is yours.
05:04Well, I'll think about it.
05:08Honestly, I think you'd look much better.
05:12As for Mr. Curro, you'll see how, with patience, he will soon realize that it is very good to have someone who does everything for him.
05:23You know, the German soldiers had a lot of respect for the French soldiers, despite being confronted.
05:40But then you spoke to a German.
05:42That's right. I watched some dungeons where we had prisoners. A few.
05:48There I met a German officer. The same one who recognized the military virtues of the French.
05:54The French have always been involved in many wars. They have had the opportunity to learn military art.
06:01According to the German officer, his enemies were worthy heirs of Napoleon.
06:06What I envy most about the Gauls is their tradition of converting the gestures of their soldiers into poetry.
06:12Cyrano, Hollande, D'Artagnan.
06:15Yes, that's exactly what I was talking to him about.
06:18I think you met a literary soldier.
06:20Yes, it could be. He spent all day reading in the dungeon.
06:24And did he say anything about the English soldiers?
06:27Yes, this man had for everyone.
06:29Of the English, he said they had a lot of cold blood and that they went to war like hunting, planning and being very precise.
06:38Well, that German had great spirit. Because few are able to see virtues in the enemy.
06:44Yes, he was a good man. I hope he comes out alive from that war.
06:50The lover should not lower his rival to the beloved, because by doing so he lowers himself.
06:55Well, I think that soldier was so generous for two reasons. First, because he was in prison.
07:00And second, because if they win this war, they have much more merit than your enemy is formidable.
07:05I see.
07:07So, according to you, that man praised the enemy to praise himself?
07:14Of course.
07:15You always give the most twisted interpretation, brother-in-law.
07:18My twisted interpretation is called reality.
07:21Are you in a hurry?
07:24Well, I wanted to take advantage of the fact that you are all together to thank you.
07:29We didn't do anything.
07:31Well, they appeared when the count was going to take me to the convent and they avoided it.
07:36We couldn't stop the count. It was your mother who made him change his mind.
07:41Well, but I'm convinced that his appearance had a lot to do with that change, right?
07:47I think you're exaggerating.
07:49Although, well, thinking about it, it wouldn't have been bad if you had gone to that convent.
07:53You would have learned important things about life.
07:56I didn't want to learn anything at all that they could teach me there.
08:00Don't listen to her.
08:02Lorenzo is kidding.
08:04We are all very happy that you are here.
08:06Yes.
08:08The only thing I regret is causing so many headaches.
08:12That's over.
08:14Yes, thank goodness.
08:16The only thing is that I still feel fear in my body because of what I experienced at the sanatorium.
08:23Martina, that will go away in a few days.
08:26Yes, now what you have to do is be busy so as not to give more headaches.
08:31You know, I think it's a very good idea that tomorrow we go for a walk in the gardens.
08:38What do you think?
08:40Well, I really feel like it.
08:42Well, let's not say more.
08:44We are going to let them know to prepare a small tent for the walk.
08:47Very well.
08:49If they excuse us.
08:51Good night.
08:53Good night.
08:56Good night.
09:02What do I say, that since they are going to Luján's house, which is next door,
09:05we could, I don't know, organize an invitation for all those invited to the celebration?
09:09That is, us.
09:11Exactly.
09:13First, we should know if the Marquises allow us all to go to the wedding.
09:16They will.
09:18Although, of course, I think the simplest thing is going to be to celebrate the invitation here, in the courtyard.
09:22Like we did with the wedding of poor Mrs. Darre and the ill-born Gregorio?
09:26No.
09:27Too bad memories.
09:29Take it away, take it away.
09:31Maybe we do it somewhere else, because that wedding was ruined.
09:34In the gardens.
09:36Candela, not that now María Fernández and Salvador are the heirs of the Marquis.
09:42Woman, if Mr. Baeza is the Marquis, I'm sure he'll give us a corner among the bushes to celebrate the invitation.
09:49Yes.
09:50I think the best thing we can do for now is to focus on the menu and then we'll think about where the invitation will be.
09:56Well, I have thought about that a little bit.
09:58Yes?
09:59Yes.
10:01I think, first of all, my pipirrana would go very well.
10:04That never fails.
10:06That's one of your best dishes.
10:08And second, lamb with honey, with a garnish of potatoes to the poor and rice with almonds.
10:13I'm getting hungry just listening to you.
10:15And with the dessert, what do we do?
10:18Well, maybe we better leave it to Lope, I'm sure he can think of something.
10:22Lope is in charge of the cake and we can make some chestnuts, an oil cake ...
10:27And some albino pears.
10:29Also.
10:31But before continuing with this menu, I think we would have to see which room we are going to pay the homage to.
10:39Yes, because this is going to take its good money.
10:42Well, I'll take care of it.
10:44You?
10:45What do you mean you?
10:46Now that you've become rich all of a sudden?
10:48No, but something will come to me, I guess.
10:51Let's see, it's not easy to find a job like this, good or bad.
10:54At least some have given us good words.
10:56Yes, but with good words you can't live, Vera.
10:59And I think they talked a lot for talking.
11:01Yeah, it's true that the saying goes ...
11:04Then nothing.
11:06Not a single house where my virtues can make a few hours.
11:08Not even that, Simona.
11:10But don't despair, Mrs. Simona.
11:12We've only been a few hours.
11:13We'll have to go back to Lujan and keep looking for work.
11:16Yes, we have no choice.
11:18How did it go in Lujan?
11:20Well, it could have gone better.
11:22So bad.
11:24Let's see, I didn't want to be so cynical, but yes.
11:27The truth is, yes.
11:31And have you been able to talk to the priest?
11:34No, I haven't seen him.
11:36But Candela went to talk to him and told him that ...
11:38Well, he didn't need help.
11:40A very peculiar man.
11:41And what does that have to do with our wedding?
11:44Wedding?
11:46I haven't talked to the priest about any wedding.
11:49No, no. You know, we're getting tangled up.
11:51Candela went to talk to the priest to ask him for work, for virtues.
11:55And you had to talk to him about our wedding?
11:58Or don't you remember?
12:00The truth.
12:02It's true that we said it, that we said it,
12:04but with this thing of looking for work or virtues,
12:07well, it has happened to me, as it has happened to you.
12:08You have so many things in your head.
12:21Another drink, brother-in-law?
12:23No.
12:25Come on, this helps you sleep.
12:27I said no.
12:30Can I know what the hell is going on with you?
12:33A while ago you were telling anecdotes and gossip,
12:38and now you feel like you've been trampled on.
12:40If there are people in front of me, I hide it better,
12:42but lately I don't find your company very pleasant.
12:45Ah, and can I know why?
12:47You know it very well.
12:49You've always liked to throw little punches from here to there,
12:52but these days you're having a hard time.
12:54Maybe it's because you've been a little more sensitive lately, for whatever reason.
12:57It has nothing to do with me. You do it with everyone.
13:00For example, your comments about Ayala's poisoning didn't come to light.
13:05Are we already with that Martín Gala?
13:06I should be the one to say that.
13:08Why do you talk about that? Why do you stir up that matter?
13:11I haven't said anything that wasn't true.
13:13There are many things that are true and we don't preach them out there.
13:16Or is it that I comment on how long it's been since you visited your wife?
13:19Very well, now it's time to talk about poor Eugenia.
13:21As you would say, is it not true?
13:23What is true is that you are a cynic,
13:25unable to assume his own actions.
13:29Can I know why you are arguing now?
13:34We are talking about war in Europe.
13:36We have different views.
13:38You raise your voice because of a war that is thousands of kilometers from here?
13:42Yes, we may have gotten too excited.
13:45Right?
13:47You know, it's just that...
13:49I can't stand your husband's praise of the French.
13:53I see.
13:57Because of the war, then.
14:07I'm telling you, hares have a great intellect.
14:10If you look them in the eye,
14:13you realize that they know things.
14:18Well, I think it's time for us all to go to bed.
14:21Because if we keep talking nonsense here,
14:23and Mrs. Petra shows up, we'll get a response.
14:26I don't think she'll show up.
14:28She must be flying in her bed by now.
14:30Even so, it's time for us to go to bed.
14:33Good night.
14:34Come on, let's go to bed.
14:40Good night.
14:42Good night.
14:44Hanna, one thing.
14:48It doesn't matter, but...
14:50Don't you realize that neither María Fernández nor Salvador
14:55seem to be very excited about their wedding?
14:58Well, now that you mention it,
15:00I get the feeling that they are going to marry an acquaintance.
15:01Of course.
15:03That's exactly what I think.
15:05María went to town and forgot to talk to the priest.
15:08The same with Salvador.
15:10It's a very strange thing.
15:12I don't know, it's not like he goes to the market
15:15and forgets to buy tomatoes.
15:19Something must be going on, right?
15:27I wish I could give these gardens the time they need.
15:31Well, they are very well maintained, to be honest.
15:34Bautista does what he can, poor guy.
15:36But being alone, he has to take care of some tasks
15:39that don't belong to a butler.
15:41Well, I like how they are.
15:43They had their moment of glory when my mother took care of them.
15:46Did she like plants?
15:48Yes, she liked them.
15:50They were her life.
15:52That's why these gardens are so special to me.
15:54My mother spent hours here.
15:56She decided which plants to plant,
15:58depending on the sets.
16:00You can tell she did it with great pleasure.
16:03Yes.
16:05I don't know how many times I've walked around here
16:08while she told me all kinds of stories.
16:10My mother also loved the gardens of La Promesa.
16:13She had her own special corner.
16:16Well, I took you there.
16:19Yes, I remember.
16:21A very special place.
16:23Look, right in this piece of garden,
16:25my mother managed to grow orchids.
16:28In this weather?
16:30It was hard for her, but she insisted on having orchids.
16:33She always looked for plants
16:35that would give way to the most beautiful flowers
16:37because she enjoyed showing them to visitors.
16:40I would have loved to meet her.
16:42Yes, I told you at the time
16:44that I think you would have made good friends.
16:47Look, over there,
16:49Solía grew jacintos.
16:51Did you know that with one of them
16:53she won a flower and culture contest?
16:55Did she take part in contests?
16:57She liked challenges.
16:59She learned several techniques
17:01to get varieties,
17:03although her favorite technique was gardening.
17:05An expert, then.
17:07Yes, I think so.
17:09She was always looking for perfection.
17:11Everyone has their passions, right?
17:13My mother's was gardening.
17:15Seeing how the different flowers merged
17:17and gave rise to new aromas, new colors.
17:19It must have been a show
17:21to walk around here in spring.
17:23I think so.
17:25She managed to grow roses
17:27of three different colors
17:29and daisies like nowhere else.
17:31Wow.
17:33And now you see.
17:36A shame.
17:38Yes.
17:40And she didn't leave seeds
17:42or a notebook to write down her tricks?
17:44Nothing. She had it all in her head.
17:48You know, my mother used to say
17:50that I was like an injection
17:52between my father and her
17:53because she had managed
17:55to get the best out of everyone.
17:57And is that so?
17:59No.
18:01I'm afraid that in this injection
18:03my mother failed.
18:05She was looking for the perfect son
18:07and I'm nothing without that.
18:09And the worst of all
18:11is that she can't help me improve.
18:15Perfect is boring.
18:17How do you distinguish
18:19between perfect white roses?
18:21I don't know.
18:23Because they're the same.
18:25But imperfect is unique,
18:27different.
18:29Then I must be quite unique.
18:31Well, yes.
18:33You are, Pelayo.
18:35You are.
18:48And now Mr. Baeza knows
18:50that Manuel knows about Mrs. Pia.
18:52And did he get angry?
18:54No, because we played a prank
18:56and he thought he found out
18:58by chance.
19:00Come on, what?
19:02You're so cunning.
19:04I won't know when you're acting
19:06and when you're really acting.
19:08Don't be silly.
19:10So, tell me the plot.
19:12Well, I went into Mr. Baeza's office
19:14and left the door half open.
19:16Then we started talking about Mrs. Pia
19:18and Manuel came in and said
19:19that Mr. Baeza had no choice
19:21but to tell her.
19:23Indeed.
19:25Didn't Mr. Baeza realize
19:27that he's smarter than a fox?
19:29Well, no.
19:31At first he didn't realize it,
19:33but at least we got what we wanted,
19:35which was for Manuel to be in jail.
19:37Right.
19:39And what's this for?
19:41Maria, for many things.
19:43For example, to help us visit her,
19:45to help us with the food,
19:46to help Mr. Baeza get her out of there.
19:48But we already told Mr. Baeza that.
19:50And he doesn't listen.
19:52He has to talk to Mr. Marquez
19:54and he can't find the time.
19:56Right, but I insisted again.
19:58And?
20:00Well, I honestly think
20:02that Mr. Baeza doesn't want to tell Mr. Marquez
20:05because he thinks it's not the time
20:07to get Mrs. Pia out of there.
20:09He's right.
20:11Let's see, Maria.
20:13I know it's risky,
20:14but I don't want her to stay there.
20:16And what I'm most afraid of
20:18is that Mr. Baeza wants to take advantage
20:20that Manuel only knows
20:22to try to help him
20:24with the supplies for Mrs. Pia,
20:26nothing else.
20:28But that's good news, isn't it?
20:30Maria, it's not the solution.
20:32No, and he's not going to prevent
20:34Mrs. Pia from getting something bad there either.
20:36I'm going to have to talk to Manuel again
20:38and see if I can get him to insist a little.
20:40Well, yes.
20:42I should fix this apron.
20:46It must be from La Virtude.
20:49You don't know how sorry I am.
20:51The poor thing has not found a job
20:53and she's so sad that...
20:55Yes, a lot of good words,
20:57but what it is to offer a good job to no one.
20:59And look what we ask half-wit.
21:01You know what I'm telling you?
21:03I think she'll find a job soon
21:05because she deserves it.
21:07Besides, she's been fighting for a long time
21:09to get her son back.
21:11And she's also had
21:13a big kick in the ass.
21:15And she has to get rid of the priest.
21:19By the way, speaking of priests, Maria,
21:21why didn't you talk to the priest about your wedding?
21:26I've missed it.
21:28Maria, it's your wedding.
21:30And what do you want me to do to him?
21:32What do you want me to do to him?
21:34What do you want me to do to him, Maria?
21:36That you give him a little interest,
21:38that one doesn't get married every day
21:39and that you love him for life
21:41and until death do us part.
21:58Miss, Miss.
22:00What are you saying, Mr. Cook?
22:02Nothing, I just wanted to say hello.
22:04Again?
22:06But you've already said hello to me at breakfast.
22:07Sometimes I miss you.
22:09But not here.
22:11What?
22:13Come on, give me a hug.
22:15I don't feel well.
22:17Let's see.
22:25That's it.
22:28Well, I didn't like the tie
22:30because one side is longer than the other.
22:32I hope it happens again.
22:34You were distracting yourself.
22:36With how precious you are to your cakes,
22:39you don't know how to make a tie.
22:41Well, now it is.
22:43And it's perfect.
22:45Come on.
22:47Come with me to the laundry
22:49because I have to find Maria Fernández.
22:51I should have left a pen in the lady's room,
22:53but it happened to her.
22:55Well, Maria is not here lately.
22:57What happened to her?
22:59Even her own wedding.
23:01She didn't go to Luján and she forgets to talk to the priest.
23:02I don't know what's going on in her head.
23:04But we're talking about her own wedding.
23:06I don't know.
23:08If I were the one who got married,
23:10I wouldn't have anything else on my mind.
23:12Wouldn't the same thing happen to you?
23:14To me?
23:16It depends on who I marry.
23:19If you marry me,
23:21I hope you won't stop thinking about it
23:23until the day of the wedding.
23:25Are you proposing that we get married?
23:29You were just an example,
23:30but now that you mention it,
23:32well, of course.
23:34Let's get married.
23:36Well, first we should solve a little problem, right?
23:38Really?
23:40And what's that little problem?
23:42Well, a tiny one.
23:44That I'm a cook
23:46and that you come from a noble family.
23:49But you're just a simple cook so far.
23:51Because soon you're going to be a king of the stoves.
23:54And when that day comes,
23:56I'm going to be your most fervent admirer.
23:58Okay.
24:00You solve problems very easily.
24:03Especially when they're just our imaginations.
24:08Well, for now, let's keep imagining
24:11that we're fine the way we are, right?
24:13And a lot.
24:16Me too.
24:31Excuse me, Count. Do you have a moment?
24:34It depends.
24:36If it's to throw something in my face again, no.
24:38I've had a good start to the day.
24:40I don't want it to go wrong.
24:42No.
24:44It's to...
24:46to thank you.
24:48No.
24:50Go ahead.
24:52Yes.
24:54I wanted to thank you
24:56for forgetting
24:58that day
25:00and that pleasant matter between us
25:02and for allowing me to keep my promise.
25:05I'm glad you appreciate my gesture.
25:07Of course.
25:09That's why I'm here.
25:11If I've acted like this, it's for everyone's sake.
25:13Especially your mother's.
25:15The last thing I want is to see her suffer.
25:18We completely agree on that.
25:22That unites us.
25:25This could be a kind of peace agreement, right?
25:27It could be called that, yes.
25:31In that case, I hope you don't think about poisoning me again.
25:36I never tried to poison you.
25:38I told you, I can repeat it a thousand times.
25:41I didn't do anything.
25:43Did I poison myself?
25:45I don't know what happened,
25:47but I know I had nothing to do with it.
25:49Really.
25:51Martina, I thought you were here to make peace.
25:53Making peace isn't a lie.
25:54And acknowledging something I haven't done.
26:00The only thing I want, really,
26:02is to live peacefully in the promise
26:04and for everyone to leave me alone.
26:08For my part, I'm not going to bother you.
26:12But it would be good
26:14if you didn't go around saying non-stop
26:16that you're innocent.
26:18I'm innocent!
26:20Didn't you talk to a doctor friend of yours
26:22and tell him that those symptoms
26:24could be caused by other things
26:26other than poisoning?
26:30My friend the doctor?
26:32Yes.
26:34It doesn't exist.
26:37If I said it in front of everyone,
26:39it was precisely to put an end
26:41to this issue once and for all.
26:43I don't know if I did.
26:45I don't know if I did.
26:47I don't know if I did.
26:49That's as far as my generosity goes.
26:53Did you do that?
26:59I...
27:04For my part, everything is more than forgotten.
27:06And for mine.
27:08Your mother doesn't deserve to see us upset.
27:10No, she won't see me upset.
27:12I assure you.
27:14Does that mean you're going to stop seeing
27:16our future wedding with bad eyes?
27:17Does that mean that...
27:19I understand that everyone needs to make mistakes
27:21throughout their lives
27:23and if she wants to make that mistake,
27:25I can't do anything.
27:27It's a mistake.
27:29Yes, for me it's a mistake.
27:31But I've committed to giving you my blessing
27:33and that's what I'm going to do.
27:35I hope I can make her happy.
27:37You'll make her happy.
27:39If she agrees to marry you, yes.
27:42She will.
27:44I'm giving you the idea.
27:46I'm giving you the idea.
27:50You know,
27:52at least be honest.
27:55I'd rather do that a thousand times
27:58than listen to false words
28:00and see more false smiles, Saul.
28:02She won't see that in me.
28:04Never.
28:06I don't like it
28:08and I'm not going to pretend otherwise.
28:10I'm just giving up
28:12my mother's life.
28:13If you'll excuse me.
28:22Much before you arrived,
28:24it was Mr. Moreno, the first lackey.
28:26And it was also him
28:28who taught the new ones
28:30everything they needed to know.
28:32Yes, I've heard of him once
28:34and always for good, really.
28:36And right.
28:38He was a good lackey
28:40and also a very good teacher.
28:41He taught my son Feliciano
28:43to be a good lackey.
28:45And what were his main virtues?
28:48Discretion.
28:50He got along with everyone
28:52but he didn't meddle in anyone's life.
28:54I don't know how he survived
28:56because everyone here knows everyone's life.
28:58Yes, they think they're almost like a family
29:01but without his virtues,
29:03with all his vices.
29:05But Mr. Moreno
29:07tried to stay out of it.
29:09It shouldn't have been easy.
29:11But he did it.
29:13And he also managed to do something else.
29:15To gain the trust of the gentlemen
29:17without ever believing
29:19that they were his friends.
29:21You have to be very arrogant
29:23to think something like that.
29:25Many make that mistake.
29:27The secret is in getting
29:29the gentlemen to trust you
29:32and to tell you
29:34their last sins.
29:37That's right.
29:39But a lackey should never
29:41talk about his private life.
29:43Many forget
29:45that gentlemen get bored
29:47with our stories.
29:49You're so silly.
29:52Look, I was looking for you.
29:54I want you to do
29:56what you have to do
29:58and then order the closet.
30:00Right now, Mr. Argos?
30:02I'm coming with you
30:04and I'll get some clean rags.
30:06Let's go.
30:09I don't want you to have
30:11those problems again.
30:15I promised I wouldn't meddle
30:17and I'll do that.
30:19I'll be discreet,
30:21like that Mr. Moreno
30:23I was talking about.
30:25And as soon as I see him,
30:27I just need a little more time
30:29and I promise I'll forget him
30:31forever.
30:33It's the best you can do.
30:35And you know,
30:36with time,
30:38I think you can be
30:40a good lackey.
30:42Much better than
30:44all this mediocrity.
30:46That's what I'm talking about.
30:50That was the saddest moment
30:52of my life,
30:54when Tomas died.
30:56That's normal,
30:58being twins.
31:00Yes,
31:02but like night and day.
31:04Even so, we understood
31:06each other.
31:08You understood each other almost without words, right?
31:10Yes,
31:12it took a look to understand us.
31:14We supported each other a lot,
31:16especially when my mother died.
31:19It must have been very hard
31:21to go through that at such a young age.
31:23Yes,
31:25not only because of our grief.
31:27My father was devastated.
31:29Absent.
31:31That brought me closer to Tomas.
31:34And how did your father
31:36react when Cruz showed up?
31:38He said his marriage
31:40was something good for everyone
31:42and they got married.
31:44It's clear that it wasn't the best for everyone.
31:46Not for Tomas, not for me.
31:48Cruz hated us.
31:51We were a nuisance to her.
31:54And we were even worse
31:56when she had Manuel and Leonor.
31:58Then she wanted to get rid of us.
32:00What? What did she do?
32:04She tried to send us
32:07to the hospital.
32:09Thank goodness Tomas was strong and refused.
32:11And me with him.
32:13So Cruz didn't get away with it.
32:17How lucky you were to have Tomas by your side
32:19at that time.
32:21Well, yes.
32:23I don't even want to think
32:25that Cruz would have done it with me
32:27if he hadn't been there.
32:30Then Tomas died
32:32and I was left alone.
32:33Can't you imagine how much I miss him?
32:38And then all my dreams
32:40were shattered.
32:43No, Catalina, not all of them.
32:45You're still alive.
32:47And you're a brave, beautiful,
32:49intelligent woman.
32:51And I'm sure you'll get
32:53everything you want in this life.
32:55You're an incredible woman, Catalina.
32:57Don't make me say it again.
33:04Well, yes.
33:06I really want them to put
33:08a cinematographer in Lujan.
33:10There must be enough room for that, right?
33:12Yes.
33:14No, wait a minute.
33:18What are you doing?
33:20Shh.
33:22For you.
33:24Why?
33:26Do I need an excuse
33:28to fix a flower for a young girl?
33:30Like Aunt Cruz.
33:32Like Aunt Cruz sees you
33:34picking flowers from her vase,
33:36you're going to need something more than an excuse.
33:42What? What's wrong?
33:44No, nothing, nothing.
33:46It's been a while
33:48since you've been so happy.
33:50I'm very happy.
33:52The poisoning nightmare
33:54is over and it's mostly
33:56thanks to you.
33:58Look, stop thanking me
33:59because I didn't do anything.
34:01No, it's true.
34:03Please, you got me out of the sanatorium
34:05and you were one of the people
34:07who pressured my mother and Ayala.
34:09Yes, but I couldn't let them lock you up.
34:11Well, if it weren't for you,
34:13I'd still be locked up,
34:15as you say, in that horrible place
34:17and I don't know if I'd be right now.
34:20Well,
34:22I've never been very strict either.
34:24Wow.
34:27No, but I'm serious.
34:30When I was in that place,
34:32I felt like I had fallen
34:34into a kind of bottomless pit.
34:39I understand you.
34:41I lived something similar in the war.
34:46You never talk about that.
34:49It's hard for me.
34:52I can imagine.
34:55And I'm not going to torture you with questions,
34:56but if at some point
34:58you want to vent
35:00or tell me anything,
35:02I'm here.
35:09Well, I've already told you
35:11that it hurts me a lot to remember that,
35:13but
35:15I'll make an exception.
35:18Come.
35:27Come.
35:39One of the moments
35:41I remember the most
35:43was when we entered a village.
35:45It looked like it was abandoned
35:47because it was completely destroyed by the bombs.
35:51We arrived at dawn
35:53and
35:54only our footsteps could be heard.
35:57And also some barking
35:59of a dog,
36:01but we couldn't see where it was.
36:04Because it was under the rubble?
36:08No.
36:10We found out that it had been thrown into a well.
36:12And the poor thing was in a salient
36:14trying not to drown.
36:16But how can you be so cruel?
36:19Martina,
36:21they were trying to contaminate the wells.
36:23They threw animals,
36:25corpses,
36:27in order to ruin the water.
36:30How evil.
36:32That's war, Martina.
36:35Evil and misery.
36:41And what happened to the dog?
36:44The lieutenant told us
36:46that there was no time
36:48to rescue any dog.
36:50But Manuel and I convinced him
36:52that it was necessary
36:54to keep the drinking water from that well
36:56in case the inhabitants returned
36:58or if we went back there.
37:00But then you convinced him and...
37:02Luckily, yes.
37:04We went crazy
37:06to look for a rope
37:08and Manuel climbed up the animal.
37:10Thanks to heaven.
37:13You should have seen that dog.
37:15It was terrified.
37:17It had its ears out
37:20and it seemed
37:22like it was going to die.
37:24But it was hungry.
37:26As soon as we opened a can of meat,
37:28it was there.
37:30And what did it do?
37:32Did it follow you?
37:34No, no, no.
37:36It didn't trust us, I think.
37:38Well, you can't blame it either.
37:40However,
37:42shortly after,
37:44we heard some barking.
37:46And a few meters away,
37:48there it was.
37:50The same dog.
37:52It was barking
37:54and backing away,
37:56asking us to follow it.
37:58And that's what we did.
38:01And where did it take you?
38:05It took us to a cave.
38:07And
38:09what I saw there
38:11I couldn't believe it.
38:14In the cave
38:16there were
38:18hungry, dirty,
38:20all the elders,
38:22the little children of that village.
38:25And
38:27we explained to them that
38:29we were on the French side and
38:33that the front had moved away.
38:36So they could return to their homes.
38:39So they were saved.
38:41Yes.
38:43Manolo and I
38:45wanted to go back with our battalion,
38:47but those people insisted that we didn't.
38:49That we had to stay there.
38:50Yes.
38:52And
38:54in a santiamén,
38:56they prepared a stew
38:58with all the meat they had hidden in their homes.
39:00Were you the heroes of the village?
39:03No.
39:05No, no.
39:07Not us.
39:09The real hero
39:11was that dog.
39:13If it hadn't been for him,
39:15those people would still be in that cave.
39:18And I don't know what would have happened
39:20to the little children
39:22because they were starving.
39:29At least your story ends well.
39:32And yours too.
39:34You're back here.
39:36In your home.
39:39And with the people who love you.
39:41And with people who don't love me either.
39:43No, no, no.
39:45We don't care about those people.
39:47The important thing now
39:48is to forget the past
39:50and enjoy life.
39:54I want to enjoy
39:56everything we have left to live.
39:59Me too.
40:19They told me you were calling me.
40:21That's right.
40:23I wanted to thank you for taking care of me
40:25in the last few months.
40:27I've only done my job, ma'am.
40:29The job can be done well or badly.
40:31And you and the rest of the service
40:33have done it very well.
40:35That's why I wanted to have a detail with you.
40:37Here.
40:39So you can share it with your colleagues.
40:41Thank you very much.
40:43It's the least I could do.
40:45Share it with everyone.
40:46I will.
40:48And thank you again.
40:53Have you given Petra any letter
40:55to take her to the village?
40:57No, no.
40:59It was a tip to distribute it
41:01among all the service.
41:03Before I left, I wanted to have a detail
41:05with all of them.
41:07You didn't have to give them anything.
41:09They only do their job.
41:11Women are the most professional
41:13I've ever seen.
41:14I don't know if they would accept it.
41:16But you never know.
41:19Are you sure?
41:21Well, they are treated better here
41:23than anywhere else.
41:25And in La Promesa,
41:27they have their little world
41:29in which they have their trifles,
41:31their loves,
41:33their disagreements, you know.
41:35Well, I guess we have them too, right?
41:39Yes, yes.
41:41We are not so different from them.
41:43Money is what separates us.
41:46And education.
41:48Of course.
41:50Yes.
41:52But I, among people
41:54of many possibilities,
41:56sometimes I have found myself
41:58only in bad ways.
42:00Yes, I also remember some of them.
42:02We don't need to make names, do we?
42:04But yes, you are right.
42:07That both up and down
42:09there are angels and demons.
42:12That has always been the case.
42:14I suppose that among servants
42:16there are also betrayals
42:18as there are among gentlemen.
42:22The truth is that
42:24the less I know about the service,
42:26the better.
42:28However, I like to know everything.
42:30To be aware of everything.
42:32Of their loves, their romances,
42:34their forbidden passions.
42:36In case I can use it later
42:38in my favor.
42:42Although I must say that the promise
42:44is quite calm.
42:46Even boring, I would say.
42:48Come on, it doesn't serve
42:50as an inspiration for a brochure.
42:56Come in.
42:58Mr. Bézar.
43:01I think we have to talk.
43:04For your urgency,
43:06I imagine it's about Mrs. Darre.
43:08Yes, it is.
43:10But I've been thinking about Mrs. Pía
43:12and it won't be enough
43:14for me to help you with the visits.
43:16Something tells me
43:18that we would have to move her.
43:20I know she is not well in that cave
43:22but it still seems very dangerous to me.
43:24Yes, it may be.
43:26But I think leaving her in that place
43:28may be fatal.
43:30Or at least that's what I thought
43:32after hearing you talk.
43:34Yes, Mrs. Expósito is very worried.
43:36And as far as I know her,
43:38she is not worried about anything.
43:40She seems to be quite tempered, yes.
43:42And where to put her?
43:45If she has a few minutes.
43:49Look,
43:51I would like to expose
43:53what both Hanna and I have thought.
43:55You tell me.
43:59I'm not going to get any work, Mother, I know.
44:02Don't get the worst of it.
44:04It's the reality.
44:06Lope, Vera and María Fernández
44:08have traveled the whole town
44:10and they haven't found anything.
44:12We'll see.
44:14It won't be like that, Candela.
44:16And if I can't bring my son,
44:18I don't know what I'm going to do.
44:20And if I have to leave La Promesa,
44:22where are we going to live?
44:24Well, in Julia's pension.
44:26We've already told you that she has a good income.
44:28With the four savings I have,
44:30I would have no money at all.
44:32Besides, if I get a job, what do I do?
44:34I leave the poor girl alone in the pension.
44:36I can try to take care of everything
44:38at the beginning.
44:39No.
44:41It's clear.
44:43I was never a good mother for my son
44:45and I won't be now.
44:47That's the reality.
44:49No, it's not the reality.
44:51Of course not.
44:53What you're sure of is that you're going to get your son back
44:55and that you have to take care of him.
44:57I'll do whatever it takes to get him out of there.
44:59I'll never leave my son again,
45:01even if I have to do whatever it takes.
45:03Whatever it takes.
45:05A mother always looks for the tricks
45:07and you'll do it.
45:09And look at you.
45:11You have very good eyes, Candela.
45:13Really?
45:15If I were Simona, I wouldn't be your fool.
45:17Right, Simona?
45:19Candela, do me a favor.
45:21Go to the pantry to get the potatoes
45:23we'll need for the stew.
45:36And that way,
45:37we think we could move her from the cave
45:39to a safe place until all the danger is over.
45:41I don't think it's a bad alternative.
45:43Although we'd have to consult with her father first.
45:47Is my father aware of this?
45:50From the very beginning, sir.
45:52If we hadn't had him on our side,
45:54we wouldn't have done anything.
45:56Of course.
45:58He wasn't aware, he didn't know.
46:00Yes.
46:02His father is very discreet.
46:04From the moment Miss Expósito had the idea
46:05to pretend Miss Darre's death,
46:07we informed him immediately.
46:09And he agreed, of course.
46:11He thought it was a good idea.
46:13Just like me.
46:15Miss Expósito is very smart.
46:17Yes.
46:19I've been postponing talking to her father
46:21despite Miss Expósito's insistence
46:23because the truth is
46:25I don't have a solution.
46:27She must have noticed.
46:29She's very perceptive.
46:31I'm going to tell you that she doesn't know
46:33because you know her well.
46:35Very well, right?
46:40Mr. Baezal, is something wrong?
46:43Well, I'll be honest with you,
46:45something is wrong.
46:47The other day, without meaning to,
46:49I saw Miss Expósito and you
46:52in an intimate situation
46:54that doesn't correspond
46:56to what a man should have with a woman.
47:03She probably got confused.
47:05Maybe she saw something that...
47:07No, sir, no, no.
47:09I keep a good eye on things
47:11and I understand them.
47:13In fact, I think you didn't find out
47:15by chance about Miss Darre's situation,
47:18but Miss Expósito told you.
47:28I don't think anyone can fool you.
47:31I'm too old, sir.
47:33As you understand,
47:35I am obliged to inform your father
47:37of the matter.
47:39No.
47:42Mr. Baezal, please.
47:44If my father tells him, he'll destroy me.
47:47Your father is very understanding.
47:49It's urgent.
47:51Or maybe not.
47:53What is certain is that my mother will tell him
47:55and they don't know what trouble I would get into
47:57if my mother finds out about this.
47:59Of course, your mother is very smart, yes.
48:00But I have never been loyal to your father
48:02and I must continue to be.
48:04Mr. Baezal, it would not only hurt me.
48:06It would also hurt Hanna, please.
48:08Think about what position she would leave her.
48:10She would not only lose her job, but more.
48:12What kind of mayor would you be
48:14if I hid this matter from your father?
48:16I understand her.
48:18And she knows how much I respect
48:20the loyalty she has to my father.
48:22But I'm not even asking her
48:25not to tell him.
48:27I'm just asking for time.
48:28Please, it must be me who tells him.
48:31It would be better this way, yes.
48:34A few days, Romulo.
48:36I'm just asking for that.
48:41Daughter, I asked Candela to come out
48:43because I wanted to ask you something.
48:46What did you want to say with that
48:49that you would be willing to do anything
48:51to get your little boy out?
48:55Mother,
48:56it has taken me a long time
48:58for my parents-in-law to accept it.
49:00I can't lose it now.
49:02Are you thinking of getting back
49:04what they took from you?
49:06The street?
49:08Mother, I can't lose it.
49:10Understand that ...
49:12I'm not going to allow it, daughter.
49:14Never.
49:16And what am I going to do if I don't?
49:18Somehow we'll have to move on.
49:20Well, I don't know what you'll do, but ...
49:23Of course not.
49:24We'll find a solution.
49:26Anything will be better than that.
49:55I've been talking to your daughter.
49:58Have you argued again?
50:00No, no, no.
50:02Fortunately, everything has gone down
50:04in a very civilized way.
50:06Good.
50:08But I'm tired of fighting already.
50:10There will be no more.
50:12You could say that we have signed
50:14a peace agreement.
50:16You see that I am capable of anything
50:18to see you happy.
50:20So have your quarrels ended?
50:22Yes.
50:24It doesn't mean we're going to start
50:26appreciating each other,
50:28but there will be no arguments.
50:30It's not a small thing.
50:32And Martina will keep her word
50:34to respect your wishes.
50:37And mine.
50:44Margarita.
50:46Finally.
50:49Do you want to marry me?
50:54Yes.
50:58Given the way things are,
51:00I don't think I can hold much longer
51:02in this cave, sir.
51:04Yes, it's been too many weeks.
51:06I never thought it would take so long.
51:08We didn't know that man could be
51:10so persistent,
51:12to the point of desecrating the tomb
51:14in order to deal with Mrs. Darre.
51:16Yes, but that happened days ago.
51:18Maybe he's tired of looking for her.
51:20No, he's not tired, sir.
51:22We recently received this letter.
51:25Read it yourself.
51:29That man won't stop until he kills her.
51:45And what did Mr. Baeza say?
51:47Mr. Baeza went to inform my father,
51:49but I doubt he has anything to object to.
51:51And when would the transfer take place?
51:54As soon as possible,
51:56but we think it's best to leave
51:58at the first hour of the morning.
52:00But what about at night?
52:02Why don't we leave at night?
52:04The truth is, we can't,
52:06because the road from here crosses the forest
52:08and we could get lost.
52:10Okay, and what are we going to do
52:12with all this?
52:14Don't worry about that, Mrs. Pia.
52:16We'll leave all the bags here
52:18to make the transfer easier.
52:20There will be time to go back for them.
52:22Well, I really don't need anything
52:24from you.
52:26Mrs. Pia?
52:28Are you okay?
52:30No, I'm fine.
52:32That's it.
52:34I'll call you.
52:36You'd better sit down.
52:43Considering that man's intentions,
52:45it seems imprudent for Pia to leave that cave.
52:48I thought the same as you, sir,
52:50but given the state she's in,
52:52I think it's unfeasible for her to stay there.
52:54I'm afraid so, sir.
52:56Mrs. Adarre is losing her sanity.
52:58Well, yes.
53:00It seems that's the case.
53:02Besides, with so much going and coming to that cave,
53:04we've already started to have to talk.
53:06What if this gets to Mr. Castillo's ears?
53:09Yes, but if we get her out of there
53:11and someone sees her,
53:13the news would spread like wildfire
53:15because everyone thinks she's dead
53:17and that man could find out.
53:19It's risky, sir,
53:21but we've organized Mrs. Adarre's transfer
53:22so that the risks are minimal.
53:24And where are you taking her?
53:26Mrs. Pia, we're taking her to Ramona's cabin.
53:30She'll find everything she needs there.
53:33There are food, firewood,
53:35and she won't need to leave the cabin.
53:37But even if she doesn't leave,
53:39she'll be able to see the sunlight.
53:43Look, I understand that in this cave
53:45you feel safer,
53:47but the humidity and darkness
53:49are affecting your health.
53:50Well, yes, my health, my head,
53:53and my soul,
53:55which sometimes I don't know if it's day or night.
53:58Well, you'll see it in this cabin
54:00because there will be light
54:02and you can also breathe fresh air.
54:04Yes.
54:06But this is important.
54:08When you show up,
54:10you always have to be very careful
54:12and cover your head with a handkerchief.
54:18So?
54:20Are you ready to leave this cave?
54:22There's nothing else I want.
54:26And she'll live there,
54:28disguised as a relative
54:30of the woman who used to live in that cabin.
54:32Well, if you can't stay in the cave,
54:34I think the best solution is
54:36to move there if that's what you want.
54:39Yes, sir.
54:50Is something wrong?
55:01Do you have anything else to tell me?
55:05I understand her
55:07and she knows how much I respect
55:09my mother's loyalty.
55:11I'm not even asking her not to tell you,
55:13I'm just asking for time.
55:16Simona, don't you dare leave the palace.
55:18I'm warning you.
55:20I'm sorry, Mrs. Harpos,
55:22but I'm leaving.
55:24I have to save my daughter and my grandson.
55:26And neither you nor anyone else will stop me.
55:28You're not going to leave anything for the wedding?
55:30Well, there is a wedding, Candela.
55:32Until she sees it, I don't think so.
55:34What do you mean, there's no wedding?
55:36Has the management already started?
55:38What management are you talking about?
55:40Explain that.
55:42You can't accept it.
55:44Don't hesitate, dear.
55:46Think that with that necklace
55:48you have a gift from me and Alonso.
55:50I've been watching you for a while
55:52and I see that you don't have any kind of enthusiasm.
55:54You're hiding something from me, Salvador.
55:56It's okay.
55:58It's true that something's wrong with me.
56:00But where have you been?
56:02Looking for a way for you to be with your Adolfito.
56:05And I don't bring bad news.
56:09You can't hide here forever.
56:11Sooner or later you will have to return to the promise.
56:14Well, come back to me.
56:16I asked you once and I ask you again now.
56:19Don't torture yourself.
56:21Let's get married.
56:23Let's live our love.
56:25I can't, Ignacio, I can't.
56:27After all this, it's ...
56:29I don't know.
56:31I think it doesn't make any sense
56:33that we formalize our union.