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00:00And it had to be in front of everyone.
00:06Father, I have nothing to hide.
00:08Manuel, things are not done like that.
00:10You should have spoken first with your mother and with me.
00:13And would they have listened to me?
00:15Would they have accepted my marriage to Hanna?
00:18No.
00:20Father, you are understanding.
00:22But the reality is that neither you nor mother have stopped interfering in my life,
00:27denying me what I really want.
00:29Hanna has to take care of her children's well-being and look for the best for them.
00:32So marrying Gemena de los Infantes was the best thing for me?
00:36I gave you the option not to marry her in her day.
00:40It is very easy to blame Toro Pasado.
00:42You are right.
00:44But this time there will be no blame to blame.
00:47Because I plan to make my own decisions.
00:50And what I want is to marry Hanna, Father.
00:53Love is much more than a desire, passenger.
00:55Someday you will understand.
00:56What I feel for Hanna is not a passenger.
00:58And our love will never end.
01:01And it will not, no matter how much you and mother oppose each other.
01:08If you want to listen to our advice because of the affection we have for you,
01:11at least trust our experience.
01:14Experience?
01:16Do you dare to set yourself as an example?
01:18I do not allow you to doubt my marriage to your mother.
01:21Do you know what was the reverse that prevented my wedding to Hanna?
01:24Do you know?
01:29She asks me to be honest with you.
01:32When you hide everything ...
01:34That is not the issue now.
01:36Of course it is not the issue.
01:38Here the only issue is that we are too used to living in front of the gallery, Father.
01:43In this house, the opinion of a stranger is more important than that of anyone who lives under this roof.
01:49The important thing is that you are still in time to recapacitate.
01:54There is nothing,
01:56no one, that makes me change my mind.
01:59Manuel, for God's sake.
02:02Grow up, son.
02:04Assume your responsibility.
02:06You are the heir to the Marquis of Lujan.
02:08I don't care about the Marquis.
02:10I don't care about the promise, Father.
02:13I never wanted it.
02:14But it's your duty.
02:17I would have liked things to have been different.
02:22That Tomás would still be with us.
02:26But now, you must watch over our legacy.
02:29You.
02:35I didn't look for you to be a substitute.
02:38Because I plan to renounce the title.
02:41And I plan to renounce my last name if necessary, and that prevents me from being with Hanna.
02:49It is useless for us to continue with this conversation.
02:52We are going to temper our spirits so that we can all think more clearly.
02:57You are right.
03:00You are right.
03:04But, Father,
03:08remember that I have had more time to think than you.
03:13And I am very clear about what I want.
03:22I am very clear about what I want.
03:39And you don't know anything, Mr. Ricardo?
03:41About what, Mr. García?
03:44About what, Mr. Pellicer?
03:46About the screaming that the gentlemen brought at dinner?
03:49A hard-of-hearing, but a little more aware of everything because of the voices they put in.
03:53I have also heard the screams.
03:55How not to hear them?
03:56Stop putting your noses in the affairs of the gentlemen.
04:00Because they are not. They are not five beasts.
04:02Well, nothing. We will have to wait for Teresa to arrive and tell us.
04:08For what?
04:10What happened to you, muchacha? It seems that I have seen a ghost.
04:13Sit down. Teresa is going to give you a slap.
04:20And well?
04:21Mrs. García, Mr. Arcos is right.
04:24The accounts of the gentlemen should not be discussed by the service.
04:27But it is that, in this case, it is not only of the gentlemen.
04:34Have they fired someone?
04:36When I see the beard of your neighbor cut?
04:39No, that's not it.
04:41The point is that,
04:43The point is that Mr. Manuel was in the dining room and ...
04:46Well, that's his own thing.
04:49And then,
04:52Hannah arrived.
04:54And that?
04:55Didn't he have to serve dinner?
05:00Mr. Manuel and Hannah announced ...
05:04They announced that they were going to fire Mr. Manuel and Hanna.
05:07And what did they say?
05:09Hannah announced ...
05:12They announced that they were going to get married.
05:21Did they say it seriously?
05:23That's what Mr. Manuel told the Marquis.
05:26But something happened that prevented the wedding.
05:28Wait a minute.
05:30This has no head or feet.
05:32No, no, Teresa, this can't be. Hannah would never hide something like this from us.
05:35Yes, for so long that a wedding is not organized overnight.
05:38I can't believe it.
05:40That Hannah is Mr. Manuel's mistress.
05:42I don't know why it surprises you so much.
05:45It is clear to me that Hannah has always had a lot of ambition.
05:48And very few scruples.
05:50He gave the pan to the case.
05:53What do you say, Mrs. García?
05:55Nothing, nothing. You are absolutely right.
05:58But, Teresa, and in the end, why wasn't there a wedding?
06:01Mr. Manuel didn't say it.
06:03It was Mrs. Marquesa herself who put an end to such a mistake.
06:08But you already knew it and you didn't say anything.
06:11Mrs. García, there are many reasons why you are a simple kitchen assistant and I am the mistress of this house.
06:19And without a doubt, one of them is discretion.
06:24And one more smile, Mrs. García, and I'll kick her out myself.
06:34So, Teresa, the one of God is Christ, right?
06:38Yes. Poor Hannah.
06:41That woman does not deserve your compassion.
06:43Because you say so.
06:46Because she has been deceiving you for months.
06:49And who knows, maybe for years, in bed with the Lord.
06:54Look, Mrs. Petra.
06:56Leave it now.
06:59None of us think what you are saying.
07:04Really, Simona?
07:06And tell me, what do you really know about Hannah?
07:10Because what is evident is that this woman came here with a very clear objective.
07:14And finally, she has known what she really is.
07:17A nobody.
07:19It's over.
07:21Silence and eat.
07:28Silence and eat.
07:58Silence and eat.
08:24Come in, Mario.
08:27How are you?
08:30Come here.
08:40Sit down.
08:50No, I don't know. I don't know how I am.
08:54I thought I was going to feel relief when our love stopped being a secret.
09:00Hannah, it's not your fault.
09:02It's them who don't understand.
09:04They have made it very clear to me that they will never understand.
09:07Well, give them time.
09:09Maybe with my aunt Cruz a miracle is needed, but with my father ...
09:14You have already heard Don Alonso. He will never change his mind.
09:18He will.
09:20He is the one who can best understand you and Manuel.
09:23That's not true.
09:25Because he kept the relationship he had with his mother a secret.
09:28Yes.
09:29But I remind you that he was married to Aunt Cruz.
09:32Because if not, things would have been very different.
09:37I feel powerless here, locked up.
09:40I just want to be with Manuel.
09:42Little sister.
09:45Believe me, it's better this way.
09:48But it's not fair for him to have to be fighting for our love and me here.
09:53Well, what do you think?
09:55That I wouldn't have told Aunt Cruz four things in the dining room?
09:59What would they have done?
10:01Nothing.
10:03In this family, things work that way and you have to respect them.
10:06For Manuel.
10:08You're right.
10:10But I'm not going to sit idly by.
10:13Hannah, don't intervene, please.
10:15It's going to be worse.
10:21I wasn't going to intervene.
10:25And what do you think? That praying will solve it?
10:28You told me yourself that we needed a miracle.
10:31But it was just a saying.
10:36Do you know the story of this virgin?
10:38Yes.
10:40She becomes a mother and Ramona gave her to you.
10:44And I haven't separated from her since then.
10:47Only twice.
10:49When you gave her to me for the exams?
10:52And the first time was at Don Teodoro's house.
10:56He had a patient called Doña Asunción.
10:59And she was very old.
11:01But also very sick.
11:04And did Stata cure her?
11:07No.
11:09But her greatest desire was to meet her grandson.
11:14But it took weeks for her daughter to give birth.
11:18And the woman was desperate because Dr. Teodoro had told her that she only had a few days left.
11:25So I, innocent of myself, gave her the image.
11:32I saw her again a month later.
11:34The baby had been born at night and she had held him in her arms until dawn.
11:39So you could say that she was the happiest woman in the world.
11:42Well, then what she wanted came true.
11:46I went back to Don Teodoro's house to give her back.
11:49And also to tell me to take good care of her.
11:51Because this virgin had worked a miracle.
11:54That night she died.
12:00Hanna.
12:04I'm sure that you will also have your miracle.
12:12Come on, let's go.
12:43It's not too early to shake the rug.
12:46It's too late to do it. What else is there to do now?
12:50Well, you're not the first one to get rid of a rug.
12:55Look.
12:57Come on, what's going on?
12:59Everything, Lope.
13:01Everything happens.
13:04Is it because of Don Manuel and Hanna?
13:07It's because of them, it's because of us.
13:10Why can't everything be much easier?
13:14I don't know.
13:16But it's useless to turn against the world.
13:19Well, tell me what I have to do, because I have no idea.
13:21The first thing you have to do is to get out of here.
13:24I don't know what to do.
13:26I don't know what to do.
13:28I don't know what to do.
13:30Well, tell me what I have to do, because I have no idea.
13:33The first thing is to calm down.
13:35And then think about Don Manuel and Hanna.
13:37Yes, it's true, they don't have it easy.
13:39But that is preventing them from fighting for their love.
13:43Let's see how that story ends.
13:45Well, it will end well. Because they love each other.
13:47Like you and I love each other.
13:49If you think about it a little, they have it more complicated than we do.
13:52At least I'm not going to inherit any title.
13:54Well.
13:56With titles or without them, you are going to be the most wonderful woman in the world.
14:04The point is that I'm not mad at Don Manuel and Hanna.
14:09I can't get my mother out of my head.
14:13Your mother.
14:15Leave me this shaker, because I'm going to ...
14:17Stab.
14:27I've told you many times that I can't condition you like this.
14:34There's something I haven't told you.
14:37What?
14:39Did something happen yesterday when you were talking to yourselves?
14:41My mother asked me again for the money I took from my father.
14:46Well, it's normal, right?
14:48I don't know why so much alarm. Do you want to know where the partner is?
14:51No, I know there's something else behind all this.
14:55I'm becoming more and more aware that all this farce of the book and the recipes
14:58is not to get Mami back.
15:00And it's to get the briefcase back.
15:02Why are you so sure?
15:03Because she's my mother, López. I know her.
15:05But I don't understand it.
15:07I don't understand why they are so interested in getting that money back.
15:10They have plenty of money.
15:12Well, Vera, but you took a lot of fortune.
15:14I'm telling you, those pieces don't mean anything to my parents.
15:17Why don't you tell your mother what happened to the briefcase?
15:20So what?
15:22Imagine that my mother thinks about complaining to the Marquise.
15:25Well, they'll see. That's not your problem.
15:27Yes, it is my problem, López.
15:30The Marquise will start asking questions and all the answers lead to the same thing.
15:35To reveal who you really are.
15:38And don't you think that if you tell your mother, she will cover for you in front of the Marquise?
15:43My mother has been benefiting from my father's shady affairs for a long time.
15:47At this point, I don't know if I can trust her anymore.
15:51Vera, but you can't get worse.
15:54Listen to me.
15:56Your mother will not stop insisting until she knows what happened to that briefcase.
16:03So you think I should tell her?
16:08I think so.
16:10If you want me to leave you alone, yes.
16:12Well, leave us both alone.
16:21The next day
16:27Have you seen Manuel?
16:29After talking to my father, he went to his bedroom.
16:32And this morning he hasn't come down yet.
16:35And do you know anything about Hanna?
16:37No.
16:38No.
16:40Good morning.
16:42Speaking of the King of Rome.
16:44What a surprise.
16:47We didn't know if you were going to have breakfast.
16:50Leaving yesterday's dinner for lunch?
16:52I'm starving.
16:54You can have breakfast, don't worry.
16:56Your parents are not going down to the dining room.
16:59Let them do what they want.
17:01I have nothing to hide.
17:03No, not anymore.
17:06Yesterday I understood why you asked me to defend you.
17:10The next day
17:16Sister, I apologize for asking you to trust me blindly.
17:20But as you can see, I couldn't explain the reasons.
17:25What I don't forgive you is that you doubted that I would support you.
17:29No matter what happened.
17:32Yes, Hanna and you can count on me too.
17:36Although now that there are no secrets, you have to explain many things.
17:40That.
17:42You had it very well hidden.
17:45First of all, congratulations.
17:47Hanna is a great woman.
17:51I think Manuel doesn't need us to tell him the virtues of his fiancée.
18:00What's wrong with Martina?
18:03Aren't you happy for Manuel?
18:05Of course, of course I'm happy.
18:08It's just that ...
18:12It's ...
18:14Just what?
18:18It seems that everything is reduced to a battle between Manuel and Hanna.
18:23And the guys, right?
18:25Well, it is undeniable that they have put little or nothing on their part.
18:29But that is precisely what I mean.
18:31It's like ...
18:33We are assuming that they are the ones who have to completely change their mind.
18:37But they do have some reason.
18:43Really?
18:45Are you really saying this?
18:48After what happened to you with Antonio de Carvajal and Cifuentes because of your parents?
18:51That was not the same, Curro.
18:53Because he was the son of a duke and I was a slave.
18:56And Hanna is a maid.
18:58That's it.
19:00Let's see, I'm not saying at all that it's on the part of the guys.
19:03What I'm saying is that we live in a society that has its rules.
19:07Although we don't like those rules.
19:09But there are.
19:11And you suddenly want to dynamite them all.
19:13Like this, all at once.
19:17Yes.
19:19Yes.
19:21Yes.
19:23Yes.
19:27What sense does it make to follow rules that are retrograde and make us unhappy, cousin?
19:32For your parents?
19:34All over the world.
19:38Maybe.
19:40But you'll see, the last time I followed the rules,
19:43I ended up marrying Ximena.
19:52I don't want you to misinterpret me.
19:54I am infinitely happy for you and Hanna.
19:58I know.
20:00And you can count on me for anything you need.
20:07I think it was the strangest way to support someone.
20:10Hey, yes, a little more if you ask them to lock Hanna in a tower and throw the key into the river.
20:15Or for me to be unlocked without titles or property.
20:22No.
20:34Have you thought about what would happen if Manuel were to wish it on your brother-in-law?
20:39No, and I don't want to think about it.
20:41Come on, it's just a game.
20:44I know what you're up to, Ignacio.
20:46And I don't think it's innocent entertainment.
20:49Anyway, I want you to know that my children are very far from that title.
20:52Not quite.
20:54Leonor is in New York, and after enjoying the metropolis,
20:57I doubt she wants to return to the quiet life of the Andalusian countryside.
21:01And Catalina?
21:02That's right.
21:03Only Catalina gets in the way between us and the Marquise of Luján.
21:07I think you're forgetting Alonso's sisters.
21:10It's true.
21:12I had forgotten about those whores.
21:14Well, we'll take care of them when the time comes.
21:17I don't want Alonso to disinherit his son Manuel.
21:20I'm telling you, it won't happen.
21:23Alonso is not a vehement man.
21:27And he will have the whole court against him.
21:30Maybe.
21:32All this, what surprises me the most is the little touch of your nephew.
21:36Please.
21:37After all, that play he set up is putting the poor girl in front of everyone.
21:41No, I don't mean that.
21:43All his life, the nobility has sought its relief in the peasants and the maidens.
21:48Don't be scandalized. I'm not covering for you.
21:51No, I'm not.
21:53Well, to put it plainly,
21:56that Manuel wants to eat a fillet doesn't mean he has to buy the whole cow.
22:00For God's sake, don't be vulgar.
22:02The situation is the most vulgar.
22:05His brother tripped over the same stone.
22:08At least he knew how to hide it.
22:11Well, until his lover lost her mind.
22:15I don't know. All this has made me think that maybe yes.
22:18Maybe love can exist between lords and servants.
22:22No, it's impossible.
22:25There are too many things that separate us.
22:28Or are you going to compare what we have, you and me,
22:31with what Manuel has with that whore?
22:34No.
22:35Have I ever told you how much I want to marry you?
22:39Do you have more than I do?
22:41I'm eager to decorate my palace to our liking.
22:44I mean, to the liking of the three of us.
22:48What's going on?
22:50You don't?
22:52No, yes, for me, of course.
22:55But my doubt is Martina.
22:58Have you talked to her?
23:00No.
23:01Well, don't be late.
23:04After everything we've been through,
23:08I've understood how much you need each other.
23:11And don't worry about me.
23:13I know how to win her love.
23:23I know you washed it, that's why I'm showing it to you.
23:26Well, I don't see what's wrong with it. Does it have a stain?
23:28What else did you do besides wash it?
23:30Well, everything.
23:31Tending it, grinding it, ironing it, changing the buttoning.
23:35Very good. And?
23:37The starch is wrong. I did it as you told me.
23:41Do you see it?
23:43Firm, but not stiff.
23:45It's not because of the starch.
23:47It's because of the iron, then.
23:49But you have eyes in your face, Marcelo.
23:51Even if I look, I don't see where the mistake is.
23:53The buttons!
23:55I see them as usual.
23:58Put it on.
24:00I can't wear a gentlemen's shirt.
24:01This time, yes.
24:03You're going to have to start with her from the beginning.
24:05I have to wash it again.
24:20That's it.
24:22Clasp it.
24:28Now I understand. I sewed the buttons inside.
24:31This shirt was in the basket of clean clothes,
24:34about to be uploaded to the dependencies of the gentlemen.
24:37Well, but you realized it in time.
24:39But you don't understand, Marcelo,
24:41that my obligation is not to go after you,
24:43solving your mess.
24:45Wait, Teresa.
24:46No! Leave Teresa alone. Don't get her involved in this.
24:48The mistake was yours.
24:50I'm very busy.
24:51But, Teresa ...
24:52I'm sorry, but I have a lot of work to do.
24:58Put it on.
24:59Don Pelayo wants you ready for dinner.
25:29Rosa.
25:30Prepare my sportswear and tell them not to come and get me dressed.
25:37Martina.
25:40Look, I was just looking for you.
25:42Is it so urgent that I couldn't wait for you to come down?
25:45Well, you're playing the happy badminton.
25:48Well, if you come to ask me about Manuel,
25:50I wouldn't know anything.
25:51I would find out the same time as you.
25:53I'm sorry, but I have to go.
25:55Well, if you come to ask me about Manuel,
25:57I wouldn't know anything.
25:58I would find out the same time as you.
25:59No, no.
26:00I have no doubt that he kept the secret until tonight.
26:03No, it's ...
26:05It's something else that worries me, daughter.
26:08Well, you know that my marriage to the Count of Ayala is approaching.
26:13And you want to know what my plans are going to be after they get married, right?
26:16Exactly.
26:19Well, I repeat what I already told you at the time.
26:22That I accept that marriage,
26:24but I'm not going to live with you at the Count's palace.
26:27Well, Martina, the atmosphere is more relaxed.
26:29Couldn't you give him a chance?
26:31Don't get confused.
26:32If I'm tolerating the Count of Ayala,
26:34it's because I know he's a person who makes him happy, but that's it.
26:36Well, he would like to make a new account.
26:38Well, very good for him, but I can't forget all the things he's done to me.
26:41No, me neither.
26:43And I'm not asking you to forget him, but to forgive him.
26:48Well, if that's what worries him,
26:50I forgive him.
26:51But I'm not going to live in his palace.
26:53Well, his palace, which will now also be ours.
26:56He wants you to be able to decorate your rooms as you wish.
26:59He has a sincere interest in you feeling comfortable there.
27:02That you feel like it's your own home.
27:04Why is he asking me this if he knows perfectly well that I'm not going to change my mind?
27:07In fact, why did he ask me first if he already knows my answer beforehand?
27:11No, I don't understand.
27:14Did he ask him to talk to me?
27:16No, no.
27:19Well, yes, but he just suggested it to me.
27:23Look, Martina.
27:25I didn't come here for him.
27:27But for me.
27:29Because you're my daughter.
27:31And you and I have always been together, always.
27:33But that's not going to change.
27:35I don't know.
27:36If we're so far away, hundreds of kilometers away, yes.
27:40And I don't understand, I just don't understand why you want to stay here in La Promesa.
27:47Remember that you are the one who wants to leave.
27:51Respect that I want to stay here.
27:55Are you sure you can stay?
27:58Have you talked to your uncles?
28:07And what have your parents told you?
28:11Well, I haven't seen my mother all day.
28:13She deliberately avoids me.
28:16And the Marquis?
28:17The Marquis, thinking that what is ours is a passing whim,
28:20and he wants me to fulfill my obligation as heir to La Promesa.
28:29What they don't know is that you are the first for me.
28:32And that I am willing to give up the title if that prevents me from being with you.
28:37Manuel, I don't want you to give up anything for me.
28:40And you are not the one who forces me into that dilemma.
28:44I expected it from my mother.
28:47But from my father?
28:51I don't know how he dares to face me after the romance he had with your mother.
28:55You haven't told him anything, have you?
28:58No, of course not.
29:01Well, thank goodness, because that is something that belongs only to Culro.
29:04And that he will only have to tell him when he thinks it is necessary.
29:07I know.
29:10Anyway, I'm fed up with so many secrets.
29:14That our love is finally known has taken a great load off my shoulders.
29:18Really?
29:22Of course.
29:26Well, I wish I lived it just like you.
29:32Right now you have too many emotions.
29:36And that's all.
29:37Maybe.
29:39But not all are emotions, Manuel.
29:41There are facts.
29:43Your family, your friends, your acquaintances.
29:46They will never accept that the two of us are together.
29:51Well, you and I are going to try to convince them.
29:55And if they don't want to accept it, it's their business.
29:57But let's say, Manuel, that we can't live the rest of our lives behind our backs.
30:02That's why we stayed here, that's why we got married somewhere else.
30:05Because we can't live on a deserted beach.
30:08I know.
30:09I'm fully aware of that.
30:12And that's why I'm going to try.
30:15But not at any cost.
30:19Hanna, I love my family.
30:22But if they make me choose, I will always choose you.
30:33Although I think being locked up here is not good for you.
30:39I'm not going anywhere.
30:43I'm not asking you to go very far.
30:46La cabaña de la Ramona.
30:47I'm not going anywhere, Manuel.
30:48My place is here with you.
30:49I know.
30:51But Hanna, look at yourself.
30:53Being on those four walls, turning things around,
30:55it's going to end up disgusting you.
30:59Tomorrow I'm going back to work.
31:03What?
31:05Today Don Romulo has given me the day off, but ...
31:08Tomorrow I'm going back.
31:13My love, now everyone knows that we are engaged.
31:18So you won't have to serve again.
31:21Nor to clean, nor to wash.
31:23What if it's what I want?
31:29I don't think it's adequate.
31:31Why? Because now you're ashamed of me, of what I am?
31:33Of course not.
31:35I've been cleaning and serving in this house for more than two years, Manuel,
31:38and it looks like you're realizing it now.
31:40Hanna, calm down, please.
31:41Don't ask me to calm down, Manuel.
31:44Everyone has the right to think about my future,
31:46and no one asks me what I want.
31:48No one asks me how I feel, Manuel.
31:50I understand you.
31:53But we both knew that this moment was going to end up coming.
31:57We both knew that we were going to get married,
31:59and that we were going to go to Madrid.
32:00And then when we came back, everything would have changed and there would be no going back.
32:03Do you understand?
32:04There is no going back.
32:06For me, there is no going back.
32:08That hasn't changed.
32:13Well, I don't know if it's enough for me.
32:22Oh, my God.
32:25I want you to leave me alone.
32:31Leave me alone.
32:33Leave me alone.
32:58Well, of course it was surprising.
33:00But only because of the inappropriate ad.
33:02The one at the wedding?
33:04Let's see.
33:05How strange is it that a man with Manuel's position,
33:07but above all, with his age,
33:09is capricious about a maid?
33:10I don't think it's capricious.
33:12Don't tell me, Catalina.
33:14For you, it's love.
33:15No, not for me, for them.
33:18A nonsense in every way.
33:19And if it's not like that, Lorenzo?
33:21It's not the first time a noble falls in love with a woman of humble origin.
33:25That only happens in fairy tales.
33:26No, look at Anita Delgado.
33:27The princess of Caportada.
33:29What an example you have gone to look for.
33:31I hope she doesn't fail.
33:32Because she was a coupletist in Madrid
33:34and coincided with the Marajan at the wedding of Our Majesty.
33:36And she deceived him, obviously.
33:37Well, curious way of calling love.
33:40I mean the letter that made her arrive in Paris.
33:43I don't know if you remember that the girl was a poor illiterate.
33:45Yes, Lorenzo, I remember.
33:47And I also know that Samisiva was written by Ramón del Valle in clan with a friend.
33:50Well, there you have the deception.
33:51No, because they simply put words to her feelings.
33:54That they made her go through someone who was not Margarita.
33:57Oh yeah? Then why are they still together after seven years?
34:01Everything will go back to its place, you'll see.
34:03I think it's useless to talk about other romances between noble ladies.
34:08Even if he was the first to happen in history.
34:11Manuel loves Hanna and is going to marry her.
34:14Touching, Catalina.
34:16But you forget that the Marquises will never accept a dislat like this.
34:20As if they were the last word.
34:22Well, that's how it really is.
34:25I'm with Catalina.
34:27Even if the Marquises oppose, Manuel will end up marrying that girl.
34:31In secret and without honor?
34:33I understand that this brings them carelessness.
34:36Well, it's easier to say it than to do it.
34:39Of course, but if I have understood your explanations about last night's dinner well,
34:43it seems to me that such a passionate statement is precisely a statement of intentions.
34:47Let them declare what they want.
34:49That does not mean that it will come true.
34:51Allow me to doubt it, Captain, because we are talking about love.
34:54Sincere love.
34:56Wow.
34:57It seems that you have more details than all of us who were present.
35:00No, I don't think so.
35:02But still, if I think so, it is because, for me, the most important thing in a couple relationship
35:06is trust.
35:08The trust that is born from the most absolute sincerity.
35:11Well, a virtue without which no marriage is impossible.
35:14For me, totally overrated.
35:16Yes, you know it very well, we know it.
35:18But I'm glad that the Count of Aguila has it as a pillar of his own relationship,
35:22given his history.
35:24Uh ... I do apologize.
35:42Can we talk?
35:45Take them to my bedroom.
35:50What? Have you managed to get Manuel to agree?
35:54No.
35:55I don't know why I'm not surprised.
35:58You knew about the wedding.
36:00You should have let me know.
36:03And you should thank me, instead of kicking like a little boy.
36:07Manuel is also my son.
36:09I managed to stop that nonsense for minutes, Alonso.
36:13That whore was already wearing her wedding dress.
36:15And your son's pamphlet willing to give her the yes I want.
36:19But then what did you do?
36:23For there to be a marriage, a priest is needed.
36:27Did you talk to the parish?
36:30I told him that he had been deceived.
36:32That in that couple of vulgar slaves was the future heir to the marquise.
36:40But that decision is not going to be cheap.
36:42I promised to help him with the financing of the repair of the hermitage roof.
36:47So I've already done my part, now it's your turn.
36:50Wait.
36:52This matter is very serious.
36:54If we want to make it real, we will have to be united.
36:59Okay, but don't get confused.
37:01This union is only to prevent Manuel from compromising the family's last name.
37:05Between us, everything is still the same.
37:10I've interrupted you, haven't I?
37:12No, don't worry.
37:15What do you want?
37:17I know it's not the best time.
37:19Don't worry.
37:21Your cousin's neglect does not prevent the rest of us from continuing to have our care.
37:26So tell me, what do you need?
37:31It's just that ...
37:34I don't want to break my promise.
37:37And why should you leave?
37:41Well, because I have assumed that after my mother's wedding with the Count of Ayala,
37:45I will have to live with them.
37:47Sweetie, you can stay here as long as you want.
37:51The doors of the promise are always open to you.
37:53Really?
37:54Of course.
37:56You don't even have to tell us the reasons.
37:59This is your home whenever you want.
38:02Thank you, aunt.
38:05And you too.
38:08They are the best people I know.
38:12I'm sorry I interrupted.
38:14Don't worry.
38:15Come on, run.
38:17Let's go.
38:23Remember to talk to the priest to ask him for the cost of the arrangement.
38:26I don't want us to be between each other again.
38:38How is your son doing with the instruction of Mr. Rogelio?
38:41Does he get that boy to act like Callo?
38:44Well, I'm afraid everything is still in its infancy.
38:46No news, then.
38:50I thought that was the reason for your concerns.
38:55And if that's the other reason, why don't you share it, Ricardo?
39:00It's not a professional issue.
39:02Ah, you're still thinking about the closeness of Mrs. Arcos with your son.
39:08He treats him as if he were family.
39:11Look, since the first time you told me, I confess that I've been looking at both.
39:16The only thing I've been able to see is that the influence of that woman
39:19acts like a revolution that makes your son do his homework.
39:23Yes, you know that I don't deny that I have aroused that ambition in him.
39:27But it's just that I don't trust her.
39:30But has something happened?
39:31No, not yet.
39:33But every day he spends with Mrs. Arcos, I see that Santos moves away more and more from me.
39:37And you think it's because of Mrs. Arcos' influence?
39:39Of course.
39:41Have you talked to your son?
39:43I've tried, but nothing, we always end up the same.
39:47Santos defies my authority.
39:49And I've also talked to Mrs. Arcos, but it's impossible to deal with her.
39:54I would like to help you, really, but in this case I have my hands tied.
40:00I know.
40:01Well, you don't have to see the glass half empty.
40:04The relationship between Mrs. Arcos and your son is temporary.
40:08That woman changes the course of her loyalties as if it were a ticket.
40:11Remember Mrs. Villamil.
40:13Well, I understand that his relationship was achieved by his marriage to Marcelo.
40:17That's it.
40:19Do not doubt that at any time your son will do something that displeases him.
40:23And then he will repudiate it.
40:25Look, I hope it's soon.
40:26Well, or not.
40:27Or not.
40:28Because at the moment, the truth is that the influence of that woman has yielded positive results to your son.
40:36Go up and see if Mr. Espeta and Santiago.
40:39From Don Manuel's wedding, everything is messed up up there.
40:43And well, it doesn't hurt anyone but your Tizana.
40:52You knew, didn't you?
40:54What?
40:55The romance between Mrs. Esposito and Mr. Espeta.
40:58Hence your behavior a few weeks ago.
41:00Meet here for hours with them.
41:03In due time.
41:04He may have had some suspicions about the relationship.
41:07But come on, this has been confirmed in recent days.
41:10Enough to make you his accomplice behind his back.
41:13Yes, but of course, I did not suspect that he had wedding plans.
41:16And much less with so much premonition.
41:19Well, it is possible that with age I am becoming somewhat romantic.
41:26I'm telling you this in confidence.
41:29I hope you keep the secret from me and that no one else finds out about this.
41:33You can count on my discretion, of course.
41:36I thank you.
41:37I love you.
41:56Well, who goes?
41:58Well, we said the loser, so it's your turn.
42:02I don't know why it happens to me, that even if I had won, it would have been my turn.
42:04Nadia, get the lemonade and stop complaining already.
42:06That's it, I'm dying of thirst.
42:08It's fine.
42:12Oh, my God.
42:16I'm glad I left the palace.
42:18The atmosphere there is so rare.
42:21Yes, yes, but one ends up getting used to the fact that the promise, when it's not a thing, is the one next door.
42:27Although it is true that all this of Manuel takes the palm.
42:31And how do you take it?
42:35Well, with a divided heart, really.
42:37Because, on the one hand, I know that the love that my cousin professes to that maid is completely sincere.
42:44But on the other hand, I am aware of the situation in which he is putting my uncles.
42:50I am more than clear about what I would do in your situation.
42:53What?
42:54I would give up my degrees and go to live my love.
42:57Really.
42:59Really?
43:00Well, you didn't have it for a romantic woman.
43:02I think love is above anything else.
43:05I wish it were.
43:07But right now it seems impossible to me.
43:09I don't know, this is the life we have had to live.
43:12By the way you speak, it seems that you have had to live something similar.
43:16Well, don't be surprised, because this is the daily bread for any housewife.
43:20Yeah, and what happened?
43:21And what happened?
43:24That he broke up with me because I did not meet the minimums of his mother to be a good wife.
43:33And he accepted it like a lamb.
43:35Without joking.
43:37I don't know, in the end they are also going to be victims of social norms.
43:40Victims, but with more privileges.
43:44Like wearing pants.
43:46Traveling around the world without permission.
43:48Being able to smoke in the smoking rooms of casinos.
43:51I hate the smell of tobacco.
43:53But they can be deputies and mayors.
43:55I hate politics.
44:03I confess that I envy you.
44:05Me? Why?
44:07For how united your family is.
44:09I mean your cousins.
44:11I have never had that and seeing the way they support each other ...
44:14I never thought it that way.
44:16Believe me, you are a privileged one.
44:19Martina, a privileged one.
44:21I don't know how much, Julia.
44:23But you don't even know what we were talking about.
44:25Possibly that you are the consent of the uncles.
44:27No.
44:29Well, it's time.
44:31Let's go.
44:33Let's go.
44:51If the J is glory, we will sing together.
45:00You are here, Ana.
45:02Well, yes.
45:04I couldn't take it anymore in the room.
45:06How are you? I haven't seen you.
45:08And I'm glad you're going to see me because I have to upload this to ...
45:11Well, I have to upload it upstairs. I'll tell you later.
45:13Maria.
45:15Are you avoiding me?
45:17Me? No. So much of what? No.
45:18Well, I don't know, it's like last night when I saw your hair and ...
45:21you arrived at a thousand and then you left early in the morning, well ...
45:24Well, Mrs. Petra's notebook, you know.
45:26It's just that my notebook said you didn't have to do anything.
45:29So tell me what's wrong.
45:31Nothing's wrong with me.
45:34Maria, please.
45:38It's just that she's not mad at me.
45:40Mad at you? Why?
45:43Because of the notebook.
45:45Because of the notebook?
45:47That now I would be a married woman if I didn't ...
45:49if I didn't get to stick my foot in the corbejón.
45:51Maria, that wasn't your fault.
45:53A magical one, yes.
45:55What a bad time I had as a literate.
45:57Literature is for Mrs. Itinga, not for two nobody like me.
46:02Well, for me you are the best writer there is.
46:05And also the best friend.
46:08Oh, Janilla.
46:09Janilla.
46:14This wasn't your fault.
46:18I'm sorry.
46:33Pelayo, we have to talk.
46:35Now is not a good time.
46:37The newspaper is so interesting that you don't even have a moment to talk to me.
46:42Do you think you can leave without more after everything you've said?
46:47I've only told you what I think.
46:49With the intention of hurting me.
46:51Look, I'm sorry if you've been reflected in my words.
46:54But that's because you have reasons.
46:56Can we talk like adults?
46:58No.
47:00I know I've hurt you, but let me explain.
47:03Tell you the truth about what happened.
47:07Are you okay?
47:09No, but deep down I want to hear your reasons.
47:12Because no matter how many times I think about it,
47:14I can only find an explanation for what happened.
47:16And I get nauseous just thinking about it.
47:19Come on in.
47:21I'm listening.
47:29I'm telling you to listen to Jana's voice.
47:31But you have less hearing than a shoe.
47:37What can I do for you?
47:39We just...
47:41We just came to see how you are, Jana.
47:44Is that it, woman?
47:46Isn't that what they say in the palace?
47:48I don't care what they say about me.
47:50And about us.
47:52That's why we're here.
47:54To know what really happened.
47:56Well, it won't come out of my mouth.
47:58Hey, don't worry about that, girl.
48:00You're going to tell us everything.
48:02Because, I say, we have the right to know what happened.
48:06Yes.
48:17Just thinking about Manoel getting married to a maid
48:19makes my head spin.
48:21And we would be the top TV show in the country.
48:23I think they would make a hit out of something like that.
48:26Thank you so much for your words.
48:28It's relieving to hear all of you.
48:30I don't get how it could have happened.
48:32I was always with me in my notebook.
48:34You, right?
48:36Don't deny it to me.
48:37María Fernández.
48:39What kind of way is that to address you as a key-slave?
48:43The gentlemen have to marry each other, and the poor are the same.
48:46Well, if I run into a noblewoman of good looks,
48:51I don't disgust her.
48:52And what are we going to do now?
48:53Mother, but don't get like that.
48:56It was a lot of money, I don't deny it, but not so much for you, right?
48:59You have no idea.
49:00You don't know what we're going through, your father and I.
49:02Does it bother you that she's happy that I stayed with them?
49:05No, although Count de Ayala is ...
49:09What about Count de Ayala?
49:10Well, I just hope he takes it well.
49:12Who has brought you the promise, Matilde?
49:14I have no problem telling him.
49:16And since we're already here, I'd like us to talk about Paco.
49:19About everything that happened to him.
49:20Jana was the beloved of whom Mr. Manuel spoke at the time.
49:23And the sincerity of your little friend Jana is shown in the fact that
49:26she has been deceiving you like a pamphlet
49:28and she has made a fool of you.
49:30We cannot allow her to make a fool of herself in that way.
49:33The heir to the Marquis of Lujan, married to a maid.
49:35Where has that been seen?
49:36I don't know, Alonso. I don't know what we can do.
49:39But any argument we give him would be useless.
49:41Well, if the arguments don't work, we'll have to be tougher.
49:44And why don't you kick her out on the street?
49:46Manuel has been very clear.
49:47If Jana breaks her promise, she will announce what happened to everyone.
49:51You just have to negotiate with him.
49:53But in a negotiation, both parties must give in.
49:56To what extent are you willing to consent?