A man in mid-life crisis befriends a young woman, though her fiancé persuades her to con him out of the fortune they mistakenly assume he possesses.
#hollywoodclassics #classichollywood #hollywoodclassicmovies #oldhollywoodclassicfilms #classichollywoodmovies #hollywood #classic
#hollywoodclassics #classichollywood #hollywoodclassicmovies #oldhollywoodclassicfilms #classichollywoodmovies #hollywood #classic
Category
🎥
Short filmTranscript
00:00:30© BF-WATCH TV 2021
00:01:00© BF-WATCH TV 2021
00:01:30© BF-WATCH TV 2021
00:02:00© BF-WATCH TV 2021
00:02:30© BF-WATCH TV 2021
00:02:35© BF-WATCH TV 2021
00:02:40© BF-WATCH TV 2021
00:02:45© BF-WATCH TV 2021
00:02:50© BF-WATCH TV 2021
00:02:55Oh, wonderful!
00:03:00Chris.
00:03:07Read what's engraved inside, Chris.
00:03:13To my friend Christopher Cross.
00:03:17In token of twenty-five years of faithful service
00:03:22from J.J. Hogarth
00:03:241909, 1934.
00:03:27Speech! Speech!
00:03:29Speak up, Chris! Speak up!
00:03:31Come on, Chris! Speech!
00:03:33Well, I, uh...
00:03:35I hardly know what to say, J.J.
00:03:38This, uh...
00:03:40Why, it's beautiful.
00:03:43I never expected to own a watch like this.
00:03:46No, sir, I...
00:03:49Well, all I can say is that, uh...
00:03:52We've got the best boss in New York.
00:03:55For he's a jolly good fellow
00:03:58For he's a jolly good fellow
00:04:00For he's a jolly good fellow
00:04:03Which nobody can deny
00:04:06Good boy, Chris!
00:04:08Congratulations, old boy! Congratulations!
00:04:11Good boy, Chris!
00:04:13Thank you, Chris.
00:04:15Thank you, my old friend.
00:04:17God bless you.
00:04:18Thank you.
00:04:19Have a smoke before I go.
00:04:21Well, I-I-I don't usually, J.J.
00:04:23Go ahead and try it. It's made special for me.
00:04:25A dollar a piece.
00:04:27Here, Jolly.
00:04:28Oh, thanks.
00:04:38Thank you.
00:04:40You're not superstitious, are you, Chris?
00:04:42No, no, no, no, sir, no.
00:04:46Now, don't break up a good party just because I've got to go.
00:04:49Everything is charged to J.J.
00:04:51Oh, that's very nice of you, boys.
00:04:53So drink all you want.
00:04:55Only don't come in late Monday morning with a hangover.
00:04:59Don't worry, we won't. We'll be right there on time.
00:05:02Well, good night, boys.
00:05:03Good night.
00:05:10Oh, boy, aren't you a lucky fellow.
00:05:14Hey, fellas, look.
00:05:17Look, come here.
00:05:19Hurry.
00:05:29Get a load of that dame.
00:05:32That's J.J.'s wife.
00:05:36The boss is stepping out.
00:05:38Say, if I had the dough he's got, I'd step out, too.
00:05:40I feel a little laundry tonight.
00:05:50Ah, nothing like the smell of spring.
00:05:53Which way do you go, Chris?
00:05:55Well, I guess I'll take the east side subway.
00:05:57Gets me to Brooklyn a little quicker.
00:06:02Hey, you haven't got an umbrella.
00:06:04Now, I'll take you to your bus.
00:06:06Oh, no, no, that's out of your way.
00:06:08Oh, I don't mind walking, you know, fresh air, spring.
00:06:11Hey, I'm a little drunk.
00:06:32Well, never mind, I'll catch the next one.
00:06:34You go on over to the subway.
00:06:36Oh, I don't mind waiting.
00:06:38I feel kind of lonely tonight.
00:06:43Say, uh, Charlie, uh,
00:06:46you suppose J.J.'s running around with that young lady?
00:06:49It looks that way.
00:06:52I wonder what it's like.
00:06:55What, Chris?
00:06:57Well, to be loved by a young dear like that.
00:07:00You know, nobody ever looked at me like that.
00:07:03Not even when I was young.
00:07:05Yes, when we're young, we have dreams that never pan out.
00:07:08But we go on dreaming.
00:07:10When I was young, I wanted to be an artist.
00:07:13You know, I dreamt I was going to be a great painter someday.
00:07:16So, I'm a cashier.
00:07:18Do you still paint?
00:07:19Yeah, every Sunday.
00:07:20Well, that's one way to kill time.
00:07:22You know, Sunday's one day of the week that I don't like.
00:07:24I never know what to do with myself.
00:07:26Well, why don't you come over tomorrow and see me?
00:07:28Thanks, Chris, I'll do that.
00:07:34Good night, Chris.
00:07:35Good night, Charlie. See you tomorrow.
00:07:37Good night.
00:07:55It stopped raining.
00:07:56Yeah, a half hour ago.
00:07:57Which way is it to the east side subway?
00:07:59Around the corner, past the L, four blocks.
00:08:02Well, thank you, officer. I guess I got turned around.
00:08:04These streets are all mixed up in Greenwich Village.
00:08:06Yeah.
00:08:32Is he hurt?
00:08:55I'll go call a policeman.
00:08:57No, wait!
00:08:58Wait!
00:09:02Wait!
00:09:09Officer!
00:09:12Officer!
00:09:27Where did he go?
00:09:28In that direction.
00:09:30What does he look like?
00:09:31I don't know.
00:09:32I didn't see his face.
00:09:33He took $15. He didn't believe it was all I had, so he began pushing me around.
00:09:36Then this gentleman ran in and knocked him down.
00:09:38That's right, officer. He was right there.
00:09:40I couldn't hold him. He got up and ran.
00:09:42Wait here.
00:09:45Come on, let's get out of here.
00:09:46Well, we have to wait for the officer.
00:09:48I don't want to get my name in the newspaper, do you?
00:09:50Well, the newspaper...
00:09:51Sure, we'll have to go down to the station house and make a complaint.
00:09:53And every time they make an arrest, they send detectives to your house for weeks.
00:09:56Oh, it's a nuisance.
00:09:58Won't you take me home?
00:10:00Why, yes.
00:10:02Well, sure, that is...
00:10:03Well, if you think that...
00:10:07Well, here's where I live.
00:10:13Oh, I'm sorry I can't ask you to come up, but I share my apartment with another girl, Millie.
00:10:20Good night, and thanks for everything.
00:10:24Don't you...
00:10:25Don't you want a cup of coffee?
00:10:28All right.
00:10:45Hello, Kitty.
00:10:46Hello, Johnny.
00:10:48Oh, this is Mr...
00:10:49Cross.
00:10:50Glad to know you, Mr. Cross.
00:10:52Oh, how do you do?
00:10:54You seen Johnny?
00:10:55You seen Johnny?
00:10:58No, not since he left here.
00:11:01Two coffees, please.
00:11:02Oh, I think I'll change my mind. I could stand a drink. A rum Collins.
00:11:05One rum Collins?
00:11:06Yes, yes.
00:11:07Oh, come on. Keep me company.
00:11:11Well, you see, I've already had a good deal of champagne.
00:11:14You want champagne?
00:11:15Oh, no, no, no.
00:11:18Make mine the same.
00:11:19Ever since I first saw you, I was wondering what your name was.
00:11:23Kitty.
00:11:24It's really...
00:11:27Catherine.
00:11:29Catherine March.
00:11:31My friends call me Kitty.
00:11:34What do your friends call you?
00:11:37Chris.
00:11:39Chris...
00:11:40Cross.
00:11:42Chris Cross.
00:11:43Yes, the boys tease me about it, but I don't know.
00:11:47They tease me about it, but I don't mind.
00:12:01Why are you looking at me?
00:12:04Is my face dirty?
00:12:06It's beautiful.
00:12:08I'll bet it is.
00:12:12Oh, gee, I'm a sight.
00:12:17Oh, thank you, sir.
00:12:23Cheers, Chris.
00:12:26Oh, Miss March...
00:12:29Kitty.
00:12:30Yes, Miss... I mean...
00:12:32Kitty.
00:12:34Well, look, Kitty.
00:12:38Since I'm old enough to be your father...
00:12:40You're not so old.
00:12:42You don't think so?
00:12:43Well, you're not a boy, you're just...
00:12:47Mature.
00:12:49I like mature people.
00:12:51Well, what I wanted to say was...
00:12:54You shouldn't be alone in the street so late at night.
00:12:58I was coming home from work.
00:13:01You work this late?
00:13:02Mm-hmm.
00:13:04What do you do?
00:13:07Guess.
00:13:11You're an actress.
00:13:13Oh, you are clever.
00:13:14Now that you know all about me, tell me about yourself.
00:13:17What do you do?
00:13:18I?
00:13:19I...
00:13:21Well, you see...
00:13:22No, no, don't tell me.
00:13:24You work in a bank?
00:13:26No.
00:13:27Well, let's see.
00:13:28Greenwich Village is full of artists.
00:13:30I meet you in Greenwich Village.
00:13:32You must be an artist, right?
00:13:35Well, I...
00:13:37Yes, yes, I paint.
00:13:39Of course, you're a painter.
00:13:40I love paintings.
00:13:41I love paintings.
00:13:42To think I took you for a cashier.
00:13:45Come on, now.
00:13:46You know those art galleries on Fifth Avenue?
00:13:48The prices they charge.
00:13:49I saw one little picture that cost $50,000.
00:13:53They called it, uh...
00:13:55Uh, Cezanne.
00:13:56Cezanne.
00:13:57Oh, he was a great French painter.
00:14:00I'd like to own that painting.
00:14:02You would?
00:14:04Mm-hmm.
00:14:05For $50,000?
00:14:07Well, you, you can't put any price on masterpieces like that.
00:14:11They're worth, uh...
00:14:13Well, whatever you can afford to pay for them.
00:14:16You know what, Chris?
00:14:17I bet I saw some of your pictures there and didn't know it.
00:14:19Next time, I'll look for your name.
00:14:20Oh, no, no, no, no.
00:14:22Um...
00:14:23I, I, I don't sell my pictures.
00:14:26Well, not in New York, you mean.
00:14:27No, I, uh...
00:14:28I know.
00:14:29I bet you sell your pictures in Europe.
00:14:31France or someplace like that.
00:14:33You can tell I don't know much about painting.
00:14:35I bet you get as much for your pictures in France
00:14:38as those Frenchmen get right here in New York.
00:14:40Mm-hmm.
00:14:41And you never appreciate it in your own country.
00:14:43Well, that's, that's one way of looking at it.
00:14:46But you know, when I paint, uh, I don't think of money.
00:14:50I, I just paint for fun.
00:14:52Fun?
00:14:53Yes, I think it's the most fun I know, painting.
00:14:57I wish I had all the time to paint.
00:14:59Well, don't you have time?
00:15:00Oh, no.
00:15:01Well, yes, you see, I, uh...
00:15:03Well, you know...
00:15:05Business takes a lot of time.
00:15:07No wonder, when you get all that money.
00:15:09Yeah.
00:15:10Well, um, what, what play are you acting in?
00:15:13It closed tonight.
00:15:14Which one?
00:15:15The one I was in. What time is it?
00:15:17Oh.
00:15:24It's only ten past two.
00:15:26Only?
00:15:27Oh, it's time for Kitty to be in bed.
00:15:31So you won't forget me.
00:15:34Thank you.
00:15:36Can't I see you again?
00:15:37Oh, sure, sometime.
00:15:38Well, if you'll give me your telephone number.
00:15:40I haven't got a phone.
00:15:41Well, may I write you?
00:15:42That's the address.
00:15:43Good night, Chris.
00:15:44Kitty, who's Johnny?
00:15:48Why do you ask that?
00:15:49Well, I, I just heard you ask the bartender.
00:15:52Oh, sure, he's just a fellow I know.
00:15:54He, uh...
00:15:55He, uh...
00:15:56He, uh...
00:15:57Oh, sure, he's just a fellow I know.
00:15:59He's, uh...
00:16:00Millie's boyfriend.
00:16:01You know, the girl I live with.
00:16:02Good night, Chris.
00:16:03Good night, Kitty.
00:16:27Christopher!
00:16:43Christopher!
00:16:49Christopher!
00:16:52Yes, Adele?
00:16:57Oh.
00:17:05Well, well, this is a pleasure.
00:17:08I didn't expect to see you, Charlie.
00:17:10But, Chris, you asked me.
00:17:14My wife.
00:17:15Well, it's, uh...
00:17:16It's good to see you anyway.
00:17:19Hey, uh, that was a swell party last night, wasn't it, Charlie?
00:17:23Say, what time did we go home?
00:17:25After midnight, wasn't it?
00:17:28You know, I haven't been to bed yet.
00:17:30You haven't?
00:17:31I guess I'm not as old as I thought I was, eh, Charlie?
00:17:33No, no.
00:17:35Oh, I've got to do the dishes for Adele.
00:17:38You don't mind, Charlie, do you?
00:17:39No, no, no, no.
00:17:40Right ahead.
00:17:48Say, uh, did you paint this?
00:17:51Great Scott, no.
00:17:53That isn't painting, that's mud.
00:17:55Done by a photographer.
00:17:56Who is it?
00:17:58The, uh, late departed.
00:18:01Oh, your wife's former husband.
00:18:03Detective Sergeant Higgins.
00:18:06Homer Higgins.
00:18:08Say, that's a real medal, isn't it?
00:18:10Yeah.
00:18:11Adele got it.
00:18:14Your wife?
00:18:16Yeah.
00:18:17After he was drowned in the East River.
00:18:20Jumped in to save a woman.
00:18:22Neither body was found.
00:18:24Oh.
00:18:26Too bad.
00:18:27Yeah.
00:18:28Too bad.
00:18:38Oh, thank you, Charlie.
00:18:39No problem.
00:18:43How long have you been married, Chris?
00:18:46Five years.
00:18:48Five years.
00:18:51Well, uh,
00:18:53she, uh,
00:18:54didn't want to spend his insurance money,
00:18:56and so she rented out the spare room.
00:18:59Only four dollars a week.
00:19:01Well, I was trying to save money to buy paints,
00:19:04and so I moved in.
00:19:06Oh, she was sweet.
00:19:08Butter wouldn't melt in her mouth.
00:19:12And, uh,
00:19:14well, you know how these things go.
00:19:18Smoke?
00:19:19Oh.
00:19:21I guess it went out, huh?
00:19:28Where are your paintings, Chris?
00:19:29Uh, they're out in the hall.
00:19:31Uh, would you like to see what I did today?
00:19:33Yes, I'd like to.
00:19:44Where did you find a flower like that?
00:19:50You mean,
00:19:52you see this when you look at that?
00:19:55Well, yes.
00:19:56That is, I sort of feel it.
00:19:59You see, when I look at that flower,
00:20:01I see someone...
00:20:02Ah!
00:20:03Isn't there anything private in this house?
00:20:08Oh.
00:20:09Isn't there anything private in this house?
00:20:13I'm sorry, Adele.
00:20:16We'd better get out of here.
00:20:25All right, Adele.
00:20:29Bringing people in here all of a sudden.
00:20:39Curl up and don't be moved
00:20:47All your fears are foolish fancy made
00:20:56You know, dear, that I'm in love
00:21:01You know, dear, that I'm in love
00:21:12Can't you get those lazy legs off that couch, baby?
00:21:15Come here.
00:21:19Can't you do any better than that?
00:21:21That's all you think about, lazy legs, hmm?
00:21:23What else is there to think about?
00:21:31If you want more heat in this apartment, miss,
00:21:33you'll have to call a janitor.
00:21:35You idiot.
00:21:36How come you're holding out on me, baby?
00:21:38Oh, stop talking about Saturday night.
00:21:41I'm not talking about Saturday night.
00:21:43I'm talking about this.
00:21:47Sounds like a schoolboy trying to make a date.
00:21:49You must be robbing the cradle.
00:21:52What's so funny?
00:21:53You are. He's old enough to be my father.
00:21:56That's the old fellow who came to my rescue Saturday night.
00:21:59My hero.
00:22:00No kidding.
00:22:02See? You were too tight to remember anything.
00:22:04If I hadn't told the cop to go in the wrong direction,
00:22:06he'd have picked you up.
00:22:08This the old fellow who butted in?
00:22:10The painter?
00:22:12He's rich and famous and very sweet, too, Johnny.
00:22:15He doesn't pull any rough stuff like you.
00:22:18Well, I had a chance to clean up in a crap game.
00:22:20All I needed was fifty bucks.
00:22:22And what did you show up with?
00:22:24Fifteen, for cat's sake.
00:22:26That's all I had.
00:22:27Besides, you kept me waiting two hours in the rain.
00:22:30And then you gave me a dirty look.
00:22:32I didn't give you a dirty look.
00:22:34Listen, any girl who waits two hours in the rain for a guy
00:22:37is going to give him a dirty look.
00:22:41The trouble with you, baby, is you have no imagination.
00:22:45What do you expect me to do?
00:22:47I expect you to use your brains.
00:22:50But for cat's sake, this chump is crazy about you.
00:22:53This is a set-up.
00:22:54He's into big money, isn't he?
00:22:56You said fifty thousand a picture, didn't you?
00:22:58Here I am, knocking my brains out,
00:23:00trying to raise a little capital,
00:23:02and this is right in your lap.
00:23:04You don't have to call what's-his-name
00:23:06and get a measly fifty.
00:23:08This bird is goofy about you.
00:23:10Write him. Date him up.
00:23:12I can't take money off an old man like that.
00:23:19For cat's sake, get big-hearted.
00:23:21And smart, lazy legs.
00:23:23Why see fellas in the big dough without half my brains?
00:23:26But ability isn't enough.
00:23:28You gotta have money to make money.
00:23:30Capital.
00:23:31The boys at the Acme Garage are cutting me in on a half-interest
00:23:33if I can put up the money.
00:23:35How much do they want?
00:23:36Oh, three or four thousand.
00:23:38Yipe!
00:23:39Well, for cat's sake, I'm not talking about chicken feed.
00:23:42Use your imagination.
00:23:44You get an interest in a business like that,
00:23:46and it's a cinch to squeeze out your partners.
00:23:49Then you're on easy street.
00:23:51Jeepers, the pipe dreams you have.
00:23:54Now, what about the letter?
00:23:56Oh, I can get fifty or a hundred, perhaps,
00:23:58but I can't get the kind of money you're talking about.
00:24:00I wouldn't know how.
00:24:02Ah.
00:24:03Johnny!
00:24:05Johnny, where are you going?
00:24:07Well, I won't be wasting my time.
00:24:09Johnny. Johnny.
00:24:15Oh, I don't know why I'm so crazy about you.
00:24:18Oh, yes, you do.
00:24:20Now, what about my proposition?
00:24:24You don't have to tap the old chump for much.
00:24:26Not at first.
00:24:27We'll get you a decent apartment.
00:24:29Someplace where I'll like to come and see you,
00:24:31not a dump like this.
00:24:33Well, lazy legs?
00:24:36May I come into my own apartment?
00:24:38Hello, funny face.
00:24:40Why don't you just move in, Johnny?
00:24:41Then I can move out.
00:24:42Now, Millie, stop picking on my fiancé.
00:24:45How do you spell that word?
00:24:46With an F, like in funny face.
00:24:49She pays half the rent, doesn't she?
00:24:50Well, that was a general idea, big shot,
00:24:52when we signed the lease.
00:24:53Well, I don't mind if you want this place to yourself.
00:24:56Do you, baby?
00:25:02What's he mean by that?
00:25:03Oh, nothing. You know Johnny.
00:25:06Yeah, I know Johnny all right.
00:25:08Has he bought you that engagement ring yet?
00:25:10Oh, you seem to worry more about it than I do.
00:25:20The new $45 model.
00:25:22Old Rogers let me have it for $18.
00:25:24Bet he made a profit at that.
00:25:25I thought you were modeling girdles for the catalog.
00:25:28I have been.
00:25:29Oh.
00:25:31I ache like a dog.
00:25:33If corsets ever come back, I swear I'll quit modeling.
00:25:40Why don't you go back to work with that figure,
00:25:43if you weren't so darn lazy?
00:25:45Who do you think you are?
00:25:47My guardian angel?
00:25:49Not me, honey.
00:25:50I lost those wings a long time ago.
00:25:52Oh, that's what I thought.
00:25:54No wonder you got fired. You're so darn snippy.
00:25:57You never could get to work on time after you met that Johnny.
00:26:02Honey, what's happened to you?
00:26:04Don't you wish it could happen to you?
00:26:06I'm in love. Crazy in love.
00:26:08With a man that pushes you around the way I wouldn't push a cat around.
00:26:11You leave Johnny out of this.
00:26:12With your looks, I figure you could get any man you want.
00:26:14Sure.
00:26:15But there's only one I want.
00:26:17Yeah, and he's making a tramp out of you.
00:26:19You wouldn't know love if it hit you in the face.
00:26:21If that's where it hits you, you ought to know.
00:26:45That robin sings just like I feel.
00:27:14Hey, look, there's a pair of them up there.
00:27:16They're building their nest.
00:27:23Say, where'd you learn that?
00:27:26Oh, when I was a kid.
00:27:29Yeah, I bet I haven't done that in 40 years.
00:27:32Yeah, I feel like a kid myself today.
00:27:38Sold any pictures lately?
00:27:41Why don't you paint my picture?
00:27:43I'd like to.
00:27:45Could I bring my easel to your apartment?
00:27:47Oh, I'm afraid my girlfriend wouldn't like that.
00:27:49How long does it take you to paint a picture?
00:27:51Well, sometimes a day, sometimes a year.
00:27:55You can't tell. It has to grow.
00:27:57I never knew paint could grow.
00:27:59Well, feeling grows.
00:28:01You know, that's the important thing, feeling.
00:28:03Well, now you take me.
00:28:05Well, nobody ever taught me how to draw, so...
00:28:07I just put a line around what I feel when I look at things.
00:28:10Yeah, I see.
00:28:12It's like, uh...
00:28:14It's like falling in love, I guess.
00:28:17You know...
00:28:19First you see someone, and...
00:28:21And it keeps growing, and...
00:28:23Until you can't think of anyone else.
00:28:25That's interesting.
00:28:27Well, the way I look at things, that's all art is.
00:28:30Every painting, if it's any good, is a love affair.
00:28:34I never heard anyone talk like that before.
00:28:37Oh, well, uh...
00:28:39There aren't many people you can talk to this way.
00:28:42So you keep it to yourself.
00:28:44You walk around with everything bottled up.
00:28:47Yeah, that's right.
00:28:49That's the way it is with me, too.
00:28:52I'm sort of keeping things bottled up, too, Chris.
00:28:57The truth is, I'm in a jam.
00:28:59You, Kitty?
00:29:00Oh, you probably guessed it. I'm broke.
00:29:02Even this dress belongs to Millie.
00:29:04I can't pay my rent.
00:29:07Well, how much is it?
00:29:08Oh, forget it.
00:29:10I shouldn't have told you.
00:29:14It'll spoil your day.
00:29:16Oh, but Kitty...
00:29:17I'll get out of it somehow.
00:29:18I couldn't take anything from you, Chris.
00:29:20No, uh, yes, I mean...
00:29:22No, no, I couldn't.
00:29:23I've never taken money from a man, and I'm not going to now.
00:29:26And I'm not going to spoil our friendship.
00:29:28Oh, but Kitty, uh...
00:29:30I couldn't pay you back.
00:29:32Oh.
00:29:35Chris, maybe I could pay you back.
00:29:38If you put up the money for a studio apartment,
00:29:40then I'd have a place to live and you could paint there.
00:29:43Don't you see?
00:29:45You could paint my portrait.
00:29:51What's the matter?
00:29:53Don't you want to paint my picture?
00:29:55There's something I've got to tell you, Kitty.
00:29:57What?
00:29:58I deceived you.
00:30:00I lied.
00:30:04I'm a married man, Kitty.
00:30:09Why didn't you tell me, Chris?
00:30:12You know I'm not the kind of girl to run around with a married man, don't you?
00:30:17You know what you said about meeting someone,
00:30:20how you begin to like them,
00:30:22and you can't think about anybody else?
00:30:25You should have told me you had a wife, Chris.
00:30:28Yes, but I'm not in love with her, Kitty.
00:30:30Well, you married her.
00:30:31Well, I was lonely. I couldn't stand my loneliness.
00:30:36Poor Chris.
00:30:38Well, then you're not angry with me?
00:30:40I suppose I ought to be, but I'm not.
00:30:44Not with you, Chris.
00:30:46And I'm going to let you help me.
00:30:48Well, how much do you need?
00:30:50Five hundred dollars.
00:30:52Five hundred dollars?
00:30:58Five hundred.
00:31:22Five hundred.
00:31:44I need five hundred dollars.
00:31:46I could pay it back ten dollars a week.
00:31:49That's all right, Mr. Cross.
00:31:51You'll have to have a co-signer.
00:31:53Thank you, no.
00:31:54Property owner.
00:31:56Property owner?
00:31:57Just a formality.
00:32:02Thank you very much.
00:32:04Any time.
00:32:06Well, why can't that old skinflint Hogarth give you a raise?
00:32:10You don't even make enough money to buy me a radio.
00:32:12I have to run downstairs every night to listen to the radio.
00:32:15The way I have to scrimp and save and you wasting money on paints.
00:32:20I'd like to know what you'd do without me.
00:32:22Poor dear Homer.
00:32:24If only he had a grave where I could put some flowers.
00:32:27Why, you couldn't even ask me to marry you.
00:32:29I had to put the words into your mouth.
00:32:31I'd have been better off a widow.
00:32:33The only reason I put up with you is because I'm married to you.
00:32:36I'm stuck.
00:32:37Yes, and I'm stuck too.
00:32:39Have you been drinking?
00:32:41No, I haven't.
00:32:43Let me smell your breath.
00:32:46No.
00:32:48Then what's the matter with you?
00:32:49Why are you shouting at me?
00:32:51Well, you keep blaming me for not buying you a radio.
00:32:53But you think I like running downstairs every night to listen to the radio?
00:32:56Well, why don't you buy a radio? You have money.
00:32:58His insurance money?
00:33:00Well, I don't want a radio. You want it.
00:33:01I'll never touch those bonds.
00:33:03They're for my old age.
00:33:05If Homer were alive, I'd have a radio.
00:33:07He made a good salary.
00:33:09He gave me a good home.
00:33:11Well, you're living in the same apartment, aren't you?
00:33:13Yes, but it didn't smell of paint.
00:33:16I can't sleep with the smell of paint.
00:33:18And all your silly pictures cluttering up the hall.
00:33:20If you don't get rid of that trash, I swear I'll give it to the junk man.
00:33:26Adele.
00:33:27I will.
00:33:29I swear I will.
00:33:31And the things you paint.
00:33:33It was bad enough when you used to copy picture postcards.
00:33:36Well, Utrillo copies postcards, and he's considered a great painter.
00:33:40Now I suppose you're copying Utrillo, or whatever his name is.
00:33:44They're getting crazier all the time.
00:33:46Yes.
00:33:47I saw what you're doing.
00:33:49Girls.
00:33:50Snakes.
00:33:52Next thing you'll be painting women without clothes.
00:33:54I never saw a woman without any clothes.
00:33:56I should hope not.
00:34:04The happy household hours.
00:34:06Just coming on, dear.
00:34:08I'll be right down, Dora.
00:34:09Mr. Cross came home late.
00:34:12Go ahead and eat.
00:34:14And then do the dishes.
00:34:16This is the happy household hour.
00:34:18Brought to you at this time by Happy Hour Bubble Suds.
00:34:22No soap gives you more happiness, more washings, and more suds per package
00:34:28than Happy Hour Bubble Suds.
00:34:30Ask your nearest grocer for the large economy-sized package today.
00:34:34And now for the next episode of Hilda's Hope for Happiness.
00:34:38And now for the next episode of Hilda's Hope for Happiness.
00:34:41As you remember, we left Hilda in the laundry washer.
00:34:45Bubble Suds, Hilda.
00:35:08Christopher!
00:35:25Christopher!
00:35:38Christopher!
00:35:45What are you doing?
00:35:47I was, uh, I was looking for the paper.
00:35:50A blind.
00:35:52Oh.
00:35:53Well, uh, didn't you, uh, didn't you like the radio?
00:35:56It went off right in the middle of a program.
00:35:58I wouldn't have such a radio.
00:36:02Hey, uh, did you read this?
00:36:04Read what?
00:36:05Uh, this murder in Queens.
00:36:07A man killed his wife with a window weight,
00:36:09put a body in the trunk and shipped it to California.
00:36:12It says here...
00:36:13I've read the paper, thank you.
00:36:15He didn't get away with it, did he?
00:36:17He'll go to the chair, as he should.
00:36:19Yeah.
00:36:20Man hasn't got a chance with these New York detectives.
00:36:23Can't you put that paper down and do the dishes?
00:36:38Adele, you didn't mean what you said
00:36:41about giving my paintings away to the junk man.
00:36:43You'll find out.
00:36:53Well, uh, you won't have to.
00:36:56A friend of mine is taking an apartment in Greenwich Village.
00:36:59I'll move everything there.
00:37:01Well, if he's going to do it,
00:37:03I'm going to do it.
00:37:06Top floor, you'll get plenty of light.
00:37:08Lots of privacy.
00:37:10Uh, you've heard of Tony Rivera, the illustrator?
00:37:13He had this apartment on a three-year lease.
00:37:16Couldn't work anywhere else.
00:37:18Uh, this was his studio.
00:37:21The sketches on the wall are Rivera's.
00:37:24He'd do that with his models sometimes
00:37:26when he was in New York.
00:37:28Uh, this was his studio.
00:37:30The sketches on the wall are Rivera's.
00:37:33He'd do that with his models sometimes
00:37:35when he was working on a magazine cover.
00:37:37Some people pay a lot of money for those.
00:37:40Are you an artist, Miss March?
00:37:42Uh-huh. Where's the bedroom?
00:37:44Oh, uh, this way.
00:37:49What's the rent, Mr. Jones?
00:37:51150.
00:37:53Oh, there are some things that Rivera left here
00:37:55stored in the basement.
00:37:56They go with the apartment if you care to use them.
00:37:59Here they are. Bedroom.
00:38:04I don't like the wallpaper.
00:38:06Will they change the paper?
00:38:08I guess so, on a year's lease.
00:38:11I'll pick it out myself.
00:38:13I'll pick it out.
00:38:15PHONE RINGS
00:38:45PHONE RINGS
00:39:04Well, don't break the bed.
00:39:08Hello, lazy legs.
00:39:10I thought I heard the doorbell.
00:39:13I didn't hear anything.
00:39:20Say, is this all you've got?
00:39:22I'm lucky I have that left
00:39:23the way you were throwing it around last night.
00:39:26You even bought me a book, honey.
00:39:29You're supposed to be an actress, aren't you?
00:39:31Shakespeare for Pete's sake.
00:39:35Say, that's all I have left.
00:39:38You know where to get more, don't you, lazy legs?
00:39:41Told me he hadn't sold any pictures for a long time.
00:39:45And I'm in hock for all this.
00:40:05Look, Kitty.
00:40:10I need at least a thousand dollars.
00:40:13Ouch!
00:40:14Well, you got him softened up.
00:40:16Now, push him around a bit.
00:40:18He seems to get scared when I talk about money.
00:40:21Listen, baby, you got him right where you want him.
00:40:24He's on the hook and can't get off.
00:40:26He can walk out, can't he?
00:40:28He's got a wife, hasn't he?
00:40:30Just drop a hint that his wife might find out
00:40:32about this apartment or he'll shell out fast.
00:40:35That's blackmail.
00:40:37It's only blackmail, baby,
00:40:39when you're dumb enough to get caught.
00:40:45Is that him?
00:40:46Told you I heard the doorbell.
00:40:48For God's sake, get rid of him.
00:41:02Knock, knock, knock, knock.
00:41:16Knock, knock, knock, knock.
00:41:23Why?
00:41:25Don't you answer doorbells?
00:41:27Thought you were mad at me.
00:41:28Peace offering. Scotch.
00:41:30Thanks, honey.
00:41:31I didn't think you were out.
00:41:32It's only 10 past 12.
00:41:34I rang and rang downstairs,
00:41:35and I found the door was open.
00:41:37Well, well, well.
00:41:42You're doing all right for a working girl.
00:41:44Now, don't start that again.
00:41:51Don't tell me he's under the sofa, too.
00:41:53No, bright eyes.
00:41:56You can come out, Johnny.
00:41:59All you have to do is call, funny face.
00:42:05He must have made a killing in Wall Street, Mr. Prince.
00:42:07Could be.
00:42:09Last time I saw Johnny,
00:42:10he was toying about going to Hollywood.
00:42:11I might try it yet.
00:42:13Well, I read in a movie magazine
00:42:14about a fellow who landed in Hollywood stone broke
00:42:17and cleaned up a million.
00:42:18No experience, either.
00:42:20All he had was looks,
00:42:21and he worked in a drugstore.
00:42:23If he worked, Johnny, he didn't look like you.
00:42:25Oh, you two stop fighting.
00:42:27I'm not fighting, baby.
00:42:28She just doesn't know my speed.
00:42:30Why here are movie actors getting 5, 10,000 a week?
00:42:33For what?
00:42:34For acting tough?
00:42:35For pushing girls in the face?
00:42:37What do they do I can't do?
00:42:39You're so clever.
00:42:40Why don't you do it?
00:42:41I might, funny face.
00:42:43I might.
00:42:52Chris!
00:42:53I've thought over some of my things, Kitty.
00:42:55I'll bring some more tomorrow.
00:42:58The rest on Saturday.
00:43:03Oh, you have company.
00:43:04Just Millie and Johnny.
00:43:06Sure.
00:43:07You know, Millie's boyfriend.
00:43:08Come on, I want you to meet them.
00:43:09Millie, this is a friend of mine, Mr. Cross.
00:43:11Miss Ray.
00:43:12How do you do, Miss Ray?
00:43:14Pleased to meet you, Mr. Cross.
00:43:15And Johnny Prince.
00:43:17Glad to know you, Mr. Cross.
00:43:20How do you do?
00:43:22It seems to me I've seen you before somewhere.
00:43:25Could be.
00:43:26Could be, Mr. Cross.
00:43:27Yes, I...
00:43:29I just don't seem to remember.
00:43:31Maybe I'm mistaken.
00:43:33Could be.
00:43:34Well, I'll run along, Kit.
00:43:36I'll go with you, sweetheart.
00:43:39Oh, don't bother, Johnny.
00:43:41I wouldn't think of letting you go alone, darling.
00:43:43You might get run over by a street car.
00:43:50Goodbye, Mr. Cross.
00:43:51Bye.
00:43:52Nice to see you.
00:43:53Thanks for the scotch, Millie.
00:43:55That's okay. Bye.
00:43:58Bye, Kitty.
00:43:59Bye, Johnny.
00:44:03What's the matter, Chris?
00:44:06I don't think I like that young man she's in love with.
00:44:09Oh, Johnny's all right.
00:44:11Oh, I know he is or he wouldn't be a friend, but...
00:44:14There's something about him that...
00:44:15She's crazy about him.
00:44:19Would you...
00:44:21Would you like to see my pictures?
00:44:23Not yet.
00:44:24Come sit down, Chris.
00:44:28You happy?
00:44:30For the first time in my life.
00:44:32Very happy?
00:44:34I think of you all the time.
00:44:36All I want is to see you, be near you.
00:44:41I know I haven't any right to ask you this, but...
00:44:45Have you ever...
00:44:48Well, there must have been other men who...
00:44:54Just one, Chris.
00:44:57Do you still see him?
00:45:02I've forgotten him.
00:45:04Look, Kitty.
00:45:06If I were single...
00:45:08If I had no wife...
00:45:10But you have a wife.
00:45:11Yes, I know, but if she'd...
00:45:14Well, if something would happen that would make me free...
00:45:19Would you marry me?
00:45:21Oh, let's not talk about it now, dear.
00:45:23What I'm worried about is getting a job.
00:45:25Living like this, it's expensive.
00:45:28I don't like to ask you for anything more because...
00:45:31Well, you say you haven't sold any pictures lately.
00:45:34Yes, but don't you have enough money?
00:45:36No, you have no idea what a problem money is for an actress, Chris.
00:45:38Talent doesn't count in the theater.
00:45:40Everything is pull, contacts, knowing the right people.
00:45:43You have to get an agent, they charge plenty.
00:45:45Wear smart clothes, be attractive.
00:45:47Oh, but Kitty, you're beautiful.
00:45:49Oh, Chris.
00:45:51Your face doesn't mean a thing.
00:45:54Clothes, perfumes, making the right impression.
00:45:57An actress needs a thousand dollars just to get a decent wardrobe.
00:46:00A thousand dollars?
00:46:02At least.
00:46:03Maybe I can borrow it from Millie.
00:46:05Or her boyfriend, Johnny.
00:46:08He's got plenty of money.
00:46:09Oh, no, no.
00:46:11No, Kitty, not from Johnny.
00:46:14Why not?
00:46:16Well, I'll get you the money some way.
00:46:20Chris, you're a darling.
00:46:22I really believe you're in love with me.
00:46:25I am, Kitty, I am.
00:46:30Chris, you're a caveman.
00:46:33I like you to like me, but there's a limit.
00:46:36Yes, I know.
00:46:41Well, I've got to go. I'm supposed to be back...
00:46:43I'll come here tomorrow noon, Kitty.
00:46:45I'll be waiting for you.
00:46:47I'm sorry you have to go.
00:46:53Bye-bye, dear.
00:46:58Don't forget the money.
00:47:00I'll get it.
00:47:05Bye-bye, Chris.
00:47:06Goodbye.
00:47:22Bye-bye.
00:47:53I don't get it.
00:47:55The poor sap must be a hophead,
00:47:57seeing snakes on the air.
00:48:00Imagine anyone paying money for this stuff.
00:48:03Say, are you sure he's not a phony?
00:48:07He's too dumb to be a phony.
00:48:10You're right there.
00:48:11And how would he get all the money?
00:48:13Why, if he had to work for a living,
00:48:15he couldn't make $50 a week.
00:48:18You just don't know art.
00:48:20You just don't know art.
00:48:22Maybe not, but I'm going to find out about it.
00:48:25I kind of like this one.
00:48:27But where would you find flowers like that?
00:48:31I wonder if I couldn't sell these.
00:48:33And what do I do when he asks where they are?
00:48:36Say, you put them in storage.
00:48:37You know, you've got to protect them.
00:48:39You can't leave valuable paintings lying around
00:48:41where somebody can pick them up.
00:48:42You'd get in trouble.
00:48:43Any gallery would know his work.
00:48:47He tried to kiss me today.
00:48:49And don't think I liked it.
00:48:51Oh, you've been kissed before.
00:48:53Say, they're not even signed.
00:48:56Oh, that doesn't matter.
00:48:57They'd know him.
00:48:58Not where I take them, baby.
00:49:00Johnny, I can't stand to have anybody touch me but you.
00:49:04Oh.
00:49:05I hate him when he looks at me like that.
00:49:07If he were mean or vicious
00:49:08or if he bawled me out or something,
00:49:10I'd like him better.
00:49:12Oh, you don't love me
00:49:13or you'd understand what I mean.
00:49:16No?
00:49:17No.
00:49:19No.
00:49:30No?
00:49:31Well, maybe.
00:49:40Working late tonight, Mr. Cross?
00:49:42Oh, I'm about through, Ben.
00:49:43You can let me out in a minute.
00:49:44Yes, sir.
00:49:49Thank you.
00:49:50Thank you.
00:50:17I just caught you in time.
00:50:20Yeah.
00:50:30Catch this for me, will you, Chris?
00:50:32It's personal.
00:50:33Yes, yes.
00:50:34Yes, of course, JJ.
00:50:51Here.
00:50:59Good night, JJ.
00:51:00Thank you, Chris.
00:51:01Good night.
00:51:02Good night, JJ.
00:51:13Hello, mate.
00:51:14Hi.
00:51:21What do you got?
00:51:24The fellow that painted those
00:51:25gets 50 grand for a single picture.
00:51:30Hey, what's the matter with you, Nick?
00:51:33Where'd you pick them up,
00:51:34over in Washington Square?
00:51:36The village longhairs
00:51:37are peddling junk like that
00:51:38for the price of the canvas.
00:51:39These weren't painted
00:51:40by any village longhair.
00:51:43That's my pawn shop, isn't it?
00:51:46Yeah.
00:51:48That's my pawn shop, isn't it?
00:51:50And that snake is strictly from the Bronx.
00:51:53This fellow lives in Brooklyn.
00:51:54He's famous.
00:51:55Yeah, what's his name?
00:51:56Well, I...
00:51:57Look, Nick, I brought you stuff before
00:51:59and you never asked for any name on it.
00:52:01That was jewelry.
00:52:02Bring me some more of that
00:52:03and we can do business, Johnny.
00:52:05Take this junk back to Washington Square
00:52:07where you got it.
00:52:17Come on.
00:52:48I can see you've got an eye for art.
00:52:51That's one of my best.
00:52:53Take a look at these.
00:52:56Oh, I didn't know you were a painter.
00:52:58I'm not.
00:53:04Are they any good?
00:53:05Well, they've got something.
00:53:09A certain peculiar...
00:53:12something.
00:53:13But no perspective.
00:53:15Is that important?
00:53:16I should say it is.
00:53:18Look at my painting.
00:53:20Where did you buy them?
00:53:21I didn't buy them.
00:53:22I want to sell them.
00:53:23Oh, you want me to sell them on commission?
00:53:25How much do you think they're worth?
00:53:26I always start everything at 25.
00:53:28Then, you know, it's a hard business selling pictures.
00:53:31Yeah, people don't buy art nowadays.
00:53:34No appreciation, no taste, no perception.
00:53:38And no perspective.
00:53:43Let me have your name and address.
00:53:45I'll come back later.
00:53:47So long.
00:53:54Hello, Joey.
00:53:55Hiya, Tiny.
00:53:59Well, where'd you get that?
00:54:02Off Nick.
00:54:04Well, what about my ring?
00:54:06You know how much a good diamond costs?
00:54:08I gave you $900.
00:54:10Well, you pipe down.
00:54:16You've been telling me what a dope the old guy is.
00:54:20Maybe you're the dope.
00:54:23He tells you his paintings are worth a lot of money.
00:54:26Did you check up on his story?
00:54:28What's wrong with it?
00:54:29They're worth just 25 bucks apiece.
00:54:32That's what's wrong with it.
00:54:33You're crazy.
00:54:36If I weren't a gentleman.
00:54:38Well, don't get sore.
00:54:40Well, then don't tell me I'm crazy.
00:54:43I tell you, the old boy's a phony.
00:54:45His money isn't phony, is it?
00:54:47He could borrow dough or have it stashed away.
00:54:50Or even steal it.
00:54:51Chris Steele?
00:54:52Jeepers, Johnny.
00:54:53He's not the type.
00:54:54He wouldn't have nerve enough to steal.
00:54:56Well, he didn't get it from his pictures.
00:54:58He may be dumb, but not about art.
00:55:00The day he took me to the museum, he explained how everything was done.
00:55:02You should have heard him.
00:55:03People stood around and listened.
00:55:04Well, I didn't.
00:55:05Well, I didn't.
00:55:06Well, I didn't.
00:55:07Well, I didn't.
00:55:08Well, I didn't.
00:55:09Well, I didn't.
00:55:10Well, I didn't.
00:55:11Well, I didn't.
00:55:12People stood around and listened.
00:55:14What museum?
00:55:15The Metropolitan.
00:55:16Yipe.
00:55:17They've got pictures there worth a million bucks.
00:55:25Where are you going?
00:55:32I'm going to make a monkey out of you, lazy legs.
00:55:34You can't take his pictures to the museum.
00:55:36Who says I can't?
00:55:42You know who bought them?
00:55:44Janeway.
00:55:46A daemon, Janeway.
00:55:48Don't you know who Mr. Janeway is?
00:55:50Uh-uh.
00:55:51He's an art critic.
00:55:53The best authority in New York on modern art.
00:55:55He took one look and bought them both.
00:55:58I couldn't even give him my pictures.
00:56:00Not for nothing.
00:56:02I'm going to make a monkey out of you, lazy legs.
00:56:04You can't take his pictures to the museum.
00:56:06Who says I can't?
00:56:07You can't.
00:56:08I'm going to make a monkey out of you.
00:56:10Not for nothing.
00:56:11He wants to get hold of you.
00:56:13Told me to telephone him.
00:56:15You wait here.
00:56:16No, no.
00:56:37For cat's sake, what's so funny?
00:56:39You are smarty pants.
00:56:42You're the Mr. Fix-It who's going to make a monkey out of poor dopey little kitty.
00:56:47So you gave away two pictures for a couple of dimes and now you can't collect the dimes.
00:56:52Oh, dry up.
00:56:54Jeepers.
00:56:56Now what?
00:56:57What am I going to tell Chris?
00:56:58He won't find out.
00:57:00The heck he won't. That Janeway's a critic.
00:57:02He writes for the newspapers.
00:57:04Golly, you got us in a spot.
00:57:05I told you not to do it.
00:57:06You're just nervous.
00:57:07The old guy who sold them does know me from Adam.
00:57:09Say, give me that drink.
00:57:10I can use it.
00:57:16Chris?
00:57:17Uh-uh.
00:57:18He's got a key.
00:57:21Well, go ahead.
00:57:22See who it is.
00:57:23Hurry up.
00:57:25Oh, I beg your pardon, but we're looking for a man and I'm afraid I don't know his name.
00:57:29Oh, and I'm afraid I can't help you.
00:57:33I'm sorry.
00:57:34Oh, look.
00:57:39There.
00:57:43These aren't his pictures.
00:57:44They're his.
00:57:45They're his.
00:57:46They're his.
00:57:47They're his.
00:57:48They're his.
00:57:49They're his.
00:57:50They're his.
00:57:51They're his.
00:57:52They're his.
00:57:53These aren't his.
00:57:55Oh, there he is.
00:57:58Why did you run away from me like that, huh?
00:58:01Here, $50 less 20%.
00:58:04I don't know what you're talking about.
00:58:06But the pictures you brought me.
00:58:07Perhaps we'd better introduce ourselves.
00:58:09My name is Janeway.
00:58:10This is Mr. Delaro.
00:58:11How do you do?
00:58:12What is it you want?
00:58:14We'd like to find out who painted the pictures.
00:58:16You don't know?
00:58:17Of course they don't know.
00:58:19That's what we're here for.
00:58:20Look, if you're a friend of the painter,
00:58:21you will put Mr. Delaro in touch with him.
00:58:23Why'd you buy those pictures
00:58:24if you don't know who painted them?
00:58:27Because they're good.
00:58:28Who painted them?
00:58:38No, Johnny, no.
00:58:39Oh, don't be so modest, Miss March.
00:58:42Now, you see, you got me in bed.
00:58:44She made me promise not to tell.
00:58:46That's why I made out like I didn't know.
00:58:49She's funny about her painting.
00:58:51Never lets anyone see it.
00:58:53Doesn't even put her name on her pictures.
00:58:55And so I observed.
00:58:56You're an extraordinary artist, Miss March.
00:58:58Oh, no.
00:58:59See?
00:59:00She can't stare for anybody to talk about her.
00:59:02She got the idea pictures weren't any good.
00:59:04That's why I took those two to you,
00:59:06to give her confidence.
00:59:07I knew they were good.
00:59:09Now I'll take that money.
00:59:11I never would have guessed it was a woman.
00:59:14No.
00:59:15I never would have guessed it was a woman.
00:59:17Nor I.
00:59:18Your work is very strong, Miss March.
00:59:20May we see some more of it?
00:59:21Sure.
00:59:22Go ahead.
00:59:23Look in the studio.
00:59:24Thank you.
00:59:31You're crazy to try a thing like this.
00:59:33For God's sake, I thought they were cops.
00:59:35I know what I'm doing.
00:59:36They don't know from nothing.
00:59:37I can't fool that critic.
00:59:39You always wanted to be an actress.
00:59:40Now's your chance.
00:59:41You've been around the old boy long enough
00:59:43to pick up his lingo.
00:59:44Feed Janeway some of that.
00:59:46I'll get him in here along with you.
00:59:47No, no, wait.
00:59:54How long has she been painting?
00:59:56Ever since she was a kid, Mr. Janeway.
00:59:58Never went to art school, did she?
01:00:00No, she just picked it up.
01:00:02I guess I'm the only one who's been encouraging her,
01:00:04kind of helping her along.
01:00:06As a friend, you know, just a friend.
01:00:09Oh, I didn't get your name.
01:00:11Prince.
01:00:15Say, Mr. Janeway, she's kind of upset.
01:00:20Maybe you'd go in and talk to her.
01:00:22Be glad to.
01:00:30Well, Mr. Delaroe?
01:00:35I wonder if Miss March would let me have all of these.
01:00:38Well, that depends on what's in it for her.
01:00:44Prices will have to be built up, Mr. Prince, but...
01:00:57I can usually tell whether a canvas has been painted
01:00:59by a man or a woman,
01:01:00but you fooled me completely, Miss March.
01:01:02Your work is not only original,
01:01:04it has a masculine force.
01:01:06How long does it take you to paint a picture?
01:01:11Sometimes a day.
01:01:13Sometimes a year.
01:01:15You can't tell. It has to grow.
01:01:17Of course.
01:01:18It's a matter of feeling.
01:01:19You know how feeling grows?
01:01:23It's like falling in love, I guess.
01:01:29That's a very good description.
01:01:31The way I look at it,
01:01:33every painting, if it's any good, is a love affair.
01:01:38May I quote that?
01:01:39Oh, no, no, no. Please don't write about me.
01:01:41I can see you're going to be a very hard case.
01:01:44Why don't you have confidence in your work?
01:01:47Because I can't draw.
01:01:49You do all right.
01:01:50I just put a line around what I feel when I look at things.
01:01:56You're a very stimulating person to talk to.
01:01:58How are you two getting along?
01:02:02I think I'm breaking the ice.
01:02:03Kitty, Mr. Delaroe wants to handle all your work exclusively.
01:02:07Is it all right?
01:02:08As a friend, I'd advise it.
01:02:10Could you come to the galleries tomorrow?
01:02:12What time?
01:02:13Any time that's convenient.
01:02:15How about 12 o'clock?
01:02:17And then lunch afterward with me?
01:02:19Well, I...
01:02:22She'll be there.
01:02:24I'm glad you're around, Mr. Prince, to make up her mind for her.
01:02:28I can see you're tired, Miss March.
01:02:30This has been enough for one evening.
01:02:32We'd better go. Until tomorrow?
01:02:34Thanks, Mr. Janeway. So long.
01:02:37Good evening.
01:02:38Good night, Mr. Delaroe.
01:02:39Good night.
01:02:46Good night.
01:02:47Good night.
01:02:53Lazy legs.
01:02:57I don't know what you told Janeway, but you got him eating right out of your hand.
01:03:01It won't stop with lunch.
01:03:02Well, what's the difference?
01:03:04If you mean...
01:03:05Oh, stop acting like a green kid.
01:03:09Let him talk about what he wants to talk about.
01:03:11He won't talk about art.
01:03:13If I had any sense, I'd walk out on you.
01:03:16You haven't got any sense.
01:03:36Right here. Just like you'd sign a letter.
01:03:39Come on.
01:03:42Catherine March.
01:03:44Kitty!
01:03:45For cat's sake. Put that one back.
01:03:49Kitty!
01:03:52Chris!
01:03:53Oh, Kitty, I happen to be in the...
01:03:57Oh, hello, Mr. Cross.
01:04:00I just dropped in. I thought Millie was here.
01:04:03See, I hope you don't mind my looking at your picture.
01:04:06Oh, no. Not at all, Mr. Prince.
01:04:09Fine work, that. Remarkable painting.
01:04:12You have a little trouble with perspective, don't you?
01:04:14Yes, that's one thing I never could master. Perspective.
01:04:19Well, I guess I'll have to run along.
01:04:21So long, Mr. Cross.
01:04:23If Millie drops in, tell her I'll be at Tiny's place.
01:04:25Don't bother. I'll let myself out.
01:04:33Has he been here long?
01:04:35No. Why?
01:04:37I don't like him.
01:04:38Oh, Johnny's all right. He's a nice fellow, Chris. Really is.
01:04:41I don't know why you don't like him.
01:04:43Well, was he the one?
01:04:46One what?
01:04:48Well, you said there was one man.
01:04:49Oh, for heaven's sake. Won't you ever forget that?
01:04:51Well, was he?
01:04:52No. Go ahead and paint if you want to.
01:04:54I'm not going to stick around if you're going to torment me.
01:04:56I'm not going to stick around if you're going to torment me.
01:05:27Kitty.
01:05:31Oh, Kitty.
01:05:32Oh, leave me alone. I'm going out for dinner.
01:05:38Kitty, don't be angry.
01:05:40Why do you come here if you want to quarrel? I didn't ask you to come here.
01:05:43Oh, please, Kitty.
01:05:45Oh, for Pete's sake.
01:05:47Go and paint.
01:05:49Well, I can't.
01:05:50Well, I can't.
01:05:52Oh, for Pete's sake.
01:05:54Go and paint.
01:05:56Well, I can't. I can't do a thing when you're angry with me.
01:06:02Do you want me to go?
01:06:04I want you to stay here and paint.
01:06:08Chris.
01:06:10I'm sorry, Chris, but why do you torment me about something that's over and done with?
01:06:14Well, because I...
01:06:18Would you marry me?
01:06:19No, you can't.
01:06:21Well, something might happen.
01:06:23What? You'd better not let your wife hear you talking like that.
01:06:27Of course I'd marry you if you were free, but you're not free.
01:06:30You're not free.
01:06:32You're not free.
01:06:34Of course I'd marry you if you were free, but you're not, so let's not talk about it.
01:06:38Now you go on and paint.
01:06:40Well, could I paint you?
01:06:44Well, I was going to do this myself, but...
01:06:49Paint me, Chris.
01:06:51There'll be masterpieces.
01:07:21Hello, Adele.
01:07:22Hello.
01:07:23How are you?
01:07:24Fine.
01:07:25How are you?
01:07:26Fine.
01:07:27How are you?
01:07:28Fine.
01:07:29How are you?
01:07:30Fine.
01:07:31How are you?
01:07:32Fine.
01:07:33How are you?
01:07:34Fine.
01:07:35How are you?
01:07:36Fine.
01:07:37How are you?
01:07:38Fine.
01:07:39How are you?
01:07:40Fine.
01:07:41How are you?
01:07:42Fine.
01:07:43How are you?
01:07:44Fine.
01:07:45How are you?
01:07:46Fine.
01:07:47How are you?
01:07:48Fine.
01:07:50Hello, Adele.
01:07:51I dropped over at the butcher shop like you told me to.
01:07:54I got a nice piece of liver.
01:08:01How long have you known Catherine March?
01:08:05Answer me!
01:08:10I don't know what you're talking about.
01:08:11How long have you known her?
01:08:14Now, don't get excited.
01:08:15Let me help you off with your coat.
01:08:17Well, you're the one that's excited.
01:08:18Get away with that knife.
01:08:19Do you want to cut my throat?
01:08:25How long have you known her?
01:08:28I don't know what you're talking about.
01:08:29Don't lie to me.
01:08:31You've been copying her work for years.
01:08:33Pretending you painted those pictures out of your own head
01:08:35and all the time you were just copying the work of a real artist.
01:08:38I'll bet you're at Delaro's every day making notes.
01:08:40Where?
01:08:41You know where.
01:08:42Delaro's Art Gallery on 57th Street.
01:08:45They've got a window full of paintings by Catherine March.
01:08:48You're talking crazy.
01:08:50She gets $500 for a single picture.
01:08:52She's a genius.
01:08:54No wonder I used to think sometimes there was something in your work.
01:08:57Now I know why.
01:09:00If you ever do any more painting around here,
01:09:02I swear I'll write that woman a letter telling her you're stealing her ideas.
01:09:07You're a thief.
01:09:09Oh, girl, you'd better watch out.
01:09:11Or next thing you'll be stealing his money.
01:09:16Delaro's Art Gallery
01:09:20Not that one, honey.
01:09:22Delaro's asking for more pictures.
01:09:24Chris just finished it. He'll miss it.
01:09:26Janeway says the new pictures are the best things you've done.
01:09:34Wasn't I right about Janeway, lazy legs?
01:09:36Yeah, but he gets on my nerves.
01:09:38I've been out to dinner with him three times this week
01:09:40and now he's talking about breakfast.
01:09:43He's getting that look in his eye.
01:09:45All you gotta do is keep it there.
01:09:47It's all very well for you to say,
01:09:49but what about the wear and tear on my nerves?
01:09:51Papa will take care of Kitty.
01:09:54Baby's gonna have a big diamond ring
01:09:57and a shiny limousine
01:09:59and a penthouse.
01:10:01And Johnny?
01:10:03He goes with the penthouse.
01:10:13Delaro's Art Gallery
01:10:16Chris.
01:10:20How did my pictures get into Delaro's window?
01:10:27Oh, Chris.
01:10:30Don't be angry with me.
01:10:32No, I'm not angry. I just can't understand.
01:10:35It's not possible.
01:10:37Forgive me, darling.
01:10:39I needed money.
01:10:41I had to take the furniture back.
01:10:43It was humiliating.
01:10:45I couldn't ask you for more.
01:10:47You've been so generous.
01:10:49I just couldn't.
01:10:51So I sold some pictures.
01:10:53To Delaro?
01:10:56You actually sold those pictures?
01:10:58Uh-huh.
01:11:00Oh, I know I shouldn't have put my name on them,
01:11:03but Mr. Delaro wanted to know who painted them
01:11:06and I just couldn't give him your name.
01:11:10Now I can't tell him different, can I?
01:11:13No.
01:11:15The funny part is
01:11:17it didn't seem to make any difference.
01:11:19Yes, but the funny part is it made a great deal of difference.
01:11:22If I'd bought those pictures to a man like Delaro,
01:11:25he wouldn't have taken them.
01:11:27I'm a failure, Kitty.
01:11:29Oh, you're a great painter, Chris.
01:11:32Mr. Delaro said so
01:11:34and so did Mr. Janeway.
01:11:36That is...
01:11:39They say I am.
01:11:41Well, they're going to keep on saying it.
01:11:43Oh, Chris.
01:11:44Oh, now don't, don't, Kitty.
01:11:46Now don't cry. I'm happy.
01:11:48Why, it's just like a dream.
01:11:50Oh, Chris, you're so good, so kind.
01:11:52Well, what difference does it make whose name is on those pictures,
01:11:55yours or mine?
01:11:57Why, it's just like we were married.
01:11:59Only I take your name.
01:12:01Well,
01:12:03that gives me a little authority around here.
01:12:06I want to paint your picture, Kitty.
01:12:08How about it?
01:12:09Uh-huh.
01:12:14Come with me.
01:12:15Come on.
01:12:37You know what we're going to call this?
01:12:39Self-portrait.
01:12:45Self-portrait.
01:13:15Well, hello, Damon.
01:13:17Hello, there.
01:13:18Hello.
01:13:19Well, this is the first time I've ever agreed with you, Janeway.
01:13:23Thank you.
01:13:24I find the painter even more fascinating than her painting.
01:13:28What's she like?
01:13:30Mona Lisa, without the smile.
01:13:32Something hidden.
01:13:34Sometimes it seems as if she were two people.
01:13:37I mentioned that in my notice.
01:13:39Would you care to see it?
01:13:41Yes.
01:13:43I mentioned that in my notice.
01:13:44Would you care to see it?
01:14:06Miss Cross, there's a man outside who says he wants to see you.
01:14:09Who?
01:14:10I don't get no name, sir.
01:14:11But he said he was a detective.
01:14:12Detective.
01:14:40You the detective?
01:14:41Well, I used to be, Mr. Cross.
01:14:44Don't you recognize me?
01:14:47No.
01:14:52Oh.
01:14:54Quite a shock, huh?
01:14:55Now, don't faint, Mr. Cross.
01:14:57Keep your head.
01:14:58I'll explain everything.
01:15:00Well, I was in trouble at the time.
01:15:02I'd been collecting a little extra money from the speakeasies along the waterfront.
01:15:06Word got around the headquarters.
01:15:09I was up for investigation.
01:15:11One night, I'm down by Brooklyn Bridge, trying to fix things up.
01:15:15A man runs in the speakeasy and says,
01:15:17A woman just jumped off the bridge.
01:15:19So I run out and tear off my coat, jump in.
01:15:22The way I felt, I'm hoping I don't come up again.
01:15:26Do you mind?
01:15:27No.
01:15:34Well, there I am, swimming around in the dark.
01:15:37I had a hold of her hat once.
01:15:39Next thing I know, I'm all tired out.
01:15:41I heard a tugboat whistling right down on top of me.
01:15:45Comes a coal barge.
01:15:46So I grab a hold and climb aboard.
01:15:48I look down at my hand.
01:15:50What do you think I got?
01:15:52Her pocketbook.
01:15:54That's what I grabbed a hold of when I thought it was her hat.
01:15:57And inside is $2,700 in folded money.
01:16:02Imagine anybody committing suicide with that much money.
01:16:06Well, the coal barge unloaded on a banana boat bound for Honduras.
01:16:11Well, I went with it.
01:16:13Yes, but if you're not dead,
01:16:16then I'm not really married to Adele, am I?
01:16:24What's it worth to you for me to keep my mouth shut and just fade away?
01:16:31Yes, but if you're Adele's husband...
01:16:34Wait a minute.
01:16:36I can see you need Adele.
01:16:38I need money.
01:16:41You're a cashier.
01:16:42It ought to be easy for you to put your hands on a couple of thousand.
01:16:46Oh, I... I couldn't do a thing like that.
01:16:53You're going back to her?
01:16:54No.
01:16:55But not to do you a favor, mister.
01:16:57I'm clearing out for Adele's sake.
01:17:01And don't think you're going to get any peace of mind either.
01:17:04I might turn up again someday.
01:17:07She'd kick you out in a minute for a man like me.
01:17:13I'll... I'll get you some money.
01:17:16Now you're using your head.
01:17:18Yeah, but you'll have to wait here.
01:17:20I can't get it until after we close at 6 o'clock.
01:17:23I'll wait, Cross.
01:17:26Hello, Johnny.
01:17:27Hello, Kitty.
01:17:28Hiya, my Kitty.
01:17:29Hi.
01:17:30Don't forget the champagne, baby.
01:17:32Nice car you have, Johnny.
01:17:34She go fast, huh?
01:17:36I'd like to see any cop try to catch me.
01:17:38Say, I'll give you four bits for a bucket full of that ice.
01:17:41Okay, Johnny.
01:17:48Can I borrow the ice pick?
01:17:50You give it back, huh?
01:17:51Sure, sure.
01:17:53Thank you.
01:17:58Only 200?
01:18:00Well, that's all I could get.
01:18:03Don't you think your wife's worth more than that?
01:18:07Well, look, I want you to get all that's coming to you, Mr. Higgins.
01:18:11Now, what about the insurance money?
01:18:13Insurance?
01:18:14Yeah, $2,000.
01:18:16On your life.
01:18:17Adele collected it.
01:18:18It's really yours.
01:18:20She keeps it right in her bedroom.
01:18:22Now, I wouldn't touch a penny of it, Mr. Higgins,
01:18:25but if you took it, it would be perfectly legal.
01:18:29But just how would I get it?
01:18:32That's easy.
01:18:34This is the night that she always goes out to the movies.
01:18:37I let you in.
01:18:39You take the money.
01:18:41I let you out.
01:18:45But why don't you go?
01:18:48But why don't you get it?
01:18:50Oh, I've got to be able to say that I didn't touch it.
01:18:54You know, Adele.
01:19:00What if she don't go out and I show up?
01:19:04Your goose is cooked, isn't it?
01:19:07Yes, but I can play it safe.
01:19:11How?
01:19:13Well, you come along the street at 11 o'clock tonight.
01:19:43Okay?
01:19:45Why are you whispering?
01:19:46How come the lights are out?
01:19:48Mrs. Michaels.
01:19:49You remember Mrs. Michaels, don't you?
01:19:52Oh, yes.
01:19:53You remember.
01:19:54I see.
01:19:55I see.
01:19:56I see.
01:19:57I see.
01:19:58I see.
01:19:59I see.
01:20:00I see.
01:20:01I see.
01:20:02I see.
01:20:03I see.
01:20:04I see.
01:20:05I see.
01:20:06I see.
01:20:07I see.
01:20:08I see.
01:20:09I see.
01:20:10I see.
01:20:11I see.
01:20:12Oh, yeah.
01:20:13And the neighbors.
01:20:22Where's the money?
01:20:24In there, in the bottom drawer of the chest.
01:20:29Okay.
01:20:30Give me the flag.
01:20:32Give me the flag.
01:20:41Help!
01:20:42Help!
01:20:43Police!
01:20:44Murder!
01:20:46Christopher!
01:20:47Christopher, turn on the lights!
01:20:50Christopher!
01:20:52All your fears are foolish fancy made you.
01:21:00You know dear that I'm in love.
01:21:06Love.
01:21:07Love.
01:21:08Love.
01:21:09Love.
01:21:10Love.
01:21:11Love.
01:21:12Love.
01:21:13Love.
01:21:14Love.
01:21:15Love.
01:21:16Johnny.
01:21:17Oh, Johnny.
01:21:18Lazy, lady.
01:21:19Jeepers.
01:21:20Jeepers, I love you.
01:21:27What's that?
01:21:38Chris?
01:21:47Johnny, is it Chris?
01:21:49Call him, quick.
01:21:52Chris!
01:21:54Chris!
01:21:55I ought to push you over on your head.
01:21:57How'd I know he was coming here tonight?
01:21:59I don't understand.
01:22:00You don't understand anything.
01:22:01Well, why get sore at me?
01:22:02Well, what use are my brains if I'm tied up with a dumb clerk like you?
01:22:05I told you to watch your step, didn't I?
01:22:06That's right. Blame it on me.
01:22:07Why'd you keep me here tonight? I didn't want to stay.
01:22:10Johnny, don't talk like that.
01:22:12Well, it's the truth. I'm fed up with you.
01:22:14Johnny.
01:22:15That's the only thing you ever understood. I'm through with you.
01:22:19Johnny.
01:22:32Jeepers, I love you, Johnny.
01:22:42Jeepers, I love you, Johnny.
01:22:44Oh, Lord, have mercy upon us sinners.
01:22:47The way of a sinner is made plain with stones.
01:22:50For the end thereof is the pit of hell.
01:22:54Oh, Lord, be merciful to me, a sinner.
01:23:05Millie?
01:23:06Yeah, Kitty.
01:23:07You seen Johnny?
01:23:09I thought he'd go to Taney's.
01:23:11Johnny?
01:23:12Oh, I thought he'd go to Taney's.
01:23:14Was he getting tight?
01:23:16Oh, just a fight.
01:23:17Listen, he can't live without me any more than I can live without him.
01:23:21Said he was coming back here.
01:23:23To beat me up.
01:23:25Jeepers, the way that guy shoots off his mouth.
01:23:29Oh, you don't have to warn me. That's just the way he talks.
01:23:32If you were in love, you'd understand.
01:23:35Oh, stop it.
01:23:36Johnny wouldn't kill a fly.
01:23:39Well, that's love, honey.
01:23:43Here he is now.
01:23:44And has he got a bun on.
01:23:46Goodbye, hon.
01:23:48Hello, Johnny.
01:23:52Come on, Johnny. I heard you.
01:23:54I heard you.
01:24:08You lied to me, Kitty.
01:24:11Was him, wasn't it?
01:24:12Can I help it if I'm in love?
01:24:15No, just an infatuation.
01:24:18You couldn't love a man like that, Kitty.
01:24:22He's evil.
01:24:24He wouldn't let you alone, isn't that right?
01:24:28I wanted to kill him.
01:24:30Well, that's wrong.
01:24:32Why'd you come here?
01:24:36To ask you to marry me.
01:24:37What about your wife?
01:24:38I haven't any wife. That's finished.
01:24:39But, Cat, say you don't...
01:24:40My husband turned up. I'm free.
01:24:45Oh, now, don't cry, Kitty.
01:24:48I know how you feel, but that's all over now.
01:24:52We all make mistakes.
01:24:53I don't care what's happened.
01:24:55I can marry you now.
01:24:57I want you to be my wife.
01:24:59We'll go away together, way far off,
01:25:02so you can forget this other man.
01:25:05Don't cry, Kitty. Please don't cry.
01:25:09I'm not crying, you fool. I'm laughing.
01:25:12Kitty.
01:25:14Oh, you idiot. How can a man be so dumb?
01:25:17Kitty.
01:25:24I've wanted to laugh in your face ever since I first met you.
01:25:27You're old and ugly and I'm sick of you. Sick, sick, sick.
01:25:30Kitty, for heaven's sake.
01:25:31You killed Johnny?
01:25:33I'd like to see you try. Why, he'd break every bone in your body.
01:25:36He is a man. You don't want to marry me. You?
01:25:39Get out of here. Get out.
01:25:41Get away from me. Chris.
01:25:43Chris, get away from me. Chris.
01:25:54Hey.
01:25:56Oh.
01:25:58You look out, Johnny.
01:26:00You'll kill somebody.
01:26:23Get out of here.
01:27:23Chris.
01:27:46Chris.
01:27:53Chris.
01:28:14Hold on, Chris. Wait a minute.
01:28:18What made you do it, Chris?
01:28:20When these officers called me, I wouldn't believe it.
01:28:23It was off on the telephone.
01:28:25By a man named Higgins.
01:28:27I checked the cash before you came in.
01:28:29You know how much is missing?
01:28:32Over $1,200.
01:28:34We'll take them along. You can make the complaint, Mr. Hogarth.
01:28:37Hold on, Boris.
01:28:39I just can't do it.
01:28:41But, Mr. Hogarth.
01:28:43I know you've done your duty and I'm obliged to you.
01:28:45There's a box of cigars on the table. Take them along with you.
01:28:48Okay, Mr. Hogarth. It's up to you.
01:28:54Chris, it was a woman, wasn't it?
01:28:58I thought so.
01:29:01I'm not going to put you in jail, Chris.
01:29:04Only, of course, you're through.
01:29:06Hmm.
01:29:24Well, I didn't do anything.
01:29:26I want a lawyer.
01:29:29Where was he picked up?
01:29:31Riverside Drive.
01:29:33He tried to get away in the murdered girl's car.
01:29:35That was my car.
01:29:39This is yours, too.
01:29:41It's got your initials on it.
01:29:43But it's her blood.
01:29:45Here's $140.
01:29:47It was taken out of her pocketbook.
01:29:49I don't know where it went.
01:29:50His $140 was taken out of her pocketbook.
01:29:53It was mine.
01:29:56It's her diamond ring.
01:29:58Worth, oh, $500 or $600.
01:30:01You guys know a lot, don't you?
01:30:04It cost $1,200.
01:30:07These are personal jewelry.
01:30:10Not much value.
01:30:12But he cleaned her out.
01:30:14Well, why wouldn't I? She didn't have any more use for it, did she?
01:30:21Listen, you guys, I want a lawyer.
01:30:23I'm a citizen. I got my rights.
01:30:26This belongs to you, too, huh?
01:30:29It's got your fingerprints on it.
01:30:31Well, naturally, I picked it up.
01:30:33How did I know she was dead?
01:30:35I thought she was asleep at first.
01:30:37Uh-huh.
01:30:39She didn't paint those pictures.
01:30:42Old Cross isn't as dumb as he looks.
01:30:45He painted them.
01:30:47The accused brought me two pictures.
01:30:48He told me Miss March painted them.
01:30:51In my expert opinion, there's no doubt about it.
01:30:54She was a very great artist.
01:30:57She told me she was an artist when she rented this studio.
01:31:00He was with her.
01:31:02I didn't like him then, and I don't like him now.
01:31:04Yeah, he was mean when he was drunk.
01:31:06He said he was gonna fix her when he left my place around 2 a.m.
01:31:09That's when I tell him,
01:31:11you look out, Johnny, you'll kill somebody.
01:31:13So he kills her with my ice pick.
01:31:15And then I heard her say, hello, Johnny, before she hung up.
01:31:17He was there all right.
01:31:19What I don't understand is this talk about her being an artist.
01:31:22I never saw her paint.
01:31:24That was one of her peculiar traits.
01:31:26She never let anyone see her paint.
01:31:28I've compared her handwriting with a signature.
01:31:30There's no question.
01:31:32Mr. Cross paint?
01:31:34He only copied her work.
01:31:36He's a thief.
01:31:38He stole from me, from his employer, from Catherine March.
01:31:41My wife, I mean my former wife is correct.
01:31:44I really can't paint.
01:31:47My copies were so bad I had to destroy them.
01:31:50For God's sake, he's lying.
01:32:04Hello, Mr. Cross.
01:32:06Hello.
01:32:08Tom Crocker, Evening Globe.
01:32:10Oh, yes, Tom Crocker.
01:32:12Joe Williams.
01:32:14Morning World.
01:32:16Hi.
01:32:18Cigarette?
01:32:19Well, thanks.
01:32:21Going to Sing Sing?
01:32:22Yeah.
01:32:24I don't like to cover executions, but I must say this is one I don't mind.
01:32:27You sure cooked Johnny's goose, Mr. Cross, when you testified you couldn't paint.
01:32:31Nobody cooked Johnny's goose except Johnny.
01:32:33The way he shot off his mouth.
01:32:35He was a dead pigeon when he dragged the girl's name through the mud.
01:32:38I watched the jury.
01:32:40If he'd kept his trap shut, he might have got off with his life.
01:32:41Sure, the evidence was only circumstantial.
01:32:43What do you mean?
01:32:45He got a fair trial, didn't he?
01:32:47Yeah, but there's always a doubt.
01:32:49I suppose you fellas are going to say it was a miscarriage of justice.
01:32:52That someone is getting away with murder.
01:32:54Not me, there's no such thing.
01:32:56Mr. Cross, nobody gets away with murder.
01:32:59How's that?
01:33:01Oh, don't get him started.
01:33:03You took your ear off.
01:33:05That's his pet theory.
01:33:07All right, go ahead and laugh all you like, but no one escapes punishment.
01:33:10I figure we have a little courtroom right in here.
01:33:13Judge, jury, and executioner.
01:33:16I don't get it.
01:33:18Well, murder never solves anything.
01:33:20How about it, fellas? You've covered lots of trials.
01:33:22I'm sorry, but I have to admit you're right.
01:33:24The problem just moved in here where it can never get out.
01:33:27Right here in solitary.
01:33:29So what?
01:33:31So you go right on punishing yourself.
01:33:33You can't get away with it.
01:33:35Never.
01:33:37Now that doesn't make any sense.
01:33:39It does, Mr. Cross.
01:33:41I'd rather have the judge give me the words
01:33:43than have to do it to myself.
01:33:50What time they throw the switch?
01:33:5411 o'clock.
01:34:09Thank you.
01:34:30I didn't do it.
01:34:32I tell you I didn't do it.
01:34:34Won't anybody believe me?
01:34:36Give me a break, somebody!
01:34:37Somebody give me a break!
01:34:39Or somebody, somebody give me a break!
01:35:07I told you I didn't do it.
01:35:09I didn't do it.
01:35:11I didn't do it.
01:35:13I didn't do it.
01:35:15I didn't do it.
01:35:17I didn't do it.
01:35:19I didn't do it.
01:35:21I didn't do it.
01:35:23I didn't do it.
01:35:25I didn't do it.
01:35:27I didn't do it.
01:35:29I didn't do it.
01:35:31I didn't do it.
01:35:33I didn't do it.
01:35:35I didn't do it.
01:35:37I didn't do it.
01:35:39I didn't do it.
01:35:41I didn't do it.
01:35:43I didn't do it.
01:35:45I didn't do it.
01:35:47I didn't do it.
01:35:49I didn't do it.
01:35:51I didn't do it.
01:35:53I didn't do it.
01:35:55I didn't do it.
01:35:57I didn't do it.
01:35:59I didn't do it.
01:36:01I didn't do it.
01:36:03I didn't do it.
01:36:05I didn't do it.
01:36:07I didn't do it.
01:36:09I didn't do it.
01:36:11I didn't do it.
01:36:13I didn't do it.
01:36:15I didn't do it.
01:36:17I didn't do it.
01:36:19I didn't do it.
01:36:21I didn't do it.
01:36:23I didn't do it.
01:36:25I didn't do it.
01:36:27I didn't do it.
01:36:29I didn't do it.
01:36:31I didn't do it.
01:36:33I didn't do it.
01:36:35I didn't do it.
01:36:37Now we're together.
01:36:38Yeah.
01:36:41He killed me too, Kitty.
01:36:45He brought us together, Johnny.
01:36:47Forever.
01:36:48Kitty!
01:36:49Oh, you idiot! How could a man be so dumb?
01:36:52No, Kitty, no!
01:36:54You wanted to marry me.
01:36:58She's mine, Chris.
01:36:59Leave her alone!
01:37:00Mine forever.
01:37:02You killed me, Chris.
01:37:04You're old and ugly, and you killed me, you killed me, you killed me.
01:37:08No, no, Kitty. It's him.
01:37:11You were innocent, you were pure.
01:37:12That's what he killed in you. He's the murderer.
01:37:14No, he's not. Not Johnny.
01:37:17See, Chris? She loves me.
01:37:20That's why you had to die.
01:37:22You're the one I killed.
01:37:25Now she's mine, Chris.
01:37:27You killed Johnny?
01:37:29I'd like to see you try.
01:37:31That's why he'd break every bone in your body. He's a bad man.
01:37:34Kitty!
01:37:49Johnny.
01:37:51Oh, Johnny.
01:37:54Silks.
01:37:57Gee whiz, I love you, Johnny.
01:38:06There's something wrong in there.
01:38:27It's all right, old man. It's all right.
01:38:30Johnny.
01:38:32Oh, Johnny.
01:38:34Lazy legs and sheepers.
01:38:37I love you, Johnny.
01:38:56Get up. Come on, come on, get up, get up.
01:38:59Oh, it's you.
01:39:02Haven't I told you to keep out of this park?
01:39:04You know the mayor's orders.
01:39:15Get on down to the park.
01:39:18Come on.
01:39:26Go to the bowery where you belong.
01:39:29Come on, come on.
01:39:42Who's that, Rick?
01:39:45Oh, he's got a crazy I.D. He killed a couple of people five or six years ago.
01:39:47Can't get it off his mind.
01:39:49Always trying to give himself up.
01:39:52Wants to be tried and executed.
01:39:55You know these nuts.
01:40:25Well, there goes her masterpiece.
01:40:34I really hate to part with it.
01:40:37For $10,000, I shouldn't think you'd mind, Mr. Teller.
01:40:40I don't think you'd mind.
01:40:43I don't think you'd mind.
01:40:46I don't think you'd mind.
01:40:49I don't think you'd mind.
01:40:52I don't think you'd mind.
01:40:54I don't think you'd mind, Mr. Teller.
01:41:12Gentlemen.
01:41:15Oh, gentlemen.
01:41:18Ladies and gentlemen.
01:41:24The first half of the future.