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00:00:00You
00:00:30You
00:00:53We didn't it's kind of cool penguin that day
00:01:00You don't think you know how I see what I should know there's an update what you said I know it's also stuck
00:01:05I'm a
00:01:07little bit of a thing tonight
00:01:09Oh, yeah
00:01:11You know that you must yeah, I don't think you know
00:01:15What did you put a shoe on? Oh, yeah, I mean
00:01:22No, you don't stand
00:01:24Mm-hmm
00:01:27The quality so they don't know
00:01:54I
00:02:24See
00:02:54I
00:03:24I
00:03:54I
00:04:24I
00:04:54I
00:05:24Know
00:05:54I
00:06:24I
00:06:54Stop
00:07:24You
00:07:54You
00:08:24You
00:08:54I
00:09:24Might not you could ask question. What did you mean? I know this you
00:09:28Kodomo no coro caro, and this kiddo
00:09:30Tiki-tiki, then there she ran I had to know Koto. Oh, my gosh, Tito car
00:09:34Kittos, I love
00:09:36That's you got him. I know that's toasty. You might have a lot of money you can't get a coca-cola
00:09:42on that I still know this kiddo
00:09:44Nanka, could you see me right there? What's that? I'm a tiny day. No, they're gonna say react to that. That's what the decision gotta mass
00:09:54I
00:09:58Hope I need I'd I must go can't okay now. It's Monday more than demo you this you
00:10:08Can't occur on that
00:10:18Yeah, yeah, I
00:10:20Don't know this. What's going on?
00:10:24I
00:10:42It's nice again, I know that I saw my mom. What's up the night?
00:10:46I
00:10:50Put it on my mother. Yeah, it's a little bit of another
00:10:58I'm talking about this. No, I'm doing it
00:11:02No, you can't go to work on that
00:11:06So now we're gonna be big to the doors and I don't like I can't look at me now, so I'm on the road
00:11:11You
00:11:14Yeah, buddy, my taco I ate it's coming. Oh, what's gonna come to this now?
00:11:26Don't know you're gonna do to know
00:11:40No
00:12:10I
00:12:16Don't go
00:12:25My so no, I don't know
00:12:40I
00:13:10I
00:13:40I
00:14:10I
00:14:40I
00:15:11I
00:15:22Put it I'll come to Colorado. I'm gonna kick on that. What are you doing? Thank you. No, that's not that
00:15:33My sister
00:15:35Oh
00:16:05I'm sure it left a strong impression on you.
00:16:09I'm sure it did.
00:16:11You're happy, aren't you?
00:16:13Of course I am.
00:16:20But I feel like I've heard this story before.
00:16:24What? You don't know?
00:16:27This is based on a real case.
00:16:30At a hotel in town...
00:16:32...a university professor tried to break into the hotel...
00:16:37...and killed all the staff and other guests.
00:16:42In the end, he killed himself.
00:16:46When I was a kid...
00:16:49...it was the year of the bombing...
00:16:51...1970, right?
00:16:53Or was it 1945?
00:16:56Huh?
00:16:58You weren't born yet, Nagisa.
00:17:00Yeah.
00:17:31I'm sorry.
00:17:39Good night.
00:17:40Good night.
00:17:42Good night.
00:18:01I'm home.
00:18:06Ta-da!
00:18:30Who is it?
00:18:59Who's there?
00:19:10Who's there?
00:19:25Good morning.
00:19:26Good morning.
00:19:29Good morning.
00:19:35I'm sure some of you have noticed...
00:19:38...but this film is based on a murder case at a hotel.
00:19:44Please refer to the details of the case later.
00:19:50Now, the director.
00:19:53I'm Matsumura. Nice to meet you.
00:19:57Nice to meet you, too.
00:19:59In this case...
00:20:01...11 people were killed by one man.
00:20:08The script is based on a real case...
00:20:13...but there is no criminal in the film.
00:20:16The murderer is a dark figure.
00:20:21In other words...
00:20:23...we want to focus on the victim...
00:20:27...and use the 11 people...
00:20:30...to create a military drama.
00:20:34We want to portray their attachment to life...
00:20:38...and their fear of death.
00:20:43We want to put an end to their souls.
00:20:46That's what I think.
00:20:48That's all.
00:20:51Now, I'll announce the 11 people.
00:20:55If you have a name, please come forward.
00:20:59Naomi Nakata.
00:21:01Yes.
00:21:05You have one victim...
00:21:08...a hotel guest.
00:21:11Yes.
00:21:12Tetta Shinohara.
00:21:14Yes.
00:21:16Yes.
00:21:20You are the front desk at the hotel.
00:21:24Yes.
00:21:26Yukihiko Yamaguchi.
00:21:28Yes.
00:21:31You are the man of the couple...
00:21:35...who stayed at the hotel.
00:21:37Yes. I'll do my best.
00:21:40Yoko Shinjo.
00:21:42Yes.
00:21:43You are the wife of the guest.
00:21:47Yes.
00:21:49Nagisa Sugiura.
00:21:54Ms. Nagisa Sugiura.
00:21:57Yes.
00:22:00You will play the role of this girl.
00:22:06She was only 6 years old.
00:22:09She ran away from the hotel with her 10-year-old son...
00:22:13...and was killed by her father.
00:22:18You can change the age setting in the film...
00:22:21...but you will play an important role...
00:22:24...in which one of the 11 people will die.
00:22:29Sugiura, are you ready?
00:22:33Yes.
00:22:36Next.
00:22:38Junko Suzuki.
00:22:40Yes.
00:22:51Miyata.
00:22:53Miyata, are you ready?
00:22:54Yes.
00:22:57You did a great job.
00:23:01This is the model I made...
00:23:04...for the set to be built in this studio.
00:23:08I made it based on the photos of the actual hotel...
00:23:11...and the remaining materials.
00:23:13This is the exterior of the hotel...
00:23:15...and this is the interior.
00:23:20Please take a good look.
00:23:24Wow.
00:23:26The hotel will be reconstructed...
00:23:28...as it was in the film...
00:23:30...for the set to be built.
00:23:34Director, I understand your intention...
00:23:36...to reconstruct the hotel as it was in the film...
00:23:39...but I think it will be very difficult.
00:23:53Yes.
00:24:53Yes.
00:25:23No.
00:25:53No.
00:26:00Hey.
00:26:01You asked me to take this photo with you.
00:26:23Thank you.
00:26:33Cryptomnesia.
00:26:35That's what it's called.
00:26:37The concept of reincarnation...
00:26:41...or reincarnation...
00:26:45...is that...
00:26:48...for religious and theologians...
00:26:51...it's a very useful material...
00:26:54...as a practical example.
00:27:03I've had the same dream a few times recently.
00:27:06Everyone has that dream.
00:27:08No.
00:27:10Is it my dream?
00:27:11Too bad.
00:27:13That dream is that...
00:27:15...the same hotel appears every time...
00:27:17...but I've never been there.
00:27:19Did you listen to today's lesson?
00:27:22That's it.
00:27:24Cryptomnesia.
00:27:26Cryptomnesia.
00:27:27Listen to the end.
00:27:29It's a triangular red roof...
00:27:32...and the walls and corridors are very realistic.
00:27:36I just forgot about it.
00:27:38Was it when you were a kid?
00:27:40No.
00:27:41I don't have that photo in my old album.
00:27:44My parents don't know it either.
00:27:46Really?
00:27:49When I told my parents about it...
00:27:52...my mom was very surprised.
00:27:54She said, you still have that dream.
00:27:56What?
00:27:58When I was a kid...
00:28:00...I often said I wanted to go to a dream hotel.
00:28:02Forget about the dream.
00:28:05Let's go to a restaurant. I'm hungry.
00:28:19I'm hungry.
00:28:26Stop there.
00:28:28Listen carefully.
00:28:30Yes.
00:28:31No need to answer. Concentrate.
00:28:34Slowly.
00:28:40He's the only director.
00:28:43He's the main character of the film.
00:28:46He was the first to be decided.
00:28:48Did you hear?
00:28:50We're going to a real hotel.
00:28:52What if there's an incident?
00:28:55It's just for the staff.
00:28:58But the agency contacted us.
00:29:01Why do we have to go?
00:29:03It's a place where people die.
00:29:05We might be killed.
00:29:09I can't hear my footsteps.
00:29:14Hold your breath.
00:29:18Take a deep breath.
00:29:23If you're found...
00:29:25...you'll be killed.
00:29:49No!
00:29:54Cut!
00:29:56Okay.
00:30:00Are you okay?
00:30:02Sugiura, are you okay?
00:30:05Director!
00:30:07Sugiura!
00:30:09Are you okay?
00:30:11Sugiura!
00:30:18Sugiura.
00:30:33I know you're not happy...
00:30:35...to go to a place where people die.
00:30:37But the director says...
00:30:39...everyone should go to the hotel.
00:30:42I feel like I shouldn't go to that hotel.
00:30:52Why all of a sudden?
00:30:54There's something strange.
00:30:59After I got the script for this movie, a lot of strange things happened.
00:31:04Strange things?
00:31:06The hotel where the incident happened appeared in my dream.
00:31:10And that girl...
00:31:12I didn't know anything about her.
00:31:15Hey.
00:31:16You saw the article in the newspaper, didn't you?
00:31:18That girl. The girl whose father killed her.
00:31:21I...
00:31:22Hey.
00:31:23Calm down.
00:31:26It's strange, isn't it?
00:31:28I knew her face.
00:31:31Hey.
00:31:34Her memories are in me.
00:31:37Nagisa!
00:31:39Nagisa!
00:31:43Stop it.
00:31:46Then...
00:31:47If...
00:31:48If...
00:31:50If you were her biological father,
00:31:53you wouldn't have died in the same hotel, would you?
00:31:57That's...
00:31:58You know this movie is a big chance for you, don't you?
00:32:40What are you doing?
00:32:41I don't know.
00:32:43I'm scared.
00:33:01We're here, everyone.
00:33:03Good work, everyone. This is the scene.
00:33:09Let's go.
00:33:20What are you doing?
00:33:23I'm sorry.
00:33:24It's okay.
00:33:35Are you okay?
00:33:36I'll do it.
00:33:37You don't have to be so serious.
00:33:43Director, please.
00:33:45Be careful.
00:33:46Be careful.
00:33:47It's dangerous.
00:33:48Be careful. It's dangerous.
00:33:53It's dangerous.
00:33:55Open the door over there.
00:33:58It's broken.
00:34:06Director, it's open.
00:34:07Here it is.
00:34:08Please come in.
00:34:09Please come in, everyone.
00:34:10Here it is.
00:34:12Here it is.
00:34:14Please be careful.
00:34:15Please come in.
00:34:17Please come in.
00:34:21Please come in.
00:34:27Please come in.
00:34:53Everyone, please gather here.
00:34:54Everyone, please gather here.
00:34:57Everyone, please gather here.
00:35:00First of all, it's here.
00:35:03Tsuyohara.
00:35:04Yes.
00:35:07Please lie down here.
00:35:09Turn your head.
00:35:20Turn your face this way.
00:35:21Yes.
00:35:22How about your arm?
00:35:24Like this?
00:35:27Listen, Tsuyohara.
00:35:28Yes.
00:35:29The front staff actually died here.
00:35:37Everyone.
00:35:39Don't forget what you saw and felt here.
00:35:43Got it?
00:35:44Yes.
00:35:45Yes.
00:35:46Yama-san.
00:35:48Wait a minute.
00:35:49Just like that.
00:35:57Yes.
00:36:28Be careful with your feet.
00:36:30Suzuki.
00:36:32Come here.
00:36:34Sit here.
00:36:40Turn your head this way.
00:36:41Sit down and turn your feet this way.
00:36:47You'll get dirty.
00:36:48It's okay.
00:36:54Yamaguchi.
00:36:55Yes.
00:36:57Yamaguchi.
00:36:59Turn your head this way.
00:37:02Yes.
00:37:03The floor is dangerous.
00:37:04Don't worry about it.
00:37:05Don't say unnecessary things.
00:37:07Yes.
00:37:10What are you doing here?
00:37:12I want everyone to feel it.
00:37:14That's why you're here.
00:37:17I'm sorry.
00:37:20I'm sorry.
00:37:22Yes.
00:37:23Then.
00:37:24Yes.
00:37:28Yes.
00:37:35Yes.
00:37:36After he falls down the stairs,
00:37:38I want you to make a noise.
00:37:39Yes.
00:37:40After that, hold it in your hand.
00:37:42A little higher.
00:37:43Yes.
00:37:52Yes, just like that.
00:37:58Are you okay?
00:38:01Are you okay?
00:38:02Are you in a bad mood?
00:38:05I'm fine. I'm sorry.
00:38:07But you look pale.
00:38:27I'm sorry.
00:38:52I'm sorry to keep you waiting.
00:38:58Mr. Kondo?
00:39:11What is this?
00:39:27What is this?
00:39:57I'm sorry.
00:40:19The floor is dangerous.
00:40:20Did you see Nagisa?
00:40:22I'm sorry.
00:40:25Nagisa hasn't come back, has she?
00:40:27What's wrong?
00:40:28I was waiting for her in front of the toilet.
00:40:32She's gone.
00:40:33She's gone?
00:40:34What are you doing?
00:40:35No.
00:40:36I'm sorry.
00:40:41Where is the toilet?
00:40:42It's downstairs.
00:40:51I'm sorry.
00:41:21I'm sorry.
00:41:51It's okay.
00:42:21It's okay.
00:42:51It's okay.
00:43:21It's okay.
00:43:24It's okay.
00:43:28It's okay.
00:43:51It's okay.
00:44:06What is this place?
00:44:09The place where the girl you play...
00:44:13...was killed.
00:44:21I'm sorry.
00:44:38You have a sharp intuition.
00:44:40I'm sorry.
00:44:41I'm sorry.
00:44:42I'm sorry.
00:44:43I'm sorry.
00:44:50He's so slow.
00:44:53But it's surprising that Kazuya has such a friend.
00:44:58I don't know.
00:44:59He said he wanted to meet you.
00:45:02Because he might be the subject of a report.
00:45:05It's impossible.
00:45:07Most of the professor's lectures...
00:45:09...are about arguing and winning.
00:45:13But you met Fushigi.
00:45:16Fushigi?
00:45:19Why do you get along with Fushigi?
00:45:22We don't get along.
00:45:23How did you know each other?
00:45:26We're just friends.
00:45:29I won't introduce you.
00:45:36Oh.
00:45:40She's pretty cute.
00:45:44She's like an actress.
00:45:49I'm sorry. Did I keep you waiting?
00:45:51Not at all.
00:45:52I'm sorry to bother you.
00:45:53It's okay.
00:45:54Kazuya's university is big, isn't it?
00:45:57Yeah, it is.
00:45:58It's a really nice place.
00:46:00There's a lot of stuff in there.
00:46:02Um...
00:46:04Kinoshita.
00:46:05Your wife.
00:46:06Morita.
00:46:07Nice to meet you.
00:46:08Nice to meet you, too.
00:46:09Let's go inside.
00:46:30What is it?
00:46:32Have we met before?
00:46:39I don't think so.
00:46:45Oh.
00:46:46I see.
00:46:49I'm sorry.
00:46:50It might be about the past.
00:46:52The past?
00:46:54The past life, right?
00:46:57I'm sure we've met before.
00:46:59What?
00:47:03Does that happen often?
00:47:06Yeah.
00:47:09It happens sometimes, doesn't it?
00:47:11I feel like I know you even though I don't think I know you.
00:47:15Oh, you mean Deja Vu, right?
00:47:18That happens to me, too.
00:47:20That's right.
00:47:21I just can't remember you even though I think I know you.
00:47:26Actually, I don't think I know you, either.
00:47:30Then how can we tell the difference between the present and the past?
00:47:38It's easy.
00:47:39You just have to look it up.
00:47:41Look it up?
00:47:44You have something you want to know, don't you?
00:47:49Then let's go together.
00:47:51Let's go.
00:47:55Let's go.
00:48:01Thank you for today.
00:48:02Gochisosama.
00:48:04Hey.
00:48:05Hey, wait.
00:48:24We will now perform a memorial service for the safety of filming and the success of the movie.
00:48:31Producer Koji Yamanaka.
00:49:01This.
00:49:02This is my past life.
00:49:09It's from 1945, which means it was 35 years ago.
00:49:16It says here that I was strangled to death.
00:49:21I was strangled to death.
00:49:24I was strangled to death.
00:49:27I was strangled to death.
00:49:29It says here that I was strangled to death.
00:49:35Look.
00:49:40Doesn't it hurt?
00:49:42Not at all.
00:49:43It's been like this since I was born.
00:49:45I used to be thinner.
00:49:47But recently, I've become clearer.
00:49:52As an actress, it's a minus.
00:50:00This hotel.
00:50:02I see.
00:50:04I think there's a picture in the front.
00:50:14Yes, hello.
00:50:15Hello, can I come in?
00:50:17Wait a minute.
00:50:19I think there's a picture in the front.
00:50:29I think there's a picture in the front.
00:50:35Hello, I'm sorry.
00:50:36I'm at the library right now.
00:50:38Yes.
00:50:39No.
00:50:59I'm at the library right now.
00:51:29I'm at the library right now.
00:51:42I'm sorry.
00:51:44I dropped my book.
00:51:57Mikasa?
00:51:59Mikasa?
00:52:18Yuka.
00:52:19Hey.
00:52:20I'm going to get up.
00:52:21See you.
00:52:27Yuka?
00:52:29Yuka?
00:52:36Yuka?
00:52:39Yuka?
00:52:41Yuka?
00:52:59Yuka?
00:53:15I'll always be with you.
00:53:29I'll always be with you.
00:53:59We'll always be together.
00:54:10We'll always be together.
00:54:15We'll always be together.
00:54:29♪♪
00:54:39♪♪
00:54:49♪♪
00:54:59♪♪
00:55:09♪♪
00:55:19♪♪
00:55:29♪♪
00:55:39♪♪
00:55:49Why were you in that room at that time?
00:56:19♪♪
00:56:29♪♪
00:56:39♪♪
00:56:49♪♪
00:56:59♪♪
00:57:09♪♪
00:57:19♪♪
00:57:29♪♪
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00:58:09♪♪
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00:58:59♪♪
00:59:09♪♪
00:59:19♪♪
00:59:29♪♪
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00:59:59♪♪
01:00:09♪♪
01:00:19♪♪
01:00:29♪♪
01:00:39♪♪
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01:00:59♪♪
01:01:09♪♪
01:01:19♪♪
01:01:29♪♪
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01:01:59♪♪
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01:03:09♪♪
01:03:19Hey.
01:03:21The film I asked you to make the other day,
01:03:23I managed to get it.
01:03:25It was a lot of work.
01:03:27They turned me down.
01:03:31Where did you get it?
01:03:36Hey, Nagisa.
01:03:40Thank you.
01:03:49Are you okay?
01:03:52Yeah, yeah.
01:03:54And...
01:03:56This.
01:03:58What are you going to do with it?
01:04:15Hey, what's on this?
01:04:19I don't know.
01:04:21What do you mean, you don't know?
01:04:25Excuse me.
01:04:26Sorry to keep you waiting.
01:04:27Ms. Sugihara, please change your clothes.
01:04:29Okay.
01:04:35Thank you.
01:04:49Hello?
01:04:51It's me.
01:04:53It's about Morita and Yuka I introduced to you the other day.
01:04:57I got a call from my family.
01:05:01She hasn't been home since then.
01:05:04If you know anything, please contact me.
01:05:06Bye.
01:05:19Hey.
01:05:25Look behind you.
01:05:27Yes.
01:05:29Shake your body.
01:05:31Yes, yes, yes.
01:05:33You don't have to breathe.
01:05:38You stumbled there.
01:05:40Yes.
01:05:41Then turn around a little.
01:05:44Slowly look ahead and stand up.
01:05:49It's like you're being sucked in.
01:05:51Yes.
01:05:53Shake your body.
01:05:57I'm still curious about the back.
01:05:59Yes, this side too.
01:06:02Be conscious of the right side.
01:06:04Yes, and then to the left.
01:06:07Quickly.
01:06:09Okay.
01:06:10Okay, cut.
01:06:11Can you do it in one take?
01:06:13In one take.
01:06:14Yes, yes, yes.
01:06:19Can I remove the ceiling and the wall at the end of this corner one by one?
01:06:24Let's do it.
01:06:26Remove the ceiling and the wall in the back.
01:06:28I'll remove the wall on the right.
01:06:30I'll remove the wall on the left.
01:06:32Yes.
01:06:34This is it.
01:06:38Hachimiri.
01:06:40Yes.
01:06:41It's nostalgic.
01:06:43It was still there.
01:06:45Can you see this?
01:06:49Yes.
01:07:19Yes.
01:07:49Yes.
01:08:19Yes.
01:08:49Yuka.
01:09:05Yuka.
01:09:07Yuka.
01:09:09Yuka.
01:09:10What's wrong?
01:09:11Yuka.
01:09:12What happened?
01:09:14Yuka.
01:09:19Yuka.
01:09:49Yuka.
01:10:19Cut.
01:10:21Okay, cut.
01:10:24Sugiura.
01:10:26Can you do it in one take?
01:10:29Yes.
01:10:32Yamamoto.
01:10:33Yes.
01:10:34Let's do it again.
01:10:35I can do it like I did just now.
01:10:37Yes.
01:10:38Yamauchi.
01:10:39Yes.
01:10:40In one take.
01:10:41Let's go.
01:10:42I'll do it in one take.
01:10:49I'll do it in one take.
01:11:14Yes.
01:11:19Nimae, Nimae, can you do it?
01:11:22Yes!
01:11:39Yuka...
01:11:49Nimae, Nimae, can you do it?
01:12:19Yuka...
01:12:49Yuka...
01:13:19Yuka...
01:13:50We'll always be together.
01:14:14Sorry to keep you waiting!
01:14:16One more time!
01:14:17One more time!
01:14:18One more time!
01:14:23One more time!
01:14:26Ready!
01:14:29Go!
01:14:46One more time!
01:15:16One more time!
01:15:47No!
01:15:48No!
01:16:15No!
01:16:18No...
01:16:48No...
01:17:13I'm next.
01:17:18No...
01:17:48What?
01:18:18No...
01:18:48No...
01:19:18No...
01:19:48No...
01:19:49No...
01:19:50No...
01:19:51No...
01:19:52No...
01:19:53No...
01:19:54No...
01:19:55No...
01:19:56No...
01:19:57No...
01:19:58No...
01:19:59No...
01:20:00No...
01:20:01No...
01:20:02No...
01:20:03No...
01:20:04No...
01:20:05No...
01:20:06No...
01:20:07No...
01:20:08No...
01:20:09No...
01:20:10No...
01:20:11No...
01:20:12No...
01:20:13No...
01:20:14No...
01:20:15No...
01:20:16No...
01:20:17No...
01:20:18No...
01:20:19No...
01:20:20No...
01:20:21No...
01:20:22No...
01:20:23No...
01:20:24No...
01:20:25No...
01:20:26No...
01:20:27No...
01:20:28No...
01:20:29No...
01:20:30No...
01:20:31No...
01:20:32No...
01:20:33No...
01:20:34No...
01:20:35No...
01:20:36No...
01:20:37No...
01:20:38No...
01:20:39No...
01:20:40No...
01:20:41No...
01:20:42No...
01:20:43No...
01:20:44No...
01:20:45No...
01:20:46No...
01:20:47No...
01:20:48No...
01:20:49No...
01:20:50No...
01:20:51No...
01:20:52No...
01:20:53No...
01:20:54No...
01:20:55No...
01:20:56No...
01:20:57No...
01:20:58No...
01:20:59No...
01:21:00No...
01:21:01No...
01:21:02No...
01:21:03No...
01:21:04No...
01:21:05No...
01:21:06No...
01:21:07No...
01:21:08No...
01:21:09No...
01:21:10No...
01:21:11No...
01:21:12No...
01:21:13No...
01:21:14No...
01:21:15No...
01:21:16No...
01:21:17No...
01:21:18No...
01:21:19No...
01:21:20No...
01:21:21No...
01:21:22No...
01:21:23No...
01:21:24No...
01:21:25No...
01:21:26No...
01:21:27No...
01:21:28No...
01:21:29No...
01:21:30No...
01:21:31No...
01:21:32No...
01:21:33No...
01:21:34No...
01:21:35No...
01:21:36No...
01:21:37No...
01:21:38No...
01:21:39No...
01:21:40No...
01:21:41No...
01:21:42No...
01:21:43No...
01:21:44No...
01:21:45No...
01:21:46No...
01:21:47No...
01:21:48No...
01:21:49No...
01:21:50No no no!
01:21:51No no no!
01:21:52I will return!
01:21:53No!
01:22:02Goodbye...
01:22:14I don't know what you're talking about.
01:22:15I don't know what you're talking about.
01:22:16I don't know what you're talking about.
01:22:17I don't know what you're talking about.
01:22:18I don't know what you're talking about.
01:22:19I don't know what you're talking about.
01:22:20I don't know what you're talking about.
01:22:21I don't know what you're talking about.
01:22:22I don't know what you're talking about.
01:22:23I don't know what you're talking about.
01:22:24I don't know what you're talking about.
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01:22:27I don't know what you're talking about.
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01:22:29I don't know what you're talking about.
01:22:30I don't know what you're talking about.
01:22:31I don't know what you're talking about.
01:22:33I don't know what you're talking about.
01:22:34I don't know what you're talking about.
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01:22:41I don't know what you're talking about.
01:22:42I don't know what you're talking about.
01:22:43I don't know what you're talking about.
01:22:44I don't know what you're talking about.
01:22:45I don't know what you're talking about.
01:22:46I don't know what you're talking about.
01:22:47I don't know what you're talking about.
01:22:48I don't know what you're talking about.
01:22:49I don't know what you're talking about.
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01:25:00I don't know what you're talking about.
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01:27:40I don't know what you're talking about.
01:28:54♪♪
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