Salón de té La Moderna - Ep 212
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00:00A FEW HOURS EARLIER
00:03Let me know as soon as you hear anything.
00:04I'll come with an arrow.
00:10Oh, and Marta, if you see anyone on the street, let me know immediately.
00:15If I see anything suspicious, I'll let you know.
00:22Hi, Marta. Are you visiting?
00:25Yes, but I was leaving. Bye.
00:28Bye, Marta.
00:29Bye.
00:36Do you really think there's someone spying on you on the street?
00:39Well, I have a feeling. I don't know why.
00:43But maybe it's another one of my hallucinations. You don't have to worry.
00:47I can't stop worrying about you for a moment, Matilde.
00:50I know.
00:52And this will be solved very soon.
00:55And I'm still determined to enter that sanatorium as soon as Clarita comes back.
01:01Jaquecan is in bed. I need to go to the terrace to get some fresh air.
01:24CLARITA IS IN BED
01:41I suppose your mother has told you about my conditions to keep quiet.
01:45Yes.
01:47She has explained it to me with meridian clarity.
01:50And? What do you have to say?
01:54That I don't accept them.
01:56I'm not going to flee the country like a plague.
01:59And are you aware of the danger you're in?
02:02And what do you make your mother do if you don't accept that treatment?
02:05Yes. She's not talking to any idiot.
02:08Darling, put aside your pride and think with coldness.
02:12You have no other choice. You have to accept Fabio's demands.
02:18Considering the magnitude of the deception I've been victim of all this time,
02:22I think my conditions are the most reasonable.
02:27I see.
02:29Fabio, but it's not about what you think.
02:33It's about what I want.
02:35Then I have no choice but to go to the police.
02:39And not only because it's my duty as a decent citizen,
02:43but also so as not to look like an accomplice to the eyes of justice.
02:47Listen to us, daughter, please.
02:50You won't be short of anything when you're out of Spain.
02:53You'll be able to have the same opulent life you have here.
02:57That's right.
02:59Your mother has taken care of preparing you a good economic mattress.
03:02The Swiss bank account is well filled.
03:05That's what facing justice is about.
03:07And I guarantee you that you will lose.
03:10You have to leave the country. You have no other choice.
03:12Now you just have to choose where you want to go.
03:15I'm not going to leave here.
03:16Not until I finish what my mother has not been able to finish.
03:20Matilde has to pay for everything she has done to me.
03:24No, that matter is over.
03:26I want you to set a date for your departure.
03:29And swear to me that you will leave that poor woman alone.
03:37Have you ever thought about leaving the basement since I discovered you?
03:41Of course not.
03:43I have no interest in being discovered.
03:46Well, that's better.
03:48You have to be very clear that this is another of my conditions.
03:51You will never be able to approach Matilde or Íñigo again.
03:54Otherwise, I will report you.
03:56That's my last word.
03:58Admit that you have been defeated and start a new life.
04:00I'm not going to give up.
04:03I'm going to finish what I started.
04:05Okay?
04:07Well, think about it.
04:09If you don't do what I ask of you,
04:11or you leave this house once,
04:13I will immediately go to the police.
04:16Do not hesitate.
04:18Your time here is running out.
04:24You are impossible, daughter.
04:26You are impossible, daughter.
04:37Estrellita Castro showed sympathy with her followers
04:41who came to Mass to greet such an illustrious actress and singer
04:45and get a record signed by her admired celebrity.
04:49But ... and they didn't say anything about the store?
04:52Yes, he named the store, the gallery where it is and the modern one.
04:54Because Estrellita Castro had a tea with pastas after signing it.
04:59But then it couldn't have turned out better, right?
05:02Besides, she was charming.
05:05And she told me that she wants to take some pictures in the studio when she returns from Toledo.
05:09We have to have everything ready.
05:11So that when she comes, she sees that ours is a vanguard photographic studio.
05:14You'll see how charming she is.
05:16I would love to talk to her again.
05:18Her words encouraged me.
05:20That's good, because you needed it.
05:21After what happened to Mrs. Juanes, you were a little discouraged.
05:26Yes, but Estrellita Castro was very nice to me.
05:30It is a blessing to know a woman who has always fought for her dreams.
05:34Thanks for taking her to the store.
05:36No, thank Celia.
05:39The merit is hers, my partner is a portent.
05:42Well, someone has to get the business going.
05:45Yes, and I have to apologize because these days I've been a little distracted.
05:49Yes, you were distracted.
05:51In your head you didn't have records, of course.
05:54Did you have anything more related to cinema, maybe?
05:59Yes, it is possible that lately I am more interested in the seventh art than music.
06:04And do you have anything else to tell us?
06:07No, what I have to tell you is that we have to have breakfast quickly because otherwise we will be late.
06:12Celia, ask Agustín if he tells you anything else.
06:16What am I going to ask him?
06:17Laura will tell us when she wants.
06:20I'm sure he tells you more things than friends and his sister.
06:25Well, we finish breakfast and go to the store.
06:28How good it is.
06:34No, no, no.
06:36What's wrong with you?
06:38Are you more nervous than an anarchist from the Vatican?
06:40Nothing happens to me, I just like to do my job well.
06:43Could you give me a hand?
06:44As soon as I read about Estrellita Castro.
06:46They talk about the gallery in all the press.
06:48You'll see how happy my father gets when he reads it.
06:50Well, not so much. She is not the first famous woman who passes through here.
06:53Nobody would tell her.
06:55Estrellita Castro is very famous.
06:58Yes, yes, you are right.
07:00Why don't you go to the back store to unpack the excursion tickets that have just arrived?
07:05If it doesn't suit you, you send me to work.
07:08That's called abuse of power, did you know?
07:14Go away.
07:16Did you get her on the train?
07:18Have you checked with your mother?
07:20My mother is not a suitcase.
07:22Yes, sorry, I mean if she is already on her way from Guadalajara.
07:24Well, yes.
07:26And she even said goodbye to me from the window, with the handkerchief in her hand.
07:29Thank goodness.
07:31A couple more days and she will discover all the mess we have set up in our jobs.
07:34The further away she is, the less danger there is that she finds out.
07:37Yes, the apocalypse would have come earlier if suddenly my mother finds out
07:41that we have told everyone that we are single
07:42and that we are preparing a fake wedding.
07:45Yes, we should have finished this farce a long time ago.
07:48Well, yes, but now it's too late.
07:50We can't tell the truth anymore.
07:52I don't think our bosses would be very excited to know
07:55that we have been deceiving them for so long.
07:57Well, let's see what we do.
07:59Elías is still committed to organizing the wedding.
08:01Now, on a break, we have to go talk to the priest.
08:03Yes, well, you'll have to tell him something,
08:05because the truth is, we can't get married twice.
08:07That would be bigamy.
08:09And that, apart from being a sin, is a crime.
08:10I don't think so.
08:12If you marry the same woman, I don't think they'll tell.
08:15Well, you'll have to come up with something.
08:17And that's it.
08:19Okay, I'm going to work.
08:21Yes, yes, see you later.
08:25What a mess your wife and you have set up.
08:29Well, you're already telling me what's going on.
08:37Well, I think, Cañete,
08:38that it's time for you to come back.
08:40I'll be there the day after tomorrow.
08:42We'll see what happens.
08:44Well, has it been worth it for you
08:46to spend a few days in town?
08:48I think so.
08:50When I arrived, my grandfather was in the basement,
08:52and he went to see me, and I went up the stairs
08:54running like a kid.
08:56He was so excited to see me in town.
08:58Well, I'm glad, I'm glad.
09:00And what are they saying out there?
09:02Have they got Mrs. Lázara to fire me for going to the fairs?
09:04Well, look, at the moment I don't know anything.
09:06But here we all hope
09:08that Mrs. Lázara will come back.
09:10There's no point in worrying now.
09:12Well, how are you?
09:14How are you feeling?
09:17Well, look, you're going to be left out.
09:20Mrs. Lázara has asked me to make peace,
09:22and she has offered me a kind of deal.
09:25If I stop investigating her,
09:27she stops pressuring me to fire me.
09:30And look, I don't know
09:32if I should tell all this to Mr. Fermin.
09:34That's very risky, Teresa.
09:36If Mr. Fermin doesn't believe you
09:38then you're going to have to face
09:40a rabid manager with no power.
09:42Yeah, I don't know if it's very naive,
09:44but what if he believes me, Cañete?
09:46What if he believes me
09:48and we can get rid of her?
09:50Well, you'd still have her as an enemy
09:52and you'd have made Mr. Fermin lose
09:54the only sentimental relationship he remembers.
09:56Come on, let him do what he wants,
09:58I'll get lost.
10:00Mrs. Teresa, are you talking to Cañete?
10:02Well, give him the memories
10:04and tell him that we're here without him
10:06like cattle without heads,
10:08which is a way of speaking
10:10that I don't want to compare with the animal.
10:12Cañete, what memories of Elias?
10:14What do you want?
10:16Nothing, I just wanted to tell him
10:18if I could sit in my break,
10:20if there's no problem.
10:22I'm sorry, Cañete, but I have to go.
10:24We'll talk later.
10:26Bye, bye, bye.
10:29Teresa, well,
10:31I'm very happy to see you both together.
10:33So you'll find out too.
10:35Elias, from this moment on
10:36when Cañete returns,
10:38you'll be in charge of his position.
10:40That way you, Teresa,
10:42will get rid of the extra burden
10:44you have to cover the head of the waiters.
10:46I appreciate it.
10:48As you can see,
10:50I'm very concerned about the well-being
10:52of the employees in my position.
10:54Mrs. Laza, I hope I'm up to the job
10:56and I won't let down the people
10:58I trust
11:00to do this extraordinary job.
11:02It's a pleasure for me,
11:03to be the head of the waiters.
11:05What a triumph!
11:07The head of the extra waiters, Elias.
11:09Please, don't make a scene.
11:11But I think it's better
11:13to be the head for a day
11:15than never to be the head.
11:17Mrs. Laza, I think we should
11:19get the team together
11:21to announce my appointment.
11:24Congratulations on your new position.
11:26Thank you very much, Mrs. Teresa.
11:28Head of the waiters?
11:30Me?
11:31No.
11:33Me?
11:36And this is the whole story.
11:38In short,
11:40I've been married to Trini for a long time
11:42and we've been hiding it
11:44to keep her job.
11:46But now she's pregnant
11:48and we have to pretend it's a wedding.
11:50Yes, I can see that.
11:52Single and with a child.
11:54It's not very well seen.
11:56I'm desperate to continue
11:58with this mess.
11:59Well, I don't want to put you in a worse position,
12:02but if my father finds out
12:04you cheated on him,
12:06he won't forgive you.
12:08And look, he's going to give you a wedding present.
12:10I don't know what's going to happen to us.
12:12Don't get like that, man.
12:14I'm not going to say anything.
12:16I'll be a grave.
12:21Well,
12:23I don't know how to thank you.
12:25It's very easy.
12:27You just have to tell my father
12:29about the progress he's making
12:31with his son and the bookshop.
12:33I guess I have no other choice.
12:35I hope you don't abuse this.
12:37Only what's fair.
12:39Well, thank you.
12:41Now I just have to solve
12:43the interview with the priest
12:45Elias asked me for.
12:47If it's over, it's over.
12:49I'm not going to get out of this one.
12:51Why not?
12:53You just have to ask the priest for confession
12:55before bringing up the wedding.
12:57Confession? For what?
12:59I have the feeling
13:01that you don't end up being aware
13:03of the seriousness of the situation.
13:05And what makes you think that?
13:07That you consider it a priority
13:09to wait for the patient's sister to return.
13:11We are running an unnecessary risk.
13:13In addition, the meeting with the girl
13:15may further destabilize
13:17the precarious mental situation
13:19in which Matilde is.
13:21For her it is important to explain to her
13:23what is happening right now
13:25so that she does not find out about other people
13:27and that creates more anxiety for her.
13:29Her condition worsens at times.
13:31With all sincerity,
13:33I think for her own good
13:35we should bring her in as soon as possible.
13:37I'm sure she's showing new symptoms.
13:40That's right.
13:42Now she says that
13:44she's being followed,
13:46that she's being watched.
13:50What's going on?
13:52Do you have anything to tell me about it?
13:55In this case, it's not a patient's way.
13:57I have to admit
13:59that I have ordered some guards
14:01to follow your wife.
14:03I don't understand why you did that.
14:05It's just precaution.
14:07A common measure in these cases.
14:09We must protect the patient
14:11from herself and everyone around her.
14:13A psychotic outbreak
14:15can have fatal consequences.
14:17Keep it in mind, Mr. Peñalver.
14:19I don't like to be watched by my wife.
14:21And much less to find out
14:23how I'm doing it.
14:25All this is for your wife's safety.
14:27There are only a few hours left
14:29for her to come back
14:31and we can start with Matilde's recovery.
14:33I still don't like what you've done.
14:35You should have consulted me.
14:37I didn't think it necessary
14:39to give the characteristics of this case.
14:41And I thought you would agree
14:43to take the appropriate measures.
14:45Yes, I can agree with you
14:47while I'm aware of your plans.
14:49I apologize.
14:51But I assure you
14:53that I'm the first person interested
14:55in your wife recovering her sanity.
14:57Until she comes back,
14:59these guards will keep an eye on your wife.
15:04All right.
15:10But let this be the last time
15:12I take a step without my consent.
15:15Count on it.
15:19Come with me to the door.
15:28I've been here more hours than a clock
15:30and when something interesting happens,
15:32I was on my way to my house.
15:34What are you going to do, Esperanza?
15:36You're not lucky.
15:38Well, the security guard told me
15:40that there was a fight
15:42and everyone was asking for an autograph.
15:44And Mr. Fermin took her to the reserve
15:46to take a walk.
15:48It's a crime to lose it, isn't it?
15:50If I had money,
15:52I would have bought a car
15:54and taken her home.
15:55If I had money,
15:57I would have bought a car
15:59and all her records.
16:01Don't you like Estrellita Castro?
16:04Maybe you're more into jazz
16:06or swing,
16:08the modern music
16:10that comes from America, right?
16:12Well, I'll tell you one thing.
16:14Youth has no idea about music
16:16because good music is the same as always.
16:20What's wrong with you, girl?
16:22For God's sake,
16:23the way she talks to you
16:25is like she talks to a broom.
16:27She drives it wherever she wants
16:29but you don't answer her.
16:31No, nothing's wrong with me, Esperanza.
16:33I'm thinking about something.
16:35You're not in trouble, are you?
16:37No, it's a study thing
16:39that I've got in my head.
16:41Oh, well, look, that's fine.
16:43It's better to fill your head
16:45with letters and numbers
16:47than with birds.
16:49Oh, don't leave it
16:51and look for a future.
16:53Don't tell anyone.
16:57Marta, I need you
16:59to clean the reservation thoroughly.
17:01A cycling association
17:03is coming to do their annual meeting.
17:05It seems they want to organize
17:07a bike ride around Spain.
17:09Good morning, first of all.
17:11There are more people here.
17:13Good morning, Esperanza.
17:15What?
17:17Is your break over
17:19or are you going to stay here forever?
17:21No, ma'am.
17:23It's my birthday.
17:25And I'm glad.
17:27But, Mrs. Lázara,
17:29my shift ends at noon.
17:31Yes, I know.
17:33Don't worry.
17:35We'll pay the extra hours.
17:37Is there a problem?
17:39What problem could she have?
17:41She's going to leave the reservation
17:43like the goldfish.
17:45I wasn't expecting less.
17:47You had other plans for this afternoon, right?
17:50Yes, and if I stay to clean,
17:52I won't have time.
17:54Why is that so important?
17:56If you don't tell me,
17:58I can't help you.
18:00I can't tell her much
18:02because I promised Matilde.
18:04I'll tell her,
18:06but she'll forget right away, okay?
18:08And she promises
18:10she won't tell anyone.
18:12It seems she doesn't know
18:14who she's talking to.
18:17Matilde needs help
18:19so she won't get into the sanatorium.
18:21What?
18:23But I thought she was fine.
18:25No, she's fine.
18:27She just needs a cable to prove it.
18:29Well, that's it.
18:31I'll clean the reservation this afternoon.
18:34What if Mrs. Lázara finds out?
18:37Don't worry about that.
18:39I'll tell her you felt uncomfortable
18:41and I gave you permission to go home.
18:43That's why I'm the cleaning lady.
18:47Come on.
18:49Thank you, Esperanza.
18:51You're welcome.
18:53Matilde will do anything for you.
18:56Good luck.
18:58I'm sure everything will be fine.
19:00I'm going to need it.
19:02Come on.
19:04Give me a hand.
19:17What bad luck we have.
19:19What's going on?
19:21This light bulb has broken.
19:23I need it for the session with Estrellita Castro
19:26and it's not as bright as a two-cent candle.
19:29But you can use another one.
19:31No, I need one anyway.
19:33And I can't order another one for tomorrow
19:35because all the spare parts come from Barcelona.
19:37But maybe with a light bulb.
19:40I don't know.
19:42I don't know.
19:44Maybe with a light bulb or an exterior light.
19:48Or I can make a portrait of Carboncillo.
19:51No, Laura, no.
19:53We have to cancel the session.
19:55No, Celia, we can't cancel it.
19:57It would be terrible.
19:59It's a business that's just starting.
20:01It would be horrible.
20:03We have to think of an option.
20:05I know, Laura.
20:07But without this light bulb,
20:09the studio can't be well lit.
20:10But cancelling it isn't an option.
20:12Let's do it.
20:16What's going on?
20:18What's with those faces?
20:20You should be happy after yesterday's success.
20:23Happiness doesn't last long.
20:25We've lost the main light bulb of the studio.
20:29We're going to have to cancel
20:31Estrellita Castro's photo shoot.
20:33Don't you have spare parts?
20:35No.
20:37Listen,
20:38now that I think about it,
20:40you have several plays.
20:42Maybe you could lend us a light bulb?
20:45Yes, of course.
20:47If I don't have one,
20:49I have a similar one.
20:51I can check it today.
20:54You've saved our lives.
20:57I'm sorry.
20:59Maybe I've taken too many liberties.
21:01No, no, no.
21:03It doesn't matter.
21:05You know you can count on me whenever you want.
21:06I'll keep that in mind.
21:10I'm going to the studio.
21:12I have to select the photos
21:14I have to show Estrellita Castro.
21:16I'll stop by the warehouse this afternoon.
21:19Thank you very much.
21:24Well,
21:26the problem is solved.
21:28Tomorrow we can go see Estrellita Castro
21:31at the Madrid-Baret.
21:33It's a great plan.
21:34They say it's fun when you get involved.
21:37We could get to know each other better that way.
21:40I don't know what you mean by getting to know each other better,
21:43but I'd like to go little by little in this story.
21:47I have my reasons.
21:49Any bad experiences?
21:51I don't feel like talking about it.
21:56No problem.
21:58Really.
22:00We have all the time in the world
22:02to be sure of our relationship.
22:04Yes.
22:24The books you asked me for are still in the back room.
22:27Are you going to pick them up today?
22:29I don't know. I have a lot to do today
22:31and I can't carry them.
22:32I can't carry them with me.
22:34I'll take them wherever you want and we'll talk.
22:36No, I have to go somewhere today
22:38and I don't need company.
22:40I'll take them home and that's it.
22:42No, don't insist.
22:44I'll take them tomorrow.
22:46As you wish.
22:48It's been hard for me to get them together.
22:50I know and I appreciate it,
22:52but I can't today.
22:54Don't insist, please.
22:56Hey, did you stand in line when Estrellita Castro came?
22:59Why would I?
23:00I don't have a CD of his
23:03to sign or money to buy it.
23:05Well, I don't know, a photo or a piece of paper.
23:09A signature doesn't feed you.
23:13Well, it's a nice memory.
23:15That's for whoever wants it.
23:17Besides, yesterday I...
23:20Yesterday I had to go to a place
23:22that a friend of mine asked me to go.
23:24The same place as today?
23:26Yes, the same place as today, but you don't care.
23:28It's a bit of a hassle, isn't it?
23:30It's a nice place,
23:32but it's so mysterious
23:34that you can't say anything about it.
23:36I can't.
23:38And stop getting involved with people who don't know you.
23:40I've met guys like you who want to know everything about you.
23:42Like me?
23:44We're back to square one.
23:46We're not back to square one.
23:48You'd better not go crazy with me.
23:50I've proposed to Elías
23:52that he be in charge of the waiters
23:54until Cañete comes back.
23:56But if you don't like it,
23:58we can find someone else.
24:00I don't see why I should not like it.
24:02It's a decision that you, as manager,
24:04should make.
24:06Well, since we haven't been in agreement
24:08on the decisions I've made lately,
24:10I've preferred to comment.
24:12I suppose you're referring
24:14to Teresa and Cañete's dismissals, right?
24:16Look, Mr. Fermin,
24:17I don't want to bother you.
24:19So from this moment on,
24:21I'm going to inform you of every step I take.
24:23I don't want to be a burden
24:25and you have too much to handle in this room.
24:27It's not convenient or practical
24:29for me to ask for an opinion for everything I do.
24:31Mrs. Lázara, believe me,
24:33if I've named you manager,
24:35it's because I fully trust you,
24:37in your ability to work and organize.
24:40You don't know how important those words are to me,
24:43Mr. Fermin.
24:45Well, I thought I'd lost your trust.
24:48Very badly done.
24:50Mrs. Lázara, believe me,
24:52when I tell you that I'm very sorry
24:54if at any time you've felt questioned by me,
24:57it wasn't my intention,
24:59I appreciate you
25:01in everything that matters.
25:03In everything.
25:06You have a heart of gold.
25:10Yes?
25:13Mr. Del Moral, come in.
25:15Don Fermin is waiting for you.
25:17Good morning.
25:19Don Fabio, thank you for coming so soon.
25:21It's always a pleasure to get close to the modern.
25:23Congratulations on the success
25:25you've had with the visit of Estrellita Castro.
25:27It has had a lot of repercussions.
25:29Exclusive success of my niece and her partner,
25:31who is a very good friend of mine,
25:33who is a very good friend of mine,
25:34who is a very good friend of mine,
25:36who are committed to scheduling events
25:38to promote the gramophone store.
25:40But sit down, please.
25:42Although I like to boast about partners,
25:44I didn't bring you here for that.
25:46You tell me.
25:48How can I help you?
25:50There's something that still worries me,
25:52because I know for a fact
25:54that they're still selling assets
25:56from the Morcuende company.
25:59That's true.
26:01I don't know why this financial maneuver
26:02worries you so much.
26:04Well, it worries me a lot.
26:06I would even say that it even takes away my sleep.
26:08Because there are also certain rumors
26:10that are nothing of the sort.
26:12What have you heard?
26:14That they intend to sell the gallery,
26:20so that the tenants don't know what to expect.
26:24And neither do I.
26:26Well, pay attention to everything you hear.
26:29Rumors are always full of alarmists.
26:31Yes, but it's true that they're still selling
26:33the company's assets.
26:35That's right.
26:37We're trying to clean up the company.
26:39And what happens is that we're having to get rid
26:41of more companies than we expected.
26:44The accounts aren't as good as we thought.
26:46I see.
26:48So you guarantee me
26:50that the gallery won't go on sale?
26:52The gallery is one of the most profitable businesses
26:54of the Morcuende company.
26:56Our intention is to keep it.
26:58Well, you don't know how happy I am to hear that.
27:00But know that I can't guarantee it 100%.
27:04I'm just the provisional manager.
27:06Mrs. Bárbara owns it.
27:08She has the last say.
27:10Although, at the moment,
27:12she's delegating all the decisions to me.
27:14And she's very lucky to have you
27:16to help her.
27:18Because I imagine that after your daughter's death,
27:20Mrs. Bárbara won't have the head for these businesses.
27:23It must be very difficult to overcome something like that.
27:27Don't doubt it.
27:28What happened to Carla
27:30is a tragedy for any mother
27:33and for those who are close to her.
27:48Daughter,
27:50you shouldn't go near the window.
27:52Someone might see you.
27:54Don't worry, Mother.
27:56No one can see me from here.
27:58I'm enjoying the sunlight a bit.
28:00Staying locked up here is a torture.
28:04Well, that could end whenever you want.
28:06You just have to tell me which country you want to travel to.
28:09And then you'd be free
28:11and you'd prevent Fabio from reporting you to the police.
28:13I'm sorry, Mother, but none of that is part of my plans.
28:16Besides, I don't think Fabio has the guts to do it.
28:19Not for you, not for me.
28:21I'm not so sure.
28:23I should give in to his demands.
28:25No, we should have been more determined.
28:28We should have gotten rid of that problem a long time ago.
28:31Remember what I told you?
28:33Not at all.
28:35And I have a bit of brains
28:37before I make a request out of nowhere like that.
28:39Oh, Mother, please.
28:41You don't have to get like that.
28:43I'm just asking you to think about it.
28:45There's not much to think about
28:47to realize that it would be a mistake
28:49if Fabio disappeared now
28:51or if he died in an accident.
28:53It would cause such a ruckus
28:55that it wouldn't be good for us.
28:56Because sooner or later,
28:58they would suspect me.
29:00And that would only help
29:02lengthen your confinement a bit more.
29:04And in that case,
29:06you wouldn't even be able to leave the country.
29:08I understand, Mother.
29:10But please understand me.
29:12I can't stay here
29:14and I don't want to leave
29:16without having finished my business.
29:18So we have to find another solution.
29:20Oh, dear, please, you're right.
29:22Understand that we're in Fabio's hands
29:24and that you have to accept
29:26what I'm about to say.
29:28Okay.
29:30I agree.
29:32I have no choice
29:34but to swear
29:36I won't get close to Matilde again.
29:38Are you being completely honest with me?
29:40Yes.
29:42I'll accept Fabio's conditions.
29:44I assume I've lost this hand,
29:46but not the game.
29:48What do you mean?
29:50That I'll leave Spain.
29:52But first, I want Matilde
29:54to end up locked up in the sanatorium.
29:56Just like Dr. Mendoza's.
29:58I think you're right.
30:00We won't let you down,
30:02but I hope you'll do your part.
30:05I've given him my word.
30:19How did it go with the priest?
30:22Bad, bad.
30:23We've had it with the church, Salvita.
30:25I don't know what happened,
30:27but the priest refused to marry Trini and Miguel.
30:29He didn't want them to be chosen.
30:32And he didn't tell you why?
30:34No.
30:36And if I insist and ask for explanations,
30:38he's capable of sentencing us to the stake.
30:40What a bad genius our priest is.
30:42I think he already had the date set
30:44and he was brave enough to admit his mistake.
30:46Maybe, but he could have chosen another date.
30:48He said there was no wedding,
30:50and there is no wedding.
30:51If the priests keep being so capricious,
30:53they'll lose all their devotees.
30:55What's clear is that this church is discarded.
30:57Yes, but we'll find another one.
30:59I won't stop until you see these two married men.
31:01But if they leave us their jobs...
31:03You don't have to put so much effort into it, Elias.
31:05What do you mean?
31:07I find another church like my name is Elias Tejada.
31:09And I'm as sure as the amount of work I have
31:11for my new position.
31:13Chief of the substitute waiters.
31:15It's like being a general.
31:17An army without him is lost.
31:18I'm going to lead the attack against Las Meriendas.
31:20Good luck, Napoleon.
31:22Bye.
31:28How did it go around here?
31:30Good, good.
31:32I've put the new guides on display
31:34and we've sold a couple.
31:36You should take a look at them.
31:38Yes, they look good. I'll take a look later.
31:40As you wish, but first tell me about the church.
31:42It seems my plan has worked.
31:44Yes, this time it has.
31:45I asked the priest for a confession,
31:47as you told me,
31:49and when we were in the confessional
31:51I told him we were already married.
31:53And how did the priest take it?
31:55Bad, very bad.
31:57He told me that the sacrament of marriage
31:59is not to be taken lightly
32:01and that he was doing a very big offense to the church.
32:03I don't know if there's any commandment
32:05that says you can't marry the same woman twice.
32:08I tried to explain to him
32:10that we were doing it for a good cause,
32:12but when I told him
32:13about the deceit we had done to our bosses
32:16and co-workers,
32:18he got even more angry.
32:20Of course, you could have saved that.
32:22Yes, because he made me a liar,
32:24a liar and a perjurer,
32:26and I could feel the flames of hell
32:28burning my calves.
32:30Don't worry, with the secret and confession
32:32no one can tell anyone.
32:34Yes, but it was expensive.
32:36He sent me 500 priests and 1,000 penances.
32:38Are you going to spend two days praying?
32:40At least I haven't told Elias anything.
32:41He's been insisting for a long time
32:43that we had to get married,
32:45and I...
32:49Well, I'm glad the problem has been solved.
32:52Yes, yes,
32:54and I thank you for the idea you had.
32:56But you heard Elias,
32:58he won't give up.
33:00I can't use this trick in the other parishes
33:02if I don't want to be excommunicated.
33:04Have you thought of something better?
33:06I hope it's soon,
33:08because I'm fed up with this
33:09and Trini can't cover her pregnancy for much longer,
33:12and she doesn't read in working hours.
33:25It was a privilege to meet Estrellita Castro.
33:28It's amazing how a woman of such fame
33:31can be so simple.
33:33Yes,
33:35the truth is that her words encouraged me
33:37to continue with my recovery.
33:39Well,
33:41I understand you're going to follow the specialist's treatment.
33:43Yes,
33:45yes, I've already done Mrs. Juánez's exercises again,
33:47and today I'll call one of the specialists
33:49that she recommended to me.
33:51That's the attitude, honey,
33:53because I warn you that in this family
33:55we are not to give up
33:57to the slightest adversity.
33:59I know,
34:01you just have to see everything you've achieved.
34:03And no matter how hard it is for me to maintain it,
34:05please don't fail,
34:07because you have enough talent
34:09to give me all my energy
34:11and sing like before.
34:13Yes?
34:15Come in, come in, Mrs. Lester.
34:18Is there a problem?
34:20No, no, no, no, no, no.
34:22On the contrary, everything is going well.
34:24I just want to let you know
34:26that Teresa is working diligently,
34:28as always,
34:30and we're back together again.
34:32That's great news.
34:34Yes, also to let you know
34:36that Elías' appointment
34:37as a substitute waiter
34:39has been very well accepted by his colleagues.
34:41I knew it was a good decision on your part.
34:45I'm very happy to hear you say that, Mr. Fermin.
34:48I don't want to make a mistake again
34:50that would be against you.
34:52Don't worry about that.
34:54You know I'm very satisfied with your work.
34:57Thank you very much.
34:59Well, I won't bother you anymore.
35:00Thank you very much.
35:07Is something wrong, Mrs. Gaza?
35:10Thank you, darling.
35:12Maybe...
35:14Maybe I overdid it
35:16when I questioned the dismissals
35:18that he proposed to me the other day.
35:20Well, if he doesn't agree,
35:22it's normal that he wouldn't allow it.
35:24I even thought
35:26that it wouldn't have been a good idea
35:28to make him a manager.
35:30I know he has a lot of interest in the company,
35:32but he still has doubts.
35:34No, no, no.
35:36I think he does an excellent job.
35:39But I feel that all this
35:41has distanced us personally
35:43and I'm very sorry about that.
35:45And why don't you propose a plan
35:47outside of work?
35:49What kind of plan?
35:51Well, I don't know,
35:53anything that has nothing to do with work
35:55and where they can express themselves freely.
35:57Darling, I spend all day here.
35:58I can't think of anything here.
36:00I don't know,
36:02we could all visit
36:04some place together
36:06in the Sierra de Guadarrama, right?
36:08An excursion?
36:13Well,
36:15it's not a bad idea.
36:17Maybe...
36:19Maybe I should propose it.
36:21I'm sure he'll accept and fix his relationship.
36:23An excursion.
36:26An excursion.
36:29An excursion.
36:31Marta will come back later.
36:33Yes,
36:35it seems so.
36:37She has confessed that she is doing some errands for Matilde.
36:40That's why she can come back whenever she wants,
36:42even if she's going to get lost,
36:44to get lost with the carbonara I'm preparing.
36:46Yes, to help our friend,
36:48whatever.
36:50Apparently, she's doing some investigations
36:52to prevent her from entering the sanatorium.
36:54And what does she have to investigate?
36:56She didn't want to tell me
36:58so don't ask her.
37:01It's a shame this is happening again.
37:03I thought they had already closed it.
37:05Me too.
37:07Ñigo had promised
37:09he wasn't going to enter it, but...
37:11I don't know,
37:13maybe he saw it getting worse.
37:15I don't know.
37:17In my country,
37:19these sanatoriums aren't worth much.
37:21The horses get sick
37:23and the sick get worse.
37:25You're encouraging me a lot.
37:27I don't think Ñigo will lock her up
37:29and then throw the key, right?
37:31Yes, yes, of course.
37:33If he wants to enter it,
37:35it will be a sanatorium of trust
37:37where the queen's bodies will be treated, but...
37:39Well, he'd better be at home,
37:41living his normal life.
37:43I'm coming.
37:49Salve.
37:51Is Marta here?
37:52No, no.
37:54We don't know when she'll be back.
37:57Come in, come in.
38:01Hi.
38:03I brought you a Genoese.
38:06It's a typical dessert from our country.
38:09Genoese is delicious.
38:11Yes, it's delicious.
38:13What's the occasion?
38:15I was talking to her the other day
38:17and I wanted to thank her
38:19for worrying about me.
38:22It looks good.
38:24You always loved how I prepared it.
38:27It's the only dessert that came out better than mine.
38:29But you've always had a good hand in the kitchen.
38:32Yes, Pietro, I did what I could.
38:34Having a cook at home,
38:36you have to make a lot of effort to please him.
38:38I know.
38:40Well, I'll give it to him.
38:44You can tell she's a very good girl.
38:46Yes, I have no doubt about that.
38:48She's a girl who's had everything against her in life
38:49and she's gotten through it
38:51thanks to her kindness.
38:53By the way,
38:55do you remember anything about the dream you had yesterday?
38:57No, I don't remember anything.
38:59But it's just a dream.
39:01It doesn't matter.
39:03Well, I'll leave you to it.
39:05I don't want to be unfortunate.
39:07See you later.
39:14If you don't want to be unfortunate,
39:16it's better to be at home,
39:17instead of visiting.
39:20She understands.
39:22She's been alone for a long time.
39:24Yes, I understand.
39:26But it's a good reason to speed up the process
39:28so she can go home.
39:31It's what I do every day.
39:33Maybe you should do it a bit more.
39:48Sometimes working at the gramophone shop
39:51is exhausting.
39:53How was your day?
39:55Well, Celestina's birthday.
39:57Our dear uncle is very interested in Mrs. Lázara
40:00and I don't mean his work as a manager.
40:03What's wrong? Don't you like it?
40:05Well, the truth is that Mrs. Vampira
40:08is not very pleasant to me.
40:10Laurita, really, stop calling her Vampira.
40:13It's not like one day you'll have to call her Aunt Lázara.
40:15God doesn't want it.
40:17Well, look, today I proposed to her
40:19to take a trip to the mountains together
40:21and she liked it very much.
40:23But you're coming too.
40:25Don't leave me alone with them.
40:27Well, the truth is that I don't think it's the best plan.
40:29But well, I'll go with you to keep an eye on her.
40:32I'm going.
40:42Agustín, come in.
40:44Good news.
40:45In the end I had several bulbs
40:47like the one you need in my warehouse.
40:49Tomorrow I'll send it to you with the waiter.
40:51That's great. I knew we could trust you.
40:54Sit down.
40:56You know I can't make any mistakes.
41:00I'm at your disposal.
41:02Well, don't hesitate to take advantage of me.
41:06And why don't you take advantage now?
41:09Well, I'm leaving because this is getting very embarrassing.
41:12No, no, no, no.
41:13I wanted to talk to you.
41:15Yesterday I saw that you were very happy
41:19after chatting with Estrellita Castro.
41:21Yes, it encouraged me a lot
41:23and I want to speed up my recovery.
41:25I've already done Mrs. Juánez's exercises
41:27and I've got an appointment with Amancio Estrada,
41:29one of the specialists she recommended me.
41:31Look, I'm very glad you've decided to go back that way,
41:35but I advise you to go calmly.
41:38It's not good for you to force yourself too much.
41:40Yes, I'll go carefully,
41:41but the sooner I recover, the better for everyone, right?
41:45You can't wait for me forever either.
41:47No, I'm not in a hurry.
41:49I promised I would wait
41:51to do the court function with you
41:53and that's what I'm going to do.
41:55Agustín is right. It's better not to run.
41:57Yes, but nothing will happen to me
41:59to speed up my recovery a bit.
42:01Besides, I'm not a coward.
42:03This is not a matter of being a coward or being brave.
42:06Look, from experience I know
42:08that shortcuts are not good.
42:11If you're really interested in something,
42:13you don't mind going little by little.
42:17Yes, but I'm dying to get on a stage.
42:21That's going to happen.
42:23You, for now,
42:25keep going with Mrs. Juánez's instructions
42:27and her new specialist.
42:29And when she wants to realize it, she will recover.
42:32Well, I don't promise anything.
42:34And I'm leaving so I can keep talking about focus.
42:41Bye.
42:52Cheer up. It's not that bad.
42:54Let's see, if Salvita finds out about all this,
42:56it's going to be a disaster.
42:58Don't believe her.
43:00Maybe it's a good idea.
43:02It was his idea to confess to Ancura
43:04that we were already married.
43:06Salvita is on our side.
43:08Until I change my mind,
43:09I'm going to keep the secret.
43:11That way she can be sure
43:13that I'm going to give her father a good report.
43:15Well, maybe we can be a little calm around there.
43:18But then there's Elias.
43:20Elias, who looks like a dog with an ankle.
43:22When he chooses a prey, he doesn't stop.
43:25Yes, he has refused to surrender.
43:27With how stubborn he is,
43:29he's not going to stop until he's in Toledo's cathedral,
43:31if he proposes.
43:33If only we had Cañete here
43:35to help us with his subordinate.
43:37He'll be back in two days.
43:40We have to...
43:42We have to think of something.
43:44Something quick.
43:46A place where we can get married,
43:48but where they can't get there.
43:50Where?
43:54What's that?
43:56An excursion guide they brought to the bookshop.
43:59Salvita told me it was very good
44:01and I wanted to take a look.
44:03It talks about a place I didn't even know existed.
44:06Love?
44:07What if we get married
44:09in a place where even bears can't get there?
44:12Of course!
44:14Of course!
44:16It's a fabulous idea.
44:18I've read about the perfect place for that.
44:20It's a place far from here
44:22and difficult to get to.
44:24Peña... Peña...
44:26Here, here.
44:28Peña Alba de Santiago.
44:30That's it.
44:32Peña Alba de Santiago
44:34is a beautiful town
44:35in the Aquilian Islands.
44:37Its difficult access,
44:39the last 20 km have to be done on mules,
44:41makes the town, despite its beauty,
44:43an unknown to travellers from that region.
44:46I think it's a perfect place.
44:48I mean, perfect,
44:50unless we have to get there,
44:52which won't happen.
44:54Besides, Elías won't get there either.
44:56No, no, no, of course not.
44:58We'll tell them you want to get married
45:00in the church of that town.
45:02We'll ask for a couple of days off
45:03and lock ourselves here in Calicanto.
45:05Of course.
45:07And then we'll come back
45:09like a couple of newlyweds
45:11and invite them to a tapita of cecina,
45:13which is what they eat there, and read.
45:15You see? Problem solved.
45:17In the end, the solution is always in the books.
45:19Well, reading has been mine.
45:21Me too, me too.
45:30You were right.
45:31Dr. Mendoza has confirmed your suspicions.
45:35He was watching you.
45:37I knew it.
45:39I knew it wasn't a fantasy.
45:41I was sure of it.
45:43Dr. Mendoza ordered two guards
45:46to follow you.
45:50That man doesn't trust me.
45:52After everything he's done,
45:54do you still trust him?
45:56I don't know.
45:58He made that decision for your sake.
46:02Matilde,
46:04he did it so you wouldn't hurt yourself.
46:07So you wouldn't hurt others.
46:09All we want is for you to get well.
46:12I'd like you to be sure of what you're going to do
46:15and to think about how I'm going to end up.
46:21Matilde, you're not well.
46:25And when your sister Clarita arrives,
46:27you'll have to go with those men.
46:28But I'm not going to leave you alone.
46:30I swear.
46:32No, I'm not going to do it.
46:34Not when Clarita arrives, not ever.
46:36Matilde, don't make it harder.
46:38Please don't change your mind.
46:40You need help.
46:42You can't stay so nervous.
46:59She's here.
47:01She's here.
47:03What are you talking about?
47:07Matilde.
47:09Matilde, Brigida's here.
47:12I went back to the confectionery
47:14and asked around about the Sosodichas.
47:16The waitresses told me they knew her.
47:18What else?
47:20Well, they told me she's a client of hers
47:23and she works at a nearby mercery.
47:25I asked for the address
47:26and I've been able to talk to her, Matilde.
47:29Marta.
47:31I knew it.
47:33I knew it was real.
47:35I'm not crazy.
47:37Marta, I'm not crazy.
47:43I can't stand this silence anymore, please.
47:46I'm dying of jealousy.
47:48I can't tell you anything else.
47:50And if you had any doubts, I'd tell you.
47:52I really value Lucia
47:54and I'll always have her.
47:57I'm so scared.
47:59It's getting clearer and clearer.
48:01They've set us up.
48:03One where your dear Dr. Mendoza
48:05was trapped.
48:07What did that woman tell you exactly?
48:09She told me her name wasn't Brigida,
48:11but Maria and that she was a student
48:13and needed the money to pay for her classes.
48:15I'm grateful that you didn't doubt me,
48:18because not everyone can say the same thing.
48:21I'm being very cruel to you,
48:23but I need more time.
48:24Take the time you need.
48:26Honestly, I thought I was going to find
48:28things much more difficult,
48:30but you've had your back.
48:32Even if I had thought it through,
48:34I wouldn't have achieved anything
48:36facing me.
48:38Gentlemen,
48:40Mrs. Bárbara seems determined
48:42to sell all the galleries,
48:44so imagine what that could mean.
48:46That they fall into the hands of speculators.
48:48That they would treat the gallery
48:50as a simple and cold business,
48:52without soul.
48:54Are you dying to study?
48:56Yes, because I miss you.
48:58That hasn't happened to me in my life.
49:01Well, it's never happened to you,
49:03because you've never had to stop studying
49:05to get a job, but I have.
49:07I don't know what else to do to please you.
49:09I haven't been able to find another priest
49:11to marry you, and I'm ashamed.
49:13Oh, Elías, I should be ashamed.
49:16You don't have to look for anyone.
49:18We've decided to get married
49:20in a remote village lost in the mountains.
49:21Another wedding that goes to hell.
49:23What a mess I have.
49:25If it's not for one thing, it's for another.
49:27Well, I assure you
49:29that mine will have a happy ending.
49:31Look at the other wedding,
49:33which brought back the deceased woman.
49:35That can be understood, for God's sake.
49:37And that woman has come to what has come,
49:39to try to get her husband back.
49:41Everything I do responds to a single question,
49:43and it is to protect Carla from an injustice.
49:45But what injustice are you talking about?
49:47She did what she did,
49:49and you insist on defending her
49:51against an injustice.
49:53What a shame,
49:55because I'm afraid it won't be possible.
49:57I thought she had convinced her husband,
49:59but that young woman has more influence
50:01on him than I thought.
50:03Listen to me carefully.
50:05You have to do something, and you have to do it now.
50:07Because every minute that Matilde is on the street,
50:09our situation gets more complicated.
50:11Íñigo called me before you did.
50:13And what did he say?
50:15No, but it was something important
50:17and we had to see each other as soon as possible.
50:19I'm afraid he's starting to suspect.
50:21He didn't leave any loose ends, did he?
50:23Matilde Garcés will sleep in the sanatorium tonight.
50:27That's what I wanted to hear.