• 2 months ago
Signora Volpe Season 2 Episode 3
Transcript
00:01:00I'll text you the details.
00:01:02I think I might have an admirer.
00:01:10Hello.
00:01:12Buongiorno.
00:01:18I'm so sorry.
00:01:20I'm so sorry.
00:01:22I'm so sorry.
00:01:24I'm so sorry.
00:01:26I'm so sorry.
00:01:28I'm so sorry.
00:01:58I'm so sorry.
00:02:00I'm so sorry.
00:02:02I'm so sorry.
00:02:04I'm so sorry.
00:02:06I'm so sorry.
00:02:08I'm so sorry.
00:02:10I'm so sorry.
00:02:12I'm so sorry.
00:02:14I'm so sorry.
00:02:16I'm so sorry.
00:02:18I'm so sorry.
00:02:20I'm so sorry.
00:02:22I'm so sorry.
00:02:24I'm so sorry.
00:02:26I'm so sorry.
00:02:46Hello.
00:02:48Who is this?
00:02:50Who is this?
00:02:54I've told Signora Paravesi.
00:02:56She'll get her money, but she needs to be patient.
00:03:00No, I'm not in Panicale.
00:03:06Don't you dare threaten my family.
00:03:20So this is where you've been hiding out.
00:03:22Yeah, my own garden.
00:03:24Sneaky of me.
00:03:26You know you've been avoiding me.
00:03:28Not you.
00:03:30I saw Dad chatting up Antonella
00:03:32in Panicale yesterday.
00:03:34Did he say hello?
00:03:36No, no, he didn't see me.
00:03:38That's very good.
00:03:40No, it isn't good or bad yet.
00:03:42If you're trying to get round me,
00:03:44you'll have to do better than that.
00:03:46How are the two of you getting on?
00:03:50It's weird.
00:03:52Sometimes it feels like
00:03:54I've known him all my life.
00:03:56Then suddenly, he's a stranger again.
00:03:58One day, he won't be there at all.
00:04:02Maybe.
00:04:04Maybe.
00:04:06Maybe.
00:04:08Maybe.
00:04:10Maybe.
00:04:12Maybe.
00:04:15You know, I'm picking up Alice
00:04:17from the airport later.
00:04:19Great. How long is she staying?
00:04:21Just a few days.
00:04:23She said she wants to take a break from her studying.
00:04:25Don't you think Alice should meet her grandfather?
00:04:27Oh, my God.
00:04:29He's not just like Matteo.
00:04:31Let's all go out to dinner tomorrow night.
00:04:33Il Baccanale, my treat.
00:04:35You won't get a table.
00:04:45Giovanni.
00:04:47What a nice surprise.
00:04:49For your olive grove.
00:04:51It's lovely.
00:04:53But I don't have an olive grove.
00:04:55You do now.
00:04:57Silvia, uh...
00:04:59Is anything wrong?
00:05:01I haven't seen you since Villa Rosa.
00:05:03Sorry.
00:05:05There's some family stuff going on.
00:05:07That's all.
00:05:09I was going to call you.
00:05:11Hello, Capitano.
00:05:13We meet again.
00:05:15Signor Priest.
00:05:17No.
00:05:19His name is actually
00:05:21Henry Fox.
00:05:23He's my father.
00:05:42Hmm.
00:05:57Silvia,
00:05:59last week on the murder scene I met Michael Priest.
00:06:01This week you tell me
00:06:03his name is Henry Fox.
00:06:05And he's your father?
00:06:07I know it must seem strange.
00:06:10Giovanni, this is a good thing.
00:06:13It's like I found a piece of myself
00:06:15that I didn't know was missing.
00:06:20Just be careful.
00:06:23We're all going out to dinner tomorrow.
00:06:25Alice and Antonella, too.
00:06:27Why don't you come?
00:06:29Thank you, but I can't.
00:06:31That's a shame.
00:06:35See you soon.
00:06:37Ciao.
00:06:51I hope I didn't
00:06:53make things too awkward
00:06:55with your friend.
00:06:57He was surprised to see you, understandably.
00:06:59Look,
00:07:01it's time I got out from under your feet.
00:07:03I'm going to head off first thing in the morning.
00:07:05Because of Giovanni?
00:07:07No, no, no. I have to go to Madrid
00:07:09to check out a painting.
00:07:11But I've just arranged for us to have dinner
00:07:13with Isabella Matteo.
00:07:15Isabella agreed to that.
00:07:17Alice will be there.
00:07:21I'm sorry,
00:07:23but this Madrid thing
00:07:25could be quite important.
00:07:27More important than meeting your granddaughter?
00:07:31Sorry, some other time.
00:07:35Bye.
00:07:55Henry!
00:08:05Sylvia?
00:08:27Sylvia?
00:08:35Sylvia!
00:08:51Sylvia?
00:08:55Sylvia!
00:09:05Sylvia!
00:09:19I thought you were leaving this morning.
00:09:23Sylvia's disappeared.
00:09:25What?
00:09:27I think somebody's taken her.
00:09:29Taken her?
00:09:31What do you mean, taken her?
00:09:33There was a van,
00:09:35and a phone was lying in the road.
00:09:37Right.
00:09:39And have you called the carabinieri?
00:09:41No. No, not yet.
00:10:03Hello?
00:10:19Hello?
00:10:23Who's this?
00:10:25My name is Henry Fox. I'm Sylvia's father.
00:10:27And where do you have her phone?
00:10:29I found it outside her house.
00:10:31Who are you? Are you a friend of Sylvia's?
00:10:33Maybe.
00:10:35Where is she?
00:10:37I don't know. She's disappeared.
00:10:39Dio.
00:10:41I should have called her before.
00:10:43Why? Did something happen?
00:10:45I can't talk right now.
00:10:47Just bring me her phone,
00:10:49so at least I can check her messages.
00:10:51You know her password?
00:10:53No, but it's not a problem.
00:10:55Look, I have to go.
00:10:57If you know something, tell me now.
00:10:59Meet me at Gelateria del Castellani
00:11:01in Perugia, 2 o'clock.
00:11:03Sit outside and read the newspaper.
00:11:05Don't tell anyone.
00:11:07Look, I just...
00:11:13Let's go.
00:11:21So,
00:11:23you heard the sound of the horn,
00:11:25and then you saw the van drive away?
00:11:27Yes.
00:11:29But you didn't see her get into the van?
00:11:31No.
00:11:33And what time was this?
00:11:35Around 7.30.
00:11:37There is a time mark, an old sign of a crush.
00:11:39Do you think I'm making this up?
00:11:41No, no, Senior Fox, but
00:11:43you don't know Sylvia very well, do you?
00:11:45Sometimes she goes away
00:11:47without warning.
00:11:49Nobody just leaves without saying goodbye.
00:11:51Some people do.
00:11:53Her car is still here.
00:11:55On the road.
00:12:07Do you know her passcode?
00:12:09No.
00:12:11Well, I gave it to our tech guys.
00:12:13They might be able to open it.
00:12:15I doubt it.
00:12:25I couldn't see the driver,
00:12:27but the van was a white Fiat Ducato 10,
00:12:29no signage or livery.
00:12:31Registration DP507GF.
00:12:33You took a picture of the license plate?
00:12:35No, but the number's correct.
00:12:39Has anyone made any threats to Sylvia?
00:12:41Not that I know of, no.
00:12:43No. No.
00:12:45No.
00:12:47No.
00:12:49No.
00:12:51No.
00:12:53No.
00:12:55What aren't you telling us?
00:12:57It's not important.
00:12:59It's a misunderstanding
00:13:01about some money
00:13:03with a client of mine.
00:13:05What does that have to do with Sylvia?
00:13:07Nothing.
00:13:09It's just that
00:13:11a man rang yesterday and was
00:13:13rather unpleasant.
00:13:15And?
00:13:17He knew I was staying here,
00:13:19or in Panacale, anyway.
00:13:21You've been back in our lives
00:13:23for five minutes.
00:13:25I really don't think this has anything to do with my work.
00:13:27Who's the person you owe money to,
00:13:29Xenia Fox?
00:13:31You'd be wasting your time, Capitano,
00:13:33and we need to find Sylvia.
00:13:35The name, please.
00:13:37Greta Paravesi.
00:13:39She lives in Rome, the Via Messalina.
00:13:41The van belongs to a printer
00:13:43in Città della Pieve.
00:13:45He was reported stolen one hour ago.
00:13:47Wait, wait.
00:13:49There is one other possibility.
00:13:51Sylvia's made some enemies
00:13:53since she's been here, hasn't she?
00:13:55Really?
00:13:57Yeah, yeah. She's earned a reputation as a bit of a detective.
00:13:59How so?
00:14:01Well, she found
00:14:03a woman who'd been missing for
00:14:0520 years, and a stolen pig,
00:14:07and...
00:14:09It's hardly grounds for a vendetta, surely.
00:14:11There were other cases more serious.
00:14:13A very bad guy
00:14:15to give you help to put away.
00:14:17The Camel Gregori.
00:14:21Forze ci di mezzo, lui.
00:14:23You'll keep us updated?
00:14:25Of course.
00:14:27You sure there's nothing else I wish you know?
00:14:29Nothing.
00:14:31We will find her.
00:14:35Andiamo.
00:14:45Come on.
00:15:15You're dead.
00:15:45Does the Capitano know
00:15:47what Sylvia used to do for a living?
00:15:49He's not stupid.
00:15:51I expect he's worked it out.
00:15:53Like I did.
00:15:55Are you suggesting
00:15:57someone from Sylvia's past has
00:15:59tracked her down and abducted her?
00:16:01That's precisely what I'm suggesting.
00:16:03I, um...
00:16:05I was in the same game a long time ago.
00:16:07What game are you in now?
00:16:09Can't imagine art historians
00:16:11get threatened that often.
00:16:13You'd be surprised.
00:16:15I'm going home.
00:16:17You coming?
00:16:19Thanks, but I have some calls to make.
00:16:43Hello?
00:16:53Hello?
00:17:05Are you okay?
00:17:07Oh, God!
00:17:09No!
00:17:13Ah!
00:17:15Ah!
00:17:17Ah!
00:17:19Ah!
00:17:21♪♪
00:17:31♪♪
00:17:41♪♪
00:17:44Oh, God.
00:17:46♪♪
00:17:47Hello. How can I help?
00:17:51Put me through to Felicity Morris, please.
00:17:53Tell her it's Henry Fox and it's an emergency.
00:17:55Her code nine.
00:17:57I'm not familiar with that term, sir,
00:18:00and I'm afraid I can't confirm the names of personnel.
00:18:03Felicity Morris's position as head of the service
00:18:05is a matter of public record.
00:18:07I'm a former colleague of hers.
00:18:09What's the nature of the emergency, sir?
00:18:13It's about one of your agents, Sylvia Fox.
00:18:17She's my daughter, and she's gone missing.
00:18:19I'm in Italy. So is she.
00:18:21Or at least she should be.
00:18:24Can you hold on a moment, please?
00:18:35There's no agent of that name currently active
00:18:37on His Majesty's service.
00:18:39I didn't say she was currently active.
00:18:41You're saying you and your daughter
00:18:44were both former agents?
00:18:46Yes.
00:18:48Have you reported her disappearance
00:18:50to the Italian police?
00:18:52Yes, but they're not equipped to deal with something like this.
00:18:54You need to get someone out here immediately.
00:18:57I'm afraid that isn't an option, Mr. Fox.
00:19:00Best to leave this to the local force.
00:19:02Hopefully they'll find your daughter soon.
00:19:04If not, she'll return over rollercoaster.
00:19:06For God's sake, she's not a teenage runaway.
00:19:08Goodbye, sir.
00:19:10SIGHS
00:19:19Morning.
00:19:21Hello, darling. Did you sleep well?
00:19:23Like a baby. Always do here.
00:19:34What's the matter?
00:19:36Sylvia's gone away, and we don't know where.
00:19:39It's nothing new, is it?
00:19:41No, it's just your grandfather's worried about her.
00:19:44Well, he wouldn't be if he knew her.
00:19:47Sylvia can take care of herself.
00:19:52Mm.
00:19:54I told Antonella we'd meet her at the cafe in the piazza at 11,
00:19:57if that's OK? Yeah, yeah, that's fine.
00:19:59Oh, don't say anything about what I just told you, will you?
00:20:02Yeah, sure. Bye.
00:20:05Mm.
00:20:07I thought he was leaving this morning.
00:20:09Um, Henry, or whatever I'm supposed to call him.
00:20:11Yeah, he was, but he'd changed his mind.
00:20:14Oh. OK.
00:20:37SIGHS
00:21:07OK. Grazie. Ciao.
00:21:38SIGHS
00:22:02CLICKS
00:22:07CLICKS
00:22:12SIGHS
00:22:14CLICKS
00:22:16Fuck!
00:22:18CLICKS
00:22:20SIGHS
00:22:23CLICKS
00:22:26SIGHS
00:22:29CLICKS
00:22:31SIGHS
00:22:37CLICKS
00:22:41SIGHS
00:22:46GRUNTS
00:22:54PANTS
00:23:08PANTS
00:23:17Hello?!
00:23:22Hello?!
00:23:27Aiuto!
00:23:31MUSIC PLAYS
00:23:37MUSIC CONTINUES
00:23:50Buongiorno. Buongiorno.
00:23:53Are you Raffaele?
00:23:55You have Silvio's phone?
00:23:59I had to give it to the carabinieri.
00:24:03Wait here.
00:24:07MUSIC CONTINUES
00:24:16Thank you, but...
00:24:18Take it. You are Renato Latoria, you eat a gelato.
00:24:27What's going on?
00:24:29My daughter was abducted this morning from outside her house.
00:24:33Are the carabinieri looking for her?
00:24:35Yes, but I think they're looking in the wrong place.
00:24:38You said you should have called earlier. Why?
00:24:43Silvio asked me to trace the registration number of a moped.
00:24:47She had seen it around too often, you understand?
00:24:50It belongs to Hotel Sereno, near Trasimeno.
00:24:54Lots of the hotels have them to rent out to guests.
00:25:00What will you do now?
00:25:02Who's been using that moped?
00:25:06MUSIC CONTINUES
00:25:20DOOR OPENS AND CLOSES
00:25:25DOOR OPENS AND CLOSES
00:25:33Mr Padovesi, do you know a man by the name of Harry Fox?
00:25:37No.
00:25:41And Michael Priest?
00:25:44I know him, yes.
00:25:46On a professional level, you understand.
00:25:52Recently he sold a painting on my behalf.
00:25:55And you were satisfied with his work?
00:25:57Why do you ask?
00:25:59He said someone threatened him on his behalf,
00:26:02for not doing his due.
00:26:04He wasn't threatened.
00:26:06He was just reminded that the debt had to be paid.
00:26:09Why didn't you hire a lawyer?
00:26:11I like to take care of my own business.
00:26:16Did Priest complain to you?
00:26:19No, but a member of his family suddenly disappeared.
00:26:23This has nothing to do with me.
00:26:26Who called Michael Priest?
00:26:30Aldo, my doorman.
00:26:34It's better for men to take care of certain things, you know?
00:26:38MUSIC CONTINUES
00:26:46SHE GRUNTS
00:26:50SHE GRUNTS
00:26:55SHE GRUNTS
00:27:03SHE GRUNTS
00:27:06SHE GRUNTS
00:27:22SHE GRUNTS
00:27:25SHE GRUNTS
00:27:56MUSIC CONTINUES
00:28:02Panicale is a beautiful place.
00:28:05And your daughter's house is very nice.
00:28:08How did you know where she lived, Mr Michael Priest?
00:28:13She has a large family.
00:28:15Where were you this morning at 7.30?
00:28:17I came to work.
00:28:19I started at 8.
00:28:22What do you think?
00:28:25Well, we know that Panicale wasn't here this morning.
00:28:28But do we know where her brother was?
00:28:31Or the lady's brother?
00:28:33Because she seems to be connected.
00:28:36I agree.
00:28:38Investigate her relationships, her past and her phone calls.
00:28:43And also her.
00:28:45Yes, Captain, but it will take time to obtain the necessary authorisation.
00:28:49It took a lot of time, sir.
00:28:54SHE PANTS
00:29:14Oh, shit!
00:29:20SHE PANTS
00:29:23SHE GRUNTS
00:29:50MUSIC CONTINUES
00:29:53Who are you?
00:30:01Bit late for that game now, Sylvia.
00:30:11How did you find me?
00:30:14I still have some contacts.
00:30:16I must be getting careless.
00:30:19But the accident was a nice touch.
00:30:21Trying to do the right thing.
00:30:24It's always been your weakness.
00:30:27I thought you died in Matara.
00:30:29You thought right.
00:30:32Graham Conway was killed in a prison fight.
00:30:36I'm someone else now.
00:30:38Clever.
00:30:40That must have cost you.
00:30:42It was the only way out of that stinking jail.
00:30:46The jail you put me in.
00:30:48It was my job.
00:30:50You were stealing from the Mataran people.
00:30:53From their rulers, perhaps.
00:30:56The people wouldn't have seen a penny.
00:30:58You know that's not true.
00:31:00The profits from the mines funded health and education programmes.
00:31:04Very commendable.
00:31:06Did you give your pal the same lecture?
00:31:08Your pal?
00:31:10Richard Vaughan.
00:31:14The journalist?
00:31:16So he claimed.
00:31:17Vaughan worked for me.
00:31:19And I think he was one of you lot.
00:31:25Was the scheme Vaughan's idea?
00:31:28It was mine.
00:31:30From start to finish.
00:31:32I shipped the goods out to Vaughan in Kondulu.
00:31:35And he sold them on.
00:31:37The bastard disappeared while I was inside.
00:31:39Taking ten million dollars of my money with him.
00:31:42You were surprised he didn't wait around to hand it over?
00:31:44No.
00:31:45But he didn't just leave Kondulu.
00:31:47He disappeared.
00:31:49Vanished.
00:31:51As only a spook can.
00:31:53And that's when it all started to make sense.
00:31:57He didn't work for the service, if that's what you mean.
00:32:00Don't bullshit me!
00:32:04How else would you have known about the operation?
00:32:07Vaughan told you.
00:32:09And the pair of you sold me out.
00:32:11Where's my money, Sylvia?
00:32:13I don't know.
00:32:15He didn't tell me about the smuggling.
00:32:17Let alone offer me a cut.
00:32:22I just need to know Richard Vaughan's real name.
00:32:25And where he is now.
00:32:27I have no idea.
00:32:31I barely knew the man.
00:32:33I haven't spoken to him or thought about him in years.
00:32:39I understand you have to say that.
00:32:41Maybe take some time to think things over.
00:32:44A night or two.
00:32:46Down here.
00:32:48All alone in the dark.
00:32:50Who knows what you might remember.
00:33:11Oh, God.
00:33:41Oh, God.
00:34:11Oh, God.
00:34:41Oh, God.
00:35:29Bingo.
00:35:42Okay.
00:35:46I don't believe it.
00:35:48Problems?
00:35:50Gregorio is in jail in Palermo.
00:35:53I have to ask the guys at the station to talk to him.
00:35:56Do you want me to go?
00:35:59No, no. You're here.
00:36:05It turns out that Greta Padovesi's husband was Dino Lombardi.
00:36:09The boss is the criminal.
00:36:12That's interesting.
00:36:15And the doorman?
00:36:16One of Lombardi's men.
00:36:18He was charged with assault and intimidation.
00:36:21Telephone interception?
00:36:22Done.
00:36:23The guys in the city of La Pieve are checking the CCTV footage
00:36:27in the place where they stole the van.
00:36:32We'll find her, Captain.
00:37:04Um...
00:37:06You must be Alice.
00:37:08Yeah.
00:37:10I'm Henry.
00:37:12Your grandfather.
00:37:14Yeah.
00:37:15No, I've heard a lot about you.
00:37:17Oh, dear.
00:37:18I'm afraid it's probably all true.
00:37:24So you're...
00:37:26What, you're here on holiday?
00:37:28Yeah, yeah.
00:37:30Just for a few days.
00:37:32So, how about you?
00:37:34Yeah, a bit of a long story.
00:37:38Yeah, um...
00:37:41Is your mother about?
00:37:43Yes, she's on the terrace.
00:37:46Yeah. Yeah.
00:37:48So it's just through there and then up the stairs for the...
00:37:51The stairs, yeah. Terrace, yeah.
00:37:54BIRDS CHIRP
00:38:01Alice said I'd find you up here.
00:38:05You've met?
00:38:07Well, briefly.
00:38:10Oh.
00:38:12She's lovely.
00:38:14Lovely.
00:38:23Any news?
00:38:25Well, there's been no word from the carabinieri.
00:38:30I might have a lead.
00:38:36You have to pass this on to him.
00:38:38No, absolutely not.
00:38:40If this is someone from Sylvia's past,
00:38:42he's likely to be highly trained and completely ruthless.
00:38:45If he suspects the carabinieri are on to him, he'll kill her.
00:38:49Or worse.
00:38:51Worse?
00:38:53Well, disappear.
00:38:55Leaving her somewhere she won't be found.
00:38:59What's going on?
00:39:01What's happened to Sylvia?
00:39:22DOOR OPENS
00:39:29Alice...
00:39:31..do you know that Sylvia used to be a spy?
00:39:35I mean, I... I don't know.
00:39:37But, well, she has a gun and mad self-defence skills,
00:39:40so, I mean, I thought it had to be something like that.
00:39:43She used to work for MI6.
00:39:45And we think someone she encountered back then
00:39:49may be behind her disappearance.
00:39:52No, you think that.
00:39:54I'm sorry, but it's also possible that she's been abducted
00:39:57by someone whom your grandfather owes money to.
00:40:00Yes, and I told you that's very unlikely.
00:40:03Now, if I'm right, and Sylvia's disappearance
00:40:06has any connection to her old life,
00:40:09then this is something we have to handle ourselves.
00:40:14Us?
00:40:16How?
00:40:18Well, Sylvia's not the only trained operative in the family.
00:40:24Mum?
00:40:26Don't be silly, darling.
00:40:32OK.
00:40:34So, what happens now?
00:40:37We need to find out who the chap on the moped is
00:40:40and whether he's our man.
00:40:42Sorry, what moped?
00:40:48DOOR CLOSES
00:41:18DOOR OPENS
00:41:48SHE GROANS
00:42:19DOOR OPENS
00:42:44DOOR CLOSES
00:42:48DOOR OPENS
00:43:02SHE GASPS
00:43:05Help!
00:43:07SHE GASPS
00:43:18SHE GASPS
00:43:29Well, I think it'll work.
00:43:31Yeah, except for one thing.
00:43:33I should be the one to go, not you.
00:43:36Why do you think that?
00:43:38Someone will have seen you there today.
00:43:40When you go back tomorrow, asking questions,
00:43:43they'll start to wonder.
00:43:45If they noticed me, I guarantee.
00:43:50I'm sure you were a good spy,
00:43:53but I doubt you were invisible, Henry, even in your prime.
00:43:57Darling, would you just go and put those out with the others?
00:44:00OK. Yeah.
00:44:02Um...
00:44:04Are you staying?
00:44:06That's very kind. You can if you like.
00:44:09Then I will.
00:44:15I'm not letting you put yourself in danger.
00:44:20It's a bit late to start acting like the protective father now, isn't it?
00:44:24Look...
00:44:27..are you sure this is the right thing to do?
00:44:30You're not just harking back to your glory days.
00:44:37I'm not sure I'll succeed, Isabelle, but...
00:44:40..I have to try.
00:44:42You don't have to get involved.
00:44:44Yes, I do.
00:44:46If it's our only way of finding Sylvia.
00:44:48She'd do the same for me.
00:44:51In that case...
00:44:54..I need to teach you a few things.
00:45:12Come on.
00:45:42Come on.
00:46:12Come on.
00:46:43CLICKS
00:46:44CLICKS
00:47:12CLICKS
00:47:20Buongiorno, signora. Buongiorno.
00:47:22I have a reservation in the name of Ford.
00:47:25F-O-R-D.
00:47:32Welcome to the Hotel Sereno, signora Ford.
00:47:35Room 207 on the second floor.
00:47:38Is this your first visit to Umbria?
00:47:40No. In fact, I'm hoping to revisit some old haunts.
00:47:44It says on your website that you have mopeds that guests can use.
00:47:48We have only one. Let me check if he's available.
00:47:56I'm sorry, he's booked until the end of tomorrow.
00:47:59Would you like me to reserve it for you?
00:48:01No.
00:48:03I'll get back to you on that. OK.
00:48:06There is one other thing.
00:48:08Do you happen to have a copy of La Repubblica?
00:48:12I think so. Let me check.
00:48:21Here it is. Thanks.
00:48:23You're welcome.
00:48:26Have a nice day. Thank you.
00:48:35I didn't think I'd hear from you again.
00:48:39Signora Paravesi.
00:48:41I owe you an apology.
00:48:43You owe me a great deal more than that.
00:48:46I did warn you the process might be complex.
00:48:49You will get your money, I assure you, but I need more time.
00:48:52You sent the Carabinieri to my home.
00:48:55That was risky, wasn't it?
00:48:57I had no choice. My daughter's missing.
00:49:00I don't care about your daughter.
00:49:02Get me my money.
00:49:04Or I will make sure that no one in Rome does business with you again.
00:49:08Trust this man every day less.
00:49:11I'll bring him back here to find him.
00:49:16Yes.
00:49:19OK.
00:49:21Where?
00:49:24Send me the GPS coordinates.
00:49:27They found the van.
00:49:29Finally.
00:49:31At least what's left of it.
00:49:36The moped is rented to a man called Nick Wallace.
00:49:40He's got it until tomorrow night.
00:49:42Well done. Have you got into his room yet?
00:49:44Give me a chance.
00:49:46Let's speak later. I'm on my way to Rome.
00:49:49Why are you going there?
00:49:51To make use of the information you've so cleverly acquired for me, darling.
00:50:02Thank you very much.
00:50:07They expect to find a lot, but at least there are no bad guys in there.
00:50:12Thank God.
00:50:21Take a look at all the areas of each building, empty or abandoned.
00:50:24And then contact the air support headquarters.
00:50:29I also want a helicopter.
00:50:31Yes, Captain.
00:51:25All OK?
00:51:28Yes.
00:51:51Right. Right here.
00:51:58OK.
00:52:00OK.
00:52:26I'm sorry, darling. I'm really sorry.
00:52:29You'll need it during the lesson.
00:52:33I can't see it.
00:52:35Call my mobile, please.
00:52:38I'm sorry. I'm not usually this forgetful.
00:52:41I'm just too relaxed.
00:52:43It's ringing.
00:52:46Voila.
00:52:52We don't have to play tennis, you know.
00:52:56Why don't we ditch the lesson and go back to bed?
00:53:06Very tempting, but the poor guy is waiting for us.
00:53:10We should go back.
00:53:12Come on.
00:53:15Come on.
00:53:17You're too good for me.
00:53:25Come on.
00:53:55Come on.
00:54:21Hey.
00:54:24So glad to find you still in action.
00:54:27Well, half the top brass have forgotten I'm here.
00:54:30And the other half, too scared to tell me to retire.
00:54:35What can I do for you?
00:54:40I need a favour.
00:54:42You know, I have a daughter, Sylvia.
00:54:44In Beirut, last I heard.
00:54:47And then something about a career break.
00:54:50That's right. She's living in Italy at the moment.
00:54:53She disappeared yesterday.
00:54:55Snatched from outside her house in Umbria
00:54:57and driven away in a stolen van.
00:54:59And you think it's related to her work for the service?
00:55:02Absolutely.
00:55:03Have you been in touch with Vauxhall Cross?
00:55:05I've tried.
00:55:06Let me guess.
00:55:08Some callow teenager on work experience hung up on you.
00:55:12No, he was perfectly polite,
00:55:14but he obviously thought I was some kind of fantasist.
00:55:17We're a pair of fossils, you and I.
00:55:20Have you alerted the Carabinieri?
00:55:22They're investigating.
00:55:24But, um, I have a lead.
00:55:27And I don't think it would be wise to share it with them.
00:55:30But you'd like to share it with me.
00:55:32Yes, please.
00:55:36Who is he?
00:55:38Well, I was rather hoping you might be able to tell me.
00:55:41He's staying at the Hotel Sereno
00:55:43near Castellone del Lago under the name Nick Wallace.
00:55:47I'll get the picture run through our system
00:55:49and see what that yields.
00:56:13Oh.
00:56:43Okay.
00:57:14Want some?
00:57:16No, thank you.
00:57:39This food, too?
00:57:41I'm not hungry.
00:57:44Liar.
00:57:56I'm not going to poison you, Sylvia.
00:57:59The Carabinieri will be searching for me.
00:58:02If anything happens to me, they'll track you down.
00:58:07I doubt it.
00:58:09I doubt it.
00:58:11I'm pretty good and I've been planning this for a while.
00:58:39Oh.
00:58:55Oh! Oh!
00:58:57Oh!
00:58:59Are you okay?
00:59:01Yes. It's my own fault.
00:59:03I couldn't resist these shoes.
00:59:05They're very chic.
00:59:07Yes, but not very practical.
00:59:09Do you mind if I just catch my breath?
00:59:15My name is Sabine.
00:59:17Arabella.
00:59:19Nice to meet you.
00:59:20And you.
00:59:31So...
00:59:34have you had a chance to think about things?
00:59:37What's there to think about?
00:59:39Come on, Sylvia.
00:59:41You want to get out of here alive, don't you?
00:59:45If I tell you,
00:59:47how can I trust you to let me go?
00:59:50Well, you can't.
00:59:52But it's your only chance, so you might as well take it.
00:59:58Did you know Richard Vaughan was American?
01:00:01He didn't sound like a yank to me.
01:00:03His father worked for some big oil company
01:00:06and he grew up in London.
01:00:08And?
01:00:09Vaughan didn't tell me about the smuggling.
01:00:12And he definitely wasn't MI6.
01:00:14But he could have been CIA.
01:00:17Even if he wasn't,
01:00:19the agency might have had its own reasons to help him disappear.
01:00:24Yeah, well, this is all very interesting.
01:00:27But I need his real name.
01:00:29I can't tell you what I don't know.
01:00:31Enough!
01:00:34Enough.
01:00:39You know the guy's life story.
01:00:41But not his name.
01:00:52His name...
01:00:55was Ryan Erickson.
01:00:58And his family came from Minnesota.
01:01:02That's all I know.
01:01:07You better be telling the truth.
01:01:27No.
01:01:57Ah.
01:02:28Ah.
01:02:34Come on.
01:02:41Yes.
01:02:54Oh, yes.
01:02:57Mm.
01:02:59A proper cup of tea.
01:03:01Fortnum's loose leaf.
01:03:03You see anything I miss about Britain,
01:03:05I get it sent out in the diplomatic bag.
01:03:08Oh, here we are.
01:03:10Nicholas Jacob Wallace entered the country
01:03:13three weeks ago on a South African passport.
01:03:17Mm, that's not good.
01:03:19It's showing a match for a man named Graham Arthur Conway.
01:03:22Why is Conway on your system?
01:03:24He's a former British military intelligence officer.
01:03:27Former? What is he now?
01:03:29Dead.
01:03:30He went rogue and was killed in a prison fight.
01:03:33Allegedly.
01:03:34Do you happen to know if Sylvia was in East Africa at the time?
01:03:37No, she'd moved on by then.
01:03:39But she was there a few years earlier when Conway was convicted.
01:03:43And what was he done for?
01:03:45Running a mineral smuggling operation.
01:03:48He was suspected of the murder of two mine workers.
01:03:52Christ.
01:03:53But there wasn't enough evidence to charge him.
01:03:58That's odd.
01:03:59What?
01:04:00I'm trying to see who else of ours was in the region at the time,
01:04:03but the system keeps blocking me.
01:04:05Black Ops?
01:04:06Yes, perhaps.
01:04:08Is there anything else I can do to help?
01:04:10Just a few bits and pieces from the stationery cupboard,
01:04:13if you'd be so kind.
01:04:15That's quite a shopping list.
01:04:18I should need it all back.
01:04:20Of course.
01:04:23Don't do anything foolish, Henry.
01:04:26We leave tomorrow, but it's been a fabulous trip.
01:04:29The first of many, I hope.
01:04:31Nick is a great guy.
01:04:33And where is he, this wonderful boyfriend of yours?
01:04:36I can't wait to meet him.
01:04:38He's gone hiking.
01:04:39Wants to get fit again after three weeks of indulgence.
01:04:42You've been here three weeks?
01:04:44It was meant to be ten days, but Nick's schedule changed
01:04:48and he said we should stay longer.
01:04:50Hmm.
01:04:51Are you here with your partner?
01:04:53No, I'm on my own.
01:04:55I'm celebrating my divorce.
01:04:57Oh, I'm sorry.
01:04:59Don't be.
01:05:00I am well read.
01:05:02PHONE RINGS
01:05:03Excuse me.
01:05:08Hello?
01:05:09Avoid any contact with Wallace and get out of there now.
01:05:12Oh, hi, Nick!
01:05:14Thank you so much, yes, I'll be there right away.
01:05:17I must go.
01:05:18Thank you for being so adorable.
01:05:20It was good to meet you, Arabella.
01:05:22See you later, maybe?
01:05:26Hey!
01:05:29Who was that?
01:05:30A nice woman who is staying here.
01:05:33Oh.
01:05:35What's wrong?
01:05:37Nothing.
01:05:51PHONE VIBRATES
01:05:57Capitano Riva, any news?
01:06:05It's on.
01:06:14Come on.
01:06:15The van was abandoned here next to the board
01:06:18that we tossed in Indiato Strada,
01:06:20so Sylvia could be hundreds of kilometres away by now.
01:06:23Or she could be just up the road.
01:06:25Yes, which is why our officers are searching the immediate area.
01:06:29I'm sorry, was there something else?
01:06:32Because I should be getting back to Panicale.
01:06:35I must ask you again, sir.
01:06:39If there is a chance that Sylvia's disappearance
01:06:41has anything to do with one of your business dealings,
01:06:45tell me now.
01:06:46So you can harass my other clients?
01:06:49I promise you, there's nothing to tell.
01:06:51What exactly is your business, Senior Fox?
01:06:55I'm an art historian.
01:06:57I advise collectors and dealers,
01:07:00as I was doing for Lee Hamilton at Villarosa.
01:07:03Where he went by the name of Michael Priest.
01:07:06Why was that?
01:07:08I prefer to keep my private and professional lives separate.
01:07:12Those in Italy governing the sale of art are very strict.
01:07:16I'm well aware of that.
01:07:17Capitano Rivo, why are we wasting time talking about my work
01:07:20when we should be looking for my daughter?
01:07:22We?
01:07:26For Sylvia's sake,
01:07:27I hope you're not trying to conduct a human investigation.
01:07:32I'm an old man in a foreign country.
01:07:34What could I possibly do?
01:07:36Serious damage if you're trying to play the hero.
01:07:40What can you tell me about Sylvia's life before she moved to Italy?
01:07:43She's told me very little.
01:07:45You too, I imagine.
01:07:49Our secret services might be able to assist, but they won't.
01:07:53Unless I have more information.
01:07:56I'm afraid I can't help you there.
01:08:00Arrivederci.
01:08:02Arrivederci.
01:08:12So how does someone come back from the dead?
01:08:16With the right help and enough money,
01:08:20it's not that hard to fake your own death.
01:08:23Sabine said that she'd never met his family.
01:08:25They've only been together for a few months.
01:08:27Very convenient.
01:08:29Please get in touch with Reva.
01:08:31Please, please.
01:08:32This man is a killer and a soldier.
01:08:36We can't fight him on our own.
01:08:38It's the only way we can fight him.
01:08:42Conway is still at the hotel,
01:08:44so Sylvia's not going to be far away.
01:08:46And if he and his girlfriend are leaving tomorrow evening,
01:08:49he has to make his final move either tonight or in the morning.
01:08:54Why can't we call the carabinieri to keep him under surveillance?
01:08:59And what then?
01:09:01Supposing Conway doesn't realise and leads them to Sylvia.
01:09:05They'll go in mob-handed with an armed response unit.
01:09:08Now, they may get Conway,
01:09:11but there's no guarantee that Sylvia will come out alive.
01:09:16So...
01:09:18..what are we going to do?
01:09:21What are we going to do?
01:09:24We'll get her back, Izzy.
01:09:26We will.
01:09:27Oh, no!
01:09:48Oh, no!
01:09:58Just take me instead. I'll be more use than Mum.
01:10:02Why do you think so?
01:10:04I mean, I'm younger, I've got better eyesight, I can run faster.
01:10:08It's not quite as simple as that.
01:10:10OK.
01:10:11So what does it take to be a good spy, then?
01:10:13You're staying here.
01:10:15I'll message you once an hour.
01:10:18What am I supposed to tell Matteo?
01:10:20I don't know. I mean, he doesn't get back until after midnight.
01:10:22Just pretend you've gone to bed.
01:10:24I'm writing him a note saying that I'm spending the night at Sylvia's.
01:10:27Well, he's going to find that weird.
01:10:29Probably.
01:10:33I'll explain in the morning.
01:10:37And I bet you can't run faster.
01:11:25Tracker's on.
01:11:27Conway and Sabine are back in their room.
01:11:29He told me he's going for an early morning hike.
01:11:34Make yourself comfortable.
01:11:37It's going to be a long night.
01:12:25I love you.
01:12:45See you later.
01:12:46I love you.
01:12:48What's happening?
01:12:51He's on the move.
01:12:55Damn it.
01:12:57He's come back into the hotel.
01:12:59He's on the move.
01:13:00I'll go and get him.
01:13:01No.
01:13:02I'll go.
01:13:03No.
01:13:04I'll go.
01:13:05No.
01:13:06I'll go.
01:13:07No.
01:13:08I'll go.
01:13:09No.
01:13:10I'll go.
01:13:11No.
01:13:12I'll go.
01:13:13I'll go.
01:13:14No.
01:13:15No.
01:13:16I'll go.
01:13:17No.
01:13:18I'll go.
01:13:19No.
01:13:20No.
01:13:21No.
01:13:22I'll go.
01:13:24Look to God he hasn't seen us.
01:13:31Right.
01:13:32I'm going to go and have a closer look.
01:13:42Are you there?
01:13:44It's a bread van.
01:13:50The driver's taking the bread inside.
01:13:54Oh my God.
01:13:56Conway's back.
01:14:02He's stealing the van.
01:14:07Henry!
01:14:09What?
01:14:17Hello?
01:14:24Mateo?
01:14:27Mateo?
01:14:30We have to go get Mum.
01:14:31From Siva's house?
01:14:32No.
01:14:33No.
01:14:34Hey.
01:14:35Alice.
01:14:36What the hell is going on?
01:14:37Just get dressed and then come with me.
01:14:38I'll explain on the way, okay?
01:14:39Just come on.
01:14:40Now.
01:14:41Here.
01:14:42What?
01:14:48What are you doing?
01:14:49Get out of the way.
01:14:50Get out of the way.
01:14:56I've got to explain.
01:14:57You're not going to explain yourself.
01:14:59You've got to explain yourself now.
01:15:03Get out of the way.
01:15:04Get out of the way.
01:15:07What about the dog?
01:15:08It's never been fed.
01:15:09It's never been fed.
01:15:10Come on.
01:15:11Your whole family's goddamn crazy.
01:15:13His plan was a good one.
01:15:14So why didn't you tell me about it?
01:15:18Just get in.
01:15:21Go.
01:15:22I'm tracking him.
01:15:24Just get in.
01:15:27Go.
01:15:28I'm tracking him.
01:15:53Go.
01:16:14You're not going anywhere.
01:16:44Fuck.
01:17:08According to his CIA file, Ron Erickson was killed in a car crash in Nigeria three years
01:17:13ago.
01:17:14But you already knew that.
01:17:17I swear I didn't.
01:17:20I know you spooks stick together.
01:17:25Why are you still protecting Richard Vaughn?
01:17:27Why not?
01:17:28You're going to kill me anyway, aren't you?
01:17:32You know I have to.
01:17:37Not before you tell me what Vaughn's real name is.
01:17:42Where did you get that?
01:17:46From the jewellery box in your sister's bedroom.
01:17:52Isabel had nothing to do with this!
01:17:55Granted, she'd be dead by the end of the day, unless you tell me Vaughn's real name.
01:18:09You were right.
01:18:12Richard Vaughn was MI6.
01:18:15His real name is Adam Haynes.
01:18:17You sure about that?
01:18:20Yes.
01:18:21Then why should I believe you?
01:18:24I used to be married to him.
01:18:27Well, well, well.
01:18:30Okay, come on.
01:18:33Where are we going?
01:18:38I don't know anything about the money, I swear.
01:18:42Adam and I were divorced long before I was posted to Matara.
01:18:47And he used to lie to me all the time.
01:18:50Yeah, well, I'll be sure to give him your regards when we catch up.
01:19:08Argh!
01:19:32Argh!
01:19:37Argh!
01:20:07He's dead.
01:20:11Are you okay?
01:20:19You okay? You okay? You okay?
01:20:37Oh, my God.
01:20:41Give me the gun.
01:20:42No, you'd best not touch it.
01:20:44I have to.
01:20:45If I'm going to say I fired the shot.
01:20:48I'm an Italian citizen, in good standing, with a clean record.
01:20:52And you?
01:20:53Just give me the gun.
01:20:57Let him do it.
01:21:00Thanks, Matteo, but there's no need.
01:21:03I'm just going to go.
01:21:05Give me a ten-minute start, then call the carabinieri.
01:21:09Tell them you found Conway dead and Sylvia in shock.
01:21:12Sylvia will say, I shot Conway, then took off.
01:21:16I'll take this with me.
01:21:27Thank you, Stephen.
01:21:29Thank you so much.
01:21:36Take care, my darling.
01:21:38You too.
01:21:42Alice.
01:21:45I didn't answer your question about what makes a good spy.
01:21:49What?
01:21:50None of the things that make a good human being.
01:21:59Henry, thank you.
01:22:04Will he be okay?
01:22:05He'll be fine.
01:22:12He knows how to disappear.
01:22:27Grazie, Matteo.
01:22:29I think it will be fine.
01:22:31Okay, I'll be right there.
01:22:44You sure you never saw him before?
01:22:51He was going to kill me.
01:22:54Do you know his name?
01:22:57Nick Wallace is the name on his driver's license.
01:23:00It doesn't mean anything to you.
01:23:05I don't believe you, Sylvia, but I don't care.
01:23:08Because I'm just so glad you're safe.
01:23:16Thanks.
01:23:30You're welcome.
01:24:01The person you're calling is unavailable.
01:24:03Please leave a message after the tone.
01:24:07Hi, Adam.
01:24:11A dead man tried to kill me.
01:24:15He wanted to know what you did with his ten million dollars.
01:24:21I'd like to know too.
01:24:25I'm sorry.
01:24:55I'm sorry.
01:25:25I'm sorry.
01:25:55Sylvia?
01:26:25Sylvia?
01:26:29Sylvia?
01:26:33Sylvia?
01:26:37Sylvia?
01:26:41Sylvia?
01:26:45Sylvia?
01:26:49Sylvia?
01:26:53Sylvia?
01:26:57Sylvia?
01:27:01Sylvia?
01:27:05Sylvia?
01:27:09Sylvia?
01:27:13Sylvia?
01:27:17Sylvia?
01:27:21Sylvia?
01:27:25Sylvia?
01:27:29Sylvia?
01:27:33Sylvia?
01:27:37Sylvia?
01:27:41Sylvia?