S02E03
Category
📺
TVTranscript
00:01:00Sylvia?
00:01:01Ciao, Raffaella.
00:01:02Could you check a license plate for me?
00:01:03I'll text you the details.
00:01:04I think I might have an admirer.
00:01:05Hello.
00:01:06Buongiorno.
00:01:07Hello.
00:01:08Buongiorno.
00:01:09Ciao, Raffaella.
00:01:10Could you check a license plate for me?
00:01:11I'll text you the details.
00:01:12I think I might have an admirer.
00:01:13Hello.
00:01:14Buongiorno.
00:01:15Hello.
00:01:17Buongiorno.
00:01:19Hello.
00:01:21Buongiorno.
00:01:23Hello.
00:01:25Buongiorno.
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00:02:47Hello?
00:02:49Who is this?
00:02:54I told Signora Paravesi she'll get her money, but she needs to be patient.
00:03:00No, I'm not in Panicale.
00:03:05Don't you dare threaten my family.
00:03:13♪
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00:03:23♪
00:03:25So this is where you've been hiding out?
00:03:27Yeah, my own garden. Sneaky of me.
00:03:30You know you've been avoiding me.
00:03:32Not you.
00:03:34I saw Dad chatting up Antonella in Panicale yesterday.
00:03:38Did he say hello?
00:03:40No, no, he didn't see me.
00:03:43That's very good.
00:03:45No, it isn't good or bad yet.
00:03:48If you're trying to get round me, you'll have to do better than that.
00:03:57How are the two of you getting on?
00:04:02It's weird.
00:04:04Sometimes it feels like I've known him all my life.
00:04:07Then suddenly he's a stranger again.
00:04:09One day he won't be there at all.
00:04:12Maybe.
00:04:15You know, I'm picking up Alice from the airport later.
00:04:18Great. How long is she staying?
00:04:20Just a few days. She said she wants to take a break from her studying.
00:04:24Don't you think Alice should meet her grandfather?
00:04:26Oh my God, he's not just like Matteo.
00:04:30Let's all go out to dinner tomorrow night. Il Baccanale, my treat.
00:04:35You won't get a table.
00:04:39No.
00:04:50Giovanni, what a nice surprise.
00:04:53For your olive grove.
00:04:55It's lovely.
00:04:57But I don't have an olive grove.
00:04:59You do now.
00:05:01Silvia, is anything wrong?
00:05:05I haven't seen you since Villarossa.
00:05:07Sorry, there's some family stuff going on, that's all.
00:05:11I was going to call you.
00:05:15Hello, Capitano. We meet again.
00:05:18Signor Priest.
00:05:20No.
00:05:22His name is actually Henry Fox.
00:05:26He's my father.
00:05:37Hmm.
00:05:58Silvia, last week on the murder scene I met Michael Priest.
00:06:01This week you tell me his name is Henry Fox, and he's your father?
00:06:06I know it must seem strange.
00:06:08Strange? As if what?
00:06:11Giovanni, this is a good thing.
00:06:14It's like I found a piece of myself that I didn't know was missing.
00:06:21Just be careful.
00:06:24We're all going out to dinner tomorrow. Alice and Antonella too.
00:06:27Why don't you come?
00:06:29Thank you, but I can't.
00:06:32That's a shame.
00:06:35See you soon.
00:06:37Ciao.
00:06:51I hope I didn't make things too awkward with your friend.
00:06:56He was surprised to see you, understandably.
00:06:59Look, it's time I got out from under your feet.
00:07:03I'm going to head off first thing in the morning.
00:07:05Because of Giovanni?
00:07:06No, no, no. I have to go to Madrid to check out a painting.
00:07:10But I've just arranged for us to have dinner with Isabella Matteo.
00:07:14Isabella agreed to that?
00:07:16Alice will be there.
00:07:21I'm sorry, but this Madrid thing could be quite important.
00:07:26More important than meeting your granddaughter?
00:07:30Sorry, some other time.
00:07:54Henry!
00:07:59Henry!
00:08:01Sylvia?
00:08:31Sylvia!
00:08:51Sylvia?
00:08:55Sylvia!
00:09:01Sylvia!
00:09:19I thought you were leaving this morning.
00:09:22Sylvia's disappeared.
00:09:25What?
00:09:26I think somebody's taken her.
00:09:29Taken her? What do you mean, taken her?
00:09:32There was a van and a phone was lying in the road.
00:09:37Right. And have you called the Carabinieri?
00:09:40No. No, not yet.
00:09:59Hello?
00:10:19Hello?
00:10:22Who's this?
00:10:23My name is Henry Fox. I'm Sylvia's father.
00:10:26And why do you have a phone?
00:10:28I found it outside her house.
00:10:30Look, who are you? Are you a friend of Sylvia's?
00:10:33Maybe. Where is she?
00:10:36I don't know. She's disappeared.
00:10:39Dio, I should have called her before.
00:10:42Why? Did something happen?
00:10:44I can't talk right now.
00:10:46Just bring me a phone so at least I can check her messages.
00:10:49You know her password?
00:10:51No, but it's not a problem.
00:10:54Look, I have to go. If you know something, tell me now.
00:10:58No. Meet me at Gelateria dei Castellani in Perugia, two o'clock.
00:11:03Sit outside and read the newspaper. Don't tell anyone.
00:11:07Look, I just...
00:11:13Let's go.
00:11:15So, you heard the sound of the horn and then you saw the van drive away?
00:11:27Yes.
00:11:28But you didn't see her get into the van?
00:11:31No.
00:11:32And what time was this?
00:11:34Around 7.30.
00:11:36There is a time mark and no sign of a crash.
00:11:39Do you think I'm making this up?
00:11:41No, no, Senor Fox, but you don't know Sylvia very well, do you?
00:11:46Sometimes she goes away without warning.
00:11:48Nobody just leaves without saying goodbye.
00:11:50Some people do.
00:11:51Her car is still here.
00:11:53And you found her phone on the road.
00:12:07Do you know her password?
00:12:08No.
00:12:10Well, I gave it to our tech guys. They might be able to open it.
00:12:13I doubt it.
00:12:16MUSIC PLAYS
00:12:34I couldn't see the driver, but the van was a white Fiat Ducato 10,
00:12:38no signage or livery, registration DP507GF.
00:12:43You took a picture of the license plate?
00:12:44No, but the number's correct.
00:12:48Has anyone made any threats to Sylvia?
00:12:51Not that I know of, no.
00:12:52No. No.
00:12:55What aren't you telling us?
00:12:58It's not important.
00:12:59It's a misunderstanding about some money with a client of mine.
00:13:04And what does that have to do with Sylvia?
00:13:07Nothing.
00:13:09It's just that a man rang yesterday and was rather unpleasant.
00:13:13And?
00:13:15He knew I was staying here, or in Panacale, anyway.
00:13:19Oh, my God. You've been back in our lives for five minutes.
00:13:23Look, I really don't think this has anything to do with my work.
00:13:26Who's the person you owe money to, Xenofox?
00:13:29You'd be wasting your time, Capitano, and we need to find Sylvia.
00:13:32The name, please.
00:13:35Greta Paravesi. She lives in Rome, the Via Messalina.
00:13:39The van belongs to a printer in Città della Pieve.
00:13:42He was reported stolen one hour ago.
00:13:45The van has been to all the regions.
00:13:47Wait, wait. There is one other possibility.
00:13:50Sylvia's made some enemies since she's been here, hasn't she?
00:13:54Really?
00:13:55Yeah, yeah, yeah. She's earned a reputation as a bit of a detective.
00:13:58How so?
00:14:01Well, she found a woman who'd been missing for 20 years, and a stolen pig, and...
00:14:07It's hardly grounds for a vendetta, surely.
00:14:10There were other cases more serious.
00:14:13That very bad guy Sylvia helped to put away.
00:14:16The Camel Gregori.
00:14:20Forza tre di mezzo, Lui.
00:14:22You'll keep us updated?
00:14:24Of course.
00:14:26You sure there's nothing else we should know?
00:14:28Nothing.
00:14:31We will find her.
00:14:34Andiamo.
00:14:59Come on.
00:15:18Are you dead?
00:15:29Come on.
00:15:48Does the Capitano know what Sylvia used to do for a living?
00:15:51He's not stupid. I expect he's worked it out, like I did.
00:15:56Are you suggesting someone from Sylvia's past has tracked her down and abducted her?
00:16:02That's precisely what I'm suggesting.
00:16:05I, um... I was in the same game a long time ago.
00:16:09What game are you in now?
00:16:11Can't imagine art historians get threatened that often.
00:16:15You'd be surprised.
00:16:17I'm going home.
00:16:18You coming?
00:16:19Well, uh, thanks, but I have some calls to make.
00:16:26Okay.
00:16:53Hello?
00:16:57Hello?
00:17:06Are you okay?
00:17:09Oh, God! No! No!
00:17:26No!
00:17:45Oh, God.
00:17:50Hello? How can I help?
00:17:52Put me through to Felicity Morris, please.
00:17:54Tell her it's Henry Fox and it's an emergency. A code nine.
00:17:58I'm not familiar with that term, sir.
00:18:00And I'm afraid I can't confirm the names of personnel.
00:18:03Felicity Morris's position as head of the service is a matter of public record.
00:18:07I'm a former colleague of hers.
00:18:09What's the nature of the emergency, sir?
00:18:14It's about one of your agents, Sylvia Fox.
00:18:17She's my daughter and she's gone missing.
00:18:19I'm in Italy. So is she.
00:18:22Or at least she should be.
00:18:24Can you hold on a moment, please?
00:18:35There's no agent of that name currently active on His Majesty's service.
00:18:39I didn't say she was currently active.
00:18:41You're saying you and your daughter were both former agents?
00:18:47Yes.
00:18:49Have you reported her disappearance to the Italian police?
00:18:52Yes, but they're not equipped to deal with something like this.
00:18:54You need to get someone out here immediately.
00:18:57I'm afraid that isn't an option, Mr Fox.
00:19:00Best to leave this to the local force.
00:19:02Hopefully they'll find your daughter soon.
00:19:04If not, she'll return over all accords.
00:19:06For God's sake, she's not a teenage runaway.
00:19:08Goodbye, sir.
00:19:09Wait!
00:19:19Morning.
00:19:21Hello, darling. Did you sleep well?
00:19:23Like a baby. Always do here.
00:19:34What's the matter?
00:19:36Sylvia's gone away and we don't know where.
00:19:39It's nothing new, is it?
00:19:41No, it's just your grandfather's worried about her.
00:19:44Well, he wouldn't be if he knew her.
00:19:48Sylvia can take care of herself.
00:19:54I told Antonella we'd meet here at the café in the piazza at 11, if that's OK?
00:19:58Yeah, yeah, that's fine.
00:19:59Oh, don't say anything about what I just told you, will you?
00:20:02Yeah, sure. Bye.
00:20:07I thought he was leaving this morning.
00:20:09Henry, or whatever I'm supposed to call him.
00:20:11Yeah, he was, but he changed his mind.
00:20:15OK.
00:20:18Bye.
00:20:48Bye.
00:21:08OK, thank you.
00:21:10Bye.
00:21:13Captain?
00:21:15Gregorio's request has been transferred from Rebibbia five months ago.
00:21:19Now they're looking for him in the system.
00:21:22Do you really think he's connected to Sylvia's disappearance?
00:21:25Of all the people Sylvia's met here, he's the one who's got the most contacts.
00:21:30What more do you need?
00:21:32Come on, let's go to Rome.
00:21:34I want to know if Greta Padovesi knows anything about Henry Falls.
00:21:44Come on.
00:22:15Fuck!
00:22:17Fuck!
00:22:44Fuck!
00:23:14Hello?
00:23:18Hello?
00:23:23Hello?
00:23:28Help!
00:23:45Help!
00:23:51Buongiorno.
00:23:52Buongiorno.
00:23:54Are you Raffaele?
00:23:56You have Sylvia's phone?
00:24:00I had to give it to the carabinieri.
00:24:04Wait here.
00:24:15Thank you, but...
00:24:17Take it.
00:24:18You are in a gelateria, you eat a gelato.
00:24:27What's going on?
00:24:29My daughter was abducted this morning from outside our house.
00:24:33Are the carabinieri looking for her?
00:24:35Yes, but I think they're looking in the wrong place.
00:24:38You said you should have called earlier.
00:24:40Why?
00:24:41Sylvia asked me to trace the registration number of a moped.
00:24:45She had seen it around too often, you understand?
00:24:49It belongs to Hotel Sereno, near Trasimeno.
00:24:52Lots of the hotels have them to rent out to guests.
00:24:58What will you do now?
00:25:00Find out who's been using that moped.
00:25:12What's going on?
00:25:33Mrs. Padovesi, do you know a man named Harry Fox?
00:25:38No.
00:25:41And Michael Priest?
00:25:44I know him, yes.
00:25:46On a professional level, you understand.
00:25:52Recently he sold a painting on my behalf.
00:25:55And you were satisfied with his work?
00:25:58Why do you ask?
00:25:59I said that someone threatened him on your behalf for not doing what he was supposed to do.
00:26:03He wasn't threatened.
00:26:05He was just reminded that the debt was going to be paid.
00:26:09Why didn't you hire a lawyer?
00:26:11I like to take care of my own business.
00:26:16Did Priest complain to you?
00:26:19No, but a member of his family suddenly disappeared.
00:26:23This has nothing to do with me.
00:26:26Who called Michael Priest?
00:26:30Aldo.
00:26:32My doorman.
00:26:33It's better for men to take care of certain things, you know?
00:27:03Ow!
00:27:33The residents ask me to do some favors.
00:27:37Sometimes strange things.
00:27:40I try to be useful.
00:27:42It's all part of the job.
00:27:44The lady wrote you what she should have said.
00:28:03Panicale is a beautiful place.
00:28:05And your daughter's house is very nice.
00:28:09How did the lady know where she was staying, Mr. Michael Priest?
00:28:14The lady has a large family.
00:28:16Where were you this morning at 7.30?
00:28:18I came to work.
00:28:20I started at 8.
00:28:24What do you think?
00:28:26Well, we know that Panicale wasn't here this morning.
00:28:30But do we know where his brother was?
00:28:32Or the lady's brother?
00:28:33Because she seems to be connected.
00:28:37I agree.
00:28:39Investigate his relationships, his past and his phone calls.
00:28:44And also about her.
00:28:46Yes, Captain, but it will take time to obtain the necessary authorization.
00:28:50And you do it without.
00:29:03Mom.
00:29:14Oh, shit.
00:29:32Who are you?
00:30:02A bit late for that game now, Sylvia.
00:30:12How did you find me?
00:30:14I still have some contacts.
00:30:17I must be getting careless.
00:30:19But the accident was a nice touch.
00:30:22Trying to do the right thing.
00:30:24It's always been your weakness.
00:30:27I thought you died in Matara.
00:30:30You thought right.
00:30:32Graham Conway was killed in a prison fight.
00:30:36I'm someone else now.
00:30:38Clever.
00:30:40That must have cost you.
00:30:42It was the only way out of that stinking jail.
00:30:46The jail you put me in.
00:30:47I just did my job.
00:30:49You were stealing from the Mataran people.
00:30:52From their rulers, perhaps.
00:30:55The people wouldn't have seen a penny.
00:30:57No, that's not true.
00:30:58The profits from the mines funded health and education programs.
00:31:03Very commendable.
00:31:05Did you give your pal the same lecture?
00:31:07What pal?
00:31:09Richard Vaughan.
00:31:13The Chumlist?
00:31:14So he claimed.
00:31:16What do you mean?
00:31:17Vaughan worked for me.
00:31:18And I think he was one of you lot.
00:31:25Was the scheme Vaughan's idea?
00:31:27It was mine.
00:31:29From start to finish.
00:31:31I shipped the goods out to Vaughan in Kondulu, and he sold them on.
00:31:36The bastard disappeared while I was inside, taking ten million dollars of my money with him.
00:31:41You were surprised he didn't wait around to hand it over?
00:31:43No.
00:31:44But he didn't just leave Kondulu.
00:31:46He disappeared.
00:31:48Vanished.
00:31:50As only a spook can.
00:31:53And that's when it all started to make sense.
00:31:55He didn't work for the service, if that's what you mean.
00:31:57Don't bullshit me!
00:32:01How else would you have known about the operation?
00:32:04Vaughan told you.
00:32:06And the pair of you sold me out.
00:32:09Where's my money, Sylvia?
00:32:10I don't know.
00:32:12He didn't tell me about the smuggling, let alone offer me a cut.
00:32:19I just need to know Richard Vaughan's real name.
00:32:22I just need to know Richard Vaughan's real name.
00:32:26And where he is now.
00:32:27I have no idea!
00:32:31I barely knew the man.
00:32:33I haven't spoken to him or thought about him in years.
00:32:39I understand you have to say that.
00:32:42Maybe take some time to think things over.
00:32:45A night or two.
00:32:47Down here.
00:32:49All alone in the dark.
00:32:50Who knows what you might remember.
00:33:20Fuck.
00:33:50Fuck.
00:34:20Fuck.
00:34:50Fuck.
00:35:21Fuck.
00:35:29Pick up.
00:35:44Okay, thank you.
00:35:47I can't believe it.
00:35:48Problems?
00:35:50Gregorio is in jail in Palermo.
00:35:54I'll have to ask the guys at the station to talk to him.
00:35:57Do you want me to go?
00:35:59No, no.
00:36:00You're here.
00:36:05It turns out that Greta Padovesi's husband was Dino Lombardi.
00:36:09Your crime.
00:36:12That's interesting.
00:36:15And the doorman?
00:36:17One of Lombardi's fans.
00:36:18Yes.
00:36:19He was charged with aggression and intimidation.
00:36:22Telephone interception?
00:36:23Done.
00:36:24The guys in the city of La Pieve are checking the videos of the cameras
00:36:28in the closed circuit where they stole the van.
00:36:33We'll find her, Captain.
00:37:07You must be Alice.
00:37:09Yeah.
00:37:11I'm Henry.
00:37:13Your grandfather.
00:37:16No, I've heard a lot about you.
00:37:17Oh, dear.
00:37:19I'm afraid it's probably all true.
00:37:26So you're here on holiday?
00:37:29Yeah.
00:37:31Just for a few days.
00:37:33How about you?
00:37:35Bit of a long story.
00:37:41Is your mother about?
00:37:43Yes, she's on the terrace.
00:37:44She's on the terrace?
00:37:46Yeah.
00:37:49So it's just through there and then up the stairs?
00:37:50Yeah, right.
00:37:51Stairs, yeah.
00:37:52Yeah.
00:38:02Alice said I'd find you up here.
00:38:05You've met?
00:38:07Well, briefly.
00:38:10Oh, she's lovely.
00:38:14Lovely.
00:38:24Any news?
00:38:26Well, there's been no word from the Carabinieri.
00:38:31I might have a lead.
00:38:37You have to pass this on to her, either.
00:38:39No, absolutely not.
00:38:40Now, if this is someone from Sylvia's past, he's likely to be highly trained and completely ruthless.
00:38:46If he suspects the Carabinieri are on to him, he'll kill her.
00:38:49Or worse.
00:38:51Worse?
00:38:53Well, disappear.
00:38:55Leaving her somewhere she won't be found.
00:38:59What's going on?
00:39:01What's happened to Sylvia?
00:39:11Alice.
00:39:30Alice.
00:39:32Do you know that Sylvia used to be a spy?
00:39:35I mean, I don't know.
00:39:38But, well, she has a gun and mad self-defence skills, so I mean, I thought it had to be something like that.
00:39:43She used to work for MI6.
00:39:46And we think someone she encountered back then may be behind her disappearance.
00:39:52No, you think that.
00:39:54I'm sorry, but it's also possible that she's been abducted by someone whom your grandfather owes money to.
00:40:00Yes, and I told you that's very unlikely.
00:40:02Now, if I'm right, and Sylvia's disappearance has any connection to her old life, then this is something we have to handle ourselves.
00:40:14What about us?
00:40:16How?
00:40:18Well, Sylvia's not the only trained operative in the family.
00:40:24Mum.
00:40:26Don't be silly, darling.
00:40:32Okay.
00:40:35So what happens now?
00:40:37We need to find out who the chap on the moped is, and whether he's our man.
00:40:43Sorry, what moped?
00:41:02Dad.
00:41:32Dad.
00:42:02Mum.
00:42:32Mum.
00:43:03No.
00:43:05No.
00:43:06Help!
00:43:29Well, I think it'll work.
00:43:30Yeah, except for one thing. I should be the one to go, not you.
00:43:36Why do you think that?
00:43:38Someone will have seen you there today.
00:43:40When you go back tomorrow, asking questions, they'll start to wonder.
00:43:44No one noticed me, I guarantee.
00:43:49I'm sure you were a good spy, but I doubt you were invisible, Henry, even in your prime.
00:43:55Darling, would you just go and put those up with the others?
00:43:58Okay.
00:44:00Um, are you staying?
00:44:03Well, that's very kind.
00:44:05You can if you like.
00:44:07Then I will.
00:44:14I'm not letting you put yourself in danger.
00:44:19It's a bit late to start acting like the protective father now.
00:44:22Look.
00:44:25Are you sure this is the right thing to do?
00:44:28You're not just harking back to your glory days.
00:44:34I'm not sure I'll succeed, Isabelle, but I have to try.
00:44:39You don't have to get involved.
00:44:41Yes, I do.
00:44:43If it's our only way of finding Sylvia.
00:44:46She'd do the same for me.
00:44:47In that case, I need to teach you a few things.
00:45:17Come on.
00:45:47Um.
00:45:50Um.
00:46:04Um.
00:46:10Um.
00:46:17Um.
00:46:21Um.
00:46:24Um.
00:46:26Um.
00:46:47Um.
00:47:17Buongiorno, signora.
00:47:21Buongiorno, signora.
00:47:22Buongiorno.
00:47:23I have a reservation in the name of Ford.
00:47:25F-O-R-D.
00:47:32Welcome to the Hotel Sereno, signora Ford.
00:47:35Room 207 on the second floor.
00:47:38Is this your first visit to Rumba?
00:47:40No.
00:47:41In fact, I'm hoping to revisit some old haunts.
00:47:44It says on your website that you have mopeds that guests can use.
00:47:48We have only one. Let me check if it's available.
00:47:56I'm sorry, it's booked until the end of tomorrow.
00:47:58Would you like me to reserve it for you?
00:48:01No.
00:48:02I'll get back to you on that.
00:48:04Okay.
00:48:07There is one other thing.
00:48:08Do you happen to have a copy of La Republica?
00:48:12I think so.
00:48:14Let me check it.
00:48:22Here it is.
00:48:23Grazie.
00:48:24You're welcome.
00:48:27Have a nice day.
00:48:35I didn't think I'd hear from you again.
00:48:39Signora Paravesi, I owe you an apology.
00:48:43You owe me a great deal more than that.
00:48:46I did warn you the process might be complex.
00:48:49You will get your money, I assure you, but I need more time.
00:48:53You sent the Carabinieri to my home.
00:48:55That was risky, wasn't it?
00:48:57I had no choice. My daughter's missing.
00:49:00I don't care about your daughter.
00:49:02Get me my money, or I will make sure that no one in Rome does business with you again.
00:49:08Trust this man every day less.
00:49:11I'll bring him back here to find him.
00:49:16Yes.
00:49:19Okay.
00:49:22Where?
00:49:25Send me the GPS coordinates.
00:49:27They found the van.
00:49:30Finally.
00:49:32At least what's left of it.
00:49:35The moped is rented to a man called Nick Wallace.
00:49:39He's got it until tomorrow night.
00:49:41Well done. Have you got into his room yet?
00:49:44Give me a chance.
00:49:46Let's speak later. I'm on my way to Rome.
00:49:49Why are you going there?
00:49:50To make use of the information you've so cleverly acquired for me, darling.
00:50:04Yes.
00:50:08They expect to find a lot, but at least there are no remains of the sea in there.
00:50:13Thank God.
00:50:22Search every building, empty or abandoned, and then contact the air traffic control.
00:50:30I also want a helicopter.
00:50:32Yes, Captain.
00:51:25All okay?
00:51:26Yes.
00:51:34Okay.
00:51:52Wait. Wait here.
00:52:05Yes.
00:52:26I'm sorry, darling. I'm really sorry.
00:52:29You won't need it during the lesson.
00:52:32I can't see it. Call my mobile, please.
00:52:37I'm sorry. I'm not usually this forgetful. I'm just too relaxed.
00:52:42It's ringing.
00:52:45Voila.
00:52:51We don't have to play tennis, you know.
00:52:57Why don't we ditch the lesson and go back to bed?
00:53:02Huh?
00:53:08Very tempting, but the poor guy is waiting for us. We should go back.
00:53:14Come on.
00:53:17Come on.
00:53:19You're too good for me.
00:53:31Come on.
00:54:01Come on.
00:54:22Hey.
00:54:23Hello, Miriam.
00:54:25So glad to find you still in action.
00:54:27Well, half the top brass have forgotten I'm here.
00:54:30And the other half, too scared to tell me to retire.
00:54:35What can I do for you?
00:54:40I need a favour.
00:54:42You know I have a daughter, Sylvia.
00:54:44In Beirut, last I heard.
00:54:47And then something about a career break.
00:54:50That's right. She's living in Italy at the moment.
00:54:53She disappeared yesterday.
00:54:55Snatched from outside her house in Umbria and driven away in a stolen van.
00:55:00And you think it's related to her work for the service?
00:55:02Absolutely.
00:55:03Have you been in touch with Vauxhall Cross?
00:55:05I've tried.
00:55:06Let me guess.
00:55:08Some callow teenager on work experience hung up on you.
00:55:12No, he was perfectly polite, but he obviously thought I was some kind of fantasist.
00:55:17We're a pair of fossils, you and I.
00:55:20Have you alerted the Carabinieri?
00:55:22They're investigating.
00:55:24But I have a lead.
00:55:27And I don't think it would be wise to share it with them.
00:55:30But you'd like to share it with me.
00:55:32Yes, please.
00:55:36Who is he?
00:55:37Well, I was rather hoping you might be able to tell me.
00:55:41He's staying at the Hotel Sereno near Castiglione del Lago under the name Nick Wallace.
00:55:47I'll get the picture run through our system and see what that yields.
00:56:17Fuck.
00:56:47Fuck.
00:57:18Want some?
00:57:20No, thank you.
00:57:42There's food too.
00:57:44I'm not hungry.
00:57:47There.
00:57:58I'm not going to poison you, Sylvia.
00:58:02The Carabinieri will be searching for me.
00:58:05If anything happens to me, they'll track you down.
00:58:10I doubt it.
00:58:12I'm pretty good and I've been planning this for a while.
00:58:17Fuck.
00:58:48Fuck.
00:59:00Are you okay?
00:59:01Yes.
00:59:02It's my own fault.
00:59:04I couldn't resist these shoes.
00:59:07They are very chic.
00:59:08Yes, but not very practical.
00:59:09Do you mind if I just catch my breath?
00:59:11No, of course not.
00:59:13Ah.
00:59:16My name is Sabine.
00:59:18Arabella.
00:59:19Nice to meet you.
00:59:20And you.
00:59:31So, have you had a chance to think about things?
00:59:37What's there to think about?
00:59:38Come on, Sylvia.
00:59:40You want to get out of here alive, don't you?
00:59:44If I tell you, how can I trust you to let me go?
00:59:49Well, you can't.
00:59:51But it's your only chance, so you might as well take it.
00:59:57Did you know Richard Vaughan was American?
01:00:00He didn't sound like a yank to me.
01:00:03His father worked for some big oil company and he grew up in London.
01:00:06And?
01:00:07Vaughan didn't tell me about the smuggling.
01:00:10And he definitely wasn't MI6, but he could have been CIA.
01:00:15Even if he wasn't, the agency might have had its own reasons to help him disappear.
01:00:21Yeah, well, this is all very interesting.
01:00:24But I need his real name.
01:00:26I can't tell you what I don't know.
01:00:28Enough!
01:00:31Enough.
01:00:32Enough!
01:00:35Enough.
01:00:40You know the guy's life story, but not his name.
01:00:53His name was Ryan Erickson.
01:00:59And his family came from Minnesota.
01:01:02That's all I know.
01:01:08You better be telling the truth.
01:01:32I'm sorry.
01:02:02I'm sorry.
01:02:33Come on.
01:02:41Yes.
01:02:54Oh, yes.
01:02:59A proper cup of tea.
01:03:01Fortnum's loose leaf.
01:03:03You see anything I miss about Britain?
01:03:05I get it sent out in the diplomatic bag.
01:03:08Oh, here we are.
01:03:11Nicholas Jacob Wallace entered the country three weeks ago on a South African passport.
01:03:17That's not good.
01:03:19It's showing a match for a man named Graham Arthur Conway.
01:03:22Why is Conway on your system?
01:03:24He's a former British military intelligence officer.
01:03:27Former? What is he now?
01:03:29Dead.
01:03:30He went rogue and was killed in a prison fight.
01:03:33Allegedly.
01:03:34Do you happen to know if Sylvia was in East Africa at the time?
01:03:37No, she'd moved on by then.
01:03:39But she was there a few years earlier when Conway was convicted.
01:03:43And what was he done for?
01:03:45Running a mineral smuggling operation.
01:03:48He was suspected of the murder of two mine workers.
01:03:52Christ.
01:03:53But there wasn't enough evidence to charge him.
01:03:57That's odd.
01:03:58What?
01:03:59I'm trying to see who else of ours was in the region at the time, but the system keeps blocking me.
01:04:05Black ops?
01:04:06Yes, perhaps.
01:04:08Is there anything else I can do to help?
01:04:09Just a few bits and pieces from the stationery cupboard, if you'd be so kind.
01:04:15That's quite a shopping list.
01:04:18I should need it all back.
01:04:19Of course.
01:04:22Don't do anything foolish, Henry.
01:04:27We leave tomorrow, but it's been a fabulous trip.
01:04:30The first of many, I hope.
01:04:32Nick is a great guy.
01:04:34And where is he, this wonderful boyfriend of yours?
01:04:37I can't wait to meet him.
01:04:38He's gone hiking.
01:04:40Wants to get fit again after three weeks of indulgence.
01:04:43You've been here three weeks?
01:04:45It was meant to be ten days, but Nick's schedule changed and he said we should stay longer.
01:04:52Are you here with your partner?
01:04:54No, I'm on my own.
01:04:56I'm celebrating my divorce.
01:04:58Oh, I'm sorry.
01:05:00Don't be. I'm well read.
01:05:04Excuse me.
01:05:09Hello?
01:05:10Avoid any contact with Wallace and get out of there now.
01:05:13Oh, hi, Nick!
01:05:14Thank you so much. Yes, I'll be there right away.
01:05:18I must go. Thank you for being so adorable.
01:05:21It was good to meet you, Arabella. See you later, maybe?
01:05:27Hey!
01:05:30Who's that?
01:05:31A nice woman who is staying here.
01:05:36What's wrong?
01:05:38Nothing.
01:05:57Capitano Riva, any news?
01:06:06It's on.
01:06:15Come on.
01:06:16The van was abandoned here next to the border with Tuscany and the Otto Strada,
01:06:20so Sylvia could be hundreds of kilometers away by now.
01:06:24Or she could be just up the road.
01:06:26Yes, which is why our officers are searching the immediate area.
01:06:30I'm sorry, was there something else?
01:06:33Because I should be getting back to Panicale.
01:06:35I must ask you again, sir.
01:06:39If there is a chance that Sylvia's disappearance has anything to do with one of your business dealings,
01:06:46tell me now.
01:06:48So you can harass my other clients?
01:06:51I promise you, there's nothing to tell.
01:06:53What exactly is your business, Senior Fox?
01:06:57I'm an art historian.
01:06:59I advise collectors and dealers.
01:07:02As I was doing for Lee Hamilton at Villa Rosa.
01:07:04Where he went by the name of Michael Priest.
01:07:07Why was that?
01:07:09I prefer to keep my private and professional lives separate.
01:07:13Laws in Italy governing the sale of art are very strict, you know.
01:07:17I'm well aware of that.
01:07:18I'm well aware of that.
01:07:19Capitano Rivo, why are we wasting time talking about my work when we should be looking for my daughter?
01:07:24We?
01:07:28For Sylvia's sake, I hope you're not trying to conduct a year-long investigation.
01:07:34I'm an old man in a foreign country.
01:07:36What could I possibly do?
01:07:38Serious damage if you're trying to play the hero.
01:07:42What can you tell me about Sylvia's life before she moved to Italy?
01:07:45She's told me very little.
01:07:46You too, I imagine.
01:07:51Our secret services might be able to assist, but they won't.
01:07:55Unless I have more information.
01:07:58I'm afraid I can't help you there.
01:08:02Arrivederci.
01:08:12So how does someone come back from the dead?
01:08:16With the right help and enough money, it's not that hard to fake your own death.
01:08:23Sabine said that she'd never met his family. They've only been together for a few months.
01:08:27Very convenient.
01:08:30Please get in touch with Rivo. Please, please. This man is a killer and a soldier.
01:08:37We can't fight him on our own.
01:08:39It's the only way we can fight him.
01:08:43Conway is still at the hotel.
01:08:46So Sylvia's not going to be far away.
01:08:48And if he and his girlfriend are leaving tomorrow evening,
01:08:51he has to make his final move either tonight or in the morning.
01:08:57Why can't we call the Carabinieri to keep him under surveillance?
01:09:02And what then?
01:09:04Supposing Conway doesn't realise and leads them to Sylvia.
01:09:08They'll go in mob-handed with an armed response unit.
01:09:11Now they may get Conway, but there's no guarantee that Sylvia will come out alive.
01:09:19So what are we going to do?
01:09:24We'll get her back, Izzy. We will.
01:09:41Oh no!
01:09:58Just take me instead. I'll be more use than mum.
01:10:02Why do you think so?
01:10:04I mean, I'm younger. I've got better eyesight. I can run faster.
01:10:08It's not quite as simple as that.
01:10:10OK. So what does it take to be a good spy, then?
01:10:13You're staying here. I'll message you once an hour.
01:10:18What am I supposed to tell Matteo?
01:10:19I don't know. I mean, he doesn't get back until after midnight. Just pretend you've gone to bed.
01:10:23I was writing him a note saying that I'm spending the night at Sylvia's.
01:10:26Well, he's going to find that weird.
01:10:28Probably.
01:10:32I'll explain in the morning.
01:10:36And I bet you can't run faster.
01:10:40Ha!
01:11:11Come on.
01:11:35Trakason.
01:11:37Conway and Sabine are back in their room.
01:11:39He told me he's going for an early morning hike.
01:11:44Make yourself comfortable.
01:11:47It's going to be a long night.
01:12:06Come on.
01:12:37See you later. I love you.
01:12:40What's happening?
01:12:43He's on the move.
01:13:06Dammit.
01:13:21He's come back into the hotel.
01:13:23Hope to God he hasn't seen us.
01:13:31Right. I'm going to go and have a closer look.
01:13:37You there?
01:13:39It's a bread van.
01:13:45The driver's taking the bread inside.
01:13:51Oh, my God.
01:13:53Conway's back.
01:13:59He's stealing the van!
01:14:02Henry!
01:14:04What?
01:14:11Hello?
01:14:32Mateo?
01:14:35Mateo?
01:14:37Come here.
01:14:38We have to go get Mum.
01:14:39From Siva's house?
01:14:40No, no, I just...
01:14:41Hey! Alice!
01:14:42What the hell is going on?
01:14:43Just get dressed and then come with me.
01:14:45I'll explain on the way, OK?
01:14:46Just come on. Now!
01:15:01Come on.
01:15:17Come on.
01:15:18Your whole family's goddamn crazy.
01:15:20His plan was a good one.
01:15:21So why didn't you tell me about it?
01:15:25Just get in.
01:15:28Go. I'm tracking him.
01:15:31Come on.
01:16:01Come on.
01:16:26You're not going anywhere.
01:16:31Fuck.
01:16:47Fuck.
01:17:02Fuck.
01:17:08According to his CIA file,
01:17:10Ron Erickson was killed in a car crash in Nigeria three years ago.
01:17:17But you already knew that.
01:17:19I swear I didn't.
01:17:22I know you spooks stick together.
01:17:25But why are you still protecting Richard Vaughn?
01:17:28Why not?
01:17:29You're gonna kill me anyway, aren't you?
01:17:32You know I have to.
01:17:36But not before you tell me
01:17:39what Vaughn's real name is.
01:17:42Where did you get that?
01:17:46From the jewellery box in your sister's bedroom.
01:17:52Isabel had nothing to do with this!
01:17:55Granted, she'd be dead by the end of the day.
01:17:58Unless you tell me Vaughn's real name.
01:18:09You were right.
01:18:12Richard Vaughn was MI6.
01:18:15His real name is Adam Haynes.
01:18:18You sure about that?
01:18:21Yes.
01:18:22Then why should I believe you?
01:18:25I used to be married to him.
01:18:29Well, well, well.
01:18:34Come on.
01:18:36Where are we going?
01:18:39I don't know anything about the money, I swear.
01:18:43Adam and I were divorced long before I was posted to Matara.
01:18:48And he used to lie to me all the time.
01:18:51Yeah, well, I'll be sure to give him your regards when we catch up.
01:19:21No!
01:19:51Adam.
01:20:08He's dead.
01:20:12Are you okay?
01:20:17It's all right.
01:20:19Are you okay?
01:20:20Are you okay?
01:20:21Are you okay?
01:20:22Are you okay?
01:20:42Give me the gun.
01:20:43No, you'd best not touch it.
01:20:44I have to.
01:20:45If I'm going to say I fired the shot.
01:20:48I'm an Italian citizen, in good standing, with a clean record.
01:20:52And you?
01:20:53Just give me the gun.
01:20:57Let him do it.
01:21:01Thanks, Matteo, but there's no need.
01:21:03I'm just going to go.
01:21:05Give me a ten minute start, then call the Carabinieri.
01:21:09Tell them you found Conway dead and Sylvia in shock.
01:21:12Sylvia will say, I shot Conway, then took off.
01:21:16I'll take this with me.
01:21:28Thank you so much, Ed.
01:21:35Take care, my darling.
01:21:37You too.
01:21:43Alice.
01:21:45I didn't answer your question about what makes a good spy.
01:21:49What?
01:21:50None of the things that make a good human being.
01:21:59Henry.
01:22:05Will he be okay?
01:22:06He'll be fine.
01:22:13He knows how to disappear.
01:22:28Grazie, Matteo.
01:22:30I think it will be fine.
01:22:31Okay, I'll be right there.
01:22:43You sure you never saw him before?
01:22:51He was going to kill me.
01:22:54Do you know his name?
01:22:57Nick Wallis.
01:22:58He's the name on his driver's license.
01:23:00Doesn't mean anything to you.
01:23:05I don't believe you, Sylvia, but I don't care.
01:23:08Because I'm just so glad you're safe.
01:23:12Thanks.
01:23:42The person you're calling is unavailable.
01:24:07Please leave a message after the tone.
01:24:10Hi, Adam.
01:24:14A dead man tried to kill me.
01:24:18He wanted to know what you did with his ten million dollars.
01:24:24I'd like to know too.
01:24:39I'm sorry.
01:25:09I'm sorry.
01:25:39Sylvia?
01:26:09Sylvia?
01:26:39Sylvia?
01:26:40Sylvia?
01:26:41Sylvia?
01:26:42Sylvia?
01:26:43Sylvia?
01:26:44Sylvia?
01:26:45Sylvia?
01:26:46Sylvia?
01:26:47Sylvia?
01:26:48Sylvia?
01:26:49Sylvia?
01:26:50Sylvia?
01:26:51Sylvia?
01:26:52Sylvia?
01:26:53Sylvia?
01:26:54Sylvia?
01:26:55Sylvia?
01:26:56Sylvia?
01:26:57Sylvia?
01:26:58Sylvia?
01:26:59Sylvia?
01:27:00Sylvia?
01:27:01Sylvia?
01:27:02Sylvia?
01:27:03Sylvia?
01:27:04Sylvia?
01:27:05Sylvia?
01:27:06Sylvia?
01:27:07Sylvia?
01:27:08Sylvia?
01:27:09Sylvia?
01:27:10Sylvia?
01:27:11Sylvia?
01:27:12Sylvia?
01:27:13Sylvia?
01:27:14Sylvia?
01:27:15Sylvia?
01:27:16Sylvia?
01:27:17Sylvia?
01:27:18Sylvia?
01:27:19Sylvia?
01:27:20Sylvia?
01:27:21Sylvia?
01:27:22Sylvia?
01:27:23Sylvia?
01:27:24Sylvia?
01:27:25Sylvia?
01:27:26Sylvia?
01:27:27Sylvia?
01:27:28Sylvia?
01:27:29Sylvia?
01:27:30Sylvia?
01:27:31Sylvia?
01:27:32Sylvia?
01:27:33Sylvia?
01:27:34Sylvia?
01:27:35Sylvia?
01:27:36Sylvia?
01:27:37Sylvia?
01:27:38Sylvia?
01:27:39Sylvia?
01:27:40Sylvia?
01:27:41Sylvia?
01:27:42Sylvia?
01:27:43Sylvia?
01:27:44Sylvia?
01:27:45Sylvia?
01:27:46Sylvia?
01:27:47Sylvia?
01:27:48Sylvia?
01:27:49Sylvia?
01:27:50Sylvia?
01:27:51Sylvia?
01:27:52Sylvia?
01:27:53Sylvia?
01:27:54Sylvia?
01:27:55Sylvia?
01:27:56Sylvia?
01:27:57Sylvia?
01:27:58Sylvia?
01:27:59Sylvia?
01:28:00Sylvia?
01:28:01Sylvia?
01:28:02Sylvia?
01:28:03Sylvia?
01:28:04Sylvia?
01:28:05Sylvia?