Sueños de libertad Cap 125 (20-08-24)
Category
📺
TVTranscript
00:00No, at that price, it's impossible.
00:11Mr. López, if you want quality, pay for it.
00:13Good afternoon.
00:14Father, you're here.
00:15I wasn't expecting you this late.
00:17Well, you see.
00:18How is Begoña?
00:19I hope she's calmer, for the good of all.
00:22She is.
00:23And she is very sorry.
00:24I spoke to her this morning and she was fully aware of her disappointment.
00:29I suppose I came all the way here not just to ask about Begoña, right?
00:33Indeed.
00:34Good afternoon.
00:35I have been called for a meeting.
00:38Well, if you don't know what that meeting is about, I have no idea either.
00:41Don't worry.
00:42It's a festive matter.
00:43Festive?
00:44And why don't you call Marta and Andrés?
00:47I'm sure they have less important things to do.
00:49Your brother is organizing new routes of shipment to Bascongadas and your sister is in the
00:54new sand store.
00:57What else is there to complain about, son?
01:00Well.
01:01I want the Reina and the Merinos to celebrate the anniversary of the factory together tomorrow.
01:07Don't you think the celebration is enough?
01:09The feast that is being set up.
01:11That's for the employees.
01:12We will make a family meal.
01:14And before you start talking nonsense and saying that you are very busy, it will only be a couple of hours.
01:19We can even do it at home so we don't have to go anywhere.
01:23I think it's a great idea, uncle.
01:25You know that when my mother and I do not have to take care of anything and we save ourselves a show like the last time.
01:29Don't worry, that won't happen again.
01:31As for the food, we will order it at the restaurant Salvatierra.
01:33We can even do something more informal, like a cocktail, an aperitif.
01:38Something to object to, son?
01:40Oh no, no.
01:41If that's what you want, right now you will tell Isabel to take care of it.
01:45Uncle, does my mother know anything about all this?
01:47I say it because knowing her, she may be preparing some of her special dishes.
01:50She doesn't know.
01:51I don't think so, son.
01:52She doesn't know anything yet.
01:53Well, you two, as representatives of the family in the board of directors,
01:58you will be in charge of communicating with the rest of the guests, don't you think?
02:02I'll talk to my brothers, anything else?
02:04Nothing else.
02:05Very well, I'm leaving.
02:07I'll talk to you, Luis.
02:09Let's go.
02:21We put this in this game.
02:25And this here.
02:29And we would have it.
02:32Here is a summary of everything we need for the feast.
02:35What a brand has is what is missing.
02:38Gaspar has already taken care of the food.
02:40Oh my God.
02:42How wonderful, I take off my hat.
02:44You are very effective, right, Gizma?
02:46Yes, yes, right.
02:49I'm very worried about this event, I need it to go well.
02:52I know.
02:53I work every day for those of the Queen and I know what their level of demand is.
02:56Get out of sight.
02:58What a shame, me calling him a dog.
03:00Don't worry.
03:02What if he finds out about things they call me without knowing me?
03:05We'll figure something out.
03:08Sometimes people are so cruel.
03:13Isabel, what about this interrogator?
03:16Yes, I was going to tell them to ameliorate the food,
03:19but first I wanted to consult you.
03:21I know them.
03:23They played at the Nambroka parties, but they are nothing like the other Thursday.
03:26Well, they told me they are very excited.
03:29I have a better option.
03:31The kids from Spain.
03:32I also know them.
03:33And of course it is a good option, but ...
03:36It would be very expensive to bring them here.
03:38They would take almost the entire budget of La Verbena.
03:41I know, I know.
03:42But my friend Kari is the drummer's girlfriend.
03:45So if I talk to her, I think maybe she can give us a discount.
03:49Maybe.
03:51It won't be too risky.
03:54Let's see if we run out of music at the last minute.
03:56It would be a disaster.
03:57Doña María, you are right.
03:58We cannot trust a maybe when there is so little time left.
04:01No, no, of course not.
04:03We stay with the Fantasy Orchestra.
04:04Very well.
04:05Then ...
04:07The lanterns and the garlands will be missing.
04:09I'll take care of it.
04:11My friend Pepa will get it for us.
04:13Your friend Pepa?
04:14Yes, she set up an ultramarine store and still has a lot of products in her house from when she closed.
04:18I'm sure she has garlands.
04:20And I think that if I give her some poppies, she will even give them to me.
04:25That gold would not be bad for us.
04:28When did your friend close the store?
04:31Well, now, six or seven months.
04:33Well, we can't risk it.
04:35Let's see if the garlands are in bad shape and the lanterns won't even turn on.
04:39Ah, no, no, no, no, no.
04:40We need guarantees, of course.
04:42Besides, those were four bitches, right?
04:43Sure.
04:44Well, whatever you want, María.
04:45I said it to help.
04:47Oh, thank you, Gemma.
04:48Really.
04:49Isabel, take care of the garlands and the lanterns.
04:56Well, nothing.
04:57What do I do then?
04:58Clap my hands?
05:01Well, Gemma, you can take care of the cake.
05:03Do you know the best confectioneries in Toledo?
05:06Perfect.
05:07But that's too little, so I'm also going to take care of the chairs,
05:11and the dishes, and the glasses.
05:13And also the blankets.
05:15Very good.
05:16Great.
05:17So Isabel and I will take care of the masonry, the napkins, and everything else.
05:21Yes.
05:27Tomorrow, on the day of Our Lady of the Perpetual Rescue,
05:30the 30th anniversary of the founding of the prestigious company,
05:33Perfumerías de la Reina, will be celebrated.
05:35It will be a great party.
05:38Taking advantage of the festival,
05:40the company's board of directors has wanted to decorate their facilities
05:43to offer an exquisite event,
05:45the evening when all the employees of the factory,
05:49as well as the authorities...
05:50I've ordered the food.
05:52Do you think they're going to name me?
05:54Shut up, man, I can't hear you.
05:58Here we are again.
06:03Man, no, no, no.
06:05You can't spoil yourself now, man.
06:08Come on, calm down.
06:10How do you want me to calm down, please?
06:12It's new.
06:13And I need it for the feast, man,
06:15so that people get excited and spend money on me.
06:17Let me take a look at it.
06:19Do you know how to use the radio, Isidro?
06:21No, but I've fixed a car's spark plug
06:23and I don't think this will be so difficult.
06:25Do you have a screwdriver around here?
06:27Who would send me to change the radio?
06:36I'm really coming, Negra.
06:41What's wrong with you? Are you okay?
06:44I'm going to tell you two things.
06:46Which one do you want me to start with?
06:48Well, normally there's a good one and a bad one, so...
06:51Very good.
06:52Well, tomorrow we're going for a cocktail.
06:54Seriously? Where?
06:56To the Queen's house.
06:58Luis told me that Damien wants to celebrate
07:00the factory's famous anniversary
07:03with us as guests.
07:08Well, this time I'm going to have to fail.
07:10Because I have to help Maria
07:12with the preparation of the factory.
07:14I have to organize a lot of things.
07:16I have to go and book the cake.
07:18A thousand things.
07:20And I don't want to fail.
07:21Because if I don't, the perfect lady will come
07:23and throw it in my face.
07:25Well, don't worry.
07:26You can always do everything.
07:28Are you sure you'll have everything ready before the cocktail?
07:30I hope so.
07:32Well, now tell me the other thing.
07:34The bad thing, right?
07:35Yes.
07:36Let's see.
07:38My brother has a meeting tomorrow
07:40with the director of the central bank,
07:41and he decides with some tests in the laboratory.
07:44And I have to go.
07:46And what's the problem?
07:48Gemma, they're not going to give me the mortgage.
07:52No.
07:53I'm afraid that as soon as I enter,
07:55they'll see this face of starvation that I have,
07:57like what happened to me with Peralta,
07:58and they won't give me the mortgage.
08:07Good morning, sir.
08:08I'll have a coffee and clear myself.
08:11Well, if you're not clear at this time, we're in trouble.
08:14I haven't been in La Colonia for two days
08:16and I'm fed up with my roommate.
08:18What do you mean?
08:19That Vicen, he snores like an animal.
08:20He won't let me sleep all night.
08:22But you've come back to your room, to La Colonia.
08:24Yes, well, problems with the woman, don't ask.
08:26No, no, I'm not asking anything.
08:28I just hope you can solve it soon.
08:30Yes, I'm listening.
08:33By the way, now that I look at it,
08:35what are you doing with Gaspar's new radio?
08:37Well, I wanted to talk to you.
08:40Which one do you prefer?
08:41Two.
08:42The radio you sold doesn't work anymore.
08:44Well, I don't know.
08:46How is it possible that Gaspar is so high-end?
08:48Yes, that's what I thought too.
08:49Because, come on, when it was discovered
08:51that your friend was a swindler, I said,
08:52well, he must have sold it somewhere.
08:54But, come on, I really doubt it.
08:55Well, why?
08:56Because he's been fooling around for days
08:57and it's been a minute since he's died.
08:59Come on, don't listen to him anymore.
09:01Well, I don't know, it must be some cable
09:02that's not well-plugged, I don't know.
09:04Ah, perfect.
09:05With that explanation, you're so high-end.
09:07With the money I pay you for it, right?
09:09I told you this doesn't have much to do with it.
09:11Look, Gaspar, what do you want me to do?
09:13If he fooled me like he fooled you?
09:15Well, look, I'm going to tell you what I want you to do.
09:18That you give me back all my money.
09:20What?
09:21Look, I don't care what happened to you.
09:23And that Carmen also kicked you out of the house.
09:25But when they caught that bird,
09:27they also got all the money back, right?
09:29Well, then it's legal for me to get my dad back too.
09:31Yes, I know, Gaspar, I know.
09:32But I put your share for the second remittance.
09:35And right now I'm worse off than a rat.
09:37What do you want me to tell you?
09:38You've really left me in the lurch.
09:40And on top of that, in exchange for a very expensive gun
09:42that doesn't even work.
09:43Well, look, let me take it for a couple of days.
09:45I'll take a look and see what happens.
09:47No.
09:48Of course.
09:49Here, another engineer like Isidro
09:50has never seen a radio in his life
09:52and he goes hand in hand.
09:54I don't want an old junk that doesn't work, huh?
09:57So you bring me a new one,
09:59a real good one,
10:00and a real good one,
10:01or you give me all my money back.
10:03And no matter how sorry you make me,
10:04I feel more sorry for myself.
10:06I didn't expect this from you.
10:08No, no.
10:09Not from you either.
10:10I don't break my back for that
10:11just because I'm being swindled.
10:13Well, they swindled me, Gaspar.
10:14Well, I'm sorry, I'm sorry.
10:16But you were the one who messed with me.
10:17So now you have to face the consequences.
10:21Don't scratch it, please.
10:22On top of that.
10:23Please.
10:25Oh, my God.
10:28Well, if you're so afraid,
10:30let's practice.
10:32Get up.
10:34Joaquín, get up.
10:36I'm going to be the director of the bank.
10:38Practice.
10:41Good morning, sir.
10:42Don't laugh, take it seriously.
10:45Good morning, Mr. Merino.
10:47What can I do for you?
10:49Good morning, Mrs. Andrade.
10:50Press hard, please.
10:52It's important.
10:55As if you were in a bar,
10:57doing a pulse.
10:58He has to notice that
11:00he has phosphatism.
11:01Like little.
11:02Good morning.
11:04Good morning, Mrs. Andrade.
11:05Good.
11:08What can I do for you?
11:10Well...
11:13I wanted...
11:15Well, I wanted to ask you...
11:16No, no, no.
11:17I can smell your fear.
11:18Sit down, sit down.
11:19Let's start over.
11:20Your fear can't smell.
11:21You have to show confidence.
11:24Think that bank directors
11:25are like savages.
11:27So, confidence.
11:29And...
11:30You also have to be a little nice.
11:32Ironic, if necessary.
11:33Ironic, too?
11:34That's it.
11:35You can tell him something like, for example...
11:40I've come to make him make money.
11:44What are you laughing at?
11:47Joaquín!
11:49You're the smartest bank director I know.
11:51And the one who smells the best.
11:57What?
11:58At least you've relaxed a little.
11:59Yes, yes.
12:00Yes.
12:01Now I know how the interview starts.
12:03But the most important thing is to know how it ends.
12:06And, Gemma,
12:07if they don't give me the mortgage,
12:10our dream ends in that office.
12:13Not at all.
12:14They're going to give you the mortgage.
12:15You're going to enter that office
12:16and you're going to take the mortgage from that director
12:18and whatever you propose.
12:19And you know why?
12:20Because men like you
12:21give the mortgage whenever they need it.
12:29Come in.
12:32Hello.
12:37Did you go to see Begoña?
12:38Yes.
12:40And how did you find her?
12:41She hasn't come down to eat today
12:43and she hasn't called me all day.
12:45She's very upset, Andrés.
12:47I asked her if she was still taking pills or anything else
12:49and she said no.
12:51But when I went to draw her blood
12:52to do an analysis,
12:53she refused completely.
12:55In fact, she became violent
12:56and kicked me out of there
12:57with all the fury she could gather
12:58despite her precarious state.
13:00Maybe if you hadn't treated her that way.
13:02I don't know, Luz,
13:03maybe she needed more tact.
13:05Andrés, Begoña is also my friend, you know that.
13:08I worry about her as much as you do.
13:11Besides, somehow I had to check
13:13if she was really sick.
13:15And you didn't believe her?
13:16Begoña is not a liar, Luz.
13:18Andrés, don't be fooled.
13:20All addicts are.
13:21I don't like you talking about her like that.
13:23Well, I'd rather talk about her like that
13:25than think about anything else.
13:27What do you mean?
13:30That if it's not an addiction problem, then...
13:33It could be the first thing on my mind.
13:36And that's the last thing I'd like to face.
13:39Because then I know
13:40that the person I love
13:41is the one I love.
13:42That's the last thing I'd like to face.
13:44Because then I know
13:45that we'd lose her forever.
13:48So before giving up,
13:49I'd rather discard anything else.
13:52Begoña needs us.
13:54She needs to know that no matter what happens,
13:55no matter what she does,
13:56no matter how strange it seems,
13:58we'll be there to support her.
14:00And why is it so hard for us?
14:03Let's not judge her, Luz.
14:05Let's just support her.
14:08Andrés, you're in love.
14:10Do you think your unconditional love can save her?
14:16Maybe I'm the one who's wrong
14:17and Begoña isn't taking anything.
14:21But soon we'll know the truth.
14:23How can you be so sure?
14:26Because when she runs out of pills,
14:27and she does,
14:29she'll need more.
14:32Then we'll know what the real problem is.
14:35And if Begoña is willing to let herself be helped,
14:37she'll detoxify.
14:40And if she isn't,
14:43does that mean she's willing to suffer
14:45her mother's illness?
14:48Unfortunately, that option would be stronger.
14:52But let's trust that it's just a bad rite of passage.
14:54Yes, it has to be that.
14:57Because I don't want Begoña
14:59to be the woman
15:02I fell in love with again.
15:07I don't know what I'm going to do with you two.
15:11Now we have to wait.
15:13With a little patience,
15:15she'll give us the keys to know what's going on.
15:33Oh, Salito,
15:34I wanted to apologize for what happened before.
15:36Maybe I was a little rough.
15:38No, you haven't done anything wrong, woman.
15:40It's me who's always up to no good.
15:42And that's how my life goes.
15:43Well,
15:45my mother is a liar.
15:47I'm sorry I made you come here for nothing.
15:52I was hoping to see you at the slaughterhouse, you know?
15:55But since you didn't come,
15:56it was hard for her to convince me.
15:59Oh, José,
16:00I don't want you to go with this bad taste in your mouth.
16:03Well,
16:04if it makes you feel better,
16:05I'll take you with me.
16:06If it makes you feel better,
16:07I'll also take an old cross I bought for my collection.
16:12Well, if it makes you feel better,
16:15I'm very excited to see you.
16:19Before,
16:20when...
16:22we were kids,
16:24everything was easier, right?
16:26And more beautiful.
16:28Well, it was different.
16:31Do you remember when we used to go together
16:33to feed the donkeys?
16:34The donkeys?
16:36You used to laugh at them.
16:38Come on, I didn't laugh.
16:40Do you remember the day I told you
16:42I'd kiss one of them
16:43to make him a prince?
16:46The bastard you ate?
16:49I told you it was with the frog.
16:52Can you imagine?
16:53He would have forgotten about me because of a pig.
17:00That's good.
17:02In the end,
17:04you did it.
17:05And without even being a pig.
17:07Well, pig,
17:09for me,
17:10you're always a special friend.
17:14I know.
17:16But now,
17:17don't ask me to hold your hand
17:18like when we came back from the era.
17:21Well, I asked you to hold my hand
17:23because I was afraid of going back alone at night.
17:27But that, for me,
17:29was like touching the sky.
17:31That's why I came here.
17:32To touch it again.
17:36Yes, I...
17:38I understand you,
17:39because I also have very good memories of that time.
17:43Love doesn't forget the first thing, Claudia.
17:46Come on, Paco, don't make a big deal out of it.
17:49No, you bring me 40 chairs tomorrow at the first hour
17:51and then I'll invite you to a pancake and a coffee
17:53and Gaspar's.
17:57It's just that it's all too little for you, Paco.
18:00Well, okay.
18:01Yes, yes,
18:02you'll have some extra tip.
18:05But bring them to me, for God's sake.
18:08Okay, perfect.
18:09Thank you very much, see you tomorrow.
18:13Oh,
18:1440 foldable chairs,
18:15almost free,
18:16so that later they'll call me Mrs. Perfect.
18:21And what's wrong with you?
18:23Well, I'm missing my contract and my brother's.
18:26Neither of us keeps it.
18:29What a mess of men.
18:31And what are you waiting for?
18:32To go get a copy?
18:33For it to be a little later
18:34and for the office to be more quiet.
18:38Gemma.
18:39Tell me.
18:40You...
18:42Would you accompany me to the Central Bank tomorrow?
18:45Me?
18:46But what am I painting there?
18:48If the house you're going to mortgage is your family's?
18:51Well,
18:52when a man goes to his wife's arm
18:54to ask for a loan,
18:56it gives a better impression
18:58than if he goes alone.
18:59It inspires confidence, darling.
19:02Then why don't you take a vase
19:04and take it with you?
19:05No.
19:06It will cause the same feeling.
19:07But I'm not saying that, darling.
19:09I say it because you negotiate much better than me.
19:11And you have more people's gift,
19:12well, when you don't have to, of course.
19:14Well, that's why.
19:15Look how I dealt with Peralta.
19:16Yes, but in the end you solved it.
19:19And I'm sure that when the time comes,
19:20you'll give me a cable.
19:22Darling,
19:23you have the security I need.
19:26I,
19:27with you by my side,
19:28I'm capable of doing anything.
19:31Really?
19:32Really.
19:33We form a very good team.
19:35And what do I tell Maria?
19:36I can't leave her alone now.
19:37But who said that?
19:39Gemma, really,
19:40it will be seen and not seen,
19:41I promise you.
19:42We have an appointment at the first hour.
19:43At nine, nine and a half,
19:44we'll be here again.
19:46And where are we going to spend the night?
19:48Well, at the hotel from the other day,
19:50if you like.
19:51I'll call right now.
19:52And are you going to wear that black suit
19:54that suits you so well?
19:55I'll even invite you to dinner.
20:02That's a yes.
20:04Where are you going?
20:06To prepare the suitcase.
20:07We have to present ourselves elegantly
20:09in front of the banker.
20:10I'll also get your tie.
20:18Tell me one thing,
20:20how is it that you are pregnant
20:21and you are not with anyone?
20:23Well...
20:26Well, because I had a celibate boyfriend
20:29and very little time,
20:31but enough to do something stupid.
20:34And the rest, well, you can imagine.
20:37You couldn't touch heaven either.
20:40Since my mother found out,
20:41she hasn't stopped hitting me
20:43so that I don't raise my son alone.
20:46And the woman doesn't want to understand me.
20:48That may not be right,
20:50but I understand poor Ramona.
20:52Well, now I just need her to understand me.
20:55And what happened to the father?
20:57Did he smoke?
20:59No, no.
21:01The father is close.
21:03What happens is that you can't do ...
21:07He can't be a father as such,
21:09because he is in a difficult situation.
21:11Well, you go.
21:13Sorry.
21:14No, no, no.
21:15If you are not wrong, Joselito.
21:18You are very brave, you know?
21:20You know?
21:22Well.
21:23I, more than brave,
21:24I would say I am a survivor.
21:26Because I have no choice.
21:28Are you sure about that?
21:30Because if you are afraid,
21:32my hand will still be there.
21:34Like when we came back from the era.
21:36What do you mean?
21:40Well, if necessary, I give you my hand
21:42and whoever comes.
21:45No, no, no, Joselito.
21:46Really.
21:48You are very good people,
21:49but ...
21:51but it's not a good idea.
21:55But well, Joselito,
21:56we will always have
21:58the good memories
21:59between us
22:00and the affection we have.
22:02Well.
22:04I, more than affection,
22:07I would call it otherwise.
22:09Really, you don't.
22:14Oh, Joselito.
22:16I had a great time with you
22:17and you made me laugh a lot.
22:21And I will always carry you in my heart.
22:32You made a very nice kiss.
22:48Sorry, Mrs. Ángela,
22:49I met a client and she entertained me.
22:52Don't worry.
22:53Carmencita Maja.
22:55How are you?
22:56Well, how am I going to be?
22:57Worried about my son.
22:59Well, don't worry,
23:00I already told you
23:01that it was nothing important.
23:03Oh, well, then what is it?
23:04You made so much mystery on the phone
23:05that one does not know what to think.
23:08Look,
23:10your son has been the other way around for a couple of days
23:13because of a piece of news that has broken his heart.
23:15Well, tell me, please,
23:16are you going to break my heart?
23:18You know who his father is.
23:23Mother of God.
23:25In the end ...
23:27Yes.
23:28Don Damián spoke to him
23:31and since then everything has gone from bad to worse.
23:34But why didn't he tell me anything?
23:35Why didn't he call me?
23:36Well, I also know it from Azena.
23:39From one night to the next,
23:40they started going hunting together
23:42and doing some very strange things.
23:44I already had the fly behind my ear,
23:46so I had no choice but to tell him.
23:49Yesterday I went to talk to Don Damián
23:50and he told me to keep it a secret.
23:53And to think that I was the one who insisted
23:56that he tell him.
23:57But I did it with good intentions.
23:59No, of course, and I have no doubt, Mrs. Ángela.
24:02But the news has made him lose his mind,
24:04he is very disoriented.
24:07And he has gotten into a good mess.
24:09What mess?
24:10Tell me all at once, please.
24:12Well,
24:14because he was at the level of his father and his brothers,
24:17he wanted to become a businessman,
24:19reselling household appliances to the people here in the neighborhood.
24:22And he couldn't get away with it.
24:24Who? Do I know him?
24:26No.
24:27He's a swindler.
24:30He was here working in the factory
24:32just in time for Enreda Tassio
24:34to invest all our money in that business.
24:37What do you mean?
24:38He kept the money,
24:39he kept the money, he paid for it, he added all the appliances,
24:42and then, well,
24:43he disappeared overnight.
24:45But it can't be, my Tassio is not that stupid.
24:47His Tassio is not his Tassio right now.
24:49Mrs. Ángela is very lost.
24:52He spent a night in the dungeon.
24:55And there would have been more
24:56if Mr. Damián hadn't taken care
24:59of paying all the people affected by the scam.
25:02He did that?
25:03Yes.
25:05He took care of everything, except for our money.
25:08Of course, why would he do that?
25:10I don't know, he's fine.
25:13But he left me with a hand in front and another behind.
25:16You're right, Carmencita.
25:19Mrs. Ángela,
25:21I...
25:23I understand that
25:24I can't let this pass.
25:28We've argued
25:31and I've kicked him out.
25:38You're doing the right thing.
25:39This son of mine has to die at once.
25:42Mrs. Ángela, it's just...
25:43It's just a gift.
25:45And I'm afraid he'll go down the wrong path again,
25:47but I can't do anything.
25:48As you understand,
25:49I have to stay firm in my decisions.
25:52That's why I thought that maybe
25:54your mother
25:57would help me with him.
25:59Of course, my daughter.
26:00Of course.
26:02Let's see, where is that Zopinco?
26:04Get me the bags, Maja.
26:05I can't.
26:06What are you doing here, Tordio?
26:08I'm bringing you snacks and canned food
26:10for your flight.
26:12Do you still have the fridge
26:13or have you lost it too, dear?
26:36No.
26:57Good afternoon.
26:58Good afternoon, Isabel.
27:00I don't know if you know,
27:01but your wife and I
27:02are helping Mrs. María
27:04hand in hand.
27:05Of course I know.
27:07Hand in hand and elbow to elbow.
27:10I must say that Zema
27:11has an enviable energy.
27:14You're going to tell me.
27:17I wanted to do something
27:18with the conch of La Verbena
27:19and I haven't even asked him.
27:21No, don't worry.
27:22I wanted to tell Jesus something.
27:25Well, in fact,
27:26you can tell him.
27:27Of course, tell me.
27:28But we're already here.
27:29Tomorrow I'm going to enter
27:30the factory a little later.
27:32And why is that?
27:34Good afternoon.
27:36Because I have to take the car
27:37to the workshop.
27:39And you can't take it in the afternoon
27:40as God commands?
27:41No, because it's the only gap
27:42they have free.
27:43Wow.
27:44Yes.
27:45Oh, and look,
27:46in fact, Jesus,
27:47I wanted to tell you something.
27:48I think we should be
27:50more flexible in this company.
27:53More flexible?
27:55Yes, be more flexible
27:56with the workers.
27:58I think they should have
27:59a couple of hours a month
28:01free to be able
28:02to solve their issues.
28:04Then they would be happier
28:05and later they would perform better.
28:08What do you think, Isabel?
28:10My cousin is doing merits
28:11to get his head
28:12in the board,
28:13as his brother's smartass did.
28:15What's the matter?
28:16Have you already thought
28:17about the cocktail invitation?
28:19No, no.
28:21No, I don't think
28:22it's such a crazy idea
28:24to give a hand to the workers.
28:26Listen to me, Joaquín.
28:27Tomorrow you take the car
28:28to the mechanic
28:29or wherever you want.
28:30But stop talking nonsense
28:31about what to do
28:32or not in this company.
28:35Less thinking
28:36and more work.
28:38Sure.
28:39You're the boss.
28:41So you'll see.
28:42Exactly.
28:43I'll see.
28:45And what you'll see
28:46is that tomorrow we'll be able
28:47to drink all the cocktails
28:48you want
28:49and toast to life.
28:50But never forget
28:52what your place is, Joaquín.
29:01Anything else?
29:03No.
29:05Well, see you tomorrow then.
29:06See you.
29:33Come in.
29:35What is it, Jaime?
29:37Luz has gone out
29:38to make some
29:39home visits.
29:41Not the Luz I want to see.
29:43I want to talk to you.
29:45I don't know what we have
29:46to talk about, Luis.
29:50I'm sorry.
29:51Maybe it's better
29:52if I don't bother you then.
29:53No, it's fine.
29:54It's fine.
29:55Forgive me.
29:56It's fine.
29:57It's fine.
29:58It's fine.
29:59It's fine.
30:00It's fine.
30:02If you're worried about her,
30:03you've come at the right time.
30:08And it's not too much
30:09to enjoy these talks.
30:10I don't have many left.
30:15It's fine that you don't lose
30:16the sense of humor
30:17in spite of everything.
30:18Sit down.
30:19Sit down, please.
30:21You see, Jaime,
30:24Luz has told me about her past.
30:28About what she's hiding.
30:30I assumed she would.
30:31How is that possible?
30:33I just can't believe it.
30:35How can a woman
30:36as responsible and prudent
30:38as Luz be acting
30:39without a title?
30:42Something like that
30:43is what I thought
30:44when she told me.
30:45And why didn't she report you?
30:46What...
30:47What was it?
30:48Because you were together?
30:50Well, it's more complicated
30:51than all that.
30:56Was it because
30:57she also kept the secret
30:58about your illness?
30:59No.
31:00I suppose she influenced you at first,
31:03but then I realized
31:04that Luz is an exceptional doctor.
31:06Yes, yes, yes.
31:07I have no doubt about that,
31:08but imagine...
31:11Imagine, Jaime,
31:12that any misfortune
31:13with a patient
31:14happened and someone
31:15asked her for responsibility.
31:17The consequences
31:18would be devastating
31:19for Luz and the company.
31:20That's right.
31:21And what do you propose?
31:24I need a reason
31:25not to report her.
31:27A reason?
31:30Have you stopped to think
31:31that maybe there isn't one?
31:35Jaime, I...
31:36I'm part of the company's board.
31:40I can't allow myself...
31:41Luis,
31:43with or without a title,
31:45Luz is one of the best
31:46doctors I know.
31:48Her commitment
31:49to patients
31:50is way above
31:51many colleagues
31:52who fill their offices
31:53in the center of Madrid
31:54with titles
31:55they don't even deserve.
31:57If you let a paper
31:58get in the way
31:59between her and you,
32:00you'll regret it
32:01for the rest of your life.
32:04You can have
32:05a future with her.
32:08Take advantage of it.
32:23How do you feel?
32:27Better.
32:30How's school?
32:31Very good.
32:32Today was like
32:33a holiday.
32:34Why?
32:35Because first we had
32:36some homework
32:37and then,
32:38at the last minute,
32:39drawing.
32:40Do you want me to show you
32:41what I've done?
32:42Please.
32:53Do you like it?
32:57It's beautiful.
32:59This landscape
33:00gives me
33:01calm and serenity.
33:04I wish I could live in it.
33:07I'll give it to you
33:08as a gift.
33:11You're welcome.
33:12In fact,
33:13I thought a lot about you
33:14when I drew it.
33:16I'm going to keep it
33:18as a souvenir.
33:20I think it's the most beautiful
33:21thing you've given me
33:22in a long time.
33:23I love seeing you
33:24so excited.
33:25I'm going to bring you
33:26a drawing every day
33:27so you can stay like this.
33:29You're a sun.
33:30You don't have to.
33:32The truth is
33:34I've slept a little
33:36and now I feel clearer.
33:38And after seeing you,
33:39I feel even better.
33:40You're my vitamin.
33:41I love you.
33:47I was thinking
33:48of taking a walk.
33:49Do you want to come with me?
33:50I'm sorry,
33:51I can't.
33:52Isidro is taking me
33:53to Rita's house.
33:54His father has bought
33:55a new projector
33:56and he's going to show us
33:57a movie.
33:58That's a good plan.
34:00It's been so long
34:01since I've seen a movie.
34:03Do you remember
34:04we could go together
34:05to Toledo this weekend?
34:06Just the two of us?
34:07Of course.
34:08We could go shopping
34:10and then we could go
34:11have a snack
34:12at the confectionery
34:13at Plaza de la Mar de Alena.
34:14Yes, please.
34:15Yes?
34:19What are you doing?
34:20Well,
34:21I wanted this lady
34:22to come with me
34:23for a walk,
34:24but at least
34:25she has plans.
34:27Isidro is taking me
34:28to Rita's house.
34:29Very good.
34:30But tell her
34:31to pick you up
34:32before eight, okay?
34:33I want you back
34:34for dinner.
34:35Very good, I'll tell her.
34:36You'd better, miss.
34:38What about you?
34:40How are you?
34:42Better.
34:44I'm glad to hear that.
34:47I'm going to tell Tere
34:48to make you
34:49an infusion
34:50with some candy
34:51and then we can
34:52go shopping.
34:53That's great.
34:54You have a fifth partner.
34:57I'll leave you the drawing.
34:58Of course.
34:59Have a good time.
35:00Bye.
35:05How nice.
35:07Jesus,
35:08the truth is
35:10I'm a little tired
35:11and
35:13I think it's better
35:14to skip that
35:15for another day.
35:16I'll go out
35:17to the garden for a while.
35:20Of course.
35:21Don't worry,
35:22rest as much as you can.
35:24Tomorrow is going to be
35:25a very busy day
35:26for everyone in this house.
35:27So what?
35:28My father has organized
35:29an aperitif
35:30with the Merinos
35:31to celebrate
35:32the company's anniversary.
35:35Do you feel like attending?
35:37I don't know what to tell you.
35:38The truth is
35:39the days go by
35:40and I'm not feeling well.
35:42Well,
35:43be patient.
35:44I'm going to the kitchen
35:45to make you
35:46that infusion.
35:47I'll bring it to you in five minutes.
35:48I'd better go.
35:49Yes,
35:50stretch your legs a little.
35:51Don't worry about that.
35:52There are many people
35:53in the kitchen.
35:54You'd better have a snack here
35:55calmly
35:56and then go for a walk
35:57in the garden.
35:58I won't be long
35:59to bring you that infusion.
36:03Yes.
36:17It didn't go well
36:18with Claudia, did it?
36:20I'm having a great time.
36:22Although there's something
36:23that makes me feel
36:24like she's in Toledo
36:25and I'm in Dominico.
36:28You don't have to hide
36:29your feelings with me.
36:30I know what Claudia
36:31But it's better not to say it out loud because there are people who don't know.
36:41I don't understand. We've known each other since we were kids.
36:44We like each other and I can give her a future and you know...
36:50Why doesn't she want to see me in painting?
36:52Do you really think that what I can offer her is worse than what she expects?
36:57Let's see, Joselito. Claudia chose her path a long time ago.
37:02And in fact, if it wasn't for her mother, I don't think your paths would have crossed again.
37:09No, it's clear that what Ramona wanted was for me to have a grandchild.
37:13Do you know what I'm telling you? That I'm delighted.
37:17Your third coffee. One more and you're on your way to spending the night under the candle.
37:22With coffee or without coffee, I already knew that.
37:27What's wrong with you, kid? What is it? Pain in the balls? Debt? Love sickness? Health, money or love?
37:36Well, I'm in good health. And I don't need money for luck.
37:41Your heart is broken, come on.
37:44No, it's not broken. It's destroyed. And I don't understand why.
37:48But if the last thing he told me was that he would always carry me in his heart.
37:52But has he really told you that?
37:54If he doesn't stop talking about how well we had a good time when we were together as kids.
37:59But hey, but where do you get that she gave you a ticket?
38:04That that girl is not rejecting you, that she is begging you, man, it's not the same.
38:07Seriously?
38:08Well, it's very clear.
38:09Let's see, Gaspar, be careful because you're messing with me.
38:12But what do you know about these things?
38:14Mateo, please, what do I tell you that I have the milk?
38:17That if he has told you that, it is to spoil you, not to kick you.
38:21Man, I hadn't seen it that way.
38:23Well, if you haven't seen it that way, it's for a reason, isn't it?
38:27Don't you think? Because he probably told you what he told you because he likes you and wants to comfort you.
38:32No, man, no, no. You have to go for her.
38:35But if he has left it to you, I will always carry you in my heart, man.
38:38You have to know how to get in line.
38:40What milk! You're right.
38:45Thank you very much for the coffee.
38:47And especially for the advice.
38:49I return accompanied to Don Benito as my name is Jose Francisco Pérez Pulido.
38:54Yes, sir.
38:59What do you say, Mateo? How does it end?
39:03Good or bad?
39:07I think it's good.
39:15Well, mother, the desire that I had ...
39:20I understand that Carmen has told you everything, right?
39:22What do you think? She's cheating on you and she's right.
39:26Look, letting you mess up like a loafer, you're not going to learn.
39:30It's normal for a woman not to be able to do it anymore.
39:32Especially now that you're scared of her because you're leaving her.
39:35Mother, I'm not leaving her.
39:36Look, you're not going to learn.
39:38It's normal for a woman not to be able to do it anymore.
39:40Especially now that you're scared of her because you're leaving her.
39:43Mother, I'm not leaving her.
39:44Look, I would take you out of your house if it weren't because your wife doesn't even want to see you.
39:48Look, please, I don't need any more trouble.
39:50They have cheated on me and they have cheated on me, so please don't make me more blood.
39:54There's something else, right?
39:57Damien has told you.
40:00Well, yes.
40:01So you can see that I'm not the only one who does bad things here, because what a fabric.
40:05How could he have deceived me all these years?
40:07It was easier said than done, but you're not wrong.
40:11My father was a traveler.
40:13You know I was looking for him like an idiot.
40:15I'm very sorry.
40:16No, no, I'm the one who's sorry.
40:18I had him right in front of me and I didn't realize it all these years.
40:21Damien and I made a deal.
40:23I couldn't break it.
40:24He was married and couldn't face it.
40:27But he always made sure you didn't miss anything, Tassio.
40:30Yeah, he's already told me a couple of details.
40:34Can I at least ask how you met?
40:38Let's see.
40:42I worked as a waitress at a restaurant in Illescas.
40:46Damien went there with his partners.
40:48And one day...
40:49No, no, no, don't tell me anymore.
40:50The gentleman got carried away with the waitress he was serving when he was going with his friends to have a drink, right?
40:54It wasn't just one night.
40:56If that's what you mean.
40:58For me, it was a very beautiful time.
41:01Beautiful and sad, don't lie.
41:02What a piece of paper.
41:04Imagine when I got pregnant.
41:08That's when we both woke up from sleep.
41:12And I decided to fade away and make a new life outside of Toledo.
41:16And you don't hold a grudge against him?
41:19On the contrary.
41:21I'll always be very grateful to him.
41:24When you were just getting into trouble,
41:26he didn't hesitate for a second to find you a job here, in La Colonia.
41:30He's never had a no for you.
41:32Yeah.
41:34But I'll always be a second son to him.
41:38Don't say that, son.
41:41I don't think he deserves it.
41:43Neither do you.
41:45Yeah, but it's the truth.
41:47I'll never be a second son to Don Damián.
41:49Never.
42:08Digna.
42:09Did Luis tell you about tomorrow's aperitif?
42:11Yes, he called me this afternoon to let me know.
42:13He's been very insistent.
42:15And I suppose he also told you that you don't need to cook anything,
42:18that the people from El Salvatierra will bring the food.
42:20Very good.
42:22My father will be very happy to see us all together for a day.
42:26Jesus, don't say that.
42:28I'm sure he'll be very happy to see us all together for a day.
42:30Jesus, don't say that.
42:32I'm sure he'll be very happy to see us all together for a day.
42:34I'm sure he'll be very happy to see us all together for a day.
42:36Jesus, don't try to hide it from me.
42:38We know that this is...
42:40This is what this house needs right now.
42:43And above all, it's what Begoña needs.
42:45Maybe she'll cheer up a little.
42:48Yes, I also hope she'll cheer up.
42:51Yes, I'm very worried about her.
42:54Especially after the reaction she had last night.
42:56I had never seen her so...
42:58She didn't look like her.
42:59We all saw that she's having a very bad time.
43:01Digna.
43:02Digna.
43:03Tell me something.
43:04I spend all day at the factory and I can't be aware of her.
43:08But do you know if she had any other similar episode these days?
43:13All I've seen is that she's very sad.
43:16And that she misses her mother very much.
43:18Yeah.
43:19It's been a very hard blow for her.
43:21But I confess that I don't know what else to do to get her to change her mind.
43:26If you're interested in my opinion,
43:28I think Begoña needs a lot of care.
43:31And also that we leave her alone.
43:34Time will take care of the rest.
43:41Me too.
43:43I thought it was just sadness.
43:45But after last night, I don't know what to think anymore.
43:49Do you think what happened has something to do with her mother's illness?
43:55No, don't say that.
43:57The idea terrifies me.
44:00But I'd lie to her if I said it hadn't crossed my mind.
44:03Let's not draw hasty conclusions.
44:06The pain of a loved one is a hard and slow process.
44:10And we both know exactly what we're talking about.
44:14Yes.
44:15Yes, I hope I'm wrong, but there are certain things that don't get me married to being in pain.
44:20Jesus.
44:22Now that her mother is dead, you're the most important person for her.
44:27Don't you think you should put the company's needs aside
44:31and focus on your wife's?
44:34Do you think I'm neglecting her?
44:36No, I didn't say that.
44:38I mean, things happen in a marriage.
44:42And if we see that our partner is having a bad time,
44:45a very bad time,
44:46we have to do everything we can to help her get out of the hole.
44:52Who did it?
44:53Who destroyed it?
44:55Calm down, calm down. What is this?
44:57It's a gift Julia gave me this afternoon.
44:59I told her I'd keep it forever and now it's broken.
45:02Calm down, calm down.
45:03We'll tell her to make another one.
45:05I don't want another drawing.
45:06When I kept it in my book, it was perfect.
45:08It was intact.
45:09Someone had to take it and destroy it.
45:11Someone else had seen it, apart from Julia and you.
45:13No one.
45:15No one.
45:17I swear...
45:19I kept it in my book with all the care in the world.
45:23Someone could have taken that book.
45:27I don't know.
45:29I'm confused.
45:32My love, you're going through a very difficult time
45:36and it's normal to forget things.
45:39But it's just a drawing.
45:43That landscape gave me a lot of peace.
45:47I wanted to frame it.
45:50How about you take a nap and rest?
45:53That's it.
45:54Sleeping will be good for you.
45:57You'll feel better when you wake up.
45:59Yes.
46:01I'm very tired, auxiliary.
46:03Come on, lean on me.
46:07Let's go upstairs and rest.
46:09Don't worry, I'll stay with you until you fall asleep.
46:19I love you.