La promesa - Temporada 3 - Ep 404
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00:00I've basically been thinking about our wedding for a while now.
00:04There's nothing stopping us from getting married.
00:07So what do you want?
00:09To set a date, right?
00:12Whatever, right?
00:15And to do it like that, why would he ask you?
00:17Well, I don't know, but I wasn't going to say no.
00:19I want to marry him. It would have been ugly, right?
00:21Well, of course.
00:22Besides, the important thing is that we get married,
00:24and that's what I want.
00:26I want to marry him. It would have been ugly, right?
00:28Well, of course.
00:29Besides, the important thing is that we get married,
00:31and that's what I want.
00:32Tell me why you sent that invitation to the Duchess of Carrera.
00:36I did it to punish Vera.
00:38For having played it on me,
00:40that I can't forget her, Mrs. Petra.
00:43And I thought that if I had more work,
00:45she would end up coming down and looking for support in me.
00:48I can't stop thinking about Martina and that she's going to enter a convent.
00:51Yes, it's crazy.
00:52Yes, but we're not doing anything to stop it.
00:54We should kick Ayala's ass.
00:56A scandal cannot be resolved by covering it up with another.
00:58Ayala will not back down,
01:00unless Martina has sold that marriage.
01:03I understand that she doesn't want to accept something like this,
01:06but no matter how much it hurts her,
01:08that Ayala gets away with hers would be the most practical thing.
01:11You're not going to stop ruining that innocent girl's life.
01:14Come on, Petra, don't be dramatic.
01:16You won't be so cynical the day I talk.
01:19If you haven't done it yet,
01:21it's because you know no one will believe you.
01:23We'll see.
01:24I assure you that I will not miss the parish when I speak.
01:29My love.
01:34These have not been good times for the promise.
01:37My cousin treated like a vulgar criminal.
01:39My sister sleeping in a hangar.
01:42And Pia.
01:44You haven't told her anything that you don't have to say, have you?
01:46No, I haven't told her anything, Maria.
01:48But it has crossed my mind to do so.
01:51If it's not about Cali, what's your problem?
01:54This priest doesn't have the same habits as Don Fermín.
01:58And he doesn't want anyone to help him.
02:00He doesn't intend to hire a woman to take him home.
02:04That's right.
02:05Gregorio wrote to Don Rómulo.
02:09But how did he write to him?
02:11But for what? What did he tell him?
02:15To tell him that he knows you're not dead.
02:17That you're not dead.
02:19Of course, what you don't have to do is take the threats.
02:22I wish to look light.
02:23You don't have to speak for speaking.
02:25I'll talk to Mr. Marqués and consult with him before making any decision.
02:30I must ask him to speak to him as soon as possible.
02:32Because I don't know if Mrs. Pia will hold out much longer in that cave.
02:35As you know, fidelity is the pillar for everything to work.
02:38Whether it's an army, a company or a marriage.
02:41Well, I don't know about war.
02:43But in a marriage, of course.
02:44Fidelity is the basis.
02:46And once you lose confidence, there's nothing to do.
02:50Exactly.
02:52There's one thing I have to tell you and I can't keep hiding it from you.
02:57What is it about?
02:59Mrs. Pia.
03:04Mrs. Pia is not dead.
03:10Can someone tell me what the hell is this that I just received?
03:17Did you think I wouldn't find out?
03:27With all due respect, Captain, but I don't know what you're talking about.
03:31Oh, no?
03:32And where did this bottle come from?
03:36I don't know.
03:37We have nothing to do with that jar.
03:41May I?
03:47In fact, this jar is being sold in the market in Lujan, Captain.
03:51Yes.
03:52Very well.
03:53And I wonder ...
03:55Have you heard that you want all this fruit?
03:58This fruit?
04:00We don't intend to make jam with this fruit.
04:03And you expect me to believe it?
04:05This fruit is for tomorrow's dessert.
04:09As you will see, there is a great variety.
04:12We might as well make a macedonia.
04:17You know, before giving with this jar, I already had the fly behind my ear.
04:21Do you remember our last conversation?
04:23I remember it perfectly, Captain.
04:25In that conversation, you fired the three of us from the business.
04:28And do you remember the reason for that dismissal?
04:31That the army was unhappy, that we no longer sell as before.
04:36Yes, I remember.
04:39Well, from there, I started investigating.
04:43And what don't they know what I discovered?
04:46How are we going to know, Captain?
04:50Well, I found out that there is a supplier that makes me competition.
04:55And as López says, he sells his jam in the market in Lujan.
05:01It is quite normal, because the jams are very simple to make.
05:06They like it a lot and they sell very well.
05:08That's right. And well, Captain, if they are selling it alone in the market ...
05:11Silence!
05:13I know that the Taltadeo is behind the business.
05:15And I wonder where the hell he will get the product.
05:18Or he will get it from anywhere else.
05:21Because I already told you that from here, right?
05:25How are we going to be behind everything?
05:28You know, I'm one of those who think that everything can be done with the right motivation.
05:33And what would that motivation be?
05:36I don't know.
05:37I don't know, maybe this is the work of some unhappy employee.
05:41Or of some recently fired worker.
05:46I don't think so.
05:48I'm not talking to you, I'm talking to López.
05:51I'm sick of him trying to take my head.
05:54Captain, we haven't done anything.
05:57I have nothing to do with that jam.
05:59And much less with his jam being sold less and less.
06:02Your opinion is still uninteresting to me.
06:04But the truth is that it touches my nose that this jam is better than ours.
06:09Well, they already say that there is nothing written about tastes.
06:13Everything is written about tastes.
06:16And I've tried it, you know?
06:18Coincidentally, it tastes the same as the ones you made before.
06:22I'm going to find out what's behind all this.
06:24And when I do, they'll only be left trembling.
06:28We wish you luck in your investigation.
06:33Don't you think it would be better if you kept quiet?
06:36Yes.
06:38Captain, would you like anything else?
06:42That's all for now.
06:46Good afternoon.
06:47Good afternoon.
06:48Good afternoon.
07:08Good afternoon.
07:10Good afternoon.
07:38Good afternoon.
07:39Good afternoon.
07:40Good afternoon.
07:41Good afternoon.
07:42Good afternoon.
07:43Good afternoon.
07:44Good afternoon.
07:45Good afternoon.
07:46Good afternoon.
07:47Good afternoon.
07:48Good afternoon.
07:49Good afternoon.
07:50Good afternoon.
07:51Good afternoon.
07:52Good afternoon.
07:53Good afternoon.
07:54Good afternoon.
07:55Good afternoon.
07:56Good afternoon.
07:57Good afternoon.
07:58Good afternoon.
07:59Good afternoon.
08:00Good afternoon.
08:01Good afternoon.
08:02Good afternoon.
08:03Good afternoon.
08:04Good afternoon.
08:05Good afternoon.
08:06Good afternoon.
08:07Good afternoon.
08:08Good afternoon.
08:09Good afternoon.
08:27Manuel, what happened was that desperation led him to think about taking his own life.
08:31And then we sought a better solution, what we thought at that moment was a better solution.
08:37Pretending to be dead.
08:41Hanna, how could you do that?
08:43Manuel, it was all my fault.
08:47What?
08:48It was my idea.
08:51You have to understand that the situation was desperate, Manuel.
08:54Gregorio had left a bottle of Cicuta in Mrs. Pia's room.
08:59Why did he do that?
09:00Why do you think?
09:02Because he wanted her to take the step.
09:04Who is she?
09:05Who is the evil queen?
09:07Of course I know.
09:09And I thought that if he thought that he had gotten away with her,
09:12he would leave Mrs. Pia alone.
09:14With Mrs. Pia dead, he had no one to threaten.
09:17So I proposed it to her and then to Mr. Baeza,
09:21and it was your father who helped us execute him.
09:24Does my father know?
09:25Your father knows.
09:27But of course he has been very discreet and that is why you did not know.
09:31Of course.
09:33Manuel, without your help we would not have been able to do all this.
09:38At first we told that Mrs. Pia had gone to her town
09:41and then we heard the rumor that she had died there.
09:44Yes.
09:46That's what they told me.
09:48But honestly, now I'm thinking that maybe it wasn't such a good idea.
09:53Why?
09:54Because Mrs. Pia's situation has not improved at all.
09:57She is desperate, unable to see her son.
09:59She is buried alive in a cave.
10:02Cave?
10:04What cave?
10:05Mrs. Pia is now hiding in the cave where Valentín kidnapped María Fernández.
10:13We thought of hiding her there until Gregorio knew she was dead.
10:17That cave.
10:19Hanna, the plan is not so bad,
10:22even if it is a cold, humid and unbearable place.
10:27It doesn't matter.
10:28It doesn't matter at all because the bastard Gregorio dared to defile the grave where Mrs. Pia was supposed to be.
10:35Really?
10:37Yes.
10:39He has gone to his town and has proven that she was no longer there.
10:42So now he knows everything.
10:44And the worst part of all this is that he has threatened to kill her as soon as he finds her.
10:55Hanna, this is terrible.
10:58That bastard can get away with it right now.
11:01What are you saying, Manuel?
11:03According to what you have told me, Mrs. Pia is dead to everyone.
11:08And if that bastard goes with her and manages to do what he wants,
11:12they will not be able to blame him for anything.
11:15My God.
11:17We have to do something.
11:19Manuel, you can't do anything.
11:21You can't do anything because you're supposed to know nothing and this has to go on like this.
11:26But please, if you come up with any idea, whatever it is, tell me.
11:32And I'll tell Mr. Baeza.
11:39Am I interrupting?
11:40Catalina, no, not at all.
11:42Well, sir, if you don't need anything else, I'm leaving.
11:45Thank you, Hanna.
11:47Miss.
11:53Sister.
11:54Are you going to redecorate your hangar?
11:58Yes.
12:01But not for now.
12:04And I already told you, I like it better the way you had it.
12:19What's wrong with you, Lorenzo? Any setback?
12:22Ruffians.
12:23Who are you talking about?
12:25Your cooks.
12:27They are selling jam in the village. Specifically, that jam.
12:30What? Are they making jam behind our backs?
12:33That's why my jars are no longer sold as before.
12:35But I don't understand. Your buyer is the army.
12:38What does one thing have to do with the other?
12:40Do you have proof of what you're saying?
12:42Do you think it's not enough?
12:44They know the same as those who did before. Those people laugh at me.
12:47It's the worst reality.
12:48Lorenzo, wait.
12:50You are insulting our service.
12:54Is there any relationship between this jar and my cooks?
12:56No, there is no relationship. For now. But I think it's obvious, right?
13:01Maybe the women in the village want to make extra money by making jam on their own.
13:05And you think that's good? Those women work for me.
13:09Those women are free to do whatever they want with their time.
13:11As long as they comply with the company, they can do whatever they want.
13:14They don't respond to any Castrian discipline.
13:17You don't understand anything.
13:19There's nothing to understand.
13:20Your sales in the village have always been anecdotal.
13:23If you stop selling 10 or 20 jars, the business won't go down.
13:27I don't give credit.
13:28I'm telling you that the origin of everything is in your kitchens and you don't care.
13:32You should be more concerned about the good hand of the cooks.
13:36It doesn't make any sense to keep thinking about something we don't know for sure.
13:41Petra, come here for a moment.
13:43Come here.
13:48Ma'am.
13:49Are you aware that the cooks are making these jams?
13:53They are the jams that are sold in the market in Luján.
13:56That doesn't answer my question.
13:57As far as I know, ma'am, the promise service has nothing to do with this matter.
14:01As far as you know.
14:03Ma'am, I am aware of everything that happens in this palace.
14:06And I can assure you that these jams are not made here.
14:10You've already heard it, Lorenzo.
14:11It seems that so much time in the army makes you see enemies where there are none.
14:15So calm down and come on, let's go change for dinner.
14:19I'm not calm at all.
14:21You will understand that I am alert if I consider it necessary, right?
14:28Are you sure you are aware of everything that happens here?
14:32Doubt offends, ma'am.
14:34No, what offends me is knowing that I can no longer trust you.
14:38Don't disappoint me, Petra.
14:40Prove that you are up to the job.
15:02Mrs. Alcos, what brings you here?
15:04Do you know anything about some jams?
15:09Well, if you can be more specific.
15:11Yes.
15:12They are jars that are apparently being sold in the Lujan market.
15:16And Mrs. Marquesa has asked me if those jams are being made here at the promenade.
15:22I told her I didn't know.
15:24But she has questioned that information.
15:28I know what we all know.
15:30That the women of the town are the ones who make those jams for the business that the captain leads.
15:36So we are not making any kind of jams here.
15:40For a long time, right?
15:42Are you sure about that?
15:44If something like that happened at the promenade, I imagine we would have noticed.
15:48Yes, that's what I think.
15:50But apparently Mrs. Marquesa needs more certainty.
15:53She can inquire if you are calmer.
15:56I would appreciate it.
15:58There is something I would appreciate you doing for me.
16:03You will say, Mr. Pellicer.
16:06It's about my son.
16:09I have to ask you to stay away from him.
16:12Excuse me?
16:14I don't understand you, Mr. Pellicer.
16:16Last night I saw you leave your office and it seemed to me that you were talking more complicity than usual.
16:22What are you insinuating?
16:24Nothing.
16:25What is evident is that your closeness is growing.
16:28And is that bad?
16:31I'm going to be very clear.
16:34I'm afraid you are a bad influence for him.
16:38A bad influence?
16:42It is a shame, Mr. Pellicer, that you are not able to see that your son is a man made and right.
16:48And that he has enough ability to make his own decisions.
16:52I don't doubt that.
16:53Then let him choose his friends.
16:56No.
16:57Not when I'm sure he's making a mistake.
17:02I wonder, Mr. Pellicer, if the cause of your problems with your son is not because you continue to treat him as if he were a child.
17:11Listen, Mrs. Alba ...
17:12No, no, no. I have nothing to hear, Mr. Pellicer.
17:16Mrs. Marquisa would be very grateful if you were able to confirm or deny that we have nothing to do with that matter.
17:23I will do so, do not hesitate.
17:25Mrs. Alcos.
17:38Listen to this.
17:40Tomorrow at seven in the afternoon in Puebla de Tera, the applauded Lilliputian troupe will perform.
17:48The what?
17:49The Lilliputian troupe.
17:52They do comedy and parody exercises.
17:55In the summer theater.
17:56We could go. It will be fun.
18:00Well, yes.
18:01Yes, the thing is that I don't know if I traveled to Puebla de Tera to see it at night.
18:05I don't know if it's very funny.
18:07You're right.
18:08Besides, that road is not very good.
18:10And I don't trust much of our driver's expertise.
18:14We could think of something else.
18:16Is there any other plan in the newspaper?
18:26Well, no.
18:28Well, well ...
18:32We have to spend another night here, alone.
18:35Hidden from the rest of the inhabitants of La Promesa.
18:41Who was going to tell you, huh?
18:43Two free, independent women.
18:47Hanging out every night in this room.
18:50Don't talk about you.
18:52I don't know you.
18:54Don't talk about you.
18:56I don't consider myself free or much less independent.
19:00Well, you have to be.
19:01But who do we want to fool if I haven't raised my head for a long time?
19:06Those are nonsense, cousin.
19:09No, that ...
19:11You know perfectly well that I have never been superstitious.
19:14But I start to think about everything that has happened to me and ...
19:18I don't know, I have the feeling that there must be something.
19:21Something like what?
19:24Well, I don't know. Something.
19:28You won't refer to the magical entities that Blanca Palomar was talking about, right?
19:34I mean the evil eye.
19:37And the only person that comes to mind is Beatriz Oltra.
19:40Oh yeah.
19:42That woman. That woman.
19:45It gives me the feeling that before your father kicked her out of the palace ...
19:49He cursed me or something like that.
19:52But if you don't believe in those things ...
19:54I already know what I believe in, Catalina.
19:56Those are superstitions.
19:59And this is just a bad streak.
20:01I'm sure it will pass soon.
20:04But I'm not so sure.
20:06Well, I am.
20:08And I am so convinced that I am postponing a trip that I have to make.
20:12Because I know that your situation will improve soon.
20:14A trip? Where are you going?
20:17Well, I'm not looking for a place but ...
20:19A specific person.
20:22I have to talk to Count de Añil.
20:25With Pelayo?
20:28With Pelayo, why?
20:34We have to talk about things that were not resolved at the time.
20:38And only if I do, I will be able to move on.
20:41Then go.
20:43But go now.
20:45Don't wait for my situation to be resolved because it can go for a long time.
20:48Well, more reasons to stay by your side.
20:50No.
20:51No, Catalina, really, don't worry.
20:53Go easy.
20:55And I ...
20:57I will try to be here when you return.
21:13Man.
21:14I was looking for you.
21:16What are you supposed to be doing here?
21:18Uh ... Here.
21:20I was sewing a button that ...
21:22It has come off, hooking on the furniture.
21:24Wasn't there any maid available?
21:26No, for a particular matter.
21:28No way.
21:30The job inventory is not a particular matter.
21:32Well, you're right, but it's too late.
21:34Man, it's not late. I'm going to let someone know.
21:36No, you don't have to let anyone know.
21:38Man, no.
21:41Well, yes.
21:42Look.
21:43I recognize it.
21:45It relaxes me a little.
21:48Well.
21:49I didn't know, did I?
21:51But from time to time.
21:53If it were a regular task, no, because it is very tedious.
21:56But hey.
21:57And it's getting harder and harder to sew the needles.
21:59Well, I don't know if I would be able to do it.
22:01Well, it's all a matter of practice.
22:03You should try.
22:06And what were you looking for me for?
22:10Mr. Arcos has shown up this afternoon at the office.
22:13And what has that woman done to him now, to put it in a polite way?
22:17Well, apparently,
22:19Mrs. Marquesa has asked him about the jam.
22:23Oh my God.
22:24That's a contradiction.
22:26That's what I thought.
22:27And what did you tell her?
22:29Well, I kept the guy perfectly in front of her.
22:31You denied the eldest.
22:32Of course, of course, of course.
22:34Then I went to talk to the cooks to find out where all this was coming from.
22:38And apparently, the captain of the MATA had paid them a visit.
22:43Oh, well, that's a problem, yes.
22:46And what did he want from them?
22:47Well, to find out if they were behind the Oaxaca jams.
22:50Although he was actually sure it was like that.
22:52So they haven't been discovered?
22:54He mainly suspects Lope.
22:56He thinks it's a revenge for his dismissal.
22:58Yeah.
22:59No, but the boy reacted calmly and denied everything.
23:02And do you think he convinced him?
23:04Well, not quite.
23:05Because then the captain went up to complain to Mrs. Marquesa.
23:09From there, the Marquesa talked to Mrs. Arco.
23:11And then she went to talk to you, right?
23:14I don't like the way she's taking this matter.
23:16No, neither do I.
23:17But look, at this point, what we have left is to hold on and deny everything.
23:22If everyone maintains the same version, the captain will not be able to discover anything.
23:26You're right, yes.
23:27The only thing we have left is that.
23:29Because the alternative is that they fire us.
23:31I'm sorry I got you involved in this mess.
23:33No, man, you didn't get me involved in anything.
23:35I agreed that this would be taken care of.
23:37I'm sorry for the amount of lies and no for the captain.
23:41I don't care about that man.
23:42Well, it is obvious that he has not managed to earn the sympathy of anyone in this palace.
23:46But of no one, right?
23:47I'm sorry for getting innocent people like you into trouble.
23:51And for deceiving Mr. Marques.
23:54Because everything he has done for us is not worth it.
23:57You did what you considered right.
24:00Well, we have no choice but to move on with this mess.
24:20You are here.
24:21Yes.
24:27When you told me you wanted to talk to me, I didn't hesitate.
24:32I thought ...
24:35Ana.
24:38That you wanted something from me.
24:41Yes, I want to talk to you.
24:45There is something that worries me.
24:48Of course, tell me, what is it?
24:51Cruz.
24:53His behavior makes me very uneasy.
24:56Of course.
24:58Cruz.
24:59He's asking me too many questions about you and me.
25:03About whether we get along or not.
25:04I know, I know. Me too.
25:07You haven't told him anything?
25:10Of course not.
25:12All I told him was that we had a good relationship.
25:15But the truth is that he also makes me restless with his questions.
25:18Well, you have to give up the promise as soon as possible.
25:20You can't delay it any longer.
25:25Any excuse is good to kick me out, right?
25:28It's not that.
25:30We can't continue like this.
25:32Of course not.
25:33Because it is very difficult to cover the sun with a finger.
25:36I don't know what you mean.
25:38I'm talking about you, about me, Alonso.
25:40Of the obvious.
25:41I'm talking about what has happened between us, about what there is.
25:44There has been nothing between us.
25:46And of course there isn't.
25:48What do you mean nothing?
25:51Look, you may be ashamed of everything we've lived,
25:53but for me it has been something important and very beautiful.
25:56What?
25:57Two stolen kisses?
25:58Call it whatever you want.
26:00But we both know perfectly well what happened.
26:03Maria Antonia, nothing happened.
26:05Please, get your sanity back.
26:07How dare you?
26:10I came here thinking that ...
26:11I don't care what you think.
26:13It's part of your fantasy world.
26:15Don't you see it?
26:19It is obvious that it is useless what I tell you.
26:22Don't go, don't go.
26:24I won't let you go and leave me with the word in my mouth.
26:27If you go, I swear you'll regret it.
26:43I love you.
26:44I love you.
26:45I love you.
27:11Martina, I brought you breakfast.
27:20Come on.
27:21Drink it before it gets cold.
27:23I don't feel like it now.
27:28Martina.
27:31Listen to me.
27:32I know you talked to Uncle Alonso and Cousin Manuel.
27:36And I also know that you didn't listen to them.
27:40Well, I'm not going to listen to anyone.
27:46Unfortunately ...
27:48You're going to have to listen to me.
27:50Well, yes, what a remedy.
27:51You brought me breakfast.
27:53Martina, I'm serious.
27:56Time goes by.
27:57And the Count's threat is getting closer and closer to being fulfilled.
28:00Yeah, yeah, and what can I do?
28:01Well, stop giving up.
28:02And prevent them from sending you to that damn convent.
28:04I swear I can't escape.
28:06I already told you that I have no strength left.
28:08You couldn't and you don't propose it to me anymore.
28:10I can't do anything.
28:11Well, then you're going to pay for something you haven't done.
28:13Because I have no doubt that you are innocent.
28:18For that very reason.
28:20You can't go to that convent, Martina.
28:22Although the only way to get rid of you, well ...
28:24You don't like it.
28:28Martina.
28:30You're going to have to give your blessing to the wedding of the Count of Ayala and your mother.
28:33Yes, yes.
28:34No, I can't, no.
28:36Martina.
28:37I can't give in to a blackmail, Curro.
28:39And I can't allow my mother to sacrifice her life.
28:42I can't allow my mother to sacrifice her life with a blackmailer to get me out of the convent.
28:46I can't.
28:47Don't you realize that your mother wanted to marry that man long before all this happened?
28:51That you are the one who has always put a stop to it.
28:53First with that if your father's death was very recent.
28:56And then ...
28:58Then for anything, Martina.
29:00Don't you realize how he thinks?
29:02How he gets a benefit from everything that happens to him?
29:04That is not appropriate for my mother, Curro.
29:06But that doesn't belong to you, Martina.
29:08Your mother has the right to redo her life.
29:10And also to make a mistake, if necessary.
29:12Yes, yes, but not with him.
29:14Making a mistake with him can be fatal, I know it.
29:19And haven't you thought?
29:21That maybe the Count of Ayala is so in love with your mother
29:24that he is willing to do whatever it takes to become her husband.
29:30Martina, think about it.
29:31No.
29:32No.
29:33No.
29:35Even ...
29:37to give you freedom.
29:39To the person who thinks he tried to kill you.
29:44Please, Martina, be reasonable.
29:47You can't go to that convent.
29:56But how did Lope touch her face?
29:59Well, I think so.
30:00The boy did all the challenges in the world.
30:03And he didn't blink, huh?
30:05As much as the captain pressured him.
30:07No.
30:08Well, Mrs. Gandela, I did blink a little,
30:10especially when he took the knife.
30:12Did he really do that?
30:13Of course you have to be a coward.
30:15Yes, but all he did was peel a fruit.
30:17Don't take credit for it, Lopillo.
30:19The captain of the mate was very threatening.
30:21Thank you for your interest, Lope.
30:23You are very brave.
30:24Of course.
30:26But hey, it wasn't that bad.
30:28And we shouldn't tell Victoria,
30:29that we may have misled her yesterday,
30:31but she won't stop until she knows where the jams come from.
30:34I told you.
30:35If this happens,
30:36I will try to face everyone.
30:38I won't let anyone pay the price for me.
30:41If I hear from the market,
30:43I'll tell them it was my doing.
30:44But what does Virtudes say?
30:46Here nothing for one.
30:47Here two for one,
30:48and one for two.
30:50A moment of attention, please.
30:53Has something serious happened, Mr. Baeza?
30:55You have both come here.
30:57Mr. Pellicer and I want to talk to you
30:59about the jams.
31:01Oh, mother.
31:02It's not good news.
31:04But it's not as bad as it could have been.
31:08What happened?
31:09Has everything been uncovered?
31:10No, no.
31:11The secret is still safe.
31:12In fact,
31:13we have covered their backs in front of the Marquises.
31:16Which has made me feel pretty bad,
31:18by the way.
31:19Well, come on, Camille.
31:20They are getting into a huge problem.
31:22For me.
31:23We do it for you and Adolfito.
31:25So you can give him a home when we know where it is.
31:28Well, but despite the obstacles,
31:31we have done it with great pleasure.
31:33Isn't that right, Mr. Pellicer?
31:35I also wanted to tell you that.
31:37But unfortunately,
31:38things have gotten very ugly
31:39since the captain intervened.
31:41We have tempted luck too much
31:43and we have to stop doing it.
31:46They won't make any more jams.
31:48I'm sorry, Mrs. Carranza.
31:49Yes, we deeply regret it.
31:51Don't worry.
31:52I don't want to put anyone's position at risk
31:54because of me.
31:57On my part, Mr. Baeza, I agree.
32:00Me too.
32:02We'll have to warn the women of Lujan
32:05to shut up.
32:06Yes.
32:08Because it is very important
32:09that each and every one of them keep the secret.
32:12They were aware of that, of course.
32:14But I will talk to them again
32:16to inform them of the news.
32:17Also talk to Tadeo.
32:19So they can deal with everything that happened.
32:21There can be no cracks.
32:23No.
32:28Well, daughter, I am very happy
32:29that you have left the confinement of your room.
32:32Well, actually, if I did,
32:33it was because I wanted to talk to you.
32:36To me?
32:39I wanted ...
32:41to apologize.
32:43Because I have never acted
32:44with the intention of harming you.
32:47I have always taken it for granted, daughter.
32:50In fact, I have been able to sin otherwise.
32:53To exceed myself looking for your well-being.
32:56But I know that ...
32:58that we both have a very strong character and ...
33:01and that maybe that's why we often collide.
33:04Well, yes.
33:05We do.
33:07Well ...
33:08I wanted to apologize.
33:10From the bottom of my heart.
33:12And also ask him not to take into account
33:14the things I say when I let myself be carried away.
33:17Well, you are ...
33:18totally forgiven.
33:20Martina,
33:21I also say many things that I regret,
33:23but that doesn't mean I don't love you very much.
33:27I love her very much too.
33:32And ...
33:34despite everything that has been said these days,
33:36I also want you to know that I don't ...
33:38I know perfectly well that you didn't poison anyone.
33:42It's just that I get angry with Alconde and Ayala,
33:45and you know it,
33:46but I would be unable to do something like that.
33:48I know.
33:49But someone did it, daughter.
33:51And I believe that you are the perfect candidate
33:53to take responsibility.
33:55And that's why it's so important for me that ...
33:57that he believes me.
33:59And that he knows that I am innocent.
34:02I believe you.
34:04And that's why ...
34:05I also have to ...
34:07apologize to you.
34:10You?
34:12Because I didn't ...
34:14I didn't calculate the consequences of getting you into that sanatorium.
34:17Well, I know that ...
34:20I know it had to be a very difficult decision and ...
34:23I don't blame you.
34:25Well, I thought it was ...
34:26the least of the evils, because it was that or ...
34:29or jail.
34:30Yes, I know that Alconde and Ayala can be very persuasive.
34:35But I want to think that if ...
34:37if he has acted that way, it has been ...
34:41because he has let himself be carried away by his desire to marry you.
34:45A desire that ...
34:46that is becoming almost ...
34:48an obsession.
34:51And you share it.
34:56Yes, you know very well that I do.
34:59I wish ...
35:00to marry Ignacio.
35:04Well, in that case ...
35:07I want him to know that he has my blessing.
35:11Do you mean it?
35:13Uh-huh.
35:15Have fun with him.
35:18And I will accept it without reproaches,
35:21without consequences,
35:22and without impediments.
35:25In fact, I will wish you all the happiness in the world.
35:30But there is one more thing.
35:32Tell me.
35:35When they leave the promise to live in the palace of the count, I ...
35:39I want to continue living here.
35:42Under the tutelage of my uncles, it is ...
35:44my only condition.
35:50Good.
35:52So be it.
35:55For now you have ...
35:57you have accepted Ignacio and that is very important to me.
36:02I'm going to ...
36:03I'm going to look for him to tell him to cancel your entrance to the convent.
36:25Come.
36:37You've stained my nose.
36:39Come, I'll clean you up.
36:46I'm just here to prepare the service.
36:52Santos!
36:53Wake up!
36:54Excuse me, Mrs. Petra.
36:59How are you feeling this morning?
37:03I'm fine, since you say so.
37:06Are you upset?
37:08No, it's not that.
37:11Then?
37:12It's not your fault.
37:16Come on, Mrs. Arcos, you know you can trust me.
37:20Okay.
37:21Mrs. Marquesa.
37:23She's very irascible and ...
37:24this morning she didn't even let me comb her hair.
37:26Wow, I'm so sorry.
37:28And why are you like this?
37:29Well, I'm not sure.
37:31But the truth is that she takes advantage of any excuse to get back at me.
37:35Yesterday.
37:36Yesterday she ...
37:38she slapped me because I wasn't aware of I don't know what about some jams.
37:42Some jams?
37:43Yes.
37:44The captain of the Mata, who holds an absurd theory that the cooks are making jams here
37:50to sell them later in the market in Luján.
37:54You don't know anything.
37:55Me?
37:56Not at all.
37:58You're the one who found out about the palace secrets.
38:01Yes, but four eyes see more than two.
38:04That's true.
38:05But you know that these scoundrels don't tell me anything.
38:08They consider me on the enemy's side.
38:11But I don't know which side you belong to either, Santos.
38:15Yes, you do.
38:16You don't know.
38:18And that's why you haven't told my father about Mrs. Margarita's invitations.
38:23Well, simply because I have decided that he doesn't have to be aware of all the service matters either.
38:31What are you going to ask me in return?
38:33Nothing.
38:35I preferred to shut up, that's all.
38:39Because ...
38:41I appreciate you a little, Santos.
38:43And I don't want to see how you ruin your life.
38:46What do you mean?
38:48That if you keep doing your job well, one day you will be able to reach the position of mayor.
38:54But you know that I aspire much more, Mrs. Peta.
38:57But you will have to go up step by step, right?
39:00And I will not be the one who throws your plans to the ground.
39:06What's wrong with you?
39:08That I'm a scoundrel.
39:10Why do you say that?
39:11Because it's true.
39:12Right now, for example, I just stained a sleeve of one of the gentleman's jackets.
39:17What are you saying?
39:22Let me see.
39:24It's just that I've lost my mind.
39:26I don't know what's wrong with me lately, but everything goes wrong.
39:29Well, it's not that bad.
39:31What do you mean?
39:33It's not that bad, it's just a little dark.
39:36Ignacio.
39:41You'll see, we'll find a solution.
39:44Are you sure?
39:46Yes, I'm sure.
39:48Trust me.
40:00Ignacio.
40:02Margarita.
40:04What is it so important that you had to tell me?
40:07That my daughter has given us her permission and her blessing so that we can get married.
40:12So we can organize the wedding.
40:16Yes, it's good news, yes.
40:19Well, judging by your expression, who would say it?
40:24I'm sorry.
40:26I'm very happy, but ...
40:28Ignacio, what's going on now?
40:30You've been insisting on this topic for months.
40:33We both know your daughter.
40:36And something tells me that you're not being completely honest.
40:39What?
40:41Why do you think something like that?
40:43Well, because she doesn't say it because she agrees with our link.
40:46But because she doesn't want to enter the convent.
40:48Well, of course.
40:50But that's what you wanted, right?
40:52Yes.
40:54Yes, but ...
40:56Well, I'm sure she also does it for my happiness.
40:58Anyway, Alonso told us that if Martina took this step, everything would be solved.
41:02I don't understand what you want now.
41:06Let her admit that she poisoned me.
41:09Has she done it?
41:10No, no.
41:11She denies it completely.
41:13She's still lying.
41:14No.
41:15Because I believe her, Ignacio.
41:17Margarita, I will be her mother.
41:18Well, of course.
41:20But my daughter has given me her word.
41:23And what does she tell us that she will not change her mind?
41:26That after the wedding she will not try again and this time she will achieve her goal.
41:29Ignacio, for God's sake.
41:31My daughter would not be able to do something like that.
41:33I've talked to her.
41:34She has opened her heart to me.
41:35Come on, it's not the same.
41:37Okay, that's enough.
41:40I'm sorry, but I don't believe her.
41:45Besides,
41:48her purpose of revenge comes late.
41:52What do you mean?
41:54I've talked to the convent.
41:55Tomorrow they will come for her.
41:57What?
41:58For her own good.
41:59And for ours, of course.
42:01Let's not forget that a crime is almost committed here.
42:03And I'm being more than fair with my decision.
42:05No.
42:07You don't want justice.
42:08You want revenge.
42:10No, why do you say that?
42:12Are those the ideas that your daughter puts in your head?
42:14But Ignacio, don't you realize that if you make Martina suffer, you're making me suffer?
42:18No.
42:19No, Margarita, no.
42:20I love you.
42:21More than anything in the world.
42:23What I want is your happiness.
42:25Margarita.
42:27I've been through a lot for you.
42:28Ignacio, I've been through a lot for you.
42:30But what is clear is that you are not the person I thought you were.
42:45Yes, this type of wound is frequent on the forehead.
42:48The machine gun disfigures the faces and leaves them practically unrecognizable.
42:52Please.
42:53That's why the German government has decided to assist 500 soldiers and rebuild their jaws.
42:58Those are the broken faces that the press talks about.
43:01That's right.
43:02Can't you really talk about something that isn't so disgusting?
43:06Mother, I know it's not a pleasant topic, but ...
43:09Well, we should thank the advances in medicine.
43:12Some solution would have to be given to those soldiers.
43:14Many of them ended up taking their lives for not being able to recognize themselves in the mirror.
43:17Well, that's enough.
43:20Has anyone seen Catalina?
43:21No.
43:23I've looked all over the palace.
43:24I haven't seen her all day.
43:25Me neither.
43:26Where could she have gone?
43:29Have you thought about giving notice to the service?
43:31Maybe she has decided to go back to hide in her hole.
43:35Catalina is not in the hangar.
43:39She has decided to go see Count ...
43:42Pelayo?
43:45My God, that girl is more crazy than I thought.
43:47What did she go to see?
43:50Apparently, she wanted to talk to him.
43:52Why didn't she send him a letter?
43:55I guess she wants to do it face to face.
43:57It is outrageous that she drags herself at the feet of that traitor of the homeland.
44:01Traitor? Please, Captain, don't exaggerate.
44:03Manuel, that man has hurt your sister a lot.
44:05No, Alonso.
44:07We can't keep treating Manuel as if he were a little boy.
44:09He has to know what the acts of Catalina imply.
44:12No, Cruz.
44:13No, let me tell him. It makes me so excited.
44:15Lorenzo, you don't mess with me either.
44:16Enough!
44:18Please, someone tell me what's going on here.
44:22Well, Pelayo, in addition to behaving very badly with your sister,
44:25used her embalming business to trade with guns.
44:28She smuggled with the English, for more signs.
44:31Now do you understand why what Catalina is doing is so serious?
44:34She can't go back to the arms of a man who has put us in danger like this.
44:38And who has compromised our reputation in that way.
44:40I'm going to look for her. She can't go back with him without shame.
44:43No, Father.
44:44She is in serious danger, Manuel.
44:46Catalina knows much better than any of us, Eseo.
44:51Listen, I don't know the reasons she could have ...
44:53You don't know the reasons we have to distrust.
44:56Even so,
44:59I think it's a decision that only concerns my sister.
45:02And we must let her do it.
45:16Salvador?
45:17Yes.
45:18Are you okay?
45:19Yes, yes, yes.
45:21I'm fine, yes.
45:23I see.
45:24Forgive me, it's just ...
45:25Well, I don't know, it seems to me that you have your head all over the place and ...
45:29And you have an ax in your hands.
45:30No.
45:31I mean, I don't know if I have the ax, I'm already aware of it.
45:34I see.
45:36I'm afraid you'll get hurt, that's all.
45:39Well, maybe you're right.
45:40I'm going to stop cutting the line for later.
45:42Almost better.
45:43Are you sure you're okay?
45:45Yes, yes, yes.
45:46It's true that I have my head where it shouldn't be, but ...
45:49But yes, I'm fine.
45:51Are you thinking about something in particular?
45:54No, I don't think so.
45:56And couldn't you be thinking about an event that you're going to experience now?
46:00What event?
46:03Salvador, you know that María tells me everything.
46:05Yes, well, I know I have to tell you many things.
46:07That apart from the dormitory, you share confidences.
46:09Yes, well, I know I have to tell you many things.
46:11That apart from the dormitory, you share confidences.
46:14And that's why I know about your purpose.
46:18What purpose do you mean?
46:20Salvador, your wedding, for God's sake.
46:21Ah!
46:22You were talking about that, okay? The wedding.
46:23Of course, what am I going to talk about?
46:24Okay.
46:26Yes, well, let's hope you're lucky this time.
46:30This time?
46:31I mean, let's see if I get to a port.
46:34Finally.
46:35Well, of course.
46:36Yes.
46:38I suppose you're nervous, right?
46:39Yes, yes, I am.
46:41I see.
46:42Anyone who hears you could say that you don't seem to be excited.
46:47Of course I'm very excited, Hanna.
46:50Yes, yes.
46:51The thing is that we've been delaying it so many times that I don't believe it, but...
46:54Well, believe it.
46:56Because this time it's serious.
46:58And there's nothing that will make me happier.
47:00Good.
47:02Well, now I'm going upstairs to keep working.
47:04Of course.
47:07Sorry, Salvador, it's just that...
47:08Tell me.
47:09The ax.
47:11The ax.
47:27Goodbye.
47:36Goodbye.
48:00I've been waiting for months to receive some interesting literary news.
48:04But it seems that with this damn war, even bookstores are out of stock.
48:10There are many interesting ones for me.
48:13I've finished the readings that I uploaded to my room and now I'm looking for others.
48:21The truth is that...
48:26You came to try to cheer me up and...
48:29And you've done it successfully.
48:33You've been a balm for my wounds, María Antonia.
48:38I congratulate you.
48:40You seem to be friends.
48:45I thought that everything would get better after Manuel's return, but...
48:50Now we have to deal with Martina's problems.
48:53Not to mention my stepdaughter Catalina.
48:57Problems never end, dear.
49:00At this point, you should know what's left of it.
49:03Yes, that's why...
49:05If we waited for there to be no conflicts in the promise, you would never leave.
49:09And you would have things to attend to.
49:13Well, yes.
49:16I received a letter from my cousin Esmeralda inviting me to spend a few days with her in her little house in Mallorca.
49:24It sounds like a great plan.
49:27It is.
49:29But the truth is that my cousin's house is very small and I'm afraid it will end up being a nuisance for her.
49:34That's impossible, you're never like that.
49:37As for the space, I'll tell you that...
49:40These big palaces...
49:43Sometimes...
49:44They just serve to make our loneliness more evident.
49:50I hadn't seen it like that.
49:52Well, that's how it is.
49:53So you can leave without a hurry.
49:55With your cousin, who will be waiting for you with open arms.
49:57And don't worry about the books.
49:59You can take them, I'll give them to you.
50:05This sounds like a farewell, doesn't it?
50:10What's wrong?
50:12Does it sound too forceful?
50:16Well, yes.
50:18Yes.
50:20Especially considering that there won't be such a farewell.
50:22Farewell.
50:26Aren't you going to leave?
50:30Look, I think I've told you everything, but...
50:33Honestly, we don't know what to do to get Gregorio out of Mrs. Pia's life.
50:37Of course.
50:40And make everything back to normal.
50:45Manuel, I don't know what you're thinking, but you're not thinking about Mrs. Pia.
50:49You're right.
50:53I know it's something important, and I know what you care about, but...
51:04I admit that there is another issue that has absorbed me.
51:08And that's why you wanted to talk to me?
51:11I think I need us to talk.
51:14What do we talk about?
51:16What do we talk about?
51:19My love, do you know that during the time I was in the front,
51:23your memory was the only thing that enlightened me and gave me strength to move on?
51:27Stop telling me what I'm going to end up believing.
51:30Or do you want me to tell you that I've also thought a lot about you?
51:34Your kisses.
51:35Your hugs.
51:38I admit that those days on our beach were a recurring memory.
51:41And they helped me move on.
51:44And forget the nightmare I was living.
51:48Manuel.
51:51But that's over now.
51:54And now I'm back with you in paradise.
52:04I have to go, Manuel.
52:07I can't go like this. I can't go to work like this.
52:09I can't go like this. I can't go to work like this.
52:11Look at me, I can't go with everything.
52:13I throw away my hair, my clothes.
52:15I'm going to go before you get me involved.
52:18You're right.
52:20You're right.
52:21It will be better if we meet again when you finish your day, but...
52:28First, I need to tell you something.
52:33No.
52:35My love, I think that after everything we've suffered,
52:37after the anguish, the uncertainty...
52:43I think we should move on with our plans.
52:46What do you mean our plans?
52:50I swear that all the time I was at war, I only thought about one thing.
52:54It was something I was going to do as soon as I got there.
52:58And it was to ask you to be my wife.
53:01Again.
53:05What do you say?
53:07Do you still think the same?
53:10Manuel, marrying you has been and continues to be my dream.
53:15But I want you to be sure of the step you're going to take.
53:19I've never been more sure of anything in my life.
53:24And your parents?
53:26And the title of Marquis?
53:28What will they say?
53:30I told you that I'm willing to face everything.
53:34Everything.
53:35If you say yes.
53:40So...
53:42What do you say, Hanna Expósito?
53:45What's your answer?
53:50That I want to marry you.
54:04Let's go.
54:34Ah.
55:05What are you doing here?
55:11I...
55:13I went to your palace, but now some Frenchmen are inhabiting it.
55:16And Major Dombon told me where to find you.
55:18And why did you come?
55:20We have to talk, Pelayo.
55:22Talk?
55:23Yes, the last time we did it, I didn't want to listen to you, no.
55:26I didn't want to know your explanations.
55:28Yes, yes, I remember perfectly.
55:31I thought it was all going to be lies.
55:34That you weren't going to make me change my mind, but I've thought it over and...
55:37And I want us to talk. I want to listen to you.
55:40You, listen to me?
55:41Yes.
55:44Well, I'm very sorry that you made this trip to Valdecatalina.
55:46Because I have nothing to talk to you about.
55:48I'm with you.
56:01Well, then, Manuel.
56:03You're not going to believe it.
56:05What? He took off his clothes and he was made of solid gold.
56:08But where did that come from?
56:09I don't know.
56:10You're putting it on me as if I were the cabose.
56:12The Count already asked for what he asked for, right?
56:15And Martina has granted it.
56:16Yes.
56:17Well, then, that's it.
56:18Let's hope this is the end of the war between Martina and Ayala.
56:22How are you with Santos after the invitations?
56:25I asked him to leave me alone and he's doing it at the moment, so...
56:29Although you're right.
56:30I find it a bit strange that he doesn't do anything.
56:32I don't know, at least tell Mrs. Petra, just in case he hurts me.
56:36Well, I think it's great news that Martina has come to terms and doesn't have to go to a convent anymore.
56:41No, no, no.
56:42Nothing further from the truth.
56:44In fact, they're coming to pick her up tomorrow.
56:48I want you to understand that you're not going to get up one morning being rich or becoming Duke Santos.
56:54And I want you to learn that the only way you have within your reach to progress is with your effort and your work.
57:00And you're telling me this? Why?
57:03Because if you want, I'm willing to show you the ophiuchus.
57:09You can't even imagine how well I could go if you follow my advice.
57:12I'm desperate to make so many excuses.
57:15Soon you won't have to make them anymore.
57:18In the meantime, we could meet later at my studio.
57:22What are we going to study?
57:27Manuel, son, are you here?
57:30Maria, do you really want to get married?
57:32Are you still excited about the wedding?
57:37What?
57:39What?
57:40I was going to ask you the same thing.
57:43Cruz seems to be in a hurry to lose sight of me.
57:45What I don't know is why he's in such a hurry.
57:50You haven't told Cruz anything about what we talked about, have you?
57:53About what we talked about?
57:55About what happened. They came in. It was me.
57:57How come you're still here?
58:02I'm not leaving until I've talked to you.
58:05Are you never going to give up?
58:07Never.