Ben (Khalil Ramos) struggles to hide his jealousy and frustration as LJ (Gabbi Garcia) spends time with Tristan (Gil Cuerva) instead of him. Meanwhile, Tristan confides in his Nanay Norma (Lui Manansala) about his feelings toward his parents.
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00:00Colleen, are you ready for your first scene?
00:02Direk, Colleen couldn't sleep. She's thinking about the scene.
00:05Our first take, Direk, I think I almost fainted.
00:09What did you see?
00:10Earlier, in the scene, I think I saw something on the monitor.
00:16LJ, do you believe a place can be haunted?
00:20Wait for me. I'll get you back.
00:22And cut!
00:23Alright, that's a wrap everyone. Thank you for today.
00:26Thank you for your support earlier.
00:29I needed that.
00:30You're welcome, Direk.
00:32So, come back to Santa Castella.
00:36I want you to oversee the renovation personally.
00:39This project is very important to me.
00:42Can I count on you?
00:44I won't let you down, Dad.
00:47That's good.
00:50Because only one person can do this for me.
00:59So…
01:02So…
01:05What?
01:28Bro!
01:30You're back!
01:32Of course. Santa Castella needs me.
01:35Hey, LJ. It's always great to see you.
01:38Hello.
01:42Direk, Bunny and I will just talk for tomorrow.
01:46Okay.
01:47I'll go ahead.
01:48Okay, Miss Bunny.
01:49Take care.
01:50Bye.
01:58Bye.
02:09It's a good thing I have the keys to the kingdom.
02:13This is how you shoot a movie, right?
02:15It's like an assembly line.
02:17Yup. It takes a village.
02:20But I have to hand it to you, Ben.
02:22It's interesting to see how you make your movie magic.
02:24That's how you make it scary, right?
02:26A few props, a few sounds.
02:29And…
02:30Boo!
02:32Bro!
02:33You're still a kid, Ben.
02:34Come on, man. How did you become a horror director?
02:42Do you remember when we were kids, Ben?
02:44This house was our playground.
02:48And we didn't know how important it was inside.
02:54Tristan!
02:57Ben, hurry up!
03:00Tristan, wait for me!
03:02Tristan!
03:07Tristan!
03:12Tristan, where are you?
03:18Tristan?
03:21Tristan!
03:23Tristan, are you there?
03:25Tristan, let me out of here!
03:27Tristan, what's wrong?
03:29Tristan, what's wrong? Let me out of here!
03:31I don't want to!
03:32Tristan!
03:35Tristan!
03:36I don't want to!
03:37Tristan, I can't breathe!
03:38Give it to me!
03:39Tristan!
03:47Ben?
03:52Why did you ask me to come here?
03:54So you can be brave.
03:56So you won't be bullied by other kids.
03:58We'll put them there when they come back to this house.
04:02I thought you don't like to be bullied.
04:04Why are you doing this?
04:05I don't like to be bullied.
04:07But you need to know how to fight, Ben.
04:10The next time someone fights you,
04:11especially the trespassers here,
04:13you know what to do.
04:15You push them there.
04:16Then, run.
04:19Yet here we are.
04:20Look at us.
04:22You're making a movie about what you're afraid of.
04:26And as for me,
04:28well, I'm taking over everything for that.
04:31In fact, he asked me to refurbish this house.
04:34He wants to turn this house into a museum
04:36to showcase Santa Costella's rich history.
04:39Wow! That's great, bro!
04:42Hey, I hope we're not interrupting.
04:45You? Never, Ben. Never.
04:49In fact, take anything you need.
04:50Maybe you'll find someone who can help you with your movie.
04:53Meanwhile, I have things to do.
04:55I'll do what I need to do.
04:56Alright?
04:57Thanks, bro.
05:05Ma'am, you know what?
05:06This fabric should be made of velvet.
05:08So it'll look more feminine, thicker.
05:11Ma'am, ma'am, velvet.
05:13That's expensive.
05:14Miss Patty doesn't want that.
05:16Yes, that's right.
05:17Let's find a way.
05:18Okay, okay.
05:19Ma'am, here are the things.
05:20Inventory it,
05:21and tomorrow,
05:22we'll prepare what we need for the shoot.
05:24We might forget something.
05:25Okay, yes, bestie.
05:28LJ.
05:30Hey.
05:31You're late.
05:32Are you still busy?
05:34I'm used to it.
05:35That's how life is, production.
05:37Really?
05:38Are you still sleeping?
05:39Is it that late to finish the shoot?
05:44Hurry up!
05:49Okay.
06:03Here, we can use this at the...
06:45Oh, Tristan.
06:46Didn't I tell you to tell me when you're hungry?
06:51Sorry, Mom.
06:53I'll tell you when I'm hungry.
06:55I just open the ref and eat whatever.
06:57Sit there.
06:58That's why you're so skinny.
07:01I'll make you something to eat.
07:04Here.
07:16Here.
07:30Mom.
07:33If my mom were still here,
07:36what would she tell me?
07:43I'm sure
07:44the first thing she'll say is,
07:47my son is so handsome.
07:51And he's kind.
07:53And,
07:55does he have a crush on someone?
08:01What do you mean, a crush?
08:02Mom, what is that?
08:03A crush?
08:04I know, I know.
08:06I'm sure
08:09you'll ask your mom
08:10to tell you
08:12about girls, right?
08:15Right?
08:39I'm really getting old.
08:40I'm really getting old.
08:43There are so many things I don't understand about you millennials and Gen Z.
08:48Like what, RDJ?
08:52Like...
08:55I know you like LJ, but you don't court her.
09:06You know,
09:07I think she knows, RDJ.
09:11But I don't think the timing is right.
09:15There are so many things happening.
09:18Is that why love waits?
09:24Ben, hasn't anyone told you that
09:27when the world is in chaos,
09:29love is more important?
09:38No, no.
09:40I should be professional.
09:42I should just focus on the film.
09:43I should get it right.
09:45Make sure we finish it on time.
09:47And of course, within the budget.
09:48And most importantly,
09:52I need to tell the right story.
09:56And what is that for, Ben?
10:04Someone who can beat anyone.
10:08Someone who didn't leave their love behind.
10:14Someone who can change the ending.
10:28I hope so.
10:30That's the one.
10:32It's not easy to grow old alone.
10:38You know, Nay,
10:40I often hear people talking about the myth
10:44of Liloom here in Santa Castella.
10:48But do you know what the bigger myth is?
10:51That love conquers all.
10:55That it makes us better people.
10:57Look at Dad.
11:00Mommy died when I was born.
11:03And he never left me.
11:05And he never forgave me for that.
11:11That's not true.
11:15You're your father's only son.
11:20You're the only one he can rely on.
11:23Prove to him that you can be like him.
11:30I'm not like him, Nay.
11:33I will not be like my father.
11:55Heritage House Museum.
11:59So you have a project in your ancestral home, Mr. De La Paz?
12:04Yes, Mayor.
12:06I'll have to hold on to the blueprints a little longer.
12:09Of course, we just want control over the design and, of course, the renovations.
12:13You know, we have a plan for that old house.
12:17Make it like a hotel.
12:19Tourism.
12:21You know, the local government has been taking care of it for years.
12:25Tristan,
12:26are you just going to give it back to us like that?
12:32We're still the ones paying the caretaker.
12:35Am I right, Mayor?
12:38As far as repairs go,
12:40it's like we don't see any improvements from the public funds.
12:47Wait, wait.
12:49Maybe I replaced the former mayor.
12:53I will issue a fund there to convert that house for revenue.
12:59You know, if there's no shooting there,
13:03the construction will be done.
13:06I helped my friend Ben make his movie in that house.
13:10I told them they wouldn't have a problem in the city hall.
13:15Don't embarrass me in front of my friend, Mayor.
13:17Oh, and by the way,
13:20I hope you're happy that they were able to pay in full.
13:25Wait, wait, wait.
13:28Your shooting permit and location fee
13:33goes straight to Santa Castella, not to me.
13:37Of course, Mayor. I know.
13:40Of course.
13:42I didn't audit you.
13:43Look, Mayor, don't worry.
13:46We're not taking back the ancestral house.
13:49It, technically, belongs to Santa Castella.
13:53And later on, if you want to open it to the public,
13:56all the proceeds of the museum will go to the town.
14:00I just hope you won't stop the Delapaz
14:04from renovating the place to showcase our family's legacy.
14:08After all, my father built this town.
14:38P-Pay, why did you remove the place you put it before?
14:42Where did you put it?
14:44I told you before, you're not allowed here.
14:47You'll lose your dignity.
14:49Don't blame us, Mayor.
14:52Director Ben told me that Sir Tristan Delapaz removed it.
14:56Oh, you're still going to blame me?
15:00This will happen next time.
15:02You'll have to try.
15:04Okay.
15:05Do you understand?
15:06I'm sorry.
15:08Okay.
15:19Where are those snow globes, Bonnie?
15:22They can't be lost. It's specified in the script.
15:25Wait, wait, it was just here earlier.
15:27Where?
15:29I don't know.
15:31Do you want me to go to the market?
15:33Maybe I can find something there.
15:34We're the killers.
15:36There are no snow globes here.
15:38That's why we went to Manila.
15:40They brought us here because there's nothing here.
15:43What can I explain to Derek?
15:47Let's just look for it.
15:49There's nothing here.
15:51Nothing.
15:52There.
15:55Okay, guys.
15:56Listen, okay?
15:58This is the scene.
15:59This is the moment Jaz will be able to escape from this old house.
16:01He's almost there.
16:02He'll be able to escape.
16:03He's already in the doorway.
16:05And Nomer is already outside.
16:07But you'll still be blocked by snow globes.
16:09So the scene is very intense, okay?
16:11Yes, Derek.
16:13Colleen, is everything okay?
16:16I'm sorry, Derek.
16:17I can't concentrate.
16:18There's this bad smell.
16:19Can't you smell it?
16:22It stinks.
16:24Okay, okay.
16:25We'll have it checked.
16:26Just relax here, okay?
16:28Thank you, Derek.
16:31Just smell it.
16:33It stinks.
16:34It's been a while.
16:37Derek, I really can't believe that Nomer is sabotaging our shoot.
16:42How are you going to explain to him that our two new cameras are defective?
16:48Okay, guys.
16:49Look.
16:50I know it hasn't been easy.
16:52Okay?
16:53But we went to Santa Castella because we believe in this project.
16:58Let's just help each other.
16:59We can still do it, right?
17:01Thank you, Derek.
17:03Concejana,
17:05can you help us so that we can shoot for the Lilong Festival smoothly?
17:11Can you?
17:12Of course.
17:15But,
17:17I have two things that I want to ask you.
17:21Oh, yes.
17:23I want you to include my son in the choreography.
17:31Oh.
17:36It's up to you, Derek.
17:37Derek.
17:40Okay.
17:41No problem, Concejana.
17:43We'll just coordinate it.
17:47And one more thing.
17:49You should give a lot of respect to Lilong in the choreography.
17:57Oh, no.
17:58That's why you'll get mad.
18:00Oh, I didn't answer you.
18:03Concejana, no problem.
18:04We won't change anything.
18:06We will shoot the festival the way it should be celebrated.
18:09We'll just base it on what you're doing here in Santa Castella.
18:12Oh, by the way, wait.
18:14The mayor liked your design of Lilong.
18:20How about this?
18:21We agree that we'll use it.
18:23Okay?
18:24Okay.
18:28My son.
18:29Derek.
18:30No problem.
18:31Okay.
18:34Oh, well, I guess we're all set.
18:37We're ready to shoot.
18:39We're all set up.
18:40Okay, Derek?
18:41What time is it?
18:42Let's go, babe.
18:44Wait, Ms. Patty.
18:45Diego has a scene at the police station.
18:49He's looking for Colleen.
18:52So you're saying that because?
18:54I just need to go there to measure and adjust the props.
18:59To find a way.
19:01If that's the case, who's going to watch here?
19:03Bonnie.
19:04She already bought everything.
19:06It's all set, Ms. Patty.
19:08Well, talk to Derek.
19:10Okay?
19:11Excuse me.
19:14What's that?
19:15LG and I are leaving.
19:18We're going to check the other location.
19:19I did say I would help the team in any way I can.
19:22So if you're ready, LG, I'll give you a ride.
19:43So it's about 63 centimeters.
19:4563 centimeters. Okay.
19:49So we're finished.
19:50Okay, thank you.
19:52Chief, thank you for agreeing even if it's late notice.
19:56No problem.
19:58Chief, is it okay to ask?
20:07You've been here for a long time, right?
20:14Are you the one assigned during the party?
20:17The party?
20:19So you've seen a lot of events during the Lilong Festival?
20:24That's right.
20:27Do you have a record about that crazy woman in the middle of the plaza?
20:41The one who lost the party.
20:47The one who lost the party.
20:52Hey, what's the time now?
20:54What time is it?
20:55I'll just tell them to double time, Derek.
20:58Excuse me.
21:01Derek, I think our heads are hot now.
21:05We can't get the look.
21:07It's hard if LG is not here.
21:10If our production designer is not here in the set.
21:14Derek, it's hard if LG is not here.
21:18Exactly.
21:22I need LG here in the set because she's good at her job.
21:27Derek, I was hurt there.
21:31I'm here.
21:33Sorry, Bunny.
21:35That's not what I meant.
21:37LG is not here but we can still call her.
22:02Sorry.
22:07Hello, Derek.
22:09Hello, LJ.
22:11Are you still at the police station?
22:13Yes.
22:15Do you have any concerns about the scenes there?
22:18Nothing.
22:20Nothing, nothing.
22:22Do you think we'll have a problem if we force the scene there?
22:27I don't think I've seen a possible problem.
22:31Derek, why did you call me?
22:36Just, you know.
22:49Is there anything else you want to say?
22:52I'll talk to Chief Pete.
22:56Okay, let's talk later.
22:59Okay, bye.
23:03I'm sorry.
23:05Are you sure that no one reported about the missing woman
23:11after the dance at the fiesta that year?
23:14If someone reported to us about that woman,
23:18I'll remember that.
23:20Chief, some people say that they saw the woman
23:24in the middle of the plaza.
23:26But no one asked for your help.
23:30I don't know why you came here.
23:32Do you think that we're just going to judge you?
23:34We're investigating criminals here.
23:37Now, if you want to know what happened to the victim of the shooting,
23:42you should go to the albolary.
23:44Chief, the movie is about Lilum.
23:47It's normal to ask questions about that.
23:49I already answered her question, right?
23:52We don't have a report about that woman.
23:55I don't know what I can do for you.
23:58Excuse me.
24:02Excuse me.
24:18Are you going somewhere?
24:20Why?
24:23The shooting is out of the way, right?
24:28I'm just going to ride a tricycle.
24:29I volunteered to take you there, right?
24:32So, of course, taking me back to the set is part of it.
24:35Though I must say, I'm a little disappointed.
24:39Why?
24:44Do you really think I'm just a driver?
24:46I'm not just a friend who you don't want to have lunch with before going back to the set.
24:50Really.
24:53Okay, let's have lunch break there.
24:56Come on, where do you want to eat?
24:57Whatever you want to eat.
24:59I'll take care of Foo.
25:01Just answer the conversation, deal?
25:11Help!
25:16Help!
25:17Gina!
25:18It hurts!
25:20It hurts!
25:21It hurts!
25:23It hurts!
25:25Help!
25:27Help!
25:49When I'm feeling lost and overwhelmed,
25:52I go to this place and erase all of the things on my list.
25:56I want our fans to know what's really happening.
25:59That we're in danger because we're doing this project.
26:02I don't want to be the next victim of Lilong Diego.
26:04Help!
26:06Help!
26:09Of course, make sure you double your security at the festival.
26:14Make sure that nothing bad will happen.
26:18Someone wants to threaten us.
26:20That's clear.
26:21But the question is, what or who?
26:24There are people who believe that if Lilong is not happy with the dance he will do for him,
26:29he will get a soul as an ally for that year.
26:33There are people who say that Lilong is already a victim,
26:36but no one can speak out of fear.
26:39If you're going to ask me, we need to be prepared.
26:43Because no one can say what will happen later.
26:50That's Edgy!
26:51That's Edgy!
26:52That's Edgy!
26:55She's in Santa Castella?