1968 Behind Locked Door HOT MOVIE

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Transcript
00:00You
00:30You
01:00You
01:30You
02:00You
02:30You
03:00You
03:30You
03:37Yeah, see nobody even knows we come here somebody's gotta own it
03:48Crazy guy that arrow
03:51There the guy with the beer
03:55Only one thing on his mind, baby. So watch out. I don't like you
04:00I think a lot of the things part of the time
04:03Who's she
04:08And I think sweet-looking nothing good the virgin type nothing ever happens to me
04:13You like this place, huh? Yeah, I could get used to it
04:30I
05:00I
05:30I
06:00I
06:30I
07:00I
07:30I
08:00I
08:30I
09:00I
09:30I
09:42Met him in a hayloft sit down
09:46We met him where long story. Mr. Bradley lives near here. How do you do this? Wilson?
09:53Steve was looking for him. Oh
09:56You see, mr. Bradley was out bird-watching. Oh, come on, you've got to be kidding true
10:02It happens to be a hobby of mine
10:04And you came across this lost chick. Yeah, that's practically the way it happened. Anyway, I thought he should join us fun
10:13I'm afraid I'm intruding on your party. Oh, no, it's not my party belongs to them
10:20I
10:22Been looking for you. I heard mr. Bradley Steve Ellis. I
10:28Came to drag you away. Come on, excuse me
10:35Seems to be a nice boy
10:37Steve I
10:39Guess so and it's been dating him quite a while, but I just met him today. Oh
10:47Actually, I don't know I am very well either
10:50That's girl very pretty, too
10:54We both work in the same office together and we're both from the Midwest
10:59I'm from Illinois and she's from Indiana, Iowa, I forget
11:04Anyway, I had nothing to do this weekend. So she invited me to come up here with her both the city
11:11Yeah, and it can get pretty dull on weekends when you live alone
11:15I would have thought so then you're not roommates in the city. Oh, no, just office friends
11:21Did you work come up with this boy?
11:24Steve was it?
11:25No, just Dan and me in a very tired old convertible with the top down. How did you know?
11:33Hey, you know if it rains we've had it the top won't go up. I saw it on the road
11:38Well, it's ancient but serviceable
11:41Well, I'm afraid I must be running it's late, would you say goodbye to that I've read for me sure
11:50Sorry, you have to go. So I'm a
11:53Terry it's been nice talking to you
12:05Terry
12:06Did he leave Oh?
12:08Mr. Bradley, yeah had to run later something probably couldn't stand the noise
12:13It's too bad. I kind of wanted to talk to him
12:18He seemed to be a very interesting old guy. Well, it's not every day. You mean a bird watcher
12:24and
12:26How about it?
12:27See you later in town
12:30Thanks, Steve. Not tonight. I'm a little beat
12:33Call me tomorrow, huh?
12:36Oh, okay, but drive carefully, huh?
12:50Isn't it a shame
12:52How bored you can get with guys who respect you never had that problem?
12:57Hey, come on. Everybody's leaving. Let's head back. Oh
13:00My purse I left it somewhere I'll be right back
13:30Maybe it's flooded. I don't understand it. It was okay before
13:35Great place to be stuck. Everybody's gone with us. So what are we gonna do?
13:44Look at the gasoline gauge
13:46Empty that's ridiculous. I'm a little bit. I'm a little bit. I'm a little bit
13:51I'm a little bit. I'm a little bit
13:53I'm a little bit. I'm a little bit
13:55I'm a little bit
13:57I'm a little bit
13:59Ridiculous, well, maybe the gauge is off. Try it again
14:22Mister hey, mister
14:24Fella
14:29Gasoline we're out of gasoline
14:32Where's the nearest gas station?
14:35No gas station around here at all
14:38Nope, none at all
14:41Hey, wait a minute. How about a phone a telephone? Is there anybody around here as a phone?
14:48Well, I think maybe the people live in the big house down the road
14:54Yeah, they might just have a telephone. Well good which way
14:59Might just have some gasoline to which way
15:04Right down that way ain't too far
15:08Which house is it?
15:10Can't miss it man. The only house for miles around
15:13Can't miss it man the only house for miles around
15:43You
16:13You
16:43You
17:13You
17:34Well, how nice seeing you girls again
17:38This is really a surprise we ran out of gasoline. Oh, what a shame come in. Come in
17:52Myra these are the young ladies I told you about what a pleasant surprise
17:56Oh, hi, I'm Terry Wilson. I'm sorry my sister minor. This is an Henderson. Hello
18:01I hope we're not disturbing you but the silliest thing happened
18:04I hope we're not disturbing you but the silliest thing happened. They ran out of gas. Oh, dear. Well, please sit down
18:16It's getting late and we just thought perhaps we could use your phone to call a gas station if you don't mind, of course, I
18:24Can't get over the coincidence meeting you again
18:28Maybe I planned it
18:32Is the gas station far
18:34No, but they do take their time. I'm afraid it may be about an hour or so before they can get here. Anyway
18:41I'll find her. Could we ask these young ladies to stay to dinner? It's no trouble. Of course we can. Oh, no
18:48Thank you. We couldn't think of imposing on you. Don't be silly
18:52You have to wait an hour. Anyway, miss Terry. Won't you stay? It's very kind of you, but please
18:59Well, there's no place we're hurrying to so
19:04Fine that's settled. Okay. Thanks
19:08Now that we put that call through the five gallons be enough. Oh, that's plenty. Thanks
19:17Often come up to this part of the country
19:20Occasionally, have you lived here long? No just two years
19:24Just two years
19:26This house has been in our family for a long time. And then when my brother decided to retire
19:31Well, I came up to keep house for him lighter. What is it? It's never been fixed since that last storm
19:39The phone it's dead
19:41Right. I told you to report it, but I did I most certainly did but you can ask them pleasantly
19:46If the scream will threaten them or nothing ever gets done. I'm sorry. It's very upsetting
19:52well
19:53What do we do?
19:56My car's being repaired
19:58Mm-hmm. Oh, well, let's have a pleasant dinner. Perhaps we'll think of something. Well, it's all ready
20:04Come into the dining room
20:06My that we could ask the young ladies to spend the night. God knows we have enough room
20:11There's just the two of us you see you'd be comfortable
20:16Good I
20:19Hope you girls like just plain country roast beef
20:24I
20:31Hope you'll be comfortable. Thanks so much. Your dinner was delicious
20:39This is perfect
20:41Couldn't be better
20:43Thanks again
20:45You'll find the towels right there in the bathroom. Well sleep. Well
20:53Oh
21:02Boy we've had some bad luck today
21:07But then we've had some good luck too
21:11Can't figure out about that gasoline
21:14Maybe one of your buddies I found it out. I'll see trick
21:19No, maybe I just didn't check it before we left town
21:23Maybe anyway, we fell into a lucky thing with the Bradleys
21:29God it must be a lonely life up here. Just the two of them. I
21:35Must like it that way. I seem content. I
21:39Wouldn't want to spend the rest of my life like this never getting married
21:48There are worse things
21:53So quiet
21:58Could be a million miles from everything. I wonder if you can see any other houses from here
22:07And
22:09This is very strange. What's very strange?
22:13This window has iron bars
22:16What are you talking about look has iron bars
22:20It's like a prison
22:36It's locked from the outside I can't open it
22:50Oh
23:04I don't know. Oh
23:08Very tired maybe maybe we're just imagining things
23:14Just doesn't make any sense
23:17But what can happen it's just a crazy set of circumstances, that's all
23:28And come here, what do you make of this?
23:34In here
23:36They're girls dresses
23:39Yeah
23:41young girls dresses I
23:44Guess you didn't hear me knock it gets so chilly up here in the evenings
23:48I just thought to myself now you girls might like a nice cup of tea
23:54I get chilled clear through up here in the country
23:58Shall I put it here? Yeah. Thanks
24:02These old houses
24:04The wind comes right through the windows. Yes, it's almost impossible to keep them. Hey, this is bad
24:10I tried the door and I thought it was locked
24:14That's another thing the moisture swells the doors and they stick
24:19But I tried it and I'm quite sure it was locked
24:23We don't lock doors up here
24:25There are no prowlers around why we haven't locked our front door since we came up here
24:34There you see
24:37It was just a dream
24:39It was just stuck a little
24:42We must have been mistaken. Well now if there's anything else you want, just let me know
24:47Yes, there is one thing in the closet
24:50Yeah, we were about to hang up our things and we noticed some young girls dresses in the closet
24:54Well, they belong to our niece. She comes up to visit us quite often. Well, good night
25:02pleasant dreams
25:07Maybe we are imagining things
25:10but
25:12Somehow something just seems very strange
25:20Oh, there must be some logical reason for these bars on the windows
25:25Maybe it was a child's room and they were put up for protection and what was it? She said about these clothes
25:33Miss Bradley, what was it? She said?
25:36She said they belong to her niece
25:38Why
25:44It's a funny thing the Bradley's niece wears four different sizes
26:08Oh
26:31Terry
26:33It's like a nightmare
26:35So crazy
26:39Oh, I'm so scared
26:45Yeah, don't be frightened it's all right
26:55Oh, I'm so thankful you're here I couldn't bear it alone
27:01I'm glad
27:03Very glad
27:08You know
27:11Over these past weeks at the office
27:15Look at you
27:18Watch you
27:20And I wondered then if I'd ever get to know you
27:27To really know you
27:32I'd love to watch you laughing talking
27:39It's funny, isn't it how much I admired you without really knowing
27:50And now I feel very close to you
28:05Thanks
28:09Oh
28:14Well, we might as well go to bed
28:16There's no point in sitting up all night worrying about what might happen
28:21Yeah, I guess you're right
28:23I
28:37Did you ask me something no, no, I must confess I was just looking at you. That's all
28:45You
28:48Your figure is lovely
28:50I'm not surprised all the girls at the office envy you they do
28:55well, I
28:56do
28:57Are you just being kind? No
29:00No, I mean
29:03Turn around turn around
29:12Terry let's go to sleep
29:15Exhausted
29:19Aren't you tired? Yeah a little
29:44I
29:57Been awake on and off all night, and I've been thinking we better get out of here
30:05It's just about dawn
30:07Listen
30:09We don't know what's going on here, but something's not right
30:12You know, maybe these Bradley's are good people and they're just a little strange. I don't want to stay and find out
30:19Terry we gotta get out
30:22Do you think they're still asleep? I hope so. Anyway, now's our best chance. Let's sneak out and run. I
30:29Don't know where do we run to I don't know there's bound to be somebody on the road someplace. Come on
30:59I
31:29I
31:59Oh
32:17Yes, she's coming around
32:20Obviously they didn't drink the tea no matter the chloroform did very well
32:30I haven't attended to rush this. I'm sorry. It had to be like that
32:35How long has she been unconscious two hours I'd say
32:41What happened there there you're quite all right
32:47What happened to me
32:50Why am I here you've just been resting Terry
32:56Where's Terry?
32:57Don't worry, my dear. Your friend Terry is being well taken care of. Where is she?
33:04She's here
33:05She's in another room
33:07The two of you try to do a very foolish thing
33:11What do you mean?
33:12You'll try to run away
33:15Now that wasn't very nice was it? I
33:18Don't know what you mean. Oh, yes, you do. I
33:22Didn't want you to run away run away from what?
33:26From us my dear
33:37I don't know what you mean
33:40Of course you don't so I shall endeavor to tell you something of my experiments
33:46Experiments research if you like
33:49Shall I make sure that the other one is prepared?
33:51No, how do you take care of that? Would you fetch me the photo from file 400, please?
33:58Would you be more comfortable in a chair
34:06Well to be
34:11So many years you see my dear I have been interested in one thing
34:16Perfection
34:19And I've devoted all my time and all my energies to this endeavor
34:26Perhaps I should tell you something about me
34:29Mind you hi. I don't often do this
34:32Rarely, do I go into detail with my guests?
34:36but you have a gentle face and a
34:40firm body
34:42And I feel drawn to you
34:46For
34:48Many years I dreamed of being a scientist
34:53a researcher but of
34:56Necessity I had to take over my father's business
35:00And I labored for many years as a mortician a very successful one
35:06But I was working with death instead of life. I
35:09Rebelled I retired
35:12To devote myself to the ultimate research
35:16You follow me. I
35:18I don't know a
35:22Subject of my research my dear sounds simple yet. It is most complex
35:29It is the strongest motivating force in the world
35:33The subject is love
35:36Not
35:37Emotional spiritual love not the kind you read about books or see in the movies. That's nonsense something invented
35:44I am talking about the real and only love
35:49Physical love the mating of male and female I
35:56Am looking for the perfect
35:59love mate
36:02As many men have done for centuries
36:06But my research is perhaps a little more
36:11scientific
36:14What do you want from us
36:16Terry and me
36:18My dear what a foolish question
36:21But you and your friend are
36:25Different physical types yet both vital and attractive. Oh
36:32Oh
36:33How often I have looked upon the dead bodies of young ladies who have brought to my mortuary
36:40How sad that those young bodies?
36:43No longer have a life force for physical love
36:46But you you have spirit a vitality
36:50Yes, you will supplement my research
36:55No, uh-uh, I don't want any part of it
37:01I'm afraid my dear you have no choice. Oh
37:05But you have a fire
37:08You see my sister has been a willing and effective assistant to my research I
37:14Thought you might be interested in seeing some of my other guests who have added to my research
37:20Come over here. I'd like to show you this
37:22One day perhaps I shall publish my findings when they are complete enough. I
37:28Have kept rather meticulous records of each subjects along with photographs and tape recordings
37:35Here take a look at some of these
37:40You see
37:42There are many different types and different ethnic groups represented here
37:47You see there are many different types and different ethnic groups represented here
37:53Take this one, for example
37:56Northern European stock
37:58initially cold reserve
38:01but with a while almost
38:04frenetic response
38:08And this one a free spirit given to
38:13experimentation
38:15most
38:16uninhibited
38:19Why are you showing me these in a sense to prepare you
38:25There's a twofold purpose
38:27one to indicate the extent of my research to to point out that
38:34in a way these photographs are
38:37insurance
38:39Few young ladies photograph like this would make trouble later. Would they?
38:45It's a form of blackmail. Oh, it's a most unpleasant word
38:50But you do get my meaning don't you?
38:55I'm afraid so
38:57Good
39:01My sister will see that you're comfortable while you wait here
39:05But you can't do this. It's crazy
39:10Please
39:11Please let me out of here. I shouldn't do anything foolish if I were you you'll be released when you have fulfilled your part of
39:19my experiments
39:21I'm afraid you will very much regret any attempt to run away again
39:25What's happened to Terry?
39:28Nothing yet. Come you can see for yourself
39:31Come look in on your friend
39:34Come here
39:41I
39:56Am just going into the next room sister, I think it is most important that and watch her friend
40:06Please miss Bradley, please. Let me go. I won't tell anyone please
40:12You better turn back to that window and watch I can't I can't watch
40:28Kind of madness is this
40:30What's going on here? You'll soon find out first. I'd like to ask you some questions
40:35I've got some questions for you too, brother, please. How was your ancestry?
40:40What
40:41What nationality were your parents?
40:44You tied me up to ask me that why this floats of nerve wasn't it English Irish and English?
40:52Look, what's this all about?
40:55Just set the tripod over there
40:57Right over there
40:58Please what's going on?
41:00You just cooperate miss Wilson. No harm will come to you
41:05Now just such come on sit up a little straighter, that's it. Mm-hmm. There's one arm over there
41:11I know that
41:15Good that's pretty good now. Just hold it there. Just come a little closer, please
41:24I'd like to know what this is all about
41:27What kind of a lunatic are you anyway? I'll be unpleasant
41:30I don't go for that
42:00I
42:12Still heard yeah
42:16These people are crazy they should be locked up. What can we do?
42:25It's a nightmare this research he calls it
42:31If we only had some kind of a weapon
42:34something to fight with
42:37His sister's as crazy as he is
42:40Maybe worse
42:43Terry listen if we could only catch them off-guard
42:46I
42:56Suppose you've come for me
42:58Well, let's get it over with
43:01So that's not what you're thinking at all
43:04Should you by any chance be considering of running away again?
43:08I think that there is something you should see you might change your mind
43:14come along
43:16I
43:46I
43:51Just inside it's a very special room for me you might call it a sort of memorial or exhibition room
43:58You see my sister and I have entertained many young ladies as guests
44:03Who responded freely and they were allowed to leave?
44:16Others
44:23Unfortunately resisted
44:25Some even try to escape or make themselves unpleasant in other ways
44:30So I simply had to take matters into my own hands
44:34This is the result
44:37They're not only crazy they're murderers
44:44One of us has got to try to get out of here for help before hey, listen, you don't have to say it
44:51After what we've seen they're not gonna let us go Terry. You've got to try to get away. Why not both of us?
45:00I
45:02Don't know it'll never work. Listen, this is the only way we've got to try to divert their attention
45:11So that they're concentrating on something else. I don't follow
45:16The only time you'll have a chance to make a break for it is when they come for me
45:22Yeah, but I can't get out the front door I know they keep it locked
45:26Yeah, but I can't get out the front door I know they keep it locked
45:32Wait a minute in the basement in that dungeon. There must be a door because I saw the caretaker come in from the outside
45:42How I can try that
45:44And I'll try everything I can to stall for time. Okay?
45:49Okay, then all we can do is wait
45:55Wonder which one of these belongs to those girls in the basement
46:25Just sit over there first, I'd like to ask you some questions
46:55I
46:56Appreciate your cooperation, but you hardly need to go into such detail. Just answer my questions as simply as possible
47:25I
47:55Can't you get a dress any faster than that set the tripod over there. Yes. That's it right over there
48:05Do you want me to pose like this? Yeah, well, yeah, I'm just a little higher. That's it
48:11Yes, that'll do
48:13Yes, that'll do
48:15Yes, that'll do
48:17Yes, that'll do
48:19Yes, that'll do
48:21Yes, that'll do
48:23Yes, that'll do nicely but you'll have to take all of it off all of it don't argue
48:53I
49:10Sorry, I tried but I didn't make it I know they tell me
49:18It's got to be some way out
49:23Do you really think they'll kill us? Yes, I think they would
49:30Terry we've got to do something. The Bradleys won't expect
49:35Somehow we've got to get them in here in here. Right? Look, what do they think we'll do?
49:41Run out try to sneak away
49:43That's what they expect
49:45Yeah
49:47And they expect us to try to protect each other, right? Yeah
49:51Let's do the exact opposite
49:54What if we had a knockdown drag out here pulling fight, right?
49:58And if we made enough noise, they're bound to come in here. Yeah
50:03It just might catch them off balance
50:06What'll I use for a club that lamp looks heavy in the right and we could use the sheets and the blankets and the furniture
50:12Those dresses we can tie them up with those
50:16Terry I don't know. Maybe it's a crazy idea. Do you think it'll work? Look at it this way. What have we got to lose?
50:42I
51:12I
51:42Oh
52:12Oh
52:42Oh
53:12Oh
53:42Oh
54:12Oh
54:42I
55:12I
55:42I
56:12Oh
56:42You

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