Sueños de Libertad - Capítulo 124 HD
Sueños de Libertad - Capítulo 124 HD
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Short filmTranscript
00:00I've talked to Marta. I've told her everything.
00:10Seeing how she reacted, I've realized how much she cares.
00:13Give us the loan.
00:14How? But for what reason?
00:17Has something happened today? Out of the ordinary?
00:20Something that has upset you?
00:23Why does this have to happen to him?
00:26It's not fair, Luz. No.
00:28He still has a lot to live.
00:30Marta, there's no possible explanation. That's why it hurts so much.
00:33Mr. Damián, I just came to thank you for paying Tassio's bail.
00:38Besides, everyone has already recovered the money he gave me.
00:41Don't think that no one came to apologize for the complaint or thank me or something like that.
00:44We're going to mortgage this house.
00:46This family has been in a situation that doesn't suit them for too long.
00:50Marta can be many things, but she's not an investment.
00:53I want you to leave my house.
00:55I'm going to install you in La Colonia.
00:57It's just that I couldn't find my medallion. I had it on the table last night and it's not there.
01:00I know everything you need to know to exercise the medallion.
01:03But I don't have a paper that accredits it.
01:05The problem is that I don't know who you are anymore.
01:08Where was it?
01:09In the drawer of your table.
01:28I'm sorry.
01:29I'm sorry.
01:30I'm sorry.
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02:53I'm sorry.
02:55Good morning.
02:58You're finally awake.
03:02What time is it?
03:04Is it very late?
03:05No, it's fine.
03:06You can sleep for a little longer if you want to.
03:08Although with the way you lay down, you must have been sleeping for more than ten hours.
03:13I made you coffee.
03:14Here you go.
03:18You're welcome.
03:19For as long as I've slept, I feel like I've been beaten.
03:25Well, last night...
03:27Anyway, you got really upset thinking you'd lost your mother's medal.
03:31I swear I can't explain how it could disappear and reappear as if by magic.
03:37I looked everywhere.
03:39It didn't appear by magic, darling.
03:42Dina found it in the drawer where you'd left it.
03:45When I looked, it wasn't there, I assure you.
03:50Calm down, calm down.
03:52You're very upset and I understand.
03:54But if you're upset, you have to deal with it somehow.
03:56No, Jesus, I'm fine.
03:59Well, no, I'm not.
04:01That's why I want to go to London as soon as possible.
04:03London?
04:05With all that mental confusion that worries us all so much?
04:08What mental confusion?
04:10What happened to me yesterday was the result of having left the sedatives. That's it.
04:13Calm down, calm down.
04:15Stay seated there.
04:17I'm fine, Jesus.
04:19I'm just a little dizzy, but I'll get better in a few days. I assure you.
04:23Dizzy, confused, you're not well.
04:26Darling, if you don't get better in a week, I don't think you should travel.
04:35No, please.
04:37I can't do that.
04:39What if you have another episode of this without me or Dina being here?
04:43But an episode of what?
04:45If all I'm doing is resting and I need time to be alone, to reconnect with myself, nothing more.
04:49Darling, my duty is to take care of you and protect you.
04:52And if I let you go, would I be neglecting my responsibility?
04:56You're taking me for a stranger.
04:58Absolutely.
05:00I've already told you that I understand the reasons why you're like this.
05:04But I have to do everything I can to make you fully recover.
05:09And then you can go on that trip.
05:17Everything I do is for your good.
05:19You know that, don't you?
05:23Maybe I'm right.
05:26See? You're back to being the same.
05:30Look, a few more days.
05:32A few more days, so we can see that you've regained your lucidity, and I'll take you to the airport myself.
05:38Okay?
05:45Here.
05:47Do you want me to warm it up a little?
05:49No.
05:52Okay.
06:08See you later.
06:15Everyone will remember this celebration.
06:17We have to do something that is worthy of such an important anniversary.
06:21Well, what have you thought, Maria, for the celebration of the 30th anniversary of Perfumerías de la Reina?
06:27Well, I know that in previous occasions a mass was celebrated and then a meal was made with the employees.
06:34Well, it's not a bad plan.
06:36Andrés.
06:38What's wrong? Don't you like the idea?
06:40I think we could do something that adapts more to the new times.
06:43Yeah, but the mass can't be missed.
06:44And a good meal for the staff, right, Maria?
06:47Good morning.
06:49Well, that's what was said before, Andrés told me, but we're in a new stage.
06:53With the three brothers of La Reina in front of the company.
06:56Yeah, and the retired father, right?
06:58No, please.
07:00You will always be the soul of all this.
07:03How are you, Begoña?
07:05Better, thank you.
07:07And what? Are you going to explain your idea or have you not thought of anything yet?
07:10Well, after thinking about it a lot, I think the most interesting and the most fun thing would be to make a feast.
07:18A feast? With an orchestra and stalls and all that? Well, I don't think it's very serious, Maria.
07:26Of course, it sounds very festive.
07:28And that's the idea, right? Maria and I for the key.
07:31Why are we having a party?
07:33To thank our employees for their work and their loyalty.
07:36And they will love it, I assure you.
07:38They will feel at home.
07:40You're absolutely right.
07:42Maria, when you say feast, do you mean decorating the factory with lanterns, garlands and all those little things?
07:50We will focus on the patio, yes.
07:52We will have to decorate everything like a traditional feast.
07:55And we will hire an orchestra, the best one, so that people can dance.
07:59It's a party without a dance.
08:01Of course.
08:03The one that our workers are going to have, huh?
08:05Well, I refuse to set up that thing in La Colonia.
08:07For the mere fact of denying you everything, perhaps?
08:08For the mere fact that it's going to cost us a lot.
08:11It's out of the budget.
08:13Then don't even talk about the fireworks.
08:15Fireworks?
08:17And a cake, huge, of several floors.
08:19The workers deserve that and more.
08:21I don't think it will be that expensive.
08:23We must have that detail with them.
08:27They are the ones who raise this company every day.
08:30And they already charge their good salaries.
08:32Come on, Maria, next idea.
08:35And make an effort to see if it's a little better.
08:36Only you don't think it's good, Jesus.
08:39Father?
08:43I don't dislike Maria's idea.
08:46A feast.
08:48And if the problem is the money, she will tighten her belt and adjust a little, right?
08:55Of course.
08:57Shall we vote then?
08:59Why are you looking at me like that?
09:01For nothing.
09:03And there will be no need to vote.
09:04We will have a feast, but I demand that Isabel helps Maria.
09:10Can I do it perfectly alone?
09:12Or with Gemma, if that's the case?
09:14I want a little common sense.
09:16Isabel is very efficient and will be the one to contact the suppliers and adjust the budget.
09:19And you, well, you can help Gemma hang the lanterns, if you want.
09:24Don't overdo it, Jesus.
09:26It's over.
09:28We will have the feast that Maria wants and with Isabel supervising the expenses.
09:34The session is starting.
09:36You can't even have breakfast.
09:38Come on.
09:43Your belly hasn't gone down, has it?
09:46I'll let him know.
10:05What are you doing?
10:07Nothing.
10:10Did you want to see how it feels when you lose sight?
10:13No, today I have woken up much better.
10:16Don't lie to me, Jaime.
10:18And don't try to protect me, now I'm the one who has to protect you.
10:22Apart from the terrible headaches,
10:25I don't feel anything.
10:27I don't feel anything.
10:29I don't feel anything.
10:31Apart from the terrible headaches,
10:34sooner or later I will lose sight.
10:38I was checking how I was going to feel.
10:41And?
10:49It was going to be hard.
10:54Not to see your face again,
10:57or the sunsets in Toledo.
11:00The colors, everything.
11:04I'm going to be by your side to explain everything to you,
11:07so that you feel as if you were seeing it.
11:11I'm very glad that you are here with me.
11:16Jaime, we have to talk.
11:18About what?
11:20What are we going to do from now on?
11:23Wait, Marta, I can't do anything else.
11:28Wait, sit down.
11:30No, no, I want to continue with my life.
11:33You want to continue working at the dispensary, right?
11:35I want to feel useful, Marta.
11:38It's a bit risky.
11:40You mean for the patients?
11:42Of course.
11:44You are losing your sight.
11:46Luz will help me.
11:48She has been doing it until now.
11:50As far as I know,
11:52you are no longer together.
11:55I don't know if it's fair to burden her with that responsibility.
11:58I have spoken to her and she is willing to help me.
12:01Okay, fine.
12:07And when are you going to tell the others what's wrong with you?
12:09No, no, not yet.
12:12I don't want to feel observant.
12:14Let them be comfortable with me.
12:17But as your illness progresses,
12:19you will probably need special care.
12:21A nurse, I don't know.
12:24Will you accept that I hire someone?
12:25Let's not get ahead of ourselves, please.
12:27I'm not getting ahead of myself,
12:29but there are things we need to talk about.
12:31I want to be able to organize myself
12:33to give you the best quality of life possible.
12:36Talk about things like...
12:38Like if when the time comes,
12:40you want me to take you to a hospital.
12:42No, not a hospital.
12:44Then what?
12:47I don't know, Marta.
12:49I don't know what I'm going to want.
12:51I don't know how I'm going to feel.
12:53Let's talk about it when the time comes, please.
12:55Okay, forgive me.
12:58It's just that...
13:00I just want to live in the present.
13:03Because I can die tomorrow or at any moment.
13:06Don't say that.
13:07It's my reality.
13:11Things are going to get really ugly for me.
13:14And I would understand perfectly well
13:16that you wouldn't want to be here.
13:18All you have to understand
13:20is that I'm going to be by your side until the end.
13:22And that I love you.
13:26And that you're practically the only person
13:28who really knows me in this house.
13:30So when you're not here, I'm going to be very lonely.
13:33So you have to let me enjoy you
13:35as long as we can.
13:39Yes.
13:43As you wish.
13:46Okay.
13:56Claudia, what you're hearing
13:58is that he kicked her out of the house.
14:00I think Tassio slept in the living room.
14:02Oh my God, Fina.
14:04How can that be?
14:06They have to be okay.
14:08We're going to have a baby.
14:10Carmen, what's going on?
14:12Is she going to pay the rent on her own?
14:14No, she has the feeling that she's going away.
14:16I think she'll leave the rent
14:18and come back to the room with us.
14:20Oh, I don't know, Fina.
14:21Mateo, come here.
14:23Sit with us.
14:26It's just that...
14:28I have mass now,
14:30so I can't stay.
14:32Claudia wants to go too, right?
14:34No.
14:36No, not today.
14:38It's okay.
14:40If you don't want to come to mass...
14:42I have a lot of work today.
14:44Of course, me too.
14:46I have a lot of work too.
14:48But if you want,
14:49I can go see you at the store later, right?
14:52No.
14:54No, I'll go later,
14:56if not, I'll go to the chapel.
14:58Ah, well, very good.
15:00Of course.
15:02What's wrong with you?
15:06I'd better go.
15:08I hope everything's okay.
15:10Have a good day.
15:12See you later.
15:14Bye.
15:19Bye.
15:23Claudia.
15:25Talk to me.
15:28Oh, Fina, we kissed,
15:30but very little.
15:43Carmencita.
15:45What's up, Carmen?
15:47No, please, don't go.
15:49Why not?
15:51I can't stay up all night.
15:53Conscience punishes you.
15:55What punishes me are the screams of the vice.
15:58God punishes you.
16:00Look, what hurts me the most is that
16:02you don't want to be with me.
16:04I've learned my lesson, I promise.
16:06Do you have news from the Civil Guard?
16:08No, I just know they're after him and that's it.
16:11Come on, we're not going to get our money back.
16:14Very well.
16:16I'm going to revoke our apartment contract.
16:19But what about our house?
16:21I'll take care of the money.
16:23Playing poker.
16:25I'll work until I get my money back.
16:27You'll have to work harder to leave the house as it was.
16:29I'll do whatever it takes.
16:31Just be patient and stay at home, please.
16:33No.
16:35I'm very hurt, Atasio.
16:37Very.
16:39But Carmen, you don't know how much I love you.
16:41What good is it to me that you love me so much?
16:43It's not just the money, it's your lack of common sense.
16:46They lose our savings, they almost kill you.
16:49They take our future because you want it.
16:51Carmen, I just wanted to have you as a queen, that's all.
16:53Yes, well, look at how you have me in the ruin.
16:55And with a husband who's a prisoner.
16:57I've messed up, I know, I'm sorry.
16:59Yes, you've messed up, yes.
17:02I don't want to be with a man who doesn't respect me.
17:05Carmen, please.
17:07Atasio, I'm asking you to leave me.
17:09But Carmen...
17:11Atasio, leave me, you can't respect that, at least.
17:13Well, let him know that I'm not going to give up.
17:15Then you're going to waste time.
17:17I swear I'm going to solve it.
17:19Even if it takes 20 years for you to love me again.
17:21I'm leaving.
17:23Carmen, please.
17:25Give me a hope, one.
17:28I'd be lying to you.
17:32I want you as far away as possible.
17:43But how?
17:45But how did you kiss?
17:47What kind of kiss?
17:49With all his sacrament.
17:51No, no, no, not with that, Fina, not with that.
17:54Oh my God, my life, Claudia, please, he's the priest.
17:57I know, I know.
17:59I don't know under what stone to get into.
18:01But let's see, how was it?
18:04Fina, well, you know that...
18:06That I kiss because...
18:08That I have a great time, that I'm very comfortable, that...
18:11That makes me laugh and...
18:13And what? Are you going to thank him that way?
18:15No.
18:17No, Fina, but...
18:19But, well, I feel attracted to him.
18:23Oh my God.
18:25And I think he feels attracted to me too.
18:27And, of course, we were in the warehouse and suddenly...
18:32Suddenly nothing, Claudia.
18:34A kiss doesn't happen suddenly.
18:36A kiss, well, it involves an approach.
18:38I know, Fina, I know it's very bad.
18:41We're both going to burn in hell.
18:43And that's it, what can I do, Fina?
18:45Well, I don't know, you tell me.
18:46You?
18:48You're a priest, Claudia.
18:50With his vow of chastity, and you're going to be a mother.
18:54Oh, Fina.
18:56This is the worst of you, that you...
18:58That you...
19:00A forbidden love, forbidden, forbidden.
19:02It's just that, look, there are complicated loves, complicated, huh?
19:06But this one...
19:10Claudia, you have to cut this out for the good.
19:13Really.
19:14This creature is going to have a lot of problems, and not just because of Tassio.
19:17I know, Fina.
19:22I don't want it.
19:24It's just that I'm in love with him.
19:27Oh no.
19:31Oh my God.
19:35Well, I don't think it's good that your brother has hooked me up with Isabel.
19:38She's an efficient secretary.
19:40She can help you, Maria.
19:42No, Jesus wants to control me.
19:44I can't stand him, really.
19:46Gema, what do you think?
19:48What do you think they put us an inspector for La Verbena?
19:51Let's see if that's what the gentlemen have decided.
19:54Look, I know exactly what I want to do.
19:56With Gema, we understand each other just by looking at each other.
19:59Getting in the way of a stranger is going to be very uncomfortable.
20:02Yes, it is true that later he will go with the story of everything, Jesus.
20:05Exactly.
20:07It will be like being hand in hand with him.
20:09A nightmare, come on.
20:11He could already focus on controlling his wife.
20:15Why hasn't Mrs. Begoña come down to have breakfast?
20:19Well, because she will be dead of shame after the number she set up yesterday.
20:22It is clear that she does not know about her mother's death.
20:25We have to be comprehensive with her.
20:27Even more?
20:29Hey, we haven't done anything to her.
20:31Like for her to go charging against every living creature.
20:34Poor Gema.
20:36Let's see, I was very calm because I hadn't touched the medal or anything.
20:40It is clear that she lost her nerves.
20:42Well, let her control herself.
20:44Not only has she suffered a painful loss.
20:47It is more dramatic to lose a child.
20:49And here I am, maintaining the type and the composure.
20:51You are admirable.
20:53Be polite and considerate.
20:55But no, she always has to be the protagonist.
20:57For the good or for the bad.
20:59She always has to stand out above the rest.
21:01Just like her husband.
21:03María, stop it.
21:05I don't think she did it consciously.
21:07Don't justify it.
21:09Begoña is wrong.
21:11She doesn't even know what she's doing.
21:12Gema had to go through it.
21:14I'm sure she did it because she can't stand us being friends.
21:16Honestly, I don't think it's because of that.
21:19María, neither do I, really.
21:22What if you had lost your job?
21:24That would never have happened, María.
21:26Well, because it's family.
21:28And because it's worthy of the medal.
21:30But what if it wasn't?
21:32I had one of the worst outbursts of my life, that's true.
21:34I'm a thief.
21:36Begoña didn't say that.
21:38Please, let it go.
21:40Well, she insinuated it, which is the same.
21:43You're absolutely right, María.
21:48Gema, I was very unfair to you yesterday.
21:53I'm sorry.
21:55I don't know what happened to me.
21:58What happened was that you lost your guts.
22:01And that you can't go through life without controlling your impulses.
22:04I know.
22:06And if you're feeling so bad, you should look for help.
22:10There are shelters.
22:12Like the one your mother was in.
22:14María.
22:16What do you mean?
22:19I've been clear, haven't I? You've understood me.
22:24I'm very tired.
22:26I'm going to my room.
22:36You've gone too far.
22:39Don't you think the same?
22:40Don't you think the same?
22:42She's crazy, Andrés.
22:44Unless all this is a masterful interpretation and she's not taking the piss, which would be worse.
22:50I have to go to the factory.
22:51I have to go to the factory.
23:09No, Fina, no.
23:11No one saw us in the warehouse because there was no one there.
23:13Well, that's what's missing.
23:15What I don't understand is how you got to that.
23:17Because he came to tell me that Tasio had already left the dungeon.
23:20That I already knew.
23:22But well, he came to tell me that he had sung it at 40 and that he had read the letter.
23:27Well, someone should read the letter to him too.
23:30Fina, it was a stupid robbery because of me.
23:34So you kissed him?
23:36No, he kissed me.
23:39But well, then I gave him the kiss back.
23:42Oh my God.
23:44So it wasn't one kiss, it was two.
23:45Oh, Fina, don't make me nervous.
23:47Okay, go on.
23:50Well, what I was telling you.
23:52That you know that a week ago I see him and I start laughing like a fool.
23:58That I feel butterflies in my stomach.
24:00I don't know what's wrong with me, Fina.
24:02Well, you're in love with him.
24:05And he also feels attracted to me, Fina, because he told me.
24:08The mother who brought you.
24:10Come on, he wanted it too.
24:11He also wanted it.
24:14Oh my God.
24:16And he has at least considered forgetting his vows and forming a family with you.
24:20No, no, no, that's not true.
24:22Why not? It wouldn't be the first time.
24:24And I don't know if you love each other so much.
24:26No, Fina, no, man.
24:28We love the saints and the Virgin and God, come on, no.
24:31I'm not going to put that off.
24:33And what are you going to do?
24:36What am I going to do, Fina?
24:38Forget about everything else.
24:42And from time to time remember the almost the best kiss of my life.
24:49Oh, the Virgin.
24:54Come on, the other one.
24:56But you don't give me face, you bring me, right?
24:58What happened?
25:00What do you think?
25:02Have you seen him?
25:04He apologized to me again.
25:06But don't tell me anything, I know I shouldn't forgive him.
25:08No, I owe him forgiveness.
25:10But it makes me sad.
25:13That's normal, Carmen.
25:15If in the end you love each other a lot and you are very good.
25:19Yes, but Tassio is a little older now and he should stop doing nonsense.
25:23No, no, I'm not going to be on top of that.
25:25I'm telling you for free, come on.
25:27But someone would have to take a look at him because I know him and I know he's going to get drunk,
25:31he's going to get drunk and in the end I'm going to feel guilty about all this.
25:34Why do these things have to happen to me?
25:37Carmen, if you want, I can take a look at him.
25:40Yes, man, you already have enough with what you have.
25:42It has to be someone who puts it straight like a candle.
25:51What are you thinking about?
26:04When we have the result, you'll be calmer.
26:07I hope so.
26:09You'll see how nobody is important.
26:11And come here so I can give you the results, okay?
26:14Thank you, doctor.
26:16You're welcome, see you later.
26:18Goodbye.
26:34I'm busy, Luis.
26:41I've come to know more about you.
26:44Well, curiosity killed the cat, I warn you.
26:48And why are you so interested in knowing about me after despising me so much?
26:54I don't despise you, Luz.
26:59I need to know everything about the person I fell madly in love with.
27:03What do you want to know?
27:05Everything.
27:07We can start at the beginning.
27:09Who are you?
27:11What's your name?
27:13My name is Luz Espósito.
27:15I have the last name of the children who are abandoned by their mothers and their mothers-in-law.
27:20Is that what happened to you?
27:22Yes.
27:24I only know that I was born in San Pere de Rivas, a municipality in Barcelona.
27:28My mother abandoned me when I was barely a year old and the nuns took care of me.
27:33And you didn't hear from your mother again?
27:36I don't even know her name.
27:38The nuns found me at the door of the nun, dead of cold and malnourished.
27:43I wasn't even in the attic where they leave the newborns because she was walking.
27:48They were the ones who put me in Luz.
27:51Because they said she was very white.
27:53But now, do you see me?
27:57If you didn't know your mother's name, I understand you couldn't find her.
28:01I tried.
28:04I tried to make inquiries in the village, but no one remembered any young woman who had had a girl of my age, more or less.
28:12I even thought that the nuns had made up the story of San Pere.
28:16How long did you live there?
28:18Until I was six years old.
28:20And then I moved to another nun and then to another.
28:25They couldn't find adoptive parents for me.
28:29And that?
28:30Because marriages want newborn babies, not a rebellious girl like I was at that time.
28:36That had to be hard.
28:39Yes.
28:41Everything a child can wish for, which is to have a father and a mother, I never had.
28:49And Dr. Borrell?
28:54I came to serve at his house when I was 15, by order of the nuns.
28:58It was the first time in my life that I felt safe and protected.
29:05She had to be a good person.
29:07She was.
29:09He and his wife were.
29:11They went through a consultation at home and when I saw how much I liked medicine,
29:15he threw me out to make me his nurse.
29:19So you have nursing studies?
29:22No, Luis, I don't have studies.
29:24Just what I found in the books.
29:27In the books and in practice, next to Dr. Borrell.
29:31Medicine saved me.
29:34But it has also brought me many problems.
29:37Sure.
29:39You were...
29:41You were in prison, but it wasn't for a demonstration.
29:44No.
29:46That was for practicing medicine without a degree.
29:50When Dr. Borrell died,
29:53I just wanted to do what I liked the most.
29:56I managed to change my name and look for a job.
30:00And in one of these, they found me and...
30:03And they...
30:05They arrested me.
30:08I understand.
30:10When I got out, I couldn't do anything else.
30:13I don't know how to do anything else.
30:16And soon after, I came...
30:18I came to La Colonia.
30:24Ah, lights.
30:26We have to find an electrician to put lights side by side.
30:29Maria, remember that the charity market was a bit of a disaster.
30:32Oh, Gemma, we did that in terrible conditions.
30:35Now we have time, money.
30:37I know very well what I want to do and how I want to do it.
30:39I like to see you so sure.
30:41You look like a businesswoman.
30:43I could have been.
30:45Hey, have you seen Begoña?
30:47She was like gone.
30:49Yeah, yeah, and I think it has to be for something else
30:51because of her mother's death.
30:53Well, I don't know.
30:55But I assure you that Andrés will not be his dog again.
30:57Maria.
30:58What?
31:00From now on, I will set the rules in this house.
31:02I take care that you have lived a very hard life.
31:05But it is very serious
31:07that you attend to patients without being a doctor, light.
31:14I am a doctor even if I don't have a degree.
31:16And I think I have proven it.
31:18Too much.
31:19What happens if at some point
31:21you make a mistake with a patient?
31:24Are you doubting my worth?
31:26No, I'm just putting on the table
31:28the consequences it would have for you and the company
31:30if you made any kind of mistake.
31:32That doesn't have to happen.
31:34Look, light, right now I am the director of the company.
31:36And it's not just about you ending up in jail.
31:39It is that the company would have to answer for you
31:41with the consequences that this entails.
31:45You can do what you consider appropriate.
31:47If you want to report me, I will understand.
31:50But why didn't you study medicine?
31:53Why didn't you do things right?
31:55With what money, Luis? With what money?
31:58Do you know how hard it is for us women
32:00to get to university?
32:03I know what I'm doing is a crime
32:05that is punishable by law.
32:07But what other option do I have?
32:12You're putting me in a very complicated situation.
32:15It would have been the same
32:17if I had told you at the beginning of meeting us.
32:20I'm between a rock and a hard place.
32:26I don't know what to do.
32:32Blood, there has to be blood.
32:34Limonade, soft drinks,
32:37more beers,
32:40and liquors too.
32:42Wait, wait, I have to write it all down.
32:44Hurry up, we have to have everything ready
32:46for when the inspector of Jesus arrives.
32:48What can't she say? This mouth is mine.
32:50She's going to swallow all the toads, you'll see.
32:52Well, Joaquín told me it's a real scratch.
32:54Marisabidilla, stretched.
32:56The joy of the garden, come on.
32:58Good morning.
33:00Hi, what do you want?
33:02I'm Isabel, the scratch.
33:05Don't listen to the gossip.
33:08A pleasure, I'm María de la Reina.
33:10And she's Gema, my assistant.
33:12Delighted.
33:14Are you ready for the preparations?
33:16Yes, yes, there's no time to lose.
33:18Can I see it?
33:20Of course.
33:24We haven't started with the expenses yet,
33:26which I suppose is why you're here.
33:28Yes, if you tell me what you need,
33:30I can make you the budget and adjust it
33:32to the data that Mr. Jesus has told me.
33:34Well, here, Jesus doesn't rule in this.
33:36The party is for everyone in La Reina.
33:38We want it to be a celebration above all else.
33:40And it will be.
33:42You have a singing voice.
33:44Sit down, I'll explain it to you.
34:01Excuse me, Father, can you help me?
34:03I'm looking for...
34:05The secretariat.
34:07You're looking for it because they can't tell you
34:09if there's a vacant place to work.
34:11No, no, I've only come for a visit.
34:12What I was looking for is the store.
34:14Where is it?
34:16Oh, you have a Marian cross.
34:18How nice.
34:20Yes, I'm very religious.
34:22Very good, I'm very glad.
34:24And I have a good collection of crucifixes.
34:26I have a silver one with a beautiful cross,
34:28and an older one with the papal cross.
34:30That's great.
34:32Well, let's see if you can show me one.
34:34I only take them out for walks
34:36at my town's Holy Week processions.
34:39Yes, even my friends tell me
34:40how I haven't joined a seminary yet.
34:43And you've never thought about it?
34:45Get out, get out.
34:47Don't start with that too.
34:49There are earthly pleasures
34:51that I'm not willing to give up.
34:53Of course.
34:55Yes, yes, yes, I understand it perfectly.
34:57Ah, so you understand it too.
35:00Excuse me?
35:02Oh, excuse me.
35:04What a silly question.
35:06But how are you going to understand it?
35:07He has given his life to God.
35:09Well, then you're looking for the store, right?
35:11Because it's just on the left,
35:13so you've missed it.
35:15You could say that.
35:17Because I'm so clueless
35:19that I don't know if I lost the dog
35:21or I found a belt.
35:23Well, you're clueless,
35:25but at least you're funny, right?
35:27By the way, I'm Mateo,
35:29one of the priests of La Colonia.
35:31Nice to meet you, I'm...
35:33Joselito?
35:35Joselito?
35:37That's what they call me, Joselito.
35:39But boy, what are you doing here?
35:41Well, nothing.
35:43I had a fair in Toledo
35:45and since I was nearby,
35:47I thought I'd see if Claudia was there.
35:49What a surprise.
35:51Do you know each other?
35:53Have you seen him?
35:55He's a friend of the priest.
35:57The priest is very nice.
35:59Of course, I've heard a lot about you too.
36:01Yes, he's my town friend,
36:03Mateo Joselito.
36:05No, Claudia.
36:07To tell you the truth,
36:09Claudia is the only girlfriend I've had in my life.
36:11Girlfriend, girlfriend.
36:13Girlfriend, girlfriend.
36:15Don't tell me you're angry.
36:17Yes, she's very pretty.
36:20Well, thank you very much for your visit, Mr. García.
36:23We'll keep in touch.
36:28Well, what did you think?
36:32Good, right?
36:34I didn't think you'd pay us so much for the house.
36:36Why didn't you want to believe me?
36:38This house is wonderful.
36:40Thank goodness your uncle didn't give it to us
36:42when all that happened.
36:44All he's told me is that it might be cheaper
36:46since it's in his land.
36:48But the house is our property
36:50and the surrounding land too.
36:52Your uncle left it written.
36:55Well, now we just have to go to the bank
36:57and get the credit,
36:59putting the house up for sale.
37:01That's right, sister-in-law.
37:03With that and our savings,
37:05we can start building.
37:07Yes.
37:09Well, let's toast.
37:11They just gave us some good news.
37:13Let's toast to us.
37:17I'm fine.
37:20Cheers.
37:22Cheers.
37:24To us.
37:26Well, excuse me.
37:28I have to go back to the factory.
37:30Me too, to the big house.
37:32But I'm going to change my shoes
37:33because I have to go to the Madrid headquarters.
37:36I haven't been to work for many days.
37:38Don't worry.
37:40I'm going.
37:42Let's see if we're luckier this time.
37:44Labra, you can tell me later.
37:55Come in.
37:59Hi.
38:01Hi.
38:04Are you very busy?
38:06Well, I'm always up to date.
38:08But right now,
38:10the next patient won't arrive in a while.
38:12So, if you want, you can even sit down.
38:16Tell me.
38:18Duluz, I had a strange nightmare.
38:21What did you notice?
38:23Yesterday was a terrible day.
38:26First, I didn't go down to eat
38:28because I didn't feel well.
38:30And then, I lost my memory
38:31because I couldn't find my mother's medal.
38:34And were you agitated?
38:36Or were you calm?
38:38It was a strange light.
38:40On the one hand,
38:42it seemed like I was tired, disoriented.
38:44It seemed like my head was aching.
38:46And on the other hand,
38:48I was very upset
38:50because I said the medal had disappeared.
38:52And it wasn't true.
38:54Begoña said she had looked for it everywhere.
38:56That it wasn't in the drawer as usual.
38:58But she put it in the drawer
38:59and she found it right away.
39:01In that drawer.
39:04The pain of her mother's death
39:06can lead her to such an extreme state.
39:08Well, that and...
39:10and the streak she's going through.
39:12The decision to go to London
39:14is too many things.
39:16An extreme emotional tension
39:18can play two bad pasts.
39:22This morning, she went down to the dining room.
39:24But she left right away
39:26because she said she wasn't feeling well.
39:27She's in a coma.
39:29Absent.
39:31She even seems to lose her balance.
39:33I don't know.
39:35It's very sad to see her like this.
39:37She says she's fine in bed.
39:39In the bedroom.
39:41I don't know.
39:43They're symptoms of melancholy.
39:45It could be.
39:47I don't want to mention it,
39:49but my wife, Gemma,
39:51thinks they could be signs of...
39:53Tell me.
39:55Of having inherited her mother's illness.
39:58And you didn't have to help Maria
40:00with the famous brothel?
40:02Oh, look.
40:04She's been doing numbers and accounts
40:06with the secretary
40:08and they've made me look like a fool.
40:10So I'll talk to Maria
40:12when Isabel leaves.
40:14And what's Isabel up to?
40:16Jesus sent her to do the accounts.
40:18Maria has received her by the nails,
40:20but in the end,
40:22all she needed to do was bow.
40:24And only because he's done her a favor,
40:25and...
40:27What?
40:29You're not afraid she'll take your job
40:31from Maria, are you?
40:33You're not jealous, are you?
40:35What are you saying?
40:37Maria and I are friends.
40:39I don't know.
40:41I don't like Isabel.
40:43I don't like her either.
40:45There's something about her that smells fishy.
40:47The less she's in the big house,
40:49the better.
40:52I'm dying to start our business
40:53and leave everyone at the queen's with a slap in the face.
41:04Well, I'm leaving now.
41:09Son,
41:11I love seeing you so happy.
41:14See you later.
41:18I have to tell you something.
41:20I didn't want to do it
41:21because it's a professional secret
41:23between a doctor and a patient, but...
41:25What is it?
41:27What is it, Luz?
41:29I gave Begoña some sedatives.
41:31And she used them as she shouldn't.
41:33What do you mean?
41:36Instead of taking one a day,
41:38she took five or six.
41:40When she got nervous
41:42or felt disgusted about something,
41:44in the face of the danger this poses,
41:46I had to get rid of them.
41:48So now she doesn't take them.
41:49They create addiction.
41:51Maybe it's her body that's missing them.
41:53Imagine if one day she found out
41:55she was at the dispensary trying to steal pills.
41:58She promised me she'd quit, but...
42:01You should have told me sooner.
42:03Why didn't you control her more?
42:05Andres, this isn't easy to control.
42:08Now the most important thing
42:10is to find out what's going on.
42:12You could go see her.
42:14It's more complicated for me to get close to her
42:16than Maria and Jesus' suspicions.
42:17Yes, don't worry.
42:19I'll go see her in the morning.
42:21Maybe I can get something out of her.
42:26Patience, Gemma.
42:28No matter how well things go,
42:30there's still time.
42:32I know.
42:34You're still upset with Begoña, right?
42:36What do you think?
42:38She's terrible.
42:40She made me go through
42:42with the lucky medal.
42:44It was very unpleasant.
42:45And that woman?
42:47She's not well. It's obvious.
42:49She's not like that.
42:51And we should forgive her.
42:53What did she apologize for?
42:55She apologized this morning,
42:57but she's still as drunk as last night.
42:59I don't know if those apologies are worth it.
43:01Gemma, knowing how she is,
43:03you shouldn't judge her so harshly.
43:05Do you think she's as sick as her mother?
43:08Don't say that, for God's sake.
43:10I think she's very affected
43:12by Mercedes' death.
43:13She has a husband.
43:15I'd better not say anything.
43:17I'll try to avoid Begoña
43:19as much as possible.
43:21If she's mentally unstable,
43:23we should help her as much as we can.
43:26Don't you think?
43:28I guess.
43:30No matter how angry she is,
43:32I don't wish her any harm.
43:34You know.
43:36Let's go.
43:38I'll pick you up later.
43:40We're late.
43:42Is this the store where I work?
43:45It smells so good.
43:47Yes, the smell of perfumes and soaps.
43:50I'm so lucky to work in such a beautiful place.
43:52What did you tell me about the visit to the factory?
43:55I was impressed.
43:58It's a top company.
44:00It's one of the most important perfumeries in Spain.
44:02We're going to expand in France.
44:04They won't send you there, will they?
44:06No, I don't want to go there.
44:08What's wrong?
44:09Aren't you comfortable here?
44:11No, I'm not comfortable.
44:13Look, I'll introduce you to a good friend.
44:16Joselito Fina, Fina Joselito.
44:19Joselito, Joselito.
44:22Did she tell you about me?
44:24Yes, a lot.
44:26I'm so excited.
44:28Joselito is leaving.
44:30He came to a fair in Toledo.
44:32He's in a hurry.
44:34There's no hurry.
44:36Yes, there is.
44:37He's very busy.
44:39I can't leave him alone with your work.
44:41Thank you, Claudia.
44:43See you later, Joselito.
44:48Hey, Claudia.
44:50I didn't come to a fair.
44:52No.
44:54You came because my mother sent you.
44:56She told me you'd be happy to see you.
44:59You know, I'm fine, Joselito.
45:02This is my new home.
45:04I'm comfortable here.
45:05I know you asked a lot about me.
45:08And of course, I've always liked you.
45:11Well, more than that.
45:13I came to see if you'd like us to get back together.
45:18Joselito, we've never been a couple.
45:20Come on, woman.
45:22I haven't forgotten those two weeks.
45:24No, those two weeks my mother gave me
45:27so I could give you a chance, but...
45:29Come on.
45:31It was nice to see you.
45:33You even ate at my house.
45:35Come on.
45:37Oh, my God.
45:39Joselito, what kind of boyfriend do you want?
45:41I'm not moving from here.
45:43Well, I'm going to buy a van so I can do sports
45:46and I can come here every weekend.
45:48Yeah, but, Joselito, I can't.
45:52I'm giving you another boy.
45:54No.
45:56So?
45:57No, not that.
45:59They don't understand me anymore.
46:01Your mother told me you didn't stop talking about me.
46:03Joselito, I really care about you.
46:05I don't care about you.
46:07No, but really...
46:09Really, I'm going to treat you like a queen.
46:11Joselito, I don't want you to treat me like a queen.
46:13What I want is...
46:15Is to spend your life with me, as if you saw it.
46:17Look, Joselito, I'm pregnant.
46:24But when did you get married?
46:26Man, I could have told your mother.
46:28No, I haven't gotten married, Joselito.
46:30No, Joselito.
46:33These things that happen in the village,
46:35you know it's happened to me too.
46:37It's happened to me more than once.
46:39I'm sorry my mother made you come all the way here, but...
46:44Well, the truth is...
46:47Do you think it's good that I told you the truth?
46:50Well, yes. Yes.
46:52Because I came with very serious intentions.
46:54And, of course,
46:56imagine the mishap if I find you with Bonbon at the altar.
46:58Well, that's it.
47:00Problem solved, Joselito.
47:02You go back to Don Benito
47:04and I'm sure you'll find a good woman there who deserves you.
47:07And if that's the case, invite me to the wedding.
47:10Well, I have to get back to work.
47:27Bye.
47:43Begoña?
47:45May I come in?
47:47How did you get in?
47:49Did Jesus let you in?
47:51He let me in, Digna.
47:53Your husband isn't home.
47:55How are you?
47:57Jesus...
48:00They told you, didn't they?
48:02What?
48:04The attack he gave me last night.
48:06I couldn't find my mother's medallion and...
48:08I fought everyone.
48:11That's why you came, right?
48:13Andrés told me something. He's very worried about you.
48:16I don't know.
48:18The more I sleep, the more tired I get.
48:20It's weird, isn't it?
48:22A little.
48:24Jesus told me that...
48:25I can't travel in these conditions.
48:30Begoña, you didn't take your pills again, did you?
48:33I already told you I didn't.
48:35I left them.
48:37To help you, you have to be honest with me.
48:39Luz, I'm not taking anything.
48:43I'm sure if I look in the drawers or in the closet,
48:46I won't find them hidden.
48:48What are you insinuating? I'm not hiding anything.
48:50Don't you believe me?
48:52Okay.
48:53Begoña,
48:55we have to see where this numbness comes from.
48:57That fatigue you feel.
49:01Does your head hurt?
49:03No.
49:05Well, sometimes.
49:07I don't know if it's...
49:09It's not pain.
49:11It's like...
49:13a feeling of constant fatigue.
49:15And the urge to sleep all the time.
49:17You should go out and get some fresh air.
49:19I don't feel like it.
49:20I want to be calm
49:22and lie down without thinking.
49:27What are you doing?
49:29I'm taking your blood to do an analysis.
49:31For what?
49:33Begoña, we have to know where this state comes from.
49:35Look at me.
49:37Let's see how you feel.
49:39What's wrong? Don't you believe me?
49:41I already told you I'm not taking anything.
49:43I'm not taking any sedatives.
49:45Begoña, I just want to help you.
49:47If you don't believe me, get out of here.
49:48Get out.
50:18We're celebrating the factory's anniversary together.
50:20I'm really into this event.
50:22I need it to go well.
50:24I know.
50:26I work every day for La Reina
50:28and I know how demanding she is.
50:30Get out of my sight.
50:32The radio you sold me doesn't work anymore.
50:34I don't know.
50:36How is it possible to record if it's high-end?
50:38How can you be pregnant if you're not with anyone?
50:40Because she had a celibate boyfriend
50:42and you can imagine the rest.
50:44Her son has been upside down for a couple of days
50:46because of a piece of news that broke his heart.
50:48It's her past.
50:50What she's hiding.
50:52That girl isn't rejecting you.
50:54She's begging you.
50:56Really?
50:58I could be losing my mind.
51:00That's the last thing I'd like to face.
51:02My father was a traveler.
51:04You know I was looking for him like an idiot.
51:06I'm really sorry.
51:08We'll tell him to make another one.
51:10I don't want another drawing!
51:12When I kept it in my book, it was perfect.
51:14It was intact.
51:15It was perfect.
51:17It was perfect.