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00:00You
00:30Oh
00:49The chili
01:00Oh
01:30Oh
02:00Come on, let's go.
02:15Let's start the day.
02:31Who is it?
02:41We have lost our passports.
02:43Sit there and fill this form. We will call you back.
02:45Come on, let's fill the form.
02:50Listen, I...
02:51Get down.
02:53Look, I want to know...
02:54Look, there is a lot of crowd today.
02:56Wait for your turn. I will call you back soon.
02:58Go and sit on that chair.
03:00Mr. Roberto Rama.
03:04Is there a Roberto Rama here?
03:11Spell the last name.
03:12Okay.
03:13Wa.
03:14Wa.
03:15Za.
03:16La.
03:18This seat is vacant.
03:21Sit here.
03:22Sit.
03:24My name is Blanca.
03:26Margarita.
03:27Altiero Spano.
03:35I am also very nervous.
03:37When I am nervous, I don't wear make-up.
03:39Because it gets ruined.
03:41How do I look?
03:42Tell me.
03:44You don't need make-up.
03:45Your eyes are beautiful.
03:49You will also be beautiful.
03:51No one has such eyes.
04:03Yes, tell me.
04:04What do you want?
04:06Margarita Canepa.
04:12Margarita Canepa.
04:15They are calling you.
04:17They are calling you.
04:27You are scared.
04:28Margarita.
04:31Margarita.
04:32Follow her.
04:33Margarita.
04:34Sorry.
04:35Is Margarita Canepa here?
04:48Here.
04:49Here.
04:58Follow that woman.
05:03Margarita.
05:10Margarita.
05:14Are you mad?
05:15You will die like this.
05:16Go from here.
05:18Have you seen a woman going from here?
05:20No.
05:21You are still alive.
05:23Can't you see such a big car?
05:25No.
05:32Sorry.
05:33I didn't notice that you...
05:35I am blind.
05:36What is the use of calling a blind person blind?
05:39The girl you are looking for.
05:40Did she snatch anything from you?
05:42No.
05:43Let it be.
05:44Tell me.
05:45I am happy to meet you.
05:46I am also in the police force.
05:53Hello.
05:54Santiodoro Police Station.
05:57Yes.
05:58We have opened a hotel here.
05:59You can call us whenever you want.
06:01What is happening here?
06:03What is this?
06:05It is open.
06:09Sorry.
06:10If you want to drink so much, then drink it.
06:12Don't irritate me early in the morning.
06:14Tell me.
06:15I brought this new intern to meet you.
06:17Hi. I am Blanca Ferrando.
06:19I have come for the internship of a law enforcement consultant.
06:21Okay.
06:22Look.
06:23I don't know what is the need of an intern here.
06:25But if you want to work as an assistant for six months,
06:27then fill this form and come from tomorrow.
06:35This officer wants to tell you that I am blind.
06:42You can also work as an office assistant.
06:44I will meet you tomorrow.
06:45I will go by myself.
06:46Okay.
06:48Should I close it?
06:49Yes. Do it.
06:52See you.
06:53This is the limit.
06:54One officer is on maternity leave,
06:56and the other is on sick leave.
06:57And who has he sent?
06:58He is blind.
07:00But there is nothing wrong in this.
07:02They have made the police station a zoo.
07:42I have kept all the things here, madam.
07:45Do you need any help?
07:46No. I will do it.
07:49Okay. Bye.
07:50See you.
07:51Bye.
08:10It was here only.
08:21It was here only.
08:34Look, don't laugh.
08:52One more time.
08:53Please.
08:54Go and study.
08:55Please, brother.
08:56Lanka, Bia, I have come.
08:58Come on, hide it quickly.
09:04Uncle Alberto.
09:07Uncle Alberto.
09:09Oh, man.
09:10Uncle Alberto.
09:12Where am I?
09:13Oh, my God.
09:14Oh, my God.
09:15Oh, my God.
09:16Oh, my God.
09:18Oh, my God.
09:19Oh, my God.
09:20Where am I?
09:22Uncle Alberto.
09:23You talk.
09:26Wow. Wow.
09:27I am Linneo.
09:28Blanca is not here now.
09:29She is playing tennis.
09:31If you had not told me, I would not have known.
09:33What if you had told me?
09:36But all this can be stopped by my saying.
09:39Okay. I am sorry.
09:40I should have told you.
09:42But on the commissioner's request,
09:43I have got a six-month internship.
09:45Look, this is very dangerous.
09:46Some police officers are worse than animals.
09:48They will laugh at you instead of pitying you.
09:50Everything is ready.
09:51Okay. I will be right back.
09:52I have been lying at home like a prisoner for so many years.
09:55I keep getting beaten up.
09:56Moreover, I talk to Linneo.
09:59Okay. Only six months.
10:00After that, that's it.
10:01Okay.
10:04Good morning.
10:05Sorry, you had to wait.
10:07Oh, man.
10:09What can happen to me?
10:12Linneo.
10:13I think
10:15I have gone mad.
10:26Please help me.
10:31Help me. He will kill me.
10:37Margarita Canepa.
10:39Please come quickly.
10:44I am here.
10:45Please help me.
11:03Be careful here.
11:04Okay.
11:05We have reached.
11:06The chief has asked you to wait in my office.
11:08Here is the door.
11:10And this is your
11:11Here is the door.
11:12Okay.
11:13And this is your
11:14desk.
11:15Look at this.
11:16This is the desk and chair.
11:17Okay.
11:18And there is my desk.
11:19You are very lucky that you have got such a good office.
11:22There are windows with sea view.
11:23There is the latest computer.
11:24And there is a very beautiful plant too.
11:26However, the plant is kept a little higher so that it gets some air.
11:30I think it will be very good for us.
11:31How can you say that?
11:32We both work with imagination.
11:35Now, let me touch your face.
11:37Hello.
11:40It will be better than your office.
11:47Okay.
12:08Are you done?
12:10I will check your backside some other time.
12:14I am joking.
12:16Inspector.
12:17Here it is.
12:18We have found a woman's dead body near the bridge.
12:21It was ready just now.
12:22People have started jumping from there.
12:24Actually, she has been murdered, sir.
12:26That girl's name was Margarita Canepa.
12:29Margarita Canepa?
12:32I was following that woman that day.
12:35What happened to her?
12:37It was very bad.
12:47The dead body was found by a dog.
12:48When he was digging the soil, he saw the face.
12:52The owner of the dog is still in shock, sir.
12:54Okay.
13:00Come on, show me.
13:07How can anyone do this, sir?
13:09He must be mad.
13:11I can't say anything.
13:13Cover him up.
13:18Call his family.
13:33Good.
13:38Good.
13:50Listen everyone.
13:52There is no need to tell this to any TV channel or newspaper.
13:55Understood?
14:00Hi, chief.
14:01Give me coffee.
14:03The woman who was murdered came here yesterday.
14:05Maybe she wanted to file a complaint.
14:07But a call came and she left.
14:09Check the register.
14:10And I also want to tell you that she was nervous.
14:13She didn't wear heels and was wearing vanilla perfume.
14:16Vanilla perfume?
14:18Maybe that's why the killer killed her and took out her eyes.
14:24Go get coffee.
14:35Okay.
14:58You don't need makeup.
15:00Your eyes are beautiful.
15:06Sir.
15:10Please help me.
15:12He will kill me.
15:13Ma'am, tell me where you are.
15:15I will send someone.
15:16My name is Margareta Karepa.
15:18Hurry up, please.
15:21Where should I keep this?
15:22Ma'am, tell me where you are.
15:24I will send someone.
15:25Tell me your address, please.
15:27I am here.
15:28I am here.
15:31Play the last part again.
15:33Where are you?
15:35I am here.
15:36I am here.
15:39It's useless. There is no name or reference.
15:41Coffee?
15:42Anything else?
15:43The murder took place at 1.22 pm.
15:46When she called.
15:47Or after that.
15:48There was no sign of sexual assault or rape.
15:50She is married and has a daughter.
15:52She used to work in a cargo shipyard.
15:54A woman in a cargo shipyard?
15:56Work is work.
15:58What is it?
16:00Listen, sir.
16:01That girl's husband has come.
16:03He already has a criminal record.
16:05Let's go.
16:11Bingo.
16:12Let's go.
16:14Did you bring coffee?
16:19Here you go.
16:26This is cold.
16:29They don't even know how to make coffee.
16:35Coffee.
16:43Coffee.
16:46Coffee.
16:52Tell me, Kenny.
16:55Why was your wife under the bridge at night?
16:59My wife is dead.
17:00And you are asking me if it was a call girl.
17:02You are saying this.
17:03Is this what you think?
17:05Such a beautiful woman.
17:07Working at the harbour.
17:09Always among the sailors.
17:11And you are at home taking care of your daughter.
17:14You must be thinking about all this.
17:16I loved her.
17:17Yes.
17:18Hitting is also love.
17:19I never hit her.
17:21It is clearly written in this
17:22that a month ago
17:23our officer got you two reconciled.
17:29It was just a joke.
17:30I can understand.
17:31My wife earns more than me.
17:34I always have to ask her for money
17:36to buy my stuff
17:37or to party with my friends.
17:39Whereas she can do whatever she wants.
17:41It is quite normal to get angry in such a situation.
17:45Your wife looks like a witch.
17:49Where were you last night between 1 and 2?
17:51At my house.
17:52With my daughter.
17:53I told you I didn't hit her.
17:56Margarita Canepa.
17:58Help me please.
18:00Hurry up.
18:01Tell me where you are.
18:02I will send someone.
18:03Tell me your address.
18:05I am here.
18:06I am here.
18:08It is my mom's voice, right?
18:10I am sorry.
18:17What happened to her?
18:21The doctor says she died there.
18:27Look at me.
18:29This is what she does.
18:37Are you blind?
18:39Blanca for friends.
18:40And you?
18:42Lucia.
18:43I am sorry for your mom.
18:45No need.
18:47I met her yesterday.
18:49She was very nice.
18:51Yes.
18:52She was the nicest.
18:54Lucia.
18:56Don't talk to any police officer.
18:58She is neither an officer nor her office.
19:00Let's go.
19:04Bye Lucia.
19:06What were you doing here?
19:09I was listening to that call again.
19:11That call didn't come from near the bridge.
19:13I can hear the ship's horn in the recording.
19:16The sound of the waves of the crane and the sea.
19:19I am sure she was killed in the harbor.
19:22Tell me, did you ask her to work on this case?
19:25No.
19:26Actually, this was my job in the court.
19:28I am a Dekodaj expert.
19:30Deko what?
19:31Dekodaj.
19:32I listen to recordings and find out.
19:34Ordinary people can't hear those sounds.
19:37But the blind can hear.
19:39Very good. Take her away.
19:42Why didn't they believe?
19:43Today is your first day.
19:44And the police can't believe so soon.
19:46I was trying to tell you where she was killed.
19:49We know who the killer is.
19:52Are you telling the truth?
19:53He used to kill her.
19:54Her statement is also weak.
19:55Forensics are going to investigate her house.
19:57Soon they will find some murder weapons.
20:01That means she had to file a complaint against her husband.
20:04Maybe.
20:05If this is the case, her daughter's life can also be in danger.
20:07Maybe she saw something that her father didn't like.
20:10You are right, but we can't do anything about it.
20:12What are you saying?
20:13It's a question of her life.
20:17We are police officers.
20:18We work within the scope of the law.
20:20So what are you doing here?
20:23Come, let's go.
20:25Let's go.
20:55Let's go.
21:16Your destination is on your left.
21:19She said left.
21:22You have reached your destination.
21:24We have reached.
21:31You told me to learn how to read.
21:35Okay.
21:37Just like that.
21:43Hello.
21:44Who are you?
21:45What do you want?
21:46I am Blanca Ferrando from the police department.
21:48Who do you want to meet?
21:49I am from the police.
21:50Open the door.
21:55Police?
21:56Who is she?
21:57Is something wrong?
21:58Whose house is this?
21:59Sorry, I am from the police.
22:00What is going on?
22:01What is the police doing in our society?
22:05Why have you come here?
22:07What do you want?
22:09I came to see if everything is fine or not.
22:12So the police have become so capable that they have sent a blind man.
22:15The police didn't send him.
22:17Actually, I came here myself.
22:20So doesn't anyone know that you are here?
22:22No one knows.
22:25Except your neighbours.
22:35Papa.
22:36You stay inside.
22:37I am coming.
22:43Don't worry.
22:44I am not going anywhere.
22:46I didn't kill my wife.
22:48I didn't kill my wife.
22:51You used to kill her, didn't you?
22:53Only once.
22:54Just once.
22:56That too because of that stupid bridge.
23:00There used to be a bookshop under the bridge.
23:06Though I was illiterate, I used to help her run the shop.
23:09I didn't earn much, but it was enough.
23:12We were happy.
23:16And then the bridge fell.
23:17Then the building was no longer usable.
23:20The shop closed.
23:22Is this why she worked in the harbour?
23:25I didn't want her to work there.
23:28I was worried about her.
23:29Do you suspect anyone?
23:36Excuse me.
23:37Yes, tell me.
23:41Okay, warehouse.
23:43No, no, there is very little money there.
23:45I can't come.
23:47Look, if I get good money, I can think about it.
23:49Come on, let's go from here.
23:50Yes, yes.
23:51Hi Lucia.
23:52Talk to the manager.
23:53I can't talk to you.
23:54If he gives a good salary, I will definitely come.
23:55No problem.
23:56This is my phone number.
23:57If you want to talk, then...
23:59Dad loves me.
24:00Yes, I understand what you are saying.
24:01Tell the police to leave him alone.
24:03Are you sure he didn't go out last night?
24:06What are the shifters?
24:09I know who the killer is.
24:11Mom had an affair with someone else.
24:14He always used to call.
24:18Lucia.
24:20Will you go yourself or should I call the police?
24:22I am going.
24:24Come on, let's go from here.
24:27Lineo.
24:40It's 50 meters away.
24:42You have reached your destination.
24:44I have reached.
24:45Blanca, your problem is not blindness.
24:47It's your madness.
24:49I only have six months.
24:50And I don't want to make coffee all the time.
24:52So tell me.
24:54A little to the right.
24:56A little more.
24:57Now it's fine.
25:02This is upside down.
25:04Straighten it.
25:05I am sorry.
25:12Tell me, what would you do?
25:13Tell me, what would you do?
25:15It's possible that the girl is living with a killer.
25:17Maybe I would do the same.
25:18But I would take my companion and have dinner with him later.
25:22But you haven't even seen him.
25:24You haven't seen him.
25:26I have checked his profile.
25:28He doesn't look that bad.
25:31Don't flirt.
25:32I am flirting.
25:34By the way, Lucia told me that there was someone else in her mom's life.
25:39Despite having such a good husband.
25:41Who?
25:42The one who used to call her all the time.
25:44To take out her eyes.
25:46She didn't want to file a complaint against her husband.
25:48There was someone behind her.
25:49That's the limit.
25:50My friend is following a mad killer.
25:53Why shouldn't I worry?
25:55Let it be now.
26:11What are you doing?
26:41Is everything okay now?
26:43All the pictures are up.
26:49Have you eaten anything?
26:50Yes.
26:51I ate something in a restaurant on the way.
26:54Was it good?
26:55Very bad.
26:56I won't even give her a half star.
27:02Did you hear anything?
27:04What?
27:07It's raining.
27:11Bye, Stella.
27:12Okay, bye.
27:24Bye, Lino.
27:41Bye.
28:11Bye.
28:41Bye.
28:57Good night, Inspector.
29:07What are you doing here?
29:11Oh.
29:42You come here again and again.
29:43I told you not to come here.
29:44Breakfast, sir.
29:45This is without cream, sir.
29:47Okay, sir.
29:49Chief.
29:51That girl was right.
29:53The victim called from the harbour that day.
29:55Her emergency call has been tracked by GPS, sir.
29:57We're good.
29:58Let's go.
29:59Let's go.
30:00Let's go.
30:01Let's go.
30:02Let's go.
30:03Let's go.
30:04Let's go.
30:05Let's go.
30:06Let's go.
30:07Let's go.
30:08Let's go.
30:09Let's go.
30:10Let's go, sir.
30:11Victim worked out there.
30:13Her husband killed her and buried her there.
30:15End of story.
30:16It could have been someone else.
30:19See.
30:21Four women have been killed in Jenoa like this in the past two years.
30:24They worked in the harbouring.
30:26It could be, there is someone even behind all this.
30:29Stop with.
30:30It's a very serious malice.
30:32Why don't you focus on this one case?
30:35But why do you always listen to the intern.
30:38I'm listening to you.
30:39Now tell me, should I have breakfast?
30:46It doesn't even have cream.
30:50I need your help.
30:53Not now, I'm working.
30:55Just tell me if it's straight or not.
30:57I told you, I know how to copy.
31:00What can I do?
31:02Tell me.
31:05This is the backside.
31:07Not one, but a thousand thanks.
31:10She's crazy.
31:11But she has a good heart.
31:18Did you copy?
31:20I'm doing it.
31:21How's the pain in your left hip?
31:24I mean, from the sound of your walking, I can tell that...
31:27It's sciatica pain.
31:29But it can be cured.
31:30There's a dancer exercise for this.
31:32I'll show you.
31:33Stand on your knees, bend your back,
31:36and stretch like a dancer.
31:41Okay, I'll think about it.
31:42Coffee?
31:43You made it?
31:44I don't want it.
31:45Listen, sir.
31:46Yes, tell me, what happened now?
31:49Sir, I wanted to tell you that I heard from a reporter
31:52that a love affair was going on between the victim, Margarita.
31:57And who's this reporter?
31:59Did he ask you anything?
32:00His daughter, Lucia, told me.
32:02And where did you find her?
32:04I went to her house.
32:06What are you saying?
32:07Who gave you permission to do this?
32:09You're not an intern or a detective
32:11that you can just go and ask questions.
32:13And that too from a little girl.
32:15The lawyer will skin us alive
32:17that we gave the wrong information to the girl
32:19or we tortured her.
32:20Okay, I admit I made a mistake,
32:22but this information could be true.
32:23Look, girl.
32:24Leave the investigation to the professionals.
32:26If you're so professional,
32:28why don't you understand that
32:30it could be a black message.
32:32Someone wants to punish her.
32:33A lover or a psycho.
32:36Who told you this love affair story?
32:38Liguori?
32:39That's what he thinks too.
32:40Liguori thinks what I want, understand?
32:42And we don't want a criminologist here.
32:44Yes, I'm not a criminologist.
32:45But I've done a lot of work on such cases.
32:48You don't sit at home and transcribe the tapes.
32:51This is a real investigation.
32:54You...
32:55You're an intern.
32:56Don't teach us our job, understand?
32:59I'm blind, not deaf.
33:02Can I go now?
33:03If you allow me.
33:06Sir, transcription is no longer a thing.
33:08It was banned in the 90s.
33:26Move!
33:28Move!
33:32Oh.
33:35How rude.
33:38Are you talking to me?
33:40Think for yourself.
33:42Hungry people get angry.
33:52Where are we going?
33:53For a walk.
33:54Are you looking for a serial killer?
33:56I believe someone else is the killer.
33:58I can help you.
33:59You'll help me?
34:02I can tell you about Margarita's last call.
34:04Where did she call from?
34:05Maybe I can find some evidence.
34:10Liguori?
34:12Liguori!
34:13This is the limit!
34:18Good morning.
34:19Morning. Inspector Liguori.
34:20I want to meet Logistic Head Marcenaro.
34:22The head office is that way, sir.
34:24I'll call someone who can take you there.
34:28I'm calling from the main gate.
34:29Inspector Liguori wants to meet you.
34:32Send him in.
34:33He's in the car.
34:50Walkers are blind.
34:51The people of Genoa don't give way to anyone.
34:53You know that, right?
34:55What are you doing here?
34:57I came for a walk.
34:59You could get hurt.
35:00Are you worried about me?
35:01No.
35:02I'm talking to the dog.
35:03Come with me.
35:04You're still talking to the dog?
35:06I wish he knew where I was.
35:09She's a female.
35:14Hurry up.
35:15This stuff has to go today.
35:21Ruggiero?
35:23Ruggiero?
35:28I don't know what you're here for.
35:30Let me talk.
35:32Go to the office for a while.
35:34But I have to help the police.
35:38Hello.
35:39Good morning.
35:40I'm Ruggiero Marcenaro.
35:42How can I help you?
35:43I want to ask you some questions about your former employee.
35:46Margreta Canepa.
35:48Whoever did this should be sentenced to death.
35:52It's not just about her husband.
36:03This used to be her locker.
36:06She used to change her clothes here?
36:08There's no other place.
36:09She used to change her clothes here.
36:13Did she have a problem with anyone here?
36:15Everyone was worried about each other here.
36:17He means, everyone has a hard time here.
36:20After the bridge collapsed, a lot of clients went to other harbors.
36:27Wow!
36:29Wow!
36:50Take it easy, friends.
36:52Lower your voices.
36:54Thanks.
36:56It's good.
37:01I heard you guys were going to fire her.
37:03It's nothing like that.
37:04We signed a long-term contract with Margreta.
37:08Why?
37:10Anyway, the economy is very bad.
37:12Why are you so kind to her?
37:15We only had to fire unskilled workers.
37:18Margreta could speak English and French.
37:22She was very useful.
37:26Margreta used to handle operations in this area.
37:30She helped my son unload the container that night.
37:35Are you ready to take your father's place?
37:37No, I like C.
37:41Did you feel anything strange about her that day?
37:44She was sad.
37:45She was always sad.
37:50Did she ever tell you that someone was bothering her?
37:53Did she ever tell you that someone was bothering her?
37:55Or that someone was following her?
37:58Never.
38:00Thank you for your help.
38:01Let's take a look around.
38:03As you wish.
38:12So, what do you think?
38:13We had decided that you would keep quiet.
38:15You asked only one question.
38:17And they didn't give you the right answer.
38:19They know that we suspect them.
38:23It's very strange.
38:25A woman who works with so many men.
38:28And her angry husband.
38:44This is a crane.
38:48She was behind it.
38:54What are you trying to say?
38:56Siren.
38:57What do you mean?
39:00He will kill me.
39:02He will kill me.
39:05He will kill me.
39:08He will kill me.
39:12Siren.
39:15Margreta Canepa.
39:19Margreta Canepa.
39:22Or was she on the left?
39:24Margreta Canepa.
39:27Margreta Canepa.
39:34Hurry up, please.
39:36What are you doing?
39:37Hurry up, please.
39:41The waves of the sea.
39:42Hurry up, please.
39:46Sea.
39:48Crane.
39:49Or siren.
39:53Echo.
39:56I'm here.
40:01I'm here.
40:04Where are you?
40:05I'm here.
40:07I'm here.
40:10I'm here.
40:13I'm here.
40:19I'm here!
40:21I'm here!
40:23I'm here!
40:25I'm here!
40:27I'm here!
40:29I'm here!
40:31I'm here!
40:43Margarita was murdered here.
40:49ных
41:01I'd like to know how you did this.
41:03You stay here, I'll call for backup.
41:19Linio?
41:23Linio?
41:29Linio?
41:35Linio?
41:40Linye!
41:43Linye!
41:46Linye!
41:53Linye!
42:02You had me scared to death.
42:03Come on. Come on.
42:06Come on, come with me.
42:07Go! Come with me!
42:09What's wrong with you?
42:11Don't do this again!
42:13Stop!
42:35Hey! Stop!
42:37Lanka, get out of the way!
42:39Move!
42:41Go!
42:43Stop her!
42:51Why did you come here?
42:53To ask her some questions.
42:55I told you to focus on her husband.
42:57Instead, you came here with that blind man without his permission.
43:00The same blind man told me where the murder took place.
43:02And she survived.
43:04Listen, do you want to get transferred again?
43:07Or do you want to face the disciplinary committee again?
43:12Now do you understand?
43:14This job is not for people like you.
43:18Go and drop her home.
43:24You're right.
43:41I love you.
44:12Mea!
44:19Mea!
44:22Wake up!
44:24Mea!
44:41Papa?
44:45Papa?
44:49Papa?
44:55Hello, Dad.
44:57How are you, dear?
44:59Hi.
45:01I did the right thing, didn't I?
45:03I didn't call you for three days.
45:05Yes.
45:07I didn't ask you to send me ten kilos of pistachios.
45:10My neighbor did.
45:12I don't know why she sent it even though I told her not to.
45:15Because she's flirting with you.
45:18How's everything else going?
45:20How was your day?
45:24Great.
45:30Well...
45:33Nothing special.
45:35I'm learning to photocopy.
45:38Great.
45:44Blanka?
45:47Don't forget who you are.
45:51How can I forget?
45:53There are many people to remind me.
45:57Not blindly, but alive.
46:01I will, Dad.
46:03Bye.
46:05Bye, dear.
46:32I'm sorry.
46:44Inspector Ligiori?
46:47Inspector Ligiori?
46:53Inspector Ligiori?
46:57Yes, tell me.
46:59I think we've found the serial killer.
47:01The Jacinto.
47:03The ship that Margarita called for the last time.
47:06It came to Genoa four times in the last two years.
47:08And the dates of its arrival and the dates of its murder are matching.
47:11It can't be a coincidence.
47:13Look, all the victims are women.
47:17They were all stabbed to death.
47:24And they all worked there.
47:26They all died when the ship was in Genoa.
47:30Will the Chief listen to us?
47:32No, we have to do this ourselves.
47:36I'll be right back.
47:41You're right.
47:48What are you doing, sir?
47:50Nothing.
47:52She's not going back.
47:55But I can't change it.
47:57Look, I wanted to tell you about a ship that Margarita called for the last time.
48:01The records show that whenever the ship was in Genoa,
48:04a woman was killed.
48:07You're talking about the serial killer again?
48:09It can't be a coincidence.
48:11Hold on.
48:12Here, Sherlock Holmes.
48:13Read this post-mortem report.
48:17And this is also not a coincidence.
48:24Should I take this?
48:25Give it to Watson.
48:37Did you tell the police?
48:39Lucia.
48:40Did you tell them about Mom's affair?
48:42Yes, I had to.
48:45The investigation is ongoing.
48:47She was responsible for her own death.
48:51She wanted freedom.
48:54Do you think my dad killed her?
48:57No.
48:58But it doesn't matter to me.
49:02The investigation is ongoing.
49:06Lucia.
49:09Lucia.
49:10Who are you calling?
49:11Her daughter was here.
49:14Come with me.
49:15There's bad news.
49:17What do you mean?
49:19Not only her mother, but her brother was also killed.
49:21And the post-mortem report shows that Margarita was pregnant.
49:25Her husband didn't tell you?
49:27Maybe he doesn't know.
49:28Why wouldn't a woman tell her husband about her pregnancy?
49:32When a child is someone else's,
49:34maybe the child's father was the one who kept calling her.
49:38Let's ask him.
49:40Do you even know who he is?
49:42Ruggiero Marcenaro.
49:44We found out that he called Margarita's number several times.
49:48Even when she was here.
49:51Maybe she wanted to file a complaint against him.
49:54Maybe she got beaten up.
49:55Maybe it's not about serial killing.
49:57Maybe it's about beatings.
50:04Yes, I called her a couple of times from the office.
50:08About work.
50:1010 calls in a day.
50:12That's what we do for someone special.
50:15And yes, Chief.
50:16She also had a long-term contract.
50:18A long-term contract in such a difficult time?
50:20Didn't I tell you that Margarita was a good worker?
50:23Even during pregnancy?
50:25Pregnant?
50:26I don't know.
50:27What does that mean?
50:28It means it's all your doing.
50:30Okay, tell me.
50:31What does a librarian have to do with Harvard?
50:34You like poetry.
50:36One verse today, one verse tomorrow,
50:38and then the librarian gets pregnant.
50:40Why?
50:41When she said no, you started threatening her on the phone.
50:44She wanted to file a complaint, you got angry,
50:46and then the game was over.
50:50Okay.
50:59Can I come in?
51:00Of course.
51:01Good morning.
51:03I'm looking for my husband.
51:05Mrs. Marcinaro?
51:06Oh, sorry, it's me.
51:08I need to talk to the inspector.
51:10He wants to know something about Margarita.
51:13Have you ever seen Margarita?
51:15I mean, who wouldn't want to love such a woman?
51:18I tried, but she said no.
51:20This contract was made to spend more time with her.
51:23I used to call her day and night.
51:25Look, the night she was murdered,
51:27your phone was in the Harvard area.
51:29Right where she was murdered.
51:31I was definitely in that area, but not at the dock.
51:37I was at the Podesta Hotel,
51:41with a woman.
51:43I can give you her number, you can find out.
51:45But please don't tell my wife.
51:50What is it?
51:53I'm sorry, Mrs. Marcinaro is here.
52:00I'm here to tell you something.
52:05A week ago, Margarita's husband came to the office.
52:09He made me call his wife.
52:11He found out that his wife was pregnant,
52:13and he was not sure if the baby was his.
52:17He said no,
52:18so he made a condition,
52:21that he quit the job right away.
52:26But Margarita said no.
52:30Why didn't you tell me before?
52:33Because I had my doubts.
52:35I had my doubts.
52:41She was having an affair with my husband.
52:45And that's the baby's fault.
53:00You can see, he's the same man who killed his wife.
53:03You can see, he's the same man who killed his wife.
53:07You can see, he's the same man who killed his wife.
53:13Today's special bulletin has this news.
53:17The police are taking the criminal away.
53:26We promise our viewers,
53:28we will find out the truth.
53:30For more information, stay tuned with us.
53:33We'll meet cameraman Mooney after the break.
53:42His wife was pregnant with someone else's child.
53:45Maybe that's the reason for his murder.
53:47But nothing is clear yet.
54:00We'll meet cameraman Mooney after the break.
54:30We'll meet cameraman Mooney after the break.