Category
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Short filmTranscript
00:00:00You
00:00:30You
00:00:47What what what is it?
00:00:55No, no, no
00:01:00You
00:01:06a message yes
00:01:15The young face is waving
00:01:19Peaceful very peaceful
00:01:40No, my darling, it's all right my precious no
00:01:49You
00:02:19You
00:02:49You
00:03:19You
00:03:49You
00:04:19Naughty raining like that very naughty
00:04:44Turn on the light Billy
00:04:47Put the thing up
00:05:14We should have to test it from the outside
00:05:16Of course
00:05:26It's not what it used to be
00:05:30Not his room any longer
00:05:33But Arthur understands
00:05:36We're doing it with his blessing. That's just how he put it. He said you have my blessing
00:05:47Comfy little bed this I
00:05:50Remember when I slept in it
00:05:55You never slept in that bed, yes, I did dear that time you will remember
00:06:01No, I don't remember
00:06:03No, it's not important here what you say Billy what anybody says is important
00:06:11This was always Arthur's bed
00:06:14Till he went to school
00:06:17I've never allowed anybody to sleep in it
00:06:23Yes, of course
00:06:27Well, she'll be nice and comfy in this what
00:06:36What does it look like
00:06:39Very neat
00:06:41No, no
00:06:42I mean, what does it all look like the overall effect if you'd never seen it before and you suddenly woke up in that bed
00:06:49Where would you think you were
00:06:53In a hospital
00:06:56Yes
00:06:58Exactly in hospital
00:07:02Not very clever ones, huh, it's going to work Billy
00:07:08Plants kind of hurts
00:07:12You
00:07:35Yes
00:07:38Perfect did you put the extra strong bulb in? Yes, 150 watt. Well, you saw me put it in
00:07:45Good. It's fine then. I
00:07:50Couldn't see anything
00:08:07I
00:08:25Look at the dust in this place. You've seen the dust. I thought our mother Jackson was supposed to have done this out before she
00:08:31Went on holiday
00:08:34Well, we can live with it I can't live with it I hate dust
00:08:42Lovely for her she's on abroad this year, you know, I said to her where are you going to your holidays this year?
00:08:46Mrs. Jackson, well, I felt sorry for I thought she'd be stuck at Margaret or somewhere getting a usual third-degree burn
00:08:53Not a bit of it. We're going to France. She said in my Cyril's new car
00:08:57You can imagine that can't you five of them?
00:09:00Crammed in the mini with her Cyril at the wheel
00:09:06Nightmare
00:09:10Still it suits our purposes further away the better till it's all over
00:09:20You want that on do you yes, it helps me to concentrate
00:09:27Forced it to be a marvelous opportunity not to have her back
00:09:30We're not giving up a treasure or anything like that. She only does it for gossip
00:09:34You can do without that according to the directions
00:09:38It takes a couple of hours. So we might as well make a stop
00:09:43You think we ought to start now
00:09:49Yes, that's what I just said
00:09:51Yes, that's what I just said this is it's done very well you can finish that later
00:10:02Well, we're not having any last-minute doubts are we Billy, you know, it's too late for that
00:10:09We have to go through with it exactly as planned
00:10:14Now it's the only time with mrs. Jackson safely way
00:10:21Yes
00:10:27You want that car don't you Billy, you know the one you saw you want things to be different not only for me
00:10:33But for all of us
00:10:42The car isn't why I'm doing it
00:10:51Listen Billy, listen, will you carefully
00:10:56Knew that I can never tell when you're really listening to me
00:11:00And try to understand
00:11:03Really what I am
00:11:05What I am can't just be thrown away, can it?
00:11:10And it's not wrong. What we're going to do is not wrong. We're doing it for his sake
00:11:14Arthur wants me to be recognized for what I am. I
00:11:18Had to be convinced myself before I told you I mean, I know it's different for you
00:11:24I've known that all along and I do try to make
00:11:40So quiet in here
00:11:48Suddenly so terribly quiet
00:11:55Did you turn that off
00:11:58No, dear, you did it yourself. I did I turned I wanted it on. Why would I turn it off?
00:12:05Well, then it must have been me
00:12:10Why did I ever marry you Billy
00:12:13I don't know dear. Why did you?
00:12:18Because you're weak and because you need me
00:12:28Well, those are two good reasons
00:12:36I
00:12:38Don't know. I don't know. I don't know. I don't know. I don't know
00:12:48We've had so much sorrow Billy
00:12:52Too much sorrow, but it's all going to be changed now. Everything's going to be different
00:13:02You know what I sometimes wish I
00:13:05Like you
00:13:07dead ordinary
00:13:10Ordinary and dead like all the others
00:13:13Too much sorrow Billy
00:13:19And you can't buy your own happiness at the expense of somebody else's unhappiness
00:13:28Who was it that said that do you know yes
00:13:34Who
00:13:36Arthur said it
00:13:42Of course
00:13:46Fancy you remembering
00:13:53He didn't say it to you lady
00:13:58No, dear you tell me oh, yes
00:14:05Funny he's never been close to you
00:14:08Not that I blame you. It's easier for me
00:14:11You don't have my gift
00:14:14It all might have been different if mummy hadn't left me this house
00:14:22She wanted me to have it they read it out the solicitor read it out of the will
00:14:31He said
00:14:34Just there
00:14:38We've never really quarreled have we except about this house you ever thought of that
00:14:45Yes, I've thought about it dear
00:14:47Still I have made it up to you in other ways haven't I?
00:14:51Yes, lots of ways
00:14:53And you do need me, don't you?
00:14:58We'll say it then
00:15:00I
00:15:04Don't have to say I wouldn't be here would I if I didn't
00:15:11No
00:15:12But I do think you had second thoughts just now not that I mind. I mean, I understand it's not easy for you
00:15:19But you did have second thoughts didn't you well?
00:15:23Not second thoughts as such. No, but what then well
00:15:28As you said I don't have your gift
00:15:34Yes, right I do keep forgetting that
00:15:43You see when they first found out when I was little you remember I told you about my aunt she was the first one
00:15:52She knew she tumbled it
00:15:54She used to go on endlessly to mummy in this room I used to hear them
00:16:03I used to creep to the top of the stairs to listen
00:16:09Then at Sunday tea all the family came and I had to perform
00:16:17I had to get up and do my party piece
00:16:20And in the end I began to enjoy it to look forward to it
00:16:29It was nice being different
00:16:33I mean you didn't get told off you just had all the nice things all the
00:16:40See it wasn't a trick it was there all those years ago here in this room
00:16:45It wasn't a trick it was there all those years ago here in this room and it was real
00:16:52It was happening to me I didn't have to make it up
00:16:59Don't you see that's why that's why it has to happen Billy
00:17:06Otherwise what's it all been for
00:17:09Just to take a collection every Wednesday afternoon rain or fine
00:17:16I mean eight pounds ten and a biscuit tin
00:17:28It has to be more than that Billy it has to be
00:17:32And Arthur's quite certain you see
00:17:39If you're ready
00:17:43Well then
00:17:46I mustn't disappoint you
00:17:52I must go
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00:23:02See you in a tick Amanda
00:23:32See you in a tick Amanda
00:24:03I love you
00:24:04I love you
00:24:05I love you
00:24:06I love you
00:24:07I love you
00:24:08I love you
00:24:09I love you
00:24:10I love you
00:24:11I love you
00:24:12I love you
00:24:13I love you
00:24:14I love you
00:24:15I love you
00:24:16I love you
00:24:17I love you
00:24:18I love you
00:24:19I love you
00:24:20I love you
00:24:21I love you
00:24:22I love you
00:24:23I love you
00:24:24I love you
00:24:25I love you
00:24:26I love you
00:24:27I love you
00:24:28I love you
00:24:29I love you
00:24:30I love you
00:24:31I love you
00:24:32I love you
00:24:33I love you
00:24:34I love you
00:24:35I love you
00:24:36I love you
00:24:37I love you
00:24:38I love you
00:24:39I love you
00:24:40I love you
00:24:41I love you
00:24:42I love you
00:24:43I love you
00:24:44I love you
00:24:45I love you
00:24:46I love you
00:24:47I love you
00:24:48I love you
00:24:49I love you
00:24:50I love you
00:24:51I love you
00:24:52I love you
00:24:53I love you
00:24:54I love you
00:24:55I love you
00:24:56I love you
00:24:57I love you
00:24:58I love you
00:24:59I love you
00:25:00I love you
00:25:01I love you
00:25:02I love you
00:25:03I love you
00:25:04I love you
00:25:05I love you
00:25:06I love you
00:25:07I love you
00:25:08I love you
00:25:09I love you
00:25:10I love you
00:25:11I love you
00:25:12I love you
00:25:13I love you
00:25:14I love you
00:25:15I love you
00:25:16I love you
00:25:17I love you
00:25:18I love you
00:25:19I love you
00:25:20I love you
00:25:21I love you
00:25:22I love you
00:25:23I love you
00:25:24I love you
00:25:25I love you
00:25:26I love you
00:25:27I love you
00:25:28I love you
00:25:29Walter!
00:25:43I won't hurt you, I promise.
00:25:47It's only a game. I promise, cross my heart, it's only a game.
00:25:59It's only a game.
00:26:20Hey! Here!
00:26:24Thanks, mister!
00:26:26Well, play further away next time, you'll hit someone!
00:26:57Don't be afraid, dear.
00:27:01Don't be afraid.
00:27:04It's only a game.
00:27:26It's only a game.
00:27:56It's only a game.
00:28:27I think it needs one more good rinse.
00:28:30Can you manage?
00:28:31Yes, I can.
00:28:33I'll just go have another look at her.
00:28:56Okay.
00:29:27I've had another look at her. She's still all right.
00:29:32Well, don't fuss.
00:29:35The worst thing you can do with children is to fuss.
00:29:38It confuses them.
00:29:46Read this to me, will you?
00:29:48I want to hear how it sounds.
00:29:50I'll read it to you.
00:29:52Read this to me, will you?
00:29:54I want to hear how it sounds.
00:29:57Use this in case we want to make corrections.
00:30:02You want me to read it out loud, do you?
00:30:06Yes.
00:30:09Well, could we have that a little quieter, please?
00:30:14Billy, I do wish you weren't such a bore about good music.
00:30:22Dear sir, this is to notify you that your daughter...
00:30:25Don't call.
00:30:27That's not a good start. Too formal.
00:30:30Cross it out. We don't need an introduction.
00:30:33This is to notify you that your daughter is in our possession.
00:30:38She is quite safe, and if you follow instructions, she will remain safe.
00:30:44By this time, you will have informed the police.
00:30:48That was to be expected, but...
00:30:50Do not tell them about this letter...
00:30:54Full stop after letter. Do not tell them about this letter.
00:30:57Destroy it.
00:30:59We are professionals, and we mean business.
00:31:02You will find enclosed a lock of your daughter's hair as proof.
00:31:08Wait.
00:31:10Change that. Lock means curl.
00:31:15Make it a piece, her hair straight.
00:31:19Or just some.
00:31:20Peace.
00:31:24Peace.
00:31:26Enclose a piece of your daughter's hair as proof.
00:31:30Your instructions are as follows. Full stop. One.
00:31:35You will put an advert into the personal column of tomorrow's evening standard...
00:31:39to the effect that you are willing to oblige and sign it...
00:31:45and sign it with your Christian name.
00:31:48Good.
00:31:50This advert you will address to Longfellow.
00:31:53Full stop. Two.
00:31:57You will get a blue BOAC overnight bag and put into it 25,000 pounds.
00:32:06You will be informed later by telephone where and when you are to deliver the money.
00:32:11After delivery, your daughter will be returned unharmed.
00:32:17But if these instructions are not followed perfectly...
00:32:21or if there is any attempt to detain the man to whom...
00:32:27That doesn't have an E, does it?
00:32:30What?
00:32:31Whom?
00:32:33No.
00:32:35Oh, you've got one.
00:32:38If there's any attempt to detain the man to whom you will give the money...
00:32:43you will never see your daughter alive again.
00:32:49Signed, Longfellow.
00:32:53I suppose we need that last bit, do we?
00:32:55Yes, we need it.
00:33:00Even though we don't mean it?
00:33:02Even though we don't mean it. They have to believe we mean it.
00:33:08Yes, I...
00:33:10I suppose the truth of the matter is I haven't...
00:33:14taken it in yet.
00:33:18What we've done.
00:33:20What have we done?
00:33:22We've borrowed a child, that's what we've done.
00:33:26Yes, they have...
00:33:28another word for it.
00:33:32We have borrowed a child, Billy.
00:33:34Borrowed, borrowed. Just keep saying that.
00:33:38Now, get on with your day.
00:33:40I'll be back down shortly.
00:34:05Very good, Billy.
00:34:14It won't be a joke anymore, will it?
00:34:16Once you've posted it.
00:34:20It never was a joke, Billy.
00:34:22No, but you know what I mean.
00:34:24Once you post it...
00:34:26no one else is going to use the word borrow.
00:34:29Oh, Billy.
00:34:32How many times must I tell you?
00:34:35What we're doing is a means to an end.
00:34:39Now, you agree with the end, don't you?
00:34:42Well, then you must agree with the means.
00:34:45You can't have one without the other.
00:34:49Burn these after I leave.
00:34:53But we're not going to keep the money...
00:34:55and the child won't be hurt in any way.
00:34:58No.
00:35:00Except if it goes wrong.
00:35:02Who's going to believe that?
00:35:04I mean, we can't expect anybody to believe the real reason.
00:35:09The trouble is, Billy, you lack imagination.
00:35:13You miss all the good things in life...
00:35:15just because you won't reach that bit further...
00:35:18to touch the truth.
00:35:22Say you love me.
00:35:28I love you.
00:35:31You couldn't live without me, could you?
00:35:35I mean, you tried it once, and you had to come back.
00:35:39And I took you back, didn't I?
00:35:43You made me promise, remember?
00:35:48You promised me.
00:35:52Yes.
00:35:55I promised you.
00:36:01Go on, post your letter.
00:36:05And come back safely.
00:36:08Say, come back safely.
00:36:12And come back safely.
00:36:25No.
00:36:31Oh, God, oh, Jesus.
00:36:33Take it before it's too late.
00:36:55Girl missing.
00:36:57Where? Oh.
00:37:00The only daughter of Charles Clayton...
00:37:02wealthy chairman of Clayton Industries Ltd...
00:37:04was last night stated to be missing from home.
00:37:09That doesn't say much, does it?
00:37:11They never do at first. That doesn't worry me.
00:37:14I want it to stay that way.
00:37:16I want it to stay that way.
00:37:18I want it to stay that way.
00:37:20I want it to stay that way.
00:37:22Amy, I want it to start slowly.
00:37:25You get her breakfast, I'll show you.
00:37:52DOOR OPENS
00:38:23Good morning, Amanda.
00:38:24How are you feeling this morning? A bit better?
00:38:37Just going to take your temperature...
00:38:39and then you can have your breakfast.
00:38:42Who are you?
00:38:44Nice scrambled eggs, and we don't want them to get cold, do we?
00:38:48Lie back and open your mouth.
00:38:50I want to know who you are first.
00:38:52I'm your nurse.
00:38:55What nurse?
00:38:56Nurse Johnson. Under the tongue.
00:39:00There. No talking now.
00:39:12You're in hospital.
00:39:14Ever been in hospital before?
00:39:17Well, then you'll know how to behave.
00:39:26You didn't take that long enough.
00:39:29Didn't I?
00:39:31No. Dr. Loxton takes ages.
00:39:35Why am I in hospital?
00:39:37Why?
00:39:39Yes. Caroline says you only go to hospital to die.
00:39:43Who's Caroline?
00:39:44My best friend.
00:39:48Well, Caroline is just being silly.
00:39:51No, she isn't. She's very clever.
00:39:54She's a Christian scientist.
00:39:57Oh, is she?
00:40:00Here we are.
00:40:03What have I got?
00:40:06German measles.
00:40:08Had it.
00:40:10Had it.
00:40:12Oh, no, this is a very special kind.
00:40:15Double German measles.
00:40:17Very catchy.
00:40:21Is it very special?
00:40:23Mm, very.
00:40:25That's why you've got it all to yourself.
00:40:29I was at school. I wasn't ill.
00:40:32Yes, you were.
00:40:34You were sent home from school, don't you remember?
00:40:38Now, eat your breakfast.
00:40:42Why have you got that on your face?
00:40:46I have to wear it in case I catch your measles.
00:40:49I'm afraid I can't.
00:40:51I'm afraid I can't.
00:40:53I'm afraid I can't.
00:40:55I'm afraid I can't.
00:40:57Catch your measles.
00:41:03You eat it up.
00:41:20You didn't tell us you'd be going...
00:41:22You didn't tell us you'd be going home soon.
00:41:24I think you ought to tell us.
00:41:26I thought you were going to tell her that right away.
00:41:28Well, I forgot.
00:41:34You know, with children, you have to tell them,
00:41:37set their little minds at rest right away.
00:41:40Bibi, what do you know about children?
00:41:43They're really quite adaptable children.
00:41:46They're like little animals.
00:41:48You know how animals look in the pet shop, in the windows?
00:41:51When you see them, they...
00:41:53You take them home and you feed them,
00:41:55and they adapt in a matter of hours.
00:41:59Billy?
00:42:04Yes, dear, you're right, I'm sure.
00:42:08Well, you remember what Arthur was like at her age.
00:42:12I mean, they're quite pleased to be sick.
00:42:15Makes them feel different and important.
00:42:23Billy?
00:42:31I wonder, could you help me?
00:42:34Oh, do you know where Mr and Mrs Clayton live?
00:42:40Well, in what connection is it, madam?
00:42:42I want to see Mr Clayton.
00:42:44Do you have an appointment?
00:42:47No, I don't.
00:42:49Well, this is the house, but I don't think Mr Clayton can see you.
00:42:52It's not official business, is it?
00:42:56No.
00:42:58But I really do think he would see me if he knew what I'd come about.
00:43:03Well, have you come about, then?
00:43:07Something that vitally concerns him at this moment.
00:43:15Well, I'll ask up at the house.
00:43:18Come with me.
00:43:22Thank you.
00:43:29Hey, miss!
00:43:36I'd like to see Mr Clayton.
00:43:39Thank you.
00:43:54We'll just have to cancel. That's no problem, surely.
00:43:58Thank you, Colin.
00:44:00Yes, officer, what is the matter?
00:44:02I'm sorry to trouble you again, sir, but I believe this lady has some information regarding...
00:44:05This is my card, Mr Clayton.
00:44:09Who is it, darling?
00:44:11Look, I don't know, sweetie. I'm just finding out.
00:44:14All right, officer, I'll deal with this.
00:44:16Oh, perhaps you'd better hang on a moment.
00:44:18Carla, will you ask Mrs Miles...
00:44:20Oh, it's all right. Mrs Miles, will you get the constable a cup of coffee, please?
00:44:23Would you like one, darling?
00:44:25No.
00:44:26Will you come this way, Mrs Savage?
00:44:28Oh, I'm so sorry. Darling, this is Mrs Savage, my wife.
00:44:33No, I'm sorry. That's all I have to say.
00:44:36Who was that?
00:44:38Nothing, Mr Clayton. Just another newspaper.
00:44:40Get me some cigarettes, Sheila, will you?
00:44:42A couple of packets, box 100 and...
00:44:45Oh, I'm sorry. Sit down.
00:44:51Yes, Mrs Savage, what information do you have?
00:44:54Well, I'm afraid I don't have anything definite that is definitive.
00:44:59But I read the papers this morning and I felt I must come.
00:45:04You see, last night I had a dream.
00:45:09A dream?
00:45:10Yes.
00:45:13Mrs Savage, I don't want to be rude, but we've been up all night.
00:45:18Now, I'm sure you came here with the best of intentions,
00:45:20but we've had offers of help from other people like yourself.
00:45:23We had a man in here half an hour ago,
00:45:25who offered to find our daughter with the aid of a divining rod.
00:45:27You do see, don't you?
00:45:29Yes, of course, but there is a difference.
00:45:32You see, I'm a professional medium
00:45:35and my dreams are not without significance.
00:45:38What sort of dream was it?
00:45:42I saw a little girl sitting alone.
00:45:44She was lost.
00:45:46I was quite sure she was lost.
00:45:48Of course, that in itself wouldn't help.
00:45:51I was quite sure she was lost.
00:45:53Of course, that in itself wouldn't mean much,
00:45:55but the symbolism was very strong.
00:45:58Symbolism?
00:46:00Yes.
00:46:02The little girl was surrounded by clay.
00:46:04Wet clay.
00:46:06And when I read your name in the papers,
00:46:08I coupled it with the clay.
00:46:13I see.
00:46:17Darling, you don't have any cigarettes, do you?
00:46:19No, no, I haven't.
00:46:22And that means something, does it, Mrs Savage?
00:46:27Oh, yes.
00:46:29Yes, the connection between the clay and your name
00:46:34was too strong to ignore.
00:46:36Was that all?
00:46:37No.
00:46:39The child in my dream used some names.
00:46:43Names?
00:46:45Yes.
00:46:46She said Caroline, first of all.
00:46:50That's her best friend at school.
00:46:53Yes, well, she kept saying that.
00:46:55And then, just before my dream ended,
00:46:58she said Hedge.
00:47:01Could that mean anything?
00:47:03Yes, Hedgey, that's her toy.
00:47:06Well, it's a sort of funny old hedgehog,
00:47:08all falling to pieces.
00:47:09She won't ever sleep without it.
00:47:12Well, it must be that, mustn't it, darling?
00:47:15You see, she had it with her when...
00:47:17when she'd taken it to school with her.
00:47:21It's something to go on, isn't it?
00:47:25Nothing else, Mrs Savage?
00:47:27No, just those three things.
00:47:30Mrs Savage, you...
00:47:33you are a professional medium, are you?
00:47:36Yes.
00:47:38Darling, what do you think we ought to do?
00:47:41Just a minute, sweetie.
00:47:44Mrs Savage,
00:47:46again, I don't want to appear rude or ungrateful,
00:47:49but what you've just told us, you could have learned by accident
00:47:51or by half a dozen other different ways.
00:47:54People gossip.
00:47:55I have a staff. They gossip.
00:47:57You could have read about it in a magazine.
00:47:59They're always writing things about my wife.
00:48:01Anyway, you could have come by this information in a dozen different ways.
00:48:04Yes, but the point is that I didn't.
00:48:06I had a dream.
00:48:07The point is, Mrs Savage, and forgive me,
00:48:09I don't know why you came to see me. I'm not the police.
00:48:12If your dream means so much, and presumably you think it does,
00:48:14I find it very odd that you didn't go to the police first.
00:48:17Now, let me ask you a question, Mrs Savage.
00:48:19What do you want out of it?
00:48:21Darling, I'm sorry.
00:48:22Well, what's in it for you?
00:48:24You must have some angle.
00:48:27You think I'm after money.
00:48:29Well, it's possible, isn't it?
00:48:31People do do things for money. It has been known.
00:48:35I'm so sorry.
00:48:37I'm obviously wasting your time,
00:48:39but I do understand.
00:48:41Goodbye, Mrs Clayton, and don't worry.
00:48:44I know your little girl is safe.
00:48:46You don't know anything of the kind,
00:48:48so don't give my wife any false hopes.
00:48:50I'll tell you something that wasn't in your dream, Mrs Savage,
00:48:53and I might just as well tell you because it'd be in the papers any moment.
00:48:56Our little girl has been kidnapped.
00:48:58She's being held for ransom.
00:49:01I'm so sorry.
00:49:02No, no, exactly. Thank you for coming.
00:49:05Yes, speaking.
00:49:07I'm terribly sorry, Mrs Savage.
00:49:09It's just that we're both so worried.
00:49:10No, I've got nothing to say.
00:49:11Although I do think the fact that they've gotten in touch with us
00:49:13means that she's safe, don't you?
00:49:15I mean, they usually do this sort of thing for the money, don't they?
00:49:18Nothing else.
00:49:19I'm quite sure she'll be all right,
00:49:21and I do understand your husband not having time for me.
00:49:24No, nothing.
00:49:25But I'm never wrong about these things.
00:49:28Thank you very much for coming.
00:49:30Anything helps at the moment.
00:49:32Oh, Sheila, will you show Mrs Savage out?
00:49:35Thank you.
00:49:37Look, if I get one more call from you, I'll have the phone disconnected.
00:49:44What about those bastards, darling?
00:49:46They want to take a picture of you and me in her bedroom.
00:49:49What with them and that phony bitch and her stupid dreams.
00:49:52I've just about had enough.
00:49:53Yes.
00:49:57Well, I don't care about any of them, really.
00:50:00I don't care what pictures they take or who finds them.
00:50:07Just as long as we get her back.
00:50:12Excuse me, ma'am.
00:50:15Excuse me.
00:50:16I wonder if I could trouble you for one of those cards.
00:50:18I'm sorry.
00:50:19Your name and address, ma'am.
00:50:20I'm supposed to make a note of everybody who comes and goes.
00:50:23Oh.
00:50:25Yes, of course.
00:50:26It's purely for the record.
00:50:27Thank you.
00:50:28Oh, by the way, those buds hanging about the gate.
00:50:31Reporters.
00:50:32Take my tip and walk right past.
00:50:33You don't want to get mixed up with them.
00:50:37Oh, no.
00:50:38Of course not.
00:50:40Thank you for telling me.
00:50:41I'll use the other gate.
00:50:51She wants some cocoa and some potato crisps.
00:50:55We haven't got any, have we?
00:50:57We have cocoa.
00:50:59What about crisps?
00:51:02Listen.
00:51:06Turn out the light.
00:51:37DOORBELL RINGS
00:51:46DOORBELL RINGS
00:51:51Nothing.
00:51:52That's all I know, boss.
00:51:54DOOR SLAMS SHUT
00:52:04DOOR OPENS
00:52:06That's the garage door.
00:52:08DOOR SLAMS SHUT
00:52:10Is it locked?
00:52:11Yes.
00:52:15What about the back door, though?
00:52:16Supposed to be around the back.
00:52:19Go make sure.
00:52:23Be careful.
00:52:36DOOR OPENS
00:53:02DOOR SLAMS SHUT
00:53:04Doctor!
00:53:09Nurse!
00:53:13Nurse, I want you!
00:53:19Nurse!
00:53:23Doctor!
00:53:29DOOR SLAMS SHUT
00:53:33DOOR OPENS
00:53:37DOOR SLAMS SHUT
00:53:50Nurse!
00:53:53Nurse, I want you!
00:53:58It's all right.
00:54:00It's all right.
00:54:01Don't see what she wants.
00:54:04And put your mask on.
00:54:11I'll get her a drink ready.
00:54:22It slipped off.
00:54:24DOOR SLAMS SHUT
00:54:25Oh, dear.
00:54:26Well, accidents will happen.
00:54:29Or perhaps you'd fallen out of bed.
00:54:31The nurse is just making your drink.
00:54:33Did you enjoy your dinner?
00:54:35I don't like eating in bed.
00:54:37You get all cramps.
00:54:39Yes, I found that.
00:54:41Are you really a doctor?
00:54:44Yes, of course.
00:54:46You don't smell like a doctor.
00:54:49Don't I?
00:54:51Well, what do doctors smell like?
00:54:53All pepperminty.
00:54:55Well, we'll have to do something about that.
00:54:57The nurse will be up in a tick.
00:55:00You'll be all right.
00:55:02The nurse will be up in a tick.
00:55:05You'll be all right.
00:55:29What was it?
00:55:31Oh, she just dropped her tray.
00:55:35She's really bright, you know.
00:55:37Really quite bright.
00:55:39What about the police?
00:55:40Will they be back?
00:55:42Yes, but not tonight.
00:55:45Watch that, will you?
00:55:46It's about to boil.
00:55:47Well, they must suspect something.
00:55:50Everyone's under suspicion once they've made contact.
00:55:53I knew they'd call.
00:55:55They were just a little more efficient than I'd imagined, that's all.
00:55:59I'm not ready for that.
00:56:02I think we should take her back now.
00:56:05Tonight, while there's still time.
00:56:10I need some sugar.
00:56:11Did you hear what I said?
00:56:12Sugar.
00:56:13Look, it's not going to work.
00:56:15If we do something now, we might just get away with it.
00:56:18What would we get away with, Billy?
00:56:20Nothing.
00:56:21We'd just be taking all the risks with none of the benefits.
00:56:25Mara.
00:56:27We...
00:56:28I committed a criminal act.
00:56:31I kidnapped her.
00:56:32I didn't borrow her.
00:56:34And they're on to us.
00:56:37They made a call, that's all.
00:56:40Part of a routine investigation.
00:56:44If they'd had any strong suspicions,
00:56:46they never would have left so easily, now would they?
00:56:49But they'll be back. You said so yourself.
00:56:51Yes.
00:56:53They'll be back, but not tonight.
00:56:55They won't be back tonight.
00:56:56First thing tomorrow morning.
00:56:57What difference does it make?
00:56:58A great deal of difference, Billy.
00:57:00She won't be here tomorrow morning.
00:57:16Billy, what was our plan?
00:57:18Our beautiful, perfect plan.
00:57:22How brave, how excited we were.
00:57:25Don't you remember?
00:57:26Conceiving it?
00:57:28Have you forgotten, Billy?
00:57:30We were going to do something so perfect, so pure,
00:57:33that would harm no one,
00:57:35would only do good.
00:57:37And we've made a start, a wonderful start.
00:57:40It's all going exactly as we said.
00:57:43And when we've done the rest,
00:57:45when we've got the ransom money,
00:57:47and it's all over the front pages,
00:57:49that's when it can all come true for us, Billy.
00:57:52I'll make it come true.
00:57:53I'll tell them where she can be found,
00:57:55and where the money is hidden.
00:57:58Well, I have to do this little lie, Billy,
00:58:01so they can know the whole truth.
00:58:05That's what you want, isn't it?
00:58:10It's what you've always wanted,
00:58:12ever since...
00:58:18Well, ever since I can remember.
00:58:20You've wanted nice things for me, haven't you?
00:58:24That's true, isn't it?
00:58:27Yes, that's true, dear.
00:58:29So you know what you have to do tonight,
00:58:32just as we rehearsed it.
00:58:50Come on.
00:59:17Yes, Barnett 3.
00:59:18Charles Creighton here.
00:59:22This is Longfellow.
00:59:24Keep him talking as long as you can.
00:59:26Yes, yes, I'm here.
00:59:29Where's my little girl?
00:59:31What have you done with my baby?
00:59:35Please tell me she's all right.
00:59:38I... I...
00:59:40Hello?
00:59:42Hello!
00:59:44Yes, well...
00:59:46Listen,
00:59:48listen carefully.
00:59:51Yes, yes, I'm listening.
00:59:53Have you got the money ready?
00:59:55Yes.
00:59:56In the BOAC bag?
00:59:57Yes.
00:59:58Then listen to me.
01:00:00Go alone
01:00:02to Leicester Square
01:00:04to the phone box nearest to the taxi rank
01:00:07in the northwest corner.
01:00:09Yes, sir?
01:00:10Yes.
01:00:13Keep him talking. They're tracing it.
01:00:15Yes, yes, I'm listening.
01:00:16Go inside it
01:00:17and wait there.
01:00:19Don't do anything.
01:00:21Don't use the phone.
01:00:23Just go inside
01:00:25and wait there.
01:00:27Have you got all that?
01:00:28Yes.
01:00:31Would you repeat that last part again, please?
01:00:34Northwest corner,
01:00:36last boom.
01:00:39Northeast?
01:00:40West, west.
01:00:42I've said it three times.
01:00:44Have you got it now?
01:00:45Yes.
01:00:46Well, that's all then.
01:00:47Wait!
01:00:51Don't hurt my baby.
01:01:01I can't believe it's on.
01:01:16I can't believe it.
01:01:40Where to?
01:01:46That could have been fatal
01:01:48if I hadn't made you turn your pockets out.
01:01:50You know that, don't you?
01:01:53Yes, I'm...
01:01:54I'm not a master criminal, you know.
01:02:11Is it clear outside?
01:02:12Yes, absolutely.
01:02:13Shall I take a look?
01:02:14No, I can manage.
01:02:15You take care of those.
01:02:16Are you sure she won't wake up?
01:02:17She couldn't possibly.
01:02:39I've been thinking.
01:02:40What if the police haven't been by the time I get back?
01:02:44What?
01:02:46Oh.
01:02:47Yes, that is something.
01:02:50Well, we'd better have a signal then.
01:02:51I'll...
01:02:52I'll hang a shirt on the line and leave it there
01:02:54until the police have been and gone.
01:02:56Yes, right.
01:02:58If it's still there,
01:02:59keep driving round and coming back to check.
01:03:01Right.
01:03:02Otherwise, stick exactly to the plan.
01:03:05Yes.
01:03:14Cheers, mate.
01:03:44Cheers, mate.
01:04:14Cheers.
01:04:44Shit.
01:05:14Shit.
01:05:44Yes.
01:06:01Yes?
01:06:02I'm a police officer.
01:06:03Detective Sergeant Beadle.
01:06:04Could I have a word with you, Mrs Savage?
01:06:06Oh, yes, of course.
01:06:08Won't you come in?
01:06:15Excuse me.
01:06:17Please.
01:06:28We, er...
01:06:29We called last night, but, er...
01:06:31you were out, I think.
01:06:33Oh, yes, we were.
01:06:35It's not about the radio licence, is it?
01:06:37No, it's nothing like that.
01:06:39It's just...
01:06:40It's just...
01:06:41It's just...
01:06:42No, it's nothing like that.
01:06:44No, it's nothing at all, really.
01:06:46It's just a check.
01:06:47It's in connection with that little girl
01:06:49missing from Barnet.
01:06:56After your visit yesterday,
01:06:58the police at Barnet asked us to check.
01:07:00Character and so on.
01:07:01I was able to tell them that you weren't known
01:07:03officially to us, et cetera,
01:07:05and that was all above board.
01:07:06But they asked if we'd just have a look
01:07:08round the house.
01:07:13He doesn't work in this area, does he?
01:07:16Your husband?
01:07:18He doesn't work at all, I'm afraid.
01:07:20He suffers from ill health.
01:07:22Oh, yes.
01:07:23I remember my wife mentioning it.
01:07:25Asthma, isn't it?
01:07:27Yes.
01:07:28Sometimes it's worse than others.
01:07:34I'm sorry.
01:07:35I'm sorry.
01:07:36I'm sorry.
01:07:37I'm sorry.
01:07:38I'm sorry.
01:07:39I'm sorry.
01:07:40I'm sorry.
01:07:41I'm sorry.
01:07:42I'm sorry.
01:07:43I'm sorry.
01:07:44I'm sorry.
01:07:45I'm sorry.
01:07:46I'm sorry.
01:07:47I'm sorry.
01:07:48I'm sorry.
01:07:49I'm sorry.
01:07:50I'm sorry.
01:07:51I'm sorry.
01:07:52I'm sorry.
01:07:53I'm sorry.
01:07:54I'm sorry.
01:07:55I'm sorry.
01:07:56I'm sorry.
01:07:57I'm sorry.
01:07:58I'm sorry.
01:07:59I'm sorry.
01:08:00I'm sorry.
01:08:01I'm sorry.
01:08:02I'm sorry.
01:08:03I'm sorry.
01:08:04I'm sorry.
01:08:05I'm sorry.
01:08:06I'm sorry.
01:08:07I'm sorry.
01:08:08I'm sorry.
01:08:09I'm sorry.
01:08:10I'm sorry.
01:08:11I'm sorry.
01:08:12I'm sorry.
01:08:13I'm sorry.
01:08:14I'm sorry.
01:08:15I'm sorry.
01:08:16I'm sorry.
01:08:17I'm sorry.
01:08:18I'm sorry.
01:08:19I'm sorry.
01:08:20I'm sorry.
01:08:21I'm sorry.
01:08:22I'm sorry.
01:08:23I'm sorry.
01:08:24I'm sorry.
01:08:25I'm sorry.
01:08:26I'm sorry.
01:08:27I'm sorry.
01:08:28I'm sorry.
01:08:29I'm sorry.
01:08:30I'm sorry.
01:08:31I'm sorry.
01:08:32I'm sorry.
01:08:33I'm sorry.
01:08:34I'm sorry.
01:08:35I'm sorry.
01:08:36I'm sorry.
01:08:37I'm sorry.
01:08:38I'm sorry.
01:08:39I'm sorry.
01:08:40I'm sorry.
01:08:41I'm sorry.
01:08:42I'm sorry.
01:08:43I'm sorry.
01:08:44I'm sorry.
01:08:45I'm sorry.
01:08:46I'm sorry.
01:08:47I'm sorry.
01:08:48I'm sorry.
01:08:49I'm sorry.
01:08:50I'm sorry.
01:08:51I'm sorry.
01:08:52I'm sorry.
01:08:53I'm sorry.
01:08:54I'm sorry.
01:08:55I'm sorry.
01:08:56I'm sorry.
01:08:57I'm sorry.
01:08:58I'm sorry.
01:08:59I'm sorry.
01:09:00I'm sorry.
01:09:01I'm sorry.
01:09:02I'm sorry.
01:09:03I'm sorry.
01:09:04I'm sorry.
01:09:05I'm sorry.
01:09:06I'm sorry.
01:09:07I'm sorry.
01:09:09This isn't your room, I take it?
01:09:12No, my husband's.
01:09:13He sometimes uses it when he gets an attack.
01:09:18It's fairly dust free.
01:09:21I know.
01:09:38I'm sorry.
01:09:39I'm sorry.
01:09:40I'm sorry.
01:09:41I'm sorry.
01:09:42I'm sorry.
01:09:43I'm sorry.
01:09:44I'm sorry.
01:09:45I'm sorry.
01:09:46I'm sorry.
01:09:47I'm sorry.
01:09:48I'm sorry.
01:09:49I'm sorry.
01:09:50I'm sorry.
01:09:51I'm sorry.
01:09:52I'm sorry.
01:09:53I'm sorry.
01:09:54I'm sorry.
01:09:55I'm sorry.
01:09:56I'm sorry.
01:09:57I'm sorry.
01:09:58I'm sorry.
01:09:59I'm sorry.
01:10:00I'm sorry.
01:10:01I'm sorry.
01:10:02I'm sorry.
01:10:03I'm sorry.
01:10:04I'm sorry.
01:10:05I'm sorry.
01:10:06I'm sorry.
01:10:08I'm sorry.
01:10:23This is where I hold my meetings.
01:10:27Do you?
01:10:28Yes.
01:10:30Well, I'm not taking sides, one way or the other.
01:10:34I keep out of it where my wife's concerned.
01:10:37Well, I suppose there's something in it.
01:10:40I think so.
01:10:43Well, you would, of course, yeah.
01:10:46What about Mr. Savage? Does he go along?
01:10:51He believes in what I believe.
01:11:08I don't know.
01:11:34Does your husband drive many?
01:11:37No, just an old motorbike.
01:11:41It's William Savage, isn't it?
01:11:44William Henry.
01:11:47Oh, yes. My wife has tried to remember.
01:13:08I don't know.
01:13:26Long time. Quick, quick!
01:13:29Quick!
01:13:37Quick, quick!
01:14:37Quick, quick!
01:15:07Quick, quick!
01:15:37Quick, quick!
01:16:08How is she?
01:16:10She's all right, I think. None the worse. A bit hot, perhaps.
01:16:15I kept looking at her whenever I could.
01:16:18You weren't followed, were you?
01:16:20No, I doubled back a couple of times, just looking.
01:16:23What did you say?
01:16:25Yes, nothing much.
01:16:27What did you say?
01:16:29Nothing much.
01:16:31What did you say?
01:16:33Nothing much.
01:16:35Yes, nothing much.
01:16:37No, but you said hot.
01:16:39You hid the money, did you?
01:16:41Yes, but what do you mean, hot?
01:16:43What I said, Billy, what I said. A bit hotter than usual, that's all.
01:16:47Yes, but what does that mean?
01:16:49It means, and do not shout at me, that she has a bit of a temperature, I suppose.
01:16:56It's nothing unusual in children.
01:16:59How would you know?
01:17:05We're mad, you and me.
01:17:09We're both mad.
01:17:21Are you asleep?
01:17:23Myra, are you asleep?
01:17:26What is it?
01:17:28Come in here a minute.
01:17:29What is it?
01:17:31Come in here a minute.
01:17:38What's wrong?
01:17:40Come and look at her.
01:17:42With my uniform on?
01:17:44It doesn't matter. Look, just come and look.
01:17:52You feel her for it.
01:18:00Now, tell me that's normal.
01:18:04Yes, she is still very hot.
01:18:06Well, of course she's hot. I took her temperature. It's way up.
01:18:10Get another blanket there.
01:18:23I'll have to get her a doctor.
01:18:29Billy, don't be stupid.
01:18:33What do you mean, don't be stupid?
01:18:36Where are you going?
01:18:38What's stupid about it? The child's ill and we've got to have a doctor.
01:18:42Look, don't walk away when I'm talking to you. What are you doing? I'm telling you what we've got to do. We've got to get a doctor.
01:18:46Put that down and listen to me for a minute.
01:18:49What are you looking in here for? You won't find the answer in a book. I'm telling you what the answer is.
01:18:53Are you, Billy, are you? You know the answer. It's so simple, is it? We just call the doctor.
01:18:56Now, what should we say, Tom, do you think? Should we say that we've borrowed a...
01:19:01Oh, you don't like that word, do you?
01:19:04We'll say we've kidnapped a child and ask him to treat it in confidence.
01:19:10Is that what we should do, Billy?
01:19:16We don't really know that there's anything wrong at all, do we?
01:19:21We'll get medicine for her in the morning.
01:19:23There's no harm that can come to her in a warm bed, is there?
01:19:26I don't know. I don't know anything any longer.
01:19:29Except you do know I'm right, don't you? That I'm right.
01:19:35No, we have to take turns to sit in with her. You want to take the first turn or shall I?
01:19:43I'll take it.
01:19:53I'll take it.
01:20:24Billy? Billy!
01:20:28What is it?
01:20:32The mother's disappeared.
01:20:35We can't hold your meeting this afternoon. We must put it off.
01:20:40I'm giving half the adult dose. Do you think that's all right?
01:20:45Once every four hours, that's all right.
01:20:48Dose. Do you think that's all right?
01:20:51Once every four hours, that means one...
01:20:53Mara.
01:20:54No, and one at 2.30.
01:20:56Mara, we must put it off.
01:20:58The very worst thing we could do is change the normal routine.
01:21:01But the baby will be in the next room.
01:21:03That's right, Billy, and you'll sit with her after you've got everyone in.
01:21:07We're not going to put it off, Billy.
01:21:09We'll just make people suspicious.
01:21:12I'm not putting it off.
01:21:18I'm not putting it off.
01:21:48I'm not putting it off.
01:22:06Good afternoon.
01:22:07Good afternoon.
01:22:14Good afternoon.
01:22:16Move out, please.
01:22:28Excuse me.
01:22:34Oh, good afternoon.
01:22:36Good afternoon.
01:22:38Is Mrs. Savage holding her usual meeting this afternoon?
01:22:41Oh, yes. Won't you come in, please?
01:22:43Thank you.
01:22:45You haven't been before, have you?
01:22:47No, no, I haven't.
01:22:48May I have your name, please?
01:22:50Clayton.
01:22:52Mrs. Clayton.
01:22:57Upstairs. The, um...
01:23:00The room's upstairs.
01:23:02Oh. Thank you.
01:23:16Stay here.
01:23:30Yes, I've just seen her.
01:23:32I thought she might come.
01:23:34But you can't with a child in here. You just can't.
01:23:37Oh, yes, Billy, yes.
01:23:39Oh, it's good that she's come, don't you see?
01:23:42It's good.
01:23:43It strengthens my connection. Now I can help her.
01:23:46I can help her, Billy.
01:23:50Now she can share my truth.
01:23:59Good afternoon.
01:24:00Good afternoon.
01:24:13Good afternoon.
01:24:43Shall we make ourselves at home?
01:25:13What?
01:25:35What?
01:25:38What?
01:25:39What is it?
01:25:44He had a car.
01:25:47A red car.
01:25:50Going over a bridge.
01:25:53Going home.
01:25:56Happy.
01:25:58Oh, they're all singing.
01:26:02He sends his love.
01:26:05That's my friend. That's my darling.
01:26:08Take good care of all at number 43.
01:26:14I will, my darling.
01:26:17We put flowers on your grave last Sunday, me and the girls.
01:26:21Somebody else?
01:26:26Worried?
01:26:29Somebody on my left?
01:26:32Somebody on my left.
01:26:39Your guardian angel has put candles on both your knees.
01:26:45One on each knee.
01:26:47A white one on the left and a blue one on the right.
01:26:53He's telling you not to worry.
01:26:57Mommy?
01:27:02You are worried.
01:27:04About a...
01:27:07A church.
01:27:11No.
01:27:15About a child.
01:27:17Mommy?
01:27:21You're worried about a little girl.
01:27:24Mommy?
01:27:25Oh, yes.
01:27:28No need to worry.
01:27:31No need.
01:27:33She's quite safe.
01:27:36She's being taken care of by three...
01:27:42Three people who are concerned about her future happiness.
01:27:47Mommy?
01:27:51Oh, she's playing. She's happy. She...
01:27:56All the future is happiness.
01:27:59Mommy?
01:28:05When...
01:28:07When will I see her again?
01:28:10What is it, Arthur?
01:28:14Well, say it. Then what?
01:28:16Please.
01:28:18When will I see her?
01:28:20Mommy?
01:28:23Please.
01:28:25When?
01:28:27Not...
01:28:29Not that.
01:28:30No.
01:28:31No.
01:28:33No.
01:28:49What is it, dear?
01:28:55Dad.
01:28:59It's all right. She'll be all right in a minute.
01:29:03It's all right, dear. You're all right.
01:29:07You fainted.
01:29:14Me?
01:29:15Silly me.
01:29:17I fainted?
01:29:19That's very silly of me.
01:29:21Yes, just sit quietly for a bit.
01:29:24I think perhaps we'll stop it here for today.
01:29:28Yes, yes, of course, Mr. Savage.
01:29:31If, um...
01:29:33Someone could perhaps help me. I'll get her to her room.
01:29:36Yes, yes, of course.
01:29:37Let me.
01:29:40Mr. Savage, who is going to die?
01:29:44Die?
01:29:45Yes, you said the word. Who was it for?
01:29:47What's it to do with me?
01:29:49Nobody's dead.
01:29:51No, not dead. Dying.
01:29:53I distinctly heard you say it.
01:29:56No.
01:29:58Nobody's dead.
01:30:00If you don't mind, Mrs. Winchester, please.
01:30:22I'll, uh... I'll just see them out, dear.
01:30:26You're sure you'll be all right?
01:30:28Yes, I'm fine. I'm fine.
01:30:33I do apologize.
01:30:35Please accept my wife's apologies. She's overtired, I think.
01:30:38Oh, yes. Yes, of course.
01:30:46What do I owe Mrs. Savage?
01:30:49Oh, nothing. Nothing, please.
01:30:51But I must. I...
01:30:53Oh, well, I'll send her something through the post.
01:30:55Please, I assure you.
01:30:56Oh, no, I'd like to.
01:30:58You see, I... I am so worried, and she has given me some hope.
01:31:04Whatever my wife told you, I'm sure will come true.
01:31:10You... You will thank her for me, won't you?
01:31:13Yes, of course.
01:31:24Billy?
01:31:32Billy, I've got something to tell you.
01:31:35Something tremendous to tell you.
01:31:38Come in here.
01:31:54Oh, there you are.
01:31:56I was just going to call you again.
01:31:59Isn't it a wonderful afternoon?
01:32:02I'm always so surprised.
01:32:04So bright after a seance.
01:32:08Brightness just seems to fall from the air.
01:32:12Have you noticed?
01:32:14Yes.
01:32:17Oh, no.
01:32:19You don't notice.
01:32:20Yes, I do.
01:32:22What is it you want to tell me?
01:32:25Arthur was very close this afternoon.
01:32:28He was so close, he kept talking about...
01:32:31love, that was the word he used.
01:32:33He was chattering on, I couldn't keep up with him.
01:32:37He so wants her to be happy.
01:32:40Her?
01:32:41Yes, the child.
01:32:43He's grown so fond of her since she's been using his room.
01:32:46That's what gave him the idea.
01:32:49Idea? What idea?
01:32:51Well, it's very simple, really.
01:32:54And as Arthur says, it's the answer for all of us.
01:32:58And for the plan.
01:33:00He says she doesn't really want to go back.
01:33:04He says she'd be much happier with him.
01:33:10I don't know.
01:33:11He says she'd be much happier with him.
01:33:16Then they'd have to take notice of me, wouldn't they?
01:33:20I mean, they couldn't ignore me.
01:33:22If we do what he says,
01:33:24it would make the whole thing that much more important.
01:33:27And he kept saying,
01:33:30how much happier she'd be
01:33:32if we sent her to him.
01:33:37Myra.
01:33:39Arthur didn't say anything.
01:33:41You said it.
01:33:42It was you.
01:33:43It's what you've been thinking.
01:33:47He didn't say it.
01:33:48It's you.
01:33:49It's all you.
01:33:51Of course he said it.
01:33:52Arthur doesn't, Arthur doesn't exist.
01:33:55He's never existed.
01:33:57He was dead.
01:33:58He didn't live.
01:33:59He was dead, Myra.
01:34:00He was born dead.
01:34:01You never saw him.
01:34:02I was the only one who saw him.
01:34:04They wouldn't let you see him.
01:34:05It's you, Myra.
01:34:06It's always been you.
01:34:08No.
01:34:09Yes, it has.
01:34:10No.
01:34:11It's what you want.
01:34:12No.
01:34:13Yes, this last thing was you.
01:34:15You thought of it.
01:34:16No.
01:34:17You're the one who wanted her to die.
01:34:18You thought of it.
01:34:19It's only in your mind.
01:34:21That's not true.
01:34:22You mustn't say that.
01:34:23That is not true.
01:34:24Arthur is dead.
01:34:27You've always wanted him so much,
01:34:28but he's dead.
01:34:30All those clothes you've got upstairs
01:34:32on the roof,
01:34:33that's in your mind too.
01:34:35You don't have to say it.
01:34:36Yes.
01:34:37No.
01:34:38Yes, I have to say it.
01:34:40And you have to hear me.
01:34:41This time, you have to hear me.
01:34:43Please.
01:34:44Say it.
01:34:45Please.
01:34:46Arthur is dead.
01:34:47He was born dead.
01:34:48Believe me.
01:34:49Go on, say it.
01:34:51Say it!
01:34:52No!
01:34:53I know he's dead.
01:34:54I know that.
01:34:55I do know that.
01:34:56But I do talk to him.
01:34:58And he does talk to me.
01:34:59Please don't make me say it.
01:35:00He doesn't talk to me.
01:35:01Please.
01:35:02I do, and I see him.
01:35:04I have never, and I do see him.
01:35:06That's why I want her.
01:35:08She makes me feel so much closer to him.
01:35:10That's why, Billy.
01:35:14Billy?
01:35:15Oh, Mara.
01:35:18Oh, Mara, what to do now?
01:35:21It's what I have to think about.
01:35:22What to do now?
01:35:24I have to think.
01:35:25I have to think.
01:35:27I have to think.
01:35:28I have to think.
01:35:29I have to think.
01:35:30Billy.
01:35:31Mara, don't say any more.
01:35:32Billy.
01:35:33Just let me think.
01:35:35Billy, please.
01:35:37Just do this for me.
01:35:39So I can keep her.
01:35:41It wouldn't be fair to take away from me now.
01:35:45Mommy?
01:35:55Hey.
01:35:56You go back to bed.
01:35:58You catch cold.
01:36:01What were they all shouting about?
01:36:03Well, they...
01:36:05It was just a game.
01:36:07This isn't really a hospital, is it?
01:36:10Hospitals rule the night.
01:36:12Oh.
01:36:15You stay in bed this time like a good girl.
01:36:19You'll be home soon, I promise.
01:36:27Good night.
01:36:52I must have...
01:36:54left her door unlocked.
01:36:57What are you doing, Billy?
01:37:00Rushing in to see you.
01:37:04Yes, Billy.
01:37:12She's seen you, Billy.
01:37:15She's seen your face.
01:37:21Do it for me, Billy.
01:37:24Then we can both be safe forever.
01:37:27Come on.
01:37:57Come on.
01:38:27Come on.
01:38:57Come on.
01:39:27Come on.
01:39:51You see how easy it was, Billy?
01:39:54She didn't suffer.
01:39:55She didn't feel anything.
01:39:57She just went to sleep.
01:39:59Now she's safe with us.
01:40:06You don't want me to say that anymore, do you?
01:40:10I won't.
01:40:11I promise you I won't.
01:40:12Because of all the things you've done for me.
01:40:20Billy, look at me.
01:40:25I won't ever forget.
01:40:27Never.
01:40:33Just a few more hours,
01:40:35and I'll go and tell them where they can find her.
01:40:38And it'll all come true,
01:40:40just as Mummy said.
01:40:44Are you cold?
01:40:50You look cold.
01:40:53It's always cold in this room, isn't it?
01:40:56Even in the afternoons when the sun comes in,
01:40:59it never really warms it up.
01:41:02Billy, we won't stay here.
01:41:04Once it's over, once it's over, we'll go away.
01:41:07You'd like that, wouldn't you?
01:41:11We'll never quarrel again.
01:41:14I'll just do things to please you.
01:41:21Say you love me.
01:41:23You know I love you.
01:41:31I want to read over
01:41:34exactly what it is I want to say.
01:41:44That's the evening papers. Would you get it, Billy?
01:41:53No.
01:42:05She won't.
01:42:06She won't.
01:42:36She won't.
01:42:52This is
01:42:55Superintendent Walsh.
01:43:04Superintendent Walsh.
01:43:07Good evening, Mrs Savage.
01:43:09I'm sorry to call you like this without warning.
01:43:12Oh, that's quite all right.
01:43:14You know Sergeant Beadle, I believe?
01:43:16Yes, good evening, Mrs Savage.
01:43:18Yes, we had a long talk a few days ago.
01:43:21Yes, well, as a matter of fact, that's why I'm calling on you.
01:43:24Once again, this is not an official visit as such.
01:43:26I just thought perhaps you might be able to help us a little further
01:43:29in your professional capacity.
01:43:31I'm sorry, I...
01:43:33The little girl missing from Barnard.
01:43:36You gave the parents some information, I believe.
01:43:39Yes, that's right.
01:43:41Before I go any further, Mrs Savage,
01:43:44I think I ought to say that, of duty, I'm not a non-believer.
01:43:48As a matter of fact, I'm president of my local society for psychical research.
01:43:52Oh, are you?
01:43:54How very interesting.
01:43:56Yes, it is very.
01:43:58Well, I'm a very keen president.
01:44:00Every one or two papers published.
01:44:02Nothing much, just our own magazine.
01:44:03I'm mostly concerned with the Croner experiments.
01:44:07Oh.
01:44:09Oh, yes.
01:44:12Of course, I know the Croner experiments.
01:44:15As I'm sure you know, they've followed them up in Austria
01:44:18with startling results.
01:44:20I went into it when I was there on holiday last year.
01:44:22Rather a busman's holiday, I suppose,
01:44:24but I like to get to the end of things.
01:44:27That's why I'm here.
01:44:30I wondered if you would consider holding a seance for me.
01:44:33Here?
01:44:35This evening?
01:44:37Well, if it's at all possible.
01:44:39We seem to have drawn a blank with orthodox methods,
01:44:41and since you didn't make contact before,
01:44:43you might be a great help again.
01:44:45Of course, it's only a request.
01:44:47You're quite at liberty to refuse.
01:44:50What, um...
01:44:52What help do you think my wife could give you?
01:44:56Well, in a case like this, Mr Savage,
01:44:58we are grateful for small mercies.
01:44:59And since your wife does appear to have powers
01:45:01beyond the ordinary, I'd like to make use of her.
01:45:04You already enjoy a very considerable reputation,
01:45:06Mrs Savage.
01:45:08Do I?
01:45:10Oh, yes, indeed.
01:45:12The news in our particular circle,
01:45:14if I may put it like that,
01:45:16may not travel widely,
01:45:18but it travels very surely.
01:45:20You want me to give you exact information
01:45:22about the little girl.
01:45:24Is that it?
01:45:26Well, it doesn't have to be exact, Mrs Savage.
01:45:27Just a clue.
01:45:29That's all we're looking for.
01:45:31And you want to have the seance now?
01:45:33If that's at all possible.
01:45:35Speaking as a policeman now,
01:45:37time isn't exactly on our side.
01:45:40Well, I, uh, usually have a circle.
01:45:43Yes, well, I thought we'd ask the Beagle here
01:45:45and Mr Savage.
01:45:49Oh, my husband isn't a regular sitter.
01:45:53Oh, I don't think that matters.
01:45:55I'd like him to be.
01:45:57I'd like him to be on this one.
01:45:59Will you excuse me a moment?
01:46:01Do you suppose you can get the station
01:46:03on the car radio from here?
01:46:05Well, I can't say for certain, sir.
01:46:07You don't know?
01:46:09I'm not positive.
01:46:11But you think it's possible?
01:46:13Well, yes, but I couldn't say for sure, sir.
01:46:15Right, you wait outside.
01:46:17So sorry.
01:46:19Right, Mrs Savage, if you'll show us where.
01:46:21Yes.
01:46:23This way, please.
01:46:25Good evening.
01:46:27Good evening.
01:46:55I haven't got a match.
01:46:57A match?
01:46:59Will a lighter do?
01:47:01Oh, yes, please.
01:47:07Would you turn out the light?
01:47:13Superintendent there.
01:47:15Billy over there.
01:47:20Mr Beagle.
01:47:28Is there anything special you want us to do?
01:47:33No.
01:47:35It's a great help to me
01:47:37if we all give ourselves up completely
01:47:40and concentrate,
01:47:42but nothing special.
01:47:44I have no tricks.
01:47:46I'm sure you don't need them, Mrs Savage.
01:47:49Could we all join hands?
01:47:52I'm sorry.
01:47:53Could we all join hands?
01:48:00And now,
01:48:02concentrate on one thing.
01:48:06Empty your minds of everything
01:48:08except the subject.
01:48:23Thank you.
01:48:51It's tea time.
01:48:53My precious, it's tea time.
01:48:55I have to go downstairs.
01:48:57Everybody's waiting.
01:49:01Downstairs.
01:49:05We want to be a good girl today.
01:49:09Good girl.
01:49:12No, no, no good saying you're tired.
01:49:15It's Sunday, you're never tired on Sunday.
01:49:18I mean, you got butter on your chin.
01:49:26Look!
01:49:31I'm standing at the top of the stairs.
01:49:37Look at me.
01:49:42Stop that shouting.
01:49:46No, I won't, I won't.
01:49:49No, don't.
01:49:51Don't make me go downstairs again.
01:49:53Don't make me go today.
01:49:55I want to stay with Arthur.
01:49:59Arthur.
01:50:07You can't see him.
01:50:10You can't see him.
01:50:12You will never see him.
01:50:16All that waiting.
01:50:20All that time.
01:50:24Nothing.
01:50:28Nothing to hold.
01:50:34My baby.
01:50:37Yes.
01:50:42Arthur, why are you waiting under the tree alone?
01:50:50In the dark?
01:50:52Why are you waiting there?
01:51:01Mummy, why is he waiting under the tree?
01:51:06No, it's all different.
01:51:10I said die.
01:51:13Die?
01:51:18I said dead.
01:51:19He is not dead.
01:51:21He is not dead.
01:51:22He is not.
01:51:28Are they away?
01:51:30Why are you waiting there?
01:51:33All alone?
01:51:34She should be there.
01:51:36She should have come by now.
01:51:38Where is she?
01:51:43Oh, she was here.
01:51:45She was here in Arthur's room.
01:51:51Oh, she saw him.
01:51:53She saw Billy.
01:51:55She saw him.
01:51:57She saw him.
01:52:02Oh, yes.
01:52:04I'm coming, precious.
01:52:05I'm coming.
01:52:06I'm coming.
01:52:08Billy, you've taken her.
01:52:11You've taken Billy.
01:52:13Take her.
01:52:14Kill her.
01:52:15Arthur's waiting.
01:52:16Billy.
01:52:17Take her.
01:52:18Billy.
01:52:19Kill her.
01:52:20Billy.
01:52:21Take her.
01:52:22Arthur's waiting.
01:52:23He's waiting.
01:52:24Billy.
01:52:29I'm coming.
01:52:32Precious, I'm coming, I am.
01:52:34I'm coming, you know.
01:52:35You wait.
01:52:37It's all right.
01:52:38Wait, wait, wait, wait, wait.
01:52:40Wait for me.
01:52:42Wait for me.
01:52:44Wait for me.
01:52:46Wait for me.
01:52:49It's all right, precious.
01:52:56It's all right.
01:53:07Where did you hide the money, Mr. Savage?
01:53:12In the coal bunker.
01:53:16In the garden.
01:53:37She's all right, isn't she?
01:53:43I put her where the scouts would find her.
01:54:07I'm coming.
01:54:27Did I do it right, Billy?
01:54:32Yes, dear.
01:54:36I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
01:55:06I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
01:55:36I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry
01:56:06you