Sueños de libertad Cap 124 (19-08-24)
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01:30Tranquila, tranquila.
01:32Estás muy alterada y lo entiendo.
01:34Pero su estado hay que tratarlo de alguna manera.
01:36Que no, Jesús, que estoy bien.
01:39Bueno, no lo estoy.
01:41Por eso quiero irme a Londres cuanto antes.
01:44A Londres.
01:45Con esa confusión mental que tanto nos preocupa a todos.
01:48¿Qué confusión mental?
01:49Lo que me pasó ayer fue fruto de haber dejado a los calmantes.
01:52Ya está.
01:53Calma, cálmate.
01:54Quédate sentada ahí.
01:55Tranquila.
01:56Estoy bien, Jesús.
01:59Solo estoy un poco aturdida, pero en unos días mejoraré.
02:02Te lo aseguro.
02:03Aturdida, despistada.
02:05No estás bien.
02:06Mi amor, si no mejoras de aquí a una semana,
02:09yo creo que no deberías viajar.
02:16No, por favor.
02:18Eso sí que no.
02:19¿Y si vuelves a tener un episodio de estos
02:21sin que yo o Dina podamos estar aquí?
02:23Pero ¿un episodio de qué?
02:24Si yo lo único que estoy es cansada
02:26y necesito tiempo para estar sola,
02:28para reencontrarme conmigo misma.
02:29Nada más.
02:30Begoña, mi obligación es cuidarte y protegerte.
02:33Y si te dejo marchar,
02:34estaría eludiendo mi responsabilidad.
02:37Me estás tomando por una enajenada.
02:39En absoluto.
02:40En absoluto.
02:41Ya te he dicho que yo entiendo las razones
02:43por las que estás así.
02:45Pero yo tengo que hacer todo lo que esté en mi mano
02:47para que te recuperes del todo.
02:50Y luego sí podrás hacer ese viaje.
02:57Todo lo que hago es por tu bien.
03:00Lo sabes, ¿verdad?
03:04Tal vez tenga razón.
03:07¿Ves?
03:08Ya vuelves a ser la de siempre.
03:10Mira, unos días más.
03:13Unos días más para que comprobemos
03:15que has recuperado la lucidez
03:16y yo mismo te llevaré al aeropuerto.
03:18¿Sí?
03:26Toma.
03:27¿Quieres que te lo calienten un poco?
03:33Bueno.
03:49Hasta luego.
03:56Todo el mundo va a recordar esta celebración.
03:59Hay que hacer algo que esté a la altura
04:00de un aniversario tan importante.
04:02Bueno, ¿y qué has pensado entonces, María,
04:04para la celebración de los 30 años
04:06de Perfumerías de la Reina?
04:09Bueno, sé que en ocasiones anteriores
04:11se celebraba una misa
04:12y después se hacía una comilona con los empleados.
04:15Bueno, no es mal plano.
04:16Andrés.
04:18¿Qué pasa? ¿A ti no te agrada la idea?
04:20Creo que podríamos hacer algo
04:21que se adapte más a los nuevos tiempos.
04:23Ya, pero la misa no puede faltar.
04:24Por supuesto.
04:25Y una buena comida para el personal, ¿no, María?
04:27Buenos días.
04:28Buenos días.
04:29Bueno, eso es lo que se hacía anteriormente,
04:31me lo ha dicho Andrés,
04:32pero estamos en una nueva etapa.
04:34Con los tres hermanos de la reina al frente de la empresa.
04:36Ya, y el padre jubilado, ¿no?
04:39No, por favor.
04:41Usted siempre será el alma de todo esto.
04:44¿Cómo está, Begoño?
04:46Mejor, gracias.
04:47¿Y qué?
04:48¿Nos vas a explicar tu idea
04:49o todavía no tienes nada pensado?
04:51Bueno, después de darle muchas vueltas,
04:54creo que lo más interesante y lo más divertido
04:56sería hacer una verbena.
04:59¿Una verbena?
05:00¿Con orquesta y puestos y todo eso?
05:03Pues no me parece muy serio, la verdad, María.
05:06Desde luego suena muy festivo.
05:08Esa es la idea, ¿no?
05:09María dio por la clave.
05:11¿Para qué hacemos una fiesta?
05:12Para agradecer a nuestros empleados
05:14su trabajo y su lealtad.
05:16Y a ellos les va a encantar, os lo aseguro.
05:18Se sentirán en su salsa.
05:20Ahí te doy toda la razón.
05:21María, cuando dices verbena,
05:23¿te refieres a adornar la fábrica
05:25con farolillos, guirnaldas y todas esas gaitas?
05:30Nos centraremos en el patio, ¿sí?
05:32Habrá que adornarlo todo como una verbena tradicional.
05:35Y contrataremos una orquesta,
05:37la mejor, para que la gente pueda bailar.
05:39Que es una fiesta sin un baile.
05:40Nada.
05:41Claro que sí.
05:43La que van a tener nuestros trabajadores, ¿eh?
05:45Pues yo me niego a montar ese tinglado en la colonia.
05:47Por el mero hecho de negarte a todo, quizá.
05:49Por el mero hecho de que nos va a costar un ojo de la cara.
05:51Se sale del presupuesto.
05:53Pues entonces ni hablar de los fuegos artificiales.
05:55¿Fuegos artificiales?
05:56Y una tarta, enorme, de varios pisos.
05:59Los trabajadores merecen eso y más.
06:01No creo que salga tan caro.
06:03Debemos tener ese detalle con ellos.
06:07Son ellos quienes levantan cada día esta empresa.
06:10Y ya cobran sus buenos sueldos.
06:13Venga, María, siguiente idea.
06:15Y esfuérzate, a ver si es un poco mejor.
06:17Solo a ti no te parece bien, Jesús.
06:20¿Padre?
06:23A mí no me desagrada la idea de María.
06:26Una verbena.
06:29Y si el problema es el dinero,
06:31ella se apretará el cinturón y se ajustará un poco.
06:34¿Verdad?
06:35Claro.
06:36¿Votamos entonces?
06:39¿Por qué me miras así?
06:40Por nada.
06:42Y no hará falta votar.
06:43Tendremos verbena.
06:44Pero exijo que Isabel ayude a María.
06:50¿Puedo hacerlo perfectamente sola?
06:53¿O con Gema, si acaso?
06:54Quiere un poco de sentido común.
06:56Isabel es muy eficiente
06:57y será la que contacte con los proveedores
06:59y ajuste el presupuesto.
07:00¿Y tú?
07:01Bueno, ¿tú puedes ayudar a Gema a colgar los farolillos?
07:04Si quieres.
07:05No te pases, Jesús.
07:06Se acabó.
07:08Tendremos la verbena que quiere María
07:11y con Isabel supervisando los gastos.
07:15Se levanta la sesión.
07:17Ya no puede uno ni desayunar.
07:19Tranquilo.
07:23¿Tu marido no ha bajado, hija?
07:26Voy a avisarle.
07:54¿Qué estás haciendo?
07:57Nada.
08:00¿Querías comprobar qué se siente cuando se pierde la vista?
08:03No, hoy me he levantado mucho mejor.
08:06No me mientas, Jaime.
08:08Y no intentes protegerme.
08:09Ahora soy yo la que te tiene que proteger a ti.
08:12Aparte de los terribles dolores de cabeza,
08:15más pronto que tarde voy a perder la vista.
08:19Estaba comprobando cómo me iba a sentir.
08:22¿Y?
08:30Iba a ser duro.
08:35No volver a ver tu rostro.
08:38Los atardeceres, tu ruido.
08:41Los colores, todo.
08:45Yo voy a estar a tu lado para explicarte todo
08:47para que lo sientas como si lo estuvieras viendo.
08:52Me alegro mucho de que estés aquí conmigo.
08:57Jaime, tenemos que hablar.
08:59¿De qué?
09:01¿De qué vamos a hacer a partir de ahora?
09:04Esperar, Marta. Yo no puedo hacer otra cosa.
09:08¿Esperar sentados?
09:10No, no. Quiero seguir con mi vida.
09:13¿Quieres seguir trabajando en el dispensario?
09:15Quiero sentirme útil, Marta.
09:18Es un poco risco.
09:21¿Lo dices por los pacientes?
09:23Claro.
09:25Estás perdiendo la vista.
09:26Luz me ayudará.
09:28La iba haciendo hasta ahora.
09:30Hasta donde yo sé, ya no estáis juntos.
09:35No sé si es muy justo sobrecargarla a ella con esa responsabilidad.
09:39He hablado con ella y está dispuesta a ayudarme.
09:42¿De acuerdo?
09:43Está bien.
09:47¿Y cuándo le vas a contar a los demás qué te pasa?
09:49No, no.
09:52No quiero sentirme observado.
09:55Que se convadezcan de mí.
09:57Pero según avance tu enfermedad, necesitarás probablemente cuidados especiales.
10:02¿Un enfermero? No sé.
10:05¿Aceptarás que contrate a alguien?
10:08No adelantemos acontecimientos, por favor.
10:10No estoy adelantando nada, pero hay cosas que hay que hablar.
10:13Quiero poder organizarme para darte la mejor calidad de vida posible.
10:16Hablar de cosas como...
10:18Como si cuando llegue el momento quieres que te lleve a un hospital.
10:22No, no a un hospital.
10:24¿Entonces qué?
10:27No, no lo sé, Marta.
10:29No sé lo que voy a querer, no sé cómo me voy a sentir.
10:32No lo sé.
10:33Lo hablamos en el momento, por favor.
10:34Vale, perdona.
10:36Es que...
10:38Solo quiero vivir el presente.
10:41Porque me puedo morir mañana o en cualquier momento.
10:43No digas eso.
10:44Es mi realidad.
10:48La cosa se va a poner muy fea para mí.
10:52Y entendería perfectamente que no quisieras estar.
10:54Lo único que tú tienes que entender es que voy a estar a tu lado hasta el final.
10:59Y que te quiero.
11:03Y que prácticamente eres la única persona que me conoce de verdad en esta casa.
11:06Así que cuando tú no estés, me voy a quedar muy sola.
11:11Así que...
11:12Sola.
11:14Así que me tienes que dejar disfrutar de ti todo el tiempo que podamos.
11:20Sí.
11:24Como quieras.
11:27Está bien.
11:28¿Estás bien?
11:41Claudia, lo que oyes.
11:43Le ha echado de casa.
11:44Yo creo que Tasia ha dormido en la colonia.
11:47Pero eso ¿cómo va a ser?
11:48Que tiene que estar bien.
11:50Que vamos a tener un bebé.
11:52Carmen, ¿qué pasa?
11:53¿Qué tiene, ¿pensado pagar el alquiler ella sola o qué?
11:55No, ella tiene la sensación de que esto va para largo.
11:57I think he'll leave the rent and come back to the room with us.
12:01Oh, I don't know, Fina.
12:05Mateo, come, sit with us.
12:09It's just that...
12:11Well, I have mass now, so I can't stay.
12:16If you still want to go, right?
12:18No.
12:19No?
12:20No, not today.
12:21Well, it's okay, if you don't want to come to mass.
12:24Mateo, I told you, I have a lot of work today.
12:27Sure, me too. I also have a lot of work.
12:29But if you want, I can go see you at the store later, right?
12:33No, no.
12:34No?
12:35No, I'll go later, if not, to the chapel.
12:38Ah, well, very good.
12:40Sure.
12:42What's wrong with you?
12:47It would be better if I go.
12:49But...
12:50Everything is fine.
12:52Have a good day.
12:53See you later.
12:54Bye.
13:03Claudia.
13:05Talk.
13:08Oh, Fina, we kissed, but very little.
13:24Carmencita.
13:25How are you, Carmen?
13:26No, no, please, don't go. I just want to know how you are.
13:29Fine. And you?
13:30Well, without hitting or together at night.
13:32Conscience punishes you.
13:34No, what punishes me are the snores of the vice, which are horrible.
13:37God punishes you.
13:39Look, what hurts me the most is that you don't want to be with me.
13:43I've already learned the lesson, I promise you.
13:45Do you have news from the Civil Guard?
13:47Well, no, I just know they're after him and nothing else.
13:50Come on, we're not going to get our money back.
13:54Very well.
13:55I'm going to revoke our apartment contract.
13:58What are you saying?
13:59But what about our house?
14:00I'll take care of the money, really.
14:02Playing poker.
14:03No, I'll work until I get the last peso.
14:06Then you'll have to work harder to leave the house as it was.
14:08Well, I'll do whatever it takes.
14:10I just ask you to be patient and stay at home, please.
14:14No.
14:15I'm very hurt, Tassio.
14:16A lot.
14:17But Carmen, you don't know how much I love you.
14:20And what good is it to me that you love me so much?
14:23It's not just the money, it's your lack of common sense.
14:26They lose our savings, they almost kill you.
14:29You've risked our future because you wanted it.
14:31Carmen, I just wanted to have you as a queen, nothing more.
14:34Yes, well, look how you have me in the ruins.
14:36And with a husband who is a prisoner.
14:38I've messed up, I know, I'm sorry.
14:40Yes, you've messed up, yes.
14:43I don't want to be with a man who doesn't respect me.
14:46Carmen, please.
14:47Tassio, I ask you to leave me.
14:49Leave me.
14:50Leave me, Carmen.
14:51Tassio, leave me, you can't respect that, at least.
14:53Well, you know I'm not going to give up.
14:55Then you're going to waste time.
14:57I swear I'm going to solve it.
14:59And even if it takes 20 years, until you love me again.
15:02I'm leaving.
15:03Carmen, please.
15:05Give me a hope, one.
15:09I would be lying to you.
15:12I want you as far away as possible.
15:20But how did you kiss him?
15:22A kiss, a kiss.
15:23What kind of kiss?
15:24A kiss, a kiss, a kiss with all his sacrament.
15:28No, no, no, not with that, not with that.
15:31Oh my God, Claudia, please, he's the priest.
15:33I know, I know, I know.
15:35I don't know under what stone to get into.
15:37But let's see, how was it?
15:41Fina, you know that...
15:43that I with him, because...
15:45Fina, you know that...
15:47that I with him, because...
15:49that I have a great time with him, that I'm very comfortable, that...
15:52that he makes me laugh.
15:53Well, and what?
15:54Are you going to thank him that way?
15:56No.
15:57No, Fina, but...
16:00But well, I feel attracted to him.
16:04Oh my God.
16:05And I think he also feels attracted to me.
16:08Of course.
16:09Because we were in the warehouse.
16:11And suddenly...
16:12Suddenly nothing, Claudia.
16:14A kiss doesn't happen suddenly.
16:15A kiss, well...
16:16Well, it implies an approach.
16:19I know, Fina, I know that it's very bad.
16:21That we're going to burn in hell.
16:23But it's already done, what can I do, Fina?
16:25Well, I don't know.
16:26You tell me.
16:28He's a priest, Claudia.
16:30With his vow of chastity.
16:31And you're going to be a mother.
16:34Oh, Fina.
16:35This is the worst of you.
16:37That this...
16:38That this is a forbidden, forbidden, forbidden love.
16:42It's just that, look, there are complicated, complicated loves, huh?
16:46But this one...
16:50Claudia, you have to cut this out for the love of God.
16:53Really.
16:54Otherwise, this creature is going to have a lot of problems.
16:56And not just because of Tassio.
16:57Oh, I know, Fina.
17:02No, it's just that I...
17:04It's just that I'm in love with him.
17:08Oh no.
17:11Oh my God.
17:15Well, I don't think it's good that your brother has framed Isabel.
17:18She's an efficient secretary.
17:20She can help you, Maria.
17:21No, Jesus just wants to control me.
17:23It's a moment in everything.
17:25I can't stand him, really.
17:26Gema.
17:28What do you think?
17:29That they have put an inspector on us for the case of La Verbena.
17:32Let's see if that's how the gentlemen have decided.
17:34Look, I know perfectly well what I want to do.
17:37With Gema, we understand each other just by looking at each other.
17:40Getting in the way of a stranger is going to be very uncomfortable.
17:43Yes, it is true that then there will be the story of everything, Jesus.
17:46Exactly.
17:47It will be like being hand in hand with him.
17:50A nightmare, come on.
17:52He could already focus on controlling his wife.
17:55Why hasn't Mrs. Begoña come down for breakfast?
17:59Well, because she will be dead of shame after the number she set up yesterday.
18:03It is clear that she does not know about her mother's death.
18:05We have to be comprehensive with her.
18:07Even more?
18:09Hey, we haven't done anything to her.
18:11Like for her to go charging against every living creature.
18:14Poor Gema.
18:16Let's see, I was very calm because I hadn't even touched the medal or anything.
18:20It is clear that she lost her nerves.
18:22Well, let her control herself.
18:24Not only has she suffered a painful loss.
18:27The most dramatic thing is to lose a child and here I am,
18:29maintaining the type and composure.
18:31You are admirable.
18:32Be polite to us and considerate.
18:35But no, she always has to be the protagonist, for good or bad.
18:39She always has to stand out from the rest, just like her husband.
18:42María, enough.
18:44I don't think she did it consciously.
18:46Don't justify it.
18:48Begoña is wrong.
18:49She doesn't even know what she's doing.
18:51The bad time that Gema had to go through.
18:54I'm sure she did it because she can't stand us being friends.
18:56Honestly, I don't think it's because of that.
18:59María, neither do I, really.
19:02What if you had lost your job?
19:03That would never have happened, María.
19:05Well, because it's family.
19:06And because it's worthy of the medal.
19:08But what if it wasn't?
19:10I had one of the worst days of my life, that's true.
19:13I'm a thief.
19:14Please, Begoña didn't say that.
19:16Please, leave her alone.
19:17Well, she insinuated it.
19:18Which is the same.
19:19And with that anger.
19:20The educated one.
19:21The one who has lived in London.
19:23You're absolutely right, María.
19:29Gema, yesterday was very unfair to you.
19:33Forgive me.
19:34No.
19:35I don't know what happened to me.
19:39What happened was that you lost the stars.
19:42And that you can't go through life without controlling your impulses.
19:45I know.
19:46And if you're so bad for whatever reason, you should look for help.
19:50There are shelters.
19:52Like the one your mother was in.
19:54María.
19:56What do you mean?
20:00I've been clear, haven't I? You've understood me.
20:05I'm very tired.
20:07I'm going to my room.
20:17You've gone too far.
20:20Don't you think the same?
20:22She's crazy, Andrés.
20:25Unless all this is a masterful interpretation and it's not being taken seriously, which would be worse.
20:30I'm going to the factory.
20:34See you later.
20:50No, Fina, no.
20:51No one saw us in the warehouse because there was no one there.
20:53That's what's missing.
20:55What I don't understand is how you got to that.
20:58Because he came to tell me that Tasio had already left the dungeon.
21:00That I already knew.
21:01But well, he came to tell me that he had sung it at 40 and that he had read the letter.
21:07Well, someone should read the letter to him too.
21:11And Fina, it was a stupid robbery because of me.
21:14So you kissed him?
21:15No.
21:16No, he kissed me.
21:20But well, then I gave him the kiss back.
21:23Oh my God.
21:24So it wasn't a kiss, it was two.
21:25And Fina, don't make me more nervous.
21:28Okay.
21:29Well, go on.
21:30Well, that's what I was telling you.
21:32That ...
21:34That you know that a week ago I see him and I start laughing like a fool.
21:38That I feel butterflies in my stomach.
21:40I don't know what's wrong with me, Fina.
21:42Well, you're in love with him.
21:45And he's also attracted to me, Fina, because he told me.
21:48The mother he brought you.
21:50Come on, he wanted it too.
21:54Oh my God.
21:56And he has at least considered forgetting his vows and forming a family with you.
21:59No, no, no.
22:00Not that.
22:01Why not?
22:02It wouldn't be the first time.
22:03And I don't know if you love each other that much.
22:05No, Fina.
22:06No, man.
22:07He loves the saints and the Virgin and God.
22:09Come on, no.
22:10I'm not going to put that out of the way.
22:13And what are you going to do?
22:16What am I going to do, Fina?
22:18Forget about all this stuff.
22:24And from time to time remember the almost the best kiss of my life.
22:30Oh, the Virgin.
22:35Come on, the other one.
22:36But you don't give me face, you bring me, right?
22:38What happened?
22:39What do you think?
22:42Have you seen him?
22:45He apologized to me again.
22:47But don't tell me anything, because I know I shouldn't forgive him.
22:51But it makes me sad.
22:54It's normal, Carmen.
22:55If in the end you love each other a lot and you are very good.
22:59Yes, but Tassio is an adult now.
23:01And he should stop screwing around.
23:03No, no.
23:04I'm not going to be on top of that.
23:05I'm telling you for free.
23:06Come on.
23:08But someone would have to take a look at him.
23:09Because I know him and I know he's going to get drunk.
23:11He's going to get drunk and in the end I'm going to feel guilty about all this.
23:16Why do these things have to happen to me?
23:19Let's see, Carmen.
23:20I can even take a look at him.
23:22Yes, man.
23:23You already have enough with what you have.
23:25It has to be someone who puts it right, like a candle.
23:33What is he thinking about?
23:47When we have the result, you'll be calmer.
23:49I hope so.
23:51You'll see, it's not important at all.
23:53And come here.
23:54So I can give you the results, okay?
23:56Thank you, doctor.
23:57You're welcome. See you later.
23:58Goodbye.
24:14I'm busy, Luis.
24:16I've come to know more things about you.
24:19Well, curiosity killed the cat, I warn you.
24:23And why are you so interested in knowing about me?
24:26After despising me so much?
24:29I don't despise you, Luz.
24:34I need to know everything about the person I fell madly in love with.
24:38What do you want to know?
24:40Everything.
24:41We can start at the beginning.
24:43Who are you?
24:45What's your name?
24:47My name is Luz Espósito.
24:49I have the last name of the children who are abandoned by their mothers and their mothers-in-law.
24:54Is that what happened to you?
24:56Yes.
24:57I only know that I was born in San Pedro de Rivas, a municipality in Barcelona.
25:01My mother abandoned me when I was barely a year old.
25:05And I was born.
25:06And you didn't hear from your mother again?
25:08I don't even know her name.
25:10The nuns found me at the door of the nun who died of cold and malnutrition.
25:15I wasn't even in the attic where they leave the newborns because she was already walking.
25:20They were the ones who put me to light.
25:23Because they said I was very white.
25:25But now...
25:26Can you see me?
25:28Yes.
25:30I can see you.
25:32I can see you.
25:33But now...
25:34Can you see me?
25:38If you didn't know your mother's name, I understand that you couldn't look for her.
25:42I tried.
25:45I tried to make inquiries in the village, but no one remembered any young woman
25:49who had had a girl my age, more or less.
25:52I even think that the nuns had made up the story of San Pera.
25:57How long did you live there?
25:59Until I was six years old.
26:01And then I moved to another nun and then to another.
26:06They couldn't find adoptive parents for me.
26:10And that?
26:11Because marriages want newborn babies, not a rebellious girl like me at that time.
26:17That had to be hard.
26:20Yes.
26:22Everything a child can wish for, which is to have a father and a mother,
26:27I never had.
26:30And Dr. Borrell?
26:35I came to serve at his house when I was 15, by order of the nuns.
26:40It was the first time in my life that I felt safe and protected.
26:46He had to be a good person.
26:47He was.
26:49He and his wife were.
26:51They went through a consultation at home and when they saw how much I liked medicine,
26:55they threw me out so I could become their nurse.
26:59So you have nursing studies?
27:02No, Luis, I don't have studies.
27:05Just what I found in the books.
27:07In the books and in practice, next to Dr. Borrell.
27:12Medicine saved me.
27:15But it has also brought me many problems.
27:18Sure.
27:19You were...
27:21You were in prison, but it wasn't for a demonstration.
27:25No.
27:27That was for practicing medicine without a degree.
27:31When Dr. Borrell died,
27:34I just wanted to do what I liked best.
27:37I managed to change my name and look for a job.
27:40And in one of these, they found me and...
27:44And they...
27:46They arrested me.
27:49I understand.
27:51When I got out, I couldn't do anything else.
27:53I don't know how to do anything else.
27:57And soon after, I came...
27:59I came to La Colonia.
28:04Ah, lights.
28:06We have to find an electrician to put lights side by side.
28:09Maria, remember that the charity market was a bit of a disaster.
28:13No, Gemma, we did that in terrible conditions.
28:15Now we have time, money.
28:17I know very well what I want to do and how I want to do it.
28:19I like to see you so sure.
28:21You look like a businesswoman.
28:23I could have been.
28:24Hey, have you seen Begoña?
28:27She was like gone.
28:28Yeah, yeah.
28:29And I think it has to be for something else,
28:31than for the shame of her mother's death.
28:33Well, I don't know.
28:34But I assure you that Andrés will not be his dog again.
28:36Maria.
28:37What?
28:38From now on, I'm going to set the rules in this house.
28:42I assume that you have had a very hard life.
28:46But it is very serious
28:47that you attend to patients without being a light doctor.
28:54I'm a doctor even if I don't have a degree.
28:56And I think I've proven it.
28:58Too much.
28:59But what happens if at some point you make a mistake with a patient?
29:04Are you doubting my worth?
29:05No, I'm just putting on the table
29:07the consequences that it would have for you and for the company
29:10if you made any kind of mistake.
29:11That doesn't have to happen.
29:13Look, Luz, right now I'm the director of the company.
29:16And it's not just about you ending up in jail.
29:19It's that the company would have to answer for you
29:21with the consequences that that entails.
29:25You can do what you consider appropriate.
29:27If you want to report me, I'll understand.
29:31But why didn't you study medicine?
29:34Why didn't you do things right?
29:35Let's see, with what money, Luz?
29:36With what money?
29:38You know how hard it is for us women to get to university.
29:43I know what I'm doing is a crime that is punished by law.
29:47But what other option do I have?
29:50You're putting me in a very complicated situation.
29:55And it would have been the same
29:56if I had told you at the beginning of getting to know each other.
29:59I'm between a rock and a hard place.
30:05I don't know what to do.
30:11Blood, there has to be blood.
30:13Lemonade, soft drinks,
30:15more beers and liqueurs too.
30:17Wait, wait, we have to write it all down.
30:19Hurry up, we have to have everything ready
30:21for when the inspector of Jesus arrives.
30:23What can't she say? This mouth is mine.
30:25She's going to swallow all the toads, you'll see.
30:27Well, Joaquín has told me that it is a real raspa.
30:29Marisabidilla, stretched.
30:31The joy of the garden, come on.
30:34Good morning.
30:35Hello, how can I help you?
30:36I'm Isabel, the raspa.
30:40And you are?
30:41I'm Isabel, the raspa.
30:43The raspa.
30:45Don't listen to the gossip.
30:48A pleasure, I am María de la Reina.
30:50And she is Gema, my assistant.
30:52Delighted.
30:53I see that you have already advanced with the preparations.
30:55Yes, yes, yes, there is no time to lose.
30:57Can I see it?
30:58Of course.
31:01We have not yet started with the expenses,
31:02which I suppose is why he is coming.
31:04Yes, if they tell me what they need,
31:06I can make them the budget and adjust it
31:08to the data that Mr. Jesus has told me.
31:11Well, here Jesus does not rule in this.
31:14The party is for everyone in La Reina.
31:16We want it to be a celebration above all else.
31:18And so it will be.
31:19You have a singing voice.
31:22Shall we get down to work?
31:23Of course.
31:24Sit down, I'll explain it to you.
31:41Excuse me, Father, could you help me?
31:43I'm looking for the ...
31:45The secretariat.
31:46Are you looking for it?
31:47Because, well, there they can inform you
31:49in case there is a vacant place to work.
31:51No, no.
31:52I have only come for a visit.
31:53What I was looking for is the store.
31:54Where is it?
31:55Oh, you have a Marian cross.
31:57How beautiful.
31:58Yes.
31:59I am very religious.
32:01Very good.
32:02Well, I'm very happy.
32:03And I have a good collection of crucifixes.
32:05I have a silver one with a beautiful cross.
32:08And an older one with the papal cross.
32:11That's great.
32:12Well, let's see if you can show me one.
32:14I only take them out for walks
32:16in the Holy Week processions of my town.
32:20Even my friends tell me
32:22how I haven't joined a seminary yet.
32:26And you've never thought about it?
32:27Get out, get out.
32:29Don't start with that too.
32:32There are earthly pleasures
32:33that I'm not willing to give up.
32:36Sure.
32:37Yes, yes, yes.
32:38I understand it perfectly.
32:39Ah.
32:41So you understand it too.
32:43Sorry?
32:45Oh.
32:46Sorry.
32:48What a silly question.
32:50But how are you going to understand it
32:51if you have given your life to God?
32:52Well, then you're looking for the store, right?
32:54Because it's just on the left,
32:56so you've missed it.
32:59Well, you could.
33:00Because I'm so clueless
33:01that I don't know if I lost the dog
33:03or I found a belt.
33:05Well, you were clueless,
33:06but at least you're funny, right?
33:09By the way, I'm Mateo,
33:10one of the priests of La Colonia.
33:11Nice to meet you.
33:12I am...
33:13Joselito?
33:15Joselito?
33:16Jose Francisco.
33:17But since I was a kid, they call me Joselito.
33:19But boy, what are you doing here?
33:20Oh, well, nothing.
33:21I had a fair in Toledo
33:23and since I was nearby,
33:24I thought
33:25I'd go see if Claudia was there.
33:27Come on.
33:29Oh, what a surprise.
33:30And do you know each other and everything?
33:32Hey, did you see?
33:34He's a good friend of the priest.
33:35The priest is very nice.
33:37Of course.
33:38I've also heard a lot about you.
33:40Yes, he's my friend from town,
33:42Mateo Joselito.
33:43No, Claudia.
33:45We were more than friends.
33:47Look, Mateo, to tell you the truth,
33:48Claudia is the only girlfriend I've had in my life.
33:51Well, girlfriend, girlfriend.
33:52Girlfriend, girlfriend.
33:54Don't tell me you're not pretty, Rabia.
33:58Yes, she's very pretty.
34:01Well, thank you very much for your visit, Mr. García.
34:04We'll keep in touch.
34:09Well, what do you think?
34:13Good, right?
34:14I didn't think the house would cost us so much money.
34:16Why didn't you want to believe me?
34:18This house is wonderful.
34:20Thank goodness your uncle didn't give it to you
34:22when all that happened.
34:24The only thing he's told me
34:25is that it might be cheaper
34:26to be in his land.
34:28But the house is our property
34:30and the surrounding land too.
34:33Your uncle left it in writing.
34:35Well, now we just have to go to the bank
34:37and get the loan
34:38and put the house up for sale.
34:39That's right, sister-in-law.
34:41With that and our savings,
34:42it should be enough
34:43to buy the land
34:45and start building.
34:46Yes.
34:47Well, let's toast, come on.
34:48They just gave us some good news.
34:52Let's toast to us.
34:57I'm fine.
35:00Cheers.
35:01Cheers.
35:02To us.
35:05Well, I'm sorry.
35:06I have to go back to the factory.
35:07Me too, to the big house.
35:09But I'm going to change my shoes
35:10because my feet hurt a lot.
35:12And who's going to the bank?
35:14Because we have to go to the Madrid Central.
35:17And I've been out of work for many days.
35:19Don't worry.
35:20I'll go.
35:21Let's see if this time
35:22we have more luck.
35:24There will be.
35:25You'll tell me later.
35:33Come in.
35:36Hi.
35:37Hi.
35:44Are you very busy?
35:45Well, I'm always up.
35:47But right now,
35:48the next patient
35:49won't arrive in a while.
35:50So, if you want,
35:51you can even sit down.
35:54Tell me.
35:55Duluz,
35:57do you see Begoña, Rara?
35:59Yes.
36:00Do you see Begoña, Rara?
36:03What have you noticed?
36:05Yesterday was a terrible day.
36:08First, she didn't go down to eat
36:09because she wasn't feeling well.
36:12And then she lost her sanity
36:13because she said she couldn't find
36:14her mother's medal.
36:17And was she agitated?
36:18Or was she stable?
36:20It was a strange light.
36:22On the one hand,
36:23it seemed like she was tired, disoriented.
36:25It seemed like her head was aching.
36:28And on the other hand,
36:29she was very upset
36:30because she said
36:31the medal had disappeared.
36:33And it wasn't true.
36:35Begoña said
36:36she had looked for it everywhere.
36:38That it wasn't in the drawer as usual.
36:40But she found it right away.
36:42In that drawer.
36:46The pain of her mother's death
36:48can lead her to that extreme state.
36:50Well, that and
36:52the streak she's been through.
36:54The decision to go to London
36:55is too many things.
36:57An emotional tension
36:58can play
37:00two bad moves.
37:04This morning she went to the dining room.
37:06But she left right away
37:07because she said she wasn't feeling well.
37:09She's demacrized.
37:10Absent.
37:12It even seems like she's losing her balance.
37:14I don't know.
37:15It's very sad to see her like this.
37:17She says she's just fine in bed.
37:18In the room.
37:21I don't know.
37:22They're symptoms of melancholy.
37:24It could be.
37:26It's just that
37:27I don't want to mention it, but
37:29my wife, Gemma, thinks
37:30they could be signs of...
37:32Tell me.
37:34Of having inherited her mother's illness.
37:39And you didn't have to help Maria
37:40with the famous berbena?
37:42Oh, look.
37:43She's been doing numbers and accounts
37:44with the secretary
37:45and they've put my head like a bomb.
37:47So I'll talk to Maria
37:48when that Isabel leaves.
37:52And what's Isabel doing here?
37:54Well, Jesus sent her
37:55to frame the accounts.
37:57Maria got her by the nails,
37:58but in the end
37:59all she needed to do was bow.
38:01And only because
38:02he screwed her over,
38:03not for anything else.
38:04Oh, oh, oh, oh.
38:06What?
38:07You're not afraid
38:08I'll take your job
38:10off of Maria, are you?
38:12You won't be jealous.
38:13What are you saying?
38:14You won't be jealous.
38:15What are you saying?
38:16Maria and I are friends.
38:18I don't know.
38:19That Isabel,
38:20even though she seems like a perfect lady,
38:21I don't like her.
38:22Yeah.
38:23I don't like her either.
38:24There's something about her
38:25that smells like musk.
38:27Anyway,
38:28the smaller the house,
38:29the better.
38:32I can't wait
38:33to start our business
38:35and leave everyone
38:36in the queen's arms.
38:46Well,
38:47I'm leaving now.
38:51Son,
38:52I really like
38:53seeing you so happy.
38:55See you later.
38:59Look,
39:00I have to tell you something.
39:01I wasn't going to do it
39:02because it's a professional secret
39:03between a doctor and a patient,
39:04but...
39:06What is it?
39:07What is light?
39:08I gave Begoña some sedatives
39:11and she used them
39:12the way she shouldn't.
39:13What do you mean?
39:16Instead of taking one a day,
39:17she'd take five or six.
39:19When she got nervous
39:20or felt uncomfortable
39:21about something,
39:22I had to get rid of them
39:23in the face of danger.
39:25So she doesn't take them now?
39:26And that's the problem.
39:28They create addiction.
39:29Maybe it's her body
39:30that's missing them.
39:31Just imagine
39:32if one day
39:33she found out
39:34she was at the dispensary
39:35trying to steal
39:36hidden pills.
39:37She promised me
39:38she'd leave them, but...
39:40You should have told me before.
39:41Why didn't you
39:42control her more?
39:44Andres,
39:45it's not easy to control.
39:47Now the most important thing
39:48is to know
39:49what's going on.
39:50You should go see her.
39:52It's harder for me
39:53to get close to her
39:54because of Maria and Jesus.
39:56Yes, don't worry.
39:57I'll go see her
39:58in the morning
39:59to see if I can get something.
40:04Patience, Gemma.
40:06No matter how well
40:07things go,
40:08there's still time.
40:09I know.
40:12You're still upset
40:13with Begoña, aren't you?
40:14What do you think?
40:15She's terrible.
40:17No, she's not.
40:18She's terrible.
40:20She made me go through
40:21with the happy little medal.
40:23It was very unpleasant,
40:24to be honest.
40:25What's wrong with that woman?
40:26She's not well.
40:27It's obvious.
40:28She's not like that.
40:30And we should apologize to her.
40:32Has she already apologized to you?
40:34She apologized this morning,
40:35but she's still as angry as last night,
40:36so I don't know
40:37if those apologies
40:38are worth it or not.
40:40Gemma,
40:41knowing how she is,
40:42you shouldn't judge her
40:43so harshly.
40:45Do you think
40:46she's as sick as her mother?
40:47Don't say that, for God's sake.
40:49I think she's very affected
40:50by Mercedes' death.
40:53She's...
40:54She has a husband.
40:56I'd better not say anything.
40:58Just in case,
40:59I'll try to avoid Begoña
41:00as much as possible,
41:01and that's settled.
41:02If it's true
41:03that she has a mental imbalance,
41:04we should help her
41:05as much as we can.
41:07Don't you think?
41:09I guess.
41:11No matter how angry she is,
41:12I don't wish her any harm.
41:14Well, you know.
41:15Come on, let's go.
41:17I'll pick that up later.
41:18We'll be late.
41:22Well,
41:23this is the store
41:24where I work.
41:25It smells like glory.
41:27Yes,
41:28the smell of perfumes
41:29and soaps.
41:30I'm lucky
41:31to work in such a beautiful place.
41:32Hey,
41:33and what you told me
41:34about the visit to the factory?
41:36Well,
41:37I was impressed.
41:38This is a top-notch company.
41:40It's one of the most
41:41important perfumeries
41:42in Spain,
41:43and now we're going
41:44to expand in France.
41:45They won't send you there, will they?
41:46No,
41:47I don't want to go there.
41:48What's wrong?
41:49Don't you like it here?
41:51No, no, I like it.
41:54Look,
41:55I'll introduce you to a good friend.
41:57Joselito Fina,
41:58fine Joselito.
42:00Joselito,
42:01Joselito.
42:02Did she mention me?
42:03Yes,
42:04a lot.
42:05Very good.
42:06Oh, Claudia,
42:07I'm so excited.
42:08Come on,
42:09Joselito is leaving.
42:10He's at a fair in Toledo
42:11and he's in a hurry.
42:12Come on.
42:13Come on, woman,
42:14there's no hurry.
42:15There's no hurry
42:16because...
42:17because Fina is very busy
42:18and I can't
42:19leave her alone
42:20with your work.
42:21Of course.
42:22Well, thank you,
42:23I know, Claudia.
42:24See you later,
42:25Joselito,
42:26a pleasure.
42:28Hey, Claudia,
42:30I didn't come to any fair.
42:32No,
42:33you came
42:34because my mother sent you.
42:36She told me
42:37you'd be happy
42:38if I came to see you.
42:39Well, you know,
42:40I'm fine, Joselito.
42:42This is my new home.
42:43I'm comfortable here.
42:45She also told me
42:46you'd asked her a lot about me.
42:48And of course,
42:49as I've always liked you,
42:51well,
42:52more than that,
42:53I came to see
42:54if you'd like
42:56if we got back together.
42:58But, Joselito,
42:59we've never been a couple.
43:00Come on, woman,
43:01those two weeks,
43:02I haven't forgotten them.
43:04Well, those two weeks
43:05my mother gave me
43:06so I could give you
43:07a chance,
43:08but...
43:09Come on,
43:10it was nice to see you.
43:12You even ate at my house.
43:13And that year,
43:14they made you queen of the matanzas.
43:16Come on,
43:17my dear.
43:19Joselito,
43:20I don't see what you want.
43:21I'm not moving from here.
43:23Well,
43:24I'm going to buy a van
43:25to take you around
43:26and I can come here
43:27every weekend.
43:28Yeah, but,
43:29Joselito,
43:30I can't.
43:33I'll give you another boy.
43:34No.
43:35So?
43:36No, not that.
43:37You don't understand me anymore.
43:39Come on.
43:40Your mother told me
43:41you didn't stop talking about me.
43:42Joselito,
43:43I have a lot of affection for you.
43:44You're going to get me
43:45with the touch.
43:46No, but really...
43:47Really,
43:48I'm going to treat you like a queen.
43:49Joselito,
43:50I don't want you to treat me
43:51like a queen.
43:52What I want...
43:53Is to spend your life with me.
43:54As if you saw it.
43:55Look, Joselito,
43:56I'm pregnant.
44:04But when did you get married?
44:06Man,
44:07you could have told me
44:08with your mother.
44:09No, I didn't get married,
44:10Joselito.
44:13These things that happen
44:14in the village,
44:15you know it's happened to me too.
44:16More than once,
44:17it's happened to me.
44:20I'm very sorry
44:21that my mother made you
44:22come all the way here, but...
44:24Well,
44:26the truth is that...
44:28You think it's good
44:29that she told you the truth.
44:30Yes,
44:31yes,
44:32because I came
44:33with very serious intentions.
44:34And of course,
44:35imagine the mess
44:36if I find you
44:37with the baby in the altar.
44:39Well,
44:40that's it.
44:41Problem solved, Joselito.
44:43Eh?
44:44You go back to Don Benito
44:45and there,
44:46I'm sure you'll find
44:47a good woman who deserves you.
44:48And if that's the case,
44:49invite me to the wedding.
44:51Well,
44:53I have to get back to work.
45:14¿Peguña?
45:16¿Puedo pasar?
45:17¿Cómo has entrado?
45:19¿Te ha dejado Jesús?
45:20Me ha dejado entrar, Digna.
45:22Tu marido no está en casa.
45:24¿Cómo te encuentras?
45:26Pues ahora que estás aquí, mejor.
45:30Te lo han contado, ¿no?
45:32¿El qué?
45:33¿El qué?
45:34¿El qué?
45:35¿El qué?
45:36¿El qué?
45:37¿El qué?
45:38¿El qué?
45:39¿El qué?
45:40¿El qué?
45:41¿El qué?
45:42¿El qué?
45:44El ataque que me dio anoche.
45:46No encontraba la medallita de mi madre y...
45:48y arremetí contra todos.
45:51Por eso has venido, ¿no?
45:53Andrés me ha contado algo.
45:54Estoy muy preocupado por ti.
45:56No sé.
45:57Cuanto más duermo, más cansada estoy.
46:00Es raro, ¿no?
46:01Un poco.
46:04Jesús me ha dicho que...
46:05que en estas condiciones no puedo viajar.
46:08Begoña, no habrás vuelto a tomar pastillas, ¿verdad?
46:11Que no, ya te dije que no.
46:12¿Que las dejé?
46:14Para poder ayudarte debes ser sincera conmigo.
46:17Luz, que no estoy tomando nada.
46:20Seguro que si busco los cajones o en el armario
46:23no las voy a encontrar escondidas.
46:25¿Qué estás insinuando?
46:26Que yo no escondo nada.
46:27¿Qué pasa, que no me crees?
46:29De acuerdo.
46:30De acuerdo, Begoña.
46:32Entonces tenemos que ver de dónde viene ese aturdimiento.
46:34Ese cansancio que sientes.
46:38¿Le suele doler la cabeza?
46:40No.
46:42Bueno, a veces.
46:43No sé, es que no...
46:45No son dolores lo que tengo.
46:46Es como...
46:48Como sensación de fatiga constante.
46:50Y ganas de dormir todo el rato.
46:52Deberías salir a que te dé el aire.
46:55Es que no me apetece.
46:57Lo que quiero es estar tranquila y...
46:59tumbarme sin pensar.
47:01¿Qué haces?
47:03Te voy a sacar sangre para hacer un análisis.
47:05¿Para qué?
47:07Begoña, tenemos que saber de dónde viene ese estado.
47:10Mírame.
47:11Vamos a ver cómo está.
47:12Bueno, ¿qué pasa, que no me crees?
47:14Que ya te he dicho que no estoy tomando nada.
47:15Que no estoy tomando ningún tranquilizante.
47:16Begoña, solo quiero ayudar.
47:17Mira, si no me crees, lárgate de aquí.
47:19Tenemos que...
47:20¡Que te largues!
47:26¿Qué pasa?
47:28¿Qué pasa?
47:29¿Qué pasa?