Pedro el Escamoso 2 Capitulo 18 Completo en Español
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Short filmTranscript
00:00No, we need proof.
00:02There's a problem.
00:03The night of the robbery,
00:05all the security cameras were turned off.
00:07What about the door registers?
00:08Well, there's something interesting there.
00:10Felipe's register is on the door,
00:13but it's not coming out of the office.
00:15Pete, do you know Diego Lombana?
00:18Of course, the competition. Why?
00:21He was the one who offered the show to my friend.
00:23And he's one of Felipe's best friends.
00:25Yes, I know.
00:27Do you think there's a way for him to expose him?
00:31Loli.
00:33She's also a friend of his.
00:35Loli's on a trip.
00:36She asked me for permission for a family meeting.
00:38No, but I'll meet with her on Monday and see what we can do.
00:41Okay.
00:47Are you calmer now?
00:50Mm-hmm.
00:51I'm going to take a shower.
00:54I'll get changed and we'll go out to eat something.
01:05Where are you going to hide me?
01:10Nowhere.
01:12Come on, Lola, please.
01:14It's okay.
01:16If you want, we can stay here and have dinner at the hotel.
01:19Or if you prefer, I can take you to a really good restaurant.
01:23We can do whatever you want.
01:26I want to eat here.
01:27Perfect.
01:29No problem.
01:33Come on, Neria.
01:35Don't be so dramatic.
01:38Are you okay?
01:43See you later.
02:23See you later.
02:42Hey!
02:43What's up?
02:44What are you doing here?
02:45You haven't seen me.
02:46What do you mean?
02:47What happened?
02:48Is everything okay?
02:50Hey.
02:51Is everything okay? Did something happen?
02:53I'm going to tell you the truth,
02:55but I can't tell anyone.
02:57Okay, tell me. What happened?
03:01A guy invited me to the congress
03:03and I just found out he's married.
03:06No!
03:07Who is he? What kind of guy?
03:09You don't know him.
03:10Why are you so stubborn, Loli?
03:12You don't learn, do you?
03:13I don't know.
03:15Where are you going?
03:16To a hotel. I don't know.
03:17You're already here. You're going to the congress.
03:20I'm not going to meet with that guy. Never.
03:23Are you sure?
03:24Not a word of that.
03:29Okay, bye.
03:32My God.
03:39Loli.
03:50Loli.
04:07Loli.
04:10Checked out in just a moment.
04:14Hello.
04:15Hello.
04:17How are you?
04:18Good.
04:19Did you come to the congress?
04:21Yes, of course.
04:23You too?
04:24Yes, I came with Mariana.
04:26Yes, I found her before.
04:28With Pedro.
04:30Did you come alone?
04:31Yes, yes.
04:34Did you eat?
04:35Yes.
04:36No, no.
04:38Yes, no.
04:41Do you want to eat with me?
04:42I'm bored and lonely.
04:44Of course.
04:47Of course.
04:48Let's go?
04:49Let's go.
05:02Pedro, you left me alone in my room.
05:06Relax, I just woke up and you were snoring.
05:10I didn't want to wake you up.
05:11First of all, I don't snore.
05:13And second, how ugly and horrible.
05:14Please don't take it as something that didn't happen.
05:17I just woke up and left.
05:18You don't know how dirty I felt when I woke up
05:21alone in that room.
05:22You're right.
05:24I'm sorry, I was wrong.
05:26Okay?
05:27That's going to cost you a lot.
05:29I didn't do it on purpose.
05:31I didn't want to take your body out.
05:33It was a mistake.
05:34I was a beginner.
05:35Well, you'll have the whole weekend to fix it.
05:39Don't worry.
05:40Hey, where are you?
05:42I'm in the airport waiting room.
05:45What do you mean? Why?
05:47Because I'm not going to be the lady of the house
05:50to any idiot.
05:51You asked for it, Loli.
05:52I know.
05:53I know and I feel like a perfect idiot.
05:56Well, I put on a little show yesterday
05:59and I ended up inviting you to a bar.
06:02I was all nervous.
06:04What did he say?
06:05He said he was going to invite me to a bar.
06:08And what did he say?
06:10Not much.
06:11I swore you were going to see him,
06:13so I sent him off quickly.
06:15Wow.
06:16I left the hotel yesterday and stayed at the airport.
06:19I have my return reservation.
06:21He warned you, he repeated himself and...
06:24I know.
06:25I know, Cata.
06:26I'm not here to scold you.
06:28Do you want us to teach him a lesson?
06:30Be very careful.
06:31That guy is dangerous, isn't he?
06:33No, dear.
06:34It's not that easy with me.
06:36Let me think of something we can do to make him look good.
06:40As long as you're not the one who ends up looking bad.
06:48Yadira, good morning.
06:50What else?
06:51Not much.
06:52Do you want me to make you some coffee?
06:54Okay, thank you.
06:55That's it.
06:57Yadira.
06:58Yadira.
06:59Yes?
07:00Since your Mercedes arrived,
07:04we haven't been able to talk to each other.
07:08What do you mean, Enrique?
07:11What do you mean?
07:14What do we have to talk about?
07:17Enrique, I don't want to be rude,
07:20but we have absolutely nothing to talk about.
07:23I don't agree with your Mercedes
07:25because ever since you abandoned me,
07:29we haven't had time to explain why I made that decision.
07:35Because I didn't love you?
07:37If you didn't love me, why did you marry me
07:40and why did you have a daughter with me?
07:42Because I was stupid.
07:44Stupid? Did I let you fool me?
07:47Yes, you did.
07:50Enrique, I don't want to be rude,
07:52but this is going to sound horrible.
07:54I'd rather be honest.
07:56I'm not good at marriage.
07:59I'm not good at long-term relationships.
08:02I'm a selfish person.
08:04First me, second me, third me,
08:06I don't care about the rest of humanity.
08:09Yadira, how could you be so cruel?
08:11You've been fooling me all this time,
08:13making me think you had feelings for me.
08:17Oh, Enrique, yes, I know.
08:21And I'm sorry because you're a good guy.
08:25But don't try to fix something that isn't fixed.
08:28I don't love you.
08:31In fact, I don't think I ever loved you.
08:35It sounds horrible, but that's life.
08:38No, Indora.
08:40That's not life, that's you.
08:42But don't worry.
08:44I don't want to fix anything either.
08:47Because you've already left my heart.
08:50Well, it doesn't seem like it.
08:52Of course it doesn't seem like it because it just happened.
09:10Pedrito.
09:16Are you very busy?
09:19Yes, a little bit.
09:21I wanted to ask you something.
09:24All of a sudden, you read my form.
09:28Yes, ma'am.
09:29Well, then you must have realized
09:31that I'm a very lonely woman.
09:34But I have solid moral principles
09:37and unbreakable values.
09:40Yes, of course, I can tell.
09:42Pedrito, I wonder why you look for the ideal partner
09:46on a computer.
09:48Well, how would I explain your mercy?
09:52Look, you know what? Don't explain anything to me.
09:55You can tell that you have a broken heart.
10:00Yes, I'm glad you noticed.
10:03And that makes me suffer a lot, Pedro.
10:05I can't see it like that.
10:07I'm dying of sadness.
10:09Thank you very much for your solidarity, Mrs. Elvira.
10:12Don't call me ma'am, call me Elvira Seco.
10:17You have me dry, ma'am.
10:19For God's sake, don't tell me you're going to harass me again.
10:23Elvira.
10:24Pedro.
10:26Look, I swear that there is no skin
10:30of a mature and serene woman
10:33to heal the pains of love.
10:36I don't believe in the theory that a nail
10:38pulls out another nail.
10:40Wait, wait, I'll move it.
10:41No, no, no, no, no, no.
10:42I need you.
10:44Oh, what a shame, what a shame.
10:45I didn't know you were busy, but don't worry,
10:47I'll be back later.
10:48No, no, no, we were done here.
10:51We hadn't even started, Pedro.
10:53And you, they didn't teach you to knock on the doors
10:56before you came in, son.
10:57I'm sorry.
10:58I'm sorry.
10:59That's what happens to me for having the doors open
11:02for everyone in this house.
11:06I saw you there.
11:10Oh, Monfirri, your mercy really fell like a stone
11:13in the wrong eye.
11:15This woman harassed me again.
11:17Don't fuck with me.
11:18Yes, yes, yes.
11:19And what do I do now?
11:20What do I do?
11:21Tell me.
11:22Well, Pitocito, take care of her the way she deserves.
11:26Turn her around and get out of that.
11:28But how can you think of that?
11:30I'm really more tangled than a bunch of hooks.
11:32If I fall there, it's better.
11:33I don't get up again.
11:35Yes, you're right.
11:37Holy Virgin, I really thought this woman
11:39had already stopped, but nothing.
11:41God, I didn't even know her.
11:49Oh, no, what a beauty.
11:51Aren't you guys going to my conference?
11:53Oh, no, honey, I'm dead. I'd rather rest.
11:55That's it, spending the company's money, right?
11:58And then you make an executive summary of that and that's it.
12:02Lazy, lazy.
12:03Well, I'm leaving. Bye, honey.
12:05Shall we have lunch?
12:07Yes, right away.
12:08But at the hotel because I have a meeting
12:10at 3 p.m. with an investor.
12:12What do you think?
12:13Bye.
12:14Bye.
12:15Enjoy.
12:16Bye, honey, I love you.
12:17I love you too.
12:23Bye, honey, I love you.
12:26And that was a reconciliation.
12:29And you can't imagine if I told you.
12:32No, thank you.
12:33I want to know, I can't believe it.
12:35Hey, massage and sauna to detoxify us or what?
12:39To detoxify what?
12:41My soul is white and pure.
12:42Oh, yes, of course, especially you.
12:45Well, I am.
12:49Goodbye, my love.
12:54Good, good, love, it was time.
12:57Yes, Godfather, I just got out of the heart
13:00like Pepe Guama.
13:02Massimo, Massimo, I am proud of your mercy.
13:06Petercito, I was thinking and looking at Mrs. Elvira
13:10all in need and I also a little.
13:13How about if I turn around once?
13:16But how can you think?
13:18You are a lot of beast, a lot of animal.
13:21How so? What's wrong with me?
13:23Everything.
13:24But you're not going to deny me that each lady has her poison.
13:27But of course she has her poison
13:29and that poison can poison you, for God's sake.
13:32Your mercy wants a partner.
13:34Yes, Petercito, anything.
13:35Perfect, then your mercy is going to be
13:37the first user of the appointment box
13:40and it's going to be courtesy of the house.
13:41Do you think that will work?
13:43But of course it will work.
13:44I've been investigating,
13:46I've been studying all these things about appointments
13:50and that's full of mistakes.
13:52Your mercy can't imagine how many.
13:53Let me explain.
13:59What's up?
14:01What happened?
14:04What did I miss?
14:08It was terrible.
14:10That's why I came back earlier.
14:12And why?
14:14I'm bored of the family.
14:16Margie, did you see a shoe of mine that I lost?
14:19I can't find it.
14:24Hello.
14:27I was bored.
14:36Enrique Bueno Lindo.
14:37Age?
14:3859 years old.
14:39Sex?
14:40Padre Nozqui, not much.
14:42I mean, what kind of...
14:45I'm a man, a man.
14:47Male.
14:48Profession?
14:49Unemployed.
14:50Your mother?
14:51Yes.
14:52What's your name?
14:53Pedro.
14:54Pedro.
14:55Unemployed.
14:56Your mercy is now a messenger.
14:58Yes, put that on.
14:59Hobbies?
15:00I play soccer,
15:02tejo and athletics.
15:05Mr. Pirri, there could be an alarm
15:08because that's more false than a coin.
15:11What do you mean?
15:12Villar doesn't play sports.
15:13Your mercy thinks so.
15:15Then don't put anything on.
15:16Your mercy, Lindo, how do you imagine your partner?
15:19Divine.
15:21We could be a little more specific.
15:25I like tall and skinny women,
15:27but also small and chubby women.
15:30Now, if the person is medium,
15:32who is neither skinny nor fat,
15:36then also.
15:37Now, if it's blonde, cool.
15:39A little black too, or a little red.
15:42Or in its foreign or national effect.
15:46Do you like all women?
15:48Yes, any woman who falls in love with me.
15:52I mean, none.
15:53Your mercy is considered a faithful, dedicated,
15:57loyal person to your partner?
15:59All of the above.
16:01Maximum. Pets?
16:02No.
16:03Well, this is the most important question I will see.
16:08Mr. Bueno Lindo,
16:10does your mercy want your partner for a simple friendship
16:16or to live with her as a partner
16:21for the rest of your life,
16:23whether you are married or in concubinage?
16:26The truth is that anything, anything.
16:29All I want in life is not to be alone.
16:35Until he finally appears.
16:37Well, of course I'm pregnant. Where are you?
16:41Look, Lindo, you have to answer for that boy.
16:45No, I don't know if it's a boy or a girl.
16:47What does that matter?
16:48Have the decency to show your face.
16:50It's not easy.
16:51A DNA test is done and the doubt is cleared.
16:54Don't call me degenerate, my love.
16:57No, don't even think about coming to this house
17:00because my dad will kill you.
17:02Rather, tell me where you are and I will go and look for you.
17:05Oh, stop talking nonsense.
17:07I don't believe a word you say.
17:10Is this your number?
17:12Of course, a friend lent it to you.
17:15Well, you know what, son?
17:16I'm going to approach you until I find your friend
17:18You really don't realize that guy is using you?
17:20Stop it, I'm talking to him.
17:23You don't learn with experience, do you?
17:25Oh, you do.
17:26Then why don't you tell me where and who you were with?
17:29With a guy who invited me to spend the weekend with him.
17:32Who?
17:33You don't know him.
17:34I know all his friends.
17:35Not this one.
17:36Then why did you have to go back?
17:38Tell me and...
17:39Because he came out with the same story as always.
17:42I don't know him.
17:43You don't know him?
17:44I don't know him.
17:45Because he came out with the same story as always.
17:49And what did you expect?
17:51I was acting crazy, you know?
17:52Yes.
17:53Yes, flowers, calls, a summer sun.
17:56But all I wanted was...
17:57So, are we going out for a drink?
18:01No.
18:03Why don't we make a threesome?
18:05Yes, a threesome.
18:10Are you serious?
18:12Why don't you leave?
18:14Please.
18:15Oh, Margie.
18:16That's not how you treat me after what we've been through.
18:18After what we've been through, she's leaving.
18:20What's wrong with you?
18:22Goodbye.
18:23Ungrateful.
18:25I don't remember. Bye.
18:26And close the door.
18:27But...
18:28Bye.
18:29Margie, what's going on?
18:31Is it so hard to find a good man?
18:33Yes, honey.
18:34It's not that hard.
18:35Do you know what's going on?
18:37We're too easy.
18:38We're like them.
18:40But I'm better.
18:45Why are you so alone?
18:48Hello.
18:50Where's Mariana?
18:52She went to change.
18:55Hey, what are you going to do later?
18:58Nothing.
18:59I know a bar with spectacular views here in Miami.
19:03Do you want to have a drink with me?
19:05I'd love to.
19:06Great.
19:07See you at four in the hotel lobby.
19:10Okay.
19:12Hey.
19:13Huh?
19:14You're very pretty.
19:20See you later?
19:21Yes.
19:23Wow!
19:25It smells so good! What are you doing?
19:27I brought a farewell lunch for you.
19:29Is she leaving?
19:30Tonight, my love.
19:32She's coming with her aunt Paula.
19:34She and her aunt Paula?
19:35Yes.
19:36Is she my aunt Paula?
19:38Yes, of course.
19:39What about my mom?
19:41It's me, now.
19:44Don't be so shy, honey.
19:49Well, look who's here.
19:52because I think it's your last chance to meet her.
19:55Oh, please, don't be so rude.
19:57A little compassion.
19:58Oh, but isn't that true?
20:00Well, well, can I help you with anything?
20:02Yes, look, I need you to help me finish
20:07arranging the table in the dining room so it looks nice.
20:11Then you go to the cellar, get a wine, red, rioja,
20:15reserve it, uncover it, and put it to rest.
20:17I'll be right back.
20:23All set.
20:25I'm very worried about that girl, son.
20:28Why?
20:30It's the guy who's calling her.
20:32Who? Mamertu?
20:34I think he's the father of the child.
20:40We're collecting evidence,
20:41but it all seems to indicate that it was Felipe
20:44who was an accomplice to Diego Lombana.
20:46I didn't imagine that.
20:48Paula, thank you so much.
20:51No, it was a pleasure.
20:52You haven't been bothered.
20:54It's nice, isn't it?
20:56I love it. It's beautiful.
20:58I'm almost done packing.
21:01Oh, Maye, let me introduce you to Fernanda, a friend.
21:03Hello.
21:05Mayeli Pacheco.
21:06Mayeli is my sister.
21:08I didn't know you had a sister.
21:10I have two.
21:11Two?
21:12Oh, I'm so jealous, what a great family.
21:15Especially to be with when, I don't know,
21:17things get complicated.
21:20Well, but you have a daughter.
21:22Yes, a big, independent daughter.
21:26And I feel more alone every day.
21:28Oh, no, poor thing.
21:30But we have a family lunch.
21:32If you want to come, you're very welcome.
21:35No, no, no, don't worry, thank you.
21:38Fernanda already knows the family.
21:41Yes, I was at Elvira's house one day.
21:44I thought they were great.
21:47And she was Pedro's boss.
21:49Oh, I didn't know.
21:50Oh, no, if she already knows them all,
21:52then there won't be any problem.
21:54No, no, no, maybe not, maybe not.
21:56Well, I'll leave you because I know you're very busy.
22:00Well, this is your house, Fernanda.
22:03I'll be here until I leave,
22:05so if you need to come and talk to someone,
22:07I'll be here.
22:10Have a nice trip.
22:15Bye.
22:16Bye, Mayeli.
22:16Bye.
22:19Bye.
22:26What, ma'am?
22:27So cool, huh?
22:29Uh-huh.
22:38Where are we going, Mrs. Fernanda?
22:39Oh, Ramon.
22:41I have an idea.
22:42Invite me to lunch.
22:44Me?
22:45Yes, I really don't want to have lunch alone.
22:49Mrs. Fernanda, the thing is, I never go to fancy places.
22:54Only homemade food.
22:55Well, it's better, it's delicious.
22:57Are you sure?
22:59Don't worry so much.
23:00Where do you think I've had lunch in my entire career?
23:03Well, as you wish.
23:08Pedro's love of life.
23:10What love of life?
23:12Pedro's love of life is you.
23:14No.
23:16So he can see how long eternal love lasts.
23:18And what happened between them?
23:20I don't know, but I don't think it ended well.
23:22Well, we had to wait.
23:24That woman looks very thin, very dangerous.
23:27She has nothing to do with Pedro.
23:29Just like me.
23:31And look how far we've come.
23:32What's so great about Hugo?
23:34What could it be?
23:35I was even in love with him.
23:39Tell me about it.
23:41The truth is, if I could go back in time,
23:46I wouldn't let him go.
23:47His mercy was the one that left.
23:49I know, I know.
23:51And it's a mistake I'll never forgive myself for.
23:54Well, but it's never too late.
23:56Oh, I'm sorry, I'm sorry.
23:59Sometimes I forget.
24:00I know.
24:01I forget too, don't worry.
24:06Let's keep on living.
24:08Let's go with the family.
24:10Yes, let's go.
24:13Julio's lunch was canceled tonight.
24:15I don't know what his problem was.
24:16Oh, that's great, because I'm so tired.
24:22Pedro, I want to ask you a question.
24:24And I want you to answer it honestly.
24:28Okay.
24:30What happened last night,
24:31or rather, what's going on here, right now,
24:36what is it?
24:37How are we going to call it?
24:39A congress adventure, or what?
24:44What do you think?
24:48What I think doesn't matter, really.
24:50I just want this to be a new beginning for us,
24:54that we have an opportunity.
24:58But I want to know what you think.
25:02Do you think it's worth it?
25:06A new opportunity?
25:09The truth?
25:13Pedro, I don't know how to beg.
25:14You know that better than anyone.
25:17But I want to show you what I'm capable of doing
25:19to change, to save this relationship,
25:22and to not lose you.
25:25We both lost each other.
25:31That's not true.
25:33I was the only one to blame here.
25:35We all know I was the one who acted like an idiot,
25:38and I admit it.
25:39We were a couple, and we both made mistakes.
25:41It's okay. It's fine.
25:44What's important here is to know if you still love me,
25:50if you still have feelings for me.
25:59Do you know what happened last night?
26:01What?
26:03When you fell asleep, I stared at you for a long time.
26:12You looked like a child.
26:15Without your mask of a rude, rude, and overbearing woman.
26:22And I realized that the only thing I can feel for you
26:28is nothing but love.
26:33So...
26:35are you going to give us another chance?
26:39Yes.
26:43No, but listen.
26:45Go to a room.
26:47This is a public place.
26:48There are minors.
26:49I'm so sad.
26:51No.
26:51Cata, why don't you just disappear?
26:53Oh, Marianita, you're always so sweet.
26:55But since you look so cute together,
26:57I'm going to invite you to my house.
26:59Let's celebrate.
27:00Let's go.
27:01Let's take advantage of it.
27:03That's not something you do every day.
27:05I mean, I'm...
27:06One? No, but that's enough.
27:08Really.
27:11Can I have another coffee, please?
27:13Of course.
27:14Are you going to stay locked up all weekend?
27:18Yes. I don't have anything else to do.
27:21I walked to dance.
27:24Where?
27:25I don't know.
27:26I don't know where.
27:27I don't know.
27:28Where?
27:29I know a great place where people go to dance.
27:34They have a few drinks from time to time,
27:36but it's just for fun.
27:38Who's going to dance?
27:41You and me?
27:42We can find a partner there.
27:44They're good dancers.
27:45And if not, don't worry,
27:47I'll get her to dance with me.
27:50The problem is, I don't know how to dance.
27:52I'll teach you.
27:54I don't know.
27:56You do.
27:57Come on.
28:00Well, this is the place I told you about.
28:03I hope you like it.
28:04I come here often because the food is good,
28:07but most importantly, it's cheap.
28:11Shall we order the menu or go for the main course?
28:14No, the main course.
28:16Hey, friend.
28:18Good morning.
28:20Two corrientazos.
28:22Shall we order juice?
28:23Yes, juice.
28:24Okay, juice.
28:27So, tell me, how's Francisco doing?
28:30Good, good.
28:31He's studying like crazy.
28:33That's great.
28:34And the girl?
28:35Well, she's not that young anymore,
28:37but she's also very smart.
28:39She'll finish school next year.
28:41Oh, she's grown up.
28:43Yes.
28:45You know what hurts me, Mrs. Fernanda?
28:48That my late wife isn't here to watch them grow up,
28:52to watch them succeed.
28:54I'd be very proud.
28:56Yes, Ramon.
28:58It really makes me sad.
29:01This is true loneliness.
29:04I'm going to confess something.
29:07I still sleep next to my bed
29:12and I feel like she's there taking care of me.
29:16And do you know why that happens?
29:18Because she's probably there.
29:20And she's probably the one who put you in my path.
29:23Yes.
29:26Only those who have lived a tragedy like I did
29:30realize how fast life goes by
29:34and the moments we waste
29:37to tell and express to the people we love
29:40our true feelings.
29:46Cheers.
29:47To the Pachecos!
29:49Cheers.
29:51Now the whole gang is drunk.
29:54We were missing the elegant comment.
29:56Oh, Mom.
29:57Say no more.
29:59Let there be peace, let there be harmony.
30:02I also want to toast
30:05because I want to thank all of you
30:07who, as a family, have welcomed me,
30:11have allowed me to be part of this beautiful group
30:15and have given me some of the most wonderful moments
30:18like this one we're living.
30:21So cheers.
30:22Cheers.
30:23Thank you, thank you, thank you.
30:25Hello, hello.
30:26Can you let me get on the plane for a second?
30:28No.
30:29No, no, no, no, no.
30:30I turned it on here.
30:31You have to take me home.
30:33Okay, fine.
30:34I don't know if you know, but Paula will move in with me
30:38in the European countries.
30:41Invite me.
30:43I'll cook, iron, and take care of the house.
30:45Especially.
30:46Of course, Mom. You're invited.
30:47Everyone here is invited.
30:49Oh, Candy B.
30:51I also want to say something.
30:53I've honestly been very lonely most of my life,
30:58but I'm very happy to be here with you
31:03and that you make me feel like a part of the family.
31:09Thank you, thank you, thank you.
31:12I love you very much and I hope you don't forget me.
31:15Never, ma'am.
31:17Otherwise, I'll come and pull your legs.
31:19Oh, no.
31:21Little sister.
31:23I've never called you little sister.
31:26I'm sorry.
31:29Of course I'm sorry.
31:37Cheers, cheers.
31:38Thank you, thank you.
31:39Cheers, cheers.
31:40Cheers.
31:44Cheers.
31:45What a delicious cocktail. You were right.
31:49I told you so.
31:50Thank you for everything.
31:53I hope you rest well.
31:55Cata.
31:58Do you want to come with me to my room for a drink?
32:02Wasn't that enough?
32:04One or two more drinks won't hurt.
32:08Julio, what do you want?
32:11Nothing.
32:12I never have second thoughts.
32:14Are you sure?
32:16Well, let fate decide.
32:22Do you want to sleep with me?
32:25No.
32:26No.
32:29I want to make love to you.
32:35I like it.
32:36I love it when things are clear.
32:39Me too.
32:44You're driving me crazy.
32:45Really?
32:47How did I drive you crazy, Lolo?
32:51No, no.
32:55That's a misunderstanding.
33:00Julio, don't be so cynical, so miserable, and so stupid.
33:06You're just a green old man with seductive influences.
33:09From what I've heard about Lolo, he's terrible in bed.
33:13And I don't waste my time with bad people.
33:17So the blue pill won't be necessary for tonight.
33:22Die.
33:29You know what?
33:30What?
33:31I won't have sex with anyone until I get married.
33:33I think that's a great idea.
33:35Let's make a deal.
33:37Neither of us will sleep with anyone until we get married.
33:41I'm not sure I want to get married.
33:43I don't want to be a virgin and a martyr
33:45because you'll be crowned.
33:47Think about it.
33:49That could be the only way to get rid of the curse
33:51that's got us all screwed up.
33:53Neither you, Cata, or I have been able to sleep with anyone.
33:56Not even a stable one.
33:57We're just single.
33:59Maybe it's for something.
34:01Energy.
34:02We've talked about it.
34:03It's for everything.
34:05Easy, hard, tall, short, fat, whatever.
34:09The reason is that men these days are perfect idiots
34:12who don't want to have a serious relationship.
34:15And for that reason,
34:17my closed-legs-kick could work.
34:19It could work if all women decided to sacrifice like you.
34:23But I don't think all women are willing to make that sacrifice.
34:28Worse for them.
34:32Mariana, aren't you too young to have kids?
34:35My mom got me when I was 19.
34:37That's always been the trend.
34:39The trend?
34:41What does Pedro think of that trend?
34:43We haven't talked about that trend with Pedro,
34:46but nothing has come to fruition.
34:49Like they say, yes or no.
34:51Like they say, anything can happen.
34:53Be careful, Mariana.
34:55I know her. Don't set her up.
34:57That depends.
34:59Depends on what?
35:00Well, it depends...
35:01Honey, I'm starting to worry.
35:04Those guys almost won't let me go.
35:07That's great.
35:08How'd it go?
35:09Great. Those guys are developing something crazy.
35:12They've been around for years.
35:14Artificial intelligence?
35:15And facial and gestural recognition.
35:17Something crazy. On another level.
35:19I'm scared.
35:21Yes, but it's the future.
35:23If you use it the right way, you can do a lot of things.
35:27What would you like, honey? A beer?
35:29No, I'm hungry.
35:31The food here is delicious.
35:32Yeah?
35:34But I'd better go so you can enjoy your dinner with me.
35:39Be careful tonight.
35:41Be very careful.
35:42See you tomorrow.
35:43Bye, dear Cata, I'm sorry.
35:46Bye.
35:48Hey, Cata, why are you dressed like that?
35:51I don't know.
35:52Maybe she's looking for what she hasn't lost.
35:54Looking for or did she find it?
35:57I don't know.
35:59What about your mom?
36:00She went to see some friends.
36:03Ms. Guillermina, we need to talk.
36:06What is it?
36:09Honey, I just happened to hear a conversation of yours.
36:18And who were you talking to?
36:20No one.
36:23What happened with Lenny?
36:25He died in 1924, right? In Russia.
36:28Ms. Guillermina, please.
36:32He's the bass player of the band.
36:35And the father of your child, right?
36:38I think so.
36:39What does that guy want? Why is he calling you?
36:41No, I just wanted to know if he was okay.
36:44Honey, I'm going to give you some advice.
36:46Stay away from that man.
36:49Don't look for him, don't ask him for anything.
36:52Don't look for him, don't ask him for anything,
36:55don't ask him for anything.
36:57A guy like that will make your son's life impossible.
37:04But he has to answer for the financial part.
37:06No, honey, you don't have to worry about that.
37:09You won't be short of anything.
37:12Honey, a guy like that ruined my life.
37:19Can I have a drink, Martina, please?
37:21Thanks.
37:23Can we talk?
37:25You have no shame.
37:27Let me explain.
37:29I don't need to hear any explanation.
37:31Guys like you are so elementary and predictable
37:34that any explanation is enough.
37:36I'm an addict to sex.
37:38And you expect me to do some kind of therapy for you?
37:41No, I just want you to understand why I behave this way.
37:46It's an addiction like any other.
37:49You're not expecting me.
37:51I'm attending a help group.
37:55Do you really expect me to make such a fool of you?
37:59It's the truth.
38:01If you don't leave right now,
38:03I'm going to scream and accuse you of sexual harassment.
38:06You know that's serious in this country.
38:08Okay, I'm leaving, but first let me ask Pedrito a favor.
38:11I don't do favors that cost as much as you do.
38:15Please.
38:17Mariana can't find out about this.
38:25Your cynicism has no limits.
38:28I'm begging you.
38:30Mariana needs to know exactly what kind of father he has.
38:35And I swear I'll find the right time to tell her.
38:40You're out of time. You have ten seconds.
38:41Catalina, please.
38:42Nine, eight, seven...
38:48What do you think?
38:50Good.
38:51It's a little loud, isn't it?
38:53You have to feel the music, that's why it sounds like that.
38:56Yes, but can't you feel it with less volume?
39:00Do you want me to introduce you to a boy who's a great dancer?
39:03No.
39:04Oh, Lucia.
39:05Look behind you.
39:07That boy over there, he's a great dancer.
39:10He's a great dancer.
39:11He's a great dancer.
39:13He's a great dancer.
39:15He's a great dancer.
39:17He's a great dancer.
39:19He has two personalities.
39:21He's really shy, but on the dance floor he's a champion.
39:27Can I introduce you to him?
39:28No.
39:29Why not?
39:31He's such a great dancer that I don't know how I'll end up.
39:35Who cares?
39:36Me.
39:37We have to start somewhere, because he won't talk to you.
39:40But he'll make you float like you're on clouds.
39:45Carlitos, Carlitos, come here.
39:50Hi, how are you?
39:51Good, thank you.
39:52This is Lucia, a friend.
39:54Lucia, nice to meet you.
39:55Nice to meet you.
39:56Imagine, she says she doesn't know how to dance,
39:58and I told her that you're a pain in the ass on the dance floor,
40:01so do me a favor, take her by the hand,
40:03take her there, and get all the bad guys out.
40:05Go, go.
40:06Go, go.
40:08Go.
40:09That's it.
40:14That's it.
40:20What's up?
40:21What's up?
40:22Put on the speaker.
40:24Okay.
40:26What are you doing?
40:27Here, watching TV in your room.
40:29And we're going to become neo-virgins.
40:30No, she's going to become one, not me.
40:32Look, here's a very serious situation with this Julio.
40:37I don't understand.
40:39It's that Julio is the man who invited me to Miami.
40:43What?
40:45And the degenerate tried to seduce me too.
40:47Wait a minute, wait a minute,
40:49someone explain to me what's going on,
40:51because I don't understand anything.
40:53Let's see, the guy invited me to the congress,
40:55and I fell like a stupid round girl.
40:58When we got there,
40:59and he realized that Mariana was there too,
41:01he insinuated that I would be locked up
41:03all weekend at the hotel,
41:05as if I were a prostitute.
41:07That's nothing.
41:09The guy tried to seduce me too as soon as Loli left.
41:13He invited me to the bar,
41:14for us to have a few drinks,
41:15and then he wanted to follow her to her room.
41:17I don't sleep with Mariana.
41:19No, that's why I'm calling you.
41:21We have to tell Mariana and Fernanda
41:23the kind of person this man is.
41:25No, no, no, let's see, I can't.
41:27Why?
41:29Because...
41:32I also slept with him here in Bogota.
41:35And this dead fly, you can't do that.
41:38Let's see, according to what Mariana told me,
41:40this guy is going to be a partner in the company.
41:42And why haven't you talked to Mariana?
41:44Because I don't want to ruin his honeymoon.
41:46What do you mean?
41:47Pedro is here and they reconciled again.
41:51No.
41:52Yes.
41:53Let's see, neither of them can know,
41:55because otherwise I'm going to be like a leather,
41:56like a shoe.
41:57Do you prefer our boss to be degenerate?
41:59That's because of you, diffuser.
42:01Oh no, she's so difficult.
42:03Well, whatever.
42:04Think about how we're going to do this,
42:06because the later Monday,
42:08we have to tell the truth about this guy,
42:10Mariana and Fernanda.
42:28Hello?
42:30Hello, Pedro, did I wake you up?
42:32No, no, no, doctor.
42:34It's been...
42:36It's been a while.
42:38I'm sorry.
42:40I'm sorry.
42:42I'm sorry.
42:44I'm sorry.
42:46I'm sorry.
42:48I'm sorry.
42:50I'm sorry.
42:52I'm sorry.
42:54I'm sorry.
42:56It's been a few days
42:58that I can't even sleep.
43:00And why are you talking slowly?
43:02Because I don't want to wake up Pastor Fernando.
43:05Ah, okay.
43:06Well, no.
43:07It will be at another time.
43:08No, no, no.
43:09No, no.
43:10Wait, doctor.
43:12Your beautiful Mercedes
43:14needs me for something.
43:17Oh, Pedro, it's just that
43:19I would like to talk to you.
43:21Ready?
43:22Tell me
43:23the time and where I arrive.
43:25Now? At my house?