The drama escalates in GLOW Season 3, Episode 08, now streaming in Full HD 720p! As the Gorgeous Ladies of Wrestling continue to shine under the bright lights of Las Vegas, this episode brings a mix of tension, revelations, and powerful performances. With each episode, the stakes grow higher, and Episode 08 is no exception, delivering key moments that will have a lasting impact on the season.
In this episode, the GLOW crew faces a turning point that could change everything. Personal and professional pressures collide, forcing the characters to make difficult choices that will shape their futures. Alison Brie, Betty Gilpin, and the ensemble cast deliver standout performances, bringing emotional depth and intensity to every scene.
Episode Highlights:
Ruth confronts a life-altering decision that could affect her career and relationships.
Debbie struggles to maintain control as new challenges threaten her leadership.
The team prepares for a major show, but unexpected obstacles put everything at risk.
Emotional revelations that bring characters closer together—or push them further apart.
Why You Should Watch: GLOW Season 3, Episode 08 is a must-watch for anyone following the series. The Full HD 720p resolution brings the vibrant 80s aesthetic and intense drama to life, making every moment more impactful. This episode is pivotal in the season’s storyline, offering crucial developments that will keep you hooked. Don’t miss out on the action, drama, and character moments that make GLOW a fan-favorite series.
Don’t Forget to:
LIKE this video if you’re captivated by the drama!
SUBSCRIBE to our channel for more episodes and exclusive GLOW content!
SHARE this video with friends to spread the excitement!
Additional Tags and Keywords: GLOW, GLOW Season 3, Episode 08, Full HD, 720p, Wrestling Drama, Netflix Series, Alison Brie, Betty Gilpin, 80s Style, Women’s Wrestling
Hashtags: #GLOW #GLOWSeason3 #Episode08 #FullHD #720p #NetflixSeries #WrestlingDrama
Follow Us: Stay connected with us on social media for more updates, behind-the-scenes content, and more! https://www.dailymotion.com/lovebuster456
In this episode, the GLOW crew faces a turning point that could change everything. Personal and professional pressures collide, forcing the characters to make difficult choices that will shape their futures. Alison Brie, Betty Gilpin, and the ensemble cast deliver standout performances, bringing emotional depth and intensity to every scene.
Episode Highlights:
Ruth confronts a life-altering decision that could affect her career and relationships.
Debbie struggles to maintain control as new challenges threaten her leadership.
The team prepares for a major show, but unexpected obstacles put everything at risk.
Emotional revelations that bring characters closer together—or push them further apart.
Why You Should Watch: GLOW Season 3, Episode 08 is a must-watch for anyone following the series. The Full HD 720p resolution brings the vibrant 80s aesthetic and intense drama to life, making every moment more impactful. This episode is pivotal in the season’s storyline, offering crucial developments that will keep you hooked. Don’t miss out on the action, drama, and character moments that make GLOW a fan-favorite series.
Don’t Forget to:
LIKE this video if you’re captivated by the drama!
SUBSCRIBE to our channel for more episodes and exclusive GLOW content!
SHARE this video with friends to spread the excitement!
Additional Tags and Keywords: GLOW, GLOW Season 3, Episode 08, Full HD, 720p, Wrestling Drama, Netflix Series, Alison Brie, Betty Gilpin, 80s Style, Women’s Wrestling
Hashtags: #GLOW #GLOWSeason3 #Episode08 #FullHD #720p #NetflixSeries #WrestlingDrama
Follow Us: Stay connected with us on social media for more updates, behind-the-scenes content, and more! https://www.dailymotion.com/lovebuster456
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FunTranscript
00:00Oh my god, I'm so exhausted.
00:07Happy 50th show, everyone!
00:12Oh my god, we're middle-aged!
00:18Okay, one, two, three!
00:25Okay, one, two, three!
00:31Who wants to cut?
00:33Oh, I will.
00:35Carmen, do you need any help?
00:37Just sort of.
00:38Can I get a...
00:39Martha got it.
00:41Actually...
00:44I'm just such a big helper,
00:46is I think a thing that people don't really realize about me.
00:50Nobody's gonna get their pizza today.
00:53What flavor is the cake, you guys?
00:56What flavor is the cake?
00:58I don't know, I didn't have it.
01:01Is it for me?
01:03No way.
01:05♫
01:15Water was running
01:17Children were running
01:19You were running out of time
01:23Under the mountain
01:25A golden mountain
01:27Were you praying at the lark's cry?
01:30Oh, oh, your sea of tears lies in those mountains
01:38Oh, oh, your sea of tears lies in those mountains
01:46♫
01:54You found your hiding
01:56You found your lying
01:58Choking on the dirt and sand
02:02Your former glory
02:04And all the stories
02:06Dragged and washed with eager hands
02:10Oh, oh, your sea of tears lies in those mountains
02:18Oh, oh, your sea of tears lies in those mountains
02:26Oh, oh, your sea of tears lies in those mountains
02:34Oh, oh, your sea of tears lies in those mountains
02:44Oh, oh, your sea of tears lies in those mountains
02:50Oh, oh, your sea of tears lies in those mountains
03:09What number is it?
03:11Oh, um...
03:12Oh, 200! Oh my god, you guys!
03:15Happy 200th show!
03:17We should celebrate!
03:19I'm late for a date with Tex.
03:21I have a date too.
03:22Yeah, me too.
03:23With your prostitute boyfriend?
03:24Shut up. I pay him, I control the terms, and I'm happy.
03:28Don't judge.
03:30Okay, bye!
03:36Hey, wait up!
03:49Sorry.
04:20Excuse me, Ruth?
04:22Yes?
04:23Phone call. I can transfer it.
04:25No, I'll take it here.
04:28Hello?
04:29Hey, it's me. Guess what?
04:31What?
04:32Okay, so you know this director, Menahem Golan,
04:35who directed The Apple,
04:36about the evil recording company and Adam and Eve?
04:39What's the news?
04:41Okay, right, right, right.
04:42Okay, so he was at KDTV last week,
04:44and I asked him if he needed a camera operator for anything,
04:47and he was like, no, I have no idea who you are.
04:49But today, I get a call from him
04:51saying that his second unit operator has shingles,
04:54and that he needs someone to hop on this movie
04:57that he's directing in Sevilla.
04:59Spain?
05:00Yeah, it's only two months, but I'm kind of freaking out.
05:03Wow, yes, I mean, that's huge.
05:06No, it's huge.
05:07Now we don't have to get into fights
05:09about you working in Vegas
05:10and me staying home waiting for you.
05:13Hold on, I gotta drain the spaghetti.
05:16Hey, sorry, I feel like I bulldozed you.
05:19No, it's fine.
05:21You're excited.
05:22You know, maybe I can come to L.A. this weekend to celebrate.
05:27Okay, so, um, my flight leaves on Friday.
05:32Wow.
05:34But maybe, maybe you come to Spain for New Year's.
05:37Um, I don't know, Russell.
05:43No, don't, don't, don't do this on the phone.
05:46I'm not doing anything.
05:55Hello?
05:58I'm still here.
06:04How's the house coming?
06:06Oh, fantastic.
06:07Love the architect you recommended.
06:09We landed on French Chateau.
06:11Meets Desert Deco.
06:12You know, we really should set up an office for you
06:15here at the hotel.
06:16You're producing two shows on site now.
06:18It makes sense.
06:19Well, maybe I'll just buy the penthouse.
06:21I like how you two spend money.
06:23Yeah.
06:24And thanks to your investment,
06:25we will finally be able to give Rhapsody
06:28the facelift it deserves.
06:33How about that sign?
06:35I love it.
06:36Yeah.
06:38And...
06:41What's this?
06:42I have been wanting to add
06:44a tribute to old Hollywood number for years now.
06:48A classic Ginger Rogers Fred Astaire number
06:51with huge production value.
06:52And we've never been able to afford it, but now...
06:56Sandy, pardon my French, but fuck Hollywood, right?
06:59I mean, who wants a classic facelift?
07:02What does it even mean?
07:03You still look old but better?
07:05Right.
07:06Well, yes, that's the idea.
07:09How about this for an idea?
07:11We bring Rhapsody into...
07:13the 80s.
07:16What did you have in mind, Bash?
07:20Woo!
07:42Woo!
07:45It's Bash Howard's Rhapsody
07:47featuring BMX Babes.
07:49Because that's his brand.
07:50Girl's doing something you thought only a boy could do.
07:53Look, if I'm going to pump more money into Rhapsody,
07:55then it's got to have a Bash Howard stamp.
07:57Now, everybody in town's got a showgirl show, right?
08:00But no one in town has a BMX showgirl show.
08:03Yeah, maybe there's a reason for that.
08:06It's very exciting.
08:09But how about instead of all the hoopla,
08:14we update the music?
08:17Little Huey Lewis?
08:19And that way, it's different,
08:21but we're still giving audiences what they love.
08:25But people aren't actually coming to Rhapsody anymore.
08:29Ticket sales have been a little soft.
08:31I had Rhonda take a look at the books, Rhonda.
08:33The profits have been quite low for a few months now.
08:36There's always a dip at the end of the year.
08:39Holidays.
08:40Well, if Glo took the sort of a dozedive in ticket sales,
08:43I mean, you'd pulse from the showroom.
08:45What Bash is trying to say is,
08:47if we can't make these improvements,
08:49I'm not sure Rhapsody is the right investment for us.
08:55If you pull out your money now, we have to shut down.
08:59There will be 80 showgirls out of a job.
09:03Believe me, Sandy, I know.
09:05So let's introduce these girls to the future, huh?
09:10You two are quite a team, huh?
09:13Yeah.
09:15You got a job in Spain?
09:17Yep.
09:18Are things better with you guys?
09:20Not really.
09:21It's like everyone's moving on with their lives,
09:23and I'm doing performance reports.
09:29You want to do a scene together?
09:32That's very sweet, but I don't think Miss Julie
09:36is going to cheer me up right now.
09:38That's Strindberg.
09:40Sam Shepard.
09:43Bobby asked me to perform at this charity ball
09:46he throws every winter.
09:48Well, the first year it was to raise money
09:50so he could go on vacation to Hawaii,
09:52but now all the money goes to help local AIDS groups.
09:55There's a costume contest and a stage
09:57where you're supposed to perform things
09:59you couldn't perform on your own show.
10:01True West, isn't that two men?
10:03Yeah, I was supposed to perform it with Bobby,
10:05but he's so stressed out about
10:07pulling this whole thing together,
10:09and two women doing it?
10:13Last night?
10:14Last night was a rollercoaster, right Rita?
10:16It was.
10:17I was down 1,200,
10:18and then these four sisters from Florida
10:20show up to the table.
10:21It was her 40th birthday.
10:2250th.
10:23Cut to five hours later.
10:25I'm up $2,000,
10:27and they invited me to Miami for New Year's Eve.
10:30Cherry Bay?
10:31That's me.
10:32I'm with the casino.
10:34Can you come with me, please?
10:36Uh-uh.
10:37I'm staying right here.
10:38I got money to win back.
10:39You should go with him.
10:42Is everything okay?
10:44Yeah.
10:45I'm sure they'll take me to the high rollers room.
10:54Is she in trouble?
10:56I'm not at liberty to say.
10:58Rita.
11:00Yes, she's in trouble.
11:01You should go help her.
11:03This never happened.
11:07Hey, Al.
11:09You know she's one of our performers.
11:11Oh, I know.
11:12That's why we let it go this long.
11:14She owes the casino $5,000.
11:17I'm gonna pay it back.
11:19The casino usually takes legal action after 30 days,
11:22so consider yourself lucky.
11:24How about you give her a little more time, Al?
11:27It is the holidays.
11:29She can have one week.
11:33You don't have any savings?
11:35I can't touch that.
11:36You do work for a very wealthy man.
11:38No.
11:40I don't want him or anyone to know.
11:45I'll figure it out.
11:47Why don't we try to see this through, Lee?
11:49Just for the hell of it, maybe you've really got something here.
11:52What do you think?
11:54Maybe so.
11:56I mean, no harm in trying.
11:59You know, you think it's such a hot idea.
12:03Besides, I always wondered what it would be like to be you.
12:08You did?
12:10Yeah, sure.
12:12I used to picture you
12:15walking around some campus
12:18with your arms full of books,
12:19blondes chasing after you.
12:21Blondes?
12:23That's funny.
12:25What?
12:27I'm not sure if this really translates to women.
12:30Men can be blonde.
12:33What's funny about it?
12:36Uh, because I always used to picture you somewhere.
12:41Where'd you picture me?
12:43I don't know, different places.
12:46Adventures.
12:47You were always on some adventure.
12:49Yeah.
12:51And I used to say to myself,
12:53Lee's got the right idea.
12:54He's out there in the world, and here I am.
13:00What am I doing?
13:03Well, you were setting yourself up for something.
13:09Are you off book?
13:12I have a good memory.
13:16But hey, I love all the stuff that you're doing with Austin.
13:22Do you have self-doubt?
13:25I wasn't acting yet.
13:28Oh.
13:33Do you want to try out some blocking?
13:36Sure.
13:38What, you want like a punch card?
13:40Yeah, maybe I do.
13:42Well, you still owe me from the first time we were together.
13:44Oh, I'm never paying you for that.
13:46It's just a matter of principle.
13:48Okay, love you, Randy. Be nice to Jenny. Bye-bye.
13:51Do you want to come see a man about a horse?
13:55Don't make fun of my play.
13:57I was not talking about your play.
13:59I have a three o'clock with an American quarter horse named Viceroy.
14:03And if we hit it off, I guess he'll move here from North Dakota,
14:07where he currently lives in semi-retirement from the rodeo.
14:11It's a gift from tax for our six-month anniversary.
14:14I have to work on my lines for the thing with Sheila.
14:17No, please, I'll run them with you.
14:19I'm late.
14:23Bye.
14:24Yes!
14:29Whoa, whoa, whoa, too fast, too fast.
14:32You're fine.
14:34Please talk to me so I stop thinking about falling off this horse and breaking my neck.
14:40I think Sheila might be a good actor.
14:43Better than me.
14:45It's not a competition, Ruth. It's a scene for a charity ball.
14:47You should have seen her navigate that scene.
14:50She had all the right instincts.
14:52It was like she was on a black diamond and I was on the bunny slopes.
14:57You need to stop comparing yourself to other people.
15:00Well, it's hard when you're sharing a room with a young Shirley MacLaine.
15:05Sheila says the ball might not happen anyway.
15:08Bobby's supposedly a disaster with money, which is probably for the best.
15:12Then nobody will hear me do a terrible Western drawl.
15:17What?
15:18You're supposed to be helping me.
15:20Want to give him a little kick?
15:22Uh, okay.
15:25Whoop!
15:26Oh, my God.
15:32See? You don't need my help.
15:40You're a natural.
15:42That was kind of fun.
15:44I liked it.
15:50It's definitely weird seeing you on a horse.
15:53I know. It's like a DoorDash commercial.
15:56Thank you, Miranda.
16:01No, I mean, um...
16:03You know, we came to Vegas to do a wrestling show.
16:08And now I'm stuck in a loop and you put on a whole new life.
16:13And it fits you.
16:15It is not a whole new life.
16:17Debbie, you're dating a rich rancher.
16:20He bought you a horse and we're sitting on his porch being served tea.
16:26I mean, I know things have always moved faster for you, but...
16:31I wish we could just go back to L.A. and find a little theater and do a play.
16:36We could do True West, you and me.
16:38We could do Night Mother.
16:40God, that sounds awful.
16:44What? It does.
16:46I mean, if we were 25, fine.
16:49But I want my life to get bigger, not smaller.
16:55And I don't care about playing all the great roles.
16:58I mean, it's not realistic.
17:00So if Liberty Bell was the last part you ever played, you'd be fine?
17:03I would.
17:05And I have a lot of other exciting things on my plate right now.
17:08Like what? Producing?
17:10Yeah.
17:11Come on.
17:12But Glo's been running on autopilot for months.
17:14You keep saying you want to do a project of your own,
17:16but you're clearly not doing anything to make that happen.
17:22Sorry.
17:26Do you want to start running lives?
17:29Um, yeah, sure.
17:31We only have an hour, though.
17:33I thought Tex was off on a business trip.
17:35He is, but he's getting back for dinner.
17:37And I haven't seen him in a week.
17:39So you brought me all the way out here?
17:41How am I supposed to get back?
17:43Have Bob drive you. It's fine.
17:45What scene is it?
17:48Scene four.
17:51Night. Coyotes in distance. Fade.
17:53Sound of typewriter in dark. Crickets.
18:01Where are you going?
18:04Out.
18:06Why are you wearing a disguise?
18:08Shut up, Carmen.
18:10Well, I'll come with you.
18:11No, you're not. Don't babysit me.
18:13I'm just trying to stop you from doing something you'll regret later.
18:25Mud wrestling?
18:30Do any of those girls know how to wrestle?
18:32Hmm, I don't think wrestling is really the point.
18:37Cherry, you could get hurt.
18:39And it's gross.
18:41Well, Carmen, it's not stripping.
18:43And that was Denise's other option.
18:45Hey, nudes make fast cash.
18:49What if I wrestle, Cherry?
18:51I'm not asking you to do that.
18:53You shouldn't wrestle a untrained waitress with fake boobs who doesn't even know an armbar.
19:07I can't believe we're doing this.
19:10Hey, let's go old school.
19:12What's that supposed to mean?
19:13I try to pin you, you try to pin me.
19:15Whoever gets there first wins.
19:18And the winner is Sapphire!
19:24All right, everyone, back up.
19:26And now for our heavyweight match.
19:29Tonight, featuring Chitara and Pumaira!
19:36That's us?
19:37What? I wasn't going to give them our real names.
19:39Named us after the Thundercats.
19:43Come on! Let me hear you, everybody, let's go!
19:46Take a look, ladies and gentlemen.
19:48Make your bets.
19:50Make some money tonight.
19:52Take a look at these ladies.
19:54The heavyweights of tonight's match.
19:58Let's do it!
19:59Who you got?
20:01Last call for bets. Place your bets now.
20:04Place your bets, ladies and gentlemen.
20:06Place your bets.
20:08Take a look.
20:10Ladies, take the ring.
20:23On my whistle.
20:25Referee.
20:56Referee.
20:58Referee!
21:20And the winner is Pumaira!
21:28So, I was going over the plans,
21:30and tell me what you think about this.
21:33What if we just scrap the guest house
21:35and instead we go for a tennis court and a pool?
21:38I mean, Bertie's never going to come visit
21:40and stay in a guest house.
21:42Hello, Mr. Howard.
21:44Aren't you cold?
21:47Maybe you could warm me up.
21:49I can brush my teeth.
21:51Is there anything I could do?
21:53I'm pretty sure I can brush my teeth on my own.
21:56It feels like you haven't really been interested much lately.
22:01Oh, come on. That's not true.
22:04We haven't had sex in like two months.
22:08I know it's not the honeymoon phase anymore, but...
22:12I miss you.
22:14That's crazy. I'm right here.
22:18But something changed.
22:20I know building a house and an entertainment empire is stressful.
22:24Nothing's changed. I love you.
22:26And, hey, I'd want to stay married to you
22:28even if we never had sex ever again.
22:30Okay?
22:50Hey, Bob, can we pull over?
22:54Sure.
23:18Come in.
23:24Okay.
23:26You want a reading?
23:30Um, I do, I think.
23:32Have a seat.
23:37Ten dollars.
23:47That was just with my friend and her horse, Vice Roy.
23:51Do you have a question about the horse?
23:54No.
23:55You have something to want to focus on?
24:02I want to know if I'm...
24:04wasting my life.
24:08Should I just give up now and do something else?
24:15Okay. Let's take a look.
24:19Shuffle the cards.
24:24Okay.
24:33Don't spend a lot of time in the casino.
24:38This better be good.
24:40I haven't been up this early since the Carter administration.
24:49I made a few calls,
24:51I found an L.A. sponsor who wants to donate
24:53all the liquor for your charity ball.
24:55It is a good tax write-off,
24:57and tomorrow we can start combing through the budget.
25:00You have a party that needs producing.
25:02I need something to produce.
25:04Glow's on autopilot.
25:06Let me get this straight.
25:08You want to help produce an underground AIDS fundraiser?
25:13Yeah.
25:15For free?
25:18It's always been my dream.
25:21You and Elizabeth Taylor.
25:28Okay, I got breakfast, and then we can work.
25:31Thanks. I think there's a message.
25:41Hey, Ruth.
25:43It's me, Sam.
25:45Hey, oh, thanks for the five million performance reports.
25:49That was good.
25:51And look, you know, I'm sorry I, uh...
25:55Anyway, I'm sure you've heard,
25:57but we're making Justine's movie,
25:59and we'd like to bring you in.
26:01There's a part, and I think you'd be great.
26:04Give me a call if that sounds interesting.
26:07All right?
26:09Okay, bye.
26:16Ready?
26:19Yeah.
26:49Oh, oh, oh
26:51Oh, oh, oh
26:53Oh, oh, oh
26:55Oh, oh, oh
26:57Oh, oh, oh
26:59Oh, oh, oh
27:01Oh, oh, oh
27:03Oh, oh, oh
27:05Oh, oh, oh
27:07Oh, oh, oh
27:09Oh, oh, oh
27:11Oh, oh, oh
27:13Oh, oh, oh
27:15Oh, oh, oh
27:17Oh, oh, oh
27:19Oh, oh, oh
27:21Oh, oh, oh
27:23Oh, oh, oh
27:25Oh, oh, oh
27:27Oh, oh, oh
27:29Oh, oh, oh
27:31Oh, oh, oh
27:33Oh, oh, oh
27:35Oh, oh, oh
27:37Oh, oh, oh
27:39Oh, oh, oh
27:41Oh, oh, oh
27:43Oh, oh, oh
27:47Oh, oh, oh
27:49Oh, oh, oh
27:51Oh, oh, oh
27:53Oh, oh, oh
27:55Oh, oh, oh
27:57Oh, oh, oh
27:59Oh, oh, oh
28:01Oh, oh, oh
28:03Oh, oh, oh
28:05Oh, oh, oh
28:07Oh, oh, oh
28:09Oh, oh, oh
28:11Oh, oh, oh
28:13Oh, oh, oh