• 4 months ago
Prepare for more drama and excitement with GLOW Season 3, Episode 07, now available in Full HD 720p! As the Gorgeous Ladies of Wrestling continue their Las Vegas residency, this episode brings new challenges and unexpected turns that will keep you glued to the screen. With a perfect blend of intense drama, emotional depth, and thrilling wrestling action, Episode 07 is a standout in the series.

In this episode, the GLOW crew faces mounting pressures as personal conflicts begin to affect their performances. The stakes are higher than ever, and the bonds between the characters are tested in ways they never expected. Alison Brie, Betty Gilpin, and the rest of the talented cast deliver unforgettable performances that capture the intensity and complexity of their roles.

Episode Highlights:

Ruth and Debbie’s friendship reaches a breaking point, leading to a heart-wrenching confrontation.
The team struggles to keep their show together as internal tensions threaten to tear them apart.
A surprising twist in the storyline that could change the course of the season.
High-energy wrestling matches that showcase the characters’ resilience and determination.
Why You Should Watch: GLOW Season 3, Episode 07 is a pivotal episode that will leave you on the edge of your seat. The Full HD 720p resolution ensures that every moment is captured in stunning detail, from the emotional exchanges to the dynamic wrestling scenes. This episode is crucial for understanding the evolving relationships and conflicts that drive the season’s narrative. Don’t miss out on the drama, action, and 80s nostalgia that make GLOW a must-watch series.

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Additional Tags and Keywords: GLOW, GLOW Season 3, Episode 07, Full HD, 720p, Wrestling Drama, Netflix Series, Alison Brie, Betty Gilpin, 80s Style, Women’s Wrestling

Hashtags: #GLOW #GLOWSeason3 #Episode07 #FullHD #720p #NetflixSeries #WrestlingDrama

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Fun
Transcript
00:00It's a million degrees in here.
00:10It's not that bad.
00:11Yes, it is.
00:12You're sweating.
00:13Like a lot.
00:14Huh?
00:15Yeah, the fucking air conditioner's broken.
00:18Well, maybe roll down all the windows then.
00:20All right, listen.
00:22When we go in there, don't make too much small talk.
00:24I'm not gonna say anything.
00:26Well, no, I mean, you gotta say something, but...
00:29Just be yourself.
00:31You know, maybe 10% less weird.
00:33That would be good.
00:34Wow, okay, thanks.
00:35You know what I'm saying.
00:36I mean, it's just...
00:38I need you to look like you give a shit.
00:41I give a shit.
00:42It's summer vacation and I'm not backpacking through Europe.
00:45I'm here.
00:47I really want this.
00:48All right, okay, all right.
00:50But don't want it too much.
00:51You know what I mean?
00:52Don't...
00:53You don't want to appear desperate.
00:58Jesus Christ.
00:59I haven't been here in a long time.
01:03Hey, Sam Silvia, Justine Biaggi?
01:06Yes, sir.
01:07Please move forward and park in any of the visitor spaces.
01:10Okay, here we go.
01:12Happy fucking faces.
01:14Happy faces.
01:16Not too happy.
01:17Not...
01:18Okay.
01:24How about this one?
01:25Reserved, but still fun.
01:27What's wrong with pigs?
01:28She hates animals.
01:29So no leopard print, then?
01:33Fuck.
01:37Hi, Birdie.
01:39There's a water feature in the kitchen.
01:43It's a hot tub.
01:45They're standard in all the penthouses.
01:47Please come in.
01:49Careful making toast.
01:51We mostly order room service.
01:53It's free.
01:54Mostly.
01:57Where are you staying?
01:59At the Sands.
02:01What's the matter with your voice?
02:02Oh, Bash is on vocal rest.
02:04He basically yells for an hour straight every night,
02:06and the audience loves him.
02:08But, um, it's very hard on his vocal cords.
02:10There you are.
02:11Oh.
02:12So you speak for him.
02:16Rhonda.
02:18Rhonda Howard.
02:21I'm sorry I didn't say anything sooner.
02:23No, I'm fine.
02:24I mean, what mother doesn't want to learn from American Express
02:26that her son has married a new cardholder?
02:28And there's why I didn't say anything sooner.
02:30Oh, save your voice, Romeo.
02:32I'm simply here to meet the woman that my son fell so madly in love with
02:36that he kept her a secret from his family.
02:39Well, maybe this is a good thing,
02:41because I don't like secrets.
02:43And I've been wanting to meet you, too, Mom.
02:46Mrs. Howard.
02:48Birdie.
02:51Let's order lunch.
02:54And drinks.
02:56So, I'm just going to come out and say it.
03:00We are very interested in this.
03:04I do have a couple of thoughts.
03:06Mostly questions.
03:07Uh, yeah, of course. Go ahead.
03:09Shoot.
03:10So my first question,
03:12what do you think of Michael J. Fox?
03:14Uh, he's great, yeah.
03:16For what? For the dad?
03:18It's a little young.
03:20No, I mean for Jules.
03:22But, uh, Jules is a girl.
03:24Well, in this draft, sure.
03:25But, you know, I've worked with Michael,
03:27and he is one of the nicest, most down-to-earth people.
03:30And he's mid-twenties, but he plays young.
03:32Okay.
03:35Uh, my next question.
03:37The title.
03:38Are we married to it?
03:41Want me to throw it back?
03:42Yeah!
03:43I'll throw it back.
03:44I'll throw it! Throw it!
03:46Oh, thank you!
03:48That was mean.
03:52Hey, I've got, um, paychecks.
03:58Oh, okay.
04:00Can I talk to you?
04:01Yes.
04:02Uh, okay.
04:03We're gonna have to do it out here,
04:04because I now live in the hallway.
04:07It's all Randy wants to do,
04:08an entire fucking hotel playhouse,
04:10and we're just in the hallway.
04:11So have a seat.
04:12Welcome to my office.
04:14What can I do for you?
04:16Here's your paycheck.
04:17Um...
04:18Okay.
04:19I have been reviewing my finances
04:22and speaking to, uh, other costume designers on this trip
04:27who were surprised to find out that I'm not being compensated
04:30for my additional wardrobe work.
04:32You, what?
04:33We don't pay you for your additional wardrobe work?
04:36You do not.
04:37And I know I'm not Bob Mackie,
04:39or Pete Menifee, or Michael Travis,
04:42but all of the costumes require maintenance and doubles,
04:46and my goal is to leave here with as much money as possible
04:50without spending one more cent at this hotel,
04:52because it offends me to my core.
04:56So, uh, how much of a weekly increase would that be exactly?
05:02I believe a 13% jump would be reasonable,
05:07given my research,
05:09and I will accept nothing less
05:11or will cease my responsibilities henceforth immediately.
05:15Okay.
05:16Um, I will see what I can do.
05:19Thank you, Jenny.
05:20I'm glad you came to me.
05:21You are?
05:22Yeah.
05:23I was pretty nervous.
05:27You did so well, I couldn't tell at all.
05:28Really?
05:29Yeah.
05:30Wow, great.
05:31Where the fuck is Randy?
05:32Randy?
05:33Randy?
05:34We got him!
05:36Oh, you love donuts, don't you?
05:40So good.
05:43I know you stopped breastfeeding a while ago,
05:45but this kid's still got a thing for tits.
05:47What can I say?
05:48He's a Vegas baby now.
05:50I mean, we've broken up before,
05:52but I think it's for real this time.
05:55I can't eat anything.
05:57I can't sleep.
05:58I start crying at the weirdest times.
06:01I don't have anyone to talk to about it,
06:03because the person I want to talk to about it is Yolanda,
06:06and I can't talk to her about it, you know?
06:09No, not really.
06:13Six, you win.
06:15But you and Keith, we're still married.
06:18He's in L.A. working, I'm in Vegas working.
06:20The end.
06:22Press on my five and ten?
06:24Which bets?
06:25Oh, I'm out.
06:27Where are you going?
06:28I made a deal with myself
06:29I would only spend $20 on my paycheck.
06:32I'm going to go eat alone.
06:39People have to eat.
06:41You know, I hate eating alone.
06:43You know, people say bring a book, sit at the bar.
06:46I can't do it.
06:48Right now, I just want to be alone with a bunch of people.
06:50That's why I like craps.
06:52That's why a lot of people like craps.
06:54You ever play?
06:55Oh, no.
06:56Can't gamble here, it's against the rules.
06:58And I'm a little bit of a security cat
06:59when it comes to taking risks, so...
07:01Well, I got four letters from my husband
07:03I'm too scared to open.
07:05We're all afraid of something, Rita.
07:09So, Rhonda, you're from England.
07:13What gave it away?
07:19London.
07:21For me.
07:22Suburbs.
07:24Aren't there suburbs in England?
07:26How do you say it?
07:27A bit dodgy.
07:30They are.
07:31That's why I left.
07:33And how long have you been in our fine country?
07:37Three years.
07:39Do you know the band Duran Duran?
07:40Very popular.
07:42They were touring the States,
07:43and they asked me and my mate if we wanted to come,
07:45and we were like, uh, yeah.
07:47Full private.
07:49See, I want to be a singer,
07:50and I knew if I stayed in the UK, I'd never be discovered.
07:53So when the tour came to L.A., I decided to stay.
07:56It was really hard at first,
07:58but I stuck it out,
07:59and I'm so glad I did,
08:01because otherwise I never would have been desperate enough
08:03to try out for GLOW and meet this brilliant man.
08:06Oh, okay.
08:08So you're on the show.
08:10Here I was, thinking that the two of you met,
08:14what, in an alley somewhere?
08:17Well, I did live in my car.
08:22Are you leaving?
08:23No, I'm not leaving.
08:25I was thinking that we should go shopping.
08:31We should?
08:32We should.
08:33You're married to my son,
08:34and I haven't even gotten you a wedding present.
08:37Well, I'll come.
08:38Nonsense.
08:40Oh, don't worry, I won't bite.
08:42I just want to get to know my daughter-in-law one-on-one.
08:47Just us girls.
08:51I mean, it wouldn't be the worst thing in the world
08:53if Jules was a boy,
08:54in a David Bowie kind of way.
08:56It's a terrible idea.
08:57You said it was interesting.
08:59Yeah, by interesting I meant fucking stupid.
09:01I was just being polite because she's a woman, you know?
09:04I mean, she had every other page of your script crossed out.
09:07You know, you don't have to have a penis to be a fucking asshole.
09:12That's another thing.
09:13When they're giving their stupid notes,
09:14don't take out your little notebook.
09:16It's just gonna get you more notes.
09:18Okay, well, what's the deal with this guy?
09:21Don Silverberg. We go way back.
09:23I gave him his first job.
09:25So hopefully there's a little juice here for me
09:28and this will go a lot better.
09:32Sam Silvia, I kept you waiting.
09:35All right, all right.
09:37Don, how are you?
09:41Okay.
09:42What, are you a fucking Buddhist now?
09:44I am.
09:45All right.
09:46You know what?
09:48You remember the last time I saw you?
09:50I was drunk.
09:51I was at that pool party.
09:53And Brian and his guys were making you shave their asses
09:55because they thought it would make them swim faster.
09:59Yeah, that isn't the last time I saw you, Sam.
10:01But I am not surprised you don't remember that.
10:05All right, so let's skip the pleasantries, all right?
10:08My kid wrote a great script.
10:09I know that, you know that.
10:11That's why we're here.
10:12I didn't read it.
10:14Okay, well, we can walk you through the story.
10:16No, no, no, no, no, no.
10:18I just want to know if the rumors are true.
10:20You're directing porn now?
10:23No, it's not porn.
10:24It's women's wrestling.
10:25But, hey, as long as people are still talking, right?
10:28They're not.
10:29No one gives a shit about you.
10:32But I remember you, Sam.
10:34How could I forget the guy who sent me to deliver flowers
10:37to his mother's hospital room
10:38while he fucked an extra in his trailer?
10:41You know, that was...
10:42Or the time you made me cry in front of all those grips
10:45because I didn't know what a hoagie was.
10:47They call them submarine sandwiches where I'm from.
10:49Oh, oh, yeah.
10:51I owe this guy everything.
10:54All right, let's go.
10:55You know, I would have enjoyed this a lot more
10:58if your daughter wasn't here.
10:59I'm not a monster.
11:00You know, go fuck yourself, you fucking hypocrite Buddhist.
11:03Feel better?
11:04I do, yeah, I mean...
11:06Your last movie sucked.
11:07Oh, you mean Out of Africa?
11:08Yeah, thanks.
11:10I'll be sure to let Sidney know.
11:14God damn it.
11:16Where the fuck is parking lot D?
11:18We're gonna be late for our next fucking meeting.
11:20Who cares?
11:21This sucks.
11:22Let's just go home.
11:23Are you fucking kidding me?
11:25Do you know how much shit I had to eat
11:26to get us these meetings?
11:27I had to call my ex-wife's brother
11:29just to get a fucking phone number.
11:31I called my old agent who was twice as much,
11:33ten times as much of an asshole
11:35as the Count Amani fuckface up there.
11:37I mean, come on.
11:39If I wanted to feel shitty and useless,
11:40I could have stayed in Vegas.
11:42I didn't ask you to do any of that.
11:45That's not the point.
11:47Why can't we just grab a camera
11:48and shoot the whole thing guerrilla style
11:50like you did for Blood Disco?
11:51Because you wrote something
11:52that's so much fucking better than Blood Disco.
11:54It's better than anything I've made
11:56or I'm gonna make or fucking...
11:59Where the fuck is this parking lot?
12:01Just don't.
12:02Ugh, fucking ungrateful.
12:04Seriously.
12:05Jesus Christ, calm down.
12:07Look, if you wanna fuck this up, be my guest.
12:10But don't come crying to me
12:11if it turns out you squander your one opportunity
12:14to be great.
12:16Or just, you know, not mediocre.
12:24Parking lot D.
12:29I knew that's where it was.
12:35This one's kinda unique.
12:38Oh, look at these.
12:41Which one do you like?
12:44I mean, if you had to pick one, which...
12:49Well...
12:52This one's Oscar de la Rente and very expensive.
12:55And this one's equally lovely and cheaper.
13:00I think I'm supposed to choose the more expensive one
13:03because it's more posh,
13:05but I'm gonna go with this one
13:07because I actually like it a lot.
13:09I'm gonna go with this one because I actually like it more.
13:15Interesting.
13:29Look, Bash told me to be scared of you, and I am.
13:34But I also wanna be honest with you.
13:39I married Bash for the wrong reasons.
13:42God, you're taking all the fun out of this whole thing.
13:46Although I do appreciate you not wasting my time.
13:51OK, let's hear it.
13:53OK, so, when Bash asked me to marry him,
13:58I didn't love him.
14:00I didn't really even know him.
14:03I married Bash because...
14:06I needed a green card.
14:08You married my son because you needed a green card?
14:12I know, I know it's awful, but I love him now.
14:15I fell in love with him.
14:17Right, well, it's not hard to fall in love with a millionaire.
14:22Maybe not, but Bash is kind and caring
14:27and genuinely clever.
14:30He's also compulsive and so innocent sometimes
14:33it hurts to look at him, you know?
14:35And I see all these people just wanting to take advantage
14:38of him and his generosity because all they see is his money
14:41and not him.
14:43And I'm supposed to believe that you don't.
14:46That you're not just gonna walk away with all his money.
14:52The other day, I saw all these unopened cheques
14:55just laying around the penthouse.
14:57And I asked Bash why he didn't deposit them
14:59and he said he didn't know how.
15:02So I went down to the Clark County Credit Union
15:04and I did it for him.
15:06And I put his paycheques into savings so he can't spend it.
15:10I'm not even sure he knew he got paid.
15:16So...
15:18you don't trust my son...
15:21with money?
15:23Well, he's not good with it.
15:25But...
15:27no-one has to be good at everything.
15:34I mean, it didn't even get you a diamond.
15:37Oh, no, I've picked that.
15:39I like blue.
15:41Well, I hate it.
15:43Ha-ha-ha-ha!
15:46I know, I know.
15:48I'm sorry, sorry.
15:50I mean, I know, sweetie, you're OK.
15:52I guess you have two of them.
15:54Um, he's better in a hallway.
15:56Hey, bud.
15:58Hey, bud, look.
16:00It's OK.
16:02Um, I also have a cheque for Sam.
16:05Is it my job now to send him the money
16:08he somehow still collects while I'm here working?
16:13Great.
16:15Also, Jenny came to me today
16:17with what I think is a very reasonable request.
16:20Um, I went through the budget that you and Sam made,
16:23and I found the money in what appears to be
16:26a line item for cigarettes and Dr. Pepper.
16:33What's happening?
16:43Fine with Jenny Rays not wasting my voice on this.
16:47Do you have a sore throat?
16:49I'm sorry.
16:50Please, rest your voice.
16:51That's so smart.
16:52In fact, you know what?
16:53You don't have to talk at all.
16:54I just, what I want to say is this.
16:56Um, you are a dickhead, and I don't trust you anymore,
16:59and Sam may have run off to L.A.,
17:01but I am still here, and I brought my fucking kids,
17:03so there's not a single day I will not be in your face,
17:06and I have very strong vocal cords!
17:10Wish more men would go on vocal rest.
17:13Randy, it's time to go.
17:19Oh, my God.
17:21-♪♪♪♪
17:31-♪♪♪♪
17:41-♪♪♪♪
17:51-♪♪♪♪
17:56-♪♪♪♪
18:01-♪♪♪♪
18:11Oh, my God. There he is.
18:13I'm so sorry. I'm so sorry.
18:15Oh, my God. He just got in the elevator.
18:17I was right there, and then, boom, the door's just closed.
18:20Yeah. Yeah, I know you.
18:22You were on my 1145.
18:24Oh, yeah. Didn't you have a beard?
18:27Yeah, yeah. It turned into my hobo card.
18:29I vaguely remember losing my cool in front of you.
18:33I'm like, same now.
18:35No, I haven't seen you in a while.
18:37Yeah, well, because I made the very smart decision
18:40to bring my baby to the casino where I work,
18:44and as you can see, it's going exactly according to plan.
18:48Thank you for finding him.
18:50You're welcome.
18:51Can I buy you a thank-you drink?
18:54How about I buy you a you're-welcome dinner instead?
18:58Are you asking me on a date
19:00while I'm holding my screaming son in a casino?
19:03Yeah. You got a good babysitter?
19:06Um, yeah.
19:08I've got some options.
19:10I'll pick you up at 8.
19:20Should you be smoking in here?
19:22It's an ashtray.
19:24I think that's an award.
19:27Hi. Sorry to keep you waiting.
19:29Hi.
19:30Jonathan.
19:32Hi.
19:33Hi.
19:35Yeah, I'm Sam.
19:37This is my daughter Justine.
19:39She wrote a good script.
19:41It's, uh, you know, it's a very personal, uh...
19:45You know what?
19:47She'll tell you. She'll tell you.
19:52Um...
19:53Sure, yeah.
19:55Uh...
19:56Well, the character is kind of based on me.
20:00Um...
20:01About a year ago, I moved out here to Hollywood
20:04to meet my father for the first time.
20:06Only he didn't know he had a daughter.
20:09Shit.
20:10Yeah. It was weird.
20:12And all I knew were his movies, which I worshipped.
20:16And, you know, he didn't know what to do with me
20:18because what 50-year-old man
20:20wants a teenage daughter dropped on them,
20:22so he made me enroll in high school.
20:25And basically, the only way I survived, really,
20:30was because I met this group of A.V. Club nerds.
20:34And they weren't the kind of nerds
20:36who were trying to get laid by the hot girls.
20:38They were these weird, complicated kids
20:43who were trying to make these little movies
20:46in a town of people trying to make big movies.
20:49And that made me think about how weird it is
20:52to grow up in L.A., you know?
20:54And even though I was only here for a few months,
20:58I mean, I grew up here.
21:29Well, it's great. We love it.
21:32We'd love to do this with you.
21:34Awesome!
21:38Sorry, what does that mean, exactly?
21:41We'd like to make your movie,
21:43so please don't sell it to anyone else.
21:46We'll get an official offer out, like, next week.
21:49Do you have an agent?
21:51Oh, my God! Did that just happen?
21:55I mean, is this what it feels like
21:57when your entire life changes?
21:59How much money do you think they're gonna give us?
22:02How do you get an agent?
22:04How are you so calm right now?
22:06Holy shit! I mean, we have to celebrate.
22:08Where should we go?
22:10You know, I gotta...
22:12I gotta go see a guy about a thing.
22:14Why don't you just take the car,
22:16and I'll get a cab, okay?
22:18Seriously? What the fuck?
22:20Who am I supposed to celebrate with?
22:22I-I don't know. Billy, maybe some of the other people
22:25you wrote the movie about.
22:27I don't fucking know. I don't fucking know.
22:29What is your problem?
22:31You're being so weird right now.
22:39Hey.
22:41Justine.
22:44What?
22:48I just want you to know that I'm very sorry.
22:51And I want you to know that I'm very proud of you.
22:54And I love you.
22:58Okay, whatever.
23:00Love you, too.
23:22Hey, hey, buddy.
23:24Hey, can you call me an ambulance, please?
23:26Call me an ambulance, okay?
23:28Oh, fuck.
23:31Oh, come on.
23:33Come on.
23:41How many dresses did you get?
23:43Marty, can you hear us?
23:45I'm here, Mrs. Howard.
23:47Is that our business manager?
23:49And me, Alan. I'm here, too.
23:51He's Alan.
23:53The family lawyer.
23:55What is this, a coup?
23:57Darling, as much as I'd like it,
23:59you can't be on an allowance forever.
24:01You're a grown, married man now.
24:03I knew it.
24:05Fine. Cut me off.
24:07We're doing great out here, birdie.
24:09We can support ourselves.
24:11You can't banish us.
24:13I banish you.
24:15Oh, sit down. You're embarrassing yourself.
24:18So you do watch television?
24:20Marty?
24:22Sebastian, when your grandfather set up your trust,
24:25he allowed for a stipulation
24:27that if you were to be married,
24:29you would bypass your living trustees,
24:31your, uh, mother, in this case,
24:33and unlock the whole of your funds.
24:38Meaning?
24:40This is Alan now.
24:42The full $40 million, including the assets of your inheritance,
24:45is yours to do with what you'd like.
24:49$40 million?
24:58You're joking.
25:00Oh, yes, I'm the comic relief.
25:09Hold on. Hold on.
25:12See?
25:16It's nice to be on a date with a grown-up for a change.
25:18Sure, babies can be a handful.
25:20Yes, babies.
25:22That's exactly who I was talking about.
25:24You know, I think I missed out on that stage.
25:27How old are your boys?
25:2924 now.
25:31Uh, 20 and 18.
25:35I missed a lot of it.
25:37Now, that's on me, though.
25:39My ex is a good woman.
25:41Excellent mother.
25:43She used to say I was overextended and unfocused.
25:45Well, in truth, I'm just a...
25:48a dabbler.
25:50What do you dabble in, Tex?
25:52Well, I had a ranch.
25:54I have ranches.
25:56You're a rancher.
25:57I'm not a rancher.
25:59I have this ranch, and the ranch had a mine on it.
26:01And long story short, that mine produced a semiconductor
26:03that they use in radios,
26:05which led me to what you call media.
26:08But I like to call it buying up little radio stations,
26:11and we're in expansion mode now, so...
26:13Huh.
26:15What do you dabble in?
26:17Um, the same.
26:19Um, no, I-I am also a dabbler.
26:22Uh, I just make way less money.
26:25Um, I-I'm a producer and an actress.
26:27Uh, and I'm a wrestler.
26:30Ah.
26:32I, uh, produce a wrestling show...
26:34What?
26:36...uh, that I also happen to star in.
26:38You're having dinner with Liberty Bale,
26:41one of the gorgeous ladies of wrestling.
26:44Oh, my God.
26:46Mm-hmm.
26:48I thought I was sitting with somebody special.
26:50Well, I am-I am trying to-to transition
26:52more into the producing side of things.
26:54It's just, um...
26:56I don't know, it hasn't been easy,
26:58especially with a kid.
27:00Mostly I'm just staring down the barrel of life,
27:03wondering what the hell I'm aiming for, Tex.
27:06You know my name's not really Tex, right?
27:09Oh, my God.
27:11What?
27:13Why did I make up that name?
27:15I don't know, the hat or the accent or some such.
27:17You're an imaginative woman.
27:19I'm actually from Wyoming.
27:21No, no.
27:23Yeah, up the street.
27:25Yeah.
27:27Oh, my God, Jesus.
27:29What's your name?
27:31James-James Joseph McCready, J.J.
27:33I'm gonna go.
27:35No, stay, stay.
27:37Okay, people call you J.J.
27:39They call me J.J., they do.
27:43Can I still call you Tex?
27:47You can call me whatever you want.
27:56Okay, Mr. Sylvia,
27:58so the results from your EKG confirm
28:00that you've had a cardiac event.
28:03Did you say heart attack?
28:06Yes, a heart attack.
28:09Believe it or not, you're lucky.
28:11But consider this a wake-up call.
28:13At your age, it's time to start laying off
28:15the alcohol and cigarettes.
28:17You'll have to change your diet, start exercising.
28:19That's what I've been doing.
28:21I've been doing that.
28:23Well, then you're on the right path.
28:25We're gonna keep you overnight for observation, all right?
28:27Is there anyone you want us to call?
28:31Nah.
28:39As soon as I get back,
28:41I'll put you in touch with our group
28:43at Morgan Stanley.
28:45We'll get your portfolio all set up.
28:47Eventually, you're gonna need a will.
28:49Always thinking ahead.
28:51Thank you, Birdie.
28:56What's happening?
28:58What's happening?
29:01You're married.
29:05I am.
29:09I didn't feel a thing at your sister's wedding, but...
29:13I think I would have at yours.
29:19Well, we can always do something when I get back.
29:22Oh, we will.
29:24If you think you're getting away without me throwing a giant party
29:26that you'll hate, you're out of your mind.
29:30Consider having children while I'm still young enough
29:32to be mistaken for their mother.
29:38Thank you so much for everything.
29:41And for making Dash.
29:44Oh.
29:51Keep him interested.
29:57However you see fit.
30:13Um, how's about you come back to my hotel
30:17and I buy you that drink?
30:20Well, you're always trying to get me drunk.
30:22Yeah.
30:24How about, instead of a drink tonight,
30:27you let me take you out again tomorrow?
30:33That's moving a lot fast for me.
30:36Tax from Wyoming.
30:38You just invited me to your hotel.
30:40Oh, yeah.
30:55I like kissing wrestlers.
30:59Okay, tomorrow night.
31:01Okay.
31:24Okay.
31:26Okay.
31:28Okay.
31:54Jesus Christ.
31:56What the hell?
31:58I was about to call the police. Where were you?
32:05Sorry.
32:07Old habits die hard.
32:09You're such a bastard.
32:11I wanted to celebrate with you.
32:13Instead, I had the worst night with Billy.
32:16Oh, yeah? How's Billy?
32:18Fat.
32:20I mean, so cute, but he definitely put on a few.
32:23And he dragged me to some terrible club that smelled like feet,
32:26and I ended up helping some girl look for a purse for, like, an hour.
32:29Yeah? You should put that in your movie.
32:31Our movie?
32:33No.
32:35It's your journey now, kid.
32:38So what?
32:40You don't want to direct it?
32:44What are you talking about?
32:46I fucking knew it.
32:48You were so wrapped up in your old shit with what's-his-face, the Zen prick,
32:51you weren't even listening.
32:53And you want me to give a shit? Okay, man.
32:55What?
32:58What?
33:00I told that guy I wouldn't do it without you directing.
33:02Why would you say that?
33:04Will you calm down? What is the matter with you?
33:06I can't fucking direct.
33:08I haven't directed anything good in years. I mean, maybe ever.
33:10Bullshit. And too bad.
33:13Justine, you don't have to bring me with you, all right? I'm dead weight.
33:16So you can believe in me, but I can't believe in you?
33:19I wrote a movie.
33:21I sold that movie.
33:23I demanded you direct that movie.
33:25So we're making that fucking movie.
33:27Together.
33:29Or at least until we both get found out and fired.
33:31Jesus Christ.
33:35We should celebrate.
33:41Yeah.
33:43That's what I've been trying to say, jerk.
33:47We're making a movie.
33:49Yeah, we're making a movie.
34:10Let's make a fucking movie.
34:12Let's make a fucking movie.
34:43Hey, hey, hey
34:47What you gonna do?
34:51Hey, hey, hey
34:54I'm still here waiting for you
34:58I'd like to know
35:02I still love you so
35:05Will you come running to me
35:07When the chips are down?
35:12When the chips are down
35:29Hey, hey, hey
35:32What you gonna do?
35:42What you gonna do?