Pedro el Escamoso 2 Capitulo 13 Completo en Español
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Short filmTranscript
00:00I know what I'm going to tell you is going to sound like a cruel joke,
00:05but don't die for what I just told you.
00:08Doctor, for God's sake, how can you ask me that?
00:11It's easy, Pedro.
00:15It's something that sooner or later will happen to all of us.
00:19And I'm lucky to know when my expiration date is.
00:25And I want to live my last days or months in a normal way.
00:34But, Ms. Marcelinda, how do you manage to be so calm?
00:42The truth is, I'm not so calm.
00:46And I'm sad because I love life.
00:51But I've learned that it's not worth the wear and tear of suffering
00:58for something you can't change.
01:01I can't believe it.
01:03When I got sick the first time,
01:06I sought support in many ways,
01:11in different philosophies and beliefs.
01:15So I could understand why something so difficult was happening to me.
01:21And?
01:23And the first thing I understood was that I had to change why.
01:29Why?
01:31I'm not sure yet, but...
01:35But I did find one last hope.
01:39I've been on this planet, Pedro.
01:42And I'm going back.
01:44Do you really believe that?
01:47I don't lose anything by believing that.
01:51And if it's true,
01:55believe me, I'm going back.
02:00And I'm going to go back.
02:03Believe me, I'm going back.
02:08And I'm going to look for him.
02:14And this time, I'm not going to let him go.
02:20Doctor, don't tell me that. That would kill me.
02:22No.
02:25I'm the one who's dying here.
02:28And you have to promise me
02:31that you're going to live many years.
02:34And you're going to be very happy, Pedro.
02:37Because I...
02:41I'm going to be taking care of you.
02:46And supporting you,
02:49wherever you are.
03:02Okay, let's talk.
03:05Have you thought about it?
03:10I have nothing to think about.
03:12I'm not going to let you destroy the work of my entire life
03:16for a teenage whim.
03:18Mom, it's not a teenage whim.
03:20It's a way to rebuild my life,
03:22forcing me to partner with my worst enemy.
03:24What enemy? It's my dad.
03:26Or would you rather it was Mr. Coral?
03:29What does this have to do with anything?
03:31I don't know. You tell me.
03:35If you read the writings on the formation of society,
03:37you'll realize that what you want to do is not possible.
03:41Mom, I don't want to confront you.
03:43But you should understand the importance
03:45of partnering with my dad.
03:47Mariana, I've done everything on my own.
03:49I've never needed a partner.
03:51But I do.
03:53I do. I want to grow in this company.
03:55I want to learn from him.
03:57But it's a long way to go.
03:59You'll have to understand.
04:01It's the least you could do for me.
04:11Ms. Cata, how are you?
04:13Fine. How are you?
04:15Let me introduce you to Dr. Paula.
04:17Dr. Paula. She's very famous.
04:19She's a doctor in medicine, psychology, psychiatry.
04:22None of the above.
04:24I think it's best if I go.
04:26You two can talk.
04:28See you later.
04:30Yes, ma'am. Ms. Cata.
04:32We'll talk later.
04:34Please come in. Excuse me.
04:38How are you?
04:40Fine.
04:41Paula, I don't know how much the godfather
04:44must have said about me,
04:46but I find all this very strange.
04:49Me too.
04:52But since we're here, let's talk.
04:59About what?
05:01About life.
05:09Ramon, what do you know about that guy from Coral?
05:13Not much.
05:15He's one of the messengers from the office.
05:17And you saw him leave my mom's house the other day, right?
05:21Yes, ma'am.
05:22When I got there, he was leaving.
05:25And what do you think of that?
05:27I don't think of anything.
05:29And have you ever seen them alone?
05:33No, ma'am. Why?
05:35No. Just out of curiosity.
05:40Ramon, you know what?
05:42Keep an eye on that guy from Coral.
05:44Because I don't like the familiarity
05:46my mom has with him.
05:48I think it's dangerous.
05:49Don't worry about that, miss.
05:51I'm always keeping an eye on your mom.
06:07Thank you, godfather. Thank you.
06:10It's not that much, Merced.
06:12Yes, it's a lot.
06:15It's amazing to have been able to talk to Paula for real.
06:18I'm glad it worked.
06:20And you don't know how much.
06:22What a brave woman, what a brave woman.
06:26What did she tell you?
06:28And she made me understand a lot of things I hadn't seen.
06:31Me too.
06:32It makes me very sad to have found a friend
06:34and have to lose her so soon.
06:37But she taught me a lesson.
06:39She taught me that she's going to serve me for the rest of my life.
06:42That's great.
06:49The glasses.
06:51The glasses.
06:57And what happened to that one?
07:00Well, let's see, young man.
07:01Sometimes a nice word
07:06can change a person's life.
07:10Ready?
07:11Of course.
07:12Very ready.
07:13Let's go.
07:14Let's go, Mr. Piri.
07:16Miss Carol.
07:18Goodbye, Pedro.
07:22Mr. Piti, the problem is that I only have one helmet.
07:24Or rather, I don't have a helmet for Merced Lindo.
07:26No, don't worry.
07:27I have my scooter.
07:29Go, go, go.
07:30Let's go slowly.
07:31Go see.
07:33Mr. Coral, may I have a moment?
07:35Yes, of course, of course.
07:36Ramón, tell me.
07:37Be very careful.
07:39There are many people who are waiting for you.
07:43And why are you telling me this?
07:45For your own good.
07:47And if it helps you,
07:49I will always be by my boss' side
07:51until the last consequences.
07:54I don't understand.
07:55Yes, I understand.
07:57Be very careful.
08:03Ready, godfather.
08:04Shall we go?
08:05Yes, yes.
08:06Let's go.
08:11Of course.
08:12You are a pride for this institution.
08:13Tell me, how can I help you?
08:15I want to introduce you to Mr. Coral.
08:17Delighted.
08:18The same, Mr. Coral.
08:19Mr. Coral will take the introduction class to the systems
08:22as a starting point.
08:24Wonderful.
08:25It is known that we love it here,
08:26that people get better.
08:27I'm going to introduce you to Mr. Coral.
08:29Wonderful.
08:30It is known that we love it here,
08:31that people get better.
08:32When do you want to start?
08:33For me, yesterday.
08:35Lucia.
08:37I introduce you to Lucia,
08:38one of our most advantaged students.
08:40Now she is a teacher.
08:41A true prodigy.
08:42Lucia, that's Miss Lucy in English.
08:45Miss Lucy.
08:46Nice to meet you.
08:47Nice to meet you.
08:48Lucia, do me a favor.
08:50Mr. Coral wants to study in this prestigious institution.
08:52Can you give him a tour
08:53so he can get to know our modern facilities?
08:55Yes, of course.
08:57Well, I'm leaving.
08:58I leave you in the best hands.
09:00Mr. Coral, welcome.
09:01Thank you, thank you.
09:02To a meeting of these artisans with the Superior Council.
09:05See you later.
09:08Well, Javier is the Superior Council
09:11and the modern facilities, well ...
09:14You'll see.
09:16But somewhere I had to start.
09:19If you want, follow me this way.
09:21Let's go.
09:23Why do I like shy people so much at once?
09:35I just saw some friends I haven't seen in a long time.
09:37I'm coming.
09:40Hello.
09:50Now that we are alone,
09:52I wanted to apologize for the abrupt way we met.
09:55Don't worry, we were both a little aggressive, right?
09:59No, no, but you were absolutely right.
10:01I should never have made those uncomfortable comments.
10:04For me, it's 100% forgotten.
10:09Well, tell me.
10:12What are your plans?
10:13With Mariana, I mean.
10:15I hope I don't put you in any commitment.
10:17Well, I don't know if Mariana told you,
10:20but right now we are living together and sharing.
10:26She hasn't told me anything, but hey,
10:28those things are normal at this time.
10:30For now, as we are, we are fine, calm.
10:33And marriage plans?
10:36Possibly, in the future.
10:39I have a very big debt with Mariana.
10:43And now that I know her,
10:44I would like to be that father figure that she has never had.
10:49So be very careful with my daughter.
10:55I don't want anyone to hurt her.
11:04That's it.
11:05Careful, careful, careful.
11:07Now!
11:13But what is this, for God's sake?
11:16Do you like it?
11:18Yes, yes.
11:19Very, very divine.
11:23That's the word, divine.
11:25I've always dreamed of having a roommate.
11:28And look, dreams do come true.
11:31Nothing more and nothing less than with you, Pedrito.
11:33Maybe you shouldn't have bothered.
11:36For me, bothering is a pleasure.
11:38Look, here I bought you these pure silk sheets.
11:45And I have a surprise for you.
11:51Open it.
11:54Pajamas that play with the color of the sheets.
11:58Some come with their long pants and others with shorts.
12:01Short pants in case we're hot.
12:04Or maybe we suddenly think, oh, let's watch TV.
12:08Oh, sacred face, what awaits me.
12:11We're going to go on the attack in this enclosure of good taste.
12:15Sit down, we're not done with the surprises.
12:18I bought you this TV so you can watch soccer and stuff.
12:25While you watch TV, I'll watch the game.
12:29Soccer.
12:35What did you think, Julio?
12:38Good, good.
12:39A very dear man, very kind.
12:42Just that?
12:43Yes.
12:45And are you going to support us?
12:49No.
12:52I already imagined it.
12:53If your mother doesn't want partners,
12:55obviously I will respect her decision.
12:58I am a partner in the company.
12:59And so we are fine.
13:01I don't.
13:02Stop behaving like a capricious and spoiled girl, please.
13:06And you stop behaving like a slave.
13:11I'm offering you the opportunity to be a partner in the company.
13:16This conversation is over.
13:19And to make it clear to you, my loyalty is with your mother.
13:22End of discussion.
13:32Wow, like an apparition.
13:35You are divine.
13:38With all due respect, Mr. Fernando, but with me a few meters.
13:43Come.
13:45Let's watch a movie.
13:47No, I can't, Mr. Fernando, because...
13:52I went to college to study.
13:54Tomorrow I have to get up early.
13:55No, and that?
13:57I went to study systems because I want to be someone in life.
14:04You are everything.
14:06But I congratulate you.
14:08Very well.
14:09Thank you very much.
14:11I want to go very far.
14:13Well, then start at once because far is far.
14:19Well, bye.
14:50With that sigh you stole all the air from the room.
14:54Tell me who is responsible for your love affairs.
14:58I'll tell you tomorrow.
15:00Oh, everything tomorrow.
15:11Surprise.
15:14But how is this possible?
15:17What is this? Thank you.
15:19Well, to be honest, Lucero helped me a lot to fix it.
15:23Because I don't know if you knew, but we are getting along quite well.
15:27Really? Well, I'm very happy, I think it's very good.
15:30You eat everything.
15:31That's right.
15:34Honey.
15:35What?
15:36Are we going to visit my mom today?
15:37She must be feeling lonely.
15:39Honey, come here.
15:41What happened?
15:42Come here, come here.
15:43Fast, come.
15:44Do you feel good?
15:45But don't get mad at me.
15:47Breakfast in bed.
15:49Let's visit my mom.
15:50Any other surprises you don't know?
15:52Well, when I tell you I want to change, I mean it.
15:55I want to be a different person.
15:58I just don't know why it costs me so much.
16:01You know what?
16:02Let's visit your mom.
16:04I think it's a great plan.
16:05Count on me.
16:07I'm going to shower.
16:08Come on, I'll drop you off.
16:12And the young Mr. Don Pitti is a very nice, sweet, kind boy.
16:16But there is a man in the office who has it in the red.
16:19So I invited him to have lunch this Sunday,
16:21so that he feels good, so that he feels comfortable
16:24and that his Mercedes does something for him, something delicious.
16:27Does that sound good to you?
16:28Your friends are my friends, whatever you tell me.
16:32His Mercedes tells me that he needs the market and I bring it.
16:35Well, you have to let me think about the menu and I'll tell you.
16:39But there is something else that I don't know how to tell you.
16:42This boy is...
16:47Homosexual?
16:48Yes, yes.
16:50And he hasn't left the closet.
16:53Exactly.
16:54Did you leave the closet?
16:57I don't like that expression.
16:59I don't like it, I don't think so.
17:01But it seems to me that it does represent the situation very well.
17:07The point is that, Mr. Pastor Fernando,
17:11I feel that he is not happy with the situation.
17:14He doesn't like it.
17:16Or rather, he is not comfortable with his sexuality, as they call it.
17:20It's not like his Mercedes, which is a cheerful, happy man who accepts it.
17:24So I want his Mercedes to guide him,
17:26to see how we can make him change that face
17:30and be more like his Mercedes.
17:33First, thank you.
17:36And second, let me look.
17:41Because these situations, these cases,
17:43you have to deal with them very carefully, very delicately.
17:47If I can help you, I will do it with pleasure.
17:53You are very ungrateful, aren't you?
17:56Oh, but Miss Lucero, not at all.
17:59Tell me, your Mercedes, what is it?
18:02Well, I really don't know, I had nothing planned.
18:04Maybe I'll go out for a walk.
18:06And what if she comes to have lunch here at the house where I am living?
18:10Oh, I'll think about it.
18:13Oh, but don't make it difficult for me.
18:16Lie, yes, yes, yes. Give me the address.
18:18Or no, you know what? It's better to send her a message.
18:20Ready, ready. So I'll wait for you here.
18:22Well, I'll send it to you. I'll wait for you here.
18:25And that? Who are you waiting for? Who?
18:28It's a surprise.
18:31Well, surprise. I'm already here.
18:34It's just that I wanted to have lunch here
18:39to thank all the people who have been so special to me since I arrived.
18:44A lunch here? And with whose permission, Pedrito?
18:47Well, since it was a surprise, I didn't want to tell your beautiful Mercedes.
18:52But don't worry, I cover all expenses, okay?
18:55No, no, Pedrito, calm down. Excuse me.
18:57By the way, I hope you will help me.
19:00Because I am desperate, really desperate,
19:04with all this army of people living here in my house.
19:07Because they will kill you, Pedrito, and they won't even thank you.
19:10No, I do want to apologize to you, Mrs. Alvira,
19:13but if that's the case, let's cancel this and do it in a restaurant.
19:16No, no, no, my son, no, how dare you? This is your house.
19:20But if it's a lot of people,
19:22I'm going to recommend that you get your hands dirty, daddy.
19:25It's just that we don't like the market and all this.
19:27In fact, this is harder than making gargoyles with talcum powder.
19:30Mrs. Alvira, don't worry, I'll pay. I'll pay for everything.
19:34So I hope it has to do with a very large market, right?
19:38Yes, of course, ma'am.
19:41I invite, I invite anything.
19:44Very good. Oh, the salt, the salt, the loin.
19:47We are a loin. We are?
19:50We are in house 6.
19:51Yes, yes, a loin.
19:52Plus the young Mr. Don Piti.
19:54Plus Lucerito, who is the lady who works with Pedrinchi.
19:57Give me another one, give me another one, please, the same size.
20:00That's fine, yes, it's perfect.
20:02With this, barely, barely.
20:05Yes, with these two.
20:08Oh, the salt, the salt.
20:10Let's see.
20:12Oh, look at this.
20:13Very good year, very good year.
20:15And above 200,000 pesos is not the great wonder,
20:19but it's not so bad.
20:21Sumercé is not going to believe me,
20:23but it turns out that one of my trips, I went to France
20:26and there I met a friend, Pierre.
20:28Pierre was a wine specialist, that's true.
20:30Sumercé does not imagine.
20:31And he taught me something, he told me, Pedrito Coral.
20:33Let's see, when Sumercé buys a wine,
20:35buy the cheapest one, which is the best.
20:38That's what he told me.
20:40Bad friend and bad advice.
20:42No, please, the cost-benefit relationship in this case,
20:45in the case of this wine, no, it's fine.
20:47Yes, hold on.
20:48Look, let's take four, five bottles at once.
20:52Divine boy, I ran out of a penny of the fortnight.
20:57Without the fortnight of the next two months.
21:07How much is it?
21:08Don Pedro, your father invited me to lunch.
21:11I didn't want to bother you, and since I'm going to run out of data,
21:15I prefer to leave you this note.
21:17See you tonight, Lucero.
21:27Well, I have to turn on the fire,
21:31because you have to maintain a temperature that is special.
21:34Where is the firewood?
21:36Yes, it is in that bag.
21:38That's it, that's it.
21:39You please go washing the vegetables,
21:41everything about the salad.
21:43Yes, sir.
21:47Hello.
21:51Urgencia, I have to see you, my life.
21:55Ah, thinking of me, the beautiful lady.
22:00And if I invite you?
22:03It will be very daring.
22:06But what do I have to lose?
22:08The most that can happen is that you tell me no.
22:11And I get frustrated.
22:14But it doesn't happen there.
22:15Do it, daddy, do it, teacher.
22:17No, better not, no.
22:25I already told you that my phone rang.
22:27Yes, yes, I know, Dr. Fernanda, but I don't call you for that.
22:32Fernanda.
22:33It turns out that Mrs. Elvira, here at Mrs. Elvira's house,
22:38where a friend of mine is, we are going to have lunch.
22:42So, as your Mercedes is always alone over there in her house,
22:46I thought I could invite her to come.
22:51I don't know if suddenly I'm very daring.
22:54Yes, very daring.
22:56Forgive me, forgive me, doctor.
22:58It was just an idea, forgive me.
23:00No, lie, Pedro.
23:02I would love to.
23:03I'm already bored here at my house, I don't know what else to do.
23:06Send me the address, please.
23:08But of course, of course, doctor.
23:10I'll wait for you here, I'll wait for you.
23:12Thank you, thank you.
23:15Good morning, Peter.
23:17So, daddy.
23:18But what is this?
23:19Who is turning two years old?
23:20I hope you bought him a coffee.
23:22Look, your Mercedes can't be like this.
23:24Go and change.
23:25Why?
23:26Because being beautiful depends on your future.
23:28Important people are coming.
23:29Really?
23:30Yes, my boss is coming.
23:31Are you kidding me?
23:32What are you kidding?
23:33Make her a bomb, that pajamas, daddy.
23:35Get pretty, go see.
23:36But what was there to see?
23:37Bomb, bomb.
23:38Sacred face that no one is going to mess up.
23:45My love.
23:46Do you know where I left the car keys?
23:49Where they are always, Mr. Orderly.
23:53Hey, wouldn't it be better to call your mom?
23:56No, it was a surprise.
23:59But wait for me.
24:01Yes.
24:07Mr. Pastor Fernando, your Mercedes does not have a blanket for the dining table?
24:13Yes, I have one that I inherited from my mother,
24:17but that has sentimental value for me, so it's like a relic.
24:21Yes, yes, I understand, I understand.
24:22But believe me, I will answer for the blanket.
24:26Count on it.
24:28Enrique.
24:29Mr. Pastor Fernando.
24:30As soon as you finish loitering at the entrance,
24:33please go to the kitchen and place the glasses of red wine, pink wine and white wine.
24:39And if they are already clean, place them on the center table.
24:43Anything else, teacher?
24:44Yes.
24:45Now, now, now.
24:47Enrique, do me a favor.
24:48Look to see if there is toilet paper in the bathrooms.
24:50I'm going for the blanket, I'm going for the blanket.
24:52You promise.
24:53Yes, yes, yes.
24:54Mrs. Elvira, I forgot to tell you one thing,
24:57and that is that I have a last-minute guest.
25:00And that?
25:01My boss.
25:02Oh no, no, Pedro, don't bring me here
25:05people who believe and gossip and start criticizing the house.
25:07No, no, no, no, she is not like that.
25:09She is a simple woman, she is from washing and ironing.
25:11You can't imagine, but she is always alone,
25:14and then it made me feel like a shame, and that's why I invited her.
25:16Let's see, Mrs. Elvira, Mrs. Elvira, think about this.
25:19Here in this house we have a nursing home for unemployed people,
25:24and Dr. Fernanda is Dr. Fernanda.
25:27She can employ two or three people to give her job there,
25:31you don't know.
25:34Guillermina, Yarira, wake up!
25:37Oops, I messed up.
25:42Do you hear me or what?
25:46But this room looks like a mule.
25:49Well, well, well, get up, get up.
25:52Aunt, it's Sunday, aunt.
25:54It's Sunday.
25:55And it's just 11 in the morning.
25:57Pedro's boss is coming to lunch today.
26:00And?
26:01What do you mean, and?
26:02If you're not a brute because you don't train, Yadira.
26:05Well, this is the opportunity for you two
26:07couple of hangers to get a decent job.
26:11No, how are you?
26:12No, ladies, let's see.
26:14You bathe me and you make me look like the girl from Santa Maria,
26:17and you behave like ladies with that lady.
26:23Dr. Fernanda Siga.
26:24Siga, please.
26:25She is Mrs. Elvira, the owner of the house.
26:27Oh, doctor.
26:29Delighted.
26:32A little wine for you.
26:33Oh, you almost stole it.
26:34Oh, thank you very much.
26:36Welcome, Siga.
26:37She is Guillermina and Yadira, who are my sisters in the soul.
26:43You.
26:44My Montpierre, Enrique Bueno Lindo.
26:46I loved Enrique Bueno Lindo.
26:47One more.
26:48Don Pastor Fernando Gaitan, who knows his message.
26:50Hi, Dr. Fernanda.
26:51How are you?
26:53How are you?
26:54We have not been able to meet again.
26:56Oh no, I'll call you for the next appointment.
26:58Please.
26:59What a pleasure to have you in the house.
27:00Thank you for the invitation.
27:02Enrique, go now.
27:03Yes, go, go, go.
27:04Well, red wine.
27:06Whatever.
27:07White.
27:08Whatever you want.
27:09Let's open the cava.
27:10Sorry.
27:11Do you want to eat?
27:12Matured banana, mazorquica, an arepita.
27:15But I'll help you.
27:16Crazy.
27:18Hello everyone.
27:21I brought you this.
27:23Thank you, my son.
27:39Good afternoon.
27:40Good afternoon.
27:41Does Mr. Pedro Corral live here?
27:43Sir.
27:44Yes, yes, yes, miss.
27:46Do you live here, Peter?
27:47Thank goodness, because I've been looking for the address for half an hour.
27:51Well, he already found me.
27:54I mean, here.
27:56He already found Peter.
27:57But keep going, keep going.
27:59I'm Lucero.
28:00Mr. Pedro invited me to lunch.
28:02Oh, how nice.
28:04I'm Enrique Bueno Lindo.
28:05Keep going, Marcia.
28:17Lola, where's my mom?
28:19Good morning, Miss Mariana.
28:21She went out, she had a lunch.
28:23Lola, how are you?
28:24Mr. Pedro, I love to see you.
28:26Likewise.
28:27Excuse me.
28:28Go ahead.
28:29I told you to call, you see?
28:31I'm going to call her.
28:35Let's see.
28:36Oh, Pedro, what is Pete doing here?
28:38I invited him, Doctor.
28:39Oh, I don't think it's convenient.
28:42Doctora Fernanda,
28:44the best way to hide
28:47is to stand where everyone can see you.
28:51Yes.
28:52Oh, one second, the phone.
28:54Mariana, Mariana.
28:57Hello, hello, love.
28:59Where are you?
29:00At a friend's house.
29:02What friends?
29:03Oh, Mariana, you don't know them.
29:06Mom, I know all your friends.
29:08Well, okay, I'm at Paula Dávila's house.
29:15We came to visit you.
29:16Oh, and why didn't you tell me you were going?
29:18I don't care.
29:19I'm going to have lunch at your house so you know.
29:21Oh, it's your house too, Mariana.
29:23Look, I won't be long, but stay and see you right now, okay?
29:27Bye.
29:28Bye.
29:34Paula Dávila.
29:35Paula Dávila.
29:37Oh, but it was the first thing that came to my mind.
29:39Well, well, Doctor, the important thing is that
29:41Sumerse doesn't worry about anything,
29:43or Don Piti, or me, or anything.
29:45And get ready,
29:46because I'm going to serve you a simple lunch,
29:49but with a lot of love.
29:52That's what I need most right now.
29:56Sumerse, why are you so beautiful?
30:02My love.
30:05Do you happen to know who Paula Dávila is?
30:10Why?
30:12Because my mom is supposed to be having lunch with her.
30:15And why is she supposed to?
30:18Because my mom doesn't know how to lie.
30:20Why would she lie to you, my love?
30:22Stop being silly.
30:23Do you know who Paula Dávila is or not?
30:25Well, she's a client of the office.
30:31And do you know where she lives?
30:33Why would I know?
30:36We're going to find out.
30:38What?
30:39My love.
30:43Miss Lucero, welcome, really.
30:46What a joy that Sumerse is here.
30:47No, no, no, what a joy, really.
30:49No, we're having a great time here.
30:51Yes?
30:52And what else is there?
30:53Oh, good, good.
30:54A lemonade?
30:55Oh, yes, thank you.
30:56Lemonade, yes.
30:57Oh, Doctor, I wanted to ask you how your company is doing.
31:00How is it?
31:01Oh, good, good.
31:02Very good.
31:03I admire you a lot.
31:04Yes, because I like women like that.
31:06Entrepreneurial, strict, courteous, bold.
31:10Yes.
31:11I was one of them one day, but a man ruined my life.
31:14He broke my heart.
31:15A man?
31:16And why?
31:18He was 46 years old, the bastard.
31:20That's what I'm telling you.
31:23Look.
31:31Little Peter.
31:32Little Peter.
31:33Hey, little Peter, who is that?
31:35That wine, that wine.
31:36The truth is that I love it.
31:37Miss Lucerito works with Pedrito and can have her as his daughter.
31:43Oh, yeah?
31:44Well, I would like my daughter to get a man like me.
31:46Don't ask, see and don't touch.
31:48No, but how?
31:49But nothing.
31:52Sir.
31:59Pedrito has told me a lot about you, you know?
32:01I expect good things.
32:03Wonderful, you know how Pedro is.
32:05But tell me a little about your life.
32:07What are you up to?
32:08Your friends, your girlfriends, anyway.
32:11Do you have time to listen to sad stories?
32:14Oh, I hope they're not so sad, but yes.
32:16I have all the time in the world, but we're going to wet the word.
32:20You don't have wine, do you?
32:22No.
32:23They didn't give you wine, did they?
32:25Please, I haven't tried this one.
32:27Go on, go on.
32:29Are you going to drink something?
32:30Should I make you something to eat?
32:32Oh, yes, Lolita, thank you.
32:33I'm terribly hungry.
32:35I'm going to make you something easy because it's almost late.
32:37Whatever you want.
32:39I have it.
32:40What are you doing?
32:41Stop being so obsessive, Mariana.
32:42I'm going to call him.
32:43Leave your mom alone.
32:44Let's see, you just want ...
32:45You just want what?
32:46Interrupt a lunch?
32:48No.
32:49Mariana, Mariana, Mariana, Mariana, please.
32:56He didn't answer.
32:57Well, play already.
32:58No.
33:00Leave your message after the tone.
33:03Hi, Paula.
33:04How are you?
33:05Are you talking to Mariana, Fernanda's daughter?
33:07I'm sorry to bother you, but I need to talk to you.
33:09Call me when you can, okay?
33:12I knew that so much beauty could not be true.
33:14Your famous intentions to change have come this far, right?
33:17Honey, don't say that.
33:18I'm not doing anything wrong.
33:20I'm just worried about my mom.
33:22What's going on?
33:23Worried about what?
33:24Because I think she's making the worst mistake of her life.
33:27What are you doing?
33:28Calling her again.
33:29Again? No more.
33:30Mariana, no, no more.
33:31Pedro, enough.
33:32Mariana.
33:37How's it going, Doctor?
33:38Very well.
33:39Well, they've asked me to work like three times.
33:42I'm going to gain five kilos and keep eating everything they offer me.
33:47Your friends are a show.
33:49And that Elvira is a mythological character.
33:52She has already told me all her secrets.
33:54Well, including some scandalous ones.
33:56Yes, she's a very, very lonely woman.
34:02But she's very hardworking, very, very fighting.
34:05No, you can tell, you can tell.
34:07And you can also tell that she's madly in love with you.
34:10No, no, no.
34:11How can that be?
34:12No, ma'am.
34:13Oh, Pedro, of course.
34:14Who wouldn't be so irresistible?
34:16And your Mercedes likes to bother me, right?
34:18Yes.
34:19Yes.
34:23Doctor Fernandez, I don't know if I can even really hide what I feel for your Mercedes,
34:33that I'm really dying.
34:35Pedro, I don't want to keep hiding either.
34:38But look, within all the opposition and all the problems we are going to have in the future,
34:46there is one in particular, Pedro, that...
34:53Well, that I have to deal with very delicately, Pedro.
34:58Ma'am.
35:02And what is the story of Pedrito with that woman?
35:04Oh, what do you mean, what? Innocent or not, mommy?
35:08Seriously?
35:10Oh no, but Pedrito is very wrong and has nothing to do with it.
35:13Why?
35:15Why?
35:17First, because there is something called class difference, status difference, education difference.
35:23And Pedrito may be a very good agent, but he doesn't like a woman like that.
35:28Well, I see her very happy.
35:31You never know, daughter.
35:33Yes, the one who perseveres is enough.
35:34If not, look at what happened to Pedro with Paula, my niece.
35:37Hey, what about Paula's life? I haven't heard from her in a while.
35:41She's very sick.
35:43What?
35:44What do you mean?
35:46I think she's dying.
35:48Yes, daughter.
35:50It's better if I call her.
35:56Well, and here is the most fun part of cooking.
35:59Washing the dishes.
36:01No, come on, I'll help you.
36:02No, no, no, it's a joke.
36:04Don't even think about it.
36:05I'll put those lazy people who come here to do that task.
36:08For me there is no problem, really.
36:10Father, I wanted to thank you.
36:14Today I had a very, very good time with you.
36:18I'm glad.
36:20And I want you to know that in me you will always find a friend.
36:26You don't know what those words mean to me.
36:30Yes, I know.
36:32Because I also know what it is to feel alone.
36:40Oh, don't contaminate me with that face, Catalina.
36:43Let's go to the movies.
36:45No, thank you.
36:46What do you mean no?
36:47You've been here all weekend locked up, Cata.
36:49What's wrong?
36:50Nothing.
36:51What do you mean nothing?
36:53Let's see.
36:55Tell me, what's going on?
36:58Margie, nothing's wrong with me.
37:00And why are you crying?
37:02Because I'm a shitty person.
37:04Oh, tell me something I don't know.
37:06Maybe it's a reason to be crying.
37:07What's wrong?
37:08What's going on?
37:10What a bad joke.
37:11I'm trying to humiliate you, Cata.
37:14Tell me what's going on.
37:19Do you tell lies?
37:21No.
37:22A lot.
37:24No, but real lies that affect a lot of people.
37:29Yes, sometimes.
37:31But what kind of lies are we talking about?
37:33Look.
37:35The ones you tell to cover up a traitor.
37:38Who's betraying me, Cata?
37:43Did you sleep with Felipe?
37:48No, I don't remember.
37:49I did.
37:50And you're crying because of that idiot?
37:52No, I'm crying because I'm a disgusting person, Margie.
37:56No, Cata.
37:57I don't understand anything.
38:01Tomorrow you'll understand.
38:02Tomorrow.
38:05So I have to go to the movies alone?
38:08You know what, Pedro?
38:09I was thinking about what you said.
38:11People our age don't have to hide.
38:15Especially when neither of us cares what they say.
38:19But I'm really worried about Mariana's reaction.
38:23Yes, yes, doctor. Me too.
38:25Knowing her the way I know her, she won't understand this.
38:30I know.
38:33Well, sooner or later she'll find out.
38:36But the truth is that I want to be ready for that moment
38:41and I don't think it's convenient now.
38:44And when that moment comes, what's going to happen?
38:51Obviously she's going to get aggressive.
38:55And when she gets aggressive, what's she going to do?
39:00Well, Pedro.
39:02Mariana left the house.
39:04I'm an adult woman.
39:07Well, between us, more than I'd like to be.
39:11You're nothing more beautiful than a woman.
39:14Oh, Pedrito.
39:16But 15 years, 10 years less, right?
39:19I'd like that.
39:21Me too, to have met you before.
39:26No, but you know what?
39:28We met at the time it was.
39:29Because we are adults and we can face all the storm
39:33and all the opposition that comes against us.
39:36And we are going to do it with a lot of serenity and maturity.
39:40This is a lot of woman for me.
39:43I hope she never realizes.
39:45I, all my life, since I have memory,
39:48I have known that you are gay, Fernando, and I don't care.
39:51But there are many people who do care.
39:53And what? You live your life in your terms.
39:55But it hasn't been easy at all.
39:58What happens is that I assumed myself very early,
40:01as I felt, and well, I regret absolutely nothing.
40:05I understand that, but things have changed, haven't they?
40:08I have many friends who now assume their sexuality without any problem.
40:13What happens is that you are a very young woman, Guillermina.
40:17And for your generation, they don't think differently.
40:21Things are different.
40:22Unfortunately.
40:24Yes, but they are still difficult.
40:27The key, I believe, dear Piti, is that you assume yourself as it is.
40:32And the satisfaction that you feel later,
40:35because you identified with what you wanted to do,
40:38that has no price.
40:40Of course, of course.
40:42Oh, but I feel that music is needed at this party.
40:45Yes?
40:47That's right.
40:49Right?
40:50Right?
40:52That idiot is needed.
40:54That's how he runs.
40:56What? Very jealous or what, my daughter?
40:59Jealous? I'm not that ridiculous, aunt.
41:02I'm not going to be jealous.
41:04And that reaction?
41:06No, it's just that I'm ashamed because you don't see it.
41:09He looks like a green old man.
41:11But the girl is pretty.
41:13She has her own thing.
41:15Like Enrique falls for any broom with a skirt.
41:17Envy is better to wake up than to feel it, right?
41:21Envy me? Oh, aunt.
41:23Let's see, that girl doesn't even reach my ankles.
41:27Because she's in heels.
41:33Hello, Paula. Yes, yes, I called you.
41:36Hey, I'm sorry to bother you,
41:38what happens is that I've been trying to contact my mom
41:40and she doesn't answer me.
41:42Are you with her?
41:44No, no, no, no.
41:46He told me he was going to Paula,
41:48but surely it's another Paula.
41:50Well, well, don't worry.
41:54Godfather Oski!
41:56Petercito!
41:58Let's see, Bonfirri, tell me.
42:00What does this remind you of?
42:01What does this remind you of?
42:32See? I knew it.
42:34Stop the nonsense, Mariana, seriously.
42:36Well, it's because you're lying to me, I understand.
42:46What?
42:48What's going on?
42:50What is that?
43:01I don't know.