مسلسل موجة حارة الحلقة 13 هنا شيحة و درة
Category
📺
TVTranscript
00:30You can't believe it.
00:32There's no sane person in the world who would reject a man like this.
00:34Why are you doubting him? You're not the one who should be doubting him.
00:36Get in the car with your wife, Hamada Ghazaleh.
00:40I'm not just doubting, I'm enjoying it.
00:42You're not an angel.
00:44I know, Hassan.
00:46I know I'm not an angel.
00:48But I swear to God, I've never thought about it.
00:50I don't even look at other men.
00:52I don't see other men in my life.
00:54What do I understand?
00:56But unfortunately, all the time you're treating me like I'm an angel.
00:58But I'm enjoying it.
01:00When do you think this relationship will last?
01:02Five years of poverty, betrayal, and boredom.
01:04What did I tell you?
01:06Watch what you say to me.
01:08Sir.
01:10I'm only replying to Mom so you don't get hurt.
01:12But you have to think about the situation we're in.
01:14And I'll think about it too.
01:16And who brought you this job, Shamlour?
01:18Mohsen Al-Samah.
01:20I'll burn your father to the ground.
01:22Do you know that Hamada is a big problem for us in literature?
01:26When Ahmed came to take her,
01:28I was so happy.
01:30The girl I took from Ijlal
01:32was a mess.
01:34But the murderer and the rapist
01:36were completely different things.
01:38Where did you take her after you took her from Ijlal?
01:40I took her to Mohsen Al-Sawahli
01:42to take her to the service office.
01:44Al-Sawahli?
01:46Why would I lie to you?
01:48You're going to kill yourself for Hamada.
01:50Do you know that her cell phone is with us?
01:52In the end, she'll know who she's talking to.
01:54Do you know who she's talking to?
01:56How did she get into the villa? Hamada?
01:58I don't know anything about this.
02:00I've been working all night
02:02for Hamada.
02:04I've lived my whole life.
02:06But in the end, we're all connected.
02:08And as I told you,
02:10the girl was a mess.
02:12God knows what she did
02:14or what she did
02:16to end up like this.
02:20Okay.
02:22Do you need anything else?
02:24Leave the address of the service office.
02:26We'll get it to you when we need you.
02:28Yes, sir.
02:30Come with me.
02:32As you wish.
02:46As you wish, sir.
02:48As you wish.
02:50Goodbye.
02:52Goodbye.
03:02Sir, the address of the service office.
03:04Right now?
03:06Yes, right now.
03:08Can you give it to us tomorrow?
03:10No, not right now.
03:14Right now.
03:18Right now.
03:48Right now.
04:18She didn't understand anything.
04:20I taught her how to clean the house.
04:22I taught her how to deal with people.
04:24And I made her work.
04:26But the truth is,
04:28this girl was sick.
04:32May God have mercy on her.
04:36Why did she run away?
04:38I don't know, sir.
04:40There are girls like this
04:42who are cursed.
04:44It's like a blessing in their hands
04:46and they throw it away
04:48and look for something else.
04:50Hania was one of them.
04:52Who did she work for, Zaheer?
04:54I swear to God, sir.
04:56She was born a good girl.
04:58She had good manners,
05:00and her salary was good.
05:0230% every month.
05:04No, that's a lot.
05:06I took care of her
05:08so I could teach her.
05:10I made her work
05:12because she was sick.
05:14Mohannad, my hand is fresh.
05:16You know you're expensive to me
05:18and I don't bring you anything expensive.
05:20Didn't I tell you?
05:22She knew where the tea was.
05:24I didn't go until I took care of her
05:26and that they would do it
05:28as God wills.
05:30She sat for about a month
05:32and suddenly disappeared.
05:34Then we found out
05:36that she stole Mazen's cell phone
05:38for about $2,000.
05:40Why didn't you call the police?
05:42The police?
05:44But I don't like to make a fuss
05:46about nothing.
05:48We all know
05:50that the police can't do anything.
05:52And your partner in crime,
05:54Mazen,
05:56why didn't he come with you?
05:58No, Mazen is traveling
06:00to Egypt.
06:02Wasn't it strange
06:04for her to work
06:06in a young man's apartment?
06:08Why? It's her job.
06:10Did she have a leave of absence?
06:12If you want a leave of absence,
06:14you can take it.
06:16Did she have a leave of absence?
06:18I don't know.
06:20Didn't anyone visit her
06:22from her family or relatives?
06:24No, no one visits her.
06:26I was clear from the beginning
06:28and I told her that no visits
06:30of this kind are allowed.
06:32I know the problems
06:34that come from Egyptian servants
06:36and I don't like problems.
06:38I know from witnesses
06:40that her house was colorful,
06:42playful,
06:44and beautiful.
06:46Didn't you and your friend
06:48play with her a little?
06:50No, we thought
06:52she was a servant.
06:54But she's not
06:56our level or our wife.
07:08...
07:10...
07:12...
07:14We heard from Mohannad
07:16that Hania ran away after a month.
07:18Do you think she came to you
07:20right after that?
07:22No, I left her a few days
07:24before she came back to me.
07:26Did Mazen tell you
07:28that she was robbed?
07:30Robbed? No, of course not.
07:32If he told me,
07:34I wouldn't have done it again.
07:36But she's an old friend of Beda's.
07:38And no matter what she does,
07:40I have to trust her.
07:42When you told her about her escape,
07:44what did you feel?
07:46Are you confused?
07:48Or are you worried?
07:50Or are you not surprised at all?
07:52No, Beda. I was so worried.
07:54He even told me that he would turn the world upside down.
07:56And he did?
07:58Yes.
08:00Okay.
08:02Did you talk to him again?
08:04I called him when I told him.
08:06He's not responsible for looking for a playboy like her.
08:08And I didn't talk to him again
08:10just to make sure that she came back.
08:12And even though she's a playboy
08:14and not a hard worker,
08:16you sent her to work again?
08:18Do you know her?
08:20You sent her again?
08:22That's why I hired her
08:24to work for a corrupt, old man
08:26who doesn't have many demands
08:28and is old.
08:34Hey!
08:36What did you do?
08:38I'm a little late, but I got you a gift.
08:40Where is it?
08:42Come here, Beda.
08:44Are you blind or what?
08:56No, no, no.
08:58On the contrary.
09:00She was a very trustworthy girl.
09:02She was very clever,
09:04very smart,
09:06and very nice.
09:08She was the only one
09:10who worked for me
09:12after my late wife died.
09:14What a loss.
09:16God have mercy on her.
09:18I don't understand
09:20who did this to a little girl like me.
09:24Why didn't she run away?
09:26Her problem was
09:28that she was mature
09:30and a little shy.
09:32She used to talk on the phone
09:34for hours.
09:36But everything she said
09:38was just babbling.
09:40I understand.
09:44Do you remember
09:46who she was talking to?
09:48I don't know.
09:50I forgot.
09:52It doesn't mean anything to me.
09:54She was just working for me.
09:56In your opinion,
09:58was she running away
10:00because someone was playing with her mind
10:02or because someone loved her?
10:04I swear to God,
10:06that's a lie.
10:14Investigations
10:16have to be done on her.
10:18She's the main suspect.
10:22Magdine.
10:24Magdine, Magdine.
10:26I want you to take a look
10:28at Hamada and me.
10:30Right now?
10:32The Sharia law has to compare
10:34Hamada's eye to the eye we found
10:36in Atiyah's body.
10:38If the DNA analysis
10:40proves that he's the one
10:42who slept with her,
10:44it'll be a blessing in disguise.
10:46But if it's not him,
10:48then the case could be closed.
10:50Closed?
10:52What's going on, Magdine?
10:54I don't know.
10:56Hamada didn't go out.
10:58Hamada either killed the girl
11:00or helped her kill her.
11:02He's the only one with a key.
11:04He's the only one who knows.
11:06What more do you want?
11:08Anyway,
11:12the decision is not in our hands.
11:14It's in the police's hands.
11:20If the police can't take a sample
11:22of the evidence,
11:24then all the investigations
11:26will be in vain.
11:30We can't prove anything
11:32about Hamada and me,
11:34at least not
11:36what we have now.
11:52♪♪♪
12:18Hamada.
12:20Hey, Hamada.
12:22Wake up, man.
12:28I'm so happy you're here.
12:30Shame on you, baby.
12:32Don't you like it?
12:34It's new.
12:36I got it specially for you.
12:38The latest model.
12:40Look.
12:46Beautiful, isn't it?
12:48It's beautiful,
12:50so it's the latest model.
12:54Let me show you.
12:56No!
12:58Don't touch me!
13:00Come here, baby.
13:02Hashtag beautiful.
13:06Give me a kiss, baby.
13:18Thank you, baby.
13:30Cheers, Omar.
13:32Eat up.
13:34Drink up.
13:36It's good for you.
13:40I don't know what you're going to do with it.
13:42We're beautiful.
13:44God only knows.
13:46I'm so happy you're here.
13:48I'm so happy you're here.
13:50I'm so happy you're here.
13:54What's wrong with him?
13:56His phone is off.
13:58Maybe he's out of charge.
14:00Why didn't he tell me?
14:02No, no.
14:04I know my son.
14:06I'm worried.
14:08Maybe the boss liked his work
14:10and told him to stay longer.
14:12He'll come and say he won't leave.
14:14What about his friends?
14:16What about Samir?
14:18What about his mother?
14:20She's so worried about him.
14:22But he'll come.
14:24After the booze,
14:26we eat what's left
14:28so it doesn't smell.
14:30What do we eat after the booze?
14:32I don't know.
14:34I know what we'll eat.
14:36What?
14:38We'll eat hot food.
14:40That bad?
14:42Aren't you Sharif?
14:44No, I'm their uncle.
14:46Believe me, uncle.
14:48Ejlal doesn't need one account.
14:50He needs 22 accounts.
14:52Two to count
14:54and 20 to understand the account.
14:56Ejlal is
14:58difficult.
15:00You call him Ejlal.
15:02Yes, Ejlal.
15:04But don't tell her
15:06I said Ejlal Haif.
15:08So she won't let us
15:10clean and look after my family.
15:12So she won't let us?
15:14To be honest,
15:16until now, we've reached
15:18the point of no return.
15:20I mean, he goes here
15:22and comes back here.
15:24He makes me worry.
15:26There's nothing else
15:28that makes you worry.
15:30This camera makes me worry.
15:32That's just for the first time.
15:34But you didn't tell me.
15:36There's nothing else
15:38that makes you worry.
15:40Nothing else.
15:42Except Ejlal and alcohol.
15:44Don't call me Ejlal.
15:46I'm a man.
15:48You want me to call you Ejlal?
15:50I want you to tell me
15:52about your Muzza.
15:54My life is without Muzza.
15:56Without Muzza?
15:58There's no Muzza?
16:00No.
16:02Can you fix a car?
16:04I don't know how.
16:06You can fix it with your tongue,
16:08not your hands.
16:10No, no, no.
16:12Wait and see what I'll do.
16:16Are you going to show her?
16:18I told you, I'm their uncle.
16:20Good evening.
16:22Good evening, beautiful.
16:24What's your name?
16:26My name is Warda.
16:28I'm Samir.
16:30I'm Samir.
16:32What's your name?
16:34Samir.
16:36Aren't you going to show me
16:38what I'm going to do, Samir?
16:40I want you to show me.
16:42This is how you learn
16:44from your mistakes.
16:46I know.
16:48Honestly,
16:50I want to call you.
16:52You can still call her.
16:54It's all in front of you.
16:56What do you want to do?
16:58Wait a minute.
17:00I want a kiss.
17:02I want a kiss.
17:04There's no need.
17:06Thank you.
17:08Okay, Warda.
17:10I'll call you when I want to.
17:12Okay.
17:14Okay.
17:16Okay.
17:18Honey,
17:20where are you?
17:22Mom, calm down.
17:24Saad hasn't come yet.
17:26Maybe his friends are late.
17:28His friends are always late.
17:30I'll go with him.
17:32Okay.
17:34My son.
17:40I was upstairs.
17:42I was worried.
17:44I'm sorry.
17:46Don't worry.
17:48Go upstairs.
17:52My son.
17:54What's wrong?
17:56Come in.
18:00Thank me?
18:02Why?
18:04I didn't do anything.
18:06I was in the middle of the street.
18:08I drank alcohol.
18:10I drank alcohol.
18:12I'm not afraid.
18:14I'm not afraid.
18:16Where are you going?
18:18Mom, calm down.
18:20I can't be quiet.
18:22I have to raise him.
18:24I have to raise him.
18:26I have to raise him.
18:28You're shrimp.
18:30How can you go wrong?
18:34Look at yourself.
18:36You may fall from your height.
18:38Give me a break.
18:40Let me see you.
18:42I'm not new.
18:44It's not new that you give me break.
18:46I learned how to live.
18:48From your behavior.
18:50From your words.
18:52From your threats.
18:54You treated me like alone.
18:56I'm a servant!
18:58No, I'm a servant!
19:00I...
19:02I feel like I'm a girl now.
19:05When I see you arguing with me because of the vegetables,
19:07there are a few things I'd like to say to you,
19:09I have to say this.
19:10Stop it, and shut up!
19:12What's wrong with you?
19:13When I look at you and wipe my tears, what do I say?
19:15I'm a girl!
19:17And I wish it was my way.
19:19I've never loved like this.
19:22And you?
19:23You've never felt what I love and hate.
19:26All I feel is that I'm a soldier in the army,
19:28and you're an officer.
19:29I'm not your mother, I'm your son!
19:30Stop it, I'm sorry.
19:31I'm not a servant!
19:32No one calls me a servant here!
19:35I'm sorry, honey, but come with me now.
19:38Wait.
19:41Who did you drink with, you son of a bitch?
19:43Come inside now, Samir.
19:46It's nothing.
19:47I'm not afraid anymore.
19:49Do you want to know who I drank with?
19:53With Mohsen al-Sawhan.
19:55Mohsen?
19:57I swear to God.
19:58Are you mad?
20:00I drank with Mohsen al-Sawhan.
20:05Don't hit me.
20:06I can't hit you anymore.
20:09Leave my hand, Samir.
20:11Don't hit me.
20:14Leave my hand.
20:15Come here.
20:17Come here.
20:24Come here.
20:55I'm sorry.
21:07I'm sorry.
21:17The smell of alcohol is worse than you, Sabahly.
21:20Let someone forget what they saw in these investigations.
21:23We were in need of trouble, Uncle Hamada.
21:26Do you think that the people you saw today are the ones who will fix your mood and forget about the investigation?
21:30They were a bit too much.
21:33And today was also too much.
21:35And the officers were too much.
21:37And we'll get through this day.
21:38We'll get through it, thank God.
21:40Is there anything else you want to say?
21:43Leave the people alone.
21:44Do you want me to build a mosque?
21:45We'll build it in the morning.
21:47Do you want me to build it in the morning?
21:49We were looking for the car keys.
21:51The customer who rented it to us said he forgot it inside.
21:53He forgot it?
21:54When they don't have brains, why do they drive cars?
21:57I think it's better that you give me the key.
21:59You have a strong brain.
22:03Take it, son.
22:06This medallion is nice.
22:08The box doesn't suit you.
22:11But this medallion is dear to me.
22:15It's dear.
22:17But the key is dear.
22:20Take it, son.
22:22Go and make sure the key is inside the car.
22:25And give them 200.
22:26200 medallions.
22:28So they can focus after that.
22:30Go.
22:31Yes, sir.
22:45Have you lost a bit or not yet?
22:47I lost a bit.
22:50Did you go out?
22:51I don't know where I went, but I went out.
22:53You didn't have the right to do what you did, Samir.
22:58Did I have the right to do that?
23:01What's all this about?
23:02Tell me, Kasim.
23:03You don't know your mother.
23:04And then she's present.
23:05Didn't you see how she treated you?
23:07What did she do to you, Wadi?
23:09You were terrified of her.
23:10You could smell her from the cigarettes you were smoking.
23:13You'd go back to her and look for her.
23:15You'd go back to her and look for her.
23:16You'd go back to her and look for her.
23:19I smoked because it was the first and last time I drank.
23:21And the last time.
23:22Drinking is for people, and we're not people.
23:26I'll do anything and drink anything, Shireen.
23:28Do you understand?
23:29I understand.
23:30But now you're going to be like Dabbour and Zaina for the rest of your life, Faleh.
23:33Your mother can't stand it because our work is coming from Mohsen.
23:38It doesn't matter if she can't stand it or not.
23:42I'm not going to do what she wants all the time.
23:44And I'm not going to do what she wants.
23:48I'm not going to hurt you, Shireen.
23:55Of course you're not going to hurt me.
23:57You're better than me, Abid.
23:58You're the man.
24:02Why do I feel like she's the man of the house and I'm just a kid?
24:05Shh.
24:06I don't want to talk about this.
24:08You're my man and your mother's man.
24:10The man of the house.
24:11It's not true.
24:15Junaid is the man of the house.
24:18And if there's a man after her or in her absence, it's you.
24:21Not me.
24:24I...
24:26I've become different from you.
24:29Shame on you, Samir.
24:30You're changing from me?
24:33I'm the one who's supposed to change from you.
24:35People are supposed to change from me to you.
24:37Because you're the best brother in the world.
24:40Kind, caring, and brave.
24:43I'm not going to hurt you.
24:46You know what, Samir?
24:47If you weren't my brother, I'd wish you were my mother-in-law.
24:51Or that there were people you wouldn't hurt.
24:54People who?
24:55Yes, for example.
24:56People who tell you that the girl fell on her head.
24:58Or that you didn't notice.
25:00I noticed that she fell.
25:02And that you fell too.
25:06Well, if you're right, what should I do?
25:08You're my brother and you know that.
25:10I mean, I'm right and you're wrong.
25:12Not just wrong.
25:14I fell on my head.
25:17I don't know what to do.
25:19You don't have a choice.
25:20Shireen, you're going to pay for this.
25:22Are you serious, Shireen?
25:24Yes, I'm serious, Simo.
25:25What are you going to do?
25:26I told you, you don't have a choice.
25:30Okay.
25:40Okay.
25:55Hello.
25:56How are you?
25:57How are you, dear?
25:59I wanted to talk to you.
26:00I'm fine, dear. What is it?
26:02I'm fine, God willing.
26:03Are you free tomorrow?
26:05Yes, I'm free.
26:07Okay, bye.
26:10Bye.
26:23Wait for me here.
26:24Don't go anywhere.
26:25Yes, ma'am.
26:26Come here.
26:36Come here, Na'is.
26:37Come here, Don.
26:39Come here, Wasef.
26:40Come here, Hamal.
26:41Come here, Wasef.
26:43You smell so bad.
26:45Of course.
26:46Weren't you two born together?
26:47What's wrong with me, ma'am?
26:48What's wrong with me?
26:49What's wrong with you?
26:50What's wrong with you, Wasef?
26:51Do you want to make me dirty?
26:52What's wrong with you?
26:53Why?
26:54What's going on?
26:55What's going on?
26:56Don't get your wife involved in this.
26:57I'm warning you.
26:58What's going on?
26:59Don't ask me what's going on.
27:01Why?
27:02Why don't you ask your son?
27:03The one who's coming in the middle of the night
27:05and the wine is coming out of his mouth.
27:07Ask him what's wrong with him.
27:09What's wrong with him?
27:10What's wrong with him?
27:11Blood.
27:12What do you want from him?
27:14Is this what you came out of the world with?
27:16If you do this to me,
27:17you deserve to wipe the dust off your face.
27:20And when you're done with the dust,
27:22get out on the street.
27:24What's going on?
27:25What's going on?
27:26What's going on?
27:27What's going on?
27:28What do you want from me?
27:29Mrs. Ejlal,
27:30your son was here yesterday.
27:31He's not in a good mood.
27:32I told him to calm down,
27:33but he's a bit crazy.
27:34I don't care if he's crazy or not.
27:36What do you want from my son?
27:38I'm telling you, Mrs. Ejlal,
27:39I'll get rid of your problem with Ghazlan.
27:41Don't worry about it.
27:42Let him fight his family.
27:44Okay.
27:45I'll let him fight his family.
27:47You're crazy.
27:55Let's go, Samir.
27:56We're late.
27:57Samir!
27:59Son!
28:03Okay, I'm done.
28:04Okay, I'm done.
28:05Wait, I'll get the door.
28:06I'll be right back.
28:07Okay.
28:09Wait.
28:10Wait.
28:11Wait.
28:12Wait.
28:13Wait.
28:14Wait.
28:15Wait.
28:16Wait.
28:17Wait.
28:18Wait.
28:19Wait.
28:20Wait.
28:21Wait.
28:22Wait.
28:23Wait.
28:24Wait.
28:25Wait.
28:26Wait.
28:27I'm not going to be late, bye.
28:29Where are you going? We're not going to be late.
28:31No, but we're going to spend a lot of time together, God willing.
28:34Here you go.
28:40I have this.
28:45What are you talking about?
28:49I have this.
28:52What are you talking about?
28:55I have this.
28:57Shireen told me you work at the car repair shop, right?
29:00Yes, I'm still working there.
29:03But don't you go to business school?
29:05Yes, but I'm not good at mechanics.
29:08And I want to have a shop where I can work.
29:11God bless you, Rauf.
29:13What about you?
29:14Me? What about me?
29:15What do you want?
29:17I want to work in a five-star hotel.
29:19By the way, I'm taking an English course.
29:21So you have a chance to grow.
29:23God bless you.
29:24God bless you.
29:26By the way, you're very beautiful.
29:29Guys!
29:32Samir!
29:34Shireen!
29:38You left without telling me.
29:40Wait for me, you sons of bitches.
29:41God bless you.
29:53Good morning.
29:55We have a house for you, Mr. B.
29:57I came to the house of the architects Omar Bey.
29:59May God give us your shelter, Rauf.
30:01Why? Is the service here good or bad, sir?
30:04Don't you see it's a royal breakfast?
30:06What do you want better than everything?
30:08Come, you only come every day.
30:09We're sitting here.
30:11No, my dear. You're with yourself.
30:13But seriously, aren't you going to leave or what?
30:18No, I...
30:20Honestly, I...
30:23Honestly, I can't stay in the house alone.
30:26Are you serious?
30:28So that's why you don't want to leave?
30:30Why?
30:31Isn't it obvious?
30:32No, no, guys.
30:33Don't be dramatic, Mr. Saeed.
30:34I'm full.
30:36Last week, you had to record your voice.
30:37So that the manager knows and makes sure
30:39that the wooden face that Mr. Al-Ajati is wearing
30:41is a real face.
30:43And in fact, if we're talking about romance,
30:45we have to mention Mr. Al-Ajati.
30:47In fact, it's because of my luck, Mr. Kamal.
30:49What?
30:50Didn't you ask the guy to let me stay in the house for a few days?
30:52No, a few days is nothing.
30:54Not to that extent.
30:56But you two are a bit too close.
30:58What?
31:00What do you mean, too close?
31:02I mean, the trips, the coast, the system.
31:04The coast, yes.
31:05I didn't even sit down and smell the air.
31:07Why didn't you go?
31:09You're a driver.
31:11Yes, but I'm a driver on the whole route.
31:13Yes, I told you.
31:15I was a driver at Mr. B's.
31:17Go, Omar, go, Omar.
31:19Come on, Omar, come, Omar.
31:21So, did you prove your efficiency in this job or did you get a reward?
31:23Prove my efficiency?
31:25Guys, this is an official statement from Awataf
31:27that he goes to the coast at any time.
31:30I swear, Kamal, the atmosphere here is nice.
31:32And the people are nice, too.
31:33Tell me, who are the nice people here?
31:35I'll tell you, Dalia.
31:37Your sister?
31:39You're going to sign her?
31:41Kamal, I think I'm in trouble.
31:43You're in trouble, Kabash.
31:45Why, sir?
31:47Why what?
31:49Dalia is a carbon copy of her mother.
31:51She has the whole family with her.
31:53If you want to see a living example of a man who will marry Dalia,
31:55look at the consultant.
31:57A chair and a journal.
31:59No opinion, no balance.
32:01And if you marry Dalia, it will be a chair and a journal.
32:03Do you think the consultant was like that in the first place?
32:05Now he's like that because of Awataf.
32:07I just want to hear you say, I'm sorry.
32:09No, my dear, don't say sorry.
32:11I think you were going to put your clothes on the wall.
32:14I warned you, Omar, here.
32:16Leave this chair.
32:18Don't touch it.
32:20And as Kamal told you,
32:22don't touch the wall.
32:33Hello.
32:35Good morning.
32:37How are you?
32:39I'm fine.
32:41Did you sleep well?
32:43I mean, I slept for a few hours.
32:45It doesn't matter where you slept.
32:47What matters is that you slept well.
32:49Did you sleep well?
32:51I didn't sleep at all.
32:53My day turned upside down.
32:55That's why I'm calling you.
32:57I'm telling you, if you call me, I won't answer.
32:59I know I'm still asleep.
33:01Is that all?
33:03What do you want, Shahenda?
33:05What do I want?
33:07What do you want?
33:09You can tell me whatever you want.
33:11I know what you want.
33:13But I want you to hear it from me.
33:15Sayyed, you're leaving.
33:17You're going to think and answer and tell me what you want.
33:19Don't come back and tell me what you want.
33:21Okay, Shahenda.
33:23I'll tell you what I want.
33:25I'll tell you what I want.
33:27I want you to sleep, Shahenda.
33:29Sleep, Shahenda, sleep.
33:31Goodbye.
33:33Goodbye.
33:37Sayyed, my love.
33:39Sayyed, my love.
33:41Sayyed, my love.
33:43Sayyed, my love.
33:45Sayyed, my love.
33:47Sayyed, my love.
33:49I told him I'd sleep in a wall if I married this family.
33:51He doesn't believe me.
33:53I'll travel.
33:55After what you heard?
33:57I'll try. I won't lose anything.
33:59Sleep.
34:00What are you doing?
34:02Hamada, where are you?
34:04Who are you?
34:06I'm Ejlal.
34:08Hamada, where are you?
34:10They're all sleeping.
34:12Where's the room?
34:14Where's the room?
34:16Get up, Hamada.
34:18What's wrong with you?
34:20What's wrong with you, Ejlal?
34:22What's wrong with you, Ejlal?
34:24Is this Ejlal?
34:26Yes, Ejlal.
34:28Why don't you know Ejlal?
34:30No, my love.
34:32Let's get to know each other.
34:34What's wrong with you?