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00:30You can't believe it.
00:32There's no sane person in the world who would reject a man like this.
00:34Why are you doubting him? You're not the one who should be doubting him.
00:36Get in the car with your wife, Hamada Ghazaleh.
00:40I'm not just doubting, I'm enjoying it.
00:42You're not an angel.
00:44I know, Hassan.
00:46I know I'm not an angel.
00:48But I swear to God, I've never thought about it.
00:50I don't even look at other men.
00:52I don't see other men in my life.
00:54What do I understand?
00:56But unfortunately, all the time you're treating me like I'm an angel.
00:58But I'm enjoying it.
01:00When do you think this relationship will last?
01:02Five years of poverty, betrayal, and boredom.
01:04What did I tell you?
01:06Watch what you say to me.
01:08Sir.
01:10I'm only replying to Mom so you don't get hurt.
01:12But you have to think about the situation we're in.
01:14And I'll think about it too.
01:16And who brought you this job, Shamlour?
01:18Mohsen Al-Samah.
01:20I'll burn your father to the ground.
01:22Do you know that Hamada is a big problem for us in literature?
01:26When Ahmed came to take her,
01:28I was so happy.
01:30The girl I took from Ijlal
01:32was a mess.
01:34But the murderer and the rapist
01:36were completely different things.
01:38Where did you take her after you took her from Ijlal?
01:40I took her to Mohsen Al-Sawahli
01:42to take her to the service office.
01:44Al-Sawahli?
01:46Why would I lie to you?
01:48You're going to kill yourself for Hamada.
01:50Do you know that her cell phone is with us?
01:52In the end, she'll know who she's talking to.
01:54Do you know who she's talking to?
01:56How did she get into the villa? Hamada?
01:58I don't know anything about this.
02:00I've been working all night
02:02for Hamada.
02:04I've lived my whole life.
02:06But in the end, we're all connected.
02:08And as I told you,
02:10the girl was a mess.
02:12God knows what she did
02:14or what she did
02:16to end up like this.
02:20Okay.
02:22Do you need anything else?
02:24Leave the address of the service office.
02:26We'll get it to you when we need you.
02:28Yes, sir.
02:30Come with me.
02:32As you wish.
02:46As you wish, sir.
02:48As you wish.
02:50Goodbye.
02:52Goodbye.
03:02Sir, the address of the service office.
03:04Right now?
03:06Yes, right now.
03:08Can you give it to us tomorrow?
03:10No, not right now.
03:14Right now.
03:18Right now.
03:48Right now.
04:18She didn't understand anything.
04:20I taught her how to clean the house.
04:22I taught her how to deal with people.
04:24And I made her work.
04:26But the truth is,
04:28this girl was sick.
04:32May God have mercy on her.
04:36Why did she run away?
04:38I don't know, sir.
04:40There are girls like this
04:42who are cursed.
04:44It's like a blessing in their hands
04:46and they throw it away
04:48and look for something else.
04:50Hania was one of them.
04:52Who did she work for, Zaheer?
04:54I swear to God, sir.
04:56She was born a good girl.
04:58She had good manners,
05:00and her salary was good.
05:0230% every month.
05:04No, that's a lot.
05:06I took care of her
05:08so I could teach her.
05:10I made her work
05:12because she was sick.
05:14Mohannad, my hand is fresh.
05:16You know you're expensive to me
05:18and I don't bring you anything expensive.
05:20Didn't I tell you?
05:22She knew where the tea was.
05:24I didn't go until I took care of her
05:26and that they would do it
05:28as God wills.
05:30She sat for about a month
05:32and suddenly disappeared.
05:34Then we found out
05:36that she stole Mazen's cell phone
05:38for about $2,000.
05:40Why didn't you call the police?
05:42The police?
05:44But I don't like to make a fuss
05:46about nothing.
05:48We all know
05:50that the police can't do anything.
05:52And your partner in crime,
05:54Mazen,
05:56why didn't he come with you?
05:58No, Mazen is traveling
06:00to Egypt.
06:02Wasn't it strange
06:04for her to work
06:06in a young man's apartment?
06:08Why? It's her job.
06:10Did she have a leave of absence?
06:12If you want a leave of absence,
06:14you can take it.
06:16Did she have a leave of absence?
06:18I don't know.
06:20Didn't anyone visit her
06:22from her family or relatives?
06:24No, no one visits her.
06:26I was clear from the beginning
06:28and I told her that no visits
06:30of this kind are allowed.
06:32I know the problems
06:34that come from Egyptian servants
06:36and I don't like problems.
06:38I know from witnesses
06:40that her house was colorful,
06:42playful,
06:44and beautiful.
06:46Didn't you and your friend
06:48play with her a little?
06:50No, we thought
06:52she was a servant.
06:54But she's not
06:56our level or our wife.
07:08...
07:10...
07:12...
07:14We heard from Mohannad
07:16that Hania ran away after a month.
07:18Do you think she came to you
07:20right after that?
07:22No, I left her a few days
07:24before she came back to me.
07:26Did Mazen tell you
07:28that she was robbed?
07:30Robbed? No, of course not.
07:32If he told me,
07:34I wouldn't have done it again.
07:36I'm sure Bida's a good guy
07:38and she's a good woman.
07:40When you told him
07:42she ran away.
07:44What did you feel?
07:46Suspicious?
07:48Or were you worried?
07:50Or were you not surprised at all?
07:52No, Bida was worried
07:54and he said he'd turn the world upside down.
07:56And he did?
07:58What?
08:00Okay.
08:02Did you talk to him again?
08:04I did when I told him.
08:06I'm not responsible for looking
08:08for a playboy like her.
08:10And I didn't talk to her again
08:12just to make sure she came back.
08:14And even though she's a playboy
08:16and not a hard worker,
08:18you sent her to work again.
08:20You know her.
08:22You sent her again.
08:24That's why I hired her
08:26to work for a corrupt,
08:28old man who doesn't have
08:30many demands and is old.
08:32What did you do?
08:34I'm a little late,
08:36but I got you a gift.
08:38Where is it?
08:40Come here, Bida.
08:42Are you blind or what?
08:54No, no, no, not at all.
08:56On the contrary.
08:58She was very trustworthy.
09:00She was a very trustworthy girl.
09:02And very clever,
09:04and very wise,
09:06and very kind.
09:08She was the only one
09:10who worked for me
09:12after my late wife died.
09:14What a loss.
09:16God have mercy on her.
09:18I don't understand who did this
09:20to a little girl like me.
09:24Why didn't she run away?
09:26Her problem was
09:28that she was mature,
09:30a little light.
09:32She used to talk on the phone
09:34from time to time,
09:36but every word
09:38was whispered, whispered, whispered.
09:40I understand.
09:44Do you remember,
09:46Doctor,
09:48who was she talking to?
09:50I don't know. I forgot.
09:52It doesn't mean anything.
09:54She was just working for me.
09:56What do you think, Doctor?
09:58Was she running away
10:00because someone was playing with her mind
10:02or because someone loved her?
10:04I swear to God,
10:06man.
10:16Investigations need to be done
10:18carefully,
10:20considering the main suspect.
10:22Magdine.
10:24Magdine. Magdine.
10:26Send an order to the police
10:28to arrest Sa'il Manaw and Hamada.
10:30Right now, sir?
10:32The Sharia Law must compare
10:34Hamada's eye to the eye
10:36we found in Atiyah's body.
10:38If this investigation
10:40proves that he slept with her,
10:42it would be a blessing.
10:44But if he didn't,
10:46then the case could reach a dead end.
10:48What do you mean, a dead end?
10:50What we're doing is a dead end.
10:52What is it, Magdine?
10:54What is it? Focus with me.
10:56Hamada didn't go out.
10:58Either Hamada killed the girl
11:00or Sa'il killed him.
11:02He's the only one with the key.
11:04He's the only one who knows.
11:06And then we found out he knew.
11:08What more do you want?
11:10Anyway,
11:12the decision is not in our hands, sir.
11:14The decision is in the hands of the prosecutor.
11:16If the prosecutor can't
11:18take a sample of Hamada's body,
11:20then where is he?
11:22Then all the investigations
11:24are in vain.
11:26And the truth is as clear as day.
11:28What do you want?
11:30There's nothing we can prove
11:32about Hamada and her, sir.
11:34At least,
11:36what we have now.
11:40Okay.
11:46♪
12:16♪
12:40Look.
12:46Beautiful, isn't it?
13:02Hashtag beautiful.
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20:00I drank alcohol with Mohsen Al-Sawahli.
20:04Don't hit me.
20:06I can't hit you.
20:08Leave my hand, Samir.
20:10Don't hit me.
20:12Leave my hand.
20:14Come here.
20:16Come here.
20:18Leave my hand.
20:20Leave my hand.
20:22Leave my hand.
20:24Leave my hand.
20:26Leave my hand.
20:28Leave my hand.
20:30Leave my hand.
20:32Leave my hand.
20:34Leave my hand.
20:36Leave my hand.
20:38Leave my hand.
20:40Leave my hand.
20:42Leave my hand.
20:44Leave my hand.
20:46Leave my hand.
20:48Leave my hand.
20:50Leave my hand.
20:52Leave my hand.
20:54Leave my hand.
20:56Leave my hand.
20:58Leave my hand.
21:00♪
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28:31DOOR SLAMS SHUT
28:44Pickup ...
28:48come speak.
28:53Yes, why don't you speak?
28:57Sherin told me you ...
28:58work at the fancy-car repair store, right?
29:00I'm out, I haven't met the delivery boy yet.
29:03Are you studying at the College of Commercial Business?
29:05Yes, but I'm dying to work at the mechanic shop ...
29:08and in the end I wish I still owned that store.
29:11It might probably be the one.
29:13Where are you?
29:14Me? What about me?
29:15What are you thinking about?
29:16I want to work in a hotel for five years.
29:18By the way, I'm taking an English course.
29:20I mean, so that I have a chance to grow up.
29:23I hope I can help you.
29:25By the way, you're very beautiful.
29:28Hey, guys!
29:31Hey, Samir!
29:33Hey, Sherif!
29:37You left without saying anything.
29:39Wait for me, you sons of bitches.
29:43I'm waiting for you.
29:52Good morning.
29:53Welcome to our house.
29:54We like your house, Mr. B.
29:55I came to the house of the architects Omar Bey.
29:57May God give us your shelter.
29:59Why?
30:00Is the hotel service here good or bad, sir?
30:02As you can see, it's a royal breakfast.
30:04What do you want better than everything?
30:05You're welcome every day.
30:06Come with me.
30:08We're not going anywhere.
30:09We're staying.
30:10We're staying.
30:11No, dear.
30:12You can stay with yourself.
30:13But seriously, aren't you going to leave?
30:18No.
30:19No, I...
30:20Honestly, I...
30:23Honestly, I can't stay in the house alone.
30:26Are you serious?
30:27So that's the reason you're not leaving?
30:30Why?
30:31Isn't it obvious?
30:32No, no, guys.
30:33Don't be dramatic, Mr. Saeed.
30:34I'm full.
30:36Last week, you had to record your voice.
30:38I want you to know and be sure that the wooden face
30:40that Mr. Ajati is wearing is a famous face.
30:42And in fact, if it's a romantic character,
30:44we have to mention Mr. Ajati.
30:46In fact, it's my good luck, Mr. Kamal.
30:48What?
30:49The doctor didn't even let me stay in the house for a few days.
30:51A few days is nothing.
30:52It's not that bad.
30:53But you two are a bit out of sync.
30:55What?
30:56What's wrong?
30:57What?
30:58What do you mean, out of sync?
30:59I mean, the routes, the coastline, the system.
31:02The coastline?
31:03What?
31:04It was like a trip.
31:05I didn't even sit down and smell the air.
31:07Why didn't you go?
31:08You work as a driver.
31:10Yes, but I'm the best driver on the whole route.
31:12Yes, I told you.
31:13I used to work as a driver at Mr. B's.
31:15Go, Omar, go, Omar.
31:16Come on, Omar, come, Omar.
31:18Did you prove your efficiency in this job or did you get a reward?
31:21Did I prove my efficiency?
31:23Guys, this is an official statement from Awataf.
31:26He goes to the coast at any time.
31:29I swear, Kamal, the atmosphere here is nice.
31:31And the people are nice, too.
31:33Tell me, who are the nice people?
31:34I'll tell you.
31:35Dalia.
31:36Your sister?
31:37You son of a bitch.
31:38Did you sign her up?
31:40Kamal, I think I fell for it.
31:42You fell for the ice cream.
31:43Why, sir?
31:44What do you mean, why?
31:45Dalia is a carbon copy of her mother.
31:48She has her entire family.
31:49If you want to see a living example of the man who will marry Dalia,
31:52look at the consultant.
31:54A chair and a journal.
31:55No opinion, no balance.
31:57And if you marry Dalia, it will be a chair and a journal.
31:59People are very different, sir.
32:01I've never been like that.
32:02Do you think the consultant was like that in the first place?
32:04That's how it is with seven emotions.
32:06I just want to hear you say I love you once.
32:08No, my love, don't say I love you.
32:11I think you were going to wear your clothes on the wall.
32:13I warned you, Omar, here.
32:16Forget about this chair.
32:17Don't fall for it.
32:19Like Kamal told you,
32:20let her touch the wall.
32:32Hello.
32:33Hello.
32:34Good morning.
32:35Good morning.
32:36How are you?
32:37Thank God.
32:38Did you sleep well?
32:39I mean, I slept for a few hours, Omar.
32:41It doesn't matter where you slept.
32:43What matters is that you slept well.
32:44Okay.
32:45Did you sleep well?
32:46I didn't sleep at all.
32:48My day turned from the hour of the mouse to sunrise.
32:50That's why I'm calling you.
32:52And I'm telling you, if you call me,
32:53I won't answer and I'll know I'm still asleep.
32:55Is that all?
32:56No, that's not all.
32:57I think this is a good opportunity for us to be apart,
32:59for you to think and answer me and tell me what you want.
33:02What do I want, Shahenda?
33:04What do I want?
33:06What do you want?
33:07You can tell me anything.
33:09You know what you want.
33:10But you want to hear it from me.
33:11Isn't that right?
33:12Sayed, you're going to think and answer me
33:15and tell me what you want.
33:16Don't come back now and tell me the opposite.
33:18What do you want from me?
33:19Okay, Shahenda.
33:20I'll tell you what I want.
33:21I'll tell you what I want.
33:22I want you to sleep, Shahenda.
33:23Sleep, Shahenda.
33:24Sleep.
33:25Okay?
33:26Goodbye.
33:32Sayed, you're my life.
33:34Sayed, you're my life.
33:36Sayed, you're my life.
33:38Sayed, you're my life.
33:40Sayed, you're my life.
33:42Sayed, you're my life.
33:44Sayed, you're my life.
33:46I told him I'd sleep in a wall if I got married to this family.
33:49He doesn't believe me.
33:50I'll travel.
33:51After what you heard?
33:53I'll try.
33:54I won't lose anything.
33:56Sleep.
33:57What are you doing?
33:59What are you doing?
34:02Hamada, where are you?
34:04Who are you, Sayed?
34:05I'm Ejlal.
34:06Hamada, where are you?
34:07They're all sleeping.
34:08Where's the room?
34:09Where's the room?
34:10Take it.
34:11Take it.
34:12Get up, Hamada.
34:13What's wrong?
34:14I slept on the bed.
34:15I'm sorry.
34:16I'm not a criminal.
34:17What did Ejlal do to you?
34:18Did someone do something to him?
34:19Ejlal is more than you being their father.
34:22Is this Ejlal?
34:23Yes.
34:24Yes, Ejlal, you're beautiful.
34:25You're ugly because you don't know Ejlal.
34:28I don't know you, my love.
34:30Let's get to know each other.
34:31Oh, my God.
34:32What's going on?