His Double Life (1933) Full Movie - Directed by George Cukor | Ronald Colman, Signe Hasso
Synopsis: A Shakespearian actor starring as Othello opposite his wife finds the character’s jealous rage taking over his mind off-stage.
Genre: Drama, Thriller
Director: George Cukor
Top cast: Ronald Colman, Signe Hasso, Edmond O'Brien, Shelley Winters, Ray Collins, Philip Loeb, Millard Mitchell
Genre: Drama, Thriller
Director: George Cukor
Top cast: Ronald Colman, Signe Hasso, Edmond O'Brien, Shelley Winters, Ray Collins, Philip Loeb, Millard Mitchell
Category
🎥
Short filmTranscript
00:00:00♪♪
00:00:10♪♪
00:00:20♪♪
00:00:30♪♪
00:00:40♪♪
00:00:50♪♪
00:01:00♪♪
00:01:10♪♪
00:01:20♪♪
00:01:30♪♪
00:01:40♪♪
00:01:50♪♪
00:02:00♪♪
00:02:10♪♪
00:02:20♪♪
00:02:30♪♪
00:02:40♪♪
00:02:50♪♪
00:03:00♪♪
00:03:10♪♪
00:03:20♪♪
00:03:30♪♪
00:03:40♪♪
00:03:50♪♪
00:04:00♪♪
00:04:10♪♪
00:04:20♪♪
00:04:30♪♪
00:04:40♪♪
00:04:50♪♪
00:05:00♪♪
00:05:10I can scarcely believe it. It's wonderful, dear.
00:05:15Dear Mrs. Hunter, your photograph is beautiful.
00:05:26Will I ever see the original? Not unless I find a new master.
00:05:34I am enclosing a snapshot of Mr. Farrell and me.
00:05:40The one on the right is me.
00:05:51Neek. Neek, back. Back up. We've got to get away from here at once.
00:05:55What's happened, sir?
00:05:56It's not going to happen, Neek. Now pack up and don't ask any questions.
00:05:59Where are we going, sir?
00:06:00Oh, I don't know. Anywhere. Away from here. Some place where they can't find me.
00:06:03Nobody knows you in London, sir.
00:06:06Perhaps you're right, Neek. We could open up the old house.
00:06:09After all these years, no one would know you were there, sir.
00:06:13Right again, Neek. Who's that?
00:06:17El senor has come for the bill.
00:06:19Yes, pay it, Neek.
00:06:22No one is to know that we're leaving. Do you understand?
00:06:24Si, senor.
00:06:25No one.
00:06:26Si, si.
00:06:27Give us something extra, Neek. Here, Rita. Take care of the servants.
00:06:29Oh, why must you care?
00:06:32We'll be back.
00:06:33You think of me.
00:06:35Always. Always.
00:06:37Stop that muttering out there. Get on with your packing.
00:06:39Yes, sir. Yes, sir.
00:07:02Yes, sir.
00:07:27I found the doctor. Three doors off. He'll be here in a minute.
00:07:30You ought not to have gone out without your coat, sir.
00:07:33We don't want you to catch cold, too.
00:07:42Here.
00:07:44Your dressing gown, sir?
00:07:46We must get you to bed at once.
00:07:48You think you can make it up one flight to my room?
00:07:50Me? In your bed, sir?
00:07:52Oh, don't be silly. Come on, I'll help you.
00:08:00I hate to be such a nuisance.
00:08:03Come on, now.
00:08:04I hate to be such a nuisance.
00:08:09I hate to be such a nuisance, sir.
00:08:19You'll be all right in the morning. It's just a cold.
00:08:30Wait a minute.
00:08:34Back we come.
00:08:40When I mentioned this address, the doctor gave me a most peculiar look.
00:08:50Is this Mr. Tyrell's house?
00:08:53Come on up.
00:09:01Hey, we're discovered.
00:09:04Good evening, doctor.
00:09:05Good evening.
00:09:07Mr. Tyrell?
00:09:30How long has Mr. Tyrell been ill?
00:09:32I asked you, how long has your master been ill?
00:09:36Oh, yes, well, I...
00:09:39He began to complain when we got off the boat this morning.
00:09:42What's wrong, do you think, Doctor?
00:09:45I don't know yet, might be anything.
00:09:48Bring me some boiling water at once.
00:09:50There isn't any.
00:09:52You have water, haven't you?
00:09:55Yes, but not boiling, but never mind.
00:09:59I'll get it faster.
00:10:00I'll bring...
00:10:02My assistant.
00:10:03Thank you.
00:10:05Get his clothes off.
00:10:07Have you brandy?
00:10:08Yes.
00:10:09Well, get it.
00:10:10Be of some use here.
00:10:12This is serious.
00:10:17My poor Leek, he takes you for me.
00:10:20We ought to tell him.
00:10:23Not at all.
00:10:24It'll save me a lot of that infernal curiosity.
00:10:26Now, come on.
00:10:27Let's get some of these clothes off, eh?
00:10:31I hate to be such a nuisance.
00:10:34Where is the brandy, Leek?
00:10:36In my small bag, sir.
00:10:38I see.
00:10:43The temperature 104.5.
00:10:45Hold 140 a week.
00:10:47We'll try an injection of strychnine at once.
00:10:50Can I help?
00:10:51Can I do anything?
00:10:52You see that chair?
00:10:54Yes, I see it.
00:10:56Well, go and sit in it.
00:11:16I say, where's that brandy?
00:11:18What?
00:11:19The brandy.
00:11:20The brandy.
00:11:21Isn't that it there?
00:11:22Yes.
00:11:23Yes.
00:11:25Has he any relatives?
00:11:26Oh, I don't know.
00:11:27They should be notified at once.
00:11:29Oh.
00:11:31You see, I'm afraid I have to tell the doctor.
00:11:33Oh, don't even bother.
00:11:34He'll send me a letter.
00:11:35Oh, he will, won't he?
00:11:37He will.
00:11:38I'll go and get the doctor.
00:11:49Oh, what, what, what, what's the matter?
00:11:53What is it, doctor?
00:11:55What is it, Doctor?
00:11:57It's all over, my man.
00:11:59Oh, but it can't be. He was a perfectly strong, healthy man.
00:12:02Precisely.
00:12:04It's not unusual for strong, healthy men to go off suddenly from acute double pneumonia.
00:12:07But it's impossible. I don't know what I'll do without that man.
00:12:10Look here, you don't seem to be much use here.
00:12:13I'll notify the register.
00:12:15Register?
00:12:16We have to report Mr. Farrell's death, you know.
00:12:19Okay, Doctor, I'm afraid there's been some mistake.
00:12:21What?
00:12:22You see, I...
00:12:23Now listen to me, my man.
00:12:24There's been no sort of mistake.
00:12:26Everything's been done that could be done.
00:12:28But I...
00:12:29Look here, you're all done.
00:12:31You need some rest.
00:12:33I'll be back in the morning.
00:12:37But, Doctor!
00:12:45Yes, Doctor?
00:12:46What's that?
00:12:48What time?
00:12:50Where?
00:12:52Pneumonia?
00:12:53Pneumonia?
00:12:54Thank you so much, Doctor.
00:12:55Thank you.
00:12:57Brian Farrell is dead.
00:12:58Brian Farrell is dead.
00:12:59Brian Farrell is dead.
00:13:00Brian Farrell is dead.
00:13:01Brian Farrell is dead.
00:13:02Brian Farrell is dead.
00:13:03Brian Farrell is dead.
00:13:04Brian Farrell is dead.
00:13:05Brian Farrell is dead.
00:13:06Brian Farrell is dead.
00:13:07Brian Farrell is dead.
00:13:08Brian Farrell is dead.
00:13:09Brian Farrell is dead.
00:13:10Brian Farrell is dead.
00:13:11Brian Farrell is dead.
00:13:12Brian Farrell is dead.
00:13:13Brian Farrell is dead.
00:13:14Brian Farrell is dead.
00:13:15Brian Farrell is dead.
00:13:16Brian Farrell is dead.
00:13:17Brian Farrell is dead.
00:13:18Brian Farrell is dead.
00:13:19Brian Farrell is dead.
00:13:20Brian Farrell is dead.
00:13:21Brian Farrell is dead.
00:13:22Brian Farrell is dead.
00:13:23Brian Farrell is dead.
00:13:24Brian Farrell is dead.
00:13:25Brian Farrell is dead.
00:13:26Brian Farrell is dead.
00:13:27Brian Farrell is dead.
00:13:28Brian Farrell is dead.
00:13:29Brian Farrell is dead.
00:13:30Brian Farrell is dead.
00:13:31Brian Farrell is dead.
00:13:32Brian Farrell is dead.
00:13:33Brian Farrell is dead.
00:13:34Brian Farrell is dead.
00:13:35Brian Farrell is dead.
00:13:36Brian Farrell is dead.
00:13:37Brian Farrell is dead.
00:13:38Brian Farrell is dead.
00:13:39Brian Farrell is dead.
00:13:40Brian Farrell is dead.
00:13:41Brian Farrell is dead.
00:13:42Brian Farrell is dead.
00:13:43Brian Farrell is dead.
00:13:44Brian Farrell is dead.
00:13:45Brian Farrell is dead.
00:13:46Brian Farrell is dead.
00:13:47Brian Farrell is dead.
00:13:48Brian Farrell is dead.
00:13:49Brian Farrell is dead.
00:13:50Brian Farrell is dead.
00:13:51Brian Farrell is dead.
00:13:52Brian Farrell is dead.
00:13:53Brian Farrell is dead.
00:13:54Brian Farrell is dead.
00:13:55Brian Farrell is dead.
00:13:56Brian Farrell is dead.
00:13:57Brian Farrell is dead.
00:13:58Brian Farrell is dead.
00:13:59Brian Farrell is dead.
00:14:00Brian Farrell is dead.
00:14:01Brian Farrell is dead.
00:14:02Brian Farrell is dead.
00:14:03Brian Farrell is dead.
00:14:04Brian Farrell is dead.
00:14:05Brian Farrell is dead.
00:14:06Brian Farrell is dead.
00:14:07Brian Farrell is dead.
00:14:08Brian Farrell is dead.
00:14:09Brian Farrell is dead.
00:14:10Brian Farrell is dead.
00:14:11Brian Farrell is dead.
00:14:12Brian Farrell is dead.
00:14:13Brian Farrell is dead.
00:14:14Brian Farrell is dead.
00:14:15Brian Farrell is dead.
00:14:16Leave.
00:14:17Leave.
00:14:18Why don't you...
00:14:19Leave.
00:14:20Leave.
00:14:21Why don't you...
00:14:22Leave.
00:14:23Leave.
00:14:24Leave.
00:14:25Leave.
00:14:26Leave.
00:14:27Leave.
00:14:28Leave.
00:14:29Leave.
00:14:30Leave.
00:14:31Leave.
00:14:32Leave.
00:14:33Leave.
00:14:34Leave.
00:14:35Leave.
00:14:36Leave.
00:14:37Leave.
00:14:38Leave.
00:14:39Leave.
00:14:40Leave.
00:14:41Leave.
00:14:42Leave.
00:14:43Leave.
00:14:44Leave.
00:14:45Leave.
00:14:46Leave.
00:14:47Leave.
00:14:48Leave.
00:14:49Leave.
00:14:50Leave.
00:14:51Leave.
00:14:52Leave.
00:14:53Leave.
00:14:54Leave.
00:14:55Leave.
00:14:56Leave.
00:14:57Leave.
00:14:58Leave.
00:14:59Leave.
00:15:00Leave.
00:15:01Leave.
00:15:02Leave.
00:15:03Leave.
00:15:04Leave.
00:15:05Leave.
00:15:06Leave.
00:15:07Leave.
00:15:08Leave.
00:15:09Leave.
00:15:10Leave.
00:15:11Leave.
00:15:12Leave.
00:15:13Leave.
00:15:14Leave.
00:15:15Leave.
00:15:16Leave.
00:15:17Leave.
00:15:18Leave.
00:15:19Leave.
00:15:20Leave.
00:15:21Leave.
00:15:22Leave.
00:15:23Leave.
00:15:24Leave.
00:15:25Leave.
00:15:26Leave.
00:15:27Leave.
00:15:28Leave.
00:15:29Leave.
00:15:30Leave.
00:15:31Leave.
00:15:32Leave.
00:15:33Leave.
00:15:34Leave.
00:15:35Leave.
00:15:36Leave.
00:15:37Leave.
00:15:38Leave.
00:15:39Leave.
00:15:40Leave.
00:15:41Leave.
00:15:42Leave.
00:15:44Gentlemen.
00:15:45Gentlemen.
00:15:46Gentlemen.
00:15:47Look, Moe.
00:15:48I don't know if I could appreciate seeing such a seesaw man in the inn but I think I may
00:15:49safely say I should have recognized him anywhere.
00:15:50I should treasure this as memorial.
00:15:51Dish shroud as it were.
00:15:54Well, I'll be going.
00:16:00What arrangements have you made?
00:16:06None.
00:16:07I've been asleep.
00:16:08You're not very respectful.
00:16:10Okay, I know.
00:16:12dressing gown belongs to me so you're starting to claim things I will soon put
00:16:18an end to that.
00:16:24Pigs die. But you're doing as a painting thing so you're
00:16:29a painter too are you not to hear me I thank you and I better come to an
00:16:34understanding at once what salary did my cousin pay you a hundred pounds a year
00:16:39when were you last paid I see I am well. All day before you.
00:16:47Eight pounds and you wouldn't listen I get but I want to tell you. Now back up
00:16:53and get out of this house as soon as you can but I'm not sure I'll do.
00:17:02All his papers here yes that's the key.
00:17:09There's
00:17:14something I want to tell you I don't know.
00:17:26Yes it will that's still there I've got to be destroyed. Do you know what it says
00:17:33everything is left to England the establishment of
00:17:35a new gallery and you get five pounds for your trouble as executor yes I see
00:17:42well he probably thought I should be annoyed he did well my man the idea of
00:17:46a great public is to do better in my family name is not unpleasant to me but he
00:17:50meant it as
00:17:51a joke. I don't see why you complain you come into eighty pounds a year under
00:17:57it because I was forgetting about that I never saw such
00:18:00a disrespectful son in my life now get your things together and go after.
00:18:09Whose luggage is that mine yours is. Your initials P.
00:18:17Of your next game you have all the keys. I'm going to buy you about the funeral.
00:18:24Where would you be stopping. The man's mad.
00:18:30The.
00:19:00The the the the the the the the the the the the the the the the the the the the the the
00:19:07the the the the the the the the the the the the the the the the the the the the the the
00:19:13the the the the the the the the the the the the the the the the the the the the the the the
00:19:18the the the the the the the the the the the the the the the the the the the the the the the
00:19:25the the the the the the the the the the.
00:19:49The boy is.
00:19:55I don't know.
00:19:56I don't know.
00:19:57I don't know.
00:19:58I don't know.
00:19:59I don't know.
00:20:00I don't know.
00:20:01I don't know.
00:20:02I don't know.
00:20:03I don't know.
00:20:04I don't know.
00:20:05I don't know.
00:20:06I don't know.
00:20:07I don't know.
00:20:08I don't know.
00:20:09I don't know.
00:20:10I don't know.
00:20:11I don't know.
00:20:12I don't know.
00:20:13I don't know.
00:20:14I don't know.
00:20:15I don't know.
00:20:16I don't know.
00:20:17I don't know.
00:20:18I don't know.
00:20:19I don't know.
00:20:20I don't know.
00:20:21I don't know.
00:20:22I don't know.
00:20:23I don't know.
00:20:24I don't know.
00:20:25I don't know.
00:20:26I don't know.
00:20:27I don't know.
00:20:28I don't know.
00:20:29I don't know.
00:20:30I don't know.
00:20:31I don't know.
00:20:32I don't know.
00:20:33I don't know.
00:20:34I don't know.
00:20:35I don't know.
00:20:36I don't know.
00:20:37I don't know.
00:20:38I don't know.
00:20:39I don't know.
00:20:40I don't know.
00:20:41I don't know.
00:20:42I don't know.
00:20:43I don't know.
00:20:44I don't know.
00:20:45I don't know.
00:20:46I don't know.
00:20:47I don't know.
00:20:48I don't know.
00:20:49I don't know.
00:20:50I don't know.
00:20:51I don't know.
00:20:52I don't know.
00:20:53I don't know.
00:20:54I don't know.
00:20:55I don't know.
00:20:56I don't know.
00:20:57I don't know.
00:20:58I don't know.
00:20:59I don't know.
00:21:00I don't know.
00:21:01I don't know.
00:21:02I don't know.
00:21:03I don't know.
00:21:04I don't know.
00:21:05I don't know.
00:21:06I don't know.
00:21:07I don't know.
00:21:08I don't know.
00:21:09I don't know.
00:21:10I don't know.
00:21:11I don't know.
00:21:12I don't know.
00:21:13I don't know.
00:21:14I don't know.
00:21:15I don't know.
00:21:16I don't know.
00:21:17I don't know.
00:21:18I don't know.
00:21:19I don't know.
00:21:20I don't know.
00:21:21I don't know.
00:21:22I don't know.
00:21:23I don't know.
00:21:24I don't know.
00:21:25I don't know.
00:21:26I don't know.
00:21:27I don't know.
00:21:28I don't know.
00:21:29I don't know.
00:21:30I don't know.
00:21:31I don't know.
00:21:32I don't know.
00:21:33I don't know.
00:21:34I don't know.
00:21:35I don't know.
00:21:36I don't know.
00:21:37I don't know.
00:21:38I don't know.
00:21:39I don't know.
00:21:40I don't know.
00:21:41I don't know.
00:21:42I don't know.
00:21:43I don't know.
00:21:44I don't know.
00:21:45I don't know.
00:21:46I don't know.
00:21:47I don't know.
00:21:48I don't know.
00:21:49I don't know.
00:21:50I don't know.
00:21:51I don't know.
00:21:52I don't know.
00:21:53I don't know.
00:21:54I don't know.
00:21:55I don't know.
00:21:56I don't know.
00:21:57I don't know.
00:21:58I don't know.
00:21:59I don't know.
00:22:00I don't know.
00:22:01I don't know.
00:22:02I don't know.
00:22:03I don't know.
00:22:04I don't know.
00:22:05I don't know.
00:22:06I don't know.
00:22:07I don't know.
00:22:08I don't know.
00:22:09I don't know.
00:22:10I don't know.
00:22:11I don't know.
00:22:12I don't know.
00:22:13I don't know.
00:22:14I don't know.
00:22:15I don't know.
00:22:16I don't know.
00:22:17I don't know.
00:22:18I don't know.
00:22:19I don't know.
00:22:20I don't know.
00:22:21Well what shall we do?
00:22:22Excuse me.
00:22:23Floss.
00:22:24Would you like a cigarette?
00:22:25No.
00:22:26No though.
00:22:27All right.
00:22:28Bad boys' nazis.
00:22:29And it was a beautiful dressing gown really and then something very important I wanted
00:22:34to tell him and he wouldn't let me.
00:22:37But how could he stop you?
00:22:41Cut me off like that.
00:22:42Perhaps you really didn't want to tell him.
00:22:45You could write him you know.
00:22:48No.
00:22:49And you've no occasion to be shy with me.
00:22:51There's no call for it.
00:22:52I'm just as you see me.
00:22:54Shy?
00:22:55Oh, I don't feel shy with you.
00:22:57That's all right, then.
00:22:58Because I should take it as a full compliment being shy with me.
00:23:02You know, uh, I think a matrimonial agency's a very good and useful, don't you?
00:23:07Well, uh, yeah.
00:23:09Because if you are thinking of getting married, well, what are you to do?
00:23:13You could sit in a chair and wait till eggs are sixpence a dozen and you'd be no nearer.
00:23:17No.
00:23:18If you want to get married.
00:23:20If you want to get married.
00:23:22There's no use pretending you don't.
00:23:24I do hate pretending.
00:23:26And if you ask me, matrimonial agencies are the most useful things ever invented.
00:23:30Next to dress shields.
00:23:32There is your prizes.
00:23:34Look, will you have lunch with me?
00:23:36Oh, if you have time.
00:23:37I have so much time.
00:23:39If anything comes of this, I shall pay the fee to the agencies with the greatest of pleasure.
00:23:43So that was the end of it.
00:23:46I think it would be.
00:23:49You are like your photograph.
00:23:51Like my photograph?
00:23:52I knew you at once.
00:23:54May I see it?
00:23:55Oh.
00:23:56Thank you.
00:23:57I love it.
00:23:58The one on the right is me.
00:24:02If it isn't rude to ask, Mr. Lee, why did you always typewrite your letters?
00:24:05It seems so public.
00:24:09You see, I write so badly.
00:24:12Poor Mr. Fowle.
00:24:14What good did it do him to be so celebrated?
00:24:16Always trying to hide as if the police were after him.
00:24:19After all, he had the pleasure of being successful in the work he liked best to do.
00:24:23Well, but couldn't he have had that without chasing all over Europe?
00:24:26He might just as well have been a commercial traveler.
00:24:29Miss, you're wonderful.
00:24:31Oh, you can laugh, Mr. Lee.
00:24:33But believe me, there's nothing like a comfortable home and a quiet life.
00:24:36And the less you're in the newspapers, the better.
00:24:39Right.
00:24:41Nothing like it indeed.
00:24:43Extra! Extra! Prime Fowl Day!
00:24:46Extra! Extra! Prime Fowl Day!
00:24:49Extra! Extra! Prime Fowl Day!
00:24:52Extra! Extra! Prime Fowl Day!
00:24:55I knew he was afraid of me.
00:24:57I can't imagine a person being afraid of anyone.
00:25:00When I'm with you, I can't imagine it either.
00:25:03When I was with him, I understood it now.
00:25:05Poor man. He doesn't need to be afraid of anyone now.
00:25:08Extra! Prime Fowl Day!
00:25:10Extra! Extra! Prime Fowl Day!
00:25:14But you haven't told me whether you were ever married.
00:25:17No, never.
00:25:18You've always lived alone like that.
00:25:20No home, traveling, and no one to look after you properly.
00:25:23Well, one gets accustomed to it.
00:25:25I suppose so. But I feel sorry for you all these years.
00:25:34A country garden.
00:25:37A country garden?
00:25:39That's what they're playing.
00:25:43It's lovely, isn't it?
00:25:45Have you a garden, Annie?
00:25:47Yes, with a wall around.
00:25:51Was it only today we met?
00:25:53Magic day.
00:25:57And now I must be going.
00:25:58Oh, please don't.
00:26:00Oh, but it's late, and I must be getting back to the country.
00:26:03I'll see you home.
00:26:04Oh, no, you poor dear. You're too tired.
00:26:07But we could walk to the tube.
00:26:09Is it far?
00:26:11Not very.
00:26:12Oh, too bad.
00:26:13I wish we could take the music with us.
00:26:15We can.
00:26:29Here I say, what's the matter with you?
00:26:32What are you doing?
00:26:36What are you doing?
00:26:39What are you doing?
00:27:32♪
00:27:47♪
00:27:57Well, I suppose I was rather wonderful.
00:27:59M, I mean.
00:28:01Your water, sir.
00:28:02Thank you.
00:28:04You're Mr. Leek, I presume?
00:28:05What are they?
00:28:06I'm Horning of the Courier.
00:28:07I'm Garvin of the Mercury.
00:28:08Well, you've no right to improve yourselves in here.
00:28:10My paper's prepared to offer you £100
00:28:12for your story on Farrell's eccentric life on the continent.
00:28:15Eccentric life on the... well, I'll be...
00:28:16I'll write the article.
00:28:17All you have to do is sign it.
00:28:19You'll make it £125.
00:28:21To sign an order for the fellow's execution?
00:28:23£150.
00:28:24Or burning at the stake?
00:28:25Can you tell me if Mr. Farrell had any notion
00:28:28that he'd be buried in the Abbey?
00:28:29Buried in the Abbey?
00:28:31Why, it's preposterous!
00:28:32Why preposterous?
00:28:33Why bury that fellow in the Abbey?
00:28:35England's sacred shrine, where only the great are buried?
00:28:38It's absurd!
00:28:40Absurd?
00:28:41Do you know about his will?
00:28:42He left everything to found
00:28:43the Gallery of Modern Art in London.
00:28:44Oh, so that's it.
00:28:46He's to be buried in the Abbey because he's a philanthropist,
00:28:48not because he's an artist.
00:28:49Oh, that's England all over.
00:28:51Yes, well I won't have it.
00:28:52You'll not!
00:28:53No, I'll do something else.
00:28:55Farrell is not dead.
00:28:56Not dead?
00:28:56Oh, what next?
00:28:57I am Priam Farrell.
00:28:59Oh, oh, oh.
00:29:00Oh, get out.
00:29:02Is he mad?
00:29:03He must be.
00:29:04Nothing but a valet.
00:29:05He takes a suite in the most expensive hotel in London.
00:29:08Then he refuses 150 pounds.
00:29:10And now, bless me, if he doesn't think he's Priam Farrell.
00:29:13Get out!
00:29:14He's still got a music, if you ask me.
00:29:16Priam Farrell, he thinks!
00:29:19Must be stopped.
00:29:20Must be stopped.
00:29:22Someone should explain to the Dean of Westminster.
00:29:25Someone should.
00:29:29Priam Farrell, you're afraid of Carmaine.
00:29:32Would the General want you to serve,
00:29:34not simply restore the House?
00:29:36I don't want to.
00:29:38Ca~~~~bre!
00:29:40Ha, ha.
00:29:41Let's go.
00:29:43Look after him for me.
00:29:44Where are you going to keep my child?
00:29:46Well, he's one of the children.
00:29:47Let's bring him with us, will you?
00:29:50I don't want to be his match.
00:29:51Well, we would want that.
00:29:52Well, and if you are not going to divorce him,
00:29:56have it, then, away with it!
00:29:58Is Mr. Parker at home?
00:30:00Mr. Parker? This is the Dean's house.
00:30:03Oh, pardon me, I thought Mr. Tanner lived here.
00:30:08Mr. Tanner? But you said Mr. Parker.
00:30:11Did I? Forgive me, I'm a little confused.
00:30:16Obviously.
00:30:21But I say I...
00:30:29I couldn't do it. I couldn't do it.
00:30:34But the Abbey... Oh, it's fantastic.
00:30:58I can't do it.
00:31:08Mr. Tanner?
00:31:10Mr. Tanner?
00:31:13Mr. Tanner?
00:31:16Mr. Tanner?
00:31:28Oh, say does that star-spangled banner yet wave
00:31:34O'er the land of the free and the home of the brave?
00:31:49O'er the land of the free and the home of the brave?
00:32:13O'er the land of the free and the home of the brave?
00:32:39O'er the land of the free and the home of the brave?
00:33:03O'er the land of the free and the home of the brave?
00:33:32O'er the land of the free and the home of the brave?
00:34:01O'er the land of the free and the home of the brave?
00:34:30O'er the land of the free and the home of the brave?
00:34:50O'er the land of the free and the home of the brave?
00:35:19O'er the land of the free and the home of the brave?
00:35:39O'er the land of the free and the home of the brave?
00:35:59Doesn't believe me.
00:36:24Give me your coat.
00:36:31Oh, I see your collar's coming fast.
00:36:33Well, let me, I can do it.
00:36:35You have two funny moles on your neck close together.
00:36:38That's good luck.
00:36:41There.
00:36:43That's better.
00:36:45I hope you're not thinking of taking another position immediately.
00:36:48Position?
00:36:49No, no, of course not.
00:36:51It's not necessary, you know.
00:36:52What with your legacy and my income from the brewery shares.
00:36:56Brewery shares?
00:36:57Yes.
00:36:58Father always said, keep your money in beer, Alice.
00:37:00Beer will never fail you in England.
00:37:02And he was right.
00:37:03Here.
00:37:04Put this on.
00:37:05You'll be more comfortable.
00:37:08Do you mean that you want to share your income with me?
00:37:11What else?
00:37:12And your home?
00:37:13Why not?
00:37:16Alice, you're wonderful.
00:37:18You've even remembered the dressing gown.
00:37:20I've wanted someone to look after a long while.
00:37:23Heaven knows you need it.
00:37:24It'll be the beginning of a new life.
00:37:27After all the tearing around you, then.
00:37:29Why, I'll be a different person.
00:37:31At least you'll have peace and comfort.
00:37:33Oh, no, it's too fantastic.
00:37:36I'll bring no end of trouble on us.
00:37:38No more than we can take care of.
00:37:43I'd be born again.
00:37:46That does sound a bit religious.
00:37:48Your milk will be boiling over.
00:38:08I say, Alice, it is lovely here.
00:38:13Perhaps I have died and gone to heaven.
00:38:17Drink this.
00:38:26I don't.
00:38:29I do.
00:38:40Want anything else, love?
00:38:43What are you reading that's so interesting?
00:38:47Oh, Priam Farrell's princely bequest.
00:38:50New gallery of modern art started.
00:38:52Foundation has stolen 80 eulogies and so on.
00:38:54So, they've begun it.
00:38:56It's taken them long enough.
00:38:57A year.
00:38:58You know, it is true.
00:39:00What's true?
00:39:02I have died and gone to heaven.
00:39:05And I've got something to show you.
00:39:07What?
00:39:08Close your eyes and follow me.
00:39:11I'm following.
00:39:13Eyes closed.
00:39:15Tight.
00:39:17See nothing.
00:39:19I smell something.
00:39:22It's, uh, it's paint.
00:39:28Oh, I know.
00:39:30You painted the bathroom chair.
00:39:31Bathroom chair, indeed.
00:39:32Now, turn around.
00:39:34Open your eyes.
00:39:35There.
00:39:38Oh.
00:39:41Did you do that?
00:39:42Yes, how does it strike you?
00:39:45Well, I'm sure it's very beautiful, but what is it?
00:39:49Is that the bridge?
00:39:50Yes, dear, but don't go any nearer.
00:39:52Well, if you don't want me to see it close.
00:39:54Well, you can't take a picture like snuff, you know.
00:39:56What's that red street behind there?
00:39:58There?
00:39:59That's the railway bridge.
00:40:00Oh, so it is.
00:40:02Now, if you were to put a train on it, then people would be sure.
00:40:07I suppose you learned to paint from your...
00:40:09It's very good, you know.
00:40:10In fact, it's devilish good.
00:40:11No fellow would have got 800 pounds for the like of that.
00:40:15It's wonderful how wonderful people become after they're dead.
00:40:19Oh, there's the postman.
00:40:20Excuse me.
00:40:22I'm sure it's very wonderful, dear.
00:40:26I tell my campaign.
00:40:31Well, Alice, she will think me mad.
00:40:38Here's a bit of news.
00:40:39What is it?
00:40:40My brewery shares.
00:40:42We shan't get a penny this year.
00:40:43Not one penny unless there's been some mistake.
00:40:46Yes, sir or madam.
00:40:49Oh.
00:40:50Been no mistake the brewery's done for, in fact.
00:40:54This would have been a great surprise to father.
00:40:58Well, whether we get anything or not, I've got pastry to make.
00:41:09Oh, you can look.
00:41:16I'm not worrying.
00:41:17I've no patience with worrying.
00:41:19No, I don't want you to worry.
00:41:20Alice, I can always take care of you.
00:41:22If you think I'm going to let you go into another situation, you're mistaken.
00:41:26No, I wasn't thinking of that.
00:41:27Then what were you thinking?
00:41:28Oh, I don't know.
00:41:29Because those things they advertise, homework, envelope addressing,
00:41:32and selling gram of wounds on commission, they're no good, you know.
00:41:34Look here, Alice.
00:41:35I can sell that picture and anything else that I paint.
00:41:37Please, please don't bother about money.
00:41:40I won't have you bothering.
00:41:42Why, Alice, you're crying, darling.
00:41:44Yes, only because I think it's so awfully nice of you wanting to help like that.
00:41:49Oh, you darling.
00:42:00Another beauty, Mrs. Lee.
00:42:02Isn't it?
00:42:03Isn't it?
00:42:04This'll make Mr. Cohen's eyes pop.
00:42:07I told him he'd have to pay 15 pounds for the next one.
00:42:12It's nice of you to handle these for me, Mr. Simmons, but I wish you'd take a commission.
00:42:16No, indeed.
00:42:17Mr. Cohen always buys a frame, and that's payment enough.
00:42:22You are kind.
00:42:23And how is Mr. Lee?
00:42:25Very well, thank you.
00:42:26Marvelous.
00:42:27He can make money like this.
00:42:29And it's so easy for him.
00:42:30A few hours and it's done.
00:42:32Someday he may be famous.
00:42:34Oh, I hope not.
00:42:36He wouldn't like that.
00:42:37Wouldn't he now?
00:42:38Not in the least.
00:42:40Well, as they say, it takes all kinds of people to make a world.
00:42:46Whoever said that was more than right, Mr. Simmons.
00:42:49More than right.
00:42:51He was, Mrs. Lee.
00:42:53He was indeed, Mr. Simmons.
00:42:57Isn't it a beauty?
00:42:59How much?
00:43:00I told you the last time.
00:43:02The price has gone up.
00:43:04It's fifteen pounds.
00:43:08Sixty pounds, Landberg.
00:43:10All right.
00:43:17Where did you get this?
00:43:18That's my affair.
00:43:21It's good enough, but it's unsigned.
00:43:25Unknown painters are hard to sell, you know.
00:43:28Not that one.
00:43:30How much do you want for it?
00:43:32A hundred pounds.
00:43:34I'll risk that much.
00:43:36I'll send you a check.
00:43:38Thank you, Mr. Oxford.
00:43:39And, uh, Feinberg.
00:43:41Yes, sir.
00:43:42You might send me any more of this fellow's things you get.
00:43:45I'll see what I can do.
00:43:49Here's a mystery.
00:43:51What's that, sir?
00:43:52Don't you recognize the painter?
00:43:54No, sir.
00:43:56This is a prime pharaoh.
00:43:58How can that be, sir?
00:43:59We've bought up all the pharaohs.
00:44:00We thought so.
00:44:02But there's no doubt this is a pharaoh.
00:44:05Take a cable to Mr. Witt.
00:44:08Have found another pharaoh.
00:44:11Unusually fine example.
00:44:15Painting, unsigned.
00:44:17But I will guarantee it.
00:44:20I'm sending it to you tomorrow.
00:44:22Oxford.
00:44:29Lovely.
00:44:31Loveliest thing I've ever seen.
00:44:34Silly.
00:44:36It is silly to be in love with one's wife.
00:44:38And your wife is silly too?
00:44:40No.
00:44:41My wife is wise.
00:44:43My poor dear, I know so little.
00:44:45She knows how to live.
00:44:47And that's everything.
00:44:49And you've taught me.
00:44:50Well, it's the thing we do most of, isn't it?
00:44:53Well, I'm painting better than I ever did.
00:44:56Your last picture brought 50 pounds.
00:44:58Think of it.
00:44:59It's like a fairytale.
00:45:00It is.
00:45:03Oh, one of your tradesmen.
00:45:06May know better than to come to my front door.
00:45:09Oh, I have to go to work.
00:45:11In any case, I have to behave, you know.
00:45:23Oh, is this Mr. Leek's house?
00:45:25Yes.
00:45:26Could I see him?
00:45:28It's about pictures.
00:45:30Oh, won't you come in?
00:45:31Thank you.
00:45:42Henry, here's a gentleman come to see you about pictures.
00:45:47Won't you sit down?
00:45:48Thank you.
00:45:50Good afternoon, master.
00:45:52Good afternoon.
00:45:54I've been buying some things of yours.
00:45:57And I've traced them, not without difficulty,
00:45:59to the picture-framer shop here.
00:46:02Yes, that's where I sold Mr. Leek's pictures for him.
00:46:05I called to see if by chance you'd anything more for sale.
00:46:09Pardon me.
00:46:10May I look?
00:46:11Oh, do.
00:46:17It's a masterpiece, madam.
00:46:19Yes, it is rather pretty when you come to look at it.
00:46:22If you care to consider, say, 500 pounds.
00:46:27500 pounds?
00:46:29Why, Henry, that's marvelous.
00:46:33I came prepared to spend, if you'll kindly count these.
00:46:39I'm too dizzy to count them.
00:46:41I never did understand this art business.
00:46:44How did you do it, Mr. Farrell?
00:46:46Do what?
00:46:47Escape from the abbey.
00:46:51What's that?
00:46:52I saw Priam Farrell buried in the abbey.
00:46:54So did I.
00:46:55And now I'm talking to him.
00:46:57Hell is to see what comes of meeting strangers.
00:46:59Do you mind telling us who you are?
00:47:01Oxford of Parfitt's Galleries.
00:47:03Quite so.
00:47:04Your old dealer, Mr. Farrell.
00:47:06And what makes you think I'm Priam Farrell?
00:47:08That, and the other pictures that I've bought.
00:47:11My style is entirely different from Farrell's.
00:47:13Oh, you try to disguise your brush.
00:47:15But your signature's in every stroke.
00:47:17Mr. Oxford, I must ask you to say nothing to anyone
00:47:19about this mad idea of yours.
00:47:20It'll be devilish awkward.
00:47:22I'm afraid I shall have to ask you to state publicly
00:47:25that you're Priam Farrell.
00:47:26Publicly?
00:47:27Why?
00:47:28I've been selling some of your paintings
00:47:30to Mr. Witt of Pittsburgh with my guarantee
00:47:33that they're genuine Farrell's.
00:47:35You've no right!
00:47:36Mr. Witt has discovered a date on the back of one
00:47:38of the canvases.
00:47:39And that date is after your death.
00:47:42Yes.
00:47:43You see the fix?
00:47:44Yes, it's your fix.
00:47:45Well, Mr. Witt's bringing suit against me for fraud.
00:47:49My reputation's at stake.
00:47:51I shall have to insist upon your going into the witness box.
00:47:54Me in the witness box?
00:47:56A public cross-examination?
00:47:57No, no, no, no!
00:47:58I think it's unthinkable!
00:47:59It's un...
00:48:00I'll have to ask you to go, Mr. Oxford.
00:48:02And here's your money.
00:48:03We can't be under obligation.
00:48:04But I bought this picture.
00:48:06I must insist upon having it.
00:48:08Very well.
00:48:09Take it.
00:48:10But you must pardon us.
00:48:11I can't have my husband upset.
00:48:13I'm sorry, Mrs. Farrell.
00:48:15Good day, master.
00:48:21You can find your way.
00:48:22Oh, yes, thank you.
00:48:25Now we're in for it.
00:48:26I told you I'll bring down trouble on us.
00:48:28If he tells that I'm Farrell, I'll never face it.
00:48:30Reporters, publicity, I...
00:48:31There, now, dear.
00:48:32You mustn't get all on wires again.
00:48:34Come, I'll fix you a tea.
00:48:35Oh, Alice, I...
00:48:36Your faculty for remaining calm is amazing.
00:48:38Well, somebody has to keep calm.
00:48:40You don't seem to care a toughen whether I'm
00:48:42Brian Farrell or not.
00:48:43What does it matter to me who you are so long as you're you?
00:48:46You can be the Shaw of Persia if you like.
00:48:49But I am Farrell.
00:48:50Honestly, I wish I wasn't.
00:48:52But I am.
00:48:53Yes, you love.
00:48:54It doesn't matter.
00:48:55Come.
00:49:10But that isn't what you said in the first place.
00:49:12On the contrary, that's exactly what I said.
00:49:14Oh, what a memory you have.
00:49:16I...
00:49:17Cake?
00:49:18No.
00:49:21Marmalade?
00:49:22No, dear.
00:49:27Who could that be?
00:49:33Is this Mr. Henry Leakes?
00:49:35Yes.
00:49:36What is it you wish?
00:49:37We were determined to get in, and in we've got.
00:49:40John, shut the door.
00:49:42Yes, Henry.
00:49:43Now, Mother, don't put yourself about.
00:49:47Where is Mr. Henry Leakes?
00:49:49There you are, Henry, after 25 years.
00:49:52Think of it.
00:49:54I'm his wife, ma'am.
00:49:56The rightful Mrs. Henry Leakes.
00:49:58And these are my sons who have come with me to see that I get justice.
00:50:03What does it mean?
00:50:04What does it mean?
00:50:06I think you'd all better come and sit down.
00:50:10There.
00:50:11Will you?
00:50:12And which of you boys had the idea to keep a middle-aged woman perishing on the doorstep?
00:50:17Now, Mother, don't give way.
00:50:19I think we'd all better have tea.
00:50:23Now, Mother, do you recognize this man as your husband?
00:50:28Yes.
00:50:31It's a rare, long while.
00:50:34You're sure he's your husband and our father?
00:50:38Yes.
00:50:39And sorry I am to say it.
00:50:42Never saw him before in my life.
00:50:43I never saw him.
00:50:45He married me just 25 years ago.
00:50:49And a month after our twins were born, he just walked out of the house and left me.
00:50:55And never a word of explanation.
00:50:57I never saw him in my life.
00:50:59I never saw him.
00:51:00Then how do you explain this marriage certificate, sir?
00:51:04Do you really recognize my husband?
00:51:07Your husband, madam?
00:51:08He's the same sort of man and got the same eyes.
00:51:13Now, Mother, don't give way.
00:51:16Do you remember, Henry, how you said you wouldn't be married in a church, not for anything?
00:51:22But it's strange our son should both be curates.
00:51:27And now this dreadful scandal.
00:51:31You may shrug your shoulders, but you can't shrug us, our distance.
00:51:36Mother, we are, and you can't get away from us.
00:51:40You're a bigamist, sir.
00:51:42A deserter of women.
00:51:44Heaven only knows.
00:51:45Sugar.
00:51:47Two, please.
00:51:48Two, please.
00:51:50One, please.
00:51:53And how did you happen to find us out at last?
00:51:56Through an advertisement in the paper put into that, Mr. Oxford.
00:52:00I need not say, madam, that you have all our sympathy.
00:52:05I repeat, madam, you have our sympathies.
00:52:07You are not his wife.
00:52:09You can never be his wife.
00:52:11You are living in the same house with him under circumstances which,
00:52:15I hesitate to name the situation in plain words.
00:52:19Oh, I'm afraid...
00:52:20Would you please hand this to your mother?
00:52:24Oh, John!
00:52:26You always wear so clumsy.
00:52:28And a clean cloth, too.
00:52:31Oh, don't mind, please.
00:52:32Dear, will you run into the kitchen and bring me something to wipe this up with?
00:52:36Yes, dear, of course.
00:52:37Immediately, I'll get that.
00:52:42He's gone.
00:52:43He's gone.
00:52:44Who?
00:52:45Father.
00:52:47I'm afraid so.
00:52:48Does he mean to come back?
00:52:50I'm afraid not.
00:52:52There's not the slightest use trying to drive him.
00:52:55He can only be led.
00:52:57You see, he's rather peculiar.
00:52:59Who knows better than I that he's peculiar?
00:53:03He has his good points, far be it from me to say anything against him.
00:53:07He's often very good to me, but...
00:53:10A cup of tea, Mr. John.
00:53:14You don't mean that he...
00:53:18One morning when I was ironing, he snatched the hot iron and...
00:53:22Oh, don't.
00:53:23Don't.
00:53:24I know because I've been through.
00:53:26You don't mean to say that he threatened you with a...
00:53:29With threatening were only all.
00:53:31Then he's not changed in all these years.
00:53:35He was always so queer.
00:53:38Queer.
00:53:39That's it.
00:53:40Queer.
00:53:42I don't think he's quite right in the head.
00:53:46I never wake up in the morning, but what, I don't think maybe today they'll put him away.
00:53:51Put him away?
00:53:52Yes, in Hanwell or whatever asylum it is they put them in.
00:53:57Would you please pass the cakes?
00:53:59Did you say asylum?
00:54:03And you have his blood in your veins.
00:54:07Another cup of tea.
00:54:09Yes, ma'am, if you please.
00:54:12I think I ought to tell you that this is my house and my furniture.
00:54:16He has nothing at all.
00:54:18Oh, is that so?
00:54:20Many a blow he's laid on me in anger.
00:54:23But all the same, I pity him.
00:54:27Maybe these two strong young men will be able to do something with him.
00:54:31But I doubt it.
00:54:32He's very strong.
00:54:34And he has a way of leaping out at you sudden like.
00:54:37I was that relieved when he left the house just now.
00:54:40He ought to be prosecuted for bigotry.
00:54:43That's what ought to be done.
00:54:44Most decidedly.
00:54:46Quite right, that would only be justice.
00:54:48But then, of course, he'd deny he's the same Henry Lee.
00:54:52But he is, I'm sure of it.
00:54:54No doubt you could prove it.
00:54:56But the trouble with these law cases, they're so expensive.
00:54:59What with private detectives and that sort of thing.
00:55:02Yes, that's very true.
00:55:04And, of course, there'd be the scandal.
00:55:09Oh, don't mind me, I'm innocent.
00:55:11But I don't know how it would suit you, Mr. John and Mr. Henry, as clergyman.
00:55:16You have it known that your own father was in prison.
00:55:21I don't know that we'll be able to avoid it.
00:55:24This Mr. Oxford's lawyers are already in communication with the police.
00:55:29Oh, I see.
00:55:32Well, in that case, we're all in for it.
00:55:37I'd better get some hot water.
00:55:39Excuse me.
00:55:44Now that we're clear out of this, we can go by the front door before he comes back.
00:55:48I didn't want to come in the first place.
00:55:50Now, Mother, Mother, don't give way.
00:55:52Don't give way.
00:55:53Oh, must you go?
00:56:02Henry?
00:56:03Henry?
00:56:04It's all right, they've gone.
00:56:07Henry?
00:56:13Henry?
00:56:29Henry?
00:56:49They gone?
00:57:03How you startle me.
00:57:04Yes, ages ago.
00:57:06And where have you been?
00:57:07Walking.
00:57:08In the fog without cap or coat.
00:57:11You'll be down with pneumonia.
00:57:13Here, get these wet things off.
00:57:16Sit here by the fire.
00:57:27Don't scorn me.
00:57:28Oh, it isn't even hot.
00:57:32It is hot.
00:57:35Mrs. Leek won't want me if I lose my feet.
00:57:38Poor soul.
00:57:40And those two stout lads, my sons.
00:57:42What about them?
00:57:43How'd you get rid of them?
00:57:45By kindness.
00:57:47You know, if Oxford has begun advertising for me,
00:57:50he'll never stop until he gets me into court.
00:57:52Well, what will be, will be.
00:57:54And we won't worry about it.
00:58:01It's not hot.
00:58:02Alice, you don't really believe that I ever married that woman, do you?
00:58:06If there's one thing I'm sure of in this world,
00:58:09it's that you were never married to anyone before you married me.
00:58:13That I will swear to, dear.
00:58:17Oh, it isn't hot.
00:58:18It is, darling.
00:58:19It is not.
00:58:22Oxford three, find Farrell alive.
00:58:24Farrell alive.
00:58:25Farrell alive.
00:58:26Farrell alive.
00:58:27With the American millionaire who's taken Oxford to court.
00:58:30Charges, Oxford, were selling him Farrell's,
00:58:32painted out the Farrell's name.
00:58:33Get Oxford, yes?
00:58:34Get Dr. Farrell.
00:58:35Yes, sir.
00:58:36Get Farrell Farrell.
00:58:37Yes, sir.
00:58:39You have been an avid collector of Farrell's, have you not?
00:58:43For a number of years.
00:58:45Were you at all surprised or suspicious
00:58:48when you began receiving unlisted Farrell's
00:58:51after Mr. Farrell's death?
00:58:53Surprised, but not suspicious.
00:58:55What first aroused your suspicion?
00:58:57Why, it must have been something to do with the Farrell's.
00:59:00Farrell's.
00:59:01Farrell's.
00:59:02Farrell's.
00:59:03Farrell's.
00:59:04Farrell's.
00:59:05Farrell's.
00:59:06What first aroused your suspicion?
00:59:08Quite by accident.
00:59:09One day, I noticed the canvas maker's imprint
00:59:12on the back of one of the pictures.
00:59:14And it was dated.
00:59:15What was the date, please?
00:59:171932.
00:59:19That was two years after Brian Farrell's death.
00:59:22Exactly.
00:59:25How many Farrell's in all did you find from Mr. Oxford
00:59:28since Mr. Farrell's death?
00:59:30Seven.
00:59:31And you believe them all to be fictitious?
00:59:33I believe them all to be fakes.
00:59:35How much did you pay for them?
00:59:3611,000 pounds.
00:59:42Is this the picture that was dated?
00:59:44Yes.
00:59:47Is that the mark you used?
00:59:50Yes.
00:59:58Gentlemen, you see the date.
01:00:011932.
01:00:041932.
01:00:071932.
01:00:09Less than a month after the twins were born, he left me.
01:00:14Is that your husband?
01:00:16That gentleman sitting on the end there?
01:00:18It is.
01:00:24Weren't you in doubt when you first saw him?
01:00:27It's all come over me since.
01:00:31Shouldn't a woman recognize the father of her own children?
01:00:35She should.
01:00:40It's ridiculous.
01:00:42Brian Farrell was a gentleman.
01:00:44Miss Bally was a lout.
01:00:46I knew that the moment I set eyes on him.
01:00:48I packed him off at once.
01:00:50This fight with your cousin when you were children,
01:00:53tell us what occurred.
01:00:55Well, we fought.
01:00:57Oh, you fought.
01:00:59What did you two naughty boys fight about?
01:01:04About a plum cake, I think.
01:01:08And what was the result of this savage encounter?
01:01:16I remember tearing half his clothes off.
01:01:19Ah.
01:01:20Are you sure you remember that?
01:01:22Yes.
01:01:24I remember now that my cousin had two moles on his neck
01:01:31just below the collar.
01:01:33Can you describe these adornments?
01:01:38One was hairy.
01:01:40One was plain.
01:01:43So, after this correspondence with Mr. Lee,
01:01:46you met Mr. Farrell, thinking he was Mr. Lee.
01:01:50Yes.
01:01:51And married him.
01:01:52Yes.
01:01:53Did he tell you anything?
01:01:54No, he told me he was Brian Farrell.
01:01:57Then you knew all the time.
01:02:00Well, the poor dear wasn't well,
01:02:01and I thought he was imagining things.
01:02:03It was silly of me.
01:02:05When did you first come to believe he was Farrell?
01:02:08The day Mr. Oxford came.
01:02:10The day Mr. Oxford paid your husband 500 pounds?
01:02:14Yes.
01:02:15Was it the money that induced you to change your mind?
01:02:19You're very rude.
01:02:20Answer the question, please.
01:02:21I wouldn't have had my husband ragged
01:02:22by such vicious people for the Bank of England.
01:02:29These are genuine, Farrell, because...
01:02:32I see, I see, I see.
01:02:37These are fictitious, Farrell, because...
01:02:40I see, I see, I see.
01:02:45Genuine, Farrell.
01:02:47Fictitious, Farrell.
01:02:50Genuine, Farrell.
01:02:52Fictitious, Farrell.
01:02:54I see, I see, I see.
01:03:14You say your name is Brian Farrell?
01:03:17Yes.
01:03:18You have been known as Henry Leake?
01:03:20Yes.
01:03:21Which are you?
01:03:22Both.
01:03:23How can you be both?
01:03:24Oh, none of this interests me in the least.
01:03:27Please answer the question.
01:03:29It's all very stupid.
01:03:30Question, please.
01:03:32Who cares who I am?
01:03:34Question, please.
01:03:36I have no more of this.
01:03:37Ridiculous.
01:03:38Question, please.
01:03:39I have better things to do.
01:03:41You are at work on a masterpiece, no doubt.
01:03:43Oh, some oaf will think it a masterpiece, no doubt.
01:03:47When did you meet Mr. Oxford?
01:03:49Oh, he's been my dealer for many years.
01:03:51When did you meet him?
01:03:53Some weeks ago.
01:03:54When he discovered you were Farrell?
01:03:56Yes.
01:03:57Was there a passage of money on this occasion?
01:04:00500 pounds.
01:04:01When he paid you 500 pounds, you decided you were Farrell?
01:04:06He paid me 500 pounds for a picture.
01:04:10And you discovered you were Farrell?
01:04:11He discovered it.
01:04:13You didn't know it?
01:04:15Farrell is buried in the abbey.
01:04:16I wish you'd let him rest there.
01:04:18Will you answer the question?
01:04:19Why put people in the abbey if they're to be dragged out again?
01:04:22What's the good of the place?
01:04:24He's dead.
01:04:25He's dead.
01:04:26He's dead.
01:04:27He's dead.
01:04:28He's dead.
01:04:29He's dead.
01:04:31Why must you torture him?
01:04:32Will you answer the question?
01:04:34Why must you torture him?
01:04:36Forgive me, Alice.
01:04:37I'm not being tortured.
01:04:39It's all too comic.
01:04:41Order, please.
01:04:42Will you answer the question?
01:04:43I am Farrell.
01:04:44I'm nothing more to say.
01:04:48Are you too, Moles?
01:04:50Yes.
01:04:51Where are you?
01:04:52On my neck, just below the collar.
01:04:54Will you indicate the spot?
01:04:59Perhaps you will remove your collar and show the moles to the court.
01:05:02No.
01:05:03You would prefer doing it perhaps in his lodger's room?
01:05:06No.
01:05:07But surely.
01:05:08I won't do it anywhere, Mollusk.
01:05:10But the law...
01:05:11There's no law that can make me take off my collar.
01:05:19Must be a law.
01:05:20Must be a law.
01:05:21Must be a law.
01:05:25But the trial cannot proceed unless you remove your collar.
01:05:28It's not my trial.
01:05:29Oh, but it is.
01:05:30You may be put in Hollywood for a bigamy.
01:05:32I fancy at Hollywood they have a short method with people who won't take off their collar.
01:05:36England, in order to prove she has a great artist,
01:05:38arrests him for bigamy and shoves him into prison.
01:05:40Very characteristic.
01:05:41Quiet, dear.
01:05:42Now, Mr. Oxford,
01:05:43do you think my husband entitled to some part of the 11,000 pounds Mr. Witt paid you for his pictures?
01:05:48I'll gladly turn all of it over to him.
01:05:51That's a reasonable commission.
01:05:53That's fine of you, Oxford.
01:05:55He won't touch a penny of their wretched money, not a penny!
01:05:57I wouldn't dream of asking you to, dear.
01:05:59I shall touch it.
01:06:01Now, gentlemen,
01:06:02if you wouldn't mind leaving us alone a moment.
01:06:04Certainly, Miss Farrell.
01:06:09Now, love, we must be sensible.
01:06:12I don't care if they don't think you're an artist,
01:06:14but I won't have them thinking you're a bigamist
01:06:16and dragging you off to jail.
01:06:18They wouldn't dare.
01:06:20I'd put nothing past them.
01:06:22Come, darling.
01:06:24Show the gentlemen your moles and we can go along home.
01:06:28Must I?
01:06:29Won't be long.
01:06:30Oh.
01:06:31Gentlemen, my moles.
01:06:33The moles!
01:06:34The moles!
01:06:36The moles!
01:06:40Order queed!
01:06:41Congratulations!
01:06:43Order queed!
01:06:44Congratulations!
01:06:53I wonder what our new name will be,
01:06:55Mr. and Mrs.
01:06:56Oh, is it that matter?
01:06:58We'll miss our garden.
01:07:00We'll find another garden.
01:07:01We'll find another guy.
01:07:08You'll always be. Nothing.
01:07:13What do you think I'm wondering whether I'll bet him in the next.
01:30:01I don't know.