El extraño retorno de D.i.a.n.a. S.a.l.a.z.a.r. 2024 - Capitulo 8
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00:00You
00:30Oh
01:00My God.
01:06Does it hurt?
01:07No.
01:09Just a scratch.
01:11Yes, it's not serious.
01:12No.
01:13I'm so impulsive.
01:18I'm fine.
01:19Thank you.
01:22Diana.
01:23Joaquin.
01:24Are you okay?
01:25Yes, we're fine.
01:26How about you?
01:27What a surprise to see you here.
01:29You told me there was going to be an auction.
01:31I was curious and here I am.
01:35Joaquin Núñez, how are you?
01:37Mario Villarreal, nice to meet you.
01:40I guess the auction is not going to happen, is it?
01:42I don't know, but here in Mexico it shakes all the time.
01:46Really?
01:47Well, it did shake a lot, but it does shake a lot.
01:50Yes, but nothing happens.
01:53And do you like art?
01:54Yes, I'm an amateur fan.
01:56And I also have a small collection of, above all, pieces and jewels for Hispanics.
02:01Really?
02:02I like art. Yes, I also like Colombian art.
02:04Can I talk to you for a moment, guys?
02:06I want to talk to my daughter.
02:07Yes, of course. Excuse me.
02:09Thank you.
02:10Thank you.
02:12What's wrong, Mom?
02:14I don't want us to be angry.
02:16Are you serious, Mom?
02:18It's just that this tremor made me reflect.
02:23It made me think that I don't know how many days I have left on this earth.
02:28Don't start, Mom.
02:29And I want to tell you that I forgive you.
02:35Do you forgive me?
02:37I forgive you.
02:38But you're the one who lied to me all these years.
02:42I forgive you for judging me.
02:46Well, I don't forgive you, Mom.
02:48And you know, I talked to my dad.
02:49And he doesn't seem like a bad person to me, like you say.
02:53How stubborn you are.
02:55Someone must have left.
02:58Not me, of course.
03:01Coming from you, I don't know if that's an insult or a compliment.
03:07I just want you to know that that man asked me to tell you that,
03:11even though many years have passed, he hasn't forgotten you.
03:15And he's still very much in love with you.
03:18Excuse me.
03:29Careful, that's going to kill you.
03:34I know, I know.
03:36But I needed to take one.
03:37You're going to resume the auction, right?
03:39I don't know, really.
03:41All this earthquake seems to me to be like a signal.
03:45Maybe I never had to take care of this auction.
03:47Maybe I didn't have time to organize myself, to do the research.
03:50Let's see, let's see.
03:51Gonzalo, wait, wait.
03:53You know I also believe in signals, but not everything means something.
03:56You know what I think?
03:58You're going to break it in this auction.
04:00I think so.
04:01Gonzalo.
04:02Let's go.
04:05Let's go.
04:14What do you think?
04:16I don't know, it has something like hypnotizing.
04:23Ladies and gentlemen, we have decided that we are going to close the auction.
04:28Apparently, the people here in Zacatecas are used to earthquakes.
04:34I want to introduce you to Mr. José Pablo de Santiago.
04:38A round of applause, please.
04:46Mr. José Pablo de Santiago is the sole heir to all the pieces that we are going to auction this afternoon.
04:52And unfortunately, I have to inform you that piece number 19, The Virgin of the Candle,
04:58has been damaged during the earthquake and therefore we will not be able to continue with the puja.
05:03Yes, we will do it with the rest of the works.
05:05Thank you very much.
05:07I'm going to go out for a moment.
05:09I'll be right back.
05:13Well, let's renew this magnificent auction.
05:17And for this we have this new piece called Bodegón Floral.
05:22It is by the author Anónimo.
05:26Do you recognize anything?
05:27The signature?
05:29The truth is that I don't know much about these families so far away.
05:32Only some stories that my parents told me.
05:34Like what?
05:35There were values of the family that stayed here in times of the Inquisition
05:39and that never managed to recover.
05:41And I don't know much about this piece.
05:44Mr. José, would you allow me to take a closer look at the painting?
05:48Valeria is a professional restorer.
05:50In fact, she specializes in the works of that time.
05:52Of course, of course.
05:54Well, I have part of my team in the car, so I won't take long.
05:58I remember that my parents told me that there was an accident in the mine that belonged to the family.
06:03The Paradise?
06:05They looked for the Paradise.
06:07The Paradise?
06:09The Paradise?
06:11They looked for the Paradise.
06:13Sometimes I hear voices that tell me that the Paradise is the beginning of all things.
06:19Yes, it was something like a fire, a collapse and there were even dead.
06:26After that, part of the family fled to Spain and the other stayed here.
06:30But with the family from Mexico we lost all contact.
06:33And why did they run away?
06:35Well, I don't know.
06:36About that many years ago.
06:38Ready.
06:40Well, I consider that the abuse for years is not so much.
06:45However, the tear that caused the tremor is deep.
06:49But I can restore it.
06:50If possible, I would love to.
06:52That woman has something in her eyes that ...
06:54She doesn't let you go.
06:59Hey, if you're done chatting here, come to the hotel.
07:04Let's go.
07:05Thank you very much.
07:06To you.
07:08Thank you.
07:31And do you know Diama from a long time ago?
07:34We started a little over a year ago.
07:36We started?
07:38I'm his psychologist.
07:40No, no, I thought you were friends or something like that.
07:44Hello.
07:46What are we talking about?
07:48I was telling Mario that I'm your psychologist.
07:51And nothing.
07:53Did you take me out of the crazy closet?
07:57No, it's not true. It doesn't matter if you tell him.
07:59Not that we were in the seventeenth century.
08:01Thank you.
08:03This command is impressive.
08:04Do you have a lot?
08:05Since I was a girl.
08:09Sor Beatriz.
08:13He liked to hide in the kitchen when his mother got mad at her.
08:17She was a little bitch, this girl.
08:19Nice to meet you.
08:20This is Joaquin, my psychologist.
08:21Hello, how are you?
08:22And Mario ...
08:24My friend.
08:26Nice to meet you.
08:35Is it me or is there a special energy here?
08:39Yes.
08:44It must be our Lord who wants me to show you the convent to break with this tension.
08:49So follow me, please.
08:51Come.
08:54Yes, of course.
08:58Oh, it's tremendous, Sor Beatriz.
09:02Do you know who these paintings are, Sor Beatriz?
09:04Most of the ones that are here are from Master Quevedo.
09:08Quevedo?
09:10From what era, do you know?
09:12Well, about 1600.
09:16But none was part of the auction.
09:20Those are protected in the cellar until we deliver them to their new owners.
09:24I would like to see them up close.
09:25Can we go to the cellar?
09:26It's this way, right?
09:28Hey, but how did he know the cellar was that way?
09:32I don't know.
09:33Well, that's weird.
09:34Yes.
09:37Had you been to Zacatecas before?
09:40I had never been to Mexico before, until a few weeks ago.
09:47Interesting.
09:51I don't know.
09:53Interesting.
10:18Everything okay?
10:22No!
10:37Diana?
10:39Diana?
10:44I need to go out and get some air.
10:46Sor, I'm going out. I need to go out.
10:49Yes.
10:50I'm going with Delfina for the cooperative.
10:57And how did it go with Mr. de Santiago?
10:59Good.
11:00I'm going to restore the painting that was damaged.
11:02Congratulations.
11:03That's good, I'm glad.
11:04And what did he say about the letter?
11:08You're going to think he's crazy,
11:09but Diana was investigating and apparently on behalf of my dad we are relatives of Santiago's.
11:16Improbable, but not impossible.
11:18But why do you say I'm going to think he's crazy?
11:21It's a long story.
11:25And you're not going to tell me?
11:27I mean, I have all the time in the world for you.
11:29Oh, thank you.
11:31Thank you.
11:33The day is good too.
11:35The sun is strong, it's good.
11:37Do you want to take a walk?
11:38Well.
11:39Yes?
11:44Well, where do I start?
11:45Where do I start?
11:47From the beginning.
11:50This place takes you back to another time, doesn't it?
11:54Did your mom always live here?
11:56For a long time.
11:57When I was about ten years old.
11:59When Malena and I were little, we loved to go to the stream that is near the convent to cool off.
12:04And my mom always got angry.
12:06They're going to catch a cold.
12:08I don't think I've been doing well with her since then.
12:11And things are still bad?
12:16Sorry, it's from the lab. I have to answer.
12:21Hello?
12:24Everything okay?
12:26You've been tense lately.
12:29After what happened at the lottery in Zacatecas.
12:32Yeah.
12:33I figured that was why.
12:36Diana, that was something that happened because of the proximity, because of the circumstances.
12:41But yes, I understand perfectly your discomfort.
12:44That shouldn't have happened and I apologize.
12:49Hey, I need to ask Joaquin, my therapist, a question.
12:56This situation with Mom, I didn't think it would affect me so much.
13:00And now that I have her close, it irritates me.
13:03When we argue with the people we care about, it's hard to pretend as if nothing happened.
13:10If you had her here in front of you, what would you tell her?
13:15That she had no right to hide anything from us.
13:19I wish she had told us.
13:22She wouldn't have gone through all that on her own.
13:25Have you thought that maybe you're more angry with yourself than with her?
13:29For not having accompanied her in that pain.
13:34I hadn't seen her that way.
13:37Thank you for always listening to me.
13:45It's not that I'm not curious to talk to him.
13:50I would like to ask him why the hell he abandoned us, for example.
13:54But I guess it's easier not to do it.
13:57It makes sense.
14:00Can I ask you not to tell anyone?
14:03I don't like people knowing my private things.
14:07And neither does he.
14:08Of course, don't worry.
14:09Don't worry.
14:12I feel like...
14:15I haven't seen him lately.
14:18What do you mean?
14:21I don't know.
14:23I guess we have different visions of life.
14:28But I understand that those visions have always been different, right?
14:32No.
14:33Even when we started, he helped pay a part of my tuition when my mom couldn't afford it.
14:38I guess it was because he believed in me.
14:41And now you think he doesn't believe in you anymore?
14:46I think he's too busy trying to have a conventional life.
14:51You know, this thing of...
14:53You have a partner, you get married, you have children, a family.
14:57You want to live in Santa Fe.
15:02I've never been that, Gonzalo.
15:03It's just that if I don't get married, if I don't have children, it's fine, nothing happens.
15:08I'm happy with that.
15:10I understand you perfectly.
15:12I also just understood why this society is determined to make us feel like we are not complete
15:18if we are not parents.
15:20We are not all made for the same thing.
15:22Exactly.
15:23Thank you.
15:25By the way, I have a gift for you.
15:28It's my way of thanking you.
15:30It's my way of thanking you for everything you're doing to get me the auction.
15:35You didn't have to.
15:38I hope you like it.
15:42It's beautiful.
15:44He told me that he understands your reasons very well.
15:48That you will find happiness the day you accept yourself as a two-hearted woman.
15:52The day you accept yourself as a two-hearted woman.
15:59But put it on.
16:02Okay.
16:16It looks great on you.
16:22Thank you.
16:42I'm sorry.
16:45I'm leaving.
16:49I'll see you later.
16:53Bye.
17:06Hey.
17:07Where were you?
17:08I'm leaving, Diana.
17:09What do you mean you're leaving?
17:11Where are you going?
17:12I'm going to talk to Gael.
17:13I'm getting late.
17:14But we came together.
17:15Weren't we going to stay the night?
17:16I'd rather not.
17:17It's going to be dark.
17:18What are you going to do?
17:19Drive alone?
17:20Diana, please.
17:21It's useless.
17:22I can do it.
17:24Okay.
17:25I was just worried about you.
17:26I'll let you know when I get there.
17:27Please.
17:28Yes.
17:44Daughter?
17:46Oh, my daughter.
17:48What are you doing here?
17:49Having fun.
17:50Walking down the street.
17:56I'm worried, Mom.
17:58I know.
17:59I feel perfectly fine.
18:01I swear.
18:02Yes.
18:04Well, I'm not calm.
18:06Listen.
18:08You can't put your life on hold because of me.
18:11Seriously.
18:12You're in your best phase.
18:13Please.
18:15In my best phase?
18:16No.
18:17Lonely and fighting for a position that should be mine.
18:20Lonely because you want it.
18:23You're beautiful, my daughter.
18:25Look at yourself.
18:26And they're going to give you that position.
18:28You'll see.
18:31And Dr. Villarreal.
18:36Mom!
18:37Don't tell me you don't like it.
18:40Because I could be thirsty, but I'm not blind.
18:43Don't say that.
18:44You're not thirsty.
18:46No.
18:50Yes, I like it.
18:53But I think I scared you.
18:55Why?
18:56I think I crossed a line.
19:00Can I tell you something?
19:04Before I met your dad,
19:07I had an intense love.
19:11That only happens once in a lifetime.
19:16Your grandparents didn't like it,
19:18and I didn't object.
19:20And then I met your dad,
19:21and I don't regret anything.
19:23Nothing.
19:25But...
19:27I've always wondered
19:31what would have happened if I had fought for that love.
19:36Don't let the same thing happen to you.
19:39I brought you some tortillas,
19:41so you can have a taquito.
19:43I don't know what they put in this sauce,
19:45but you have to pass me the recipe.
19:47It's a family secret.
19:49And speaking of family,
19:51what was Diana like as a child?
19:53Oh, Diana.
19:54She was a very scandalous girl.
19:56I hope she has changed.
19:58She's still the same.
19:59Hey!
20:01Oh!
20:02I have pictures of that time.
20:04I'll show you.
20:05Yes.
20:07Oh!
20:08I have pictures of that time.
20:09Do you want to see them?
20:10Of course.
20:12Whatever you want, Diana.
20:13Oh, I'm going to bring them.
20:14No.
20:17There's no way to have them.
20:18There's no way.
20:22No, Mom.
20:23These are the ones I found.
20:25There are more over here.
20:26Oh, Mom.
20:27Oh, it's a shame that people no longer have albums of photos.
20:30Now, only cell phones,
20:31and selfies, and tablets.
20:33Oh.
20:34Excuse me.
20:35About...
20:36Right?
20:42Oh, this...
20:43This was a trip we made to Oaxaca.
20:46Look how happy you look.
20:49Oh, it's okay.
20:50Look at you.
20:51And your dad?
20:52Uh...
20:54He left when I was very little.
20:56He was irresponsible.
21:04I don't know, Rolando.
21:05Our relationship is getting closer every day, and...
21:08Listen to me, Joaquin.
21:09Your relationship shouldn't get closer.
21:12You are a therapist and a patient.
21:14Nothing more.
21:16Well, it wouldn't be the first time it happens.
21:18It even happened to Broger.
21:20Don't get philosophical, please.
21:22You already deleted the video of the session you told me about, right?
21:26No.
21:27I still have it.
21:29But I should tell you before deleting it, don't you think?
21:31No.
21:32Joaquin, leave things as they are,
21:34or you're going to get into a more serious problem.
21:36Delete that video and send it to another psychologist.
21:38Period.
21:40I prepared a room for each of you, Joaquin.
21:42If you're cold, there are blankets in the closet.
21:45I don't want you to be doing inappropriate things.
21:49Good night.
21:50Good night.
21:51Good night.
21:53Leave them, Monja.
21:56You haven't said anything like that since my grandmother scolded me for eating the chocolates from the pantry.
22:01I had all these dreams and I wish they had never been true.
22:05In fact, you have something there.
22:07Really?
22:08Yes, can I?
22:13I'm going to tell you.
22:15I'm falling in love with Diana.
22:17Wouldn't it be ethical to keep treating her without telling her the truth?
22:21Let her live her life in peace.
22:23Listen to me, please.
22:30I can't promise that I'm going to listen to you, Beatriz.
22:33Me neither.
22:47Let's get out of here.
22:48Yes.
23:01Do you want me to show you your room?
23:04No.
23:06No, thank you.
23:08I've decided to go back to the city.
23:12Good night.
23:13Good night.
23:30Good night.
23:45I feel the presence of a person who is not good.
23:50I don't know who he is, but I know he exists.
23:56Does it hurt?
24:00Do you want to stop?
24:01No.
24:04Yes.
24:06I'm sorry.
24:07No, it's okay.
24:08Really?
24:09Yes.
24:10Don't worry.
24:19Get some rest.
24:31That mark you have on your chest has a reason to be.
24:37You must follow the signs and...
24:54I thought you were going to stay to sleep.
24:56No, I preferred to come here with you.
24:59Are you okay?
25:00You seem very excited.
25:02Everything is perfect.
25:04How did the auction go?
25:05I don't want to talk about work right now.
25:07I swear I'm saturated.
25:08Not right now.
25:09I don't know if this is considered work,
25:12but I have a surprise for you.
25:14Really?
25:16You have to close your eyes.
25:17What?
25:18You can't open them.
25:21Don't open them.
25:22No.
25:24Okay.
25:25Let's see.
25:27Ready?
25:28Yes.
25:31I moved the guest room to turn it into an atelier.
25:36Here is your desk.
25:37The materials can go here.
25:39And here are your canvases and the stool.
25:42What do you think?
25:45Why did you do this, Gael?
25:49I don't know.
25:51I don't know.
25:52Why did you do this, Gael?
25:55What do you mean why?
25:59Because I love you.
26:01Because I believe in you.
26:07Vale, I know that lately we haven't been well.
26:10And that it can be very difficult to be with me.
26:13But I love you.
26:15And I'm trying to change.
26:17I'm going to do what I have to do to fix things.
26:23If you ask me right now, I'm going to say yes.
26:26If I ask you what?
26:29That I come to live here with you.
26:32What?
26:34Are you serious?
26:35Yes.
26:42Well, what made you change your mind?
26:52No.
27:22No.
27:52I love you.
28:22I love you.
28:41Your eyes may change shape,
28:44but the soul that lives behind them will be the same
28:48until death.
28:50Your eyes may change shape,
28:53but the soul that lives behind them will be the same
28:58until death.
29:14There are a lot of people.
29:16A robbery.
29:17A robbery?
29:19I have an idea.
29:21But I don't know if Mr. Eduardo de Carvajal,
29:24sent by King Felipe IV,
29:26is in the mood for an adventure.
29:29I would never tell you that there is no adventure
29:31proposed by Mrs. Leonor de Santiago.
29:34We could go out very discreetly through the door
29:37that is under the staircase
29:39and take a walk alone
29:42without anyone noticing.
29:45Unless you prefer to go with all the people
29:49who come to my father for his new silver bet.
29:54I prefer the adventure.
29:55I prefer the adventure.
30:26Don't you think we need you at the celebration?
30:29I'm sure we do,
30:31but we'll come up with something.
30:33I wouldn't change for anything right now, here,
30:36alone.
30:55No.
31:10No.
31:19You are beautiful.
31:21I think it's fair and unfortunate
31:23to say that I'm in love with you,
31:25Leonor de Santiago.
31:27Unfortunate for what?
31:29For reasons
31:32that I'm not going to talk about right now.
31:50I love you.
32:20No.
32:50I love you.
33:20You are the most beautiful vision I have ever had.
33:50I love you.
33:51I love you.
33:52I love you.
33:53I love you.
33:54I love you.
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