Igra sudbine 1152 Epizoda - Igra sudbine 1152Epizoda
Igra sudbine 1152 Epizoda - Igra sudbine 1152Epizoda
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00:00What?
00:01I hope it's some good news.
00:03Great news, but you'll never guess what it is.
00:06I won't even guess, just tell me.
00:08Okay, okay.
00:09Zvrk is at Luka's.
00:11What?
00:12Uh-huh.
00:13Wait, where did that come from?
00:15Well, the same one in Italy.
00:17They heard each other, and...
00:19Well, that's phenomenal.
00:21That's great.
00:22That's great.
00:23That's great.
00:24That's great.
00:25That's great.
00:26That's great.
00:27That's great.
00:28Well, that's phenomenal.
00:30It's like she knew exactly when to come.
00:33Yeah.
00:34Wait, do you think something will happen between them?
00:36Well, I honestly hope so.
00:38But now, given how chaotic it is, that would be phenomenal.
00:41Yeah.
00:42God, I hope so too.
00:44Nothing, we hope so.
00:46We hope so.
00:47What's wrong with you?
00:49I don't know.
00:50Come on, a little more.
00:51A little more?
00:52It's too little.
00:53It's nice, rub it in.
00:54Yeah.
00:55I'm kidding, okay, okay.
00:59It's a different story.
01:04Is it possible for you to wash the dishes in the hotel room?
01:07I'm washing the dishes because this is my room.
01:09My room.
01:10My room.
01:11And there are my dishes, and I'm washing the dishes.
01:14You should, they're important.
01:15I know.
01:16I'm sorry.
01:17You know what?
01:18Do you know that you tried two things with us?
01:21What?
01:22What, what?
01:24What did I try?
01:25What did I try?
01:26Come on, tell me, what did I try?
01:28I don't know.
01:29You don't know what I tried?
01:31Oh, no.
01:33Oh, no.
01:34Beat him.
01:36Four and two.
01:38Four and two.
01:44I've lived for this.
01:46God, I'm so happy.
01:49Agica.
01:51Ask him.
01:52He wants to be your mom.
01:54Go ask him.
01:55Who do I love the most in the world?
01:57What do you mean?
01:58I'll tell you.
01:59Huh?
02:00I'll tell you.
02:01Okay, one, a little more.
02:02A little.
02:04Okay, this time I can tell you.
02:09I'll tell you.
02:10I'll tell you.
02:11It seems that all my dreams are coming true.
02:13Yes, you made me heal all my wounds.
02:18And that I have what I need the most again.
02:21I have a family.
02:23Are we really going to be a family?
02:26We are already a family.
02:28Look now.
02:30Oops.
02:32I'm sorry, please.
02:33I had some obligations and I had to tell you that.
02:35No.
02:36You are completely crazy, but completely.
02:38Well, that's why you love me completely.
02:40Okay, it's not just because.
02:42Do you have anything else?
02:43I mean, do you have anything else besides Agica?
02:46Well, there is.
02:48Because you're a great man.
02:50Just that?
02:51What, my advanced beauty?
02:53Yeah, you know how much it is?
02:55How much?
02:56So little.
02:58Do you hear that?
02:59Do you hear that for no reason?
03:00Let's be honest now.
03:02Are you happy that you and your dad are getting married?
03:06Well, yes, yes.
03:07So there's nothing.
03:08Here, the judge said, he's the boss here.
03:10It's time for the wedding.
03:11I just have to finish another formality.
03:16We tried to...
03:17Well, actually, maybe it just wasn't the right time.
03:22I think that's the main thing now.
03:23It wasn't the right time and that's why it didn't work out for us.
03:26Either that or you always looked at me like a friend.
03:29I looked at you like a friend?
03:31What the hell are you talking about?
03:32I don't know where, where did I look at you?
03:33Here, but how?
03:34How did I look at you?
03:35I looked at you completely like a non-friend.
03:36I looked at you completely differently.
03:37No, here, let it be.
03:38Let it be.
03:39It wasn't the right time.
03:40Okay, here, I agree.
03:41Well, okay, you know what?
03:42You know what?
03:43It's rare for a girl to be able to boast
03:45that she's been in love with the same guy twice in her life
03:48and never married him.
03:53Are you sorry?
03:54No.
03:56I mean,
03:58who knows why it's so good.
04:00I...
04:03I'm satisfied with my life.
04:06That's nice.
04:07That's nice, I'm glad to hear that.
04:12And...
04:15How are you after everything that happened with that...
04:19I'm okay.
04:21I mean, I'm great, really.
04:23Like you said, who knows why it's so good.
04:25Yes.
04:27And Akica?
04:32She's good.
04:34She's growing.
04:36Isn't she enough for you?
04:42A lot.
04:45But okay, you know what?
04:46I mean,
04:48we have to push through this,
04:49which is why we're here.
04:50We're here for a reason.
04:52Everything's happening because of him.
04:54Everything's because of him.
04:56This could change his life.
04:57I want to go back.
04:58I don't want him to think that my boyfriend is a loser.
05:01I want to go back and that he has a boyfriend
05:03who's a successful businessman.
05:06I agree.
05:09And you?
05:10How did you end up here?
05:12Me?
05:13I...
05:14I was waiting to come here, actually.
05:16I'm speechless.
05:17Yes, this is one of my favorite countries.
05:20And it's really beautiful here.
05:22Beautiful.
05:24Who would've thought we'd meet here?
05:27Yes.
05:30Somehow it turned out
05:33that you're closer to me here.
05:40I love you.
05:56What can I say?
06:03Where are you all from?
06:07I know I'm here.
06:08I know I'm in Belgrade, if you really want to know.
06:11You know, huh?
06:12I know.
06:13That's why you stayed without Bayadere's message.
06:15Because it's all locked up there.
06:17You can't take anything.
06:38I'm sorry.
06:48Hey, Laura.
07:09What's up with this meeting, Milena?
07:17I've decided to stop working with you.
07:21I think it's best if you stop coming to my sessions.
07:39Here you go.
07:40Thank you.
07:41Thank you very much.
07:42Miki.
07:43We'll see each other again.
07:44We'll see each other again.
07:45I'm glad we met.
07:46Me too.
07:47Come on, Mido.
07:48Let's go.
07:49Okay.
07:50Take it easy.
07:51I'm not in a race.
07:52We'll catch up.
07:53How did Mido get here?
07:56Like every sheep that came to Shishan.
08:00He came from a small town.
08:09Do you have company?
08:11Yes, I do.
08:12This is Laura.
08:13I mentioned her to you.
08:15Laura, this is...
08:17This is Zrko.
08:18She's my...
08:19Friend from Belgrade.
08:20Friend from Belgrade.
08:21From Belgrade?
08:22Yes.
08:23That's nice.
08:24Where are you from?
08:25I'm in Verona at the moment.
08:27Are you here for work or...
08:28I'm working, yes.
08:29In a program for children and refugees.
08:31That's a kind of humanitarian work, isn't it?
08:34That's nice.
08:35You're nice.
08:36I guess that's why you like solidarity and holding hands.
08:42I'll be downstairs in my room if you need me.
08:44See you later.
08:45Okay.
08:46See you.
08:58My God.
09:01What?
09:02It's more dangerous than the photos from the portal.
09:04It's not always like this.
09:05This just happened.
09:06Otherwise, it's not...
09:07I don't believe you.
09:08Come on, I don't believe you.
09:09Yes.
09:10But...
09:12Anyway, I don't want to make a problem for you.
09:15What problem?
09:18What do you mean, I don't know what problem?
09:20Because I'm here.
09:21Because she found us here.
09:24I mean, it was obvious that she's not real.
09:26What are you talking about?
09:27What did we find?
09:28What?
09:29Did we do something wrong?
09:30No.
09:31That's it.
09:32Okay.
09:33Where are you going?
09:34I have to go.
09:35It's already late.
09:36Wait a minute.
09:37Because it's late.
09:38I'm begging you.
09:39It's late, yes.
09:40And now you have to go to where?
09:41Verona?
09:42At 11 o'clock.
09:43Literally at 11 o'clock.
09:44Take me...
09:45I'll take the room here.
09:46If you want, I'll take the room.
09:47Super room.
09:48Luka, I literally have a night train.
09:51And you have to go back to your life.
09:55I know.
09:57Okay, yes.
09:59I would like to see you again.
10:02Me too.
10:04If the opportunity arises.
10:29Aha.
10:30So, you want to stop the psychotherapy with me?
10:38This is not psychotherapy anymore.
10:42But what is?
10:44It turns into a private meeting, right?
10:49But it helps me.
10:52Yes.
10:53That's my job.
10:55Yes.
10:56That's my job.
10:58But what about that non-business part?
11:03Okay.
11:04Like this.
11:05I can apologize for everything that happened.
11:09To take full responsibility for myself.
11:14And to say that the kiss came somehow spontaneously, right?
11:21That's just a phrase.
11:22A phrase.
11:23What does spontaneous mean?
11:26Let's call things by their name.
11:30It didn't happen.
11:33We already fell in love.
11:36But you didn't realize it, did you?
11:40And then...
11:42Then I had an instinct.
11:45To help you.
11:47And little by little, little by little...
11:49Where are you now?
11:52I'm sorry I didn't realize it.
11:56You don't have to apologize to me.
11:59But I think that therapy has no purpose anymore.
12:02That's my professional opinion.
12:06Because of one kiss?
12:09Because of a lot of things.
12:12I'm sorry.
12:14I have to go.
12:19Bye.
12:37You see...
12:42These are the rules of life and competition.
12:48They don't come to Belgrade to get rich.
12:54But that's not how it works.
12:57They have to share something with us.
13:00Homebodies, right?
13:02Yes, yes.
13:05Is Mido paying for everything?
13:07Yes, he's paying.
13:10Okay, let him. It's good when he pays.
13:13He pays.
13:14Listen to me now.
13:17If this woman that was with Mido shows up again...
13:22According to her...
13:24Maximum love and obedience.
13:27Is that clear?
13:28I understand, boss.
13:30She's still his...
13:34Top half.
13:40Let's go.
13:47Let's go.
14:05Who is it?
14:06It's me.
14:18Did you follow your friend?
14:21Yes. What's the problem?
14:23Who is she to you?
14:24Why are you acting like that?
14:26How am I acting? I'm asking you nicely. Who is she to you?
14:28She's my friend, as they say. A beast.
14:32She's very dear to me. I have some...
14:35Some moments together in the past.
14:40That's it.
14:41Can I know what moments?
14:44It's the past, so I don't know what's important.
14:48How is it that you're here now?
14:50How did you get into trouble if it's the past, as you say?
14:54First of all, I didn't know you were alive.
14:56I didn't know she was coming.
14:58So... I don't know.
15:00So she didn't show up.
15:03Because it doesn't seem naive to me.
15:05What do you mean?
15:08Why didn't you introduce me as your girlfriend?
15:10First of all, how do you know I didn't introduce you?
15:13I came to her and we talked about a hundred different things.
15:16We ate, we slept, we talked, we hung out.
15:19We covered everything up.
15:20Give me a break.
15:21What?
15:22I can't believe what you're doing to me.
15:25God, I'm not feeling well.
15:27What's wrong?
15:29I think we're having another anxiety attack.
15:34Is that it? Do you want me to call a doctor?
15:36No.
15:40Are you okay?
15:43Do you feel better?
15:45Maybe, yes.
15:47Let's go.
16:06When is the next therapy session with Mila?
16:09I'm not going to see her again.
16:13Why?
16:14I mean...
16:16Why? Because she's unconscious?
16:18No.
16:19It's simple.
16:21She's not going.
16:24Okay, what did she tell you?
16:26That you gave up?
16:29Nothing. She just agreed.
16:32That's all?
16:33I mean...
16:34I'm sorry, but she didn't...
16:36I don't know which psychotherapist would accept
16:38that a patient stops going to therapy overnight.
16:42She's not going.
16:44What's so strange about that?
16:46I told you before that...
16:48I'm not for that psychotherapy.
16:51But, look, she's one of the best.
16:54I'm sure she'd find a way to come to you and give you a chance.
16:57Well, she didn't.
16:59What can you do?
17:00It happens.
17:02Actually, you know what?
17:06It's easy for me that you're not going to therapy with her anymore.
17:10Really?
17:11Yes, yes.
17:12I mean...
17:13Look, she can be the best in the world.
17:15It's not normal that you and I go to the same therapist.
17:18And I don't think it's professional
17:20that she agreed to treat a married couple.
17:24Okay.
17:25I like the way you think.
17:27And that you support me.
17:29Well...
17:30To be honest, I would never force you.
17:33But it means that you still want to try.
17:36And that's enough for me.
17:38Have you thought about who you're going to see now?
17:41No.
17:42I haven't thought about that at all.
17:44You're not going to give up completely, are you?
17:48Listen.
17:49I've had enough of those affairs with psychotherapists.
17:53I'm going to take a break.
17:55And then I'm going to...
17:56I'm going to take a break.
17:58And then I'm going to think.
17:59I'll see.
18:00I'll see what I'm going to do.
18:11Cheers.
18:15To you, too.
18:26To you, too.
18:50Good morning.
18:51Good morning.
18:53How are you?
18:54How's the attack?
18:56I'm better.
18:57Thank God.
19:03Wait, wait.
19:04We have to go to work.
19:05What time is it?
19:06We have to go to work.
19:07What?
19:09We have to go to work.
19:10Listen.
19:11Do you know what we're going to do if we don't go to work right away?
19:15Nothing, we're not going to.
19:17Nothing.
19:18We're going to lock these two up.
19:21We have to go to work.
19:22They can wait.
19:24But I can't.
19:26Cheers.
19:50God.
19:52This is terrible.
19:53This doesn't make sense.
19:54No.
19:55I'm a man of manners.
19:57I'm not some kid from a teenage club.
20:00Terrible.
20:01Terrible.
20:02God forbid.
20:05Give me that water.
20:07If these journalists continue to camp in front of the building...
20:11I'm more worried about your throat.
20:13You sound like you've had a stroke.
20:15And when you were whistling, when you let me go,
20:17I was shaking like a brain.
20:20My throat wasn't whistling.
20:23It was too fine.
20:24Yes, yes.
20:25And that Andrija.
20:26I don't know what's wrong with him.
20:28He's been nagging the journalists so much,
20:29that's why all this chaos.
20:30Thank you.
20:31You're welcome.
20:32We always support our boss,
20:33the company we work for,
20:34and we don't put ourselves above him.
20:36I support him.
20:37Bobo.
20:38Bobo, I support him.
20:39We know that.
20:40Listen, Bobo.
20:41I didn't want to say anything bad,
20:42but the fact is that the entrance is blocked.
20:44No one can come in or out.
20:46And what do we do now?
20:47Well, the last one is free.
20:50All I can do is use it.
20:52Okay, thank you.
20:53See you.
20:54Bye.
20:56God, what a fool.
20:58Hello?
21:00Tabloid Glas.
21:03Please give me the manager, Kostu Zeljkovic.
21:06Tell him that Andrija Bošnjak wants to talk to him.
21:12Andrija Bošnjak?
21:13Where are you from?
21:14Yes, it's me.
21:16I just want to tell you
21:17that I will file a complaint
21:19if you don't remove the nonsense you published.
21:22I'm really sorry,
21:23but the golden rule of tabloid journalism
21:25is not to silence affairs,
21:27but to disperse them.
21:29And what did you disperse?
21:32Nothing from what you published is true.
21:35Our sources say it is.
21:37What sources?
21:39I was provoked by your journalist's nonsense.
21:43How true?
21:44I was on my way,
21:45so I don't know who called you.
21:47You don't know who,
21:48but you published the news.
21:50The news was not for dispersing.
21:52We are used to judging.
21:54But how did our journalist present himself?
21:57I can't remember.
21:59Palikuć, something like that.
22:01I'm not sure.
22:03I don't know his last name.
22:05Maybe that man doesn't even work here.
22:07How did you publish it
22:09when you don't even know where the affair comes from?
22:14It's simple.
22:15No newspaper can deny such affairs.
22:18But don't worry.
22:19You will easily dismantle everything.
22:21We will give you ample space.
22:23I can't remember dispersing the tabloids.
22:27But the news is here in the middle of a tabloid scandal.
22:31And it looks like a victim of a sly deception.
22:33Unfortunately.
22:34Whose?
22:36I can try to find out the origin of the news.
22:39I would be grateful to you.
22:44Palikuć.
22:46Mutikaš.
22:48Something like that.
22:50What a fool I am.
23:03It's total chaos.
23:04The journalists have occupied the company.
23:06They are rushing for an interview with Andrija.
23:09When we are with Andrija, I have something to tell you.
23:13He won't come to my therapy anymore.
23:17I knew he would give up.
23:19He didn't give up.
23:21I rejected him.
23:24Why?
23:28Well...
23:32He kissed me during the session.
23:34What?
23:36How did that happen?
23:39It happened...
23:41I mean, at one point I was collaborating.
23:45Ok, you were aware of it.
23:47You told me.
23:48Yes.
23:49And...
23:51Then he helped me.
23:55He kissed you.
23:56There was no other way to help you.
23:59I'm telling you the way it was.
24:02Ok.
24:03Who initiated that kiss?
24:05You or him?
24:07I'm telling you.
24:08Him.
24:09Are you sure about that?
24:11I'm sure, Bobo. What's wrong with you?
24:14Come on, please.
24:16You found a way to get rid of him in the middle of the session.
24:34Why are you so quiet today?
24:39I'm thinking.
24:40About what?
24:42I'm thinking about that monkey Luka.
24:46How he mixed up the water again.
24:50And all for his own loss.
24:55I don't know how to help her.
24:57You don't know, Milan?
24:59You don't know because you don't know the main thing.
25:02You don't know what happened in Milan.
25:04I don't know.
25:06Milan visited Luka.
25:09Who?
25:10I don't know.
25:11A monster!
25:12A monster went to Milan to visit Luka.
25:14Well, she was always a good girl.
25:16She was always with him.
25:18She's not a good girl.
25:20No, she's not.
25:21Ok, ok.
25:23You know what?
25:24It all turned out so weird with that girl.
25:28What?
25:31She was sick.
25:32Yes.
25:33I'm sorry.
25:34I don't know if she's alone.
25:37Should we activate her in the society?
25:40What do you think?
25:41Yes.
25:42You and Kaja.
25:43No.
25:44Why?
25:45No, because I can't find a wife for myself because of the inheritance.
25:50And where can I find a wife?
25:52Don't.
25:53Milo, what's going on with that?
25:56Nothing is going on with that.
25:58Nothing?
25:59No, until she gets married.
26:01What does Kaja say about that?
26:03How does she see things?
26:05Well, Kaja is sober, smart, but she understands.
26:11She understands.
26:12She understands the circus, and she understands that I need money.
26:16Well, where did she go wrong?
26:18She won't go wrong because she doesn't get it.
26:21She doesn't get dignity.
26:24Dignity.
26:26Yes.
26:27Kaja is just like that.
26:29Dignity.
26:30Yes.
26:31She's a good girl.
26:33Yes.
26:34Money is money, Milo.
26:36It's stupid to waste it.
26:39Look what people do for money.
26:42Here's Alex and Luka.
26:43They went to Milan for money.
26:45Why did they go to Milan?
26:47It's not the same, Pancic.
26:49They went there because of the memory of the late Aduka Nackina.
26:54Not just for money.
26:55What are you talking about, Milo?
26:58Why are you standing here in the chaos?
27:00I am in the chaos.
27:01What do you mean?
27:02Do you want me to tell you everything?
27:04Yes.
27:05Oh, my people.
27:07Tell me everything you know.
27:09Why are you standing here?
27:12Hey.
27:14Hi.
27:15Hi, people.
27:16What's up?
27:17How are you?
27:19Pretty and a beast.
27:22What?
27:28What?
27:42Bobo.
27:44I need you urgently.
27:46I'm sorry.
27:47I just need 10 minutes to calm down.
27:49What's wrong?
27:50Nothing.
27:51I'm just worried.
27:52Why are you crying?
27:54Nothing.
27:55I just need 10 minutes to calm down.
27:58Do you want to tell me what's wrong?
28:01Okay, if you don't want to tell me what's wrong,
28:03then you don't have those 10 minutes.
28:05All right?
28:06Find another place to work.
28:09Okay, you're right.
28:12Are you okay now?
28:13I am.
28:14Okay.
28:16Call that number from your phone.
28:21What should I say?
28:23You should say that you had a missed call from that number
28:27and that you're trying to call that man.
28:31Okay.
28:34Do we understand each other?
28:35It's very important for me to get that man's name.
28:39Okay?
28:40Okay.
28:49Hello?
28:50Good afternoon.
28:52I'm sorry.
28:53I had a missed call from this number.
28:58Well, your number seems familiar to me.
29:00I thought maybe my brother changed the number of his phone,
29:03so it was very important to me.
29:07Can I know who I'm talking to?
29:11Thank you.
29:12Nice to meet you.
29:15Vito Mirtutic.
29:30Honey, you have a couple of days to prove your love to me.
29:33Otherwise, none of my money will come.
29:36Now, goodbye.
29:37First time.
29:46Second time.
29:54I didn't come here to hurt you.
29:56I understand you.
29:58You know how it is now.
30:00The time has come that when someone comes to a little more money,
30:03everyone tries to rob him.
30:05Do you understand?
30:06You're right.
30:07Listen, this is how we'll do it.
30:08We'll come to Belgrade tomorrow,
30:10we'll have a nice walk and try all the spaces.
30:14Okay.
30:15Okay.
30:17See you.
30:18Bye.
30:36I'm asking you to be careful in the future,
30:41because next time it won't be so easy.
30:44Okay.
30:45Let's say goodbye now.
30:47Cheers.
30:48Cheers.
30:49See you tomorrow.
30:50Okay, it's okay.
30:54You.
30:55Me?
30:57It's okay, tell me.
30:59The owner of the club accused the management of Milan Fashion Week.
31:11Milan Fashion Week
31:16I was at Milena's.
31:20She told me that she stopped the therapy.
31:27How do you know that I was at the therapy?
31:30Milena told me.
31:32You know that we're friends.
31:42I'm sorry.
31:47Milenka, are you okay?
31:48Yes, I'm okay.
31:50Are you sure?
31:51I'm okay, I'm okay, leave me alone.
31:54Let's just solve this, because...
31:58Let's go to bed, mom.
32:02I'll take this.
32:03Come on.
32:04Can you do it yourself?
32:05Yes, yes.
32:08Hold on.
32:12Milan Fashion Week
32:24You tried to cheat on me,
32:26not to say you're cheating,
32:28but my brain is still working.
32:30How can we cheat on you?
32:33No, I just want to ask,
32:35why don't you dress up nicely
32:38and come here to Belgrade?
32:41To Belgrade?
32:42To fly over half the world?
32:44Yes.
32:57Why are you crying now?
33:00I don't understand.
33:02I didn't kiss you, I kissed Milena.
33:06That's why.
33:28Yes, it's me.
33:31I just got a call for a trial.
33:49Andrija, all those women,
33:51all those other women got from you
33:53everything they wanted, and I...
33:55Hey, enough!
34:00Milan Fashion Week