"Stillwater" is a dramatic thriller that follows Bill Baker, an American oil-rig worker from Oklahoma, who travels to Marseille, France, to visit his estranged daughter, Allison, who is imprisoned for a murder she claims she did not commit. Struggling with language barriers, cultural differences, and a complex legal system, Bill becomes determined to prove his daughter's innocence. As he delves deeper into the case, he forms an unlikely bond with a local French woman, Virginie, and her young daughter, Maya, who help him navigate the foreign landscape. The film explores themes of redemption, sacrifice, and the lengths a father will go to for his child.
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Short filmTranscript
00:00:00You
00:00:30You
00:01:00You
00:01:30I
00:01:48Keep us a lot when a pueblo después que no indianos a
00:01:52straight on
00:01:54He like it
00:01:56Don't worry, sir. La mayorÃa de ellos. Si es una locura
00:02:02Yo no creo que los estadounidenses nos diera cambio
00:02:05Yo no creo que a tornado le importe lo que les puse a los americanos
00:02:10Thank you for making my sonic your sonic my name is Michaela, how can I help you tonight?
00:02:14I need a footlong cheese coney with mustard and onions large tots and large cherry limeade
00:02:26I
00:02:56You
00:03:18Where you from still water, who's the last drilling company work for ITA? Why'd you quit?
00:03:24I
00:03:25Operated up the rig we stacked. I got laid off six months ago. What are you doing now?
00:03:30I worked construction, but it's been slow since the rigs been down
00:03:35I've been doing cleanup after that tornado by Shawnee
00:03:38Getting after it
00:03:51Hey, sir, let me finish this page
00:03:55You
00:03:59One more page
00:04:01Thank you for this food and for all that is good in this world
00:04:05Keep Allison in your watchful eye. Amen. Hey, man
00:04:12You get hired out yet? Nope had an interview this morning
00:04:17I
00:04:20Call from your mother a few days ago
00:04:23She moved to Tampa
00:04:26She asked for money or some shit. No, she asked about you
00:04:32You should call her sometime I don't know if I'm dealing with here
00:04:39Did you pick up my car registration
00:04:42Yeah, a lot at home it's been all morning waiting for
00:04:48I
00:04:50Got it online
00:04:52Everything's online
00:04:54Can't get a real human being if you try
00:04:57Didn't stop him from charging me twenty three dollars
00:05:00I'll pay it
00:05:01It's not what I meant. I know
00:05:09There's a bag of things by the front door for you to take and an envelope of photos in on her desk
00:05:16Those are important
00:05:46Okay, you have two stopovers the first in Atlanta the second in Frankfurt
00:06:16I
00:06:40Just need your signature, please
00:06:42You are with us for two weeks, yes, ma'am
00:06:47Thanks, here's your key room 156. Thank you, ma'am
00:06:55Welcome back. Mr. Baker
00:07:12Oh
00:07:32Hey, hey y'all might keep it down trying to sleep music
00:07:42Speaking
00:08:13See
00:08:28See one
00:08:35Salim no Moussa this
00:08:40Baker
00:09:00You look good
00:09:02Thanks
00:09:04How's fighting okay
00:09:08You doing? All right. Okay. Yeah good
00:09:13Good you got some laundry for me. Yeah
00:09:21They gave us two more visiting days next one's Friday 2 p.m. That's Graham
00:09:28She's good. Still got the oxygen tank
00:09:31Still got plenty of opinions
00:09:35Miss her
00:09:37She bought you everything you wanted got you extra pair of socks and good new pair of sneakers
00:09:44Thanks
00:09:46Graham said that she was giving you some photos for me
00:09:50No shit. I forgot him. I just bring him next time. I'm I forgot him at home and still water
00:09:56Sorry
00:09:58I got you a cowboy sweatshirt in the airport. I'm gonna be good this year. I got this big old tight end out of Guthrie
00:10:07Takes about three guys to bring him down. You don't go pro for sure
00:10:12Cool
00:10:14You still working in the library no, I quit
00:10:18I need you to do something. I
00:10:23Need you to give that to the park make sure she reads it
00:10:28It's a letter just give it to her
00:10:31That's just on the envelope. Okay. Yeah, okay, but are you good?
00:10:37Please I'll do it today. I'll make sure she reads it
00:10:42I
00:10:46Pray bet
00:10:52Thank you Lord for being this together this place today, thank you for keeping watch for my house
00:11:12You
00:11:18Mr. Baker
00:11:20I'm sorry. You had to wait but metal a park is not coming back to the office today
00:11:25I'll come back tomorrow then. Thank you, ma'am. Mr. Baker. She's in court all week
00:11:29Why don't you give me a letter and I will make sure she gets it can't do that. Thank you, ma'am as you wish
00:11:43Oh
00:11:55You locked out
00:11:57What
00:11:59Key you got a key
00:12:02No, she's gonna do
00:12:08Come on I'll get you a new key
00:12:12Oh
00:12:25What's your name you
00:12:30Maya
00:12:33See Kua
00:12:35Who's the tattoo?
00:12:38So no zoo. Hmm
00:12:41Was all that's a eagle
00:12:44Eagle eagle bald eagle America
00:12:47Yeah
00:12:48Yeah, and I got a skull with a knife going through it
00:12:54Thank you, ma'am
00:12:56I
00:13:07Looking for that person nature the park
00:13:26Oh
00:13:32Mr. Park
00:13:35Mr. Baker, yes, ma'am. I just need a few minutes of your time letter from my daughter
00:13:43I'm sorry, mr. Baker, but I cannot honor your daughter's request
00:13:48Why is that?
00:13:49Mr. Baker a judge will not reopen this case based on hearsay. This is not possible
00:13:56Okay
00:13:58We have exhausted every possible legal action
00:14:01This letter tells me that your daughter has not accepted her sentence and she must do you understand?
00:14:09Yes, ma'am. I
00:14:11Must go. I have a full day
00:14:14Can I get that letter back?
00:14:17As you wish thank mr. Baker
00:14:20There's a time for hope and there's a time for acceptance
00:14:24The last thing you want to give your daughter is false hope
00:14:28That could make a situation very dire. Do you understand?
00:14:32Yes, ma'am
00:14:53I
00:15:02Hello
00:15:04Hey
00:15:05Thank you for helping my daughter Maya yesterday. I was a little bit late coming back
00:15:11It's uh, you know, we're between apartments and we don't have electricity at a new place. So
00:15:19Sorry, I don't speak English
00:15:23Yes
00:15:24the balcony, yeah
00:15:27Well, my English came back to me. I'm sorry for the loud noise. It's because of my girlfriend Nechma
00:15:34She's bad influence on me
00:15:37I'm Virginia
00:15:39Bill hello bill
00:15:41You're in Marseille for vacation
00:15:44Visit my daughter. It's cool
00:15:48Well, hopefully we're only here for one or two more days, but if you need anything, you know, we're next door
00:15:54Thank you, ma'am. Thank you. Bye
00:16:02Dear
00:16:03Metro the back I'm writing to you because I was contacted by
00:16:09Dr. Patrick O'Connor do a chief of the outreach program. I was involved in at University
00:16:18Patrick was approached by a student who met a guy named Akim
00:16:23At a party. She was told he had stabbed a girl years ago and
00:16:29Got away with it
00:16:32It must be the same Akim who killed Lina
00:16:39The father of the girl the American student, yes, ma'am
00:16:44His DNA must be compared to the unknown DNA found on the crime scene. Oh, yeah, I beg you to investigate
00:16:51to talk to Mr. O'Connor do and to the student. I
00:16:55am innocent of this crime and I have no one else to assist me
00:17:01My grandmother can no longer make the trips to Marseille and you know, my father
00:17:07I cannot trust him with this. He's not capable
00:17:13Please do not abandon me in this horrible place. I
00:17:18Have lost five years of my life and I still have four to go
00:17:23It's really Allison
00:17:28I'm sorry. I'm sorry. I'm sorry. I'm sorry
00:17:33I'm sorry. I appreciate your help
00:17:47Please don't say anything to anybody about this
00:17:49Mr. Baker, please this way
00:17:55So, how can I help you
00:17:58Well, I want to see mrs. Le Parc about the case and Metro Park is not available today
00:18:06There's a new lead on the case
00:18:09Yes, I know
00:18:11Mrs. Le Parc was very clear with you yesterday. She cannot pursue this case
00:18:17But if you wish to pursue a further investigation
00:18:20We can recommend that you go to Mr. O'Connor
00:18:23Mr. O'Connor, please
00:18:26Mr. O'Connor, please
00:18:29Mr. O'Connor, please
00:18:32Mr. O'Connor, please
00:18:35Mr. O'Connor, please
00:18:37But if you wish to pursue a further investigation
00:18:40We can recommend this
00:18:42It's a list of private detectives you can engage. Oh, I don't want I don't want a detective
00:18:46We have worked with the people on this list and they are all very capable
00:18:51I'm circling the names
00:18:56I don't need some fucking list
00:19:08As you want
00:19:11Fuck this
00:19:37Yeah
00:19:39A bit late today. You shouldn't do that. You know, they're gonna call you back in on time
00:19:43It's okay. It happens. Sometimes I do your laundry
00:19:46Thanks. Um, did you give my letter to the park? Yeah, of course
00:19:52And what'd she say?
00:19:55Well, uh, she told me what you wrote about a team and girl at the party and what'd she say?
00:20:03She said, you know, she works on a lot of these cases
00:20:07Dad, is she gonna investigate it or not?
00:20:12Just tell me
00:20:15Yeah, she's gonna look into it
00:20:18Really?
00:20:21She said that? She said she's gonna look into it?
00:20:24That's right. I told her how strongly you felt about it
00:20:28Does she need me to do anything?
00:20:30No. She said she just needs some time
00:20:33And, uh, she did say she didn't want to make any promises
00:20:38She didn't want to give you any false hope or nothing like that
00:20:41No, no, no. That's still great
00:20:44A team exists
00:20:46Thank you, Lena
00:20:48I know. I know that
00:20:51You have no idea how many times I wrote and then rewrote that letter
00:20:56Well, it worked
00:20:58Yeah
00:20:59Maybe God answered her prayers
00:21:02Thank you, Dad. Thank you so much
00:21:22Excuse me, ma'am. Bill Baker called about a list
00:21:26One woman, please
00:21:28I don't know how much you remember about the case, but Allison came here from college
00:21:32And that's where she met this girl, Lena
00:21:35Allison and Lena were together
00:21:37And one night they got in a big fight
00:21:40Allison went to a bar. That's where she met this Akeem guy
00:21:44And they had some drinks, and he stole her purse
00:21:47And when Allison got home, she found Lena dead and called the police
00:21:52And they never could find this Akeem
00:21:54And he's the one who killed Lena
00:21:58What do you think?
00:22:01Mm-hmm
00:22:04You speak English, huh?
00:22:07English?
00:22:08Yes, I am
00:22:11Fuck
00:22:14Give me back the letter
00:22:29Mr. Baker
00:22:33Please
00:22:35My office
00:22:37I was in service at the time of this case
00:22:40And the police
00:22:43Have you talked to this Coronado, the professor?
00:22:46No, sir
00:22:49I see why your lawyer doesn't want to help
00:22:52Some kid at a party hears gossips
00:22:55Some kid at a party hears gossips about murder
00:22:59Maybe she remembers this famous case
00:23:01Why now?
00:23:02It was five years ago
00:23:04That's how long my kid's been in jail, five years
00:23:09Does she know we are meeting?
00:23:11Your kid
00:23:13No, sir
00:23:20Are you rich, Mr. Baker?
00:23:23No, sir
00:23:25This is a DNA case
00:23:27It means two steps
00:23:29First, I look for the young man
00:23:32That will not be easy
00:23:34People will talk
00:23:35He will try to disappear
00:23:37Then, if I find this Akeem
00:23:40I have to get a sample of his DNA
00:23:42And use my connections in the police
00:23:45To test it against the DNA from the crime scene
00:23:49How much?
00:23:56Twelve thousand dollars
00:23:59Euros
00:24:03Thank you for your time
00:24:06Mr. Baker
00:24:09Do you believe your daughter is innocent?
00:24:11I know she is
00:24:14Then maybe it's not so much to see her go free
00:24:56Excuse me, ma'am
00:24:57Yes
00:24:58Can I ask you a question, please?
00:24:59Yes, of course
00:25:00I'm just too much of a dumbass to figure this out on my own
00:25:03I don't speak French
00:25:05How can I help you?
00:25:07I'm looking for a guy who works here
00:25:26The Antropocene
00:25:28Anthropocene
00:25:30Anthropocene
00:25:31Anthropocene
00:25:32Anthropocene
00:25:33Anthropocene
00:25:34Anthropocene
00:25:36Yes?
00:25:37Sorry to interrupt
00:25:40Do you speak English?
00:25:44I do
00:25:46I'm looking for Patrick Okonedo
00:25:49Have you found him?
00:25:51Have a seat, please
00:25:52That's alright, I'll wait outside
00:25:54No, no, please
00:25:55Join the party
00:26:12It's impressive
00:26:16It's the kind of office a PhD will get you
00:26:19Mint tea
00:26:20Thank you
00:26:23I want to talk to the girl you told Alison about
00:26:25From the party
00:26:26Yes
00:26:27I assumed as much
00:26:30To be honest, I've always felt guilty about what happened
00:26:32I should have warned Alison
00:26:34Warned her?
00:26:35About what?
00:26:36Well, I knew Alison and Lina were sleeping together
00:26:38But I had no idea Lina had moved in with her
00:26:42I try to not be cynical about these type of relationships
00:26:45Poor girl from the ghetto, rich American student
00:26:48You end up being guilty of everything
00:26:50Alison grew up poor
00:26:51She isn't rich
00:26:52Educated
00:26:54There's a lot of resentment towards the cultural elite
00:26:57And I'm sure you're aware of that
00:27:00What about the girl from the party?
00:27:02My student?
00:27:03Yeah
00:27:04Her name is Suad
00:27:05She's from the outreach program
00:27:07The same one Lina and Alison were involved with when they met
00:27:10And she heard some guy talking about Lina's murder?
00:27:13This is what she told me
00:27:15Could I talk to her?
00:27:16She'll talk to you, yes
00:27:18I'll give you her phone number
00:27:21Suad doesn't speak English very well
00:27:24You will need someone to translate
00:27:27But could you do that for me?
00:27:30No, I'd rather not
00:27:33I'm still running the outreach program
00:27:35And I cannot be associated with you
00:27:37Or your daughter, after what happened
00:27:39Whatever my personal opinion may be
00:27:42My daughter's innocent
00:27:45I wish you good luck
00:28:00Hey Patricia
00:28:01I'm afraid I need some help again
00:28:03I'm supposed to attend a very special birthday tomorrow
00:28:06I lost the address
00:28:15Hello?
00:28:29Hello?
00:28:30Hi, it's Bill Baker
00:28:32Excuse me?
00:28:33Bill, from the hotel
00:28:35Ah, Bill
00:28:36Yeah, I was stopping by, sorry to...
00:28:40Last floor
00:28:41All right
00:28:44Hey, Bill
00:28:46Hey, Maya
00:28:48I got something for you
00:28:50It's a robot
00:28:54A robot?
00:28:55Oh, Mom, Bill brought me a robot
00:28:58Can I open it?
00:28:59Yes, of course
00:29:00Sorry to intrude
00:29:01No, it's okay, come in
00:29:04I have some friends over
00:29:08How did you find this?
00:29:09Oh, the lady at reception gave me her address
00:29:12There's this girl I need to call
00:29:13But she don't speak English
00:29:14And it's kind of personal
00:29:16You want me to make the call for you?
00:29:18Yes, ma'am, I'll come back
00:29:19No, it's fine
00:29:20Just come in
00:29:21Just let me grab my phone
00:29:23Come
00:29:25Everyone, this is Bill
00:29:27Hi, Bill
00:29:28Hey
00:29:29Bill, this is...
00:29:31La crème de la crème of the Marseille theatre scene
00:29:35Okay, I'll be there in five minutes
00:29:37Let's take a break
00:29:38Yeah
00:29:39Hello
00:29:41We're doing this mask exercise
00:29:43All right
00:29:44Yeah
00:29:46Excuse the mess, this is going to be my office
00:29:48But we're still moving in
00:29:49Have a seat
00:29:51So, who am I calling?
00:29:54The girl from the letter
00:29:56Oh, it's about the case?
00:29:57Yes, ma'am
00:29:58I want to meet with her
00:30:00Is the lawyer not helping you?
00:30:03I'm doing it myself for now
00:30:06Oh, wow
00:30:08Okay
00:30:09Maya, can you turn on the light, please?
00:30:11Yes
00:30:15It's broken again
00:30:16Again?
00:30:17Yes, look
00:30:19Oh, damn
00:30:20But a great deal
00:30:21I love this place through this friend of mine
00:30:25I fell in love with this view
00:30:26But it has a few defects
00:30:29Probably just a circuit breaker
00:30:30I could look at it if you want
00:30:32Yeah? You know how to do that?
00:30:34Yes, ma'am
00:30:35Well, that would be great
00:30:37Swan?
00:30:38Swan
00:30:39Yes, hello, Swan
00:30:41Hello, it's...
00:30:42My name is Virginie Leterrier
00:30:44Actually, I'm calling from Bill Baker
00:30:47Bill Baker
00:30:48He's Alison Baker's father
00:30:50And he would like to meet you
00:30:52Can you excuse us?
00:30:54Would it be possible to talk to you?
00:30:58Yes, if you want
00:30:59Tomorrow? Perfect
00:31:00What time?
00:31:01Tomorrow
00:31:02Tomorrow
00:31:04Tomorrow
00:31:06I don't know who did that
00:31:16That goes on easy
00:31:26Okay
00:31:27She agrees to see you tomorrow at six
00:31:30All right
00:31:31She was nice
00:31:33Bit shy
00:31:34So how are you going to talk to her
00:31:35If you don't speak French?
00:31:38Well, that's a fair question
00:31:39I'll figure it out
00:31:42Okay
00:31:43Well, I could come and translate if you need
00:31:45Are you sure?
00:31:47Oh, yeah
00:31:49Yeah, my aunt has art class
00:31:50So if you come here at 5.30
00:31:52Then we'll take my car
00:31:55Appreciate it
00:31:56You show me where that fuse box is
00:31:57I'll work on that breaker for you
00:32:00No, it's okay
00:32:01You don't have to do that
00:32:02Oh, no, no
00:32:04Just give me that damn thing
00:32:06Come on
00:32:11Bill!
00:32:14Bye, Bill
00:32:18Bye
00:32:30I have to confess
00:32:31I went online and I read about Alison's case
00:32:34It was a big story at the time
00:32:36I mean, the press was ferocious, no?
00:32:40You say ferocious?
00:32:42Yes, ma'am, you say that
00:32:44Yeah?
00:32:46Putain
00:32:47Dumbass
00:32:49Yeah, people, they don't know how to drive in this fucking town
00:32:52It's a crazy place, Marseille
00:32:54But I still prefer it to Paris
00:32:56You know, people actually talk to each other here
00:32:59And plus, it's cheaper
00:33:03And why did Alison come here for school?
00:33:05I'm curious
00:33:06Don't know
00:33:07No?
00:33:09Yeah, she was going to Oklahoma State
00:33:11She just called me up one day, said
00:33:13I'm going to France, to here
00:33:16She's independent?
00:33:18Yes, ma'am
00:33:19Always been
00:33:21Are you close?
00:33:23Well, you read her letter
00:33:26And where is her mother?
00:33:29She passed
00:33:31Killed herself
00:33:36Alison was raised by her grandmother, mostly
00:33:38I wasn't around much
00:33:39Where were you?
00:33:41Working oil rigs
00:33:44Being a fuck-up when I wasn't
00:33:48It's not easy being a single parent
00:33:50I often work at night and Maya, she gets really upset
00:33:52What do you do?
00:33:53I'm an actress
00:33:54On TV?
00:33:55No
00:33:56Theater
00:33:59Do you go to theater?
00:34:01No, ma'am
00:34:02Never?
00:34:03No, ma'am
00:34:06Okay
00:34:14Thank you all for talking to me
00:34:17So, this guy, she met at the party
00:34:19Akim
00:34:20Anything she can tell us about him?
00:34:30She said he was quiet and nice
00:34:33Nice
00:34:39And then he told her friend he'd stabbed a girl
00:34:41and that the police never caught him
00:34:44Okay
00:34:45Does she know where he lives?
00:34:53Does she know where he lives?
00:34:59Caliste
00:35:00She says he lives in a different project
00:35:02It's called Caliste
00:35:16What's she saying?
00:35:17Nothing helpful
00:35:19I'm, uh
00:35:20Look
00:35:21Pay her
00:35:23Uh
00:35:24Alison
00:35:25That's my little girl
00:35:27Alison is my, my fi
00:35:29You understand?
00:35:39She doesn't want to help
00:35:41Can she tell me anything?
00:35:43What does this guy look like?
00:35:52Where are they going?
00:35:54No, no, no
00:35:55Hold on, hold on, hold on
00:36:00Hey, Suat
00:36:02Let them go, okay?
00:36:03She's afraid
00:36:04Afraid of what? I'm talking to her
00:36:05Yeah, but that's not how it works here
00:36:07Will you tell me how it works then?
00:36:08Because nobody here is doing shit for me
00:36:10I do shit for you, okay?
00:36:13We should go
00:36:14Now
00:36:16Okay?
00:36:18Yeah, all right
00:36:19All right
00:36:26That's it
00:36:27Caliste
00:36:28That's where she says Hakeem lives
00:36:31Can we go look around?
00:36:32No
00:36:33Not at this time, it's not safe for us
00:36:36Because we're what?
00:36:39Because we're not from there
00:36:41And there's a lot of dealing
00:36:43Well, I gotta do something
00:36:45No one will talk to you, trust me
00:36:49Bill
00:36:51What if there's something wrong?
00:36:53Bill
00:36:54What if there's no Hakeem?
00:36:56There is
00:36:58Okay, but they never found this person during the investigation
00:37:01My daughter's not a liar
00:37:03I didn't say she was
00:37:04It's just that everything I read about the case
00:37:06She's some kind of expert now
00:37:10No, I'm not
00:37:16The press was against us
00:37:19All they cared about was
00:37:21Allison was sleeping with some Arab girl
00:37:25A bunch of
00:37:26Fake news scumbags
00:37:30That's why you punched that English reporter?
00:37:34I was drinking then
00:37:47Hey, did you tell Grandma about Le Parc?
00:37:49No
00:37:50No, I didn't want to get her hopes up until we know more
00:37:54She's getting on, your grandmother
00:37:58Oh, I had a meeting with the judge yesterday
00:38:01Yeah, about what?
00:38:02Well, I have my parole review
00:38:04Coming up in about three months
00:38:06And it's a thing where I get out of here
00:38:09One day a month
00:38:10Yeah, okay
00:38:11So what did he say?
00:38:12She, she said
00:38:14You know, as long as my behavior remained good
00:38:17It shouldn't be a problem
00:38:19But I felt like saying, fuck parole
00:38:22My lawyers are working on getting me out of here for good
00:38:25Yeah, we don't know that yet, Allie
00:38:27You gotta keep
00:38:28I know, I know, I know, Dad
00:38:29I didn't say that
00:38:30But I wanted to
00:38:32And
00:38:33Somebody from Le Parc's office was there
00:38:36Oh yeah?
00:38:37Yeah, I never met her
00:38:39But
00:38:40I asked her how the investigation was going
00:38:43What'd she tell you?
00:38:45She said she didn't know anything about it
00:38:47She also said she just started working there
00:38:50Le Parc's probably taking care of it herself
00:38:52It's a big case
00:38:55I told her I wanted to talk to Le Parc
00:38:57She should be keeping us informed, you know what I mean?
00:38:59I'll talk to her
00:39:03Okay
00:39:04Well
00:39:06I'll see you in a couple days
00:39:08Dad, do you think you could stay in Marseilles a little longer?
00:39:11Just in case something comes up
00:39:14Yeah, I could do that
00:39:15Check in on work and stuff
00:39:19I can have Graham wire you some money if you need it
00:39:21No, no, don't do that
00:39:22I'll figure it out
00:39:24Thanks, Dad
00:39:26Bye
00:39:41Max
00:39:43Salut
00:39:45Salut
00:40:16So
00:40:19Here
00:40:20You've got all the tools
00:40:22You can use them
00:40:24And put them back in place when you're done
00:40:33The electrical board
00:40:36What's that over there?
00:40:38Oh
00:40:39It's Conde's
00:40:42Okay?
00:40:46Uncle
00:40:47Hey
00:40:51Now, once the oil company has the lease
00:40:53Give it here, Ham
00:40:55Go on
00:40:57Once that oil company has that lease
00:40:59They hire a drilling company
00:41:01That's who I work for
00:41:03And then we get there
00:41:04We rig up
00:41:05We put all that shit together
00:41:07Once we have that rig up
00:41:09We start making a hole
00:41:11That's what a roughneck does
00:41:13We make holes
00:41:15All right, test it
00:41:18Go on, flush it
00:41:20Get it
00:41:21Flush
00:41:22Flush?
00:41:23Yeah
00:41:27Ça va?
00:41:28Hell yeah, ça va
00:41:35Bill, come
00:41:36Come here
00:41:37Come and see this
00:41:39Nesma is a technical genius
00:41:41I'm not a genius
00:41:42I'm just younger
00:41:46These are online or some shit?
00:41:48These are all from Instagram accounts
00:41:50Of Suad and her bitchy friend
00:41:52And these photos are all from the party
00:41:54How do you all get them?
00:41:56I set up a false Instagram account
00:41:58Followed Suad with her lovely friend
00:42:00Whose name is Samira
00:42:01And then geotagged the party
00:42:03Suad was at when she saw this guy
00:42:05So there's a chance
00:42:06Hakim is in one of these photos
00:42:12Grand, Arab and light-skinned
00:42:15Light-skinned, yeah, tall
00:42:23So we're going to bring them up
00:42:25And then you can show them to Alison
00:42:28I'm not gonna do that
00:42:30Why? If Hakim is there, she'll know
00:42:33I don't care
00:42:34I'm not gonna do that
00:42:35I'm not gonna do it to her
00:42:36I gotta protect her
00:42:38I don't understand
00:42:40Why are you being so stubborn about Alison?
00:42:42What we should do is go back to Suad
00:42:44Now we got those pictures
00:42:46Well, we stole these photos from Instagram
00:42:48So I'm not sure this is a good idea
00:42:52Well
00:42:53Can I say something?
00:42:54Go ahead
00:42:55Did anyone else in Marseille
00:42:57See this Hakim guy or just Alison?
00:43:00Bar owner
00:43:02Where they met
00:43:03He was at the trial
00:43:05He didn't do shit
00:43:06Okay, what's it called?
00:43:07The bar, what's the name?
00:43:09I don't remember the name of it
00:43:10It was near her apartment
00:43:12Yeah
00:43:13Okay
00:43:34Bill, did you vote for Trump?
00:43:37No
00:43:39Ah
00:43:42I didn't vote
00:43:43What?
00:43:44Why didn't you vote?
00:43:45Got a record
00:43:47I was arrested
00:43:49They don't let you vote when that happens
00:44:09It's there
00:44:10Around that corner
00:44:13Your friend
00:44:15Nejma
00:44:17She mad at you for helping me?
00:44:19Don't worry about Nejma
00:44:21She's generally hostile
00:44:23You know, she's very protective with me
00:44:25But she's a good friend
00:44:26She helps me with Maya
00:44:29Where's Maya's father?
00:44:31Corsica
00:44:32Running a nightclub on the beach
00:44:35He was a
00:44:36A fling
00:44:37You say fling?
00:44:38Fling, yeah
00:44:41Does he visit?
00:44:42He used to
00:44:43But it's better when he doesn't
00:44:47What?
00:44:50That's where Allison lived
00:44:5421
00:44:57That's why it happened?
00:44:59Yeah
00:45:09Hello
00:45:10Hello
00:45:11Can you tell me who's the owner of the bar?
00:45:14It's me
00:45:16We have information to ask you
00:45:17Were you here five years ago?
00:45:19No, we resumed business last year
00:45:23He's the new owner
00:45:24He wasn't there when the crime happened
00:45:27Does he know where we can find the old owner?
00:45:30Yes, I know
00:45:32He's right there
00:45:33Drinking my profits
00:45:36It's terrible what happened to your family
00:45:39I don't understand how they could send our six good girls to prison
00:45:45Look at me
00:45:51Do you recognize anyone?
00:45:53It's not easy to say
00:45:54They all look alike
00:45:56Do you recognize anybody?
00:45:58They come here as if it were their home
00:46:00And they make up stories
00:46:02They think Marseille belongs to them
00:46:04We can stay focused on the pictures
00:46:09You and I are the same
00:46:11You have the same problems with Mexicans
00:46:13It's the same for you
00:46:15What's he saying?
00:46:17I don't know
00:46:18Can you look at them more closely?
00:46:21Show me the man you want in the pictures
00:46:24And I'll say I recognize him
00:46:26It's settled
00:46:27I'll do the same in court
00:46:29Are you serious?
00:46:31Look at them
00:46:33They're all guilty of something
00:46:41Thank you
00:46:42Goodbye
00:47:02He doesn't care which one
00:47:05That's it?
00:47:07That's it?
00:47:08What do you mean, that's it?
00:47:09He's a racist
00:47:10Okay, he's a racist
00:47:12We still gotta talk to him
00:47:13No, I don't talk to him, no
00:47:15Well, he might know something
00:47:17No, he doesn't know something
00:47:18Bill, we're not gonna send an innocent boy to jail
00:47:21My daughter is innocent
00:47:24I can't believe this conversation
00:47:26Well, then you live in some fancy-ass world, honey
00:47:29Because I work with guys like that all the time
00:47:31It's not fair, okay? It's not right
00:47:33I'm not saying it's right
00:47:34I'm trying to get my little girl out of jail
00:47:35That's all I give a fuck about
00:47:37And you sound very American right now
00:47:40Good, I am
00:47:41Yeah, and you're also a stranger here
00:47:43You don't understand shit
00:47:44You know what?
00:47:45Take your stuff and do whatever you want without me
00:48:02Mr. Baker, one moment, please
00:48:04Do you have a message?
00:48:07She said you need more money because Le Parc reopened the case
00:48:11I'm dealing with it, Sharon
00:48:13Dealing with what?
00:48:14Nothing. I mean, Allison told me to give her a letter
00:48:18I did, and now Le Parc's looking into it
00:48:21Is she looking for Hakeem again?
00:48:23I told you, I'm dealing with it
00:48:25I'm dealing with it
00:48:26I'm dealing with it
00:48:27I'm dealing with it
00:48:28I'm dealing with it
00:48:29Hakeem again?
00:48:30I told you, I'm dealing with it, Sharon
00:48:32Who is gonna pay for this?
00:48:33Nobody's talking about money, okay?
00:48:36Bill, have you been drinking?
00:48:38No
00:48:39Listen, Sharon, I'm her father
00:48:41Oh, my God
00:48:42Bill, you're supposed to visit and come home
00:48:44Don't mess with this
00:48:46You're gonna need to trust me on this
00:48:48That's it
00:48:49I'm gonna call Le Parc
00:48:51No, don't do that, Sharon
00:48:52Sharon!
00:49:00Leave me Le Parc
00:49:07Dad, what is going on?
00:49:09I talked to Graham, she said that you're acting really weird
00:49:11I just need you to trust me, all right?
00:49:13I need you to look at these pictures
00:49:15Dad? Dad?
00:49:19Are you drinking?
00:49:21What? No, never
00:49:23Are you using?
00:49:24Allie, I'm done with that shit
00:49:26You know that
00:49:27Look, come on, look at these pictures
00:49:28What the fuck are these?
00:49:29Where is Le Parc?
00:49:30Why isn't she here?
00:49:31Tell me if you see Hakeem
00:49:34I think he's in there
00:49:37Please, baby
00:49:40Please
00:49:43Please
00:49:54No, I don't see him
00:49:55Okay, there's more
00:49:58There's more
00:50:12Holy shit
00:50:15Holy shit
00:50:16You see him? Which one?
00:50:18That's him
00:50:19That's him, that's Hakeem
00:50:21You're sure? That's the guy from that night?
00:50:24That's him
00:50:34Yeah, wait, in there
00:50:37Just drive on in
00:50:55Excuse me, ma'am
00:50:57Ma'am, have you seen that guy before?
00:50:59Hakeem?
00:51:00No
00:51:01He lives here
00:51:02No
00:51:03No?
00:51:04Ma'am, have you seen him before? Hakeem?
00:51:11Excuse me, sir
00:51:12Have you seen that guy before?
00:51:14No
00:51:15How about you? Have you seen this guy before?
00:51:17No
00:51:18No
00:51:19No
00:51:20No
00:51:21No
00:51:22No
00:51:24No
00:51:28Looking for him, Hakeem?
00:51:29No
00:51:31You know him, Hakeem?
00:51:32No
00:51:45Excuse me
00:51:46Y'all know this guy, him, Hakeem?
00:51:49No, couldn't find him
00:51:53No
00:52:04You ever seen that guy, Hakeem?
00:52:06No
00:52:07You know this guy?
00:52:09No
00:52:24Excuse me, sir
00:52:25You know that guy?
00:52:26Right there, Hakeem?
00:52:28You know him?
00:52:30This guy?
00:52:31Hakeem, you know him?
00:52:33Yeah
00:52:34No, no
00:52:35You know him, Hakeem?
00:52:37No
00:52:38No
00:52:39Bye-bye, cowboy
00:52:53Bye-bye
00:53:16You speak English?
00:53:18Hey, you know this guy?
00:53:21Hakeem, he lives here
00:53:23Hakeem
00:53:24Tagadou?
00:53:25The guy lives here
00:53:33I speak English, you suck my dick
00:53:51Go on, beat him up
00:53:52Beat him up
00:53:53Are you serious?
00:53:54Go on, beat him up
00:54:04What are you doing?
00:54:05Are you crazy?
00:54:06Calm down, calm down
00:54:07Who is he?
00:54:08Who started this?
00:54:09Shut the fuck up
00:54:10Shut the fuck up
00:54:11Who is he?
00:54:12Look, look, he showed me this picture
00:54:14Who is he?
00:54:15Who is he?
00:54:16I don't know, he showed me this picture
00:54:18Fuck off, man
00:54:21What's going on, guys?
00:54:23Do you know him?
00:54:27No, I don't know him
00:54:28Why does he have a picture of you?
00:54:34I don't know, I don't know him
00:54:38I don't know who he is
00:54:39Go on, get out, get out
00:54:41Get the two of them out
00:54:43To the station, go to the station
00:54:45Do you know him?
00:54:46Do you know him?
00:54:53Go on
00:55:12Hi
00:55:17They asked me if I knew anybody
00:55:20Are you okay?
00:55:23I saw him
00:55:25I saw Hakeem
00:55:27In police day
00:55:29Did you tell the police?
00:55:37That was my chance
00:55:41That was my chance
00:55:46That was great
00:55:48Call me
00:55:49Thanks
00:56:17What the fuck did you do?
00:56:19I was trying to help
00:56:20Tell me exactly what you did, dad
00:56:24Dad
00:56:26She wouldn't do it, Allie
00:56:28The park wouldn't look into the case
00:56:33Oh my god
00:56:36You fucking lied
00:56:39About all of it
00:56:41Of course you did
00:56:42About all of it
00:56:44Of course you did
00:56:45I found him, Allie
00:56:48I found Hakeem
00:56:50And why didn't you call the police?
00:56:53Why?
00:56:55Why?
00:56:58You let him get away
00:57:00He's fucking gone now
00:57:02He's fucking gone
00:57:05I feel so stupid
00:57:07I feel so stupid
00:57:08You've always lied to me
00:57:10My entire life
00:57:11Always
00:57:13I hate myself
00:57:14For ever trusting you
00:57:22Allie, listen to me
00:57:23No
00:57:24No
00:57:25No
00:57:28You are done
00:57:29Fucking up my life
00:57:32Do you get that?
00:57:35Do you?
00:57:38Stay the fuck away from me
00:57:42Fuck
00:58:00Ben!
00:58:01Ben!
00:58:02Ben!
00:58:03He's sinker
00:58:06Ben!
00:58:11Ben!
00:58:20Hey, Bill
00:58:22Felix Piat
00:58:23Yeah, I got it
00:58:41Fuck
00:59:09Hey, Bill
00:59:10How we doing?
00:59:11How was school today?
00:59:12Good? You get it done?
00:59:14Alright, come on, let's go
00:59:16Yeah, I got it
00:59:17Here, I got you that
00:59:22Maya, you gotta eat the whole thing
00:59:26I see what you're doing
00:59:27You gotta eat the bread part too
00:59:35Oh, you gonna pawn it off on me?
00:59:37Alright
00:59:41Here
00:59:46Uh, woo, marteau
00:59:48Oui, très bien
00:59:49Marteau, hammer
00:59:50Hammer
00:59:55Scissor
00:59:57Scissor something
00:59:59Ciseau à bois
01:00:00Ciseau à bois
01:00:02Shitload of words for chisel
01:00:04Chisel
01:00:05Come on, Ham, get the light
01:00:07Lumière
01:00:08Lumière
01:00:10Lumière
01:00:19Maya, supper
01:00:22Maya
01:00:24I told you
01:00:26This bald guy's gonna lose his shirt
01:00:35Oh, no
01:00:36Yeah, that's how they do it
01:00:37Got the commercial for the big reveal
01:00:40Come on, let's eat
01:00:42Come on
01:00:46You do your homework?
01:00:48Homework?
01:00:49Ah, no
01:00:51Appreciate the honesty
01:00:53Yeah, I used to hate school too
01:00:55Hated everything about it
01:00:56Dropped out of high school
01:00:58Worked the rig like my daddy
01:01:00Started making hole
01:01:02Is that what you're gonna do? You're gonna make hole?
01:01:04Oui, I make hole
01:01:05Oh, shit
01:01:06You gotta start out a worm, you know
01:01:08That's the lowest of the low
01:01:09A worm
01:01:10Non, pas worm
01:01:11Je veux travailler sur le déric, like you
01:01:14You're going right to the déric?
01:01:15You gotta have the want-to
01:01:17You got the want-to?
01:01:19Ben oui
01:01:21Hey
01:01:26Thank you, Lord, for this and other blessings
01:01:28Please look after Ally
01:01:29Keep a close eye on her
01:01:30We ask this in Jesus' name
01:01:31Amen
01:01:32Dig in
01:01:33Dig in
01:01:34Bonsoir
01:01:35Bonsoir, maman
01:01:36Hey
01:01:43There's a burger up there, if you want it
01:01:44Thanks
01:01:45Ah
01:01:47For me?
01:01:49Yes, ma'am, just ran out
01:01:50Thank you
01:01:53Hello
01:01:55Could you please get me the ketchup?
01:01:59T'as fait tes devoirs?
01:02:00T'as fait tes devoirs?
01:02:02Non
01:02:04Tout de suite après le dîner, alors
01:02:06Thank you
01:02:07Bill, she has to do her homework
01:02:10I know, a hundred percent
01:02:13Do your homework
01:02:16Yeah?
01:02:18Yes
01:02:20When I see what you guys eat, I understand why you pray before
01:02:24How was play practice?
01:02:26Rehearsal
01:02:28It was shit
01:02:30We do a lot of stage writing, so it's messy
01:02:33And the director, he's young and provincial
01:02:37What's stage writing?
01:02:40We don't know what we're doing, so we make it up instead
01:02:43Cool
01:02:44Cool, Raoul
01:02:57Back to bed
01:02:59I look with you?
01:03:01No way
01:03:03Bed
01:03:04You're gonna get me in trouble
01:03:06My tablet
01:03:08Yeah, I'm using it
01:03:10Bed, now
01:03:29Hello
01:03:32Yeah, this is him
01:03:35It's a one-day leave
01:03:37She goes out in the morning, comes back to the prison at night
01:03:41Then if it goes well, she'll get another day the following month
01:03:45The idea is for inmates to acclimate to the outside world again
01:03:49Understand?
01:03:50Yes, ma'am, I do
01:03:52The judge, I don't know if you know this, but
01:03:54Understand?
01:03:55Yes, ma'am, I do
01:03:57The judge requires a chaperone
01:04:00Someone who is going to vote for her
01:04:04Did she ask for me?
01:04:06No
01:04:08But you are the only option
01:04:11Okay, Alison hasn't talked to me for more than four months
01:04:15I am aware
01:04:18Mr. Baker
01:04:20Do not take any initiative this time
01:04:22Understand?
01:04:24Yes, ma'am, I do
01:04:52What's your favorite color?
01:05:08What's your favorite color?
01:05:10Huh?
01:05:12Color she loves
01:05:14Oh, her favorite color?
01:05:16Yeah, not sure
01:05:23Hey, Mike
01:05:26No
01:05:30I thought it was pretty
01:05:32Bill, Bill, come see, look
01:05:37Look, she lives in Marseille, she loves football
01:05:39Oh, soccer, no, Alison likes Oklahoma State
01:05:41She likes real football
01:05:43This is football, Pablo, it's football
01:05:44No, these guys are a bunch of babies, a bunch of crybabies
01:05:48No, they're not babies
01:05:49Marseille is the best team in the world
01:05:50They have great players, there's Payet, Thauvin, Sakai
01:05:53All right, don't get all wound up, how much?
01:05:55We meet in the middle of the street
01:05:56And the musicians continue to play, body percussion
01:05:59And everyone sings with the audience
01:06:01Mom!
01:06:02Mom, look!
01:06:03Bill gave me a jersey
01:06:04Oh, it's beautiful, let me see
01:06:06Did you say thank you?
01:06:07Uh, no
01:06:09Thank you, Bill
01:06:11Thank you, Bill
01:06:12Maya, do you remember Reno?
01:06:14Yes
01:06:15Hello, Maya
01:06:16Hello
01:06:18Hi
01:06:19You must be Bill
01:06:20Yes, sir
01:06:21Good to meet you
01:06:24He actually told me you were from Oklahoma
01:06:27That's so cool
01:06:30Okay
01:06:31Reno is our rising star director
01:06:34That's me
01:06:36Oh, you're the one who does the stage writing?
01:06:38Yeah, you know about stage writing
01:06:41Great, you know, man, I really love working like this
01:06:45It's real, you know, stage writing, it's truth
01:06:49It's from life
01:06:53You don't even tell me about it, right?
01:06:55Yeah, thank you, Bill
01:06:57Do you help me move the table?
01:06:59Yeah, I got it
01:07:02Seriously, for me it makes total sense
01:07:04People should be able to carry guns
01:07:08It's freedom
01:07:09It's basic freedom
01:07:10I would love to have a gun
01:07:15I'm sure you have a gun
01:07:17Don't you, Bill?
01:07:18Yes, sir, I do
01:07:19Yes!
01:07:20No, you do not
01:07:22Why wouldn't I? I got two of them
01:07:24I got a shotgun and a Glock
01:07:25Oh, no, Bill
01:07:26Two guns, it's perfect!
01:07:28No, no, arrête, arrête
01:07:29It's okay, it's okay
01:07:32It's culture
01:07:34Culture is such a broad concept
01:07:38I'm gonna call it a night, y'all
01:07:39Come on, Bill
01:07:41I'll put mine to bed
01:07:42I can do it
01:07:43I got it
01:07:44Okay
01:07:49You're my favorite
01:07:53Favorite what?
01:07:55Favorite American
01:08:03Sweet dreams, little girl
01:08:19Good night
01:08:34You know it's Sunday morning, right?
01:08:37Where's your friend?
01:08:39Oh, he left early this morning
01:08:44We had a bit too much to drink
01:08:46Ain't no shit
01:08:49I was thinking I'd like to bring Allison by the house
01:08:57Wouldn't it be too much for her?
01:09:00I'd like to see where I live
01:09:03If you're okay with it
01:09:05Why wouldn't I be?
01:09:08Not everybody is
01:09:19Hey
01:09:20Hey
01:09:24What's your van?
01:09:26Some work
01:09:28What work?
01:09:29Construction
01:09:31I told you about it in my letters
01:09:32You didn't get them?
01:09:34I did
01:09:37I'm sorry
01:09:38I'm sorry
01:09:39I'm sorry
01:09:40I'm sorry
01:09:41I'm sorry
01:09:42I'm sorry
01:09:43I'm sorry
01:09:44I'm sorry
01:09:45I'm sorry
01:09:46I'm sorry
01:09:48I didn't read them
01:09:52Wanna get going?
01:09:53Yeah
01:10:05Yes, sir
01:10:17I'm sorry
01:10:47Life is brutal
01:10:57Can I drive?
01:11:18Haven't heard this song in a while
01:11:21Special playlist for today
01:11:24How old is that thing?
01:11:27It still works
01:11:32So you never went home?
01:11:35No
01:11:37How come?
01:11:47To the ground
01:11:50In the night
01:11:57You sure we can park here?
01:11:59What are they gonna do?
01:12:01Arrest me?
01:12:17I'm sorry
01:12:47I'm sorry
01:13:17I'm sorry
01:13:45I'm
01:13:47You really are a local now
01:13:49Ma sold me on it
01:13:50That's her favorite thing
01:13:53Does this kid have a father?
01:13:55He's not around
01:13:57Lives on the beach or some shit
01:13:59Irving
01:14:03So is this woman your girlfriend?
01:14:05It's not like that
01:14:06I just live with them
01:14:08Like roommates
01:14:12What does she do?
01:14:14She's sort of an actress
01:14:15Sort of an actress?
01:14:19She a stripper?
01:14:21No
01:14:24She just don't do TV acting or anything
01:14:26She does theater
01:14:29Theater?
01:14:33Have you seen her act?
01:14:35What am I gonna do in a fucking theater?
01:14:41Yeah
01:14:46You know it's messed up
01:14:50I never had a chance to mourn her
01:14:53Lena
01:14:59It was so intense when we first met
01:15:03She was so funny
01:15:05And cool
01:15:06And beautiful
01:15:11I don't know
01:15:12I don't know
01:15:18And she moved in and everything got fucked up
01:15:22She started sleeping with other people
01:15:26Like it didn't matter
01:15:31Like she was
01:15:33Just using me
01:15:35Or something
01:15:37And I felt so humiliated
01:15:43But you know the really fucked up thing is
01:15:47I just want to see her
01:15:52I just want to be with her
01:15:57So much
01:16:03Yeah
01:16:05He's looking
01:16:07Are you ready?
01:16:091, 2, 3
01:16:11No, no, no
01:16:13And then I'll come back
01:16:20Hello
01:16:22How's it going?
01:16:24I think she needs help
01:16:26I'm good
01:16:30Come in
01:16:32Thanks
01:16:34Maya
01:16:36Maya
01:16:39Get out here
01:17:03What's your favorite color?
01:17:05My favorite color
01:17:09Blue sky and white
01:17:11The colors of the Olympics
01:17:13Yeah, go to the Olympics
01:17:15Go to the Olympics
01:17:16Come, I'll show you my room
01:17:29What's the name of the prison?
01:17:33Pavillon
01:17:35It's very hot
01:17:37When you're done, I want to be your uncle
01:17:40Mine?
01:17:41Yes
01:17:42It'll be nice when you come back
01:17:49Dinner is served
01:17:56Watch out, it's hot
01:17:59Let me take this
01:18:00I got it, I got it
01:18:03Let's eat
01:18:06There's a lot of food
01:18:10Let's pray
01:18:13Thank you Lord for this and many other blessings
01:18:15Thank you for this special day with Ali
01:18:17In Jesus' name we pray, Amen
01:18:20Maya
01:18:22Thank you
01:18:23There you go
01:18:26Thank you
01:18:30Thank you
01:18:33So you two really aren't having sex?
01:18:36I was a beggar.
01:18:38What? Why? You're so French.
01:18:40No, I thought it was okay to talk about sex at the dinner table.
01:18:44Sorry.
01:18:46Is it okay?
01:18:48The food?
01:18:50It's honestly the best meal I've had in a really long time.
01:18:54Good.
01:18:56And no, we don't have sex.
01:18:58Jeez.
01:19:00Can I have some tomatoes?
01:19:02Yes. Do you want some tomatoes?
01:19:04Yes, and you?
01:19:06I love them.
01:19:08So where did you have lunch today?
01:19:10Pizza.
01:19:12I'm at Saubert.
01:19:14That was my favorite place.
01:19:16Yeah? So good.
01:19:18And I'm curious, why did you come to Marseille to study?
01:19:22It was far away.
01:19:26And completely different.
01:19:30And the pizza?
01:19:36I like it too.
01:20:00She speaks English. She pretends to understand me.
01:20:03It's cute.
01:20:09You know,
01:20:11when my mother died,
01:20:14she put all her things in a storage.
01:20:23Later, when I grew up,
01:20:26I wanted to have a souvenir of her.
01:20:30But when I left,
01:20:33there was nothing left.
01:20:36He had stopped paying,
01:20:39so...
01:20:42they threw away all my mother's things.
01:20:48There was nothing left of her.
01:20:55He's here now.
01:20:57He stayed to be with you.
01:21:01I don't have many ideas with my father.
01:21:06He's a fuck-up.
01:21:08Always has been.
01:21:11He's a loser.
01:21:13I know that, because...
01:21:17I'm the same.
01:21:27I'm the same.
01:21:29I'm the same.
01:21:55It's more beautiful on this side of the wall.
01:21:59Yeah.
01:22:05I like them. Virginia and Maya.
01:22:08It's good what you have.
01:22:10I'm just trying to do it right.
01:22:13I'm happy for you, Dad.
01:22:15I love you.
01:22:28Good night.
01:22:30Good night.
01:22:36Hey.
01:22:41How are you doing?
01:22:43Pretty good.
01:22:45Yeah? The day was nice.
01:22:48Flew by.
01:22:55Mercy.
01:23:00Everything, I guess.
01:23:07I'm off.
01:23:09Good night.
01:23:14PHONE RINGS
01:23:24Hello?
01:23:32Thanks, Peter.
01:23:34I'm Bill Baker, father of Allison Baker, from Beaumont.
01:23:43Bye.
01:23:53What happened to her?
01:23:57What does that mean?
01:24:14Come on, sir. We have to go.
01:24:18Come on.
01:24:20Come on.
01:24:26You can wait here.
01:24:29Are you all right, sir?
01:24:36Doctor, you have a chance.
01:24:44I don't need you. You don't need me.
01:24:47I don't need you. You don't need me.
01:24:54Is she okay?
01:24:56She's stable.
01:25:13She's okay.
01:25:15She's okay.
01:25:17She's okay.
01:25:41I talked to Sharon again, told her he was back in here.
01:25:46Worst be going good.
01:25:49Good group of guys.
01:26:1716, 17, 18, 16.
01:26:23I win!
01:26:25What, did I mess it up?
01:26:27Oui, you messed it up.
01:26:29Qu'est-ce que tu peux? Je suis comme ça.
01:26:31Toi, c'était comment quand t'as rencontré Marc?
01:26:33Love at first sight.
01:26:35I was trapped by how he looked at me.
01:26:37I was trapped by how he looked at me.
01:26:39I was trapped by how he looked at me.
01:26:41I was trapped by how he looked at me.
01:26:43Love at first sight.
01:26:45I was trapped by how he looked at me.
01:26:47Long hair.
01:26:49Light.
01:26:55Casket.
01:26:57Cup.
01:26:59Merci.
01:27:01Green edge.
01:27:03Mercy hand.
01:27:14Et vous?
01:27:20Merci, Virginie.
01:27:43Il n'y a pas de réponse.
01:27:45Il n'y a pas de vérité.
01:27:47Ah, merci.
01:27:49Allez, on reprend.
01:27:51So, what did you think?
01:27:53What I think?
01:27:55Yeah, of the play, what did you think?
01:27:57Oh, it was good, yeah.
01:27:59Yeah? What was good?
01:28:03Well...
01:28:05I don't fucking know.
01:28:07I don't know shit about plays.
01:28:09Plus, it's all in French.
01:28:11Um...
01:28:13No one stands like real people.
01:28:15What?
01:28:17It just looks weird.
01:28:19Look, it's great, I'm sure.
01:28:21Don't ask me. I'm a dumbass.
01:28:23No, you're not. No, it's not great.
01:28:25No.
01:28:27Merci.
01:28:31Cheers.
01:28:33I will say,
01:28:35you were really good.
01:28:37Best thing up there.
01:28:42So...
01:28:44I got exciting news.
01:28:46I got the part.
01:28:48On the TV show?
01:28:50Yeah, and I said I'd do it.
01:28:52No shit, that's great.
01:28:54Yeah, but...
01:28:56it's more money,
01:28:58but it's also more hours,
01:29:00so that means I have to pay for a babysitter,
01:29:02and I'll be away more from Maya.
01:29:04Well, I could help with Maya, too.
01:29:06No, you help enough, you know?
01:29:08You got a job, you're busy.
01:29:10Sure, I want to.
01:29:15Why?
01:29:17Why?
01:29:20I like spending time with her.
01:29:24And with me, too?
01:29:27Yeah.
01:29:29And you, too.
01:29:31How much do you enjoy it?
01:29:36A lot.
01:29:38I would say... a lot.
01:29:43This would be a serious change for us.
01:29:47Guess it would.
01:29:49You guess?
01:29:51Well, I mean...
01:29:53I know.
01:29:55Oh, and you know...
01:29:57what?
01:29:59Oh, for fuck's sake.
01:30:09Do you have cash?
01:30:11Yeah, yeah.
01:30:13Oh, how much is it?
01:30:19Sixty.
01:30:21No shit?
01:30:33Hey.
01:30:35Hey.
01:30:37This is your music.
01:30:39Yeah.
01:30:41It's a bit sad, no? Maybe I...
01:30:43Oh, hell no.
01:30:45No, it's beautiful.
01:30:47Yeah?
01:30:49Yeah, you could dance to it.
01:30:51Really?
01:30:53No, no, no. Come here.
01:30:55Come here.
01:30:57I'll show you.
01:30:59You'll show me?
01:31:01Yeah, I'll show you.
01:31:03This is Sammy Smith.
01:31:07Yeah.
01:31:21Oh, we got eyes on us.
01:31:37Hey.
01:31:47Hey.
01:31:49Ready for it?
01:32:01Hey.
01:32:03I need to ask you something.
01:32:05Yeah?
01:32:09Keep going.
01:32:35Hey.
01:32:47Hey, Ma.
01:32:49You want to hand me my casque?
01:32:51Quoi?
01:32:53My casque, my helmet, my hard hat.
01:32:55Get it for me.
01:33:05Yes, ma'am.
01:33:36Go on, go on.
01:33:42Go on, go on.
01:33:46You know who it is?
01:33:48It's Dimitri Payet. He's so good.
01:33:50He didn't make it to the World Cup because he was injured.
01:33:53Oh.
01:33:55Go on, go on.
01:33:57Go on, go on.
01:34:05Go on, go on.
01:34:26Damn, the place is heating up.
01:34:30The fans are going nuts.
01:34:33Someone should tell them they're winning.
01:34:35Go on, go on.
01:35:06Go on, go on.
01:35:27All right, let's go.
01:35:35Let's go.
01:35:38Come on.
01:35:41Go on, go on.
01:35:46Go on, go on.
01:35:55Let's go.
01:35:57Go, Arthur.
01:35:59Go on.
01:36:01Go!
01:36:03We are the champions!
01:36:06We are the champions!
01:36:09We are the champions!
01:36:12Let's go!
01:36:29Hey, where are we going?
01:36:31I think I see a friend from work.
01:36:33Let's see if it's him.
01:36:35A homie?
01:36:37Yeah, a roomie.
01:37:01Okay, let's go get the van.
01:37:13Is it a friend?
01:37:15No, that wasn't him.
01:37:17Hey.
01:37:19Hey, how's it going?
01:37:21Good, game just ended. Be home soon.
01:37:23Okay, take your time.
01:37:25See you tomorrow?
01:37:27See you tonight.
01:37:29Bye.
01:37:59Hey.
01:38:29Whoa!
01:38:43Ugh!
01:39:00The light is late.
01:39:02Oh.
01:39:04I don't know.
01:39:28Nice to see you again.
01:39:30You're late.
01:39:32Oh, excusez-moi.
01:39:37What can I do for you, Mr. Baker?
01:39:40That DNA test we talked about, I want to get it done.
01:39:44First, I will need the DNA sample.
01:40:00Can I ask you how you got this?
01:40:03Can you do it or not?
01:40:05Yes, I can.
01:40:09But I am an ex-cop, so let me tell you.
01:40:12It will be a serious mistake to commit a crime to prove your daughter innocent.
01:40:17It will not get her out of jail.
01:40:20And it will send you in. Do you understand?
01:40:22How fast can you do it?
01:40:26It's hard to say.
01:40:27A week at least, but it will cost you.
01:40:31Here's 3,000. Now, I'll give you another 3,000 when you get it done,
01:40:34but it's got to be quicker than a week.
01:40:36Even if it matches, I still have to find this guy.
01:40:39No, you don't.
01:40:41Do you know where he is?
01:40:46He could still disappear before the results come back.
01:40:49He won't. Call me when you get it done.
01:41:02Aren't we in jail?
01:41:04No, not today. Come on.
01:41:12Ma?
01:41:17Ma?
01:41:24Hey, Ma?
01:41:30Hey.
01:41:31Hey.
01:41:32This is quite a greeting.
01:41:33Have you seen Ma? I was in the shower.
01:41:35Yeah, she's playing soccer in the courtyard.
01:41:38I'm sorry I'm late.
01:41:40It's all right.
01:41:42Don't you want to ask me about my first day at work?
01:41:44Yeah, yeah. How'd it go?
01:42:04Bill?
01:42:06Who is the man in the cave?
01:42:11In the cave?
01:42:14With the tools. I saw him.
01:42:24I'm going to need your help, okay?
01:42:29Because it's a secret.
01:42:32You can't tell anyone, even your mom, okay?
01:42:39He's a bad man.
01:42:42He'll be gone soon.
01:42:45It's going to be our secret, okay?
01:42:52That's my girl.
01:43:04Hey, guys.
01:43:05You don't want to start over with that, do you?
01:43:07Yeah, but wait.
01:43:08The Journaux didn't fail, did they?
01:43:09The poor girl.
01:43:11They made her look like a monster.
01:43:13American lesbian diabolical.
01:43:16I found it on the spot.
01:43:17It was full of blood.
01:43:18And it wasn't the journalists.
01:43:20Yeah, well, they did it.
01:43:22They fought.
01:43:23The little Arab gave him the horns.
01:43:25At one point, when it smelled like shit,
01:43:27and it smelled like shit,
01:43:28it was shit.
01:43:30We never found the knife.
01:43:35There's DNA we haven't identified.
01:43:37She says it's a kid, an Arab.
01:43:39There's always unidentified DNA.
01:43:41You get a pizza delivery at home,
01:43:42you know you have DNA.
01:43:43I don't know what you did to the pizza delivery man.
01:43:48I'm not against the Arabs,
01:43:50but honestly, the young man,
01:43:52he checks the keys.
01:43:53Then he finds the apartment.
01:43:54How did he do it?
01:43:55And then he plants the girl,
01:43:56and she disappears.
01:43:58She could say it's the immigrant's fault.
01:43:59She could say it's Godin's fault.
01:44:00She could say whatever she wants.
01:44:01She's the one who did it.
01:44:02She planted her girlfriend.
01:44:03That's how it is.
01:44:04That's the truth.
01:44:05Ask my wife, I'll tell her.
01:44:06Don't talk about your wife.
01:44:29Shit.
01:44:57Hey.
01:44:58Hey.
01:44:59Hey.
01:45:28I've learned something new, actually.
01:45:31It's helped me a lot.
01:45:33It's something called Mechtub.
01:45:36A nurse told me about it.
01:45:39It's about acceptance.
01:45:41Acceptance of what?
01:45:44Your fate.
01:45:47It's helping me to stop struggling so much.
01:45:50Stop questioning everything.
01:45:54You just embrace your fate
01:45:57and learn to live in peace with it.
01:46:00It's a Muslim idea.
01:46:03It's about letting go of all of that
01:46:10shame
01:46:13and guilt that pushes you down
01:46:17and keeps you down
01:46:19and makes you feel so powerless.
01:46:24And that's how I felt for a really long time.
01:46:29Powerless and forgotten.
01:46:34And that makes living really hard.
01:46:40You know what I mean?
01:46:45But you're innocent.
01:46:49So we gotta keep fighting.
01:46:51It doesn't matter that I'm innocent, Dad.
01:46:56It's not about justice.
01:47:00It's about finding peace.
01:47:21I don't know what you're saying, but you're wasting your breath.
01:47:24We'll wait for that DNA, and then we'll know.
01:47:28She asked me.
01:47:31She asked me.
01:47:34She asked me.
01:47:37She asked me.
01:47:40She asked me.
01:47:43She asked me.
01:47:46She asked me.
01:47:49She asked me. She pay me.
01:47:52You want more water?
01:47:54I listen. She say, go.
01:47:56You put Lina out. Money for you.
01:47:58That's enough now.
01:48:00She tell me take it.
01:48:02She gave me collier.
01:48:04You take it. Money after.
01:48:06Here, drink that.
01:48:08Go on.
01:48:10I'm collier. You take it for you.
01:48:13Collier. Cold.
01:48:15Like this. Like this.
01:48:18The necklace? I don't want that.
01:48:20No.
01:48:22She gave me. She say go.
01:48:24You put Lina out.
01:48:26Necklace now. Money after.
01:48:29You're not even making sense.
01:48:31Time to shut the fuck up.
01:48:33Still water.
01:48:38What did you say?
01:48:40The collier, he say still water.
01:48:44Gold.
01:48:46She say, do it.
01:48:50Make her go.
01:48:53Make her go out.
01:48:55Hey.
01:49:15Hey.
01:49:16Where were you?
01:49:17I walked back from the bromette.
01:49:19We have to go and see Isabelle.
01:49:21We'll be late if we don't leave now.
01:49:23Do I...
01:49:25Do I have to go?
01:49:27Yes, of course. I told her you were coming.
01:49:30Hurry up, please.
01:49:37So, Isabelle is a sort of like godmother for us.
01:49:42Maya really loves her.
01:49:45Well, you'll see, this is really the other side of Marseille.
01:50:15I don't know what you're talking about.
01:50:27The gold necklace I gave her the day she left said still water on it.
01:50:31Yeah, I remember it. What about it?
01:50:33Do you remember was she wearing it at the trial?
01:50:35Does she still have it on?
01:50:37What are you getting into, Bill?
01:50:39When we went to get her stuff, did you see it?
01:50:42I don't know. I don't remember.
01:50:45I'll talk to you later, Sharon. Bye.
01:50:49Ça va?
01:50:51Yeah. Yeah, ça va.
01:50:54I'll talk to Sharon.
01:50:55She okay?
01:50:56Yeah, yeah. She's fine.
01:50:58Are you?
01:51:00What do you mean?
01:51:02You just seem distracted.
01:51:05I'm sorry.
01:51:09I'm happy you're here.
01:51:11Me too.
01:51:14You too? You're happy you're here?
01:51:17Yeah.
01:51:20Really?
01:51:23Me too.
01:51:26I like you, Bill Baker.
01:51:38Okay, go.
01:51:52Mr. DeRosa, it's Bill Baker.
01:51:55I really need that result.
01:51:57It's kind of urgent.
01:52:07Okay.
01:52:38Bonjour, madame.
01:52:40Bonjour.
01:52:41Je travaille pour la voirie.
01:52:43On nous a appelé pour une fissure sur la façade.
01:52:46Alors je voudrais savoir si ça vient pas des sous-sols.
01:52:49Vous n'avez rien remarqué d'inhabituel récemment?
01:52:51D'inhabituel dans les caves?
01:52:54Je ne sais pas, moi.
01:52:56Du bruit, une odeur.
01:52:58Attendez, il faut que je m'inquiète.
01:53:00Non, non, c'est juste un contrôle de routine.
01:53:03Est-ce que vous utilisez les caves?
01:53:05Moi, non.
01:53:09À l'habitant de l'immeuble, peut-être.
01:53:13Ben, écoutez, ce que je peux faire, c'est me renseigner
01:53:16et vous rappeler si vous me laissez votre carte.
01:53:19Non, ce sera pas nécessaire.
01:53:21Ça a été bien aimable, madame.
01:53:24Bonne journée.
01:53:26Au revoir.
01:53:35Bonne journée.
01:53:51You know, I used to fight a lot at school when I was a kid, too.
01:53:55But that's not good. Fight?
01:53:57No. C'est pas bien.
01:54:01You sure you don't want this?
01:54:04The man in the cave, you will kill?
01:54:08What? No. Of course not.
01:54:14Écoute-moi.
01:54:17I would never, ever do anything to hurt you or your mother.
01:54:20Never.
01:54:22Jamais.
01:54:24Because I love both of you so much.
01:54:29I do.
01:54:34You just have to trust me, okay?
01:54:40Okay.
01:54:59Mr. Baker, a word, please.
01:55:02Police.
01:55:04Can I see your ID, please?
01:55:07Your ID, Mr. Baker.
01:55:14Thank you.
01:55:16Take off your cap.
01:55:22Okay. Thank you.
01:55:26Okay. Thank you.
01:55:29So, Mr. Baker, my colleagues are going to take the little girl inside, okay?
01:55:34No.
01:55:36All right, all right, all right. It's okay. It's all right.
01:55:38You go with her.
01:55:40Tout va bien. Tout va bien. It's all right.
01:55:45You're all right.
01:55:47So, Mr. Baker, look at me.
01:55:50Do you have a basement here?
01:55:55Yes or no?
01:55:58Yes, sir.
01:56:00Okay. Give me the keys, please.
01:56:25Please.
01:56:42Stop.
01:56:55Come in.
01:57:01Stop.
01:57:19Do you have the key?
01:57:21The key.
01:57:23Mr. Baker.
01:57:25He's got it.
01:57:51Let's go upstairs.
01:58:00Sit.
01:58:21Miss Aria?
01:58:30Maya, is that you?
01:58:34Come here.
01:58:45Tell me, Maya.
01:58:47He lives here with you and your mom, right?
01:58:52Look at me.
01:58:54Yes.
01:58:56Is he nice to you?
01:58:59Yes.
01:59:06Do you go down to the cellar sometimes?
01:59:10Yes.
01:59:12What do you do there?
01:59:15I teach French to Bill.
01:59:22When was the last time you went to the cellar?
01:59:27Yesterday.
01:59:30Yesterday.
01:59:34And everything was normal?
01:59:40Do you know Alison, Bill's daughter?
01:59:43Yes, she's in prison.
01:59:46And Bill doesn't want her to go to prison, does he?
01:59:51No.
01:59:53Do you like him?
01:59:55Yes.
01:59:57Listen to me.
02:00:00If you ever lie to me, I'll know.
02:00:04And then I'll have to send Bill to prison.
02:00:08Do you understand?
02:00:11Then I'll repeat the question.
02:00:15When was the last time you went to the cellar?
02:00:22Yesterday.
02:00:41OK, let's go.
02:00:55Did you free him? The boy?
02:01:00No, not yet.
02:01:03Go ahead, shoot.
02:01:11I didn't mean it.
02:01:12How did you find him?
02:01:15Pure chance.
02:01:17The soccer game.
02:01:20With Maya.
02:01:31Did you ask her to lie?
02:01:35Did you?
02:01:37I never asked her to lie.
02:01:40I never meant to involve you or Maya.
02:01:47I know.
02:01:50You have to leave now.
02:01:56Okay, you pack your things. You leave.
02:02:11Can I come in?
02:02:19Bye.
02:02:26Yeah, I want to talk to you.
02:02:29All right.
02:02:34I'm sorry.
02:02:40I'm so sorry.
02:02:49I love you.
02:03:10Bye.
02:03:23Bill!
02:03:25No.
02:03:26Come on, Maya. Say goodbye to Bill.
02:03:28No.
02:03:29It's the last time you see him. Come on, Maya.
02:03:40Come on.
02:04:10Mr. Baker, I've come with some extraordinary news.
02:04:24The judge in your daughter's case called me this morning.
02:04:27New evidence has surfaced.
02:04:29Apparently, a retired cop came up with a DNA match on the unknown sample.
02:04:34It also matched a sample the police collected on a burglary case four years ago
02:04:39after the trial.
02:04:41Did they catch him?
02:04:43No, not yet.
02:04:45But all we need to prove is sufficient doubt.
02:04:48So even if they can't find the suspect, there's a real chance they will release Alison.
02:04:54In fact, the judge has already agreed to reopen the investigation,
02:04:58which is almost unheard of.
02:05:02I think this could only happen in Marseille.
02:05:10Thank you for coming to tell me, ma'am.
02:05:13Mr. Baker, this is the best possible outcome for your family.
02:05:18Do you understand?
02:05:20I do.
02:05:22Thank you, ma'am.
02:05:40Go, Pokes!
02:05:52I told you we were going to bring our girl home, and that's exactly what we did.
02:06:01Welcome home, Alison.
02:06:07Welcome back to Oklahoma.
02:06:10Welcome back to America.
02:06:12Welcome back to America.
02:06:43Thank you.
02:07:04You're being antisocial.
02:07:12You all right?
02:07:19The day you left for Marseille, Sharon and I drove you to the airport.
02:07:26When we got there, I was embarrassed.
02:07:30I didn't have a present or nothing, so I went to the gift shop
02:07:36and thought I'd get you a book or a keychain or something.
02:07:41Then I saw this necklace.
02:07:45I thought it would be like a little piece of home to take with you.
02:07:50It was gold.
02:07:52It said Stillwater on it.
02:07:56I didn't want it to happen.
02:08:02He told me that he would just help me get her out of the apartment, that's all.
02:08:09I didn't want her to die.
02:08:14I didn't want her to die.
02:08:19That's all.
02:08:22I didn't want her to die.
02:08:26I loved her.
02:08:29I know you did.
02:08:33You think I'm a monster.
02:08:37You're my daughter.
02:08:39I could never think that.
02:08:44What is wrong with us?
02:08:49I don't know, baby girl.
02:08:52I don't know.
02:08:55I'm sorry.
02:08:57I'm so sorry.
02:09:00I'm sorry.
02:09:06Me too.
02:09:14I'm sorry.
02:09:44I'm sorry.
02:10:14Morning.
02:10:24Hey.
02:10:29Couldn't sleep.
02:10:32Went for a walk and ended up here.
02:10:39I'm glad you did.
02:10:46You miss them?
02:10:52I do.
02:10:55Can you go back?
02:10:59No, I can't.
02:11:03But it was good.
02:11:05That don't change.
02:11:12I'm sorry.
02:11:16Life is brutal.
02:11:30Everything looks the same here.
02:11:34Nothing's changed.
02:11:38Don't you think?
02:11:43No, Allie, I don't.
02:11:48It all looks different to me.
02:11:52I don't know.
02:11:56I don't hardly recognize it anymore.
02:12:56I'm sorry.
02:13:01I'm sorry.
02:13:06I'm sorry.
02:13:11I'm sorry.
02:13:16I'm sorry.
02:13:21I'm sorry.
02:13:26I'm sorry.
02:13:31I'm sorry.
02:13:36I'm sorry.
02:13:41I'm sorry.
02:13:46I'm sorry.
02:13:51I'm sorry.
02:13:56I'm sorry.
02:14:01I'm sorry.
02:14:06I'm sorry.
02:14:11I'm sorry.
02:14:16I'm sorry.
02:14:21I'm sorry.
02:14:26I'm sorry.
02:14:31I'm sorry.
02:14:36I'm sorry.
02:14:41I'm sorry.
02:14:46I'm sorry.
02:14:51I'm sorry.
02:14:56I'm sorry.
02:15:01I'm sorry.
02:15:06I'm sorry.
02:15:11I'm sorry.
02:15:16I'm sorry.
02:15:21I'm sorry.
02:15:26I'm sorry.
02:15:31I'm sorry.
02:15:36I'm sorry.
02:15:41I'm sorry.
02:15:46I'm sorry.
02:15:51I'm sorry.
02:15:56I'm sorry.
02:16:01I'm sorry.
02:16:06I'm sorry.
02:16:11I'm sorry.
02:16:16I'm sorry.
02:16:21I'm sorry.
02:16:26I'm sorry.
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02:16:41I'm sorry.
02:16:46I'm sorry.
02:16:51I'm sorry.
02:16:56I'm sorry.
02:17:01I'm sorry.
02:17:06I'm sorry.
02:17:11I'm sorry.
02:17:16I'm sorry.
02:17:21I'm sorry.
02:17:26I'm sorry.
02:17:31I'm sorry.
02:17:36I'm sorry.
02:17:41I'm sorry.
02:17:46I'm sorry.
02:17:51I'm sorry.
02:17:56I'm sorry.
02:18:01I'm sorry.
02:18:06I'm sorry.
02:18:11I'm sorry.
02:18:16I'm sorry.
02:18:21I'm sorry.
02:18:26I'm sorry.
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02:18:36I'm sorry.
02:18:41I'm sorry.
02:18:46I'm sorry.
02:18:51I'm sorry.
02:18:56I'm sorry.
02:19:01I'm sorry.
02:19:06I'm sorry.