Igra sudbine 1150 Epizoda - Igra sudbine 1150 Epizoda
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00:00What do you think? Believe me.
00:02Here I am, people.
00:04What did I tell you?
00:06I'm dying of this arrest.
00:09All day long.
00:11Work, work, arrest, arrest, thank you.
00:13Come on, put your hands down.
00:15Is it clear to you? First the job, then love.
00:17I was waiting for you.
00:18What did you think?
00:20What do you want? Arrest me, work, work.
00:22What else do you want to do?
00:23You're not going to lie down and let the money fall on its own?
00:26Where are you?
00:28Where were you?
00:29I was arrested.
00:30Where were you, man?
00:31All day long.
00:32My kids are waiting for me.
00:33They're crying.
00:34Are you out of your mind?
00:35You're taking off your shirt.
00:36You're sitting there.
00:37Yes.
00:38I have to go.
00:39I'm arresting, man.
00:40You're arresting.
00:41You're arresting.
00:42Listen to me carefully.
00:43I called you because of the following.
00:45What am I going to tell you?
00:46Every morning from now on,
00:48you will come from Kosmaj,
00:50these Bajadere,
00:52nicely,
00:53to bring them to Belgrade.
00:55Do we understand each other?
00:57Wait, wait, wait.
00:58What's not clear to you?
00:59No, no.
01:00Everything.
01:01Because I have...
01:02I arrest people.
01:03I have my job.
01:04How do I do it?
01:05You're not going to do it, are you?
01:07How?
01:08You will, son.
01:09You will.
01:10You will.
01:11I'm telling you, you'll see.
01:12And with the rotation.
01:13Every day you have to bring them
01:15and take them up.
01:17You'll be the most wanted inspector in Belgrade.
01:20I gave you that title.
01:22Inspector on the Bajadere.
01:25That's right.
01:26Wait, wait, people.
01:27Stop, stop.
01:28Do you understand that I'm the police?
01:30I arrest, I don't bring Bajadere.
01:32I have my job, people.
01:33Come on, come on.
01:34Don't be shy, Shakira.
01:35That's all.
01:36I'm done with your boss.
01:37Don't be afraid.
01:38And?
01:39Any questions?
01:41We're going for a drink.
01:43Okay?
01:44Come on, come on.
01:45You.
01:46Watch what you're doing.
01:47And you, girl.
01:48Let her give you the phone.
01:49Come on.
01:51Come on, move.
01:52What are you looking at?
01:53What are you looking at?
01:55Bajadere's driver.
01:59You see me?
02:00Here, here, here, here.
02:01I'll show you.
02:02Here.
02:03Here.
02:04Here.
02:05I can't believe
02:06I have chocolates here.
02:08This will be a miracle.
02:09We'll break it.
02:10What do you mean, we'll break it?
02:12They were sweet, salty.
02:13Salty.
02:14Look at her.
02:15Beautiful.
02:16Sweet, sweet.
02:24I'm sorry.
02:25Is this Andrija Bošnjak?
02:26Who is this?
02:27Nikola Žeković,
02:28journalist for Dnevnog lista Glas.
02:29I'm sorry for the inconvenience.
02:30Where did you get my number and phone number?
02:31Could you answer a question?
02:32I think you're interested.
02:33Let me hear the question first,
02:34so I can see if I'm interested.
02:35I'm sorry.
02:36I'm sorry.
02:37I'm sorry.
02:38I'm sorry.
02:39I'm sorry.
02:40I'm sorry.
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04:47I'm sorry.
04:49I'm sorry.
04:50I'm sorry.
04:51I'm sorry.
04:52What happened, honey?
04:53Wait, you didn't hear anything, did you?
04:54What?
04:55No, what happened?
04:56Luka went on all the portals!
04:58On all the portals?
04:59Did he set Milano on fire?
05:01No!
05:01He was drunk and he demolished a club!
05:04Let me see. What's going on?
05:06Here.
05:06Oh my God.
05:07Look, look, look, look, look, look, look, look!
05:08God, he pulled me so hard!
05:11When he did all this, God, he pulled me so hard!
05:13Huh?
05:14Give me this.
05:14On the contrary.
05:15I can't take this anymore.
05:17I can't.
05:19I can't.
05:19Okay, okay, calm down, calm down, calm down, come on.
05:21Ugh.
05:32Do you have any suggestions?
05:33Now you're going to listen to me, huh?
05:35Okay, you two.
05:36Come on, enough of this blaming.
05:38I mean, really.
05:39Really.
05:39I suggest that now we all listen carefully to what Paolo has to say on this topic.
05:44I mean, he has the most experience in such situations.
05:47Thank you, Lenka.
05:49Aleks gave a suggestion that I didn't agree with at the beginning.
05:55But now I see that we can't do anything else.
06:00So we're still going to be in the media.
06:03If you think I'm making a public apology, I don't remember.
06:09We're going to make an official document.
06:13As a message to the Milan Fashion Week management.
06:18Okay, and what are we going to say?
06:21It should be demands and apologies at the same time.
06:26Yeah, except for Laura, we didn't agree on that.
06:28What do you mean, I'm sorry for something someone else put in my place.
06:31They don't come at all.
06:32Laura!
06:33Laura!
06:35If you didn't come to the party, no one would put anything in place.
06:39And you don't give a statement for the media, but for the agency.
06:42That's right, we have to show seriousness and business loyalty that protects the fashion week.
06:50I agree.
06:55We should withdraw.
06:57Withdraw from what? What are you talking about?
07:00Here, this is how we put together something.
07:02Let's hear it.
07:04We are deeply sorry for the events that prevented the organization of the Milan Fashion Week
07:10and the appearance of one of the largest fashion shows in the world.
07:15I'll send you this later.
07:16Okay.
07:17Okay.
07:25Nothing, then. I'm going with Kai.
07:28Come on.
07:29Do you have a key?
07:30I have everything.
07:31Come on, come on.
07:32Bye, people.
07:33Bye.
07:34See you.
07:38I can't believe it.
07:39This shook you so much, didn't it?
07:41It didn't shake me that much.
07:45I want to help him all the time.
07:48He's always making trouble.
07:50I hit him with a stick, I stand calmly in front of him.
07:53I know.
07:54It doesn't hurt.
07:55I know.
07:56I know.
07:57I know, but what are you going to do now?
08:00I don't know.
08:01You can't do anything.
08:02He's a grown man.
08:03Let him go.
08:04Who's grown up?
08:05Him.
08:06He's not even a little bit older than Jaslice.
08:09Oh, my God.
08:13I love that fool as if I had a son.
08:15And I can't help him.
08:17I understand everything.
08:19I understand everything.
08:20Here, I have the same trouble with my daughter.
08:24She's crazy about that idiot Trivanović.
08:26I'm going crazy.
08:27I don't know what I'm going to do.
08:29I understand everything.
08:30You can't.
08:31It's easy with children.
08:32Yes, easy.
08:33It's easy to talk to someone who doesn't exist.
08:35What are we going to do?
08:38I'm going crazy.
08:40I'm going crazy.
08:51What did he say to you?
08:54Your father.
08:56Mido?
08:58No, I mean Bogdan.
09:02Ljubinka, Mido.
09:04I don't know.
09:06He's treating me like a monkey.
09:10Like I'm an alien, you know?
09:13So what?
09:16Why are you doing this to me?
09:20What do you mean?
09:22What do you think?
09:24Ljubinka, I'm here to be a lover.
09:27In the name of the people, you know?
09:29That's it.
09:30He thinks I'm a fool.
09:33Listen, Mido entrusted you with this important task
09:36because he values you.
09:38He values me?
09:40So I can transport pigs to Belgrade?
09:42No, what are you laughing at?
09:43I'm serious.
09:44Then tell him to value me a little less.
09:46Please, do me a favor.
09:48You realized that tragically.
09:49Believe me.
09:50Believe me, Ljubinka.
09:52Ljubinka, I'm telling you,
09:54it's not about that.
09:56I won't have time for you and me.
09:59Every morning I go there,
10:01I'm a policeman, I'm a transporter,
10:04I don't know what I become, you know?
10:07All day long.
10:08And where are you?
10:09Where are we?
10:12I know you don't like it,
10:15but I'm happy because of it.
10:26It's not easy with kids,
10:28but thank God,
10:30it's not easy with adults.
10:32God forbid.
10:34We both know that.
10:36Here, let's take Mido as an example
10:39of my husband, Tihomir.
10:42Him.
10:43We'll throw him on the carpet now.
10:45We will.
10:46Because we're transporting him now.
10:48Him.
10:49He's hanging out there, right?
10:51In exotic destinations
10:54in a program of a protected witness.
10:57Really?
10:58He's protected like a polar bear.
11:00And what am I?
11:02No one will protect me.
11:04That's what I'm asking.
11:06It's like he's coming.
11:08He's just looking for a reason not to be there.
11:11But because he's transferring,
11:13because he doesn't like it, he knows.
11:15Right?
11:16He knows.
11:17And you, Marica Rintaj.
11:18And you're mad.
11:19I'm mad.
11:20He's mad.
11:21He's mad.
11:22There's a reason why he's mad
11:24because I'm working with you.
11:26You see him.
11:27It was a shame.
11:28It was a shame.
11:29Come on, his name is Mileta,
11:31so he's mad at him.
11:33Imagine.
11:34Why doesn't he call me?
11:36Why doesn't he tell me?
11:37He won't.
11:38You hear?
11:41Look, Jeta.
11:43I'm begging you.
11:44Something came to my mind.
11:45Come on.
11:46I'm listening.
11:47I'm seriously asking you.
11:48Would I be able to,
11:49for example,
11:50put that program
11:51of a protected witness in my beautiful village?
11:54Come on.
11:55I'm begging you.
11:56If you have a chance,
11:57see that he won't
11:58jump on my head
11:59to rest a little longer.
12:02And believe me,
12:03if you help me,
12:04I'll pay for everything.
12:05Mileta.
12:07Don't laugh, Mileta.
12:08Come on, let it go.
12:09We've already started
12:10talking about it later.
12:11It's time to go.
12:13Come on, Vajrond.
12:14Pancetto, you're right.
12:15Come on,
12:16let's have another drink
12:17and then we'll go.
12:18I have to find my scissors.
12:19Where did she go
12:20with that idiot Trivanović?
12:23Easy.
12:24How?
12:25How?
12:26You won't even turn him around.
12:27You don't have scissors.
12:28Come on, take it easy.
12:29Easy.
12:30Come on.
12:31See you.
12:55Hey.
13:05It was you?
13:06How could you?
13:07What?
13:08How could you stand
13:09on Paula and Aleks' side?
13:10I didn't stand on anyone's side
13:11because they were right.
13:12Why were they right?
13:14We have to face the situation
13:15and apologize.
13:16For what?
13:17For breaking glasses?
13:18It's not the reason for arrest.
13:20I mean,
13:21anyone who did so.
13:22Laura, it's not the reason
13:23We agree on the reason for the arrest, but since we can't find out who put us there,
13:27then we have to get the best out of this situation.
13:29How can't you understand that if we give a message to the management,
13:32we admit a mistake?
13:33Please, put the truth aside.
13:35We have to drop the ball and show humility.
13:38Fuck it, we threw it and that's it.
13:40I didn't.
13:41I'm not ashamed of you.
13:43Here, I'm not ashamed of you. What are we going to do now?
13:46Maybe you're not ashamed of me, but you're rejecting me.
13:48Who's rejecting you? Please, what are you talking about?
13:50Sit down, sit down. Here's your tea.
13:52Let's have a nice cup of tea.
13:54You betrayed me.
13:55How did I betray you?
13:56Laura, wait!
14:04What's going on?
14:20What's going on?
14:33Andrija, what is this?
14:35I don't know, some nonsense. What is it?
14:40What's going on here?
14:44Calm down.
14:46What is it? Why are you so panicked?
14:49How can we calm down? What are we going to do?
15:03You can't believe how I pulled him.
15:06That's strange to me, because he usually doesn't give any statements to the media,
15:10to the journalists, nothing.
15:11No, no, I presented myself as a journalist of the Daily Voice,
15:16not to be a tabloid, you know.
15:17Congratulations, so he believed, he believed the story.
15:21You can't believe how easy it was.
15:23Yes.
15:24Bravo, maestro.
15:26You know what I don't understand?
15:27How is it possible that such an experienced man doesn't fail at the table tennis?
15:32Because he's untouchable, he thinks everything is possible.
15:36Do you understand that no one can do anything to him?
15:38Arrogance, dear, my ego.
15:41Bravo, you knew which card to play, bravo.
15:45Arrogance is the best place for deception.
15:48That's right.
16:10Oh, God.
16:15Ljork?
16:23Ljork, where are you from?
16:25Well, here I am.
16:26What do you mean here I am, man? You don't look 100 years old.
16:29Where are you? How are you?
16:30I'm fine, and you?
16:31I'm just... I'm ok.
16:37And why are you calling me at this time?
16:40Well, Luka, you were with me when I had problems,
16:43when I was at the hospital after the transfer.
16:46Well, ok, wait, it's not good to call you just because you feel you owe me.
16:50It's not just that.
16:53Yes, well, what is important now, and what is most important,
16:57is that your statement went well and that it ended well.
17:02Well, it wouldn't end well if he didn't pay.
17:06And I never asked who it was.
17:09Well, that's what I wanted to tell you.
17:11Thank you and I appreciate it.
17:13Well, where are you?
17:16Well, here I am, next to the table, I'm walking.
17:20It says on the clock, I have to make 10,000 steps a day,
17:24and then I walk, what am I going to do all day?
17:26Where are you?
17:28I'm here, somewhere near Milan, in Lombardy.
17:36How are you?
17:40Hello?
17:42Hello?
17:43Hello?
17:44Hello, are you there? I mean, I'm here.
17:47Did you hear me?
17:48Yes, yes, yes, you say you're close to Milan,
17:51so, close to Milan in Italy, yes, in Italy.
17:56Yes.
17:58Well, I don't know, I'd love to see you, but...
18:02I'm in such trouble that I don't know how smart that is.
18:06I'm not going to ask you anything about the details,
18:09I just wanted to let you know that I'm here for you.
18:16Thank you, thank you, I appreciate it.
18:29You know, Andrej told me a pretty straightforward story
18:32about the incident that happened.
18:37About the incident?
18:38Yes.
18:42Remind me.
18:43Well, about you not realizing it.
18:47Oh, that.
18:48Well, okay, it wasn't anything special, everything's fine.
18:52What do you mean, nothing special?
18:54I mean, he told me that, of course, he was going to help,
18:58but he's talking about it as if it happens every day,
19:01as if it's a normal thing.
19:04Well, yes, it's awkward that it happened in the police station,
19:07but it's great that someone was there, isn't it?
19:11And that's exactly Andrej.
19:13I couldn't, God forbid, be alone, could I?
19:16Well, yes, Andrej did something nice behind your back.
19:22Well, I guess you can expect that from a man.
19:24It would be strange if he didn't do anything.
19:26I know, that's true.
19:28He could have called an ambulance, not a rescuer.
19:34Yes, you're right.
19:37You know what the problem is?
19:39This isn't the first time, he's doing it all the time.
19:42It's as if he's trained and has a constant need to save women.
19:47That's a perfect topic for a session with him.
19:52Blisća.
19:55You just don't want to fall into unconsciousness.
20:00He told me you were talking about female ungratefulness.
20:06Una.
20:08I advised you not to talk too much during the session.
20:12He told me that himself.
20:14And that's it.
20:16I'm not going to explain anything further.
20:18Okay.
20:21Tell me, what's new in terms of sex?
20:27If you ask me, there's nothing new.
20:34Really?
20:35Yes.
20:50Where's Mido?
20:52I don't know.
20:54And you?
20:56How long have you been standing here?
20:58You Maldives are a bunch of ruffians.
21:00I don't know what that pale Mido sees in this place.
21:03Maybe he sees the impassable style.
21:06And the friendship that rules here.
21:09The friendship with Pancheto.
21:11I'm sure of that.
21:13I'm sure of that.
21:15I'm sure of that.
21:17The friendship with Pancheto.
21:19I'm sure of that.
21:21And what do you want?
21:23To tell me when Pancheto comes to the cafe.
21:25At noon. Why?
21:27He's definitely coming with Mido.
21:29You can't tell anyone I'm here.
21:32I have to find out what they're up to.
21:36Are you threatening everyone now?
21:39Only those who depend on me.
21:43No one here depends on you.
21:47In this hole you call a cafe,
21:50you're all moneyless.
21:52And I bring money, so you depend on me.
21:55Mido brings the money, not you.
21:58Just call me again and you'll see whose money it is.
22:02Now make me a cup of coffee.
22:04Let's go see what's up.
22:06Okay.
22:09I still don't know how we got to the point
22:12where the question of sex
22:14is actually the question of domination.
22:17That's nice.
22:19Andrej is a dominant man,
22:21and I want to parry him.
22:23On what plan?
22:25On every plan.
22:27I just want to be fair.
22:29How exactly?
22:31Why is it so strange now?
22:33I don't know.
22:36Why is it so strange now?
22:38I mean, we live in the 21st century,
22:40and we women managed to fight for some rights.
22:43That's true.
22:45But you're Andrej Bošnjak's wife,
22:48so I'm asking how.
22:51You think it's impossible to compete with him?
22:55I'm not sure I like the word competition
22:58in this context.
23:00Me neither.
23:02But that's reality.
23:05And?
23:07What are you planning?
23:09How many companies do you need,
23:11and how much money?
23:13Well, for starters,
23:17I don't have any.
23:19And?
23:22It doesn't look like it's going to change.
23:27I see I'm going to be outnumbered
23:29after this session.
23:31Okay.
23:32Let's turn things around.
23:34Do you think that Andrej's domination
23:37is measured by his money
23:39and his companies?
23:41No, no.
23:43I mean, that's the majority of his life.
23:46He's always headed that way,
23:48and the fact is that without all that,
23:51he wouldn't have had self-confidence.
23:53There.
23:54Maybe that's a more concrete word.
23:56Self-confidence.
23:58Maybe we should work on that.
24:00Well, we don't really have the material
24:02to talk about self-confidence.
24:04You're wrong.
24:06Every woman can win.
24:08Women's power.
24:10What do you mean by that?
24:13Leading.
24:15Understanding men.
24:17That's where women's strength lies,
24:20where men can get everything.
24:26Maybe there's a chance
24:28that I won't be outnumbered
24:30after this session.
24:43You don't like this coffee.
24:46No one's ever complained.
24:49Because they don't have the same taste as me.
24:52But who owns Maldives, Panchetta?
24:57Come on, say something.
25:00The owners of this place are
25:03Aleks and Luka.
25:06But Panchetta raised them from a young age.
25:09You can't understand that.
25:11It's a long story.
25:13Panchetta is responsible for everything.
25:15And where are Luka and Aleks?
25:18They're in Milan.
25:22And where's Panchetta's husband?
25:24He's in Milan, too.
25:26He's abroad.
25:28Bravo for Panchetta.
25:30He's screwed them all over.
25:32Maybe that's how it works,
25:34but it's not like that at all.
25:36You have no idea, kid.
25:38Everything is as it seems.
25:40Yes, yes, yes.
25:42Listen, I'm going now.
25:44Thank God.
25:46Don't tell anyone I'm here.
25:56Of course not.
25:58Everyone's got that kind of principle.
26:05My opinion is that men and women
26:07will never fully understand each other.
26:09Why?
26:10Well, first of all,
26:12men's solidarity is much stronger
26:14because of the domination we've been talking about for a while.
26:17Excuse me, Boba.
26:19I wouldn't call it a hit.
26:21It's OK.
26:22Hello?
26:23I can't. I'm on a meeting.
26:26Just this.
26:27Look at the link I sent you.
26:53Good afternoon.
27:00Good afternoon.
27:02Good afternoon.
27:22Shit.
27:32I told you I was close.
27:37This is what I'm talking about.
27:40A classic demonstration of power.
27:42Almost a rapist.
27:45OK.
27:46Let's not exaggerate.
27:49You know what kind of journalists
27:51they are.
27:52The better the story, the better the sales.
27:54Wouldn't it surprise me if they weren't exaggerating this time?
27:58Well, I honestly think
28:00they were trying to provoke Andrija.
28:14What are we going to do now?
28:16This is shit.
28:18First, we should turn off the phones.
28:22Boba, put the phone down.
28:24I will.
28:25How are we going to do this?
28:27Take it easy.
28:28This won't last forever.
28:30I wouldn't say so.
28:32I just received a message from Dobrica.
28:34What did she say?
28:35The journalists are blocking the entrance to the building.
28:38Horrible.
28:39Dobrica and Gala are fighting it.
28:54With whom?
28:56What are you talking about?
28:58What does that mean, parking manager?
29:01I don't know.
29:02What does it mean?
29:03What kind of nonsense is that?
29:05It's not nonsense at all.
29:06Do you know that today parking is more important than anything else?
29:10Whoever finds the parking lot first wins.
29:14Are you drunk today?
29:15What's wrong with you?
29:17I'm fine.
29:27It's going well.
29:29It's going somehow.
29:31First, we found the money.
29:33I will tell you about the money later.
29:36We somehow found the money.
29:38We found great people for the job.
29:41And then everything turned upside down.
29:43Everything turned upside down.
29:46And then everything turned upside down.
30:03Hello?
30:05Good afternoon.
30:06Did we come back to you?
30:08No, I'm just saying good afternoon.
30:11Tell me, Milena.
30:13I would like to invite you to a drink at the business club.
30:18That's impossible.
30:21Why is it impossible?
30:34Hey, Alexa.
30:36Did you think about how you're going to solve this Lukin chaos?
30:41We put together a message that we traced to Fesavik.
30:45Really?
30:47Do you think it's going to be good?
30:50I sincerely hope so. I'm still waiting for the answer.
31:07Hello, Mido. How are you?
31:09Where are you, Miki? Please, have a seat.
31:12I would like to pay this bill.
31:14Can I?
31:15No.
31:16My son paid for lunch yesterday.
31:18I will bring it today.
31:20My custom is to pay for the host's lunch as a guest.
31:25I see you all got together.
31:27I came to see if I could help.
31:30You're helping because you're on my account.
31:33OK, Ljeposova. Why are you always asking for a tip?
31:36Why didn't you? Let's have some fun.
31:39I didn't ask you anything.
31:41Milena.
31:42Milena.
31:43Milena.
31:44Milena.
31:45Milena.
31:46Milena.
31:47Milena.
31:48Milena.
31:49Milena.
31:50Milena.
31:51Milena.
31:52Milena.
31:54Where's Mido?
32:08Hello.
32:11Who's that?
32:13Andrija Bošnjak.
32:16Hello, Andrija. Where are you from?
32:18I just wanted to say hello.
32:21For what?
32:23For what?
32:24For what?
32:25For what?
32:26For what?
32:27For what?
32:28For what?
32:29For what?
32:30For what?
32:31For what?
32:32For what?
32:33For what?
32:34For what?
32:35For what?
32:36For what?
32:37For what?
32:38For what?
32:39For what?
32:40For what?
32:41For what?
32:42For what?
32:43For what?
32:44For what?
32:45For what?
32:46For what?
32:47For what?
32:48For what?
32:49For what?
32:50For what?
32:51For what?