• 5 months ago
Transcript
00:00:00♪♪
00:00:10♪♪
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00:00:31I'm sorry, I can't drive.
00:00:34It's okay, sir.
00:00:36Okay.
00:00:37I'll go first, thank you.
00:00:39Okay, okay.
00:01:00♪♪
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00:01:37You win it.
00:01:38Okay, John.
00:01:40♪♪
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00:03:20Okay.
00:03:29Okay.
00:03:30Okay.
00:03:31Okay.
00:03:32Okay.
00:03:33Okay.
00:03:34Okay.
00:03:35Okay.
00:03:36Okay.
00:03:47Hello, Mas.
00:03:48About the royalty you asked,
00:03:50it should be paid tomorrow.
00:03:52But,
00:03:53it's already the third year,
00:03:54the amount is not too big.
00:03:56Yes, Mas.
00:03:57I understand.
00:03:58Oh yeah, Mas.
00:03:59What about my documents?
00:04:01About that,
00:04:03let's talk here.
00:04:04You're here, right?
00:04:06Yes.
00:04:07Can you make a new synopsis
00:04:09for our discussion?
00:04:12Okay, Mas.
00:04:13Thank you.
00:04:18♪♪
00:04:28♪♪
00:04:38♪♪
00:04:48Tommy?
00:04:51Tom?
00:04:53♪♪
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00:06:08Sis.
00:06:09Hmm?
00:06:10This house is big,
00:06:12but why do you want to rent it cheap?
00:06:15Are you suspicious?
00:06:17No.
00:06:18♪♪
00:06:23Can you play a song?
00:06:25I'm so lonely.
00:06:27Okay, I'll play a song.
00:06:29Listen.
00:06:31No, not that song.
00:06:33It's so scary.
00:06:34Turn it off.
00:06:35Darto.
00:06:37You're still afraid.
00:06:42Look.
00:06:43What's that sound?
00:06:44Can you hear it?
00:06:45What sound?
00:06:47I can't hear anything.
00:06:48Look.
00:06:49Why can't you hear it?
00:06:52Oh, that's our food.
00:06:54It's here.
00:06:55Take it.
00:06:56I don't want to.
00:06:58Okay, I'll take it.
00:07:02It's here.
00:07:03It's so scary.
00:07:05Why is it scary?
00:07:08What if it's not a person?
00:07:10What if it's a ghost?
00:07:16Wait, I'll get the money.
00:07:18Okay.
00:07:26Well, maybe it's just a ghost.
00:07:30But it's true.
00:07:32It's said that...
00:07:34...if the light flickers...
00:07:36...it means there's a ghost around.
00:07:40Around?
00:07:41What for?
00:07:42To learn about the group.
00:07:44How do I know?
00:07:46Ask the devil.
00:07:50Why are you afraid?
00:07:52It all depends on our faith.
00:07:54If our faith is strong,
00:07:56it won't be like this.
00:08:06I'm sorry.
00:08:07It's too dark.
00:08:12Thank you.
00:08:16You're sweating in the rain.
00:08:18Oh, no.
00:08:19I won't do that again.
00:08:21Be careful.
00:08:27You're so cute.
00:08:29No wonder you're an actor.
00:08:32What are you doing?
00:08:34Nothing.
00:08:36I'm watching a movie.
00:08:40Why don't you try acting?
00:08:42You can do it.
00:08:48What did you say?
00:08:50I just got here.
00:08:51My body is still wet.
00:08:53And you want me to act?
00:08:55But you're an actor.
00:08:58You can't do it?
00:09:00What?
00:09:01You're making fun of me?
00:09:03You can do it.
00:09:06Enough.
00:09:07Hi.
00:09:09You're good at acting.
00:09:11You should learn more.
00:09:14It's cool.
00:09:15What do I lack?
00:09:17You should change your clothes.
00:09:19But I haven't unpacked my clothes.
00:09:22You can borrow mine.
00:09:24Can I?
00:09:25Of course.
00:09:31What's wrong with you?
00:09:33You can do it.
00:09:35How can I do it?
00:09:38You don't know fashion.
00:09:40This is called air ventilation.
00:09:42So, you can stay cool all day long.
00:09:46So, how is it?
00:09:48Is it good?
00:09:49Yes.
00:09:50No?
00:09:52Actually...
00:09:54If you don't like it...
00:09:57You can find a better place.
00:10:00If you want...
00:10:02You can use my savings.
00:10:04It's okay.
00:10:09You don't know anything.
00:10:11You'll ruin yourself if you help people.
00:10:14Dom Pettiris.
00:10:15Gengsi.
00:10:16Matman Paris.
00:10:19No, Fin.
00:10:20We're just not used to it.
00:10:23We'll get used to it.
00:10:25Right?
00:10:27Nay.
00:10:28Do you remember Frankie?
00:10:31Yes.
00:10:32Frankie is creating an advertising agency.
00:10:35He has a job as a copywriter.
00:10:38What do you think?
00:10:40No, Fin.
00:10:42I want to focus on writing novels.
00:10:45Are you sure? You need...
00:10:46I'm sure, Fin.
00:10:51I just want to help.
00:10:54It's hard.
00:10:56Like you.
00:10:58I'm a geneticist.
00:11:20I'm a geneticist.
00:11:50I'm a geneticist.
00:12:21Faster.
00:12:32Karania.
00:12:36What's wrong?
00:12:37What's wrong?
00:12:39The crane.
00:12:40What's wrong?
00:12:41It's on.
00:12:42That's good.
00:12:43It's on by itself.
00:12:46I'm sure.
00:12:47I'm pretty sure there's someone waiting for us here.
00:12:50Maybe there is. We live in an old house.
00:12:53As long as we don't do anything, we won't be disturbed by them.
00:12:57How can we be disturbed? They opened the door by themselves.
00:13:00But you can close it.
00:13:02Believe me, you won't get hurt, okay?
00:13:07But I'm scared. I'll sleep here.
00:13:11Okay, I'll sleep in your room.
00:13:14Come on.
00:13:15Be happy.
00:13:17Hey, wash your face first.
00:13:19No, I don't want to.
00:13:45Dr. Surya, you asked me to write down all my feelings and thoughts.
00:14:04But I'm confused.
00:14:06Because what I feel and think is all nonsense.
00:14:11Since I was a kid, my mom didn't like me.
00:14:15And after that incident, she hated me even more.
00:14:20To be honest, I hate myself too.
00:14:24I think it's better for me to stay away from my mom...
00:14:27...rather than always making her remember that incident.
00:14:31My dad still wants to believe that things can go back to normal.
00:14:36But I know it's impossible.
00:14:41I never intended to hurt anyone, especially my parents.
00:14:47Maybe I should just leave this world.
00:14:51That way, everyone will be happier.
00:14:55I feel sorry for him.
00:15:10But you're okay, right?
00:15:14You don't have any other problems, right?
00:15:16I'm just confused.
00:15:21What happened to him?
00:16:21Okay, I believe you.
00:16:46But where are we going at this hour?
00:16:50Where are we going?
00:16:52We have to find a hotel first.
00:16:54Then we'll find a new place tomorrow.
00:16:56Or...
00:16:57...we can go to Kavino's house.
00:16:59I told you, we can't bother other people.
00:17:02Kavino is your boyfriend, not someone else.
00:17:04Please, wait for me.
00:17:07Please, Anaya.
00:17:08Don't call him.
00:17:13I know you're scared.
00:17:15I understand.
00:17:19But...
00:17:20...please understand me.
00:17:24I've paid for this house for a year.
00:17:27And my savings is just enough to pay for your school...
00:17:31...and our living expenses.
00:17:33Not to mention your high school tuition.
00:17:36Fine, I don't have to pay for my school.
00:17:38Oh, so you want to be a pauper?
00:17:40You didn't even graduate from high school.
00:17:44You...
00:17:46Please.
00:17:48Please, just stay here for a while.
00:17:51But I'm scared.
00:17:55Fine.
00:17:57I'll keep you company.
00:18:08Excuse me.
00:18:12I'm sorry.
00:18:13I've borrowed this diary.
00:18:17I'll return it.
00:18:19And I promise I won't bother you anymore.
00:18:27But...
00:18:28...please don't bother my brother anymore.
00:18:33He's a coward.
00:18:38Please work with him.
00:18:40Thank you.
00:18:43Thank you.
00:18:55Where did you get this?
00:18:59This is the real thing.
00:19:01I swear, it's so scary.
00:19:07But it's connected.
00:19:10Here.
00:19:12Go to Padang Datar.
00:19:14Get a license.
00:19:16You're not educated.
00:19:18Get out of here.
00:19:23Wait.
00:19:26What is it?
00:19:28The physics exam is tomorrow.
00:19:30Can I ask for your permission?
00:19:32I'm busy with the physics exam.
00:19:34I don't have time for this.
00:19:38Do you want religion?
00:19:40Betan, Bil.
00:19:42You don't have time for religion.
00:19:47Oh, I know.
00:19:49Pak Saidi.
00:19:51Pak Saidi can do religion.
00:19:53He can.
00:19:54The proof is...
00:19:55...I've been keeping it safe for years.
00:19:57Why?
00:19:58Because of this ring.
00:20:00Let me tell you.
00:20:02This one is for your wife.
00:20:04This one is for your wife.
00:20:06And this one...
00:20:08...I lost it when I was in high school.
00:20:10It's the strongest one.
00:20:12It's stuck.
00:20:13I don't know why.
00:20:14I used soap.
00:20:16It's not sticky.
00:20:17It's just fragrant.
00:20:20You bought a ring like that?
00:20:22How?
00:20:23A model ring like this...
00:20:25...these days...
00:20:26...it's hard to find.
00:20:31I'll buy it tomorrow.
00:20:34But, in my opinion...
00:20:36...for your case...
00:20:38...it's not enough...
00:20:39...if you just use a ring.
00:20:41The ghost in your house...
00:20:43...wants to be chased by a stronger person.
00:20:49Can you do it?
00:20:50I can.
00:20:52But you know...
00:20:54...the time...
00:20:56...it's hard to find.
00:20:59When will you do it?
00:21:01Today.
00:21:03That's not enough for today.
00:21:11Don't rush to make a decision.
00:21:17What are you doing?
00:21:18I'll call the principal.
00:21:20It's okay, ma'am.
00:21:23Amen.
00:21:24What are you doing?
00:21:26That's a ghost.
00:21:27I don't want to see it.
00:21:28Go away.
00:21:31Okay.
00:21:32See you tomorrow.
00:21:33Yes, sir.
00:21:36Will you go with me tomorrow?
00:21:38Yes.
00:21:41Great.
00:21:42Thank you, Bill.
00:21:45Great.
00:21:50How was it?
00:21:51It's okay. I brought Vino.
00:21:53How are you, Vin?
00:21:54I'm good.
00:21:55What are you busy with?
00:21:56As usual.
00:21:57What's the genre?
00:21:59Genre?
00:22:00What's the genre?
00:22:01The genre is...
00:22:04...automotive romance.
00:22:07Automotive romance?
00:22:09Yes.
00:22:10That's unique.
00:22:11It is.
00:22:12That's new.
00:22:13Bionir.
00:22:14What's the title?
00:22:16The title is...
00:22:19...Cintaku Kepatil Sufi Rangkot.
00:22:23That's why it's automotive.
00:22:25That's why it's automotive.
00:22:26Automotive romance.
00:22:27Cintaku Kepatil Sufi Rangkot.
00:22:28There are many sets in Jalan Raya.
00:22:30But it's good.
00:22:31Your role is important.
00:22:33If there's no driver, no one falls in love.
00:22:35Yes, the driver is important.
00:22:37But I'm not the driver.
00:22:40I'm the driver's friend.
00:22:42But it's so awkward.
00:22:44The driver has no friends other than me.
00:22:47It's still important.
00:22:48Yes, it's important.
00:22:49The plot is important.
00:22:51How about you, Naya?
00:22:53Yes, sir.
00:22:54How's my script?
00:22:56Your script...
00:22:58...is not approved yet.
00:23:02Is that so?
00:23:03Actually, it's not bad.
00:23:05But your first novel...
00:23:08...is too good.
00:23:09It's a bestseller.
00:23:10People's expectations are too high.
00:23:12So, if you want to release something, it has to be really good.
00:23:15If not, people will be disappointed.
00:23:16It will be a flop.
00:23:20Do you have any other ideas?
00:23:21I asked for a synopsis with you yesterday.
00:23:23No.
00:23:24Yes, I do.
00:23:25Really?
00:23:26Yes.
00:23:28You know, Naya.
00:23:29You told me that you cried.
00:23:33I was so sad.
00:23:36Tell me about it.
00:23:37But...
00:23:38I just got the idea.
00:23:40I haven't developed it yet.
00:23:42I met my producer.
00:23:44He's a famous producer in Jakarta.
00:23:46I told him about my idea.
00:23:48I want to make a movie with him.
00:23:50Wow, I just heard about your idea.
00:23:53Yes.
00:23:54It's...
00:23:55It's great, right?
00:23:56It's good that you told me about it.
00:23:59Tell me about it.
00:24:00What's the story, Naya?
00:24:01Yes.
00:24:03Well...
00:24:05The story is about a man...
00:24:07...who has a diary.
00:24:09The diary is about...
00:24:12...how much his mother hates him.
00:24:15Until...
00:24:18...he killed himself.
00:24:20Oh, it's dark.
00:24:24Naya.
00:24:25I just want to help you.
00:24:27There's no other way.
00:24:29Then, what's the other way?
00:24:32Naya.
00:24:33You need a story.
00:24:35You already have a good idea.
00:24:37It's a waste if you don't develop it.
00:24:39But we don't know whose story it is.
00:24:41That's because we don't know whose story it is.
00:24:43It's a waste if we don't develop it.
00:24:45It's better to make it useful.
00:24:47It's okay.
00:24:48High school is a cheaper school.
00:24:51No.
00:24:52That's not an option.
00:24:55A useful school is a good school.
00:24:57Your mom and dad taught me there.
00:24:59And now it's my turn to teach you there.
00:25:06Hello, Mas.
00:25:07Mrs. Groto really likes the idea of the story.
00:25:09If you can finish the draft soon,
00:25:11we'll be able to publish it.
00:25:13Okay.
00:25:14Here's the story.
00:25:15If you can finish the draft soon,
00:25:17we'll be able to launch it in Jakarta Book Fair in two months.
00:25:20You know how crowded it is there, right?
00:25:24Seriously, Mas?
00:25:25Seriously.
00:25:26What do you think?
00:25:44Hello?
00:26:14Where's Billy?
00:26:15He's on the phone.
00:26:16What?
00:26:17He's on the phone, Sir.
00:26:18He's the one who's flirting.
00:26:20I know.
00:26:21I've flirted before.
00:26:23I mean,
00:26:24why did I flirt all of a sudden?
00:26:26Flirting is a sudden thing, Sir.
00:26:29You didn't plan it.
00:26:31You're right.
00:26:32It's a social gathering.
00:26:35I'm sorry.
00:26:36I'm sorry.
00:26:37I'm sorry.
00:26:38I'm sorry.
00:26:39I'm sorry.
00:26:40I'm sorry.
00:26:41I'm sorry.
00:26:42I'm sorry.
00:26:43Okay.
00:26:45Yes, Sir.
00:26:46Where's my ring?
00:26:51Here.
00:26:52Why is it ugly?
00:26:53It's a special effect.
00:26:55Mystic stuff
00:26:56gets uglier the more you use it.
00:26:58Do you really think
00:26:59you can get away with it
00:27:00if you're neat and tidy?
00:27:02I'm sure you'll get in trouble.
00:27:04You're such a troublemaker.
00:27:05Use this.
00:27:06Okay.
00:27:09I'm sorry.
00:27:11You're such a troublemaker.
00:27:13I don't feel good.
00:27:14I'm starting to smell
00:27:15the mystic stuff.
00:27:18Let's go.
00:27:19Wait a minute.
00:27:20I'm going to throw up again.
00:27:22You're such a troublemaker.
00:27:24Hurry up.
00:27:25The ghost will be back soon.
00:27:26Let's go.
00:27:27Hurry up.
00:27:28Hold on.
00:27:29I'm going to throw up in front of your house.
00:27:31You're such a troublemaker.
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00:29:36Huh? What else, SBB?
00:29:45But this is really important. I need your help.
00:29:50Mas Hantu?
00:29:59Mas Hantu?
00:30:01Let's chat again.
00:30:03Okay.
00:30:05Ding.
00:30:30I just want to talk.
00:30:34Mas Hantu?
00:30:40Mas Hantu?
00:30:48What do you want?
00:30:50Do you want to serve?
00:31:05Mas Hantu?
00:31:10Anaya?
00:31:14Sis?
00:31:15Tok, I'm in trouble.
00:31:17Wait for me, okay?
00:31:18Can you wait for a while?
00:31:21Pak, wait for me.
00:31:23Oh my God.
00:31:24I'm recruited to destroy ghosts.
00:31:27Not to destroy dogs.
00:31:29How can I turn off the lights?
00:31:31Tok, let's go.
00:31:33I'm scared, Pil.
00:31:36Let's go.
00:31:39What should I do?
00:31:40Take your friend first.
00:31:42Just do it.
00:31:43Come on.
00:31:45Why is it my business?
00:31:48It's different, right?
00:31:54I promise.
00:31:55I won't let them disturb you.
00:31:59But please.
00:32:00Please don't disturb my sister.
00:32:04Oh my God.
00:32:06Hurry up, Pil.
00:32:08Be patient, Pak.
00:32:10If I move a lot.
00:32:12I will throw up.
00:32:14Where is the toilet?
00:32:15It's in the corner.
00:32:17Hurry up.
00:32:20The toilet is too far.
00:32:24Wait a minute.
00:32:30Tok, come on.
00:32:32What?
00:32:33Come in.
00:32:35Are you crazy?
00:32:36I'll wait here.
00:32:38Tok, I'm scared.
00:32:41It's scary.
00:32:42Be careful.
00:32:44Okay.
00:32:55Okay, I'll wait outside.
00:32:56Yes.
00:32:57Tok.
00:32:58It's just started.
00:33:03Yes.
00:33:04Tok.
00:33:06You're still there, right?
00:33:14What's wrong?
00:33:15Are you okay?
00:33:16Are you okay?
00:33:19I want to throw up.
00:33:21It's in the toilet.
00:33:25I'm dead.
00:33:27What should I do?
00:33:30What should I do?
00:33:33What should I do?
00:33:34Tok.
00:33:36Tok.
00:33:45Thank you for saving me.
00:33:48Hurry up.
00:33:53Tok.
00:33:54I want to throw up too.
00:33:57What should I do?
00:33:58What should I do?
00:34:00I want to throw up.
00:34:26I want to throw up.
00:34:35Who are you?
00:34:37Who are you?
00:34:38You scared me.
00:34:39I'm the one who owns the house.
00:34:41Why did you come in here without permission?
00:34:43No, I was with...
00:34:44You should leave before I call my family.
00:34:47No, I was with a girl.
00:34:49Or I'll call the police.
00:34:50No, don't.
00:34:51Don't be in a hurry.
00:34:52Just sign the papers.
00:34:54I'm going out.
00:34:55I'm going out.
00:35:08Enough.
00:35:10Enough.
00:35:12I just want to help you.
00:35:14I never ask for your help.
00:35:21Let's run away.
00:35:25We'll talk about this later.
00:35:27What do you mean?
00:35:29We'll be in trouble.
00:35:31Let's run away.
00:35:32Okay.
00:35:33Let's go.
00:35:34I'll count to three.
00:35:35One.
00:35:36No.
00:35:37Two.
00:35:42Don't close the door.
00:35:48This is mine.
00:35:49This is mine.
00:35:50No, Tok.
00:35:51There's a ghost in the bathroom.
00:35:54Help.
00:35:55That's me.
00:35:56Huh?
00:35:57Yes, you.
00:35:59You brought a broom.
00:36:00I'll do it.
00:36:02But, Naya...
00:36:05What are you doing?
00:36:17I promise I won't bring a broom again.
00:36:20Why did you bring a broom?
00:36:22You scared me.
00:36:23Besides, who's idea was it to bring a broom?
00:36:25It's your choice.
00:36:28But, you brought a statue too.
00:36:33Usually, there are more statues.
00:36:36What should I do?
00:36:42I just stayed up all night.
00:36:44Now, I'm kicked out.
00:36:45It's not like that.
00:36:47Tomorrow, I'm going to call a servant...
00:36:49...to fix the leak.
00:36:50So, you can stay up a little longer.
00:36:52How long?
00:36:53I don't know.
00:36:55I'll tell you later.
00:36:56It's okay, right?
00:36:57It's okay.
00:36:59It's safe.
00:37:00Besides, I don't need a servant.
00:37:03Alright.
00:37:04I'll take you to your room now.
00:37:06Let's go.
00:37:18Excuse me.
00:37:23I brought this for you.
00:37:28The seller said it's a bestseller.
00:37:35Please forgive my sister.
00:37:39I don't want to eat this.
00:37:46You watched too many horror movies.
00:37:53So, what do you want to eat?
00:37:59I used to like rawon.
00:38:04Of course, there's rawon.
00:38:11For last night.
00:38:14Thank you...
00:38:16...for kicking out that servant.
00:38:20I'm Galih.
00:38:23I'm Naya.
00:38:27So, who's the other one?
00:38:31There's no one.
00:38:33I'm alone here.
00:38:36I thought there's another one.
00:38:39A scary one.
00:38:41So, you think I'm not scary?
00:38:44You are.
00:38:47But, it's different.
00:38:51You're scary because...
00:38:54...you're sweet.
00:38:57I shouldn't have said that.
00:38:59I'm sorry.
00:39:01It's my first time talking to a ghost.
00:39:03It's okay.
00:39:05Thank you for calling me sweet.
00:39:09They said...
00:39:11...there's something you want to talk to me about.
00:39:16Here.
00:39:19I want to ask for your permission...
00:39:22...to write a novel about you.
00:39:25No.
00:39:28Galih.
00:39:30Wait.
00:39:31Listen to me.
00:39:33Honestly.
00:39:34I won't ask you to do this if I don't have to.
00:39:38For the past three years...
00:39:39...none of my articles has been approved by the publisher.
00:39:42I even told them about your diary.
00:39:45You've gone too far.
00:39:47You told others about my diary...
00:39:51...without my permission.
00:39:54I'm sorry.
00:39:55I know I was wrong.
00:39:58But, please.
00:39:59Give me a chance to write this novel.
00:40:02This story has a lot of potential.
00:40:04Let's go back to the situation.
00:40:06What if your diary...
00:40:08...your life story...
00:40:09...is shown and read by others?
00:40:12Why not?
00:40:13I'd be happy if my life story...
00:40:15...can be useful for others.
00:40:17Especially if it can make my parents proud.
00:40:20Proud?
00:40:23I'm not sure...
00:40:27...my parents will be proud of me.
00:40:38Why do you say that?
00:40:40Because all my life...
00:40:43...I was just a burden...
00:40:46...for my parents.
00:40:52That's why...
00:40:54...this novel...
00:40:56...can be a chance for you to tell them...
00:40:59...what they've been thinking is wrong.
00:41:06So...
00:41:07...what?
00:41:11If...
00:41:13...you...
00:41:16...can make this a chance for me...
00:41:20...to tell them...
00:41:22...what's in my heart...
00:41:24...and what's real.
00:41:29Yes.
00:41:32But, on one condition.
00:41:35I don't want...
00:41:37...to be too dramatic.
00:41:41Okay.
00:41:42By the way...
00:41:43...why did you keep this diary on your phone?
00:41:46This diary is...
00:41:47...a very precious thing for me.
00:41:51Maybe that's why...
00:41:53...I can see you when I hold it.
00:41:58Where do we start?
00:42:02Okay.
00:42:03It seems like your mom really hates you.
00:42:06Why?
00:42:10I killed my own brother.
00:42:13Huh?
00:42:15Seriously?
00:42:16Why?
00:42:18Are you scared now?
00:42:20Not really.
00:42:25When I was little...
00:42:27...I lived at my grandma's house...
00:42:30...because my parents were busy with work.
00:42:33So, I wasn't really close to them.
00:42:37At least until...
00:42:39...Bening was born.
00:42:41Bening was like a stepson to my parents.
00:42:45While I was just a troublemaker.
00:42:49But I tried to be a good brother...
00:42:53...even though I was still mistaken.
00:42:56I don't want what happened to me to happen again.
00:43:01I chose to study abroad...
00:43:03...in Bandung.
00:43:05One day, Bening had a fight with his mom.
00:43:08He ran away to Bandung.
00:43:10I said I didn't agree with what Bening did.
00:43:14I called my mom...
00:43:17...and she got mad at me.
00:43:23I took Bening home...
00:43:25...and that's when it all happened.
00:43:56They're going to make a novel.
00:43:58So, if they make a movie...
00:44:00...it'll be a hit.
00:44:02The readers will definitely watch the movie.
00:44:04We'll see.
00:44:06And the novel will be a hit.
00:44:08Right?
00:44:11I still have other things to do.
00:44:13Excuse me.
00:44:16I can email you the synopsis.
00:44:21If you want to see it...
00:44:23...come to my house.
00:44:25I'm not afraid of you anymore.
00:44:28Until there's a point...
00:44:30...when Gali has to accept...
00:44:34...and give up...
00:44:36Why does it sound so right?
00:44:39Peace.
00:44:43Was that okay?
00:44:45Of course.
00:44:47Gali.
00:44:48You're so arrogant.
00:44:49It's okay. Arrogance is part of the devil's nature.
00:44:54I'm sorry.
00:44:58You're crazy.
00:45:00You're so smart.
00:45:03I'm sorry.
00:45:04It's okay. Just continue.
00:45:07It's okay.
00:45:08Your writing is not bad.
00:45:10Really?
00:45:11Yes.
00:45:12Do you want to be my ghostwriter?
00:45:14Since you're a ghost...
00:45:16...it's rare to find a real ghostwriter.
00:45:20Why do I feel like I'm a ghost...
00:45:22...but there's nothing under me?
00:45:25It's so empty.
00:45:27It's like there's no will to live.
00:45:31Will to die.
00:45:35I mean, will to live.
00:45:39Naya.
00:45:41Your parents are no longer around?
00:45:43It's a coincidence.
00:45:45When I was in high school...
00:45:47...my sister and I...
00:45:51...had to stay at my uncle's house.
00:45:55My aunt didn't like us being nosy.
00:45:58We were told that we were spoiled...
00:46:01...because we were raised by the wrong parents.
00:46:04We decided to move out.
00:46:08Since then, I've learned to live on my own.
00:46:11Live on your own or live in a gang?
00:46:14Live on your own or live in a gang?
00:46:17Why does everyone call me a gang?
00:46:20Naya.
00:46:22I'm not a person.
00:46:24Yes, you're a ghost.
00:46:26You can say that.
00:46:28I'm getting cold.
00:46:31You're getting cold too.
00:46:33Your body is pale.
00:46:40I heard you like rawon.
00:46:44Rawon.
00:46:45Setan.
00:46:47Rawon.
00:46:48Setan.
00:46:50Rawon setan.
00:46:59You're so naughty.
00:47:03Dali.
00:47:04Calm down.
00:47:05We need to rest...
00:47:07...and enjoy life.
00:47:11I know who's still alive.
00:47:13Oops.
00:47:18Am I alone?
00:47:23No.
00:47:24I pulled the plug.
00:47:26Oh.
00:47:34Why am I scared of you now?
00:47:36Enough.
00:47:37Let's continue.
00:47:39We just need to find the title.
00:47:43What's the deal with Galih?
00:47:46What's the deal?
00:47:56I'm sorry.
00:47:57This is the last time.
00:47:59Deal?
00:48:01Deal.
00:48:03I'm sorry.
00:48:04This is the last time.
00:48:06What's the deal with Galih?
00:48:08I'm sorry.
00:48:09Enough.
00:48:10I'm sorry.
00:48:11What's the deal with Galih?
00:48:13I'm sorry.
00:48:14This is the last time.
00:48:16Deal?
00:48:19I'm sorry.
00:48:20This is the last time.
00:48:27Yes.
00:48:28Finally.
00:48:29It's over.
00:48:36It's over?
00:48:37Galih.
00:48:39Congratulations.
00:48:42Thank you, Galih.
00:48:44Thank you for your help.
00:48:47Thank you for letting me write this.
00:48:51Thank you so much.
00:48:52I don't know what to do without you.
00:48:58Galih.
00:49:03What are you doing?
00:49:05I'm exercising.
00:49:08What kind of exercise?
00:49:10I'm exercising to make my muscles stronger.
00:49:14Muscles?
00:49:15Yes.
00:49:17Try it.
00:49:19Thank you.
00:49:20My muscles are strong now.
00:49:27Good afternoon, ma'am.
00:49:28Good afternoon.
00:49:29How can I help you?
00:49:31I'm the one who contracted at your house.
00:49:34Ms. Naya?
00:49:35Yes, there's a letter for you.
00:49:37But it was sent to the old house.
00:49:39Wait a minute.
00:49:50This is the letter, ma'am.
00:49:52Let me take a look.
00:49:54Thank you, ma'am.
00:49:56Yes, ma'am.
00:49:57Excuse me.
00:50:09What happened?
00:50:11The one who owns the house said he was dead.
00:50:13What?
00:50:14He was dead?
00:50:15Yes.
00:50:16He was dead?
00:50:17Yes.
00:50:18He was dead?
00:50:19Yes.
00:50:20He was dead?
00:50:21Yes.
00:50:22The one who owns the house said he was dead.
00:50:24That's why he was curious.
00:50:27Why was he curious?
00:50:30It's hard to explain.
00:50:32If you were dead, it would be normal.
00:50:35He would be curious.
00:50:37If you were dead, you were hit by a car, you were hit by a car.
00:50:40He would be curious.
00:50:42He would want to know who killed you.
00:50:44He would be curious.
00:50:46It's different.
00:50:47What's different?
00:50:48If he was dead, he would be curious.
00:50:51He would want to know who hit him.
00:50:54If he was alone, who killed him?
00:50:57Him.
00:50:59Why was he curious?
00:51:01Maybe he had unfinished business.
00:51:03Maybe.
00:51:05Maybe.
00:51:06If he had unfinished business, he would decide when he was going to die.
00:51:10Why did he kill himself that day?
00:51:12He could have killed himself the next day.
00:51:13It's also called suicide.
00:51:15It doesn't make sense.
00:51:17If he was alone, he wouldn't have committed suicide.
00:51:19He must have planned it.
00:51:20He prepared the rope first.
00:51:22He made a strong knot.
00:51:24He climbed to the top.
00:51:25Then he killed himself.
00:51:26There's no such thing as a planned suicide.
00:51:29There is.
00:51:30What is it?
00:51:31Toh Bulat.
00:51:32What?
00:51:33Toh Bulat was fried.
00:51:35But it was planned.
00:51:37He brought a car, fried food.
00:51:39Why did he suddenly fry tofu?
00:51:41But we're talking about suicide.
00:51:43People kill themselves, not Toh Bulat.
00:51:45You don't understand suicide.
00:51:47Hey, do you understand the feeling of suicide?
00:51:50No.
00:51:51Let me ask you.
00:51:52Have you ever felt it?
00:51:53But...
00:51:54Have you ever felt it?
00:51:55No.
00:51:56You don't understand.
00:51:57You don't understand either.
00:51:58You don't understand.
00:51:59But I don't want to understand.
00:52:00You don't understand.
00:52:01I understand this much.
00:52:02You don't understand more.
00:52:03I understand this much, you understand that much.
00:52:04It's so noisy.
00:52:05It's really noisy.
00:52:09How was it?
00:52:10Sorry, it took a long time.
00:52:11So, I talked to Mrs. Broto.
00:52:15Actually, overall, it's okay.
00:52:16But...
00:52:18I think...
00:52:19Especially in the ending, I think it should be changed.
00:52:22Change?
00:52:23The mother was made more sadistic.
00:52:25According to God, our readers are happy to be dramatic.
00:52:28So, to feel the child's suffering.
00:52:30How?
00:52:31To make the reader nervous.
00:52:33Isn't that right?
00:52:36The faster you approve this,
00:52:39the better we chase the deadline for launching in Jakarta Buffet.
00:52:43What do you think?
00:52:46Okay.
00:52:47I'll try revision 2.
00:52:49Let's eat.
00:52:59You try to take advantage of it, right?
00:53:02What do you mean?
00:53:05Cancel that note immediately.
00:53:15Hi.
00:53:24Hi.
00:53:25May I know you?
00:53:30I'm sorry.
00:53:31I'm not interested.
00:53:33Not interested, you said?
00:53:35After what I've done all this time, you said you're not interested?
00:53:39I want you, Nay.
00:53:41I want you.
00:53:44I want you to say,
00:53:46after you got me pregnant and left just like that,
00:53:49no, Mas.
00:53:50No.
00:53:51Why do you bring up pregnancy?
00:53:53You're exaggerating.
00:53:57It's okay.
00:53:58No one's pregnant.
00:53:59Just a bump.
00:54:01Sorry.
00:54:02Please continue.
00:54:05Have you finished shooting?
00:54:07Yes.
00:54:08You're so slow.
00:54:09You don't work at home.
00:54:10I'm trying to avoid Galih.
00:54:16Who's that?
00:54:19A friend.
00:54:21He helped me write.
00:54:24Helped you write?
00:54:25Yes.
00:54:27Have you ever been to his house?
00:54:29Yes.
00:54:31I have.
00:54:33If I...
00:54:34Wait.
00:54:35I'll finish this first.
00:54:36I have a lot of revisions.
00:54:37I'm chasing deadlines.
00:54:40Okay.
00:54:44Nay.
00:54:47Galih.
00:54:48Why did you surprise me?
00:54:51Who surprised you?
00:54:52I'm usually like this.
00:54:54Why are you like this?
00:54:58No.
00:54:59It's normal.
00:55:01So?
00:55:03What did your editor say?
00:55:05Does he like it?
00:55:07Okay.
00:55:08He really likes it.
00:55:10Okay.
00:55:12I'm so tired.
00:55:14I'm going to take a nap.
00:55:15It's so early.
00:55:18Nay.
00:55:20Okay.
00:55:22Good night.
00:55:40Galih?
00:56:01Galih?
00:56:06Wait a minute.
00:56:10Galih?
00:56:40Ma'am.
00:56:42You can't take it.
00:56:44Mas.
00:56:46Just take it.
00:57:10This is the contract.
00:57:12Okay.
00:57:13And this is the book.
00:57:17Please check everything.
00:57:20If there's anything wrong, let me know.
00:57:22Because we have to make a draft.
00:57:23Okay, Mas.
00:57:24Okay.
00:57:26What about that film?
00:57:27You said you have a producer who's interested.
00:57:29What about that?
00:57:30I don't know.
00:57:31I'm not interested.
00:57:32I'm not interested.
00:57:33I'm not interested.
00:57:34I'm not interested.
00:57:35I'm not interested.
00:57:36I'm not interested.
00:57:37I'm not interested.
00:57:38I'm not interested.
00:57:39What about that producer?
00:57:40Oh, yeah.
00:57:42The film producer?
00:57:43Yeah.
00:57:45Nay.
00:57:46If you keep quiet, you won't solve the problem.
00:57:49Why are you lying?
00:57:52Okay, listen.
00:57:54Why am I lying?
00:57:55I'm confused about how I can help you.
00:57:58Because every time I want to help you, you always refuse.
00:58:01You gladly accept any help from other men.
00:58:04What do you mean?
00:58:06Galih.
00:58:07You can help me.
00:58:08But I can't.
00:58:09Galih is so special.
00:58:13Fin.
00:58:14There's nothing between us.
00:58:16And there will be nothing.
00:58:18Who can guarantee that, Naya?
00:58:22Galih is...
00:58:24What is Galih?
00:58:26Galih is a ghost, Fin.
00:58:31The story about the man who killed himself is about him.
00:58:34He's the one who wrote the diary.
00:58:36And he's the one who helped me write this novel.
00:58:39Satisfied?
00:58:45I...
00:58:46I don't know what to say, Nay.
00:58:48I'm your boyfriend.
00:58:50Not a reader of your fictional stories.
00:58:53Okay, you're a good storyteller.
00:58:55I know that.
00:58:57But this is real life, Nay.
00:59:04I love you.
00:59:34I love you.
00:59:35I love you.
00:59:36I love you.
01:00:03I only have one condition.
01:00:06One condition.
01:00:11Listen to my explanation, Galih.
01:00:13I think you can be trusted.
01:00:37I love you.
01:00:55Anaya.
01:00:56I just got home.
01:00:57But I didn't buy any clothes.
01:00:59I want to sleep at Billy's house.
01:01:00Be careful. Don't forget to eat.
01:01:02Okay.
01:01:07I heard that you have an antique collection.
01:01:10You can do it, Galih.
01:01:18If Anaya comes in, catch her.
01:01:24Wait.
01:01:36I don't want to go down.
01:01:38Damn it.
01:01:42I often come here.
01:01:46You said you're scared.
01:01:47But you're brave.
01:01:50I'm not scared, Galih.
01:01:58They said there's no ghost.
01:02:02Be careful.
01:02:03Don't.
01:02:05If Anaya finds out, I'm dead.
01:02:08That's just a guess.
01:02:10I'll turn it on.
01:02:17It's on, right?
01:02:24Stop.
01:02:26I'm scared.
01:02:28Be brave.
01:02:30Be brave.
01:02:32I'll turn it on again.
01:02:37It's on.
01:02:44I can't stand it.
01:02:45I want to scream.
01:02:47Are you crazy?
01:02:49You're holding a bokep.
01:02:53It's a bokep.
01:02:56It's not a big deal.
01:02:58It's not a big deal.
01:03:01Let's go back.
01:03:02I don't want to scream.
01:03:18I want to scream.
01:03:20Galih.
01:03:22Galih.
01:03:24Help me.
01:03:26Help me.
01:03:28Help me.
01:03:33Wait a minute.
01:03:39Help me.
01:03:46Don't take my bokep.
01:03:48It's been taken away.
01:03:52Can you do it?
01:03:54Can you do it?
01:03:59It's a bokep.
01:04:04Be careful.
01:04:14I'll help you.
01:04:23It's a bokep.
01:04:25What are you doing?
01:04:27Who are you talking to?
01:04:33It's a bokep.
01:04:35I know it's a bokep.
01:04:41I don't want to be in trouble.
01:04:43I'm sorry.
01:04:45Are you crazy?
01:04:47I can't explain it in detail.
01:04:49I don't want to be in trouble.
01:04:53I'll call you back.
01:04:55Okay.
01:05:05It's a bokep.
01:05:07It's a bokep.
01:05:09It's a bokep.
01:05:16Tok.
01:05:17I'm sorry.
01:05:19You're working with a ghost?
01:05:22For a novel?
01:05:26Are you crazy?
01:05:28I don't understand you.
01:05:30It's my fault.
01:05:32I'm sorry.
01:05:34But I need this novel.
01:05:36I need money.
01:05:37For your school.
01:05:38For you.
01:05:39Everything I do is for you.
01:05:43Me?
01:05:45What's your ego?
01:05:48I never asked for a good school.
01:05:50I never asked for a scholarship.
01:05:52But it's okay if you think I'm a burden.
01:05:55I can live on my own.
01:05:57It's not up to you.
01:06:01Tok.
01:06:06Can you do it?
01:06:08No, I can't.
01:06:16Tok.
01:06:23Tok.
01:06:25Come here.
01:06:41Let me go.
01:06:43Don't do this to me.
01:06:45Please.
01:06:47Let me go.
01:06:49Please.
01:06:52Please.
01:06:54Enough.
01:06:58Enough.
01:07:00Galih.
01:07:01Galih.
01:07:02Galih, please.
01:07:04Enough.
01:07:06I know you're angry.
01:07:08But please.
01:07:10Please help us.
01:07:13I said enough.
01:07:22Please.
01:07:28Lantau.
01:07:29Lantau, open up.
01:07:31Lantau.
01:07:33Lantau.
01:07:35Lantau, what's wrong?
01:07:37Lantau.
01:07:41Lantau.
01:07:45Lantau.
01:07:52Ening, are you okay?
01:07:58It's your first time here, right?
01:08:01Yes.
01:08:04It's not that I didn't want to come here before.
01:08:07But what for?
01:08:10Their goal is to move to this house so they can quickly forget me and you.
01:08:16But I don't see any of our pictures in this house.
01:08:20No, it's not that.
01:08:22The reason why you moved here and didn't put our pictures up
01:08:28is because you're worried that I will follow your footsteps.
01:08:38It's so crowded.
01:08:41The neighbor's attitude that keeps blaming me
01:08:44and the news that often discusses us
01:08:47makes me more depressed.
01:08:51I'm just trying to make the new environment easier for them to continue living.
01:09:00At least their goal has been achieved.
01:09:03They can smile again.
01:09:06Smile?
01:09:08But it doesn't mean happiness.
01:09:11You're the smartest to hide your feelings.
01:09:16The proof is that he never drives your car again.
01:09:22And your mom always tries to smile in front of you.
01:09:28They're trying to get back on their feet.
01:09:33That novel will destroy their business.
01:09:40But I have a strong reason why I have to give up that novel.
01:09:46Is that more important than your happiness?
01:09:52Don't be selfish.
01:10:15The number you have dialed is not in service.
01:10:45Thank you.
01:10:55Brian!
01:10:57Thank you.
01:10:59Thank you.
01:11:15Thank you.
01:11:46Are you ready?
01:11:48Yes, I'm ready.
01:11:50Is he here yet?
01:11:52Yes.
01:11:54It would be great if he's here.
01:11:58Okay, you just need to hold this diary.
01:12:02So, this is our first meeting.
01:12:07Conan's first meeting left a deep impression on me.
01:12:11I'm afraid he got the wrong impression from me.
01:12:14I mean, he's a nice guy.
01:12:16So, you should ask him if he's bothered by my presence.
01:12:20Are you bothered?
01:12:23He said no.
01:12:28He should be bothered.
01:12:31Well, just hold this.
01:12:35What about the shape?
01:12:38Tell me about the shape.
01:12:40What does it look like?
01:12:43The shape is normal.
01:12:47But it's a bit pale.
01:12:50But I still...
01:12:51Just look at it.
01:12:59Okay, okay.
01:13:01You said it's a bit pale.
01:13:02It's a bit pale.
01:13:03It's red.
01:13:04It's so red.
01:13:05Okay, okay.
01:13:06Here, here.
01:13:07Slowly.
01:13:08Okay.
01:13:10Slowly.
01:13:11Be careful.
01:13:12Okay.
01:13:17Are you ready?
01:13:20Okay.
01:13:21Yes.
01:13:22Let's hold it together.
01:13:26Okay?
01:13:27Okay.
01:13:33Where is he?
01:13:35You should open your eyes first.
01:13:38Oh.
01:13:44Hello.
01:13:47Hi.
01:13:50My hand is dirty.
01:13:52I just touched it.
01:13:56Did you touch it with your right hand?
01:14:00I'm Kidal.
01:14:01Huh?
01:14:02Sometimes, Naya.
01:14:03When we're shooting, we should be able to do both.
01:14:17Why?
01:14:19I just want to say...
01:14:22Thank you.
01:14:25You've helped me and Naya a lot.
01:14:29Lih.
01:14:30I'm sorry.
01:14:34I'm sorry too, Naya.
01:14:37Because of my brother, you and Darto almost got into an accident.
01:14:41What's scary is...
01:14:42It's clear.
01:14:45So, is it scary or clear?
01:14:47It's clear.
01:14:49But it's scary.
01:14:54The clear reason for doing all of that...
01:14:56I think...
01:14:58It's because he still hates me.
01:15:01He doesn't want my parents to suffer more.
01:15:05What do you mean?
01:15:07Our novel...
01:15:09It's about Naya's old wounds.
01:15:12A tragedy...
01:15:14That they're trying to forget.
01:15:21I know.
01:15:23Come with me now.
01:15:24Let's go.
01:15:29This is the viral old man.
01:15:31He's married to a beautiful woman.
01:15:33How is that possible?
01:15:36Maybe it's love.
01:15:38When people fall in love, they're supposed to fall in love.
01:15:41And then?
01:15:43When people fall in love...
01:15:44People say, from the eyes to the heart.
01:15:47But this is the devil.
01:15:49The devil looks like the devil.
01:15:51What makes him fall in love?
01:15:53Maybe his morals.
01:15:55What else?
01:15:57This is the devil.
01:15:58He acts like the devil.
01:15:59He's evil.
01:16:00No.
01:16:01The devil is not evil.
01:16:03For example, a child.
01:16:05If he doesn't laugh, he'll cry.
01:16:07What's evil?
01:16:09He makes people scared.
01:16:11In the middle of the night, he cries.
01:16:13Why does he cry?
01:16:14He's sad.
01:16:15Why is he sad?
01:16:16I don't know.
01:16:18Okay, fine.
01:16:19Let's say he's depressed.
01:16:20He wants to step on a dead body.
01:16:21But why does he cry in the middle of the night?
01:16:23He steps on a dead body in the middle of the night.
01:16:24Why does he cry?
01:16:25What's wrong with him?
01:16:29Are you trying to trick me?
01:16:30What else?
01:16:32A child can't step on a dead body.
01:16:34Why not?
01:16:36His feet can't reach the ground.
01:16:37How can he step on a dead body if his feet can't reach the ground?
01:16:40What are you trying to say?
01:16:42Maybe that's what makes him sad.
01:16:45He wants to step on a dead body, but he can't.
01:16:48That means he can't step on a dead body.
01:16:50But he's sad.
01:16:51Yes, he's sad.
01:16:52He's sad, but...
01:16:53Yes, he's sad.
01:16:54He wants to step on a dead body.
01:16:55I've been talking to my friend.
01:16:56He's always running around.
01:16:58Go home.
01:16:59Go home.
01:17:00It's time for you to go home.
01:17:01Don't talk about the devil.
01:17:03I'll pray for you to meet the real devil.
01:17:11Why did the devil come to your office?
01:17:13He wants to revise his novel.
01:17:16I'm going to work.
01:17:19Excuse me, where's Alvin?
01:17:21Alvin is revising his novel.
01:17:23You can go upstairs.
01:17:24I'll go upstairs.
01:17:25Thank you.
01:17:27I've finished this letter.
01:17:28I'll put it here.
01:17:29Okay.
01:17:33What?
01:17:34That man fell down by himself.
01:17:36Are you serious?
01:17:37I'm serious.
01:17:38He fell down by himself.
01:17:40You're not afraid of me, are you?
01:17:41No, I'm not.
01:17:46Devil.
01:17:49I don't believe it.
01:17:50Gali and his brother don't want their parents to be sad again...
01:17:53...because of this novel.
01:17:55Especially after the revision, we made their mother's character worse.
01:17:58To make it more dramatic.
01:18:00To make it more popular.
01:18:01Because the royalty is for you too, Nai.
01:18:03I don't want my novel to make the trauma of other people's lives reappear.
01:18:08Especially making the souls of their children who have passed away...
01:18:10...so restless.
01:18:11Please.
01:18:13Gosh.
01:18:15I don't believe it.
01:18:37What do you think?
01:18:42It should be like this.
01:18:44I can do it.
01:18:45But...
01:18:48But...
01:18:50Your sales in Medan is not that good, Nai.
01:18:53Medan?
01:18:54Why does it have to be in Batak language?
01:18:58Why does it have to be in Batak language, Nai?
01:19:00I don't know what kind of app you use.
01:19:02What kind of hacker you use.
01:19:03I don't understand.
01:19:05Anyway, I don't believe in any tricks.
01:19:09Okay?
01:19:10And I don't want to cancel the novel.
01:19:13Okay.
01:19:14What if you watch it yourself?
01:19:17No problem.
01:19:18I'm not afraid.
01:19:19Mas.
01:19:20Mas.
01:19:21Mas.
01:19:23Mas.
01:19:24Mas.
01:19:25Mas.
01:19:26Mas.
01:19:27Mas.
01:19:28Mas.
01:19:29Mas.
01:19:30If you don't mind...
01:19:32...just believe what I said just now.
01:19:35Vino.
01:19:36Vino.
01:19:38If you want to act, just do it in the cinema.
01:19:40Don't do it in front of me.
01:19:41It's a waste.
01:19:42It doesn't matter.
01:19:43Mas.
01:19:44Mas.
01:19:45Trust me.
01:20:00Mas.
01:20:01Mas.
01:20:02Mas.
01:20:04How is it?
01:20:05You want to cancel it?
01:20:08My wallet is gone.
01:20:25Done?
01:20:30I told you, you wouldn't believe me.
01:20:32Kino, Kino.
01:20:33What is it?
01:20:34Huh?
01:20:37What is it?
01:20:38Your friend. I'm scared.
01:20:45Naya.
01:20:47What did you say?
01:20:50It's okay.
01:20:51Finally,
01:20:52the novel has been canceled.
01:20:59It's clear.
01:21:08It's clear.
01:21:22Maybe,
01:21:24I think,
01:21:26Bening doesn't hate you.
01:21:29He loves you.
01:21:33I can see you
01:21:35when I hold this diary.
01:21:37It's the most precious thing for you.
01:21:40And,
01:21:42I can see Bening
01:21:44when I hold you.
01:21:57Nek.
01:21:59Nek.
01:22:02Nek.
01:22:09Nek.
01:22:10Nek.
01:22:11Nek.
01:22:12Nek.
01:22:13Nek.
01:22:14Nek.
01:22:19Nek.
01:22:20Don't you hate me?
01:22:23I never hate you, Mas.
01:22:27Not even a little bit.
01:22:52Nek.
01:22:53Nek.
01:22:54Nek.
01:22:55Nek.
01:22:56Nek.
01:22:57Nek.
01:22:58Nek.
01:22:59Nek.
01:23:00Nek.
01:23:01Nek.
01:23:02Nek.
01:23:03Nek.
01:23:04Nek.
01:23:05Nek.
01:23:06Nek.
01:23:07Nek.
01:23:08Nek.
01:23:09Nek.
01:23:10Nek.
01:23:11Nek.
01:23:12Nek.
01:23:13Nek.
01:23:14Nek.
01:23:15Nek.
01:23:16Nek.
01:23:17Nek.
01:23:18Nek.
01:23:19Nek.
01:23:20Nek.
01:23:21Nek.
01:23:22Nek.
01:23:23Nek.
01:23:24Nek.
01:23:25Nek.
01:23:26Nek.
01:23:27Nek.
01:23:28Nek.
01:23:29Nek.
01:23:30Nek.
01:23:31Nek.
01:23:32Nek.
01:23:33Nek.
01:23:34Nek.
01:23:35Nek.
01:23:36Nek.
01:23:37Nek.
01:23:38Nek.
01:23:39Nek.
01:23:40Nek.
01:23:41Nek.
01:23:42Nek.
01:23:43Nek.
01:23:44Nek.
01:23:45Nek.
01:23:46Nek.
01:23:47Nek.
01:23:48Nek.
01:23:49Nek.
01:23:50Nek.
01:23:51Nek.
01:23:52Nek.
01:23:53Nek.
01:23:54Nek.
01:23:55Nek.
01:23:56Nek.
01:23:57Nek.
01:23:58Nek.
01:23:59Nek.
01:24:00Nek.
01:24:01Nek.
01:24:02Nek.
01:24:03Nek.
01:24:04Nek.
01:24:05Nek.
01:24:06Nek.
01:24:07Nek.
01:24:08Nek.
01:24:09Nek.
01:24:10Nek.
01:24:11Nek.
01:24:12Nek.
01:24:13Nek.
01:24:14Nek.
01:24:15Nek.
01:24:16Nek.
01:24:17Nek.
01:24:18Nek.
01:24:19Nek.
01:24:20Nek.
01:24:21Nek.
01:24:22Nek.
01:24:23Nek.
01:24:24Nek.
01:24:25Nek.
01:24:26Nek.
01:24:27Nek.
01:24:28Nek.
01:24:29Nek.
01:24:30Nek.
01:24:31Nek.
01:24:32Nek.
01:24:33Nek.
01:24:34Nek.
01:24:35Nek.
01:24:36Nek.
01:24:37Nek.
01:24:38Nek.
01:24:39Nek.
01:24:40Nek.
01:24:41Nek.
01:24:42Nek.
01:24:43Nek.
01:24:44Nek.
01:24:45Nek.
01:24:46Nek.
01:24:47Nek.
01:24:49I really understand.
01:24:51If I'm in the same position as you,
01:24:54maybe I will be as angry as you.
01:24:56Thank you.
01:24:58For planning this.
01:25:00You're welcome, sir.
01:25:02Ma'am.
01:25:18Sir.
01:25:19Ma'am.
01:25:20Hold this diary.
01:25:49Got it.
01:25:53Half comical.
01:25:57Gary?
01:26:00Yeah?
01:26:03I'm coming for you.
01:26:09I'm coming for you.
01:26:34I'm coming...
01:26:39...for you.
01:27:03I'm sorry, sis.
01:27:20Don't you dare run away again.
01:27:22I'll send you to Suhan.
01:27:24Okay.
01:27:36I'm sorry, too.
01:27:40Thank you.
01:27:45I just cleaned your room.
01:27:47Whose magazine is that?
01:27:49It's mine, sis.
01:27:54It's mine, sis.
01:27:58You're such a reader.
01:28:00There's no more magazine like that.
01:28:02No, sis.
01:28:04Let's have breakfast.
01:28:06Let's go.
01:28:08Where are you going, guys?
01:28:10You're in a hurry.
01:28:12Be careful if Naya finds out that it's my magazine.
01:28:14You'll be in trouble.
01:28:16You, too.
01:28:18I can't.
01:28:20You, too.
01:28:22I'm serious.
01:28:24You, too.
01:28:34I'm serious.
01:28:36You, too.
01:28:38Let's go to breakfast.
01:28:44Do you work now?
01:28:46Where do you work?
01:28:48I'm still a writer.
01:28:52Is it true what you wrote in your book?
01:28:58So, you wrote about working with the ghost?
01:29:03That's weird.
01:29:05Jen, come here.
01:29:07Here's your coffee.
01:29:09Thank you, Jeremy.
01:29:11It's good to be invited to a movie set.
01:29:13I can't do that in my hometown.
01:29:16It's not good.
01:29:18It's called village ghost.
01:29:21Thank you, Jeremy.
01:29:23Here's your coffee.
01:29:26I'm still a writer.
01:29:40How are you?
01:29:42How have you been?
01:29:44I've been good.
01:29:47What did you eat?
01:29:49The food is so good.
01:29:52Where did you buy it?
01:29:54I bought it near Dato's school.
01:29:56And I took the SMA certificate.
01:29:59You took the SMA certificate?
01:30:02Can't you see?
01:30:04I have a cute face.
01:30:08Where is it?
01:30:10At Adiguna, ma'am.
01:30:12It's an expensive school.
01:30:14Fortunately, this kid was able to finish his studies.
01:30:18So, he got good grades and got a scholarship.
01:30:21I'm a smart kid, ma'am.
01:30:24You should come here more often.
01:30:27You'll live like a family.
01:30:31And we'll have more kids.
01:30:36Can I ask you for a favor?
01:30:39What is it?
01:30:43I want the red one, sir.
01:30:45This is what you deserve.
01:30:48I don't want the red one.
01:30:50You said you're a smart kid.
01:30:52Just pick the color you want.
01:30:55You don't want it, right?
01:30:56I'll take it.
01:30:58He took it.
01:31:01We're already considered as kids.
01:31:04We can get a discount.
01:31:07You're the same.
01:31:09Sir.
01:31:12Sir.
01:31:17So, this is it.
01:31:19Okay.
01:31:43Thank you, sir.
01:31:45Thank you, sir.
01:31:47Thank you, sir.
01:31:49Thank you, sir.
01:31:51Thank you, sir.
01:31:53Thank you, sir.
01:31:55Thank you, sir.
01:31:57Thank you, sir.
01:31:59Thank you, sir.
01:32:01Thank you, sir.
01:32:03Thank you, sir.
01:32:05Thank you, sir.
01:32:07Thank you, sir.
01:32:09Thank you, sir.
01:32:11Thank you, sir.
01:32:13Thank you, sir.
01:32:15Thank you, sir.
01:32:17Thank you, sir.
01:32:19Thank you, sir.
01:32:21Thank you, sir.
01:32:23Thank you, sir.
01:32:25Thank you, sir.
01:32:27Thank you, sir.
01:32:29Thank you, sir.
01:32:31Thank you, sir.
01:32:33Thank you, sir.
01:32:35Thank you, sir.
01:32:37Thank you, sir.
01:32:39Thank you, sir.
01:32:41Thank you, sir.
01:32:43Thank you, sir.
01:32:45Thank you, sir.
01:32:47Thank you, sir.
01:32:49Thank you, sir.
01:32:51Thank you, sir.
01:32:53Thank you, sir.
01:32:55Thank you, sir.
01:32:57Thank you, sir.
01:32:59Thank you, sir.
01:33:01Thank you, sir.
01:33:03Thank you, sir.
01:33:05Thank you, sir.
01:33:07Thank you, sir.
01:33:09Thank you, sir.
01:33:11Thank you, sir.
01:33:13Thank you, sir.
01:33:15Thank you, sir.
01:33:17Thank you, sir.
01:33:19Thank you, sir.
01:33:21Thank you, sir.
01:33:23Thank you, sir.
01:33:25Thank you, sir.
01:33:27Thank you, sir.
01:33:29Thank you, sir.
01:33:31Thank you, sir.
01:33:33Thank you, sir.